Jack Moy's "Outgrowing You": A visceral journey through the soul
Exploding out of Stockholm’s vibrant indie landscape, Jack Moy makes waves with “Outgrowing You,” a viscerally affecting collaboration with otherworldly-voiced siren Estherlivia. This lavishly layered track penetrates deep into the musical psychosphere and Moy’s fragmented psyche as he battles merciless inner demons.
Jack Moy’s gritty yet fragile vocals bear the cross of a man at war within, giving voice to raw truths about self-anesthesia and soul-deadening detachment. Estherlivia’s spectral soprano serves as an unearthly foil, their voices clashing and meshing unpredictably like a volatile affair, equally harmonic and hair-trigger combustible.
Jack Moy’s “Outgrowing You”: A visceral journey through the soul
Fans of confessionalist savants like The National and Phoebe Bridgers will connect with Moy’s daringly transparent self-excavation. Yet his signature Scandinavian permafrost permeates the haunted vocals, glazing raw indie rock with cutting-edge chill.
By the finale’s gut-punch crescendo, as revelations swirl amidst vertiginous melodies, you’re drained but desperately craving more. This wrenchingly cathartic ride reflects life’s harsh rhythms, luring urgent repeated listens. Moy and Estherlivia’s creative chemistry also drips from each exquisitely resonant note of their fearlessly exposed plunge into the darkest warrens of the soul.
Santi Oia Shares The Cries Of Nature With Latest Single 'My Christmas Tree
Santi Oia was born in Santa María of Oia and he found his musical passion as far back as his childhood as a way of intertwining melodies with relevant messages. Since beginning from collaborations in the Galician festivals he had been a composer of important comps such as “murmillo del bosque” or “ my christmas tree,” always defending environment with his artistic music.
His stagename as a symbol of his home roots which depicts his love for nature’s embrace and hatred for injustices. Santi’s music is a mix of protest, love and experiments that reflect his commitment to positive change.
In the face of issues confronting the music sector, Santi fights for just payment of musicians as they picture a society where music heals and lifts up more than just entertainment.
Coming projects promise more collaboration and instrumental works as part of his music-nature-activist agenda. This is what his message to fans means—be positive, change today, and enjoy time because it means life. Santi Oia is like an oasis of music that speaks out loudly beyond entertainment through the melody in search of a better world.
More of this was shared in a recent interview with Mister Styx of Musicarenagh, so join me as we delve deeper into Santi Oia’s life to know him better
Yes, my name is Santiago Martínez Castro, hence “Santi”. And Oia is the name of my hometown, south of Pontevedra, Galicia. A beautiful seaside town that I love with all my might, with unique landscape beauty and very special and inspiring smells and sounds. The full name is “Santa María de Oia”. And it also has the “Royal and Imperial” titles granted by the Catholic Monarchs. So Santa María de Oia, La Real and Imperial.
Where do you find inspiration?
Above all in Nature, I love Mother Earth.
But injustice makes me sick. And the lie, too. I think that lies waste your time and injustice prevents you from enjoying it. Time, something as unique as that, the most valuable thing. We cannot decide where or when to be born, but once you start breathing, we should be able to decide how we invest our time, which is limited and non-transferable.
And nature is everything. That’s why the song is about planting a tree to keep us company throughout the year and not what most people do: cutting down a tree in the forest to decorate it in our house during Christmas and then throwing it away like spoil. There is nothing noble in that, no learning for our little ones, who one day will grow up and wonder, What have our parents done for the planet? Well here my grain of sand. My previous work is also a rock denunciation of the felling of trees and forest fires, it is titled “Murmuro del Bosque” you may want to listen to it on my spotify.
What was the role of music in the early years of your life?
Hear. Listen and learn the sound language. I soon realized that there is music that enters your body and mind and becomes constructive, inspiring, motivating, or relaxing, calming and hopeful energy. And I no longer wanted to get out of that world that is Music. Of course, as with everything, you have to choose what to eat, fast food doesn’t suit anyone, but they continue to consume it, the same thing happens with music. You have to choose.
Are you from a musical or artistic family?
Neither one thing nor the other. My parents are very honorable workers. My father is a Builder and my mother works in the fields, in her garden and on his small farm. Now retired, they continue doing what they can. I love.
Who inspired you to be part of the music industry?
You refer to groups and artists that inspired me, supposing.
Well, a cappella music was always there, Take 6 or Boyz II Men with their version of the song Yesterday (by The Beatles) that I recommend you listen to. Doo wop, Gospel, Rock, Pop, Blues, Jazz and of course Classical music. I couldn’t stay with one genre. I drink from good music and the message that great bands give us. And because the guitar is my main instrument, I will tell you that without Eddie Van Halen I would be another, without Michael Jackson, without Tina Turner, Stevie Wonder, The Eagles, Mariah Carey, Pat Metheny or Sting, among many others, I would be another.
How did you learn to sing/write/play?
The guitar with a book of chords, and for some time self-taught, that gave me the development of my ear. Then I took guitar classes with different teachers throughout my life, I also went to the conservatory and the “Laboratory of Musical Creativity” in Vigo, studying modern music and some jazz, and it was there where I learned the most, the guitar classes. song came later. And I still continue to investigate and learn every day. The letters go through a period of reflection and then onto paper.
What was the first concert you went to and who did you see perform?
It was not the first but it was one of the most important, the group Dire Straits at the Balaídos stadium in Vigo, spectacular! Chris Isaak, Scorpions, La Guardia, Luz Casal, Bebo and Chucho Valdés, Alejandro Sanz, Amancio Prada, Carlos Cano, Vocal Sampling, Mint Juleps and Van Morrison among many, and one of the last and also enormous, the great Sting, superb !.
How would you describe your music?
Difficult task. Sometimes a protest song, other times committed to Mother Earth. Love is also present, of course. Always from a positive point of view and from the heart. And sometimes experimental. My second release was an instrumental where I mixed melodies and harmonies with sounds of nature recorded by me, in such a way that they caused the listener to relax, a relaxation different from ASMR, I think I achieved it. On my channel you can listen to something to know what I mean.
Describe your creative process.
Difficult too. I can dream about a song and when I wake up I have the general idea. I can start with the music other times because of the lyrics. And the most incredible is when you sit down and everything comes together almost without thinking about it, little happens but when it happens it is tremendous, like seeing a shooting star cross the sky. And when the muse doesn’t come, I sit down and start with the resources of knowledge until creativity appears and takes over, and it always appears.
What is your main inspiration?
Observation, contemplation, reasoning and the heart. Then comes the answer to the previous question, otherwise it wouldn’t come, of course.
Has your style evolved since the beginning of your career?
Yes. He always does. As everything. That’s how it should be. And so it remains.
Who do you see as your main competitor?
I can’t see music like that, I can’t see musicians as competitors. I don’t feel that way. They say some things and I say others. Music is a language with which we say things, with which we transmit ideas, we tell stories. William Shakespeare and Miguel de Cervantes Saavedra will never be competitors for those who read them, they both feed the soul and the spirit. That’s what I think good music should be “Food for the Soul and Spirit.”
What are your interests outside of music?
I dedicate myself entirely to music. I teach music. I have an acoustic cover duo that I love to play with, called “Take It Easy” after the song by The Eagles. We have a work on CD, also in streaming stores it is titled Máis fariña, it is a song of mine, the only one on the album.
And if you mean if I have hobbies, I’ll tell you some, I love photography, chess, family and nature.
If it wasn’t a music career, what would you be doing?
I don’t contemplate anything else. Everything I do is to improve who I am.
What is the biggest problem you have encountered in the journey of music?
That reproductions are not paid well, that copyrights are not paid well, at least for the artists who are trying to grow. And that there is a lot of “fast music”, as I told you before “fast food”. So you don’t have many incentives or motivations on the economic side. The market is not made for small artists or composers.
Motivation emerges from within, from passion, that’s why you never give up, that’s why I never give up. I think that’s the key.
If you could change one thing in the music industry, what would it be?
First, pay per reproduction. That each reproduction counted for both streaming and copyright. And of course they paid more for it. That would be a motivation and recognition of your work.
And more places to play. It would force doctors to prescribe music: You’re stressed, you have to get four concerts in two weeks, then come back here. Hahaha… everything would improve, surely.
Why did you choose this as the title of this project?
Well. As I told you before, it is about a tree that is planted and cared for like a friend throughout life, instead of cutting it in the bush and then throwing it away after Christmas. It is a Christmas song with a subtle protest against consumption and abusive felling of trees. Christmas is as good a time of year as any to raise awareness among people, especially the little ones. And also, we tend to be more receptive. I hope it catches on in society.
What are your plans for the next few months?
I’m preparing four versions with four friends, and among them there will be one or two of my songs. I am also working on another instrumental project, a small track: It is about harmonies and melodies that could be the Soundtrack of anyone, moments and feelings that we all have. So the title starts with “OST…”
Do you have any artistic collaboration plans?
Well, yes, I always end up playing my songs in the duo Take It Easy, so Pablo Costa is and will be my favorite collaborator, I love him.
What message would you like to give to your fans?
That they are good, that they contribute something positive to the planet and the people they love and that they take advantage of the time they have, that is the most important thing they have.
Santa Claws: "She Turns" celebrates female empowerment
Santa Claws’ latest offering, “She Turns,” weaves a tapestry of female empowerment set to an infectious pop-rock rhythm. The single, the first taste from the forthcoming album “…So Live and Let Lie,” showcases sultry vocals that cascade over listeners like silk—strength cloaked in softness.
Greg Gordon’s adept production handcrafts an easy listening experience that conceals its rousing message; it is a salute to all women navigating their own courses with unapologetic joy. This 3 piece band fuses the roar of independence with catchy hooks, emboldening one’s spirit as each note pledges camaraderie.
As “She Turns” unfurls, one envisions anthems from Fleetwood Mac synthesized through HAIM’s modern lens—a revelry not merely heard but felt. It is music for personal revolutions; where beats act like open roads under relentless feet and each verse ascends like dawn’s light casting off night’s uncertainty.
With this track Santa Claws sets an audacious outset for their upcoming album—invigorated, meaningful and remarkably relevant. A clarion call enveloped in melody so sweetly presented that you barely notice you’ve been carried along into their jubilant insurgence until your heart swells heavy with that same fierce satisfaction.
Acoustic Bloom's "Christmas Eve" is an Audible Enchantment
Acoustic Bloom’s “Christmas Eve” is an audible enchantment—a festive folk song capturing yuletide’s magical essence in under three minutes. When Kilkenny’s preeminent octet glides through sanguine strings and holiday-hued rhythms, they gift wrap listeners in each velvety harmony like a long-awaited family embrace glowing with quiet joy and solemn hope renewed.
Vocalist Bloom’s honeyed tones melt Jack Frost himself; he could chill the staunchest Scrooge yet their notes kindle memories of reconciliation blossoming even in December’s darkest days. This goes beyond carols into the realms of invocation—calling upon the silent night’s innate majesty and sweeping light across our yearning thresholds.
Acoustic Bloom’s “Christmas Eve” is an Audible Enchantment
As their deft folk instrumentation interlaces with familiar jingles, we almost hear our ancestors’ faint laughter beckoning us to unite in celebration once more.
Here lies no commercially-packaged cheer, but that age-old magic that sparks new memories to life as we reminisce fireside, with shadows dancing decades deep behind our rapt and held breath. Their heartrending songs navigate life’s icy storms, guiding our reflections towards hope’s warm glow as the solstice passes—truly tapping into the profound spirit of the enduring Yuletide through rapturous melody.
James Spencer's "Your Ship's Coming In" - A Sea Shanty
In the boundless sea of modern music, James Spencer’s “Your Ship’s Coming In” storms the charts like a tidal wave of defiant power, catching fans and critics alike off-guard with its audacious force. At its anarchic heart, it’s a mutinous fusion of folk-rock and Celtic punk, with the raw, renegade spirit of The Pogues having boarded the stadium-anthem might of Mumford & Sons’ vessel to stage a glorious high-seas takeover.
Spencer bellows above the fray, a charismatic captain rallying the chanting choruses while expertly navigating storm-tossed chord changes destined to give even landlocked listeners cabin fever. The message blasts through like cannon volleys against playing it safe, emboldening us to work tirelessly, chase uncharted dreams, and watch as opportunity surges in on windswept tides.
James Spencer’s “Your Ship’s Coming In” – A Sea Shanty
The infectious energy never drops anchor, charging recklessly ahead at ramming speed to leave listeners buoyed on waves of adrenalized rhythms and triumphant melodies. Every single Spencer has broadsided the charts within 2023 adds reinforcements to his marauding armada of fans, and with this exhilarating broadside signalling their growing domination, his conquering audience will soon span from bow to stern.
For rapacious ears thirsty, for music that salutes the time-honored classics while still sailing unexplored new sonic waters, let the conquering power of “Your Ship’s Coming In” transport you on a journey across high-voltage rhythms and windswept optimism. Spencer clearly isn’t just following trends, he’s using them to set a swashbuckling course through uncharted auditory territory, with press-ganged listeners left only to surrender completely to his bold new vision or walk the plank into last year’s news. All hands on deck mates, and prepare to be blown downright mutinous!
Imperial April: Grunge-Pop Firestorm in Debut Album
Imperial April’s eponymous debut album detonates with the explosive fury of a grunge band that has smashed headlong into a sizzling romp with pop-punk, unleashing a melodic firestorm. Victoria Knopp’s vocals—equal parts gravel and smoldering allure—slice through the dueling guitars like a tempestuous siren unleashing her bewitching wail into the crashing storm.
This 12-track odyssey fearlessly navigates the raging waters of tension, release, and the unbreakable bonds of our shared humanity. The quartet stitches their own unique tapestry into the frayed threads left by icons like Garbage and Paramore, yet their sound crackles with gritty originality—songs steeped in angst and hard-won honesty rather than saccharine platitudes.
Andy Knopp nimbly layers searing lead guitar over scintillating keys while harmonizing to bolster Victoria’s soaring voice. Underneath, subtle swells from Matt Phimmavahn’s searching guitar build waves that crash over Paul Tatterson’s rolling thunder rhythms.
Imperial April: Grunge-Pop Firestorm in Debut Album
Each cathartic anthem lands like a confessional diary entry set to melody; every raw chord progression propels you inexorably toward release. “Imperial April” isn’t merely consumed—it’s felt, deep in your soul, as if your heart might thunder right out of your chest; an adrenaline-soaked reminder that even in life’s dissonant moments, a ravishing symphony awaits.
In essence, Imperial April unveils more than songs—it reveals emotional landscapes forged in the fire of shared grit. These are soul-stirring anthems destined to endure long after the final cymbal crash fades.
A-ZAL's “Autopilot”: Navigating Sonic Murals in Acoustic Pop
A-ZAL’s “Autopilot” coasts in like a soothing zephyr amid the landscape of acoustic pop – wrapping familiar guitar strings in sultry vocals that calm current chaos. Beyond auditory pulse, this is a living sonic mural – threaded with textured brushstrokes of existence on cruise control.
A-ZAL’s splendid voice sculpts emotion from raw air – each opulent note a deft chisel capturing our pensive inner contours – those fathomless human longings for tethers in time. The artistry of “Autopilot” lies in its savvy contradiction – it’s both a blanket of lullaby and a thoughtful mirror reflecting automated life.
A-ZAL’s “Autopilot”: Navigating Sonic Murals in Acoustic Pop
As we wander our own auto-piloted trajectories, this song resonates like a unifying hum across music’s grand auditorium – mingling with our wistful pasts but also nudging at our primal core to seek out depth in life’s rote treadmill.
The paired visuals intensify the experience, blending sight and sound to coax deeper attention beyond knee-jerk eyes and ears.
Cloaked simply yet unfurling emotional intricacy, A-ZAL locates acoustic gold in “Autopilot” – an audio maze luring listeners inward by hypnotic strings. Like a harmonic labyrinth, it entwines familiar and yearned-for into a rich sonic tapestry, baiting recurring journeys into its balming atmospheric layers.
We transform into willing voyagers here – steeping in contemplative comforts as “Autopilot’s” current carries us through channels revealing life’s pensive undercurrents through a poet’s lens. And the destination feels just right.
"Devils and Angels": Good Time Locomotive's Sonic Odyssey
Good Time Locomotive throttles into uncharted territory on their 6th single “Devils and Angels,” a riveting sonic exploration into the age-old tug-of-war between darkness and light within the kaleidoscopic hall of mirrors known as the human psyche. Behind the dashboard of this bullet train ready to derail is a London pop-rock duo constructing an auditory landscape where the hypnotic male vocals shape-shift dramatically between silver-tongued Mephistopheles and guardian Seraphim locked in a dangerous tango with destiny.
The track explodes open with a pulsing, racing heartbeat of an arrangement – a harmony forged under immense pressure yet still clinging to hope’s last lifeboat in the gathering storm. Guitars wail desperately against percussive trials by fire as cries cloaked in melody seem to echo from the furthest reaches of the soul itself, yearning for absolution under the blood moon.
“Devils and Angels”: Good Time Locomotive’s Sonic Odyssey
This is a hellride aboard an emotional rollercoaster traversing the peaks and shadowy valleys of the restless spirit. One observes the lyrical duality theme expertly woven into each musical mobius strip. Throbbing bass notes seem to reverberate from the underworld’s core while flickering synth tones pierce through like beacons in the dark night of the psyche, guiding the way forward through fire and shadow toward the dawn.
“Devils and Angels” channels the careening energy between the divine and the tempting – from sovereign intensity to poignant vulnerability and back again in a human ping-pong match. In the spaces between, one catches glimmers of celebrated artists across time and genre – from Depeche Mode’s Baroque despair to The Killers’ arena-sized confessions – fellow riders on this human-powered locomotive as it navigates the treacherous terrain of earthly existence with the brakes cut.
Yet there is light up ahead – camaraderie and catharsis instead of isolation. Good Time Locomotive extends a hand on this white-knuckle journey through life’s storms. Their anthemic piece resonates deeply for those seeking their better angel by the light of glowsticks waving in the dark. Synths and Mercury-soaring vocals remind us we’re all in this together as we speed through the beautifully messy human chaos toward the dawn of hard-won redemption.
Lauren Minear Drops New Tune 'The Way It Was' That Packs a Punch
Lauren Minear new song, “The Way It Was”, has definitely got a tug of your feels. The track, co-written with and produced by Dan Weeks, was inspired by the United States Supreme Court’s landmark repeal of Roe versus Wade. However, this is not merely about the throwback; this song engages you and infects you with its infectious garage-band sound.
The lyrics? These are not empty words, but powerful with empowering lines. The minute you begin you can’t help but continue until the moment the music stops. Once you begin to listen it is quite difficult to stop, as the power of music cannot be denied. It’s vibe mixed with its sentimental lyrics is what you never knew you wanted. As Lauren’s team had put it, this track takes a deep emotional look of the existing world, particularly concerning the Roe Voters case, and has finally shaped into the most potent hymn devoted to women.
“The Way It Was” is far from an everyday song; it’s an emotional ride disguised as witty lyrics and irregular rhythms. This song shows just how talented Lauren Minear is at converting painful emotions into popular songs.
This song shows just how talented Lauren Minear is at converting painful emotions into popular songs.
However, she’s not only music but jack-of-all-trade. Hailing as singer, songwriter, counselor, as well as mum located in new york city, Lauren’s songs are not just regarding sonorous but joining people too. Oh boy, can she ever do that well.
That single is simply an appetizer for what awaits. Lauren has been rehearsing an entire album for Spring 2024, and if this song is anything to go by then it’s going to be a rollercoaster ride. “The Way It was” is similar to entering that place deep inside you while enjoying bright colors and shocks you with love and emotions just the way you wish.
Effs’ Debut Single "I Like That" Will Make Your Day
Ghanaian-UK singer Effs makes her mark on the Amapiano scene with her captivating new single, “I Like That.” This electrifying track blends Effs’s exceptional vocal abilities with an infectious Amapiano Electro Jam beat, creating an instant dancefloor hit.
The song opens with playful lyrics, drawing listeners in with a seductive invitation: “Play me like your favorite song… come on baby turn… come on baby gimme what I like.” Effs’s smooth vocals effortlessly glide over the pulsating beat, creating a captivating sonic experience that lingers long after the last note fades.
“I Like That” is a testament to Effs’s versatility and artistic growth. Her seamless fusion of Ghanaian influences with the contemporary Amapiano sound showcases her ability to captivate audiences across borders and genres. The catchy melody and repetitive hook are sure to lodge themselves in listeners’ minds, making “I Like That” an instant earworm.
As a rising star in the music scene, Effs has already garnered significant attention for her talent and captivating stage presence. With “I Like That,” she is poised to solidify her position as a leading force in the ever-evolving Amapiano landscape.
Fabbro di Chiavi Merge Wisdom and Skill on "Intangible Part I"
Transport yourself back to an era when guitar solos reigned supreme and the pounding of drums spun tales without uttering a single word. Fabbro di Chiavi’s EP “Intangible Part I” does just that, weaving a rich sonic tapestry steeped in Stoic wisdom yet bolstered by ambition worthy of the most technical progressive metal.
The instrumental prowess on display throughout this record is nothing short of exceptional, with guitars that sing as eloquently as Marcus Aurelius’ meditations, basses that growl with the conviction of Seneca’s speeches, and drums that gallop at full tilt through the annals of rock history. Each finger-plucked note conjures images of sages navigating life’s tempests, coaxing listeners to embark on an odyssey of self-discovery through riffs befitting the most arena-shaking giants.
Seamless track transitions evoke the sensation of traversing from rough and tumble seas to eerily calm waters under the steady guidance of Stoic ideals. “Journey to Apatheia” in particular seems to channel this epic voyage, its intricate melodies enthralling the mind while conjuring forth cerebral clashings where intellect grapples with raw intuition in regal fashion.
Fabbro di Chiavi Merge Wisdom and Skill on “Intangible Part I”
“The Emotion Ruler” stands out for the way it provokes this battle of brains versus brawn, with strategic yet gripping musical passages that flow like masterful chess play. Closing one’s eyes during this track makes vivid the regal garb of Stoic scholars locked in mortal combat on the checkered battlefield of life.
Drawing comparisons almost cheapens the singular artistry on display, but traces of Pink Floyd’s expansive soundscapes collide here at times with Dream Theater’s fierce technical spectacle. This is thinking man’s metal infused with antique philosophies and unleashed through devastating dynamics fit for the golden age of epic rock voyaging.
Not merely music, Fabbro di Chiavi’s latest release achieves its ambitious goal to render stoicism through audible means. Monumental chords and colossal concepts distill into potent but digestible formats for both purists and newcomers alike. “Intangible Part I” chalks up as nothing short of an ephemeral reverie, its strains and cadences leaving one wondering what time-traveling magic may have woven such an engaging sonic tapestry.
Emperor Brand Opens New Flagship Store in Ashaiman
Emperor Brand, a Ghanaian fashion brand known for its unique and stylish designs, has opened a new flagship store in Ashaiman, Ghana. The store is located at Ashaiman Municipal Street Celestial Junction, Official Town, Ghana.
The store is located at Ashaiman Municipal Street Celestial Junction, Official Town, Ghana.
Nestled amidst the bustling streets of Ashaiman, Emperor Brand’s flagship store seamlessly blends traditional architectural elements with a contemporary design aesthetic. The façade adorned with intricate motifs pays homage to the rich cultural heritage of the region, creating a sense of harmony between the brand’s legacy and the town’s historical significance.
Emperor Brand’s flagship store seamlessly blends traditional architectural elements with a contemporary design aesthetic
The new flagship store is a testament to Emperor Brand’s commitment to providing its customers with the best possible shopping experience. Stepping inside the store, patrons are welcomed into a world of refined luxury and exquisite craftsmanship. The interior exudes an aura of sophistication, with polished marble floors, spacious, well-lit and carefully curated displays showcasing Emperor Brand’s latest collections. Every corner tells a story of meticulous attention to detail, highlighting the brand’s commitment to offering unparalleled quality and elegance.
In addition to clothing and accessories, the new flagship store also features a café and a lounge area. This makes it the perfect place to relax and shop with friends.
the new flagship store also features a café and a lounge area. This makes it the perfect place to relax and shop with friends.
Emperor Brand’s foray into Ashaiman Official Town marks a significant milestone in the brand’s journey, symbolizing its vision for the future of fashion. By blending heritage with innovation, the store exemplifies the brand’s commitment to the Ghanaian fashion industry and to creating a lasting legacy that resonates with generations to come. As a beacon of style and grace, Emperor Brand’s flagship store stands as a testament to the enduring allure of luxury fashion.
The store is located in a convenient location, close to public transportation and other businesses.
Here are some of the things you can expect to find at the new Emperor Brand flagship store:
A wide range of Emperor Brand’s latest collections, including clothing, accessories, and homeware.
A café and lounge area where you can relax and shop with friends.
Helpful and knowledgeable staff who can help you find the perfect outfit or gift.
A variety of payment options, including cash, credit card, and mobile money.
If you are looking for a unique and stylish shopping experience, be sure to visit the new Emperor Brand flagship store in Ashaiman.
Here are some additional details about the new flagship store:
The store is open from 9am to 8:30pm, Monday through Saturday and on Sundays 1pm to 7pm.
The store is located in a convenient location, close to public transportation and other businesses.
The store offers a variety of amenities, fitting rooms, and restrooms.
I hope this information is helpful
The Listros Make a Forceful Debut with "Into The Otherside"
With their debut rock single “Into The Otherside,” the duo The Listros make a commanding entrance onto the modern rock scene. Brothers Sean & Evan Listro forge an industrial-laced, grunge-fueled anthem driven by Sean’s gritty vocals. He unleashes a brooding tale of unrequited yearning and fleeting experiences over grinding guitars and an ominous minor key melody. Despite the despondent lyrical themes of futility and transience, the track’s epic soundscape and soaring refrain render it triumphant and empowering.
The Listros’ style pays homage to 90s alt-rock forebears like Nine Inch Nails and Alice in Chains while staking out fresh territory. “Into The Otherside” also brings to mind contemporary acts like Royal Blood with its dense, uncompromising production aesthetic centered more on sheer impact than intricacy. Though its core harbors a melancholy soul, the song’s arena-sized hooks and gang vocal chants make it primed for wide exposure.
The Listros Make a Forceful Debut with “Into The Otherside”
For a debut single, The Listros ignite right out of the gate. If “Into The Otherside” provides an accurate glimpse of this duo’s sonic identity, their brand of industrialized grunge could soon rule the airwaves. Behind the boards, Sean and Evan fuse pummeling electronics and guitars into a sound both crushingly heavy yet widely accessible. Building off the commanding presence of Sean’s resonant baritone, their songcraft feels built to scale massive venues.
With Just two members, The Listros generate a fury evoking the end days. Still, a glint of redemption permeates their stormy vision. Together, they transmit an emotional authenticity soon to echo far beyond Toronto, Canada. For any seeking a jolt of catharsis by way of seismic, yet earnest, modern rock, The Listros light a beacon toward deliverance amidst darkness. All that’s left is to follow their siren song forward to the other side.
Samora's Infectious Anthem "Born in Suriname (Work)"
As the first chords of “Born in Suriname (Work)” by Samora beckon, you can almost feel a rush of euphoria sweeping through your veins. A scintillating release that infuses dancehall vivacity with lyrical profundity, this track arrests our attention not just because it’s ‘super catchy’— but because it is an anthem; a clarion call for resilience disguised as an infectious groove.
Samora’s voice acts like sunlight piercing through gray clouds—an undeniably commanding presence which arcs beautifully across the melody. Her vocal prowess embodies female empowerment in all its glory. The rhythm pulsates with life’s own heartbeat, stimulating enough to make even the most reserved listener sway and certainly potent enough to take over dance floors globally.
The song’s energy churns out chronic vibrancy and relentless positivity without ever skimping on depth—a tricky balance Samora strikes with natural ease. It’s more than just about ‘working hard’; at its core “Born in Suriname (Work)” is a robust exploration into transforming adversity into fuel for personal elevation.
Samora’s Infectious Anthem “Born in Suriname (Work)”
We hear stoic wisdom intertwined within beats that dare you not to move—Samora shares her unique narrative while shaping sounds akin to past greats yet she carves out distinct pathways that are unequivocally hers.
For those seeking music that motivates gusto amidst struggles, look no further—this offering does not merely entertain, it empowers and invigorates one’s journey towards joy from within. This is a transformation put to tune—a siren song calling us toward finding light in our labors and rhythm in our resolve.
My Everlasting Isolation: 7evin7ins Maps Loneliness on Debut EP
7evin7ins storms onto the scene with his debut EP “My Everlasting Isolation”—a vessel of 7 tracks fusing alternative rock’s angst and edge with alt-pop’s sticky-sweet melodies, polished with a contemporary urban sheen. It’s like you’ve been teleported into someone else’s prismatic daydream, with raw male vocals floating through kaleidoscopic beats.
At its core throbs “My Everlasting Isolation,” inner turmoil shaking listeners with stark catharsis. Suspended weightlessly in thought, it renders that exquisite disconnection beyond audio—it is sonic emancipation.
The EP pulses as a whole through fogged neon streets, vibrant yet ghostly transmissions with 7evin7ins’ voice mapping the echoing terrain. Songs test boundaries, grafting urban rhythms and guitar snarls into a bittersweet confinement, using the familiarity of isolation to compel freedom.
7evin7ins’ Debut EP “My Everlasting Isolation”: A Prismatic Dreamscape
Compositions interlink yet each retains its own color and texture, atmosphere and reverbs woven into an auditory patchwork quilt. As debuts often whisper or scream, “My Everlasting Isolation” does both–candidly addressing loneliness yet demanding to be heard.
Spinning this record feels like reading secrets in a locked diary, raw yet relatable, immersive visions beckoning us to embrace the contrasts of smoke and spotlights, past and future, echoes and epiphanies. This is 7evin7ins’ compelling invitation into his Everlasting Isolation.
Gary Dranow drops emotionally raw remix of "Destiny Road"
A wave of seasoned alt-rock nostalgia with modern touches rides in as Gary Dranow’s “Destiny Road (Remix)” drops. Dranow’s gritty vocals steer his personal story of wrestling with bipolar disorder amid a band of globe-trotting musicians—Gary Dranow and The Manic Emotions. Together they traverse raw yet relatable emotional terrain.
Dranow’s weathered voice is a compass, guiding listeners through turbulent waters with candor and resilience. In both haunting moments and hopeful swells, his lyrics echo shared struggles seeking solace. Guitars and rhythms pair passionately to complete this sonic rendering that evokes fighting inner storms under a kaleidoscope sky.
Spanning Utah’s ruggedness, Melbourne’s verve and Ukraine’s poetic soulfulness, the instruments conjure psychotropic odysseys so many minds know intimately. This cohesive mix offers fellow travelers melodic shelters amid the tempest.
Gary Dranow drops emotionally raw remix of “Destiny Road”
Echoing serialized sagas that once fed literary appetites, the group plans a voyage: starting January 2024, newly unearthed tracks re-launch weekly alongside their flagship “Destiny Road.”
With this remix setting the bar high and hearts ablaze with anticipation, one thing is clear: there are roads we journey alone but it’s songs like these—they echo our footsteps together. Keep your ears tuned and your spirit ready for what’s coming down Destiny Road because if this remix is any indication—it’s going to be a trip worth taking.
Dive into the cathartic sonic landscape crafted by The Hungry Young with their latest single, “Broken Past,” and you’re in for an alt-rock escapade that collides headfirst with the raw ethos of 90s grunge and the audacious spirit of Broadway. Ian Ward’s vocals—with a timbre reminiscent of legends like Steve Perry and Sting—soar over Jessica Heming’s brooding keyboard melodies and Ramsey Ord’s thunderous percussion, culminating in a sound akin to musical alchemy.
“Broken Past” does more than pull at your heartstrings; it echoes through your very being—a battle cry wrapped in melodic rebellion that pounds with relentless optimism. Its punchy riffs carve out space where past heroism intersects with present vulnerability, resonating as much on stage as it would blasting from a battered car stereo on open roads.
Ward’s experience under the dazzling lights lends him sharp dramatic instincts which he infuses into each note—the thrill of theatrical zeal meeting rock ‘n’ roll tenacity. Meanwhile, Heming’s keys churn beneath the surface adding layers upon layers to this intricate tapestry of sound while Ord’s drumming is an Emmy-worthy performance unto itself; precise yet chaotic, like rolling thunderclouds promising renewal after devastation.
The Hungry Young’s Cathartic Rocker “Broken Past”
The band commands attention without pretence, transforming personal tumult into anthemic empowerment. Their message? Making mistakes is merely the subplot to our greater narratives—an affirmation both grounding and liberating for anyone entangled within their own histories.
While some bands chase trends or echo pre-worn paths, The Hungry Young throws down a gauntlet and asserts their presence with authenticity—and “Broken Past” doesn’t just strike chords; it establishes them as artisans welding torch songs for soulful renegades ready to embrace tomorrow.
Shane Rennison's Evolved Sound on "Live at the Outlier Inn"
Nestled in the heart of sonic artistry, Shane Rennison’s “Live on the Outlier Inn” is an EP that sweeps you away to the country appeal of Upstate New York. With just 3 songs, an adventure unfolds via lush landscapes fashioned by clean male vocals and deft touches of indie pop and soft rock.
The opener appears like sunrise breaking over the Catskills – warm light spilling into valleys of sound in which Rennison’s voice serves as both guide and confidant. His transition from introspective soloist to a bolder ensemble presence marks an evolution, one deeply ingrained in melodies that breathe with natural grace.
Amidst this crafted simplicity, there’s an unwavering strength—a current flowing underneath placid surfaces speaking volumes about connection: between artist and surroundings, music and memory. It’s obvious this isn’t just a performance; it’s a heartfelt homage to roots that have nourished his musicality.
Shane Rennison’s Evolved Sound on “Live at the Outlier Inn”
What makes “Live at the Outlier Inn” compelling isn’t simply its audio aesthetics but also how palpably it echoes transformation. Each track vibrates with earnestness yet never forfeits finesse for rawness—balancing beautifully like pebbles stacked by a riverbank.
Stepping past each song leaves listeners subtly changed—like having shared something intimate with a stranger on a train or witnessing colors shift in autumnal woodlands. Shane Rennison has not simply recorded songs here; he has encapsulated experiences—a sonic alchemy turning music into gold-tinted memories against the backdrop of ever-inspiring nature.
Flavus Nova`s trendy single “Slumber” takes the listener on a spirited adventure through its energetically woven tapestry of pop-rock gusto and dreamy vocal reveries. At the forefront is a female voice that commands attention, laced with an enigmatic vulnerability that makes each word resonate like a mystery longing laid bare.
The establishing bars set a contemplative mood, only to blow up into a lively chorus that leaps out of your speakers with ferocity and zest. Here we discover ourselves amid strong, grunge-inflected guitars ripping via any pretence of silence—a bold contrast to the ethereal quality of our leading siren’s whispery timbre.
Flavus Nova’s Empowering New Single “Slumber”
Wielding their instruments as maestros orchestrating feelings, this music delves deep into current angst at the same time as extending a warm embrace—insisting it’s perfectly ordinary to be misplaced in life’s intricate maze. Rather than succumbing to depression or envy in those moments fraught with doubt, “Slumber” serves up empowering solace wrapped in rock ‘n’ roll beauty.
As much about wakefulness as it is about dreams deferred or denied, Flavus Nova has crafted what will be considered both a ballad and a battle cry for the ones forging paths towards self-empowerment amidst the chaos. Rest assured, listeners will find their spirits buoyed by using this anthem meant for anyone who would possibly teeter on the edge—to remind them they’re not on their own inside this boundless night’s slumber.
Ben Drysdale's Highly Anticipated Song "If I Don't Lie Down"
In the plush tapestry of indie folks, few threads shimmer with as tons promise as Ben Drysdale’s “If I Don’t Lie Down” Mark your calendars for December 15, 2023 – this debut solo single is ready to sweep through the music scene with the unstoppable pressure of a gale wind. Highly anticipated? That’s an understatement.
From its starting chords, Drysdale entices us into his world – a vibrant fusion in which crisp pop sensibilities meet the earthy warmth of folk melodies. As if weaving gold from straw, he crafts an auditory revel that resonates deep inside our sinews and nudges us respectfully away from any remnants of doubt or lethargy.
Ben Drysdale’s Highly Anticipated Song “If I Don’t Lie Down”
The music itself feels like early morning sunlight piercing through dawn’s mist—an exceptionally catchy anthem for growing above adversity. With male vocals that channel both grit and beauty, Drysdale tells an introspective tale brimming with emotional clarity. Each note belts perseverance—the kind that propels feet forward while paths steepen and resolve wavers.
Listeners will find themselves not simply hearing but feeling each crescendo; it’s more than music—it’s motivation encapsulated in melody. Indie enchantment meets pop appeal in this synergistic dance across genres—infusing listeners with a vigour similar to spring’s first bloom.
“If I Don’t Lie Down” isn’t merely a song you’ll hum absentmindedly—it’s one which invites you to stand up tall alongside it—to push against life’s inertia with renewed zest. In brief: stick around for Ben Drysdale’s ascent on the music horizon—you don’t want to miss what follows after such a spellbinding introduction.
An Engaging Indie Odyssey’ on ‘Future Husband’s ‘Good Company’
The Netherlands-based Future Husband is back with “GoodCompany”, a magnetic combination of vocal and instrument tracks that takes you through a new but somehow familiar terrain. The track starts by capturing you right from the beginning such that it is unscripted, real and deeply rooted into one’s life.
Listen, “Good Company” has this effect on your brain, the sultry voice and the breathtaking instrumentation is soothing and evocative, it has the power to alter your feelings and that is something I love the song.
One thing that stands out is the storytelling ability that creates an impression of individual but at the same time interconnected history. The moment you hear this song, it grabs your attention and takes you on a true, very real journey which feels like straight down to earth.
This track is appealing because it has striking power which can make one be in awe of it. That is, it touches on that innate desire of everyone, making its musicscaping deeply moving and real. Future husband has a way with mixing up the cinematic style with the upbeat guitar music and smooth synthesizer.
“Good Company” is not just about song, but also it marks the debut entrance of Future Husband in the independent music scene. It is a charming stone calling for us to get immersed in its tunes and the magic sewn therein. It is a thrilling ride into the world of alternative music that you will want to experience repeatedly.
Driddy out with Controversy ,Driddy releases Controversy ,Driddy with Controversy ,Driddy drops Controversy ,Controversy by Driddy ,Controversy from Driddy ,Driddy ,Controversy ,Driddy Controversy ,Controversy Driddy
A couple of weeks ago, Driddy – a well known Brooklyn based rap artist released his hot new single titled “controversy.”. The song is raw, unapologetic and addresses racial tension using lines such as ‘Man, I don’t got time for no segregation’. It is a powerful story bringing out the pictures of a hostile world riddled by violence calling for unity in times of turmoil.
During our discussion Driddy traces his stage name back to its origin in Brooklyn slang meaning annoyance or irritation. It all started when he was a child listening to Notorious BIG and later as a young professional in the music industry. As a self-taught lyricist, he draws inspiration from life experiences as well as his urban background to create real storytelling through music.
“Controversy” serves like a loudspeaker through which Driddy’s disgruntlement and commitment resonate, amplifying social rifts and reflecting on industry troubles. He desires for an open music scene where artists are fairly compensated and given adequate support.
Driddy transforms emotions to narrative with the intention of creating a change through his music. The interviews reveal his creative layers to find an artist who believes and sees his art as a tool for genuine expression and societal awareness. Driddy keeps advancing and is thankful to his fan base for their continued support. He promises more gripping tales as he journeys through the world of the music industry.
Listen to Controversy below
Driddy out with Controversy ,Driddy releases Controversy ,Driddy with Controversy ,Driddy drops Controversy ,Controversy by Driddy ,Controversy from Driddy ,Driddy ,Controversy ,Driddy Controversy ,Controversy Driddy
Is there a story behind your stage name? The story behind my stage name
My stage name “Driddy” comes from New York City slang, where it signifies feeling annoyed or irritated, and sometimes even serves as an insult. Growing up in Brooklyn, this slang was used on an everyday basis wherever I went.
Where do you find inspiration? I find inspiration for making hip-hop music from various sources. Firstly, my personal experiences and the environment I grew up in greatly influenced my music. The streets, the people, the culture, and the challenges I’ve faced all contribute to the stories I tell through my music.
What was the role of music in the early years of your life? Music played a significant role in shaping my formative years, especially growing up in Brooklyn. It was an integral part of my daily life, influencing my perspectives and aspirations. My sister and I bonded over old-school hip-hop, immersing ourselves in tracks like Notorious B.I.G.’s “Juicy.”
These artists and their music were more than just entertainment; they were storytellers who painted vivid pictures of urban life, struggles, and dreams.
Are you from a musical or artistic family?
No, I didn’t come from a particularly musical or artistic family background. However, despite this, I found my passion for music and the arts on my own journey. Growing up, there wasn’t a lineage of musicians or artists in my family, but I was always drawn to the creative world. I discovered my love for music through my own exploration and exposure to various genres and artists.
While my family might not have been directly involved in the arts, they always supported and encouraged my interests. Their support provided me with the freedom to explore and pursue my passion for music independently. It was through my own experiences, curiosity, and dedication that I developed my skills and found my voice in the artistic world.
Who inspired you to be a part of the music industry? I found inspiration to enter the music industry from various sources. Growing up in Brooklyn, I was surrounded by a vibrant urban culture where music was everywhere. Artists like Notorious B.I.G., Jay-Z, and Nas, who came from similar places, inspired me with their stories and how they expressed their experiences through music.
Growing up in Brooklyn, I was surrounded by a vibrant urban culture where music was everywhere.
I also looked up to musicians from different genres like Stevie Wonder, Bob Dylan, and Michael Jackson, admiring their creativity and how they used music to convey powerful messages that connected with people.
Moreover, the support and encouragement of my friends and community played a big part. Their belief in my talent and their excitement about the music I made encouraged me to pursue a career in this industry.
How did you learn to sing/write/to play? Since I was young, my love for music pushed me to learn how to write lyrics and rap on my own. Growing up in Brooklyn, where hip-hop had a huge impact, I got hooked on the storytelling aspect of the genre. I started by diving into songs from artists I admired, picking apart their lyrics, and trying to understand how they rhymed, and how they flowed.
Without any formal training, I took it upon myself to practice endlessly. I spent a lot of time writing lyrics, trying different ways to rhyme, and figuring out how to express emotions and stories through my words.
It was all trial and error, just constantly working to get better and find my own style in music and rap. I got inspiration from my own life experiences and everything happening around me. I’d mix these bits into the lyrics I was crafting, trying to make them my own.
How could you describe your music? My music reflects my life, feelings, and what I see around me. It’s a mix of stories and emotions, combining different sounds to create something unique. I write lyrics that come from real experiences, drawing from hip-hop and other music styles. Whether it’s about personal stuff, life’s ups and downs, or things happening in the world, I aim for my music to connect with people in a real and relatable way. Overall, my music is just me sharing my journey through beats and stories.
Describe your creative process.
My creative process starts in my home studio, where I bring my ideas to life. I spend a lot of time crafting lyrics, experimenting with melodies, and recording my vocals. Having a comfortable space at home allows me to freely explore different sounds and express myself authentically.
Once I’ve laid down the foundation, I link up with my music engineer, J-Vee from G Spot Music Studio. He’s an integral part of my process. J-Vee takes the raw recordings, works his magic, and turns them into a polished piece of art. His expertise in mixing and mastering brings out the best in my music, weaving together all the elements to create a cohesive and impactful track.
Collaborating with J-Vee adds another dimension to my creative process. His skills and insight elevate the sound, making sure every beat, lyric, and emotion is finely tuned. Together, we transform my initial ideas into a finished product that I’m proud to share with the world.
What is your main inspiration?
My main inspiration stems from witnessing young men around my age in their early 20’s who have not only found success in music but have also managed to provide for their families through their passion. Observing their achievements serves as a profound motivation for me to pursue my dream of becoming a rap superstar.
Seeing these individuals navigate the music industry successfully while being able to support their loved ones is incredibly inspiring. It demonstrates the tangible possibility of turning a passion for music into a sustainable career, capable of fulfilling both personal dreams and familial responsibilities.
What musician do you admire most and why?
One musician I truly admire is J. Cole. His artistry, authenticity, and commitment to storytelling within his music resonate deeply with me. What sets J. Cole apart is not just his remarkable talent as a rapper and producer, but also his genuine approach to addressing real-life issues and emotions through his lyrics.
I admire J. Cole’s ability to use his platform to shed light on societal issues, personal struggles, and the complexities of life. His music reflects a raw honesty that connects with listeners on a profound level, making them feel understood and represented.
One musician I truly admire is J. Cole. His artistry, authenticity, and commitment to storytelling within his music resonate deeply with me.
Did your style evolve since the beginning of your career?
Absolutely, my style has evolved significantly since the beginning of my career. When I first started, I was eager to find my voice and establish a unique style within the world of rap. Over time, I’ve dedicated myself to refining my storytelling abilities and perfecting my flow.
Who do you see as your main competitor?
As an artist, I don’t really see others as my direct rivals. I think each artist has their own thing to offer, which adds to the cool variety in music.
Instead of focusing on beating specific people, I see my main goal as getting better at what I do. I want to keep improving my music, connecting with my listeners in a way that matters, and making tunes that really feel like me. It’s all about pushing myself to do better and grow as an artist.
What are your interests outside of music?
When I’m not making music, I love hanging out with my family. They mean a lot to me, and whether we’re chatting, going on trips, or just chilling, it’s always special.
I’m also really into reading. Getting lost in a good book helps me unwind and learn new stuff. It’s a way for me to escape into different stories and ideas, broadening my mind beyond music and giving me a break when I need it.
If it wasn’t a music career, what would you be doing?
If I wasn’t pursuing a music career, I would likely explore entrepreneurship. I’ve always been intrigued by the idea of starting and running my own business. The creative aspects of entrepreneurship, like coming up with innovative ideas and strategies, appeal to me just like they do in music.
What is the biggest problem you have encountered in the journey of music?
One of the biggest challenges I’ve faced in my music journey is encountering dishonest music executives and individuals who claim to support artists but are actually only interested in making a quick profit. It’s tough navigating through a landscape where some people are more focused on exploiting talent rather than nurturing it.
Running into these kinds of individuals can be disheartening and frustrating. It’s difficult to discern their true intentions at first, and realizing that they’re not genuinely invested in supporting artists can be a setback. It’s disappointing to encounter those who prioritize their own gains over the well-being and success of aspiring musicians.
If you could change one thing in the music industry, what would it be? If there’s one thing I wish to change in the music industry, it would be to create a more transparent and supportive environment for emerging artists. There’s a need to address the existence of exploitative practices and shady dealings by some industry figures who take advantage of aspiring musicians.
I believe fostering a culture of transparency, fairness, and genuine support for artists would significantly improve the industry. It’s crucial to have better safeguards in place that protect artists from exploitation and ensure that they receive fair compensation for their work.
Why did you choose this as the title of this project?
I chose this title for the project because it captures the essence of the song’s message. The lyrics reflect a strong stance against division, discrimination, and the unnecessary conflicts prevalent in society. Lines like “Man, I don’t got time for no segregation” and “Motherfuckers stay starting Controversy” highlight the frustration with social divisions and manufactured controversies.
The lyrics speak to a desire for unity, calling for mediation and evaluation of the divisive issues faced by different races and communities. It addresses the need for a change in mindset, away from instigation and spreading rumors toward a more unified and understanding approach.
The title signifies a bold statement against stirring unnecessary controversies, advocating for a more peaceful and harmonious coexistence. It’s about standing up against negativity, division, and the toxic behaviors prevalent in society, aiming for a more inclusive and united future.
What are your plans for the coming months? In the next few months, I’ve got some dope new singles coming out. These songs dive into different stuff, showing off different sides of my music and stories.
I’m really looking forward to share these tracks with everyone. Each song is like a piece of my journey, showing how I’ve grown as an artist. I can’t wait for people to hear them and feel what I’m putting out there.
And as time goes on, I’m hoping to gather all these releases into an EP by the end of 2024. This EP will have a bunch of tracks that show off different parts of my style and storytelling. I’ve been putting a lot of heart into this project, and hyped to see it all come together.
Do you have any artistic collaboration plans
Not at the moment, but I’m always open to artistic collaborations in the future. Right now, I’m focusing on my individual projects and ensuring that I give my full attention to the music I’m currently working on. Collaborations can bring about incredible creative possibilities, and while there aren’t any immediate plans, I’m definitely open to exploring collaborative opportunities down the line.
What message would you like to give to your fans?
I want to extend my heartfelt gratitude to all my fans for their continuous support and for taking the time to listen to my music. Your support means the world to me, and I’m incredibly grateful for every listener who connects with my art.
I want you all to know that your support inspires me to keep creating and pushing boundaries. Your feedback and understanding of me as an artist mean everything. I pour my heart and soul into my music, and knowing that it resonates with you is the most rewarding feeling.
So, a huge thank you for being part of this journey with me. Your support encourages me to keep growing, evolving, and sharing my stories through music. Stay tuned for more music and updates—I can’t wait to continue this musical journey together with all of you.
“Rictus of Rage” Discusses “Emotional Journeys and Musical tributes”.
The new song by Rictus of Rage “Silent weapon for quiet wars” expresses deep sadness about the death of Jeff Watson but also sounds very sincere in music sense. This is more than a tribute to Watson; it is also the story of the relationship between the singer and his friend, Mike Masser, on the musical road that resounds in these haunting lines.
The depths of societal reflections are where rictus of rage draws his inspiration from. From childhood, music was very important to them, becoming in many ways part of lifelong addiction combined with recollections of air guitar practices and in search of happiness.
Although Rictus of Rage’s family is not musical, the song ‘Crazy Train‘ which is sung by Ozzy Osbourne started his journey into music and pushed towards a music career. They have learned by themselves in many musical aspects, they are constantly evolving their artistic process taking on emotions and versatile influences which reach across several genres from country ballad to doom metal.
Their style continues to be organic with the core remaining despite playing with it. Their sound is difficult to categorize – proof of the varied impact on their taste in music.
Join us as we get to know more about Rictus Of Rage.
Is there a story behind your stage name? Jeff was reading a book with a character named Rictus in it.
He wanted to name the band that, but we found out there was already and band named Rictus.
I suggested we put of rage at the end and go with that.
Where do you find inspiration? Everywhere. It is all over if you look for it. Rictus of Rage primarily get most of its inspiration from news and society.
What was the role of music in the early years of your life? Music has played a big roll in my life. I look back and music has been almost an obsession for me.
My earliest memory’s are playing air guitar and listening to my brother and sisters albums.
Just studying the music\lyrics and artwork.
I always accompanied music with trying to have fun, being the life of the party and girls.
Are you from a musical or artistic family? Not really, My family loved music and there was always music playing in the house.
That was really the extent of it.
Who inspired you to be a part of the music industry? Hearing Crazy train from Ozzy is what made me want to play guitar.
Once learned to play all I wanted to do was play music for a living.
How did you learn to sing/write/to play? I taught myself everything.
What was the first concert that you ever went to and who did you see perform? I went to see Metallica.
How could you describe your music? Man, I’m not sure how I would describe it. It is all over the place.
I have so many influences. One song will sound like a country ballad and the next will sound like a doom metal song. Depending on if you listen to my old band Hand Over Fist or my Solo work or Rictus of Rage it can sound like completely different styles.
Describe your creative process. I wish I could. I don’t have a set process. It comes in various ways.
Sometimes something I see will spark inspiration. Sometimes it could be sitting in my living room playing guitar an something cool just comes out and I work off of that. It comes from everywhere if you are in that zone.
What is your main inspiration? I know this sounds generic, but emotion. Whatever I am feeling at the time I roll with.
What musician do you admire most and why? I don’t think I could narrow it down to one. I admire so many musicians for different reasons.
It could be the style of playing or musicianship, it could be how they have influenced or put their mark in music history. I am just a big fan of music. I don’t care what genera it is. It could be pop\R&B Metal\Hard Rock Rap\HipHop. If it is a good song it is a good song. I don’t care the genera or artist that did it.
Did your style evolve since the beginning of your career? I don’t think I have evolved my style too much over the years. I tried to do that on my first solo album, but I think it was a failed experiment. After that I kind of went back to what I know.
Who do you see as your main competitor? I don’t see anyone as a competitor. Music is subjective. Not everyone has the same taste in music.
Everyone that makes music does it the way they feel it should be done. No right way or wrong way, just the way they do it. You put it out there and hope people see and hear your version and relate to it.
What are your interests outside of music? Right now it’s relaxing. I don’t get much down time, so when I do I try to relax.
What is the biggest problem you have encountered in the journey of music? People trying to tell you how to think and what to do.
Egos and people that are doing it for the wrong reasons.
If you could change one thing in the music industry, what would it be? Get away from worrying about a bands image and get back to the bands music.
Labels have spent too much time on how to market a band and the image instead of worrying about how good the music is. They have ruined the creative process.
We have lost so many good bands and songs because of that.
What are your plans for the coming months?
I still might do some solo work, but since Jeff passed away last year Rictus of Rage will be no more.
Do you have any artistic collaboration plans Nothing in the works right now.
What message would you like to give to your fans? Want to thank all of you that have supported us and encouraged us. I wish Jeff was here to see the result of what we made together. With that said I hope you continue to listen and keep his legacy alive.
'The Domain' Unveils 'Better Than Me' A Synth-Pop Sensations
Welcome ladies and gentleman, please allow me to introduce you to a rare glimpse into the fascinating realm of “The Domain”. This new track Better Than Me plunges us into a land of thumping bass lines and soulful synth- pop songs. The song takes them through flashbacks of 80s vibes combined with modern EDM sounds. This is a soul stirring type of a music which makes one’s feet move up and down.
His musical adventure started with rock legends such as Jimi Hendrix and grew into an attraction to underrated hip-hop. His evolving sound reflects the changing nature of creativity as much as a journey through a radiant and throbbing star.
Although “The Domain” was not brought up in a musical family, he began his music career at an early stage of his life, he started to play the guitar when he was only 11 years old, and that helped in shaping his music ear, he fell inlove with rock music and gravitated towards it, yet he started to rap at 17.
this disclosure was made during a recent interview with Mister Styx of Musicarenagh where “The Domain” shared more about his life and some of the challenges in the music industry.
When asked about his main inspiration, his response was mindblowing, this is what he had to say
“My main inspiration is always the brilliant artists I collaborate with. I push myself to do the best I can just to honor them and their amazing talent they’re lending to the project”
Love yourself, follow your dreams, and embrace nature’s beauty.# This is what his message represents, it reflects an artistic fever with a strong love of simple things. His pursuit for inspiration trails him as he creates pulsating beats, and leaves a message of conscious existence.
“The Domain” is not just an artist who wants to make music, he also wants to be a better version of himself so others can also benefit from him.
Is there a story behind your stage name?
“The Domain” is an obscure reference to the Roswell Alien Interview, where Airl the survivor of the crash refers to her home Universe and her colleagues from said Universe as “The Domain”. In a cryptic kind of a way the theme of the project is “Futuristic Alien Beats”.
Another reason I chose this name is because it sounds kind of like a group, and as such it means in the future I can add
members to form a group if I so choose.
Where do you find inspiration? Nature
What was the role of music in the early years of your life?
When I was small, like 11 years old I started playing the guitar, I was loving Rock music. Things like Jimi Hendrix, AC/DC, great seventies guitar heroes…
When I was maybe like 17 years old I started rapping and I was loving the underground Hip Hop scene and classic 90’s Hip Hop records quite a bit.
Are you from a musical or artistic family?
Definitely not. There was a complete absence of art or music of any kind in my family when I was growing up.
Who inspired you to be a part of the music industry?
For me, I was never really inspired to become famous. I just loved making music so much that it was inevitable that I would release albums.
The industry side of things doesn’t impress or excite me. Working in the studio excites me.
How did you learn to sing/write/to play?
In regards to production, I guess it was just getting my hands on some super dodgy old audio software when I was a kid and figuring it out.
Back in the day when I started releasing Hip Hop songs more professionally I would go to a studio for recording vocals and mixing and that was the first time I saw Cubase.
The engineer there was a legend and we did some mixing sessions and it inspired me to get Cubase and start to figure out
more mixing and mastering skills.
How could you describe your music?
This is very difficult.
Imagine you’re traveling through the Universe and you come across a great gaseous orb, and it’s pulsating and glowing purple.
As you travel around the orb you notice a blue and pink sunset.
Describe your creative process.
My process involves rapidly doing 1000 different things and trying to keep up with the inspirations coming in. I 100% am doing
sound design, song-writing, mixing, production, editing, any random thing at 1000 miles an hour in the most convoluted and spontaneous way imaginable.
What is your main inspiration?
My main inspiration is always the brilliant artists I collaborate with. I push myself to do the best I can just to honor them and their amazing talent they’re lending to the project. The guest singers on my tracks they are literally amazing and I’m so lucky to work with some of them. Seriously.
My main inspiration is always the brilliant artists I collaborate with
What musician do you admire most and why?
In the realm of Rock’n’Roll I would say Jimi Hendrix,
in the realm of Hip Hop I would probably say Pharoahe Monche,
in the realm of Soul music I would probably say Marvin Gaye
in the realm of Pop music I think it would have to be Dua Lipa
in the realm of Electronic music I think Calvin Harris is pretty decent, and Martin Garrix is alright
Did your style evolve since the beginning of your career? Yep, it’s changing and evolving all the time.
I haven’t stopped changing and evolving, to the point where I can’t clearly define what genre I’m supposed to be in.
Who do you see as your main competitor?
I guess other producers? I don’t really follow the Electronic music scene at all so I wouldn’t even know.
What are your interests outside of music?
Music.
If it wasn’t a music career, what would you be doing? Traveling in a space ship I think. Trying to find intelligent life.
Or possibly deep inside the jungle where noone can ever find me, eating mangoes and drinking ayahuasca.
What is the biggest problem you have encountered in the journey of music?
I think the biggest issue facing musicians nowadays is the issue of streaming royalties (or lack thereof)
If you could change one thing in the music industry, what would it be? It would be a meritocracy based on music alone and not Tik Tok and Instagram algorithms and skewed by major corporations with questionable motives.
What are your plans for the coming months?
The Universe makes my plans for me I don’t usually have a choice I just go with it.
Do you have any artistic collaboration plans
You know it!
What message would you like to give to your fans?
A) Look after yourself, don’t poison your body with rubbish just to be cool.
B) Try to figure out what you love doing. Everybody has a purpose and talents and abilities it’s just that most of us have been too traumatized
by the school system and society to remember what makes us happy.
C) Spend time in nature. Honor the natural world and all of it’s beauty and try not to ruin it.
UTOPIA is a five track collaboration project by Shola, a London based music producer which explores distinct sounds. Her African roots motivate her thus, creating a musical sanctuary which captivates listeners in her unique world. She had musical roots arising from a music-oriented family and college teachers who encouraged her to producer despite of many male dominated production.
Shola’s musical progression ranges from rap beats to African inspired sounds which draw inspiration from retro eras and animation. This shows her willingness to experiment. Her creativity comes with different inspirations which come into play while crafting authenticity with every song and channeling emotions in its molding. However, her struggle for fair recognition within a male-oriented domain poses a challenge in this male oriented field.
In the future, Shola intends on visual releases as well as other collaborations, going above and beyond music. This shows that she recognizes those who supported to her journey into making music, where true creativity of oneself is what matters. listade education system.
Audiences are led into an emotional and life weaved tapestry exploring “sonic UTOPIA”. Thus, it becomes a sanctuary of diversity expressing true music. Her artistry is a continuous voyage in creating a paradise for those who will plunge into many stories and feelings.
Is there a story behind your stage name?
It’s just my first name to be honest.
Where do you find inspiration?
From life, the weather, art and listening to a lot of different genres.
What was the role of music in the early years of your life? I was always surrounded by it from an early age. I was always interested in how something is put together musically as a child.
Are you from a musical or artistic family?
Yes, my mum and sister are both singers. My sister also plays guitar.
Who inspired you to be a part of the music industry?
I think I was naturally influenced being from a musical family but I would also say my lecturers at uni and college. They really pushed me to get into production especially as there wasn’t much mainstream representation at the time when it came to girls who are into that.
When did you start to produce
I started to produce whilst at college. We had spaces for that luckily so I’d spend a lot of time on Logic and also tried Reason but stick with Logic on the end.
What was the first concert that you ever went to and who did you see perform?
The first concert I went to was in 2017 to watch Wizkid perform. I was so overwhelmed maybe because our seats were so high lol. But I enjoyed it.
How could you describe your music?
I don’t really like to put myself in a box so I just say Afro-inspired but I love experimenting especially when I’m co-producing my sister’s music because she’s an alternative artist.
Describe your creative process.
I don’t play any instruments professionally, I just play by ear mostly on my keyboard. I love drums so I usually try to make sure my drum patterns and FX are distinctive. I like audio processing too when it comes to the instruments. If I’m working with samples, I make sure I tweak stuff make it sound original.
What is your main inspiration?
My main inspiration is a lot of old school stuff and also anime lol. I really love anime and art in general. I also love music from the 50s to early 2000s mainly. I especially love the rawness of music during the 70s, how there is often a heavy focus on an instrumental breaks. It’s so authentic to me so I get inspired to replicate this in a lot of songs I work on.
My main inspiration is a lot of old school stuff and also anime lol. I really love anime and art in general.
What musician do you admire most and why?
James Brown. He’s definitely in my top 3. He was definitely a stand out act of his generation. He put 1 million percent into each performance. From his charisma, to his moves and how he interacted with the band The J.B.’s.
Did your style evolve since the beginning of your career?
Yes definitely, I started off making a lot of rap beats. I was really into Rick Ross, Lol Wayne back then. The shift definitely came at uni because I was exposed to so many different genes of music like Bossa Nova, Jazz, Rock etc. So a lot of these sounds inspired my musical journey over the years.
Who do you see as your main competitor?
I don’t believe in competition.
What are your interests outside of music?
Anime again, drawing and seeing my friends. Not much.
If it wasn’t a music career, what would you be doing?
Errmm, no clue. Maybe working in an art gallery lol.
What is the biggest problem you have encountered in the journey of music?
Definitely respect/recognition like my male counterparts. I think sometimes people think I’m incapable of doing certain things maybe because I’m a girl but I’ve gotten used to it over the years.
If you could change one thing in the music industry, what would it be?
Only 1? Lol. Errmm, I think the idea of having to do certain things to get certain results. I know people make music for different reasons but to those who are genuinely passionate about it, I think we should remember the reasons why we make music.
Whether it’s a coping mechanism or we just enjoy it. We should always be ourselves when expressing our art instead of trying to please an audience or doing things that aren’t natural for us.
Why did you choose this as the title of this project?
I think naturally I’ve always loved trying to find forms of escapism. Keeps me grounded. So UTOPIA is defined as an imagined place of perfection but I didn’t want to focus on having everything perfect but rather having a set of different realities, situations and feelings that would make my imagined place ideal to me. It’s not always positive but there’s always something to learn, feel and get inspiration from in my world.
What are your plans for the coming months? I want to focus on putting out more visuals next year so watch this space!
Do you have any artistic collaboration plans
Yes I do 😊
What message would you like to give to your fans?
Fans is a weird word to me I don’t know why lol. But to those that have always followed and supported my music, much love to you always. I really do appreciate all of you.
The latest single from Absentvision, “Stranger”; enthrals us with the bittersweet understanding that a few connections are fleeting whispers in our lives. Solitary maestro in the back of the moniker, Absentvision crafts a melodic odyssey that harmonizes rock’s ferocity and pop rock’s approachability in one fell swoop – where nimble hands grace guitar strings as effortlessly as they dance over keyboard keys.
From the first haunting chord, you are taken aboard an emotional rollercoaster—a journey via corridors of chance encounters. Here is a voice both unfamiliar yet intimate—male vocals guide you through verses like a lantern in foggy twilight; luminous even when shivering with vulnerability.
As for energy? Imagine if optimism and melancholy had a soundchild—and “Stranger” could be its heartbeat. The chorus bursts forth—a stunning show reminiscent of fireflies surging into life on summer season evenings: here lies power-pop-rock alchemy at its best.
Absentvision operates with DIY savvy harking back to indie legends but infuses his work with polished panache akin to mainstream darlings. One hears echoes of early 2000s bands whilst still feeling firmly rooted in nowadays’s genre-bending soundscape.
In essence, “Stranger” doesn’t simply resonate—it vibrates within long after the very last beat fades into silence; it’s less about lending an ear to the song and more about encountering soul-stirring familiarity wrapped up in 2 mins of sonic braveness.
In the glistening universe of indie pop, Canadian duo Wotts dazzle once more with their trendy single “WANNABE” which opens like a portal into their upcoming EP ‘PETALS.’ Crafted through Jayem’s adept hands—both vocalist and multi-instrumentalist—the track pirouettes on a tightrope between euphoria and melancholy.
“WANNABE” is a sonic kaleidoscope. Here Wotts draws from the psych-pop pallets of Tame Impala and Dayglow but injects its unique essence to create what they call “a happy sad song.” This alchemy births an infectious song that commands your hips to bounce whilst cradling your heart in wistful narrative arms.
There’s an astute intricacy woven throughout—a complexity celebrated with the aid of bassist Ricky 100 as he reflects upon his ardour for layered depths à la Tame Impala’s “Currents.” True enough, every listen peels back another nuanced petal, revealing feelings as vibrant as the band’s name suggests.
Wotts Impresses Again With “WANNABE”
As the capstone of their fruitful year—with ‘garden EP’ sprouting over 100K streams—”WANNABE” spins a tale of unrequited love without falling prey to worn-out tropes. Its beat pulsates like a hopeful heartbeat beneath synth textures that stretch across memory landscapes. It strikes hard at relatable chords, feeling both fresh and hauntingly familiar in its soundscape odyssey.
Sit back or stand up—it doesn’t matter; you’ll be engulfed either way by this rhythmical wave crashing against the shores of indie pop reverence rescued from cliché. Wotts is undeniably here: mercurial chameleons fashioning an ending to 2023 that promises even brighter colours ahead.
Get To Know The Wise Bloods And Their Recent Single
Welcome to our sonic rendezvous, where I’m thrilled to introduce The Wise Bloods. More than just musicians, they are torchbearers of an idea sparked from personal breakthroughs and urban struggles.
Merging reggae vibes with spirited purpose, this group has etched a narrative that echoes through London’s system of streets—a narrative conjuring unity and enlightened collectivism.
Today we peek behind the grooves to unveil how The Wise Bloods have channelled adversity into their harmonious crusade for change. Each member infuses the band with unique fervour, making every beat a battle cry for peace and authenticity.
So lean in as we explore the heartbeat of The Wise Bloods: their formation, their passion, and their unyielding drive to resonate beyond melody.
1. First things first – for those not yet in the know, could you share with us how The Wise Bloods came into existence?
The Wise Bloods has two aspects; The concept and then the band. The Wise Bloods as an idea was a phoenix that came out of the embers of an old teenage school band in the form of an old song. Following the decision to leave my job and a toxic relationship, I came across old stems from an unfinished song. I began to write a song around it. It turned out to be the first release of The Wise Bloods called ‘Smooth Runner‘. That came out before the current lineup of the band existed. At the time of conceiving a new band, certain things were going on. A very strange news report came forward on the tv.
It was about the Bloods and the Crips being fed up of living the poverty-stricken lives of their city life. They were sick of their infighting and came together with an idea for a truce and a desire to overcome the situations that they were all in. I thought to myself. wow, did the bloods and crips just get wise? It reminded me of Bob Marley’s sentiment in his song Zimbabwe ‘No more internal power struggle’. It sent me off on a romantic thought process of what if the citizenry of this world collectively became aware of the oppressive conditions and corrupt nature of global forces that people found a way to overcome the causes of our ongoing conflicts, It would bring us into a new era of human civilization, characterized by co-ordinated co-operation at a grassroots level to replace what currently seems like an inevitable and unwavering global system of conflict, domination and exploitation (both of nature and humanity).
So in that respect ‘The Wise Bloods’ is an ideal about collective enlightenment. Our logo is a cog with blood dripping from it and a feather. the cog represents the system, the industrial complex and its hold on our lives in the modern/post-modern era. The feather represents finding freedom in this time and it also nods to a more tribal, spiritual or natural philosophy for life. I guess that’s quite a romanticised interpretation of ‘tribal’. really, on a personal level, I just yearn for a more simplistic life that isn’t offered in modern urban living.
So yeah The Wise Bloods is the idea first, the band came after. I had to bring these new songs to life with musicians, and so over time, I found the right people for the music.
I was at a Reggae jam night in a place called Troy Bar in Shoreditch. Makeda Moore (one of our singers) was singing there, both performing songs and performing backing vocals. I was blown away, she is actually someone you just have to watch perform live, very captivating and full of great stage presence. I approached her about joining the project, she brought her sister Kandaka Moore on to provide harmonies. I actually found Ryan (our bassist) through Instagram. My previous bassist Rudi Creswick left to tour with Tom Misch and pointed out that Ryan was an active Reggae bassist. After that, it wasn’t long until Makeda put Jason forward to play drums.
That for me is the core members of The Wise Bloods. Those members have helped shape the sound, and the vibe and have become friends whom I trust and understand on a fundamental level. Since then we’ve had a couple of really good key players be a part of the band and recently I brought in my old band’s horn section, which is exciting. Keys are essential for reggae and Horns are always fun. I’ll be honest. The current members have stuck because, not only do I vibe with them, but they came to the music I had been writing with more talent and musical capability than myself. it was slightly intimidating at first, but it has brought a new dimension and authority to the live show.
Get To Know The Wise Bloods And Their Recent Single
2. Was there a particular moment or experience that served as the catalyst for forming this band?
I’m not sure if it’s a catalyst, but certainly a pivotal point, where certain events going on around me coincided with my decision to pursue music once again
I mentioned before, that a small political clearing of clouds appeared to me in the news. I guess that spurred on the concept and inspired the band name. On a more personal level, things had begun to get a little dark. Out of deciding to pursue music again. A long-term relationship not only began to unravel, but the nature of its toxicity had become stark to me. The experience of sobering up from your own delusions and the effect it has on your mind and personality is an unsettling one.
Not only that, my return to my home town in London as an adult was beginning to take a turn and the place was appearing to me more and more tragic and sinister. I’d had two friends in the area lose brothers. One kid was only 17 and died after a stabbing to the leg. It was so heartbreaking because he was the youngest of the family and was just a really good kid. All around that time, I wasn’t making things better for my friends or myself but just carrying on with self-sabotaging behaviour and escapism. I was getting into trouble most nights I went out.
However, the difference between me and my friends was in the week, I was working on a career in tree surgery. Others around me were dealing with some really serious life issues with very little prospect of improving their lives. I realised people around me were in and out of jail, losing loved ones and even dealing with homelessness, on top of that some of them were new parents. I was feeling really frustrated with one friend. I just felt like all this madness we were getting into was just escapism from our own feeling of inadequacy and shitty situations. Seeing that behaviour play out in a friend to the point they’re not addressing their homelessness is a terrible moment.
Out of that time, I wrote ‘Smooth Runner’. I wrote it to those old recorded stems taken from my first band. That became the first song from The Wise Bloods. Back then, none of the current band members were a part of it. Now, if we play that song, they play it way better than the recording (which was made mostly at home on a laptop with no prior recording experience).
The first moment I see as defining us coming together as a band was when we jammed out ‘New Blood‘, which is a song about fresh conflicts and major disasters popping up around the world and the inherent hypocrisy of the state about judging the legitimacy of the use of violence. I was trying to point out how a government’s stance on global affairs is determined by its geopolitical relation to the regions and populations involved. That then of course is conveyed to the public in mainstream media. I’m quite proud of the lyrics,
label ’em a terrorist if they take a pop,
but supply arms on a regular to murdering despot,
a country built on war draws new blood just to stay on top,
our safety just a small price for a war dog boss’
When we jammed that song the first time it was like an introductory meeting of all our musical essences. the vibe was strong that day… That was Jason’s first ever rehearsal with us, also his first late arrival to practice…not his last
3. Each group has its own dynamic; who would you say is the ‘glue’ in The Wise Bloods that holds it all together?
Musically it’s Jason‘s drums and Ryan’s bass perfectly in sync. Like all proper reggae, they are the foundation.
In terms of keeping the band together. It’s me, I bring them together in this setup and do all the homework.
4. How does living and creating music in London influence your sound and lyrical themes?
As you can probably tell, quite a lot. Although I tend to allocate songs to ideas that are a bit more universal. I don’t want every song’ to just be a ‘London song’. Of course, a lot of the music is inspired by moments within London so there is always going to be an aspect of that in the music, especially on the sound. In some songs, London is perhaps ingrained in the music but in others, the song is London in every way. It might not be so obvious in previous songs, but with London Summer Loving I went all the way. So much so that the song uses London slang, and describes London scenes, the final verse is fully in a London accent. I feel like only people from London will truly understand a lot in that song. I’m hoping people from cities around the world can relate though.
Get To Know The Wise Bloods And Their Recent Single
5. Diving into your latest single “London Summer Loving” – what’s the backstory? What summer breeze brought this song to life?
I feel like no matter what is going on in people’s lives, that feeling of the sun on your back, or a cool breeze or sunset is just something that gives us instant relief and happiness whether you are rich, poor, healthy or unhealthy. That moment when the sun starts coming back after winter and warming up the days you just get this feeling of relief and excitement for what’s to come even when you have stresses and worries, summer is a time you have an excuse to have a good time no matter what.
That’s the initial inspiration. Then I thought to myself, Summer is a straightforward song theme I need to jump on on a promotional level, I can release it in the summer and people get behind it as a summer reggae anthem… then everything got delayed and I released it in November FFS. So I’m gonna ramp it up with some visuals next summer I think… but then again I’m just ready to make more new better music now.
That was the backdrop and starting point. From there I had a rockers riddim idea and from there I just used that backdrop to write bars just for me and to share something about London authentically from my perspective.
6. Can you talk about any memorable anecdotes from writing or recording “London Summer Loving”?
I mean what is written in the verses of that song is just years of memories on memories. Smells, visual memories, historical moments, emotions and sentiments about past friendships and all the things that make up my home town, which is a borough in south London called Deptford. So in terms of anecdotes- it’s a big long story balled into something digestible in song format. Recording it. I mean, I recorded the vocals in a dusty backyard shed. The backing vocals sound sort of like they were recorded in a shanty town by some old-school reggae dudes, like the Congos or something, which wasn’t intentional but is cool.
It’s a total contrast to the lead vocals, I ran those bars over and over in the shed till I had something that sounded passable. I’d do a take that felt so good in expression but I’d look back and think naah that sounds crap. It’s weird trying to fit in with things that come before you so people can pick it up and their brain goes, ‘ah yeh I recognise this sound, it’s such and such, it cool, legit and I like it,’ but still try and innovate and be authentically yourself as opposed to formulaic and completely derivative. There’s a thin line, the less you are in the process, the harder it is to get into that pocket.
7. Musically, what direction did you aim to take with “London Summer Loving,” and how does it align or differ from previous projects?
We wanted to make the music just for us. Rather than approach the music with a mind for what should a reggae song sound like, it was more like, what way do I want to express this for myself. Like, What way can I deliver this in a way that satisfies my curiosity and expresses what’s in my heart? LSL is also a single from a project that has brought in the band at a way earlier stage. So I had the ideas and straight away I got Jason and Ryan in to run their parts and develop them. From there each session helped the song grow.
I actually had two versions. A looser live recorded skeleton and a more straight version based on a programmed idea that we played on. It was faster and less organic. I wasn’t sure on which one to use. I took the two to Keys player Noa Rodriguez. She came up with this Latin/Cuban sounding piano idea and it blew me away. She brought that idea to the faster version and in one take she did something proper bwad! Listen to that plinky plonky piano theme in the background of the chorus, I think its genius. I was thinking, ok now that version has something.. like a new forceful energy, it made me want to write bars not so much sing.
In other projects, I was a lot more concerned about the listeners or radio picking it up. For ‘Eye Out For The Devil‘ I was like, I want to do what’s right and authentic for me right now and if people like it then good, if not, fine. So yeah, it’s maybe a more selfish exercise in music. The music sentiment is a little more F you I’m doing it like this! I think that carries through to every member’s performance in the recordings.
Get To Know The Wise Bloods And Their Recent Single
8. Regarding “London Summer Loving”, was there anything outside of the music itself—like film, literature, or art—that inspired its creation?
Not so much outside music, but definitely outside the reggae genre. For me, I love those songs that represent an artist’s place. It’s so wicked when you can tell they have really done the place justice and represented it to the max. They paint a picture and you feel like you are from their town now. Songs like Nas’ ‘NY State of Mind’ or Nina Simone’s ‘Baltimore’, also covered brilliantly by the Tamlins- That version with that hornline, thats one of the best reggae songs of all time. 2Pac’s California Love or Alborosie’s Kingston Town, a modern reggae classic. Also, it’s not explicitly about a city but ‘Master Blaster’ by Stevie Wonder, he vividly describes a street party and I feel like I wanted to write a song in that way where the song takes you into a scene of a real place and the listener is transported there, that’s the inspiration from others there.
9. A question about the process: When working on new material like “London Summer Loving,” do lyrics typically come first, or do melodies dictate where words will follow?
The creative process depends on the song but almost always its melodies before the lyrics. If I write lyrics without musical clothes it ends up terrible and unmusical. Sometimes songs are created in a more contrived fashion. so for example, I’m gonna make a roots rockers track- so you build the riddim and then ideas stem from that vibe. London Summer Loving was like that. I think of that process as the Hip Hop/ rapper or artist-to-producer type creative process. There’s the production and then the lead ideas on top. For me, those types of songs take the most work to get the vocals and ideas to grab something authentic. It’s like you have to work it until authenticity comes, rather than come straight from a place of authenticity and make that come to life.
I came up with the ideas for LSL and it just felt too lifeless and the more I worked on it the worse it sounded. I had to stop and go back to vibe. So I just sang some jibberish to find a melody and delivery. From there I was like that sounds like an Afrobeats singer, how the hell am I gonna make a London song from that? I separated the chorus melody delivery from the verse delivery to make it work, but to be honest I still don’t think I made 100% the thing how I wanted the thing, but you have to know when you’ve worked on something enough and put it down to experience and allow the work to be imperfect.
The most natural songs come from a feeling. Something may have happened or you just might be feeling in a certain space and the Melody, the harmony and the vibe come to you. I think those are the most authentic real songs. ‘Eye Out For The Devil’ our previous single was like that. I felt terrible about humans, myself included, I had to get something out and the music ideas just flowed from there. I also think that’s the best place for reggae to come from. If you are in a point of desperation or darkness or hardship and music is used to overcome, that is reggae at its most authentic.
10. As artists tend to be critical about their work – if each of you had to choose one thing they love most about “London Summer Loving,” what would it be?
I’m not with the guys at the moment. I’ve got something from Ryan but the rest will take an eternity to get back to me, so other than Ryan’s input I’ll take the opportunity to point out some cool parts of the music that the guys pulled out of the hat, purely just improvised on the spot whilst in session.
RYAN: I really liked putting down this bassline. I had some fun with it. I like to draw inspiration from a lot of people around me. I was reminded here of a song by Natty titled “Seasons Change”. I’ve depped for him several times and have even watched how “Tallis” who is his main bassist and one of my inspirations in the bassline, plays it live. The other inspiration is one of my mentors “Don Chandler” and his style and approach to reggae bassline. I like putting those influences into the new music I play. What I enjoyed here and with The Wise Bloods in general is the freedom I have to experiment a bit, but still somehow be able to complement Jesse’s style of songwriting and composition.
Jesse: there’s always a sign of that experimentation from Ryan. If you listen to the third verse, there’s a breakdown. The bass goes into this sub-low frequency…that is Ryan just showing off. It’s so deep and it hits so good. he just doing it in the pocket of what the music wants.
Jason’s drum machine overdubs: To be honest this drum performance is just flawless, he destroys that beat, and the fills are insane… but what you might miss is his drum machine overdubs. There’s a weird whale moan in there. He just kept hitting this pad. Someone poked their head in the room and looked at Jason and said ‘The black whale’, we were cracking up and Jason flipped and said, ‘Yeah your laughing now but you’re gonna hear back and think that’s fucking sick!’, it does sound sick.
Noas Piano: the piano theme I mentioned earlier you hear in the chorus and the breakdown. That was an improvised idea that pretty much became the glue of the song. For me, that part is the most important part of the track.
With regards to vocals, I think the third verse nails exactly what I wanted. I feel it captures London in Summer for me in song format and it’s ghetto AF. There’s no one out here writing reggae like this, maybe hip hop but not reggae.
‘Vietnamese, Jamaican, Pho and curry in a pot
dealers keep it moving in a stuffed crotch sock
ballers in their beamers turn to boujin’ out the block
Crackheads on the corner hope this day never stop…’
11. In terms of vocal performance on ‘London Summer Loving,’ how were decisions made on delivery style? Does it encapsulate specific emotions tied to London summers?
The chorus I am certain is influenced by Afro beats. The whole vocal was at first delivered in that fast-paced MC delivery. but the chorus was just missing some flavour. the high end almost falsetto vocal delivery came from just feeling a melody out. Afro beats is becoming a big thing in London and it’s hard not to take influence. As I mentioned before, I had to separate the chorus and verse in my mind. The verse delivery is definitely bringing a London energy. London in summer has a hazy bliss but energetically it also has this relentless menacing drive, like everyone is out to just live life, no matter what.
I admit it’s a gamble, this vocal is a bit marmite. Love it or hate it, but in this song, I achieved my goal of capturing an essence and a vibe. Like London, it’s not for everyone.
Get To Know The Wise Bloods And Their Recent Single
12. Let’s get technical: could we geek out a bit over which instruments, gear, or production techniques stood out while crafting “London Summer Loving”?
If we are going to talk technical we have to mention our tracking and mix engineer Jaime (pronounced hai-mey) Zugasti. The foundations of the track are recorded by an actual reggae genius at BBMC Studios. The overdubs-like vocals are recorded in my shed home studio on an SM7B on a Scarlett USB interface, which is the best budget mic you can get, but it is by no means a high-end mic and boy did Zugasti let me know about it. Also, I have ADHD, I do things so scatty that half my stems need extra work, and my mic placement is a mess… If Jaime Zugasti hadn’t worked on it, the music would not be hitting your ears properly at all. The most unique thing about all of the music from the ‘Eye Out For The Devil’ project is that Zugasti has done the final mix using an analogue board. The Verb is an actual real spring reverb. You can really hear his hands-on work in action when you listen to the dub versions (LSL dub is out on 8th December).
13 . Your music carries an infectious energy — when performing live, particularly new singles like ” London Summer Loving,” how do you translate that studio magic onto stage?
the newer tracks have more energy because they are closer to the live. the bass and drums were recorded together and the songs themselves were jammed live before they were recorded. so when we play these tracks the translation to the live show is less of an issue. In fact, we just add more vibes with the added performers. Before some of those tracks were just tracked and built on ideas laid out on the computer beforehand, with no live jamming or input from the players prior.
I would like to bring some recorded stems into a live show at some point just to maintain some signature production sounds, but what’s more important is capturing the band’s dynamic in new recordings more and more so the transition to the live show is more seamless. That said, the live show is just always more energetic and brings a whole new element. People have said they got more into our songs after seeing us live.
14 . This might be tough but describe ” London Summer Loving” in three words – no cheating now!
You just said it, it’s in the title… hmmm. Ghetto Surf Reggae
15 . And finally, looking ahead can fans expect more sunny vibes à la ”London Summer Loving” from future releases? Or are there surprises up your sleeves?
We’ve been playing with several reggae styles. In this project, we’ve had two steppers, one Rocker and the next is going to be a soulful ska love song, then of course the dubs. I’ve been working on this fusion of hood style with the sunny reggae feel quite a bit, so I’m sure we will have some more. The idea is to bring the original London style but deliver it in a way that people are still getting that juicy harmonic and melodic reggae hit. I’m still wanting to reach that sweet spot with our sound and style. Also, we are not just a reggae band. We have funk/soul and hip hop-influenced tracks, so we are going to have more bangers coming like our previous song ‘Lonely Hours’ featuring the late ones.
I think from here on the guys are going to be involved in the writing of the music from the get-go
I’m going to write ideas from my end but won’t bring forward any skeleton sketches of bass or drums. I’m also going to ask the guys to bring something to me. This way I can focus on the songwriting and the vocals and get out of my own way of what I’m worst at production.
I’ll keep practising and doing production in my own time, but I want this project to become what I always planned for it to be, an actual band where all the players are equally the artist- there is not enough of that in reggae these days. Well, in the US they have that because of the heavy influence of rock, but everywhere else reggae is- artists with a band supporting them. I get why, it makes things more clear cut, but The Wise Bloods was always meant to be a band’s band. – High energy in your face live music but with deep roots in our foundations.
So yeah, just expect an even better iteration of The Wise Bloods.
Riffs and Rebellion: Explore THE HYBRIS' “Cozy Resistance” - A Melodic Manifesto
In “Cozy Resistance,” THE HYBRIS dons the irreverent guise of Ringo Rabbit, Beanie Bison, and Malcolm Mandrill—3 plucky comic crusaders strumming up a storm to keep our sonic souls. This 11-tune odyssey is less an album and more a call to arms, wherein ravaging riffs collide with the poignancy of pounding punk prose.
The record throttles open with guitar-encumbered grit paying homage to 80s rock temples sprinkled with modernity’s sheen—a time-warping revival that feels both nostalgic and overtly new. From the anthemic charge in “Celebrate The Good Times” to “Keep The Wolves Away”‘s sturdy resistance chant, each song melds bouncy beats with battle cries that brandish harmony as its weapon.
But this isn’t always just foot-stomping rebellion—the collection additionally meditates on authenticity through tunes like “Impostor Syndrome,” delving into the crevices of doubt meshed intricately over blistering strings. What’s stirring about THE HYBRIS is their potential to weave socio-political tapestries amidst all-out acoustic battle; they’re storytellers at heart cloaked in rough-and-tumble exteriors.
Riffs and Rebellion: Explore THE HYBRIS’ “Cozy Resistance” – A Melodic Manifesto
“The Game Of Cat And Mouse” slashes via pretence through confronting systemic chasms head-on—it is punk cognizance without dropping stride or fashion. Each track serves as a chapter on this soundtrack for societal reflection and hopeful rebellion.
Navigating between chest-pounding choruses and soul-searching soliloquies, “Cozy Resistance” doesn’t just echo through halls however, it rallies inside hearts—it’s not an escape from reality but rather augments it with fervent electricity. Here stands an international Alternative Rock project, THE HYBRIS unafraid to march its melodic manifesto immediately into the fray.
Dawn of Desire: K.Kayne's “All Alone” Remix ft. Abbie Hill
In the extended remix of ”All Alone”; by K.Kayne featuring Abbie Hill, listeners are plunged into a textured tapestry wherein rap’s gritty realness meets an emotively spun melody. This collaborative piece moves with fierce authenticity, compelling even the maximum stoic hearts towards introspection wrapped in sonic warmth.
At first touch, one may additionally mistake this for another melancholic anthem—but as Kayne’s bars weave through the caverns of vulnerability, they echo with resilience as opposed to resignation. Hill’s dulcet tones serve not just as a foil to Kayne’s grounded verses however raise the track right into a celestial area, her voice an ethereal presence that captivates and consoles.
Dawn of Desire: K.Kayne’s “All Alone” Remix ft. Abbie Hill
This prolonged version unearths new layers—a brightness encroaching upon shadowed corners—flipping sorrow on its head to show desire-stuffed horizons. The musical composition appears like watching dawn split through nighttime; it is rap catharsis intersecting with airy pop sensibilities.
K.Kayne and Abbie Hill have not simply built a love song; they have sculpted an audio odyssey that is as great a deal about intimate craving as it is about the universality of desiring someone. With an amazing blend of melancholy and bliss, they remind us that even within the deepest solitude, connection is but a chorus away. This single certainly stands as a testament to the transformative electricity of collaboration and the bittersweet symphony of affection in music.
