Gary Dranow and The Manic Emotions’ single “Dad” is more than a tune—it’s an emotional voyage that tugs at the heartstrings with its sincere homage to paternal bonds. Engulfed in rock sensibilities refined by an essential storytelling authenticity, this piece emanates warmth, wisdom, and the indelible marks of familial love.
Crafting this poignant narrative are Gary Dranow alongside bandmates from corners as varied as Park City (Utah), Melbourne (Australia), and Ukraine—Chris Zoupa’s electrifying guitar riffs, Jason Jones’ deep-toned bass pulses, Roman Burda’s evocative violin strokes along with Klim Apalkov and Roman Kuznetsov adding layers of intricate sonic textures. This international assembly isn’t just about showcasing their geographical diversity; it speaks volumes of their unity in creating music that resonates universally.
“Dad” draws its inspirational soul from a letter — possibly one filled with reflections on love lost and found through the eyes of a son to his father Harold. It’s this source material that imbues every chord change with raw emotiveness matched only by lyrical narratives reminiscent of legendary raconteurs like Bob Dylan or Neil Young—a story set against a backdrop where each note finds its place within the grand tapestry woven out of profound human emotions.
The strength lies not solely in impeccable musicianship but also shines brilliantly through great male vocals that serve as both narrator and confidante. They guide listeners across trails blazed by affectionate recollections and lessons inherited from years under paternal watchfulness—a voice speaking directly to our shared experiences around family ties.
“Dad”: A Musical Homage to Fathers by Gary Dranow
By blending rock’s inherent intensity with flourishes that hint at Eastern European melodic richness alongside good old-fashioned Australian straightforwardness, “Dad” transcends musical genres. It instead stakes its claim firmly in hearts willing to journey back home musically—and emotionally—to spaces filled by parental figures’ silhouettes cast long into adulthood realms.
In essence, Gary Dranow And The Manic Emotions have not merely composed another track; they’ve painstakingly painted auditory canvases where notes curve gently around memories like comforting embraces or echoes growing faded yet vital still amid life’s cacophonies. Their single stands testament—not simply to creative prowess—but more importantly – encapsulates those unspoken chords struck between fathers and sons everywhere, turning universal truths into symphonies felt deeply beyond mere hearing.
Indeed “Dad” goes beyond melody or harmony—it whispers tales deeper than lyrics could tell alone while imploring us all to find solace in connections timeless against temporal lulls—an endeavor irrefutably successful ensuring it reverberates long after the final note fades into silence.
Guitari Debuts With A Captivating Single Elon Musk
Hey guys get ready to embark on a music journey with GUITARI, the creative genius behind “Elon’s Musk.” This collaborative masterpiece is not just another track; it’s a symphonic odyssey that blends GUITARI’s intricate guitars with iLL Gates’ mesmerizing drums.
“Elon’s Musk” isn’t your typical song; it’s a vibrant fusion of progressive and classic rock, reminiscent of Tipper’s intricate style. With over 40 sound layers, including live guitar and cellos, this track creates a multi-dimensional soundscape that takes listeners on a unique auditory adventure.
We’re diving deep into the heart of “Elon’s Musk” with Guitari himself. From the inspiration behind the track’s creation to its evolution as a spatial audio experience, Ari shares insights into his artistic process and musical influences.
Join us as we uncover the stories behind the music, from his childhood memories of music to his vision for the future of the industry. It’s a conversation filled with passion, creativity, and a whole lot of soul.
So, tune in and get ready to be inspired by the magic of “Elon’s Musk” and the artistry of Guitari. It’s time to let the music take you on a journey like never before!
What is your stage name? Do you ever think about names, and who silly they are in a way. Aren’t we all connected somehow? Part of me wants to just take every name that ever was and just be one big unit, sharing art and energy. I am the oracle lol. Yes, I have gigged under a few names, for the EDM thing, I often go by Guitari, and for most other music, it’s Ari Joshua.
Is there a story behind your stage name? Guitari was like a novelty at first, it was a nickname. My friend Carlos made a logo for me with the Atari logo and furnished a guitar neck in the middle. It was amazing! Those were those years where you really got into a lot of fun stuff.
I kept with it. I want to make a product line, I actually made my own custom guitar picks which I have been using for like 20 years that have the logo there. You can buy some at my store at www.arijoshua.com. I think slippers are the most popular item, bu there is a whole bunch of cool items to buy. Ari Joshua is my first and middle name. There isn’t a story there that I really want to go into. I think I just wanted to have a cool name that looked good on a poster. I love rock posters and poster art. Maybe some day I’ll add a few more names.
Where do you find inspiration? I get my inspiration from the nights I spent under the stars away from the city lights, pondering how it all fits together. I get my inspiration from the pain I have from childhood pain that in some ways will never be resolved but some how that is ok.
I get my rock n roll fuck it feelings by tapping into that time period which really wasn’t my fault—divorce. I get my inspiration from seeing how much humans seem to miss the mark in society, how both we can see ii, and in so many ways we all just turn the cheek.
I get my inspiration from those that stand up and speek the truth. I get it from being heard and seen and from thinking about my dream of sharing my feelings and connecting with others. To explain it all in an interview, even with a library’s worth of words I can’t begin to finish my inspirations list. I get inspiration from sharing my ideas in interviews, and I get my inspiration from reading interviews with people that I respect, admire, love, and from finding layers of truth in their words, and wisdom in their actions. I also get it form kids, and from all the artist I grew up impacted by.
What was the role of music in the early years of your life? I love this question. I grew up singing a lot. We had weekly get-togethers with families before the days of the internet, before cell phones, and we sang songs every week. That was from age 2 to age 10, and I have memories of banging on tables and singing. By 12,
I was obsessed with the blues, jazz, and rock n roll. I was exposed to some really amazing records, and I had a library up the street that let me check out albums. Also, I would go down to Cellophane Square and Tower Records and other stores to listen to new music that was coming out, and you know, I had an allowance for doing chores at my mom’s house. Not a lot, but enough.
A funny memory is there was a Sunday school that my family wanted me to attend, and I didn’t find anything there for me to learn about, I was a well informed pre-teen year old. I wanted to learn about music. I was 12 years old, maybe 13, and they decided to hire me to teach a class on music. I made $15 per class, and the deal was I could buy a new record each week with that money.
Music was always very special to me. Maybe not in a traditional way, like I played from a young age; it was more like an outlet and something I thought was beautiful and inspiring.It kind of blows my mind that I moreless have been the same person since I was about 11.
I was obsessed with the blues, jazz, and rock n roll
Why did you choose this as the title of this project? I have been working on this batch of EDM music forever. I found some seeds from this track ‘Elon’s Musk’ going back to 2010. There really are at least a few albums’ worth of seeds, but I would need to probably find a way to finance the completion.
I spent probably 100, maybe as much as 500 hours on this one, I just can’t quantify it. I was going through a phase of trying to find my voice with Ableton Live, and I wanted that progressive sound I heard from artists like Sixis, Tipper, The Glitch Mob, and Bassnectar.
I was going to Burning Man and really having some divine inspirational moments. I heard in my head a sound where I could mix the guitar and compositional ideas in there, and I knew the cats making that music often didn’t have that sensibility, so I was all in for a few years, honing a craft. I would print and reprint using guitar pedals, fx, and plugins to emulate those sounds.
There wasn’t a lot in the way of tutorials back then. I was never a tutorial person anyway, unless to solve an issue I was stuck on. It was sitting in an almost finished state forever, and I have been doing this vault thing where I am sharing new music from the vault. In 2021, I reached out to iLL Gates, who works with my bestie KJ Sawka from ASD. Don’t worry, I am bringing this home here; iLL Gates runs a mentor, coaching program for EDM producers called the producer dojo.
I immediately felt a connection to him because I have a music school as well – The Music Factory, and frankly, iLL Gates is a genius and he is full of potential and wisdom! I asked him if he could help with the process of finishing some of my EDM tracks, and he was super sweet about it. He offered to bring me into the dojo and have the dojo remix the tracks, something I still want to do!
Anyhow, iLL Gates ended up graciously mixing the song and putting his drums on there to glue it all together, and what he did was subtle and perfect. It totally made the whole thing slap harder. The song was always about space and time travel. It was always about spaceships and spacetime, but with iLL Gates in there, it had to go with the name Elon’s Musk. It was on a few drafts, and it just is perfect.
Also Elon is my South African connection club, I was there the same time he was, he was a bit older, but when I was a toddler he was probably a teen. Being born in Africa is a vibe. I wish I could articulate that but the title is great. Love it.
What are your plans for the coming months? I have been trying to book some shows and build some systems to get the right folks to hear the music. Also, we are queuing up more releases, spending more time in the studio, getting summer camps and other school-related things in order, as well as considering a second location for the school.
I try to let the muse take me between my art with the label and The Music Factory on the education side. Also I plan to play Cuphead, my new favorite video game and spend time with my family out in the woods.
Do you have any artistic collaboration plans? Always. Working on some affiliations for new works and also this fabulous crew of people are all over the soon-to-be-released stuff I am working on in the studio all the time. Joe Doria, Barrett Martin, The Benevento Russo Duo, Reggie Watts, Robert Glasper, ill Gates, Skerik, Russ Lawton, Ray Paczkowski, Delvon Lamarr, Marco Benevento, John Medeski, Billy Martin, Joe Russo, Jason Fraticelli, KJ Sawka, Andy Hess, Eden Ladin, John Kimock, and more. These cats are all over my hard drives, and I can promise that it’s coming, more music is coming I promise you. if I am breathing, I’m working on it.
Are you from a musical or artistic family? My grandfather and his lineage of the family were all singers. More than singers, they were cantors, like they would lead services on holy days in the temple. It’s kind of a whole history that I need to save for another interview, but I feel that presence in my music, in my spirit, in my soul.
My maternal grandfather dreamed of being a jazz pianist, but his family and he were all fishermen. He would come visit from Cape Town and record the radio to take home with him because they didn’t have any programming like that. When he passed away, he left a suitcase of cassette tapes for me, a little bit different there, but we shared that passion in a way.
My mom and dad were not musical, but I looked at them and even at a young age, I thought about what it would be like for them if they did more music. My sister and I loved our music collections, though, and I had lots of friends that did as well. I never met my paternal grandfather but I met his little brother in France. He was a painter and I learned a good deal about the family from him.
Who inspired you to be a part of the music industry? Chronologically Hendrix, old blues guitarists, all Seattle rock like Pearl Jam, Soundgarden, Alice in Chains, Nirvana, then jazz, then Grateful Dead, then Phish. That takes me up to about age 14 or 15. That was enough, really. There was so much other music in between, but that was the roots. Also my high school jazz teacher Scott Brown, and all the kids I made music with and all the teachers I had from ages 12 -22.
How did you learn to sing/write/to play? I learned to make music directly from the records. I used to play along with the radio and play a game to see if I could get it by the end, or figure out if I could add a part to it. I would love when a song would come on 2x in a day or a week cause I would have a head start on it. When the music got more complex, I would dive deeper into the nature of what made it speak to me.
Songs on rock records and blues came faster as I learned to pick apart Miles Davis, Coltrane, and Thelonious Monk. I always wrote my own music. In fact, if I had more projects, I would write more. I enjoy writing a lot; that was always baked in. Basically it was 99% trial and error with lots of grey area for what was an error, and what was rock in roll, or a happy mistake. The play pause stop buttons where pretty worn out on my stereos. I had a music problem I guess you could say.
What was the first concert you ever went to, and who did you see perform? It’s a bit foggy what was when. I mean, I saw a lot of music before I went to concerts on my own. I saw Sesame Street on Ice in MSG as a kid. I can still remember it, actually. We took a bus from Hershey, PA, and it was an adventure. I met Big Bird! But yeah, outside of that, Pearl Jam’s Drop in the Park was a big one.
Around that time, there were a lot of little shows. The Dead Milkmen at the OK Hotel was a great time, and Nirvana was great to see; we saw them a few times as kids. I did see a lot of music though! My dad took me to a Stevie Ray Vaughn show among other stuff.
How would you describe your music? My music is coming from my heart and soul. It’s expressing how I feel in the moment, and it’s a frequency that comes from somewhere else and from inside me at the same time. The music is a mixture of all the music I have ever heard and that has impacted me. It’s part of the story of who I am and what I have lived through.
It’s a freeze frame of what it feels like to be alive in the moment that gets captured in real-time by those in the room and on recordings for future enjoyment. I think describing the art is for other folks to do. I really feel like it is just what it is because I don’t even want to start to put it in a box. If I am playing with someone that plays in a certain style, I want to have my music fit with theirs, but I want to do it in my way.
Describe your creative process. It really depends on what day it is, what week it is, what time of day it is, and who I am working with. If I am working with someone I really admire, I want to bring out the best in what they have, and I try to focus on that sometimes. As an overview, if I have a purpose to compose for, any purpose, I sit down and start to write.
About 1 in 100 ideas will ever get out to the world. This part of the process is relatively natural but requires presence and focus and purpose. Once the ideas are there, depending on the timeline, I either record them as an idea for later, or I develop them. Then I go to play with a band or in the studio and flesh out the form and the feels.
Once that is done, we either record a basic version, and it evolves in the studio, or I hold on to it, and like I said, about 1 in 100 or maybe less than that even gets out of my personal sphere.
What is your main inspiration? Nature.
What musician do you admire most and why? Currently, Stone Gossard. He has taken the time and energy to share advice about my music school and the industry, and I had a year to watch how he manages things, and I was truly impressed by his essence and integrity. He has something I was able to learn from and that I would love to learn more about, that ability to keep things moving and keep growing, both as a family person and as a business person, and as a creative person.
As well as John Medeski and Billy Martin, two folks I got to work with last year who have such a prolific body of work that is just so brilliant to me. The way they really just put their art first and approach the moments. Really, between those three, that’s what’s up for me right now.
I am also just feeling blessed to have had that chance to work with all of them. I want to do more music with more people and get more people listening and playing music, and inspire kids to learn, and musicians to teach.
Did your style evolve since the beginning of your career? My style evolved and is evolving all the time. The only thing I would say is the general public is seeing the evolution in the past tense. For example, a lot of the evolution was already complete by the time I was 25; it’s just been trying to navigate the systems.
Something like Elon’s Musk, this track with iLL Gates and Cory Cavazos that just came out, I imagine would sound totally different than almost any of the music I have shared. There are a few reasons for that, to be honest: depression, and drug use, relationships, so many things, family stuff. I mean, I had an ex-girlfriend take her life.
There have also been some amazing times and revelations and moments of spiritual clarity, times where I was really working hard at the art. I think there are a lot of dimensions to all this. I think it would be more clear if I were able to see that from a third-person perspective. I am not sure I can. My wiring is really made to be in the moment.
Who do you see as your main competitor? I don’t see competition. Not like that. I think we are all different, and the competition is really more an internal thing. We are our own worst enemies and our own best friends and allies in a way.
I can speak to the business of education, my school, The Music Factory, that has seen competition sneak up in our vicinity in various forms that I really don’t need to mention, but it has taught me that there is more to life than comparing and more to life than being worried about competition. It’s not a good use of mind power, I would say, or rather it has not proved valuable to me to focus on. I also see Gannon from Zelda as my main competitor, Zelda is my spirit warrior.
What are your interests outside of music? Outside of music, I am focused on education, family, relationships, business, becoming better, learning to focus thoughts, ideas, intentions, and learning how to use time more efficiently. I like to walk every day, and I like to solve problems, and to rest. I also like space I love space. Space is music, music is harmony and rhythm and harmonics and vibration.
If it wasn’t for a music career, what would you be doing? I would hope I would be a doctor or a spiritual leader. That was always the aim before I started to play. Music seemed to be in the middle. In a way, I had a hard childhood. I had a really hard time, and if I had a better time, I would be out there doing computers, medicine, or building a community somehow. The music just kept me together and gave me a purpose and a mission, so in this lifetime, that’s it. That’s the only career.
What is the biggest problem you have encountered in the journey of music? The biggest obstacle I have encountered is wanting to make a really special connection with other players, wanting to have a band, and having it not work out. I would say the obstacle was communication. I think I tried in most cases to be the best I could, to really be there, to be there to have the conversations, to work out any issues, and put the music first.
I really value those relationships. I think this time is a time where folks have so many options, maybe too many options, and you learn that it makes things really hard to keep going at a collaborative level. I know I am signed up for it, but I also get it. I am also pulled in many directions. So the problem is both the solution and the obstacle – potentiality.
On the one hand, I see so clearly the vision of what can happen if we all work together, and on the other hand, maybe I have tried too hard to hold on to some of those ideas, but yet on another hand, some of those notions have led to all the great amazing things that have happened as well over the last 15 years.
If you could change one thing in the music industry, what would it be? Dang, there are 1000 things I would change. I wish I was president; I would run on an artists-first platform. A society that takes care of its visionaries and artists is a society that the rich and the poor and the middle class all appreciate much more. I would change the streaming paradigm, take big tech money and the bank loan money, and be real about how much they are undervaluing the arts.
Give artists 0% loans for the arts, and make an art tax so all artists can get medical, dental, holistic care, and make art and be able not to need a day job. I would also want to get help resonating with new audiences. The industry doesn’t make that easy unless there is some financing involved. I often see that touring acts have at least one member getting love from their families to make it work.
It should be based on the core value the art and artists bring to the world as the driving force. Also I would change mp3’s I get it is convenient but the quality is not as good as flac, or tape.
What message would you like to give to your fans? It’s a wild world we are in here, but it may be better than we think. I think if there is a way for you to access the better moments in life, honor that way, amplify it, share it.
These Streetlights' By Mercurius Would Guide You Back Home
Get ready to groove to the beats of love with Mercurius, the dynamic father and son duo from the UK. Their latest release, “Streetlights,” is making waves in the music scene, and we’re here to dive into its soulful vibes.
“Streetlights” isn’t just your average love song. It’s a journey illuminated by the glow of street lamps, guiding lovers home to each other’s arms. With its blend of progressive and classic rock, this track is like a warm embrace on a chilly night.
Clocking in at a whopping six minutes, “Streetlights” isn’t in a hurry to end the magic. It’s a duet between two souls yearning to reunite after a long day’s work. And guess what? They’ve got the talented Jasmine Crichton on board to add her own touch of magic to the mix.
We’re chatting with James and Paul Brown, the masterminds behind Mercurius, to uncover the inspiration behind “Streetlights” and what makes their music so darn special. From their past hits like “Make a Difference” to their latest gem, Mercurius is all about spreading warmth and meaning through their tunes.
Join us as we delve into the heart of “Streetlights” and discover why Mercurius is a name you’ll want to remember. It’s time to let the music light up your soul!
Listen to Streetlights below https://open.spotify.com/track/14JG5g7gB2kXexJvWL9Cgx
Is there a story behind your stage name? We wanted to distance ourselves from our original name James & Paul as we wanted to be seen to be more of a band than a duo. Mercurius is a Roman god and seemed like a cool name
Where do you find inspiration?
We take inspiration from artists who have achieved success without compromising like band such as Radiohead, Muse etc. We like to think we’re the same although you need to be careful as it’s so easy for other bands tunes and melodies to fester in your subconscious. Lyrically themes can range from current affairs, past wars, to love and family
What was the role of music in the early years of your life? Music can be uplifting, depressing, motivational etc etc. It has always been important in our lives
Are you from a musical or artistic family? There are some musicians in the family but no one of note. There was a grandad who used to play piano all night in pubs and would be paid in alcohol throughout the night. I always wondered what he would have sounded like by closing time!
Who inspired you to be a part of the music industry?
The attraction of doing something you love as a job (we still work so obviously haven’t achieved this yet)
The attraction of doing something you love as a job
How did you learn to sing/write/to play? James has had guitar lessons but Paul is self taught. James has always had a great singing voice
What was the first concert that you ever went to and who did you see perform? James isn’t one for seeing other bands perform. Paul’s first gig was U2 and The Comsat Angels at the Mayfair in Newcastle
How could you describe your music? Uplifting (usually), original, mass appeal. Paul’s songs are guitar driven while James’s are vocally driven
Describe your creative process. Basically this is to mess around on the guitar until you play something and you think hold on I like this. The song just grows from there
What is your main inspiration? The guitar, mostly originating on the acoustic
What musician do you admire most and why?
As above, we admire bands who haven’t had to compromise their music. Radiohead are the standout band in that respect
Did your style evolve since the beginning of your career?
James’s original taste in music was hard core dance so you could say he’s evolved quite a bit, although he’s always been a fan of artists with great harmonies like Simon and Garfunkel. We’ve become a lot more confident in our music since we’ve had an albeit small amount of success. We also now have a regular routine in the studio which helps
Who do you see as your main competitor? We don’t really see other bands as competitors. We’re all in this together
What are your interests outside of music?
James runs a gym in Newcastle and so is very into his fitness. We’re both massive Newcastle United fans. Paul also keeps fit through boxing training, running etc
If it wasn’t a music career, what would you be doing?
What we’re doing now which is James in his gym and Paul in his accountancy practice
What is the biggest problem you have encountered in the journey of music?
Spotify royalties are pitiful and should be looked into but they appear to be too powerful to be questioned about this. Coming from the North East is also an obstacle for anyone wanting a music career although Sam Fender has hopefully helped with this. Neputism is also a massive problem in the music industry
If you could change one thing in the music industry, what would it be?
Grants to young kids starting out so they can afford decent guitars and amps etc
Why did you choose this as the title of this project?
Streetlights is James’s song which has a simple theme about coming home to your loved ones
What are your plans for the coming months?
We have 4 or 5 amazing tracks we want to get recorded before August then, if these have been received well, put a proper band together to do some gigs
Do you have any artistic collaboration plans
We get asked all the time but it’s really hard to fit extra projects in at the minute. James has a friend who is doing quite well in the dance scene so we’re always up for seeing what he can do with our songs
What message would you like to give to your fans?
Please support us by downloading our songs which in turn means we will be driven to go on the road where you will be able to see us perform live
Unveiling #LOFIDUKE: A Conversation with Chris Malloy"
Today we in talks with Grammy-nominated producer Chris ‘Big Duke’ Malloy and his debut solo instrumental EP, #LOFIDUKE Vol 1, the EP heralds a new chapter in his outstanding artistic journey. #LOFIDUKE Vol 1 is headlined by ‘Original Eazy,’ which inspired The Game’s and Kanye West’s hit song ‘Eazy,’ the EP takes listeners on a musical cruise where they will be exposed to Big Duke’s immense talent.
With a decade of experience in the music industry and more than 300 million streams, Big Duke is all set to reshape the frontiers of quality production. He was born and raised in Cleveland and now based in LA. From collaborating with icons like Kanye West to The Game, 21 Savage and Diddy, his resume speaks for itself. His work on Symba’s “Results Take Time” and The Game’s “Drillmatic” proves that he is not only a talented producer, but also a visionary.
In this exclusive interview Big Duke sits with us and divulges the influences that shaped his music and the path led him to this point. Musician Big Duke begins his story in Cleveland, where he came from a humble background, and he shares with us his creative process, musical influences and goals.
Is there a story behind your stage name? The name Duke originates from my grandmother it’s actually a family name
‘ The Duke ‘
Where do you find inspiration? Everywhere the world is a stage for inspiration. It can be something as little as a song playing on a commercial or a string section playing from a movie. Literally anything can inspire or spark an idea
What was the role of music in the early years of your life? Music was the soundtrack to everything that was going on. Family events , car rides to school , parties etc music was everything especially growing up in the 90’s lol
Are you from a musical or artistic family? I come from a blue collar working middle class family. Others in my family have artistic abilities but often never pursued.
The Midwest is ruff dreams are far and few but a good hourly job u can work til u retire that’s usually the goal smh. I took a different route. Far from the norm
Who inspired you to be a part of the music industry? I wouldn’t say I was inspired to be in the industry being someone from ohio I never thought about it even being possible. Me and my friend just wanted the city to hear what we were doing. Somehow we managed to get the world to hear it.
Duke_x_Game
How did you learn to sing/write/to play? Early years I had choir in school. If it was any class that I payed attention in music definitely was the class. For some reason it just spoke to my soul.
What was the first concert that you ever went to and who did you see perform? I’ve been to so many concerts in my lifetime it’s hard to remember the first lol but I can remember one of the first rap shows. It was “ Project Pat “ me and my friend and fellow artist ‘ Chip Tha Ripper ‘ waited stageside at a classic now closed cleveland venue “ The Metropolis “. He didn’t start performing til 1am we definitely weren’t old enuf to be in this place but we snuck in and boy was it worth every second. He performed all our favorite songs at the time that concert changed my life.
How could you describe your music? Melodic , rhythmic , chest pounding drums…. I like music that instantly takes u somewhere other then where u are listening to it at. My music is a ride lol
Describe your creative process. My creative process is different than most. It never really stops or starts its ongoing. I can wake up and it will be music on my mind that I have to get out. I can start chopping samples on my phone or saving them in notes while listening to music. I Literally can be creative anywhere
What is your main inspiration? My inspiration is the feeling of touching the world musically. Music heals all I’m a healer
Music is my medicine and will heal the world.
What musician do you admire most and why? Ye for blunt honesty
Jay z for his hustle and infrastructure
Pharrell for his attention to detail
Timbaland for his brain and ideas
Dr Dre for his genius
Did your style evolve since the beginning of your career?
Yeah I’m always evolving but keeping things I learned along the way
Who do you see as your main competitor? The man in the mirror lmaooo
Although cliche I thing I’m my biggest comp. I wake up everything trying to beat the day before
What are your interests outside of music? Cooking if I wasn’t a producer I would be a chef. I literally get the same feeling and it requires the same focus and attention to detail.
If it wasn’t a music career, what would you be doing?
A chef , or instructor of some sort I love teaching and helping lol
What is the biggest problem you have encountered in the journey of music? Lack of care for others. Sometimes it’s a dog eat dog world when it comes to business.
Side Chain Breaks the Ice With Their Latest Single 'Equipoise Delirium'
Side Chain’s journey began in 2015 when Dustin Miller and Stephen Shatzer formed the band, later joined by John Kyzer, James Pennington, and Nathan Cameron, the rock band is making a powerful comeback with their latest track, “Equipoise Delirium,” after a five-years break. This sound is sure to tickle your nerves with its dark undertones and infectious radio-friendly vibe.
Their musical journey hasn’t been a smooth one, they’ve being through the highs and lows, marked by the tragic loss of their friend, John Kyzer, during the creation of “Subterfuge.” However, they persevered, with Mike Helmbeck stepping in to help complete the track and continue the band’s legacy.
Now, in 2024, Side Chain is back in full force, ready to rock the airwaves with their unique sound. In this exclusive interview, we sit down with Dustin, Stephen, and James, the creative minds behind Side Chain, to delve into their musical influences, creative process, and future plans.
From their humble beginnings to their musical evolution, Side Chain opens up about their inspirations, challenges, and aspirations. So, grab a seat and join us as we explore the world of Side Chain, where music is more than just a passion—it’s a way of life.
What is your stage name? Dustin: Don’t have one currently.
Stephen: I don’t have one.
James: Chip
Is there a story behind your stage name? James: Years ago I met a man while I was at an airport in Ireland. We’ve remained friends to this day. His name is Chip, so I took it and it stuck.
Where do you find inspiration? Dustin: Everyday life
Stephen: Hearing a song that moves me and inspires me to keep writing.
James: Daily Life
What was the role of music in the early years of your life? Dustin: Parents were always listening to music ever since I was young.
Stephen: I started playing hip-hop ever since I could write. Started writing lyrics and making beats on a keyboard. I didn’t really get into rock and metal until I was in my mid to late teens.
James: Both of my parents and older sister were Into music when I was growing up. I got the full spectrum.
Are you from a musical or artistic family? Dustin: Musical
Stephen: Not really. Grew up in a religious household so wasn’t allowed to listen to a lot of music (except for Christian music and 80’s rap). I kind of found my own calling.
James: Both.
Who inspired you to be a part of the music industry? Dustin: My parents
Stephen: It wasn’t until I heard the first Pantera album when I figured out where I really wanted to go musically.
James: I would say probably my mother the most.
How did you learn to sing/write/to play? Dustin: Self taught and still learning
Stephen: Self taught mostly however I did take piano and violin lessons when I was young which also taught me music theory. As far as playing drums, I had such a passion for it that I practiced for hours a day for about a year until I started getting decent at it.
James: Self taught
What was the first concert that you ever went to and who did you see perform? Dustin: My parents took me to a Cheap Trick show when I was 6
Stephen: The earliest I can remember is seeing Rob Zombie and Korn.
James: Grand Funk Railroad
How could you describe your music? Dustin: Mostly Dark with a hint of Party animal
Stephen: I would say dark with some melodic elements
James: Melodic with dark subject matter.
Describe your creative process. Dustin: Jamming along to other songs gets the juices flowing. Stephen: Hearing a guitar line and evolving the production from a simple scratch track to a full production. James: I’ll hear something, and if it clicks , and the chemistry is the lyrics almost kind of write themselves.
What is your main inspiration? Dustin: My son Stephen: In life, my wife and kids. In music, creating music that people enjoy. James: I want to reach people on a very personal level.
What musician do you admire most and why? Dustin: Buckethead. Very versatile and you can feel all the emotions in how he plays. Stephen: I don’t think I could pick just one. Sometimes it’s the entire band that contributes to the overall sound in my opinion, which is what I admire most. If I had to narrow it down I would say Dimebag Darrell, Vinnie Paul, Matthew McDonough, Matt Greiner, and Danny Worsnop. James: Oh man, so many! James Hetfield, Maynard James Keenan, Pete Loefller, Chino Moreno, to name a few. Theire music has all touched me in so many ways.
Did your style evolve since the beginning of your career? Dustin: Yes Stephen: Absolutely James: Yes
Who do you see as your main competitor? Dustin: I’m not big into competition. Stephen: I don’t believe in being competitive when it comes to music, especially local music. I believe everyone should be helping each other instead. Although friendly competition amongst friends is always fun. James: I’m always competing with myself daily.
What are your interests outside of music? Dustin: Traveling, fishing, watching sports, hanging out with my son and family Stephen: Firepit nights with the wife, hiking, being out in nature. James: Writing, hiking, nature
If it wasn’t a music career, what would you be doing? Dustin: Playing pro baseball Stephen: I enjoy working on movies/film production James: Book author
What is the biggest problem you have encountered in the journey of music? Dustin: Sometimes you go through periods of writers block. Stephen: Balancing time to work on music James: Finding time to get into the studio
If you could change one thing in the music industry, what would it be? Dustin: Local radio stations should help local bands get their music out there and be more involved in the local music scene. Stephen: An easier way to make your music heard. James: Getting your music to more people.
Why did you choose this as the title of this project?
Dustin: It’s cool sounding lol Stephen: James came up with it. The song is about loss and grief and I thought the name was fitting. James: The theme of loss and grief played a big part in it.
What are your plans for the coming months? Dustin: Write more songs Stephen: We have a couple new songs already in the works. James: My goal is always to do my very best to make the next song better than the last one.
Do you have any artistic collaboration plans Dustin: At this current point in time, not at the moment Stephen: Not planned, but it’s possible. James: I’m always open to the possibility.
What message would you like to give to your fans? Dustin: Thanks for digging the music!! We love you all!!! Stephen: Thank you for the support! James: Never give up, no matter how hard it gets, and always stay true to your self.
The Josh Hicks Story: Music, Memories, and 'Home Is Where The Heart Is'
Welcome to an awesome chat with Josh Hicks, the guy behind “Home is where the Heart is.” If you’ve been vibing with his previous hits like “Self Seeking” and “Everything About You,” you’re in for a treat with his latest track.
In this interview, we’re going to hang out with Josh and talk about what makes his music special. We would begin by getting to know where is from to his biggest form of inspiration, then jump to know the type of person he is outside music, thus, when he is not making music. Think of it like catching up with a friend over a cup of coffee, except this time, we’re getting the inside scoop on Josh’s musical journey.
From growing up in a cozy Welsh village to making waves in the music scene, Josh is all about keeping it real. We’ll hear about the stories behind his songs, the artists who light up his playlist, and what keeps him going when the going gets tough.
So join us as we dig deeper into the life of this multi-talented artist.
Is there a story behind your stage name? There’s actually 23 years’ worth of stories behind my stage name as this is the name, I was given at birth; albeit Joshua not Josh.
Where do you find inspiration? I have grown to love song writing; it’s how I cure my boredom on a frequent basis. I try my best to write about my personal life. However, sometimes there’s nothing to write about, sometimes I will write about a character that I connected to in a movie or draw from family and friends experiences. To sum it up I actually enjoy putting myself in other people’s shoes and trying to write about it, I suppose subconsciously I find it helps me connect to someone’s situation a lot easier. On the whole, personal experience is my main focus.
What was the role of music in the early years of your life? Where to start. Entertaining has also been something I was into from a young age I always felt like I was put on this earth to simply make people happy. I tried magic, gymnastic, dancing and finally settled on singing. My singing gradually came to the forefront of my life as I tried out all the other forms of entertaining first.
GCSE and A-Levels are where my love for music prospered. My music teachers encouraged me to my fullest. Allowing me to sing with the big band for practice but also for gigs and getting me down local pubs to sing live to build my confidence. University was a big jump for me having to sing in a room full of other talented musicians in their own right. Forcing myself out of my comfort zone is now something I quite enjoy doing.
Are you from a musical or artistic family? Not really, my mum was into her arts and crafts when she was younger, and my dad has a good eye for manufacturing and business. My mom graduated with a degree in sports psychology which I guess has helped me write about other people’s experiences when I’ve felt like it.
Not really, my mum was into her arts and crafts when she was younger, and my dad has a good eye for manufacturing and business.
Who inspired you to be a part of the music industry? As cliche as it might sound my parents actually. They supported and nurtured my love for music and entertaining. I grew up listening to so much music that I believed I lived in a world where singing was just something everyone could do naturally.
I was surrounded by whoever was current at the time and also my parents’ favorites, such as; Micheal Jackson and Whitney Houston to name a small few.
How did you learn to sing/write/to play? I’ve been singing in general, ever since I was a young kid. However, performing started just before I started uni. Going to open mic nights that my A-level music teacher set up, performing with a big band which started because I need to do something for my a-level course. I built my confidence up at my pace with the help and guidance of others (I think that’s really important!).
I started writing around 2020 as it was somewhat of a requirement for a module at uni. I’d been told multiple times by people to start writing, jot ideas in a diary. I got a lot of the shit ones out of the way and then started to feel more comfortable and confident in my writing ability!
What was the first concert that you ever went to and who did you see perform?
You know what I’ve actually been to quite a few with my friends. The one that comes to mind, straight off the bat is Jedward. I was young and it was for my twin best friend’s birthday if I remember correctly.
My parents did take me to shows and pantomimes when I was younger so it could have been one of those as well. I believe Micheal Jackson would have been my first, but he died shortly after my parents bought the tickets.
How could you describe your music?
My music is a mixture of Pop and soul at the moment. I’ve got a few songs under my belt that are more towards the R&B and Jazz which I’m super excited to release. I guess a good name for my genre which I never have identified myself as; is neo/soul.
Describe your creative process. Normally and preferably, I liked to start on piano get the chords and build of that. Lyrics are usually the last thing I worry about. Sometimes I go to the studio where I bring a reference track and say let’s try do something like this, then we build of it like that. However, that probably is my least favorite way of writing as it doesn’t feel very organic, making it harder for me to connect to the song.
What is your main inspiration? Truthfully, I always struggle to answer this question as there are SO many amazingly talented artists out there that inspire me everyday. However, if I was to pin point it I’d have to list; Amy Winehouse, Adele, Micheal Jackson and currently, Raye.
Truthfully, I always struggle to answer this question as there are SO many amazingly talented artists out there that inspire me everyday
What musician do you admire most and why? As I said earlier, Micheal Jackson and Whitney Houston will forever be the main reason I love music and find/found it so magical to begin with. Later finding artist like Chaka Khan, Lauryn Hill, Luther Vandross, Sade, Stevie wonder, Amy Winehouse and Queen they all broadened my horizons with music. I guess in some way I inspire to be like everyone there I mentioned.
Did your style evolve since the beginning of your career?
In some sense yes, my hair went from permed to the natural wave with blonde running through it. I’m not very adventurous when it comes to hair styles, I feel like us men lose it quicker, so we are more precious over our hair. Clothing wise I guess it’s been somewhat the same. I’ve only released music a year ago, so I guess not much has changed in that year?
Who do you see as your main competitor? Call me naive or whatever, I try not to look at other artist as competitors as I truly love to support and help others.
What are your interests outside of music? I don’t wanna say I’m just music oriented, however I sort of am. I do love my downtime when I can get it. In the warmer months being in the garden looking after the plants is fun for me, just not a fan of the wasps! You know I do enjoy a night out with my friends as well, especially festivals when it’s warmer!
That aside, I used to be a Ballroom and Latin dancer where I’d travel all around Wales and England competing and having lessons, was so much fun, especially the lessons!
If it wasn’t a music career, what would you be doing? Funny I just had the conversation with my friend and bass player, Alex Hancox. I said I think I would have pursued psychology, maybe forensic or criminology. I have quite the weird fascination with all things about the brain. Whether it’s about the brain itself or understanding what makes us tick. I get this from my mum 100%! Neuroscience I guess would be an alternative?
What is the biggest problem you have encountered in the journey of music?
I think communication. It’s never easy to communicate through email/ texts. However, that seems to be the way most people operate in the music industry, or how I like to call it the business industry.
As it sometimes feels like the industry is 80% business and 20% music. Also, another bug bare is people not reading fully what you’ve sent them. I know a lot of people I email are seriously busy, but they sometimes miss the curial information I give them. For example, the release date haha. So, lesson learnt PR emails sent out 2 weeks before, radio and playlist 1 week before or after release.
If you could change one thing in the music industry, what would it be? It would either be the pay system (streaming) for artists or how social media followers means more than good music. Infact, now I’ve said that it’s probably the later. There’re so many talented artists out there who won’t even get sniffed at by labels because their following is too low.
Meanwhile influencers who one day decide they want to release a song get snapped up because they have a big following. Unfortunately, the music industry seems to be fueled by money rather than music. They must be confused with the alliteration between money and music?
What are your plans for the coming months? I have so many goals: some of them are realistic, others for now are unrealistic. I guess just to keep going, not to be in the same place this year as I was last year. Personal growth, I guess? I have my first gig in London, 25th March (venue is a secret until 36 hours before the event) with a company called Sofar Sounds. Folk at the Moon in Cardiff 23rd April. I do have a secret of my own coming up in early May, if you live in Cardiff keep your eyes peeled! ;))
Do you have any artistic collaboration plans There’re a few people I’ve contacted and want to contact with collabs. However, I’m waiting for replies from some of them. This is how it tends to go with collabs from my experience. People say yes and then you never hear from them again. I used to think there was a special business that was the medium between artists to action and plan the collabs for us. However, that sadly isn’t the case to my knowledge.
What message would you like to give to your fans? As an Independant artist my main thing is to say enjoy my music. Let me know if you connect with it. If you want to help me out, following me on literally everything from Spotify to YouTube to TikTok. Every follow helps my algorithm which intern helps boost my reach to a wider audience. This could lead to labels favoring me over another artist for example. If not just streaming my music or liking my posts helps significantly.
Helena May Lights Up the Scene with “Lifetime Supply”
In the effervescent single “Lifetime Supply” from Helena May, listeners are treated to a sonic journey that feels both refreshingly novel and comfortingly familiar. This trackᅳa captivating forerunner to her much-anticipated album “Puzzle Pieces”ᅳweaves an intricate tapestry of pop sensibilities with the profound grooves of funk and soul, creating an infectious soundscape that urges you onto your feet.
May’s vocal prowess is nothing short of remarkable, commanding attention with every note. Her voice serves as the perfect vessel for delivering poignant themes of self-love and individuality, set against the backdrop of an upbeat tune that belies the depth of its lyrical messages. It’s this unflinching authenticity interlaced with vibrant melodies that positions “Lifetime Supply” not just as a song but as an anthem for anyone navigating the path towards self-recognition in a world often too focused on external perceptions.
Helena May Lights Up the Scene with “Lifetime Supply”
The influence of producer Fabian Wollner is palpable throughoutᅳhis deftness in blending genres brings forth a modern twist to classic sounds, characterized by funky bass lines from Michael Reitinger and electrifying guitar riffs courtesy of Emanuele Fusaro. Josef Hinterhölzl’s drums provide a heartbeat to this vivacious number while David Dolezel’s keys are like glimmers of sunlight through cloudsᅳbrightening and uplifting at precisely the right moments.
What further distinguishes “Lifetime Supply” is its music video; directed by Wollner himself, it offers humor as a lens through which we might examine our quest for validation. Featuring May’s live band alongside spirited actors going about exaggerated routines aimed at boosting their esteem mirrors how we all sometimes misstep in recognizing our inherent worth.
Helena May Lights Up the Scene with “Lifetime Supply”
Comparing Helena May to giants who have tread similar paths reveals her unique offering: she channels echoes reminiscent perhaps of Chaka Khan’s rhythmical spirit or Gloria Gaynor’s anthemic empowerment yet places it firmly within today’s musical lexicon combining relatability with timeless appeal.
As part one signals towards what could be discovered in “Puzzle Pieces,” fans new and old can find solaceᅳand maybe even themselvesᅳin these beats infused with sincerity and joyous energy equipped by May & Co.’s collaboration.
Surely if “Lifetime Supply” tells us anything about what ‘s forthcoming then brace yourselves: we’re not merely waiting on an album but anticipating revelations wrapped in rhythms designed not only for listening joy but heartful introspection!
Discover the Dreamy Depths of 'Siren' by 59 Perlen and Ingeborg
In the sea of electronic music singles, “Siren” by 59 Perlen featuring Ingeborg emerges as a captivating beacon of sound and emotion. This collaboration between two distinct solo artists serves not just as a harmonic melding of genres but also delivers a poignant message on compassion, love, and solace in an ever-conflicted world.
“Siren” is no ordinary track; it’s an odyssey through dream pop landscapes sprinkled with dubtechno beats and ambient whispers that echo the essence of house music. The blending of electronic precision by 59 Perlen with classical influences adds depth to this immersive experience. Coupled with Ingeborg’s undeniable skill in weaving rich vocal melodies around emotive storytelling, “Siren” feels like a warm embrace in sonic form.
From the start, the song immerses you into its world – one where every beat and note carries weight yet floats light as air. The minimalist yet danceable groundwork laid down by Zurich-based German artist 59 Perlen creates a canvas for Dutch singer-songwriter Ingeborg’s dreamy voice to paint stories upon. Her contributions are nothing short of ethereal, adding layers upon layers of emotional nuance that resonate deeply within listeners’ hearts.
Discover the Dreamy Depths of ‘Siren’ by 59 Perlen and Ingeborg
The magic lies in how effortlessly these artists have brought their unique backgrounds together — from 59 Perlen’s fascination with creating storytelling through minimalist tracks to Ingeborg’s talent for stirring emotions through her melodical prowess and experimentation with soundscapes. It proves that when artists step out from their comfort zones to collaborate genuinely, something beautiful can emerge.
Listening to “Siren,” it’s easy to draw parallels with pioneers who have blurred genre lines before them – think Cocteau Twins’ dreamy vibe meets Brian Eno’s ambient mastery, all while nodding respectfully at modern club culture elements that get your foot tapping without realizing it.
Discover the Dreamy Depths of ‘Siren’ by 59 Perlen and Ingeborg
Beyond its musical excellence, “Siren” encapsulates themes crucially relevant today — urging us towards empathy amidst chaos simply through its serene delivery alone. It doesn’t scream its messages at you; instead, it invites you into its world gently but firmly—a testament to both musicians’ expertise not only as technical wizards but also emotional storytellers.
For fans across spectrums—from those who relish deep dives into layered compositions filled with intent and nuance, to casual listeners seeking solace or perhaps just an elegant tune—“Siren” offers something rare: A thoughtful reflection presented elegantly enough for anyone willing to listen closely will find immense value here—an exquisite example demonstrating why sometimes less indeed means so much more.
Even as a child, amidst the run-of-the-mill routines life, Leekayja was able to identify his passion, he made this discovery on a beach, where he LEEKAYJA out with Save me,LEEKAYJA releases Save me,LEEKAYJA with Save me,LEEKAYJA drops Save me,Save me by LEEKAYJA,Save me from LEEKAYJA,LEEKAYJA,Save me,LEEKAYJA Save me,Save me LEEKAYJAsaw a young boy playing the acoustic guitar, and since then he has been so attached that he started taking lessons on how to play the guitar.
Back in 2005 when he immersed in the Italian heavy metal and rock scene, Leekayja’s musical talent went to a whole new level due to his work ethic and passion for the craft. Bounding through the limits of the established genres, he engaged in music production and also explored areas of sound and composition which were never covered before.
In 2023 Leekayja finished his creative journey with the release of The Leekayja project, showcasing his limitless talent and innovative thinking in music. His introduction track titled “Save Me,” produced in December 2023, enthralled audiences with its striking combination of edgy electronic dance rhythms and thoughtful guitar melody, creating an atmosphere of his distinctive musical aura.
The art of music is an extraordinary journey, a world that Leekayja frequently takes us to, challenging the norm and encouraging us to discover the power of music in our daily life.
It is an anagram with the names Jay and Keela. They are the names of two virtual voices of the software EmVoiceOne that I used in may tracks
Where do you find inspiration?
In everyday life. in my personal experiences, in my dissatisfactions
What was the role of music in the early years of your life?
I learnt to play the guitar and appreciate music late, at 14 years old. , so my adolescence was all based on the idea of wanting to form a successful band
Are you from a musical or artistic family?
No
Who inspired you to be a part of the music industry?
I think one band above all, Duran Duran. I grew up with their music then moved on to rock and metal (even extreme). But Duran have always remained a reference
How did you learn to sing/write/to play?
When I was 14 there i saw a boy who played acoustic guitar on the beach. I was fascinated and so I decided that I had to learn to play the guitar. I’ve always been out of tune though….I cannot sing…in fact I use virtual singers;)
What was the first concert that you ever went to and who did you see perform?
LITFIBA ( new wave Italian band) when I was 17, then U2 and Duran
How could you describe your music?
I don’t know.. melancholy pop rock? (haha) I know that my goal is to try to combine the strength of metal rhythms with the immediacy of pop melodies. Which is what Dark Tranquility (from whom Leekayja is very very very far away) did in part, even if they sing in “growl” so it’s not easy to perceive it.
Describe your creative process…
I start by jotting down a few words or some musical ideas, then if the moment is the right one the song arises by itself like a flow, word after word, idea after idea… it doesn’t always happen though
What are your interests outside of music?
Music doesn’t give me money to live on. I am an engineer and in my free time, in addition to playing, I do sports (Kung fu and windsurfing). I love technology especially when applied to music.
What is the biggest problem you have encountered in the journey of music?
The music market is the problem. If you don’t sell, no one pushes you, if no one pushes you, no one listens to you. You must necessarily be aligned with the fashion of the moment otherwise it is very difficult to get into the business…. I would add that the masses largely only listen to what is advertised or pushed through the media,
If you could change one thing in the music industry, what would it be?
The mainstream system
Why did you choose this as the title of this project?
“Save me” is a cry for help against loneliness and emotional sterility
What are your plans for the coming months?
To record other 5 or 6 new song that are almost ready.
I've always loved music. I can recall my mom and dad playing music in the kitchen back when I was 3 or 4 years old, and I would just dance away.
Reputed for his thought-provoking lyrics, 4Seasons is a multi-talented musician who poses as a singer, songwriter, and today we had the chance to have an in-depth conversation with him.
His latest song, ‘Handle You’, delves into the complexities of breakups with a refreshing spin, dividing the narrative into two halves: the first one was about the earlier sadness and the other on the growth and the self-realization. While the music of 4Seasons is an embodiment of fortitude, it mirrors the same ideology that time conquers all.
Being exposed to the giant music personalities like Drake, Juice WRLD and Eminem at the beginning of his career has been a formative moment in his musical journey. From this stage he has been influenced by a variety of producers, such as Quadeca, SSJ Twinn, wifisfuneral and blvck sam. This conglomeration is reflected in his style and sound which is a heavy influence.
Through our journey into the core of his creative process and inspirations, we discover how he transformed and was challenged as well as envisioning his future. Witness the unveiling of the artistic and seasonal music sounds that constitute his musical scenery as we embark on this journey together.
Listen to Handle You below https://open.spotify.com/track/35Bxft3zliRzI3cam5Z3zG
Is there a story behind your stage name? There is one major inspirations for my stage name: the “4” is derived from my favourite artist “Quadeca” (Quad, 4).
Where do you find inspiration? I write a lot about past situations I’ve been in, as well as how I could envision my future being moving forward in my life
What was the role of music in the early years of your life? I’ve always loved music. I can recall my mom and dad playing music in the kitchen back when I was 3 or 4 years old, and I would just dance away. Music has such a unique way of connecting people, and that’s what’s always drawn me to it.
4Seasons Breaksdown His Recent Single ‘Handle You’ In Recent Interview
Are you from a musical or artistic family? I do not, I’m the first artist in my family. My sister is learning the guitar, but that’s about it from the family side of things.
Who inspired you to be a part of the music industry? My biggest influences were artists Quadeca and Logic. I loved how simply brilliant they’re speed and style were. I always wanted to rap fast, but over the years I’ve grown to embrace a slower, more somber style of music.
How did you learn to sing/write/to play? I never took any course or class for anything in my music career. I figured everything out on my own through sheer will and practice. For a completely independent artist I’m incredibly confident in the work I’ve been able to produce up to this point.
What was the first concert that you ever went to and who did you see perform? In 2019 (Just before COVID) I had to opportunity to watch Logic perform in Vancouver, and the show was incredible. The entire crowd was feeding into the performance, it felt as if the entire building wa shaking. Definitely an experience I won’t be forgetting anytime soon.
How could you describe your music? My music style is sort of all over the place, as I’ve made some somber tracks, some high-paced rap tracks, and many in between. I would say I don’t really have a set style, but rather I excel in many different styles (another reason why I chose the name “4Seasons” as my diversion into the difftt we ent genres would resemble the differences of the four seasons).
Describe your creative process. My creative process is quite simple, I just sit down with my notes app open and a great beat playing, and I just start writing. More often than not these tracks aren’t exactly to my liking in quality, but when I do stumble into a great idea I just run away with it, losing track of time completely.
What is your main inspiration? I would definitely say my strongest inspiration for writing music is to bond (Both myself with others, and others with others). There is no possible way to explain the effects that music has on our ability to relate to one another and unite even the largest crowds, and from a very young age I wanted to be a part of that.
What musician do you admire most and why? Quadeca will always me the musician I admire most. He creates, records, mixes, and masters all of his tracks on his own, and he’s never been afraid to make music his own way. He’s never made his music a certain way solely to appease any canvass, and I respect him and his work so much for that.
Did your style evolve since the beginning of your career? I used to rap extremely fast. I wanted to get as close to Eminem’s speed as I possibly could. However, I’ve slowly evolved to realize that a “fast rap speed” doesn’t automatically make a song any better than a slower paced song. Nowadays I very rarely dabble in that Eminem style rap.
Who do you see as your main competitor? Myself. I always want to be a better artist than the one I was yesterday. Constant improvement is the goal.
What are your interests outside of music? I played competitive basketball for 5 years, so I play recreationally all the time nowadays. I also love business, I recently started my own window washing company (I’m 18 years old) and so far I’ve seen overwhelming success.
If it wasn’t a music career, what would you be doing? Definitely something in the realm of business. I’ve always been drawn to that sector of the world, and I’m confident I would excel in any business-related position.
What is the biggest problem you have encountered in the journey of music? I dealt with a massive writing block about a year ago. For some reason my process just stopped working for about 6 months. It was grueling, but I knew I had to stay persistent and that I was bound to break through my slump at any point. I’m so glad I stuck through that time in my music career.
If you could change one thing in the music industry, what would it be? While not exactly a “feasible” change, I wish that relatively unknown artists could be judged by the value of their sound rather than the value of their name. There’s a pretty decent chance that the most talented musician alive isn’t very well known because that individual doesn’t understand how to market themselves or their music, and that definitely frustrates me from time to time.
Why did you choose this as the title of this project? In all honesty, I thought the word play in the song was really unique and I wanted to make it the focal point of the package. (Ain’t gon’ grab your Instagram, I don’t think I can Handle You, “Handle” meaning Instagram handle as well as being unable to deal with a relationship with this person).
What are your plans for the coming months? I’m working on an album as we speak. It will feature roughly 13 or so tracks, and I can’t wait to show it to my community of listeners. This project has already taken a lot out of me, and it will certainly take even more, but I’m so excited to release this project.
Do you have any artistic collaboration plans I do have a collaboration with iLOSTMARI, a song that will be featured on my upcoming album. iLOSTMARI is an incredibly talented vocalist and I’m thrilled to have an opportunity to work with him on my project.
What message would you like to give to your fans? Don’t allow yourself to fall into the hole that your environment has forced you to fit in. Be bold. Try new things until you find something you truly love, and once you’ve found it work obsessively at it. If you give your dreams your all, you will never ever be disappointed by the result. That, I can guarantee you.
Navigating Love's Cosmos: The Screaming Pope's 'Your Star'
In the constellation of electronic music, it’s rare to find an album that both dazzles with diversity and resonates with a coherent narrative. “Your Star” by The Screaming Pope is one such stellar anomaly. Within its 15-song odyssey, the listener is invited on a whimsical journey through the cosmos of love and existential longing, where each track orbits around these central themes like planets in a vast musical universe.
The Screaming Pope’s approach to electronic music in “Your Star” transcends traditional boundaries by incorporating elements from folk, hip-hop, synth-pop, and dance genres. This eclectic mixture isn’t just for show; it serves as a metaphorical palette from which to explore the myriad shades of affection and yearning. It’s akin to wandering through an art gallery where every painting depicts a different facet of human emotion yet contributes to an overarching story about love’s endurance across time and space.
Songs like “Whirlpool” submerge you into deep emotions with swirling synths and velvety vocals that suggest influences ranging from Depeche Mode’s appeal to Imogen Heap’s haunting harmonics. On the other hand, tracks such as the titular “Your Star,” stretch toward celestial aspirations with their airy beats reminiscent of M83 or Owl City but dipped in a more matured essence of cosmic wonderment rather than adolescent dreaminess.
This kaleidoscopic sound doesn’t overwhelm; instead, it engages listeners by revealing new layers upon each replay – unveiling not only The Screaming Pope’s broad musical capabilities but also intricate tales woven within lyrics that ponder over timeless queries about existence and connection.
Navigating Love’s Cosmos: The Screaming Pope’s ‘Your Star’
What sets “Your Star” apart isn’t merely its genre-bending audacity but how seamlessly it integrates these varying elements without losing sight of its conceptual backbone. Whether drifting through sonic landscapes laced with folk acoustics or pulsating dance rhythms – there lies an unwavering thread pulling us back into this universal exploration.
As much as this album could be likened to interstellar travel—charting unknown realms—it remains deeply human at core: accessible yet enigmatic; varied yet unified under a galaxy themed on affections far-reaching effects.
Listeners seeking merely background tunes might find themselves inadvertently caught in introspection or toe-tapping reminiscence—such is “Your Star”’s evocative power—a testament not only to emotive storytelling through songcraft but also The Screaming Pope’s deftness at sculpting soundscapes abundant in hues but singular in heart.
For those adventurous souls yearning for music that both elevates and explores—the journey across “Your Star” will undoubtedly prove enlightening; leaving echoes long after its cosmic tunes fade out—an experience recalling not just stars scattered across our night sky but what makes them eternally fascinating from our vantage here below.
Solitude's New Sound: Darius Christian's “Good Kind of Lonely”
Darius Christian’s “Good Kind Of Lonely” shatters the stereotypical portrayal of solitude in music, transforming it into a vibrant celebration woven with threads of gratitude and contemplation. This single is a masterpiece that skillfully combines Power Pop, Soul, Funk, and R&B into an auditory experience akin to discovering a new favorite shade within an already mesmerizing palette. From its inception, the track beckons listeners into its embrace – offering not just sounds but emotional depth and introspection through every note.
At the very core of “Good Kind Of Lonely”, lie Darius Christian’s richly textured vocals which navigate through layers of invigorating soundscapes crafted alongside notable collaborators Charles Goold and Spencer Zahn. There’s this magnificent alchemy between Christian’s expressive delivery and the meticulously arranged instrumentals that feels reminiscent of strolling through an enchanting forest — familiar yet brimming with surprises at every turn.
The theme revolving around embracing loneliness not merely as a state but almost like an old friend reflects in both the lyricism and melodies. It is this celebration that sets “Good Kind Of Lonely” apart. The message isn’t just sung; it’s felt — akin to rays breaking through after prolonged rain, urging listeners towards self-reflection and finding joy in their own company.
Solitude’s New Sound: Darius Christian’s “Good Kind of Lonely”
Genre-wise, it intricately stitches together elements reminiscent of legends from Stevie Wonder to Prince while uniquely anchoring itself in today’s sonic landscape. The production swirls around you — sometimes you’re caught up in its funk-infused basslines only to be seamlessly transitioned into tender poppy bridges followed by soulful choruses that catch your breath.
What makes “Good Kind Of Lonely” even more intriguing is its anticipation-building role ahead of Darius Christian’s highly awaited album expected this spring. Given how tours alongside global icons have polished his artistry; it shines through gloriously here—not just in vocal prowess or songwriting finesse but also imbuing fresh sounds with profound introspection.
Solitude’s New Sound: Darius Christian’s “Good Kind of Lonely”
Listening to this single draws vivid imagery: sitting back on late nights staring at twinkling stars skyward or quiet mornings wrapped under warm sunlight—instances when one finds solace within oneself amusedly realising being alone doesn’t equate to loneliness.
For veterans yearning nostalgic rhythms laced with modern twists or newcomers seeking refreshingly sincere music—that dives deep without losing sight(sounds)of playfulness—”Good Kind Of Lonely” beckons you home: A heartwarming blend where relaxing meets revelatory in Darius Chrisitan’s soul-stirring serenade encapsulating resilience within reveries inviting us all gracefully into his upcoming musical odyssey.
Rene Russell's Ethereal Quest: Unlocking “The Key”
In an era where music often chases trends rather than heartfelt expression, Rene Russell and her latest single “The Key” emerge as a refreshing departure, weaving tales of time, love, and life’s serpentine journey into an auditory tapestry that defies easy categorization. Inspired by a dream about dolphins—a motif that beautifully encapsulates the song’s ethereal quest for meaning—”The Key” stands out not just for its narrative depth but also for its sonic landscape.
At the heart of this soul-searching expedition is Russell’s signature percussive finger-picking on a Taylor 12-string guitar. This technique, marrying the grit of Americana-Rock with undertones of Blues, Bluegrass, and even a tantalizing hint of Reggae rhythmics, creates an intricate musical backdrop that feels both expansive and intimately detailed. It’s akin to finding oneself wandering in vast open fields under twilight skies — there’s a sense of infinity yet at every corner turn; personal revelations spark aflame.
Rene Russell’s Ethereal Quest: Unlocking “The Key”
Listeners familiar with Rene Russell from her days leading Rene Russell and the Bottom End will recognize her knack for fusing diverse American music traditions into something genuinely unique—a skill she hones further in “The Key.” Yet despite drawing on such rich veins of genre tradition, one cannot help but be struck by how wonderfully current—urgent even—the track feels. The thematic focus on navigating life with love as our compass speaks volumes in these tumultuous times.
“The Key,” heralding upcoming offerings from Russell—including collaborations within ‘The HiHearts’ trio featuring Bridget Gossett and Heidi Holton—promises not only more engaging narratives woven through strings but also suggests potential avenues for exploring more profound ecological themes (“Stand (for the Ocean)”). It hints at evolution while staying rooted firmly within realms easy enough to immerse oneself comfortably without feeling lost at sea.
Rene Russell’s Ethereal Quest: Unlocking “The Key”
Whether you’re drawn to it by its subtle genre-blending audacity or the hauntingly beautiful premise inspired by marine dreams doesn’t matter. In “The Key,” listeners are invited to partake in an introspective sojourn across heartstrings strummed beneath starlit musings—a journey emblematic of Rene Russell’s masterful melding of message-driven acoustic finesse with storytelling prowess.
More than merely another entry into her already eclectic catalog or a precursor to anticipated releases later this year into next—with “The HiHearts”, notably—”The Key” shapes itself as both portal and path: unlocking doors unopened within souls longing for connection amidst life’s bewildering landscapes. Easy listening it may claim to be—but safe venture far beyond those confines it does indeed; evoking deeper reflections typically reserved for those brave enough to question where truly lies ‘the key’.
The Cinematic Soundscape of Parker Kay's "The Grey"
Parker Kay’s single “The Grey” is a compelling narrative of emotional tumult wrapped in a production that hits as hard as its message. The track, emerging from the shadows of Parker’s experiences and inspirations — think Childish Gambino’s astute reflection muddled with Frank Ocean’s poignant vulnerability, seasoned with dashes reminiscent of Stevie Wonder and BROCKHAMPTON for good measure — is an evocative journey through the throes of a fraught situationship laden with toxicity, confusion, frustration, and betrayal.
Kay leverages his stint on notable platforms like *The Next Star* in Canada to demonstrate his growth not just as a performer but as an artist poised at the precipice of something groundbreaking. As “The Grey” artfully disperses heavy bass beneath smooth production nuances — reflecting the oscillation between clarity and obfuscation prevalent in modern-day connections gone sour — listeners are invited into an almost cinematic experience underscored by lyrical depth.
The Cinematic Soundscape of Parker Kay’s “The Grey”
Drawing from personal darkness along with inspiration from a friend’s deeply emotive journal entries further injects authenticity into every chord struck on this track. It is here where Parker adeptly mirrors dualities: those glossy veneers masking deeper struggles within relationships mirrored by plush melodies enveloping dissonant thematic undercurrents.
Yet despite these allusions sprinkled within Parker Kay’s approach to songwriting and production alike, what sets “The Grey” apart isn’t merely its layered complexity or even its clinical unpacking of emotional disturbances—instead—it rests affectionately atop Kay’s ability to encapsulate universal feelings so discernibly individualistic too.
The Cinematic Soundscape of Parker Kay’s “The Grey”
With an upcoming debut EP looming tantalizingly over the horizon waiting patiently partway through 2024 (an extension apparently set out by “The Grey”), it signals burgeoning anticipation stretching beyond mere auditory satisfaction towards genuine connectivity replete with visceral understanding—a kind seldom encountered yet invariably cherished once found amidst soundwaves plentiful.
What shines resolutely within this masterful ensemble thus becomes not stark revelations nor demonstrative artistic references—it triumphs conversely within profound subtlety preserved; Illuminating hopes persistently harboured regardless of bestowed tribulations unravelled tenderly via music—that ultimate tether binding disparate hearts converging solemnly upon shared catharsis.
Ramo Z's Musical Plea: 'THE HOLY LAND' Bridges Cultures with Purpose
From the very first beat, Ramo Z’s “THE HOLY LAND” emerges as a powerful cry that transcends borders, merging past and present in an unyielding flow of consciousness. In this ambitious single, Ramo skillfully navigates the complexities of identity and homeland with a deftness that both captivates and educates.
What makes “THE HOLY LAND” particularly gripping is its foundation – a blend of traditional Arabic music samples, notably from Fairuz’s iconic “Ya Zahrat al-Mada’in,” with sharp-cut modern rap production. This harmonic convergence is not merely musical; it’s an audacious homage to heritage facing the relentless pace of change. It engages listeners in a narrative rooted deeply in personal strife while echoing universal quandaries about belonging, struggle, and resilience.
Ramo Z doesn’t just perform; he implores. His verses intertwine tales of Palestinian-American life with broader themes on global empathy for Palestine’s plight. There’s a raw honesty here that resonates profoundly when framed by such complex beats and cultural depth. The song becomes less an act of entertainment than one of solidarity—an impassioned plea wrapped in exceptional artistry.
The decision to juxtapose traditional sounds against hip hop architecture could have been jarring but instead enriches both textures—infusing lifecycle into ancient chords while grounding hip-hop’s often volatile energy with solemn gravity. As much as this song stands tall on its rich lyrical content—and indeed Ramo wields words like finely honed weapons—it is elevated further by its sonic landscape: reverent yet driving forward relentlessly towards hope or perhaps defiance.
Despite encountering discouragement through social media challenges—a marked decrease in followers due to censorship—the spirit encapsulated within “THE HOLY LAND” rises supreme above any digital battlegrounds. Here lies proof that true artistry cannot be silenced; it only grows louder amidst attempts at suppression.
It would be trite to simply categorize “THE HOLY LAND” as another addition to the archives of political messages within music history or liken Ramo Z too closely to other artists who have walked similar paths (think Lowkey or Immortal Technique). Certainly, connections exist—for all stem from deep wellsprings of discontent—but what sets this offering apart is how poignantly it captures the essence of transnational identity struggles against backdrop beats fit for mainstream appeal without sacrificing message for melody.
In doing so, Ramo achieves something remarkable: creating space where roots reach back through time even as voices stretch forward demanding recognition — blending cultures not out passion project necessity but inevitable evolution driven purposeful intentionality.”
Through every verse delivered and sample curated within “THE HOLY LAND,” we are reminded powerfully—music does more than connect us across diverse landscapes; it has unequivocal strength advocating transformative justice reverberating far beyond momentary listening experiences.
Ghanaian Artiste NY Out With New Single "The Coziest"
“THE COZIEST ” invites listeners into a world of vibrant energy and confident swagger. The title suggests a sense of comfort and self-assurance, reflected in the artist’s portrayal of enjoying life’s nightlife with ease.
From fast-paced adventures to laid-back moments, the song captures the essence of living in the moment and embracing a carefree attitude.
With its catchy hooks and pulsating beats, “The Coziest” promises to transport listeners to a world of excitement and relaxation. Listen to it here
Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”
Emerging from the rich tapestry of the UK music scene, Starlight Alice debuts their single “I Swear to God (You’re Never Getting Out)”—a masterful blend of introspection and exuberance. Combining the talents of Jacob Browne and Luke Potter, both seasoned in their own rights through solo projects and songwriting for others, this dynamic duo dives into an ocean of emotions with a track that resonates deeply.
At its core, “I Swear to God…” explores the timeless struggle with inner demons—a theme as ancient as folklore yet as fresh as tomorrow’s sunrise. This anthem wraps itself around your thoughts like a vine, blending genres effortlessly. Imagine if Simon & Garfunkel took a road trip with The Lumineers, discussing personal battles over coffee; this would be playing on repeat in that car.
The folk foundation allows for storytelling depth while Americana adds texture—rustic yet refined—and pop elements inject an infectious energy that makes you want to stomp along. It becomes evident how each band member’s past endeavors have shaped this record: there’s wisdom interlaced with ambition.
Vocally, Browne and Potter harmonize not just musically but spiritually too; it’s anthemic male vocals that suggest unity against shared foes. Their melodies float above lush arrangements like autumn leaves carried by a brisk wind—analogies made all the more poignant considering both are adept at channeling emotion into lyrics.
Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”
Sonically, it starts upbeat heralding an adventure but evolves into something more profound; a reminder that our battles may rage within but conquering them requires singing out loud sometimes unapologetically so.
“I Swear to God (You’re Never Getting Out)” isn’t merely heard; it is felt—a goosebump-inducing combination of melody and message commandeered by artists firing on all cylinders making sure their listeners do indeed ‘feel’ every note.
Comparisons aside though Starlight Alice have carved distinct initials into the oak tree of modern music with this offering. Where they go from here remains unseen but one thing is certain: we’re eager travelers willing followers ready for wherever their journey takes us.
Nick Cody's 'Nobody's Baby Now': A Folk Rock Serenade
In the single “Nobody’s Baby Now” from their upcoming collection, “Covering these Tracks Volume II,” Nick Cody And The Heartache have distilled a potion of serenity and yearning that courses through the veins of folk rock with an Americana spirit. This tranquil track serves as both an introduction to the band’s unique charm and a precursor to their much-anticipated album set for release on April 26th, 2024.
The ensemble, featuring talents like Towse, Corwin Zekley, and Harry Orme, crafts a sound that is simultaneously comforting and complex. Their ability to weave calmness into brilliant melodies showcases not just technical proficiency but also deep emotional intelligence. With male vocals guiding us through each verse, there’s something hauntingly familiar yet refreshingly new about this number.
Musically speaking, “Nobody’s Baby Now” nestles comfortably in the realm of alt-folk rock and Americana, but its reach extends far beyond genre confines. It echoes whispers of Bob Dylan’s poise combined with Fleet Foxes’ melodic sophistication—yet it stands independently proud because of its unique narrative voice.
Nick Cody’s ‘Nobody’s Baby Now’: A Folk Rock Serenade
Themes explored within the song delve into feelings of loss, longing, and perhaps the complexities of relationships. Lyrics flow like poetic musings set against a backdrop so lush one can almost feel himself enveloped within its calm embrace—a testament to what modern folk-influenced music can achieve when executed flawlessly.
Featured in Rock & Reel magazine’s Un-Herd CD this January issue underscores how Nick Cody And The Heartache aren’t merely creating songs; they’re sculpting experiences meant for easy listening yet ripe with layers waiting to be peeled back by eager ears.
As we anticipate “Covering these Tracks Volume II,” it becomes clear: “Nobody’s Baby Now” isn’t just another track—it’s an earnest offering from a group unafraid to bare soul through strums and hums—a prelude whispering promises of more brilliance ahead. Whether you’re seeking solace or simply appreciate well-crafted stories set to tune this single beckons you into Nick Cody And The Heartache’s embracing sound garden where every listener feels right at home among tales spun under starlit skies.
Confessions in Melody: Prince Of Sweden's “The Elephant in the Room”
In the realm of deeply introspective and emotive music, Prince Of Sweden’s latest single, “The Elephant in the Room,” treads softly yet leaves indelible footprints on the heart. It’s a masterful blend of indie rock finesse and soft rock accessibility that invites listeners into a space of vulnerability seldom visited with such grace and care.
From its first gentle strum, the song wraps you in an intimate soundscape akin to being cloaked in twilight’s last glimmer. The guitar work is nothing short of captivating—a meticulous dance between lightness and depth, painting strokes broad enough for all to find solace within while maintaining an intricate detailing that keeps you coming back for nuances previously unnoticed.
Prince Of Sweden’s voice carries weight—the kind earned through lived experiences—turning each verse into confessions or perhaps conversations meant only for those moments when we’re truly alone with ourselves. His baritone, reminiscent at times of Eddie Vedder’s earnest crooning or David Bowie’s chameleonic storytelling, becomes a vessel for exploring themes not just sung about but felt: renewal amidst reflection; strength found within acknowledgment of one’s vulnerabilities.
“The Elephant in the Room” doesn’t shy away from making listeners feel exposed; instead, it delicately peels away layers revealing both the beauty and pain inherent in introspection. There’s something undeniably brave about how Prince Of Sweden navigates this emotional tightrope—not as a spectacle but rather as shared human condition deserving empathy rather than judgment.
Confessions in Melody: Prince Of Sweden’s “The Elephant in the Room”
Musically speaking, comparisons might draw lines toward Jeff Buckley’s ability to make his guitar speak as profoundly as his lyrics or Damien Rice’s flair for turning simplicity into euphoria. Yet what sets Prince Of Sweden apart is how effortlessly he interweaves those influences into something uniquely pertinent—a modern anthem for self-reflection hidden beneath feather-light melodies carrying heavyweight emotions.
“The Elephant in the Room” serves not merely as music but more so an invitation: To confront our own elephants lying dormant inside rooms built from avoidance or fear. Through this track’s compelling narrative wrapped around equally immersive instrumentals, Prince Of Sweden holds up sonic prisms reflecting parts of us unseen except through melody-driven clarity—a feat positively few accomplish with such genuine artistry.
This song isn’t just heard; it resounds within empty chambers we’ve all forgotten—or chosen—to ignore bringing warmth where there was once voidness. In essence “The Elephant in The Room” vibrates not just across airwaves but through very fabrics comprising humanness demanding attention yet offering comfort simultaneously – A paradox only true artists can weave together seamlessly.
Mēl Makes Artiste Debut With Single “Siren's Call”
Fast-rising producer, sound engineer, and instrumentalist Mēl just released her debut single, “Siren’s Call” on the 15th of February, 2024. It features the phenomenal Ria Boss and the sensational Darkua delivering an Afro-Soul vocal performance carrying fierce and piercing lyrics.
“Created by women and for women”, the alternative R&B song speaks on issues of abuse and oppression in a patriarchal world. At its surface, it’s about women getting their lick back from men who have done them wrong. In its entirety however, the song is a celebration of women supporting women—standing together, having each other’s backs, and taking charge of our destinies.
“Siren’s Call” is the first single off of Mēl’s upcoming tape set to be released in March in celebration of International Women’s Month. This is the first taste of amazing collaborations from women in music and arts in Ghana.
Stream “Siren’s Call” out now on all digital streaming platforms here
Aoun Unveils Heartfelt Journey in "Smoker’s Cough (Afterword)"
In an era where the lines between music genres blur more with each passing day, Aoun’s latest single “Smoker’s Cough (Afterword)” emerges as a beacon of pure, unadulterated emotion. This track is not just a song; it’s a journey through the rugged terrain of past relationships and the solitude that often follows their demise. Through its folk roots, “Smoker’s Cough (Afterword)” captures something timeless—a feeling as old as heartbreak itself but dressed in contemporary clothing.
The song relies on acoustic elements to set its tone: each strum resonating like ripples across the quiet surface of a lake at dusk. The simplicity of this arrangement ensures that nothing detracts from Aoun’s raw vocal delivery—his voice carrying both strength and fragility, much like paper lanterns floating into the night sky. It’s in this delicate balance that we find ourselves completely engulfed by his reflections on loneliness and lost love.
“Smoker’s Cough (Afterword)”, performed live without backing band support, evokes images reminiscent of dimly lit coffee shops where poets bare their souls to small crowds hungry for authenticity. This choice to go solo enhances the vulnerability and honesty of his message—a gamble that pays off beautifully by creating an intimate connection with listeners as if conversing directly with them.
As we learn this single serves as the conclusive chapter to an upcoming album structured akin to a novel or storybook—tracing a narrative arc over a year spent with a lover—the choice of wrapping up such an emotional odyssey unplugged gains even deeper significance. One can only imagine how narratively rich and musically varied this album will be if “Smoker’s Cough” serves as its epilogue.
Aoun Unveils Heartfelt Journey in “Smoker’s Cough (Afterword)”
Comparisons might be drawn to artists such as Bon Iver for the emotional depth or Nick Drake for his acute sense for folk storytelling; yet Aoun carves out his distinct niche within these influences—a storyteller not merely content retelling experiences but instead inviting us on auditory expeditions through landscapes paved with memories both bitter and sweet.
For those attuned to music’s powers—one moment serving as comfort food for our soul-eating moments while doubling art therapy next—”Smoker’s Cough (Afterword)” offers solace in knowing you’re neither alone in your feelings nor unique in your suffering. Therein lies its beauty; it binds us together under shared skies whispering confessions carried away by winds towards hopeful tomorrows.
Anticipation now builds not just for what stories lie ahead but also how they’ll be told musically when Aoun unveils his full record—an ambitious undertaking promising narratives woven seamlessly amongst melodies guaranteed captivate hearts open enough listen genuinely truly hear.
Breaking Barriers: Braska's “I Can't” Redefines Pop Resistance
In a world rife with easy beats and simpler narratives, “I Can’t” by the Italian virtuoso Braska emerges as a beacon of resilience and authenticity. This single, ripe with Braska’s wonderful female vocals that hum with the gravity of Florence Welch yet dance with the lightness of Robyn, is not just a song—it’s an anthem.
Produced by LoZar—the steady hand behind Braska’s expanding sonic universe—”I Can’t” drives forward with an undeniably pop sensibility but eschews the genre’s oft surface-level engagement for deeper waters. Herein lies its magic: merging mainstream appeal with heartfelt messages about strength amidst societal and personal injustice. The production marries sweeping synths to robust percussions, creating a soundscape vast enough for Braska’s voice to soar high on her declarations of continuous fight against adversity.
The theme rings clear—resistance in motion; it serves as both dedication and rallying cry for those who’ve ever felt their backs against the wall due to prejudice or pressure to conform. Drawing lines from her previous works featured on Rai Sport —”Tu Mi Hai Visto Così” and “Questo Mare”—it’s evident how much authenticity pulsates through everything Braska touches; these singles having laid down early markers of her commitment to unadulterated expressions. And yes, while they showed promise, “I Can’t” cements that potential into something palpable—a meteoric rise in both message delivery and musicality.
Breaking Barriers: Braska’s “I Can’t” Redefines Pop Resistance
Sitting comfortably at 25 years old, this singer-songwriter from La Spezia isn’t just making music; she’s sculpting her narrative directly into Italy’s pop culture consciousness without sacrificing integrity for mass appeal—an act itself resembling resistance. It reflects an understanding that sometimes you can’t stop—not because you lack the desire but because your convictions leave no room for retreat or silence in face of wrongs.
Drawing connections would perhaps undersell what Braska is achieving here; however fans of strong evocative voices like Sia or empowerment anthems à la Lady Gaga might find themselves right at home within “I Can’t”. Yet comparisons aside, there exists immense value in allowing “I Can’t” its distinct space—a carved niche reminding us all why stopping isn’t always an option when facing injustices.
Indeed, if this release sends any message loud and clear across the echoes of modern Pop corridors: it is that silence remains complicit—and at least according to Braska–that simply can’t continue.
Exploring Intimacy: The Velvet Tones of 'Your Body' by Ooma
In the ethereal ambiance of their latest release, “Your Body,” Ooma transports listeners to a place where genres intertwine like lovers, and melodies flow as freely as whispers between soulmates. This single acts not only as a showcase for Ooma’s uniquely blended sound but also as a love letter to the twin muses of creativity and passion.
“Your Body” is an exploration led by Tansy Greenlee’s velvet-toned vocalsᅳan intimate journey through dreamlike passages that beckon with the warmth of a lover’s embrace. The synergy between Nicolas Bauer (bass), Florian Berret (keyboards), Hélios Mikhaïl (drums), and Greenlee is palpable, crafting an experience that feels at once personal and universally relatable. Their music navigates through themes of love and intimacy with ease, evoking images of dimly lit rooms where time seems to stand still amidst soft laughter and shared secrets.
Exploring Intimacy: The Velvet Tones of ‘Your Body’ by Ooma
The track stands confidently on the crossroads of soul, jazz, and trip-hopᅳa testament to Ooma’s ability to meld these genres into something both familiar yet distinctly innovative. It echoes influences from Massive Attack’s seminal trip-hop atmospheres to Amy Winehouse’s raw emotional delivery in modern jazz while leaving its own indelible mark within this illustrious lineage.
What sets “Your Body” apart isn’t just its seamless genre-blending or even its lyrical depth; it’s the effortless improvisation that breathes life into every note. Each instrument converses fluently with one anotherᅳBauer’s bass providing sultry grooves against Berret’s keys cascading around Mikhail’s rhythmic heartbeatsᅳall serving as foundation for Greenlee’s soul-stirring performance.
Exploring Intimacy: The Velvet Tones of ‘Your Body’ by Ooma
Their reputation for emotive live shows precedes them, drawing well-earned praise across Parisian venues for energy-infused performances that captivate. Yet listening to “Your Body,” you might find yourself wrapped in such a cocoon of relaxation that it blurs lines between being audience member or partaker in this intimate musical dialog.
Ooma has carefully crafted an offering tailored not just towards fans but potential converts who believe there are no new territories left uncharted in music today. “Your Body” is proof-positive: here lies innovation nestled within comfort; familiarity dressed up anew; relaxation entwined firmly with exhilarationᅳit commands attention without raising its voice.
Engaging from beginning till endᅳ”Your Body” by Ooma redefines what we’ve grown accustomed from hybrid-genre musicianship proving once again why they’re one act whose progress deserves rapt attentiveness whether under faint stage lights or through headphones bathed in moonlight.
Diving headfirst into the acoustic embrace of “Kings & Queens” by Chelsy Kaze and her talented ensemble feels like discovering an untouched wellspring of emotive depth. This single, embellished with nuanced strings and harmonies that could only come from souls steeped in camaraderie, achieves what many seek but few find: a sonorous echo of ancient connections wrapped in the comforting cloak of folk-pop serenity.
This band’s origin story is as organic as their sound; born not out of industry machinations but from genuine friendship and shared musical journeys during quiet, introspective jams on lazy afternoons. “Kings & Queens,” a narrative rich with themes of eternal bonds and soulful reunions across lifetimes, is clearly the fruit of deeply intertwined artistic visions—Chelsy’s voice serving as both compass and beacon through this exploration.
Acoustic Alchemy: “Kings & Queens” by Chelsy Kaze
With Chelsy’s vocals articulating longing’s delicate ballet alongside Wesley Graham’s electric guitar narratives, Kaylin Cushenan’s vocal resonances providing support without overshadowing, topped with the emotional punctuation marks drawn by Peggy Lee’s cello—their collective effort crafts a soundscape where every note seems to breathe life into age-old stories waiting patiently to be told.
The essence captured within “Kings & Queens” transcends mere musical composition; it delves instead into profound meditations on love’s timelessness—the kind that inspires folklore yet remains palpably real. Here begins our journey through this auditory tapestry woven by artists who convey more than just melodies—they extend an invitation into realms where music meets myth.
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
Sis PS’s “I Am Done (Remix)” doesn’t so much arrive as it bursts through, a brilliant blaze of heart-driven pop and electrifying dance music that refuses to be ignored. From the depths of Germany’s vibrant music scene emerges a track that feels like both an arrival and a departure – a sonic pivot point for an artist who has traversed from rock band collaboration to striking out solo with undeniable confidence. This is where Sis PS stands now, solo for about 1.5 years but riding on waves shaped by diverse influences, from pop to EDM.
At first glance, one might think they know what to expect from this genre fusion – lively beats meant simply for dancing away concerns. And yet, “I Am Done (Remix)” dives deeper. It’s anthemic in every sense of the word but interwoven with messages of reinvention and resilience against life’s low tides.
With her roots previously planted in rock bands before blossoming into her current incarnation as a singer/songwriter & producer focusing on genres spanning across Pop to EDM, Sis PS illustrates her journey towards self-discovery and empowerment through compelling female vocals layered beautifully atop upbeat dance rhythms; transforming personal revelations into universal truths.
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
The song speaks volumes about breaking free from negative influences—themes that echo louder amidst its robust production quality that straddles commercial appeal without ever slipping into generic territory—a testament to Sis PS’s capabilities not just behind the mic but behind the decks too.
What sets this remix apart is how it manages to capture and convey emotions akin to looking forward after tumultuous times — all while making listeners want to move instinctively along with its beat. Its style nods subtly towards established Singer/Songwriter Pop artists while infusing elements reminiscent of mainstream Dance hits – think lush synthesized landscapes paired with poignant lyrics delivered powerfully enough to stir echos within their listener’s hearts.
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
Her transition over roughly 1.5 years from group projects back towards independence underscores “I Am Done (Remix)” not only as growth musically but personally too; hence why there remains something raw beneath its polished exterior—ensuring connectivity beyond mere auditory appreciation.
Listening through “I Am Done (Remix),” one can’t help drawing parallels between the infectious energy driving Scandinavian pop artists or even hints at EDM powerhouses’ boldness —yet neatly wrapped in Sis PS’s soul-stirring narrative; Painting vivid stories against vast electronic canvases making each listen feel intimately epic.
In essence, hearing “I Am Done (Remix)” isn’t just experiencing another single—it’s witnessing musical alchemy where heartache redirects toward hopefulness under Sis PS’s deft craftsmanship—an exhilarating peek into what lies ahead for this talented German artist.
Cristina Movileanu: Crafting Connection with “Heaven's Blend”
In the sea of 21st-century music, where sonic waves often crash into one another in a cacophony of genres and styles struggling to stand out, Cristina Movileanu’s single “Heaven’s Blend” emerges as an isle of serenity. This musical piece stands testament not just to Movileanu’s artistic prowess but also showcases the beauty that blooms from collaboration—with fans and seasoned professionals alike.
The track eloquently explores themes of solitude, faith, and celestial connection through its soulful melody—a reminder that in moments of isolation there lies a bridge to the divine. Cristina’s voice serves as this very bridge; it’s both otherworldly yet profoundly human, capable of carrying the weighty emotions encapsulated within her poetic songwriting without faltering.
From a production standpoint, Musiversal’s expertise shines brightly. The decision to incorporate Mike Fonte on mandandolin & guitar ; João Paulo Drumond on percussion; Bruno Migliari on bass crafts an intricate yet unobtrusive backdrop for Cristina’s vocals to soar. Pedro Araújo arrangement ensures each note and beat holds meaning—there are no gratuitous elements here; everything serves the greater purpose of enriching “Heaven’s Blend”.
Cristina Movileanu: Crafting Connection with “Heaven’s Blend”
The mixing and mastering by Bruce Allen alongside collaborative touches from Marjo Gómez forge an atmosphere so welcoming you’d think the music itself extends a hand invitingly towards you. And let us not forget about Cristina herself taking charge with the artwork design—a visual symbiosis with its auditory counterpart providing listeners not merely songs but experiences.
Drawing parallels isn’t straightforward when considering “Heaven’s Blend”; it exists within its sphere. Yes, aficionados might discern hints reminiscent of Tracy Chapman or perhaps Norah Jones in their more introspective works—yet comparing does little justice here. Cristina finds companionship amid echoes past and refrains familiar while walking resolutely down a path she paves herself.
This easy-listening record invites individuals across spectra—from those seeking solace after long days or anyone inclined toward ruminating under starry-night canvases about connections beyond our earthly realm.
With “Heaven’s Blend”, we’re reminded that true artistry dwells in creating spaces for listeners’ thoughts and feelings to unfurl naturally—like clouds parting after rain revealing hints at some infinite yonder—and therein lays its power: transporting us momentarily away from tumultuous seas below onto ethereal realms above matching neither geography nor time but simply existing somewhere between heartbeat skips during profound silence enveloping souls entwined through melodies binding terra firma et celestia together peacefully if only temporarily…
Danielle Bloom's “Start a Revolution”: An Anthem for Change
“Start a Revolution,” the latest thunderous offering from Danielle Bloom and her formidable band comprised of Shane Lamb wielding his guitar like a battle axe, Dan Douchette punishing the drums with righteous fury, and Tommy McDonald laying down bass lines that rattle the soul, is a roaring anthem for change that refuses to go unnoticed.
Recorded in Nashville’s “The Insanery” studio under the meticulous ear of producer Casey Wood and borne from the collective genius of Bloom, Aaron Julison, and Lamb themselves, this single erupts into existence with an electrifying blend of raw energy and polished rock prowess. It’s as if Joan Jett’s rebellious spirit was cross-pollinated with Heart’s melodic sensibilities then dipped in contemporary grit — versatile yet unmistakably rock.
What sets “Start a Revolution” apart is not just its compelling execution but its throbbing heart. Celebrating individuality while calling for empowerment paints every note Bloom belts out. Her strong female vocals do more than just soar; they dive deep into your chest, stirring a primal urge to stand up against conformity. This isn’t merely music; it’s an awakening—a clarion call wrapped in electric chords that light up shadows lingering over personal freedoms.
Danielle Bloom’s “Start a Revolution”: An Anthem for Change
Throughout this volcanic track lies skilled artistry; Shane Lamb delivers riff after searing riff that could easily be seen battling among legends in rock Valhalla. Douchette’s drum work builds tension before exploding like cannon fire while McDonald ensures each moment is grounded by pulsating rhythms you feel instead of hearing—a foundation upon which revolutions are built.
Yet amidst all its powerhouse display lies beautiful unity within diversity—each band member shines individually without overshadowing one another—much like how “Start A Revolution” calls listeners to shine their unique lights brighter together rather than apart.
Drawing parallels might be tempting—to say it reminds us faintly of when Fleetwood Mac met edge or Guns N’ Roses dared soften—but what Danielle Bloom offers here defies simple comparison. She weaves nostalgia with novelty so seamlessly you’re left reveling not solely on influences past but looking forward to where she’ll lead next on this revolutionary path she carves musically.
In essence, “Start A Revolution” doesn’t just pulse with anthemic potency or showcase technical finesse—it vibrates intensely on emotional wavelengths too often forgotten in mainstream waves—a reminder why music can sometimes be our biggest catalyst for change.
Lucid Evolution's 'Water!': A New Psychedelic Rock Anthem
“Water!” by Lucid Evolution crashes onto the music scene with an impact that ripples through your senses, marrying classic rock’s soulful legacy with the expansive realms of psychedelic soundscapes. At its core, this single is a deep dive into emotional and auditory exploration, showcasing how tranquility and power can coexist within the same sonic space.
The track unfurls with female vocals that are nothing short of captivating—a beacon guiding us through the swirling mists of sound. It’s as if these vocals have harnessed the raw energy of nature itself, channeling it into waves of melody that ebb and flow throughout the piece. This is where “Water!” distinguishes itself; in its ability to conjure vivid imagery and evoke emotions as varied and vast as the ocean.
Listeners familiar with Lucid Evolution’s body of work will recognize their signature cocktail—psychedelic nuances faithfully interwoven with a robust sonic architecture that has anchored their reputation in Richmond, VA’s dynamic music landscape. Yet, “Water!” feels like a step further into uncharted territories. Drawing from classic rock’s reservoir while infusing elements that transcend traditional genre definitions reveals not only artistic growth but also unrivaled audacity.
Where one might expect nostalgia from such an ensemble renowned for blending classical influences with contemporary flair, there exists instead innovation. The track manages to resonate on frequencies both retrograde and undiscovered—an enthralling experience akin to flipping through time-worn pages whilst penning new chapters simultaneously.
Lucid Evolution’s ‘Water!’: A New Psychedelic Rock Anthem
Instrumentally speaking, “Water!” cascades over listeners like waves crashing against rocky shores—each chord strikingly deliberate yet effortlessly fluid. The juxtaposition between celestial serenity atop tumultuous undercurrents doesn’t just speak; it sings volumes about life’s inherent contradictions—the calm before storms or strength found amid vulnerability.
Perhaps what is most impressive about “Water!” is not solely its deft synthesis of genres but rather how it embodies emotionality so wholly you can’t help but be swept away into introspective tides reminiscent yet refreshingly novel.
Comparative nods could be tipped towards legends across eras—from Jefferson Airplane to modern psychedelics explorers like MGMT—but such comparisons merely scratch at “Water!’s” surface brilliance: Its true potency lies in immersing listeners in experiential deluges where past influences ripple beneath innovative currents.
Beyond offering up another hit song ripe for critical acclaim or passionate fanbase adulation, “Water!” symbolizes Lucid Evolution’s radiant journey—they chart courses beyond mere musicality into visceral realms echoing human experiences at sea amidst soundscape expanses.
With ”Water!,” we’re reminded why venturing beneath surfaces uncovers depths otherwise unseen: Herein lays an abstracted mirror reflecting our intrinsic oscillations between peace and upheaval—musically encapsulated by a band capable not only traversing these depths but thriving within them.
From Dreams to Tunes: A Chat with IN Kelly And His Latest Single
So today, we are getting close and personal with KELLY, a mastermind of the dreamy indie pop/rock vibes you can’t get enough of.
I mean, that’s the guy whose music career is coming true, one catchy song at after the other. But how did he think of that stage name actually? A name that Norwegian people find difficult to pronounce, he chose Kelly as it is easy to say. Put a little “IN” for international touch, and there was IN Kelly.
Where does the inspiration of IN Kelly come from? Amazingly, much of it derives from those brief seconds before he drifts off to sleep. Yes, you got it correctly. His musical ideas like playing peakaboo just before he goes to bed. A creative alarm clock is to talk about!
IN Kelly has always had a big interest in music. From listening to the tunes of his older brother to getting chilled while hearing Pink Floyd’s scary sounds, he’s been going through melodies since day one. Together with a family of musicians and artists, creativity might be in his blood.
However, music is not the only thing that IN Kelly focuses on—it’s the stories he portrays through his songs. With a lot of inspiration from The Smiths, The Cure, and The Strokes, he easily spins poetic short stories that will get hold of your heart.
Ahead of his solo debut album “Sleepwalker,” K. Kelly isn’t just about creating music but making connections as well. As he plucks his guitar strings or writes songs, he is inviting you onto a voyage where dreams become reality and music soars.
Is there a story behind your stage name? Dreaming of becoming a professional musician in my youth, I thought my Norwegian name was too hard to pronounce outside of Norway. I therefore took the name Kelly, as it has the same first letter as my real name. As a lot of artists have the same name, I’m adding IN to it, as it is my International Name.
Where do you find inspiration? Mostly from dreaming and daydreaming. I often get musical ideas right before falling asleep, and I have to choose between prioritizing sleep or getting the idea in some form on a recorder.
What was the role of music in the early years of your life? Listening to music was a big part of my childhood, and I would mostly listen to what my older brother was listening to at the time. I have fond memories of my father playing Tom Waits records in the car, and I found the opening track on Pink Floyd’s Dark Side of the Moon a bit scary.
Are you from a musical or artistic family? Yes, most of my family on both my mother and father’s side play at least one instrument and are above average interested in music, and some are also into film and painting.
Who inspired you to be a part of the music industry? In my early youth, bands like Oasis made me want to live a life as a musician. But later I understood that this wasn’t the life I wanted, and I don’t consider myself to be part of the music industry. I make music that I want people to hear, but I feel free in making what I want outside of the industry part.
How did you learn to sing/write/to play? I got my first guitar for Christmas when I was thirteen years old. At the time I was a huge fan of bands like Oasis, and I discovered that I could find guitar chords for all of their songs on the internet. I taught myself to play that way, I never had a teacher. Then I started to only play and sing songs I wrote myself, sometimes discovering guitar chords I wasn’t sure were “real chords”.
I got my first guitar for Christmas when I was thirteen years old. At the time I was a huge fan of bands like Oasis
What was the first concert that you ever went to and who did you see perform? The first big concert I attended I think was Bon Jovi in Oslo in 1993 – when I was nine years old. I went with my mother and brother.
How could you describe your music? I would describe it as dreamy melodic indie pop/rock with post-punk influences.
Describe your creative process. When we make music as a band, we jam together and I add melodies and lyrics. As a solo artist, I create melodies on an acoustic guitar before writing the lyrics. Then I experiment with other instruments before I let my subconscious work for a while, letting additional ideas come spontaneously.
What is your main inspiration? Inspiration naturally comes from other bands and musicians I listen to or listened to growing up, like The Smiths, The Cure, The Strokes, Nick Cave and Patrick Duff. Influences that may not be as obvious are Sonic Youth and Pixies, and I can also be inspired by newer music like Wolf Alice and Diiv.
What musician do you admire most and why? Maybe Björk, for not being or sounding like anyone else.
Did your style evolve since the beginning of your career? I definitely hope so, as I started writing songs when I was thirteen. I like to always try new things, experiment with styles and structure. There are a lot more synth sounds on my solo album compared to the songs in my band Bravo Papa.
Who do you see as your main competitor? I don’t think I compete with anybody. I don’t know what I would compete over.
What are your interests outside of music? Psychology, watching movies, reading.
If it wasn’t a music career, what would you be doing? I would be a psychologist.
What is the biggest problem you have encountered in the journey of music? Getting the music heard.
If you could change one thing in the music industry, what would it be? I’m not sure if I understand how the music industry works today. As an example, I was suddenly notified that an old track of ours from 2014 had gained more than 60.000 streams on Tiktok. When I looked into it, someone had used our song over a picture of a father putting his “oppositional son in the trunk”, with the message “Bravo Papa” – the name of our band. If that’s in any way representative for how you can get your music heard today, I have to say I feel a bit nostalgic.
Why did you choose this as the title of this project? The “Sleepwalker” is one of the characters in the song. My partner has compared my songs to dreamy short stories, and this song is no exception. It’s about a kind of relationship one can be nostalgic about, but that could only exist at a certain point in time.
What are your plans for the coming months? ‘Sleepwalker’ is the first single from my upcoming solo album, which I am looking forward to releasing very soon.
Do you have any artistic collaboration plans Not any concrete plans, but I am looking forward to creating music with Bravo Papa again.
What message would you like to give to your fans? Enjoy the process!
Getting Real: A Chat with The Listros about 'Hands Against The Wall'
The Listros are a rock band fronted by the brothers Sean and Evan, and their latest song, “Hands Against The Wall,” has been creating quite a stir. This song came out on February 9, 2024, and people just cannot stop talking about it.
“Hands Against The Wall” is not any regular song, it’s a deep look into the muddy waters of toxic relationships. I mean, those times when want and addiction get all muddled up, then you are like drowning in a circle. Yes, this is what this song is actually about.
From a musical perspective The Listros are doing something very exciting. They’re combining rock and EDM influences to create something that’s unique and new. Sean is responsible for the vocals, guitars, synths, and programming, with Evan holding down the drumming. They are a team that has produced a song that has got many people bobbing their head and also feeling something deep.
Then how was the puzzle put together? Actually, it is Sean who wrote the song at home while being influenced by artists such as Nine Inch Nails and Linkin Park. When he had the fundamentals covered, he hired AJ Healey and Ross Hayes Citrullo to polish it off. They implemented certain changes, re-recorded parts, and mixed it all together to have the final version.
Where does this name come from? As it turns out, the story is in fact related to Sean’s own personal experiences with a rocky relationship. The song depicts the highs and lows of love, desire, and the other not-so-pretty parts.
In this The Listros interview, we’re exploring their creative process, the things that inspire them and how it feels to be part of this music environment. From jamming in their bedrooms to conquering the stage, the brothers Sean and Evan are telling us what is required for one to make it in the music business.
Mainly from listening to our favorite artists music. We initially take an idea we like from a song we’re inspired by, and then it always grows into something entirely of our own making. As for lyrics, a lot of inspiration comes from the experience of the self. The voice in our heads that fills us up with lies about who we are and what we can or cannot do. Temptations, addictions, self loathing, greed, are all examples of themes upon which we like to write about from our own personal experiences. Writing and singing about them is a form of therapy. We write for ourselves.
What was the role of music in the early years of your life?
From an early age, there was always a fascination with the arts. Sean’s first taste of music was from an early love of musicals, particularly Singing In The Rain and Moulin Rouge. Eventually, after hearing Led Zeppelin for the first time at age 9 and age 7, Sean and Evan became obsessed with rock music. Their older brother, Joe, started taking guitar lessons in which the family bought a Squier Stratocaster. One day, Sean picked it up and the rest is history. Evan’s drumming came about after discovering his drumming ability from the video game Rock Band in high school.
Are you from a musical or artistic family?
Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents. Our older brother, in particular, is the biggest lover of music. He was always discovering and showing us music from a variety of genres. His taste was, and still is, excellent. That consistent exposure to great music really helped form our musical tastes.
Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents.
Who inspired you to be a part of the music industry?
There’s a few. Initially it was just Jimmy Page, then Metallica, then Trent Reznor, and Hans Zimmer.
How did you learn to sing/write/to play?
Initially, at age 9, Sean took guitar lessons, but quickly grew to hate the weekly learning curriculum they made him endure. Learning boring songs like ‘When The Saints Go Marching In’ or ‘Hot Cross Buns’, combined with the difficulty he felt learning the instrument, made him lose interest in which he put the guitar away for 2 years. One day, when he was 11, his friend taught him how to read guitar tabs and where to find them online. This changed everything. The ability to choose the songs he wanted to learn, and the access to learn them sent Sean on a road to teaching himself.
As for writing, Sean learned from listening to a ton of music, and from writing a ton of bad songs. Eventually, with enough practice, combined with his musical tastes, songwriting began to improve.
Vocals came from singing constantly since age 15. Eventually Sean found a vocal coach which helped tremendously. Learning to sing properly without damaging the vocal chords, combined with efficient energy release, was a game changer. Sean recorded the vocal lessons, and practiced with the recording everyday for 2-3 years. These recordings we 45 minute vocal lessons which included vocal scales and techniques.
Evan learned to play drums after his experience with the video game Rock Band. For his first few years playing, he had a drum teacher who came over once a week. Between the lessons, and his consistent practice, Evan’s drum skills grew and grew. Studying the greats John Bonham, Buddy Rich, and Dave Grohl, just to name a few, Evan studied and practiced along with his favorite artists.
What was the first concert that you ever went to and who did you see perform?
First concert Sean went to was Backstreet Boys in 1998.
How Was The Song Recorded (what was the process like, who was it recorded with, how was the track create)?
Heavily influenced by Nine Inch Nails, Linkin Park, and The Vines, the song was initially written and produced by Sean at his home studio. Searching for inspiration, Sean listened to and studied his favourite artists to help inspire some ideas. Once the musical idea was formed, Sean recorded a demo using Ableton. The guitars were recorded with a Neural DSP Quad Cortex, the vocals recorded with an AT4040 mic, drums were samples, while the synths were programmed with Arturia Pigments and a ton of distortion. After finishing the track, very similar to the creative process of their first single, ‘Into The Otherside’, Sean presented it to AJ and Evan where they then got together and collaborated. The collaboration involved rearrangements, re-recordings, re-writes, and mixing that propelled the song into the next level of completion .
After preproduction finished, we re-recorded the drums, guitars, and vocals at RHC Music studio in Toronto with audio engineer Ross Hayes Citrullo (The Sheepdogs, Monster Truck, Marianas Trench).
Once we finished the final recordings, we took them back to AJ to include them into a final mix.
The final mix was then sent off to Robin Schmidt (The 1975, Sam Fender, Liam Gallagher) for mastering.
What Inspired You To Write / Create The Track?
Searching for inspiration after their debut song, Sean listened to and studied various rock artists to help inspire more ideas. Once the musical idea was formed, the song led him into writing it about the toxic on and off relationship he was experiencing at the time with his ex.
What Is The Message You Wish Listeners To Take Away From The Track?
Above all, we wanted to write a song we felt was relatable. A song about lust and a toxic relationship is something we feel people will be able to connect with. It’s fun, a little dangerous, and exciting. We want it to fill people with energy, while also making them feel a little sexy.
