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‘This Is It’ By ‘MUSIC UNLTD’ Is Your Go To Sound

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'This Is It' By 'MUSIC UNLTD' Is Your Go To Sound

MUSIC UNLTD. is a group with their own special musical concoction melting together classic rock, pop-rock, psychedelia and reggae into one unforgettable drink! Their journey has lasted nearly a decade, with hits like ‘Play Me A Song,’ as well as their latest single: THIS IS IT.

Here, we speak to the man behind this launch: multifaceted Milin. From composing to writing lyrics, playing guitar and leading vocals– Milin shares his thoughts on the musical world.

Milin’s foray into music, however, was atypical. As a kid, he was really into sports and hanging with his friends. But it was only much later, in college that he seriously strapped on the guitar. He immersed himself into music and graduated from The Musicians Institute located in Hollywood, USA.

His musical heroes cover the gamut: from legends like Joni Mitchell to Indian classical artists Bribhushan Kabra and Kishori Amonkar. These many-sided inspirations are thrown into Music UnLtd.’s sound. Sometimes it is driving, sometimes dreamy, always melodic in Rock and Pop-Rock styles.
For Music UnLtd. For Milin’s supporters, the message is simple: stream their music; share it; follow them on social media and if you have a chance, go see them live. Their fans’ support is a great encouragement to them as they proceed with creating, releasing and planning performances.

Listen to This Is It below

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What is your stage name:
Music UnLtd. (Pronounced ‘UnLimited’)

Is there a story behind your stage name?
No, just thought of it!

Where do you find inspiration?
In relationships and daily life, and the music that has influenced me throughout my life.

What was the role of music in the early years of your life?
I took occassional music lessons at home as a child which were not serious at all, as I was more interested in sports and playing with friends. But the radio was on in the background every morning in the house. I took up the guitar casually in high school, but started learning seriously only when I went to college.

Are you from a musical or artistic family?
No, I’m the first member from amongst my family & relatives to take up music seriously.

Who inspired you to be a part of the music industry?
I applied for admission in The Musicians Institute, Hollywood, USA after seeing their ads in The Guitar Player magazine. After graduating from there, I took up music professionally and started composing for commercials, audio-visuals, documentaries, corporate films, feature films and TV series – which I stopped 10 years ago to concentrate on my own music and band.

How did you learn to sing/write/to play?
I learnt to sing, write and compose mostly by instinct, and learnt to play guitar by initially taking private lessons and subsequently seriously at the Guitar Institute of Technology at The Musicians Institute.

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I learnt to sing, write and compose mostly by instinct, and learnt to play guitar by initially taking private lessons 

What was the first concert that you ever went to and who did you see perform?
I don’t remember which concert I attended first, but the live performances that have blown me away are Joni Mitchell, Bribhushan Kabra (Indian classical guitarist), Kishori Amonkar (Indian Classsical singer), Keb Mo, Jimmy Thackery, Beth Hart, Frank Gambale, Scott Henderson (his earlier days), Peter Sprague and the Rolling Stones.

How could you describe your music?
Sometimes driving, sometimes lilting, sometimes dreamy, sometimes cheesy …but always melodic …mostly in the Rock/PopRock genres broadly.

Describe your creative process.
I compose & write at the same time. Some compositions could be finished in a day and others might take weeks – depending on my state of mind.

What is your main inspiration?
Relationships, my experiences, and the music that has influenced me throughout my life.

What musician do you admire most and why?
Musicians like Joni Mitchell, Bribhushan Kabra (Indian classical guitarist), Kishori Amonkar (Indian Classsical singer), Keb Mo, Jimmy Thackery, Beth Hart, Frank Gambale, Scott Henderson (his earlier days), Peter Sprague, Jethro Tull, Crosby-Stills-Nash, Pink Floyd, Robbie Williams, Elton John, Richie Havens, Young The Giant (newer band) – for their dedication to their music and their originality.

Did your style evolve since the beginning of your career?
Yes, the more I heard the more I learnt.

Who do you see as your main competitor?
The demand for film music & DJs in India drowns out Indie music – that’s the main challenge here. But my potential market/audience is international, so the challenge is to get my music to Indie music lovers all over the world without any financial/logistical/marketing support from record labels.

What are your interests outside of music?
Chilling with friends, good films & TV series on OTT, travelling, scuba diving, sampling world cuisine/red wines/cocktails, and spending time with my family.

If it wasn’t a music career, what would you be doing?
Probably theatre (acting).

What is the biggest problem you have encountered in the journey of music?
The demand for film music & DJs in India drowns out Indie music – that’s the main challenge here. But my potential market/audience is international, so the challenge is to get my music to Indie music lovers all over the world without any financial/logistical/marketing support from record labels.

If you could change one thing in the music industry, what would it be?
Make them listen to new artistes and tell them to have the courage to put down money on great music – not just music from the established ones.

Why did you choose this as the title of this project?
Because I thought – “This is it …this could be my time.”

 

https://open.spotify.com/artist/6yvs7bULcUW6KXmQOtAnSe

What are your plans for the coming months?
To keep writing, composing, releasing songs and performing live.

Do you have any artistic collaboration plans?
I would like to do that as it really expands your fanbase.

What message would you like to give to your fans?
If you like our music, please invest in us by simply streaming our songs, sharing them with your circles, following us on social media and attending our concerts.

Matt McKnzi Conjures a Beguiling Soundscape on “Ghost”

Matt McKnzi Conjures a Beguiling Soundscape on "Ghost"
Matt McKnzi Conjures a Beguiling Soundscape on "Ghost"

Matt McKnzi’s single “Ghost,” an entrancing entanglement of melodic brilliance and poignant lyricism, materializes from the shadows of his New England studio as a spectral symphony that builds a bridge between R&B’s sultry tones and hip-hop’s rhythmic grip. This title track from his debut EP paints the dark pop canvas with brooding hues of profound emotional attachments and glimpses into spiritual revelations, making it an aural mirror reflecting McKnzi’s very essence.

Within its opening measures, “Ghost” enthrals you in an elegiac atmosphere reminiscent of The Weeknd’s introspective narratives fused with Daniel Caesar’s harmonic subtleties. McKnzi interweaves these influences seamlessly—his voice is both knife-sharp in precision, yet velvety gentle to the emotional touch. As he navigates through the labyrinthine aftermath of a toxic relationship, each verse strips away layers upon layers of personal healing like removing scars only to find fresh skin below.

McKnzi molds his experience into an uplifting anthem for those who have loved too deeply only to be turned phantom in their own lives. His production—a polished concoction that still retains the rawness true to pop ethos—is complemented by vocals that sway between confessional aggression and whispered vulnerability.

Matt McKnzi Conjures a Beguiling Soundscape on "Ghost"
Matt McKnzi Conjures a Beguiling Soundscape on “Ghost”

What makes “Ghost” hypnotic isn’t just its cross-genre magnetism but also how it firmly cements McKnzi among contemporary R&B artists determined not merely to conform but stand out; this is someone who does not follow trails but forges new paths haunted with memories yet aglow with future possibilities.

This track doesn’t just touch on melancholy—it wholly embodies it and emerges stronger on the other side. One listen will entrance you; multiple listens unearth addictive nuances—and isn’t that what we crave? Music so filtered through humanity that every rhythm resonates within our bones? Make no mistake: Matt McKnzi has conjured something beguiling here—you might just find yourself becoming another ‘ghost’ trailing behind him, eager for wherever he ventures next.

Follow McKnzi on Website, Twitter, YouTube, Instagram and TikTok.

Dirty Money’s “Vice and Virtue”: Authenticity Wrapped in Musical Fervour

Dirty Money's "Vice and Virtue": Authenticity Wrapped in Musical Fervour
Dirty Money's "Vice and Virtue": Authenticity Wrapped in Musical Fervour

“Vice and Virtue,” the latest EP from Dirty Money, is a rip-roaring ride through the ethos of rock’s golden era, with the raw edge of modernity. Formed in February 2022 post-Chemical Pulse demise, Dirty Money wields their instruments like proverbial weapons of mass disruption: Spud Hudson on vocals delivers an anthemic roar that meshes seamlessly with Mark Walker’s shredding lead guitar. Ross Hutton’s bass lines are not merely heard but felt in the gut, while Luis Silver hammers down a percussive thunderstorm behind the drums.

The record tears open with “Play to Win,” sending out high-voltage signals that this is no passive listen—the grit of gravel underfoot and the smell of rebellion fill your senses. With only four tracks to make its mark, “Vice and Virtue” doesn’t dally; it demands attention at every turn.

Hudson’s lyrics are painted across vast canvasses that examine life in vivid strokes – sometimes broad sweeps questioning morality and fate; other times fine dots highlighting our hedonistic streaks. The storytelling furrows deep into one man’s episodes amongst chaos yet maintains universality for listeners who’ve ridden similar highs and lows.

Each track feels like cruising an electric highway—windows down, windswept thoughts dissipating in rearview mirrors—as we experience Midnight Suns,’ it resonates like Springsteen’s fist-pumping energy met by Foo Fighters’ sonic audacity.

Dirty Money's "Vice and Virtue": Authenticity Wrapped in Musical Fervour
Dirty Money’s “Vice and Virtue”: Authenticity Wrapped in Musical Fervour

What stands out starkly against contemporaries is how authenticity isn’t forced; they breathe as much fire performing gut-busting ballads as they do delivering chest-thumping crescendos. It makes you wonder if these guys have lifetimes worth of experiences balled up into just over half a year together because what materialises feels anything but infantile—it roars matured insights wrapped in musical fervour.

As “Ego,” caps off this rollercoaster—a fun upbeat piece laced with nostalgia—you emerge roughened yet strangely hopeful amidst personal symphonies oscillating between vice and virtue.

“Vice and Virtue” EP is Dirty Money’s gauntlet thrown at today’s homogenized soundscapes challenging them with piercing guitars crafted on roaring riffs assemblage line—and rest assured, rock puritans to casual chart dabblers will wholeheartedly agree something visceral has been sparked here. Let there be no confusion: you don’t listen to “Vice and Virtue”; you feel it—in every fibre until reverberations cease long after the last notes fade away.

Follow Dirty Money on Website and Facebook.

Nalya’s “Un monde en couleurs” is a hopeful anthem for unity.

Nalya's "Un monde en couleurs" is a hopeful anthem for unity.
Nalya's "Un monde en couleurs" is a hopeful anthem for unity.

Let the shades of Nalya’s “Un monde en couleurs” envelop you; it’s an audio watercolour that splatters hope across the canvas of today’s pop vista. The track is an exuberant voyage through French lyrics that could inspire even those nameless flowers prospering defiantly in cracked urban concrete.

The single, with its cheerfully unyielding female vocals, offers not just an earworm but also a heart embrace. It sparkles in pop sensibilities yet manages to hold a message as poignant as the world’s need for unity and optimism despite our common trials. As notes dance like dappled sunlight upon a Monet, we’re reminded of France’s legacy – from chanson française to modern-day pop sorcery.

Nalya's "Un monde en couleurs" is a hopeful anthem for unity.
Nalya’s “Un monde en couleurs” is a hopeful anthem for unity.

In true anthem fashion, “Un monde en couleurs” pulsates with spirit. There’s something fresh here—the refusal to give in; it’s painted not only in sound but also in intent. Through environmental woes and societal tides high enough to drown moods, Nalya composes an unyielding vote for tomorrow’s bright mosaic.

As jubilantly upbeat melodies interweave seamlessly with profound purpose, one can’t help feeling part of this growing colorful world full of love she sings into existence—a testimony resonating well beyond francophone souls.

Surpassing linguistic boundaries, her song twirls around us all like ribbons at maypole festivities—intertwining everyone into her energetic vision for humanity: united and alight with chromatic possibilities.

Follow Nalya on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Maria Kadima’s ‘Je Te Desire’: A Soul-Stirring Journey of Faith

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Maria Kadima's 'Je Te Desire': A Soul-Stirring Journey of Faith

Christian singer Maria Kadima recently released the ballad Je Te Desire, a real-life testament to her spiritual journey. It’s hard not to find something touching about it. Sung in French with deep emotion, and translated on the spot into a warm expressive purity, Kadima speaks of longing for divine contact. Yet this gentle prayer of a song expresses the artist’s wish to draw closer to God.

Kadima, who is from Congo and a worship leader in the United States now, became involved with music at age 7. Relying on her experience of education from her church and self-education, she is able to integrate the two sides of herself–spirituality with music.

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Maria Kadima’s ‘Je Te Desire’: A Soul-Stirring Journey of Faith

In addition to displaying the full breadth of Kadima’s vocal skills, ‘Je Te Desire’ bears witness at one point in her development as a solo performer. Backed by her able band, she treats the audience to soulful music in which it can participate and thus find spiritual solace. Getting off to a good start, listeners can look forward to more sincere works extolling Maria Kadima’s faith.

Watch Je Te Desire below

 

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Unmasking Cyril Brière: From Disco Influences to Electro-Pop Sensibilities

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Unmasking Cyril Brière: From Disco Influences to Electro-Pop Sensibilities"

For a stylistic change, we’ll go behind the scenes with Cyril Brière of Sans Sebastien who just launched his first solo EP ‘Dans la lune’. Featuring stripped-down electro arrangements and taken in radio length format it is an audio voyage.

In the best traditions, Cyril’s harrowingly beautiful voice paints dreamlike landscapes with his music. Between Paris and Montreal, ‘Dans la lune’ was made with English arrangers Michael Wookey and Majiker (Camille’s album le fil producer), takes the listener into a utopia of hush-filled romanticism through words full of double meaning that stab straight to one’s emotions inside out. Laconic airiness against solemn gravity; tenderness amid

his debut single, ‘Dans l’été indien,’ a celebration of the life cycle that leaves its mark forever in an evocative echo. Now offered as a minimalist version ‘The Minimal Mix’ along with Michael Wookey, the song envelops listeners in swaying synths like gentle summer breezes. However, behind that dreamy façade lies a pensive melancholy. Its evocative tones touch the heart yet go beyond words.

Cyril’s creative process is similar to his music, as it takes dreaming and thinking. It often begins near the sea where he may have found inspiration for one of this tracks on Waves web site linked here or looks at elsewhere – possibly an article about robots helping them shear their sheep in Yorkshire? He draws inspiration from a broad range of influences–from the disco era through French pop, even to Barbra Streisand and Madonna or Tori Amos. These various elements combine within his musical universe in an exquisitely unique way.

You can see his evolution as an artist in the development of his style, to make sincere and direct expression rather than second-degree. Music89 Cyril’s interests aren’t limited to music, either. They range from swimming and films as a break from the stress roles in music entail.

Cyril plans to release singles every month with the intent of making an album and is always interested in more places where he can perform. He turns this over to you–where should be watch out for him next? A join work with Pascale Borel of Mikado and Laurence G do from Montreal’s Le couleur, as well DVTR suggests exciting musical possibilities.

Listen to Dans l’été Indien below

 

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What is your stage name
I currently sing under my real name: Cyril Brière and from 2012 to 2017 I sang under the name Sans Sebastien.

Is there a story behind your stage name?
The real me 🙂

Where do you find inspiration?
Dreaming and contemplating, best by the sea.
I dream awake a lot, it’s part of my character. I’m in the moon ahaha

What was the role of music in the early years of your life?
Last night the music saved my life … and all the others nights….

Are you from a musical or artistic family?
No, absolutely not, my father flew helicopters and my mother worked for the tax office :-). They went on to run a bar.

Who inspired you to be a part of the music industry?
Disco at the end of the 70s, then French pop with artists like etienne daho or lio or elli and Jacno or Mikado, the new wave of new order and depeche mode … And the beautifully melodic pop of Madonna. I also plunged into the fascinating world of Tori Amos.

How did you learn to sing/write/to play?
I learned to sing (and I’m still learning) with several singing teachers, and also by practising a lot at home, and a lot of Karaoke a passion ahah. Singing is liberating but singing in the studio is really difficult I find, it’s like a scan of your voice, and those who think you can just correct it with auto-tune are completely wrong, if the intention and the note don’t come close, it doesn’t work, even with correction. Singing and scenic energy are much more my thing.

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I learned to sing (and I’m still learning) with several singing teachers, and also by practising a lot at home, and a lot of Karaoke

What was the first concert that you ever went to and who did you see perform?
Indochine , a well-known French pop group. They fill stadiums today.

How could you describe your music?
A light, fragile bubble that unravels every time you try to catch it. But always on the verge of bursting. A bubble of dreams and heady melodies with comforting words.

Describe your creative process.
Most of the time I don’t write my melodies, I prefer to leave that to better people than me. But when I get one that I really like, I listen to it hundreds of times. Then at some point I lie down on my bed with some chocolate, I dream again, I fall asleep, I bite into the chocolate, and from time to time, words come to me.

And after a while (it’s never the same timing, it’s very variable) a phrase or a word that comes out of my head touches me and then the words are usually written in full. Then in the next few days I come back to it and perfect it.

What is your main inspiration?

The melancholy of passing time… Passing loves … Abandonment is a real source of anxiety for me (and I can’t find a specific reason for it in my past).

What musician do you admire most and why?
Tori amos I think, for her unique universe and also for her total independence as a musician (well apart from the fact that she has to carry around a 10 tonne piano everywhere ahah). She sings perfectly, plays perfectly… it must be a total pleasure to be able to express herself in this place.

Did your style evolve since the beginning of your career?
Yes of course and especially my singing lol… In Sans Sebastien my singing was really special ahah… I’m evolving because I listen to a lot of the music coming out today, not just the music from the past that built me up.

After all, my love for pop remains stainless, so I’m not changing genres, I’m evolving in my genre. I’m also trying to be more sincere, a bit less second-degree than in Sans Sebastien. To hide less.

Who do you see as your main competitor?
Artificial intelligence

What are your interests outside of music?
I swim a lot (12km a week), and I watch films when I have time (I love almodovar for example or David Lynch…) Music takes up so much time when you have all the roles.

If it wasn’t a music career, what would you be doing?
I’d marry a millionaire, or I’d have sex on the beach

What is the biggest problem you have encountered in the journey of music?
I need the industry to have confidence in me, and that’s still not a given, as the public follow more than the industry.

If you could change one thing in the music industry, what would it be?
The ridiculous and unfair remuneration of independent artists…

Why did you choose this as the title of this project?
You mean my name? Well, I’ve taken my real name so I can stop hiding, as I said earlier. A quest for sincerity no doubt.

What are your plans for the coming months?
I’m going to release a single a month, starting in January, on the platforms that will eventually form an album. I’m doing this to develop my visibility. The full album will normally be available before then, but only in my download store, not for streaming. I’m also hoping to do a lot more concerts, because I only do a few, and that’s what I like best… If you have any dates to suggest, don’t hesitate :-))!

Do you have any artistic collaboration plans
Yes, I worked with Pascale Borel from the pop group Mikado (80s cult french pop) on the album, and also with Laurence G do from montreal, who has the group Le couleur and the group DVTR in Quebec. I’m also currently working with a singer/director on a beautiful duet song, and she has a voice I adore (but I won’t tell you the name, otherwise there’s no secret :-))…

What message would you like to give to your fans?
Let’s keep the bubble light but strong, and pop it only at the top 🙂

GEA’s “U R U” is an Anthem for Self-Embrace

GEA's "U R U" is an Anthem for Self-Embrace
GEA's "U R U" is an Anthem for Self-Embrace

In a landscape overflowing with anthemic pledges of self-acceptance, GEA’s “U R U” emerges as an aurora against the night sky – a beacon in art-pop form that summons listeners towards self-embrace. With crystalline vocals echoing Björk’s ethereal callings, this single is designed for souls who wander the edges, seeking refuge.

GEA shows her vocal power to expose vulnerability, transitioning seamlessly into unshakeable strength as we journey through an individual’s metamorphosis from self-doubt to wholehearted authenticity. At first a hushed story then proclaimed with conviction; we’re pulled close only to be uplifted in the swell of determination.

The track pulses with layered synths and rousing harmonies which envelop you like warm fabric on wind-chilled skin. Yet it remains open-hearted—the rests between notes overflowing with resonance ready to fill gaps carved by societal expectations.

GEA's "U R U" is an Anthem for Self-Embrace
GEA’s “U R U” is an Anthem for Self-Embrace

“U R U” isn’t mere sound amidst silence; it resonates with purpose—a healing refrain for those labeled as outliers. Its embrace crosses sonic divides into activism realms—scoring anthems that paint rainbows over colorless judgments, its melody steeped not just in sounds but shared humanity.

As GEA conducts this blend of compassion and conviction nestled within elements so deliberately chosen they’re artifacts making history—it’s clear she is not simply making music but sculpting audible enlightenment.

For any ear seeking comfort or courage—in “U R U”, reassurance has found its voice-string soaked in liberation, singing to each soul: indeed, you are you—and wonderfully so.

Follow GEA on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Sofia Lynch’s “I’ll Be Back Around”: A Somber Ballad

Sofia Lynch's "I'll Be Back Around": A Somber Ballad
Sofia Lynch's "I'll Be Back Around": A Somber Ballad

Sofia Lynch’s “I’ll Be Back Around” is an indie folk elegy that spills out of the heart like the first glow of dawn after a long, pensive night. With vocals as crystalline and restorative as a mountain stream, Lynch weaves her tale with the artful touch of enduring singer-songwriters.

A tender paean to distance and destined farewells, this single resonates with anyone who has ever loved from afar or grappled with necessary goodbyes. The track feels like introspection set to melody — each guitar strum carries the weight of rumination while Sofia’s voice crests and falls between hope and sober reality, painting wistful vignettes evocative of those conjured by Joni Mitchell or Phoebe Bridgers.

The inset of subtle instrumental swells lends an organic crescendo and diminuendo to the piece, encapsulating what it means not merely to listen but to feel music. It’s raw yet refined; personal yet universal — proof positive that Lynch has transcended self-doubt in virtuosic fashion.

Sofia Lynch's "I'll Be Back Around": A Somber Ballad
Sofia Lynch’s “I’ll Be Back Around”: A Somber Ballad

Every note hints at this artist’s burgeoning mastery; whether scoring cinematic moments or filling quiet rooms where listeners seek respite. As she casts consummately crafted verses into our ears, you can nearly envision her there: embracing vulnerability as both armor and artform—murmuring gently amidst chords that ring ever true, “I’ll be back around.”

In little time, Sofia Lynch doesn’t just perform—she gives us whispered assurance through songcraft honed by authenticity that indeed she will return… And one can’t help but feel thankful for such reassurance in a world often spinning too swiftly for its own lyrical tales.

Follow Sofia Lynch on Website, Facebook, YouTube and Instagram.

Empty Machines’ “Velvet Sky” is a hauntingly gorgeous anthem.

Empty Machines' "Velvet Sky" is a hauntingly gorgeous anthem.
Empty Machines' "Velvet Sky" is a hauntingly gorgeous anthem.

“Velvet Sky” lands like a blazing comet streaking across the indie firmament, with Glasgow’s Empty Machines crafting an anthem for contemplative nights. Thomas Crawford and Jodie Helena sculpt their second single—both hauntingly gorgeous and sturdily resilient.

The opening strains are a siren’s summons to the elusive; it’s as if Florence + the Machine’s passion met The National’s brooding tunes. What follows is Empty Machines’ singular fusion—condensing intimate garage essence into a sweeping soundscape familiar yet novel.

Helena’s vocal—ethereal yet strong—commands attentiveness without insisting. It soars over Crawford’s adroit instrumentation with poise and weight, contrasting vulnerability against the duo’s DIY ethos permeating each chord and lyric.

Lyrically, “Velvet Sky” veils its melancholy in celestial metaphor. It wrestles with impermanence—passion fading to embers, dreams plunging Icarus-like from unshielded heights of hope. Listeners find themselves amid Hollowayesque visual poetry in shared human orbit.

Empty Machines' "Velvet Sky" is a hauntingly gorgeous anthem.
Empty Machines’ “Velvet Sky” is a hauntingly gorgeous anthem.

For all its lusciousness, a raw edge persists; one can’t ignore the self-driven authenticity exuding from this track. This isn’t just served-up music—it’s crafted, layered like paint, by artists fully invested.

As the song crests, cradling us toward a conclusion feeling more beginning than end—one can’t help but feel part of something ephemeral yet eternal. Most enthralling is how “Velvet Sky” reverberates beyond silence—testifying to touchstones of love lost, life lived…beneath its namesake expanse.

With just two singles down, Empty Machines may be planting their flag early—but if “Velvet Sky” indicates what’s coming, we’ll witness them redefining “anthemic” in indie circles while igniting skies with their blazing talent.

Follow Empty Machines on Website, Facebook, Twitter, YouTube and Instagram.

Gritty and Compelling: Balloon Shed’s ‘Hate Song’ Explored

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Gritty and Compelling: Balloon Shed's 'Hate Song' Explored

Balloon Shed is the musical creation of singer-songwriter Rowan Davies from Bristol, UK. with a new-wave indie feel like Jeff Rosenstock and AJJ.

After not playing music for 20 years, in 2022 Davies picked up his guitar and began to write songs. With early songs like “Prick” and “Frank Says,” Balloon Shed’s style was already set–a blend of therapy, emotion, catchiness.

There’s now a new song in town, called Hate Song. It describes a world turned topsy-turvy by some truly not very nice people! Davies sings, plays guitar and you will hear a little drumming and bass. The star is the angry high-pitched singing with pretty hard words.

This track captures real feelings–nervousness, anger, and stuff that hits a little close to home with what’s going on today about the world. The guitar is thick, rough and real; the kind of classic rock tunes that don’t play coy.

But Davies’ singing gives such depth to the song, and there are these trippy psychedelic elements interwoven in a rock style which keeps it interesting. When you listen, it’s like the musicians are right in front of your eyes playing live.

In other words, Balloon Shed’s Hate Song is a raw musical form-the real thing. It’s rough, it’s real and is something worth a listen.

Listen to Hate Song below

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Unveiling Marc’s Entrancing Debut: ‘In My Dreams’

Unveiling Marc's Entrancing Debut: 'In My Dreams'

With his debut in the EDM scene and courtesy of DJ / producer Coke Beats on “In My Dreams,” Italian singer Marc has created a captivating union between his sweet and tender vocals by him, and the distinctive beats provided by Coke Beat.

The song channels the universal quest for love through heartfelt vocals, the song paints a touching picture of a couple navigating the intricacies of relationships. The track’s distinguishing element is Coke Beats ‘expertise, especially his experience gained from contributing to Smash The House/Generation Smash. This puts everything in place for grandiose performances at EDM festivals like Ultra and Tomorrowland.

This touching tale which goes beyond gender, reveals the challenges and dreams in a relationship and all this unfolds in “In My Dreams”. Marc’s soulful version of the song expresses love ‘contradictions, and people can feel it. After all, everyone longs for real connection.

This is a fundamental turn for Marc, as he showcases his talent as an artist who can switch effortlessly from pop to EDM. Fans eagerly wait for Marc’s Live shows in 2024, during which In My Dreams ‘infectious vigor and profound emotional weight will take the world by storm. People have to see this masterpiece with their own eyes to believe it; indeed, that is how impressive of a musician he really has become.

A bold introduction, with engaging synthesizers plunges listeners into a sensory adventure.

“In My Dreams” becomes a potential summer anthem, and validates the teamwork of Coke Beats along with Marc. The song whirlwinds listeners into its stunning universe. This cooperation shows both artists ‘abilities, and they create a sensational track that integrates into its poetic richness an exquisite bisexual romance love story.

Listen to In My Dreams below

 

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Musical Fusion and Roadside Tales: Trickshooter Social Club’s ‘Truck Stop Dangerous’

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Musical Fusion and Roadside Tales: Trickshooter Social Club's 'Truck Stop Dangerous'

An EP, Truck Stop Dangerous, by Trickshooter Social Club just came out baring us deep into musical America. They’ve got this mingling of guitars and violins, singing about tales of heroes as well as legends.

This EP came out in late-night sessions consisting of these Chicago guys, who were led by Larry Liss and Steve Simoncic. They got this cool sound old-school power pop, a little southern rock and noodly tales of America.

The EP gets off to a great start with an old-fashioned rocker that uses guitars to full advantage and packs up some catchy chorus. “(Beautiful comes out punching, riding the strength of its mighty guitar hooks as well as having a suitably big following for its hook.) Some of them have this kind of rock feel, but with a bit country touch to them. There’s “Clarksdale Serenade #2″ and then there are these elvis figurines; both show up on the Vice site yesterday. The EP closes with the slow love-ballae” Lie to Me’ showing off their harmonies and wide repertoire of styles.

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Musical Fusion and Roadside Tales: Trickshooter Social Club’s ‘Truck Stop Dangerous'”

Therefore, Truck Stop Dangerous reads like a trip. Each song can be tapped along to. Every one has its own unique vibe. There’s an addictive energy to the music it finds you humming along. The singing also neatly fits in with the music, so everything sounds amazing.

The EP moves along at a good speed, with enough interest to keep people around from front to end. It also has a lot of attention paid to how it sounds, aiming for lively and happy.

Although “Truck Stop Dangerous” is something of an ode to American music, in plain language it serves as a love letter. It’s cute, lively. You don’t want to hear anything else on Trickshooter Social Club.

Listen to Truck Stop Dangerous below

 

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Ethereal Vibes and Dreamy Melodies: Exploring RHEIN’s ‘Moe’

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Ethereal Vibes and Dreamy Melodies: Exploring RHEIN's 'Moe'

A band out of the Netherlands, RHEIN just put it a brand new track titled Moe. It’s sorta more groovy than their previous hits ‘Open dak‘ and ‘Allemaal alleen‘. They take indie rock pop elements and create an emotionally beautiful song all its own. Compared with their previous work, it’s calmer and more dreamlike.

You can hear that the music is more relaxed when you begin to listen. They used guitars and drums in a different way so you feel like there are floating. The singer’s voice is just right there truly this makes the song peaceful and deep.

The song goes on, becoming more interesting, more guitars and keyboards come in. The music reaches a particularly intense point, with lots of instruments going at the same time. It’s kind of a big, dramatic moment in the song.

Sung in Dutch, but Nonetheless you can still feel the feelings of these songs. At the end, when it becomes a cool little instrumental part with no singing. It’s like a musical odyssey through fairyland.

Thus, the song Moe by RHEIN is really a unique piece of music that takes you on musical journey. It seems different from other songs. A number of sounds are used in it very coolly put together.

Listen to Moe below

 

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Uncovering the Melodic Narratives of I Panic With ‘Laughing, Talking. Loving’

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Uncovering the Melodic Narratives of I Panic With 'Laughing, Talking. Loving'

Jump into the realm of Dutch artist I Panic, in which we enter a fascinating story from his recent single Laughing, Talking and Loving. With a style as natural and unadorned as its title–Laughing, Talking, Loving–the composition of the piece itself appears to be an intimate conversation between two lovers who have grown apart.

It describes the pain of separation in such loving yet alluring language, that finally even your heart needs your head to protect it from falling dangerously within earshot or sightline range.

The track begins with an emotionally charged melodic piano progression, groovy basslines and intricate guitar motifs seamlessly intertwined. All are working in concert to further the emotive journey that the song takes from beginning until end.

This melodic effort testifies to I Panic’s musical versatility. It is full of fine details, warm stories and a sure ear for the artistry of sound. Here he takes listeners on a journey into an emotional world in which love breeds distance, and passion recalls faded memories.

I Panic, whose real name is Marcel van Tetering, traces his musical history back to the source of it all–the record shop he grew up in. His musical style itself–Alternative Theatrical Rock can best be described as such a magpie like accumulation of various elements.

Listen to Laughing, Talking, Loving

 

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What is your stage name?

My name is Marcel van Tetering, a Dutch singer and multi-instrumentalist.

Uncovering the Melodic Narratives of I Panic With 'Laughing, Talking. Loving'
I started I Panic back in 1987, together with two lifelong friends, as band to play our own, original songs,

Is there a story behind your stage name?

I started I Panic back in 1987, together with two lifelong friends, as band to play our own, original songs, next to the cover bands we were also playing in. And even though as band we existed for about a year, I retained the name I Panic as a solo project, to write, record and release my songs.

After years of songwriting and recording my music as home demos, besides playing piano, guitar, and singing in various bands, because Corona I gave up the idea of reviving, I Panic as a “real” band but adapted the concept of being a one-man-band and turned the home demo’s in proper productions.

Are you from a musical or artistic family?

Because I grew up in my grandmother’s record store, I have many diverse musical influences, and this make my songs sometimes difficult to categorize. As self-taught composer and performer, I was able to explore several different styles, but my music is best described as Alternative Rock with a touch of theatre. Or in short: Alternative Theatrical Rock.

Who inspired you to be a part of the music industry?

Musically I find inspiration in some of the great composers and storytellers, ranging from Tom Waits, Cole Porter, Randy Newman, and Jacques Brel to David Bowie, Joe Jackson, Echo & the Bunnymen, Elvis Costello, Fischer-Z, and R.E.M.

Where do you find inspiration?
Typically I find inspiration in day-to-day life. Sometimes relates to my own experiences, but also in things I hear or see – and in the stories that pop up in my mind because of that.

What was the role of music in the early years of your life?
As I grew up in a record store, music was always around me. And at a very young age I started making sounds & recordings as well, which later evolved into using instruments and creating songs.

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As I grew up in a record store, music was always around me.

How did you learn to sing/write/to play?
I am a self-thought pianist and guitarist (since 40 years now) and I play various other instruments with either keys or strings. However, to master singing I took lessons (which is much fun to do as well).

Writing songs is what I have been doing even before I could play an instument. And actually, a lot of what I learned on piano or guitar, came out of writing songs I wasn’t able to play at the time of writing.

What was the first concert that you ever went to and who did you see perform?
The first concert I ever visited was Elvis Costello, in a solo concert in one of the bigger theaters in the Netherlands. I think I was 15 at the time – and I was blown away!

How could you describe your music?
As I blend many styles (even when it always has a 80’s/90’s vibe) I call it Alternative Theatrical Rock

Describe your creative process.
I don’t have a fixed way. Sometimes a song just comes to me (for example while driving), sometimes it starts with just some improvisation on the piano and sometimes it’s based on a line or quote I heard. However, I tend to start recording a song very early. And often I end up writing and finishing a song while recording it.

 

Why did you choose this as the title of this project?
Laughing, Talking, Loving started with a the first line of the verse and two chords on the piano. And while playing, the rest of the song arose almost by itself.

After I finished the lyrics and basic music, I decided to use this title – even when I first called it Simple Things, but that felt too obvious to me 🙂

What are your plans for the coming months?
In January a next new single will be released (called “Never Be My Wife”) and in february I will release an EP with 5 new recordings of previously released songs (and one yet unrelreased song as well). This EP is called “Growing Up in Public”.

What message would you like to give to your fans?
Thank you so much for listning & playing my music! It means a lot to me and I would love hear what you think of it.

Embracing Solitude in the Rhythm: Agyenim Set to Drop New Hip-Hop Single “Me Alone”

Embracing Solitude in the Rhythm: Agyenim Set to Drop New Hip-Hop Single "Me Alone"
Embracing Solitude in the Rhythm: Agyenim Set to Drop New Hip-Hop Single "Me Alone"

Independent artist Agyenim is set to drop their latest single, “Me Alone,” on December 29, 2023.

This eagerly awaited hip-hop track promises a unique blend of poignant lyrics and captivating arrangements, showcasing the artist’s distinctive style and creative prowess.

Produced in collaboration with acclaimed Ghanaian producer Vacs, “Me Alone” is a melodic journey that delves into the depths of solitude and self-reflection. The song encapsulates the raw emotions and unfiltered expressions synonymous with Agyenim’s signature style, merging introspection with irresistible rhythms.

“Me Alone” navigates the complexities of solitude and the peace found within it. The track, co-produced by the artist himself and the talented Vacs, features a blend of compelling verses and energetic beats, creating an immersive experience for listeners.

The song opens with an evocative chant that sets the tone for a narrative journey into the artist’s psyche. With verses intricately woven in local dialects and English, the song resonates with universal themes of loneliness, self-discovery, and the quest for inner peace.

Collaboration with Vacs Renowned for his distinctive sound and innovative production, Vacs brings his unique touch to “Me Alone.” His collaboration with Agyenim has resulted in a track that harmoniously blends compelling storytelling with captivating musical arrangements, promising an enthralling auditory experience for fans and music enthusiasts alike.

“‘Me Alone’ is more than just a song; it’s a personal journey laid bare. Working with Vacs has been an incredible experience, and I can’t wait for listeners to connect with the emotions and energy we’ve poured into this track.” – Agyenim said

Upcoming Release Scheduled for release on December 29th, 2023, “Me Alone” promises to captivate audiences worldwide. The track will be available on major streaming platforms, including Spotify, Apple Music, and more.

Agyenim’s “Me Alone” is a testament to the artist’s creative evolution and commitment to delivering music that resonates with authenticity and emotion. I encourage you to pre-save “Me Alone” on your preferred music platform here

About Agyenim Agyenim stands at the forefront of Ghana’s dynamic hip-hop scene, known for his ability to craft thought-provoking lyrics combined with infectious rhythms. With previous successful releases under his belt, Agyenim continues to push artistic boundaries and connect with audiences through his music.

Courtney Nord’s dual renditions of “Smells Like Teen Spirit” take the classic to new heights.

Courtney Nord's dual renditions of "Smells Like Teen Spirit" take the classic to new heights.
Courtney Nord's dual renditions of "Smells Like Teen Spirit" take the classic to new heights.

In an era where the reimagining of classics is both nerve-fraying and captivating, Courtney Nord’s dual rendition of “Smells Like Teen Spirit” seizes old ghosts by their flannel collars and dresses them in a velvet insurrection. With her cover, Nord has shaped a fascinating diptych – one canvas spattered with grunge rock sensibilities; the other draped in the lavish folds of symphonic arrangement.

Courtney delivers transformative performances on both versions that are as distinct as they are complementary. The female voice she lends to this once testosterone-soaked anthem not only provides freshness but also challenges our memory-distorted understandings of the original Nirvana smash hit.

The rock version thrums with raw electricity, reverberating through every chord strike – Nord transports us back to ’91, with torn jeans and head-banging abandon. It resurrects Cobain’s snarl yet refashions it; gentle yet fierce – a modern soft grunge virtuosa indeed.

Courtney Nord's dual renditions of "Smells Like Teen Spirit" take the classic to new heights.
Courtney Nord’s dual renditions of “Smells Like Teen Spirit” take the classic to new heights.

Meanwhile, if music were tangible art, her symphonic interpretation would be like gazing at Klimt’s ‘The Kiss’ under moonlight – gilded threads interweaving grandiosity into intimacy. Her vocals coast ethereally over orchestral swells that speak more cinematic score than mosh pit—each note rings out like crystal glasses brimming with full-bodied wine.

Rooted firmly in homage rather than mimicry, Courtney’s gift lies not merely within her delicate balance between vibrant energy and elegance but also within her ability to seamlessly fuse these elements into something altogether bewitching – a testament to her shared upbringing steeped in the seminal sounds Kurt Cobain and company etched into history.

Courtney does what many might consider impossible: retains the spirit (pun fully intended) of “Teen Spirit” while infusing it with a vitality that speaks directly—and undeniably—to today’s listener. The result? A duality steeped both in nostalgia and avant-garde reimagination—nothing short of spellbinding.

Follow Courtney Nord on Website, Bandcamp, YouTube, Instagram and TikTok.

Tony Blaze Delivers a Solemn and Thought-provoking Single “Gospel”

Tony Blaze Delivers a Solemn and Thought-provoking Single "Gospel"
Tony Blaze Delivers a Solemn and Thought-provoking Single "Gospel"

The resurrection of Tony Blaze Lord Of Lyrics in his single “Gospel” is akin to a phoenix rising, this track heralds an undeniable rebirth after a year-long silence that left fans yearning. Within the ever-blurring lines of rap and hiphop infused with gospel vibrations, Tony emerges from hiatus not just spitting bars but preaching sermons.

Toroo’s production weaves a solemn soundscape fitting for contemplation; its polished beats are both sanctuary and battleground where inner demons meet raw truth—where confessions flow freely over minimalistic yet potent instrumentation. It is clear from the get-go that Tony hasn’t lost his touch; instead, he’s refined it like gold through fire.

As Gospel unfolds, there’s something distinctly personal about the cadence—it tugs at soul strings while dissecting an imperfect world with scalpel-sharp precision. His lyrics vocalize storms many face silently, blending spiritual motifs and street-smart realizations in equal measure—a testament to human resilience amidst chaos.

Tony Blaze Delivers a Solemn and Thought-provoking Single "Gospel"
Tony Blaze Delivers a Solemn and Thought-provoking Single “Gospel”

What’s striking throughout is how seamlessly Tony pivots between vulnerability and strength, leaving listeners to navigate their own emotions as much as they bob their heads to commanding rhymes. This isn’t background music; it demands your attention—and rightly so—for each verse reads like an intimate entry ripped straight out of life’s complex diary.

“Gospel” calls back echoes from legendary hip-hop prophets who preached before him yet stands unique in its approach—Tony’s voice harbors authenticity hard-wired by experience making every line resonate deeper than doctrine: faith tested through lived realities rather than mere rhetoric.

Tony Blaze Delivers a Solemn and Thought-provoking Single "Gospel"
Tony Blaze Delivers a Solemn and Thought-provoking Single “Gospel”

In conclusion, whether or not you’ve walked a similar path or just appreciate when music veers off the beaten track into territories unchartered – “Gospel” reverberates long after the last note fades. In less than four-minute run-time lies not only a song but also revival—an ode for those who find solace within breaks of harmony even when faced with discordant truths outside headphones’ sanctuary.

 

Jody Cooper’s “Isolation” is a moving meditation on modern life.

Jody Cooper's "Isolation" is a moving meditation on modern life.
Jody Cooper's "Isolation" is a moving meditation on modern life.

Navigating the tumult of our current epoch is no simple feat, but Jody Cooper’s single “Isolation” does just that with unvarnished sincerity. In this commanding emotional rock repertoire, Jody’s gravelly masculine voice acts as a steadfast anchor in a roiling sea of uncertainty, echoing icons like Eddie Vedder, with a splash of Coldplay’s meditative calm.

The track crescendos from hushed veneration to inspirational lyrical summits – it’s gentle rock sculpted with pop sensibilities; unembellished yet gratifying. Guitar strings and keyboards enfold our collective heartbeats pounding the cloistered walls surrounding us these last months.

Jody Cooper's "Isolation" is a moving meditation on modern life.
Jody Cooper’s “Isolation” is a moving meditation on modern life.

As Jody inhabits the mien of a bard in passages bittersweet and all too knowable and inward-peering, there is something about the vibrant orchestration that binds listeners in fellowship.

This isn’t just sonic tapestry – it’s a mirror held to our public aspect, inviting rumination on lives confounded by global tribulations. Toggling between desolation and aspiration, it contributes a generational reverberation directly addressing our current annals, oppressed by timeworn spines and tattered pages.

For those sequestered in creaking rooms pondering “what if,” “Isolation” offers succour: we may be solitary – and yet if music persists as a tireless polestar for depleted souls starved for ties beyond bodily strictures.

Follow Jody Cooper on Website, Facebook, Twitter, YouTube and Instagram.

Lexi Lemonade Crafts Musical ‘Flavors’ With Her Debut Ep

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Lexi Lemonade Crafts Musical 'Flavors' With Her Debut Ep

Come on, let’s go inside Lexi Lemonade world! Her first EP entitled “Flavors” sounds like a playlist of emotions – love, lost loves, and discovering self. This is especially so since, as she puts it, “Lexi’s from New Jersey, and her sound is this great melange of sounds; everything from cool to smooth, groovy beats to straight up chill R & B vibes.”

In fact, Lexy began singing songs, and creating demos from home during her college days. In 2019 she released her first single, “drip” and it is safe to say that there has been no turning back ever since. For instance, her hits on ‘How Could I’ and ‘Flavours’ epitomize her growth and maturity as an artist.

It’s hard to say anything about ‘flavors,’ but it is somehow like a love warning. Sweet indeed but with a warning telling you to take care! For that, Lexi’s music is very colorful and depicts different but beautiful representations of true love.

She thinks visually and when she does music, it is just painting a vivid fairy tale in her head. This has all been a learning experience for Lexi. She adores artists such as Rihanna, appreciates fashion and photography, and values her family.

In a recent interview with Lexi Lemonade, she shared what inspires her daily life, including the musical vibe of her family. By practicing a lot, she learned how to sing and write music and she still learns something new every single day.

Gratitude remains at the core of Lexi’s message to her fans. She is so grateful to her, and she has decided to continue this musical journey together with all these people.

Lexi is looking forward to wrapping up her current project. She is very willing to work with other artists, and she still desires to mature further as an artist. Her music is how Lexi Lemonade speaks, and she is prepared to continue revealing these ‘Flavors’ to the world.

Listen to Flavors EP below

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What is your stage name
Lexi Lemonade

Is there a story behind your stage name?
lt started as a nickname when I was in high school! I had a slight obsession with the drink Simply Lemonade to the point people started referring me to Lexi Lemonade. It stuck and i decided to use it for my artist name

Where do you find inspiration?
I find inspiration in every day life and the beauty in it. I know it sounds cliche but sometimes i’ll just be doing something and the music comes to me 🤣. I tend to reflect about experiences that ive had in my life or something im into in the moment and that could be sort of inspiration for my music

What was the role of music in the early years of your life?
It was my escape from reality lol especially if i was bored. Music always took me to another place in my mind almost like an alternate universe. Also in my school years I played in the marching band, the Alto Saxophone and was apart of my school(s) choir for about 7 years. Music was always in my life from a very young age.

Are you from a musical or artistic family?
My Dad I would say is the start of it all! Hes so naturally gifted. Hes always singing and self taught musician. He taught himself how to play drums, guitar, and piano. From the day I could
Talk he would teach me how to sing and we would do karaoke together. As I got older my brothers got into music. One is still currently doing music in such an innovative way and i love it. You can find him @RoofsbyDon on Spotify and instagram!

Who inspired you to be a part of the music industry?
My dear friend from my early college years . We were actually co-workers but had such similar interests. Honestly i think everyone was so artistic in their own way it really inspired me to follow my dream and just go for it no matter what anyone thought. It was something that i feel like i
loved and dreamed of secretly because im naturally shy

How did you learn to sing/write/to play?
Really just through practice and from what i learned in school and with my dad. I feel like im still learning everyday. Theres always room
For growth.

What was the first concert that you ever went to and who did you see perform?
My first concert ever was an Alicia Keys concert . I loved it, i had to be in like elementary school or something still lol but i remember my mom buying me my first trench with some boots. I really felt like a star that night 🤣

How could you describe your music?
I feel like it sounds ethereal and airy but also a little off center. Its unique and I feel like its what makes me, me! It really just takes you into another world.

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Its unique and I feel like its what makes me, me! It really just takes you into another world

Describe your creative process.
Im a visual person when im creating so i go off the feeling whatever im making gives and i envision the colors and the story behind whatever it is im making. I can guarantee i already see a whole movie in my mind when im done. I like to make a demo production first that i write to and then i take it to the studio where the magic happens

What musician do you admire most and why?
I have more than one but I would have to say most recent is Rihanna before she went on her break 🤣 I went to her LOUD concert and was just in awe! I loved her energy on the stage it really felt like we were literally just partying together. She has a great way of showing emotion in her songs and also I feel like her personality shines through. Nothing about it ever feels inauthentic and I admire how shes able to incorporate the fashion, and her business endeavors in her career.

Did your style evolve since the beginning of your career?
I am still quite early in my career but I am absolutely sure it will evolve. I do embrace change, I tend to get bored quite easily so I enjoy switching things up

Who do you see as your main competitor?
To be quite honest, it is myself. I just want to continue to get better and hope that my art grows and gets better with time.

What are your interests outside of music?
Fashion Photography, fashion, and spending time with my kids and family being able to enjoy life to the fullest

If it wasn’t a music career, what would you be doing?
What I’m doing now 🤣 I do have a day job and also a business @SABAAElite that i run with my spouse. i haven’t gotten to the point where im able to fund my life solely off music but i welcome the day it comes

What is the biggest problem you have encountered in the journey of music?
I guess for right now its just finding my tribe.
But im sure that will come with time.

If you could change one thing in the music industry, what would it be?
I think on a mainstream level just more innovation. I feel like things kind of felt like a standstill for a while everyone following trends what is hot and somewhere along the way some people just lost the art of art 🤣 if you think of all the icons who came before us what made them so iconic was the ability for them to stand out and really just create a lane of their own.

Why did you choose this as the title of this project?
Flavors. Its a play on my name Lexi Lemonade! Its an analogy for the different sides of me. I am not a one dimensional person. I am a human with different sides to me and different interests. I think its just about embracing all parts of yourself and knowing its ok to not be the same all the time. As time changes we grow and change with it too.

What are your plans for the coming months?
I really will be focusing on completing my next project! Im excited to get the ball rolling and really just to build up my catalogue. Ive already written a couple pieces so im excited to hear it manifest in the studio

Do you have any artistic collaboration plans
I am open to collaboration!

What message would you like to give to your fans?
Thank you so much for supporting me and accepting me for who i am 🙂 its really tough decision to put myself out there but really with all the love it is so rewarding. I am excited to continue this journey with you!

Jennifer Alvarado Melds 90s Country with Raw Emotion In ‘Colorado’

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Jennifer Alvarado Melds 90s Country with Raw Emotion In 'Colorado'

The minute “Colorado” hits your ears, it becomes an adventure journey into Jennifer Alvarado’s music universe. A classic blend of pop sensitivity with country soul that hooks you throughout. It is easy to tell that Alvarado has the right musicality – the guitars twinkle, the beat swings, and the voice saunters through a fresh yet somehow familiar terrain.

Jeniffer Alvarado shares in an exclusive interview her journey, reasons that drive her, and the meaning in her music. Music was not only a passion, it was also a confidant and an outlet for a shy girl to talk through things. Her musical DNA ranges from familial melodies to the iconic voices of Mariah Carey and Reba McEntire that represent the 90’s grunge and storytelling 90’s country.

Creative process by Alvarado draws diverse inspirations from the words, melodies or emotions that seek clarification from different sparks. Just like in her life, her music is always about being open and vulnerable while trying to understand the world around her.

This discussion goes into some details about her artistic development, the struggles of an already crowded industry, and the indomitable spirit one must possess whenever one operates in the hostile music circles. Nevertheless, his message to her followers speaks about toughness, imploring them to remain faithful to themselves while listening to the voices telling them to be somebody else.

Join us as we delve deeper into the life of the songstress,

Listen to Colorado below

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What is your stage name
Hi! My name is Jennifer Alvarado.

Is there a story behind your stage name?
Alvarado is my husband’s last name. His family is originally from Costa Rica.

Where do you find inspiration?
I find inspiration from everyday life. Relationships and people’s actions have always made me think. I usually write to process how I feel about a particular situation.

What was the role of music in the early years of your life?
I am an only child, so in my early years, music almost served as a best friend. It was my escape. I was the shy kid that expressed myself through music and writing. I felt like I had a voice and could be honest when I had music.

Are you from a musical or artistic family?
Sorta. My Pappa was especially musical. He played several instruments, and there was always music at his house. My Nanny loved music and was always making up songs and creating rhymes. My parents, while they appreciated music, were not particularly musical, but I was exposed to many different genres of music and I am grateful for that.

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My parents, while they appreciated music, were not particularly musical, but I was exposed to many different genres of music and I am grateful for that.

Who inspired you to be a part of the music industry?
I don’t know that anyone inspired me. I think music was what I knew. From a very early age, I wanted to sing. I started making up songs when I was about four or five years of age. It has always just been how I express myself.

How did you learn to sing/write/to play?
By imitating others. I learned how voices blend and harmonize by listening to groups like Chicago and Wilson Philips. I learned to sing by imitating Mariah Carey, Celine Dion and Whitney Houston. I learned the importance of the words you use and the impact they have by studying my favorite songs. For me, music has always been like a puzzle.

What was the first concert that you ever went to and who did you see perform?
My first concert was Reba McEntire.

How could you describe your music?
I would describe my music as 90’s country storytelling meets the aghast of 90’s grunge….kinda like Deana Carter (“Strawberry Wine”) and Alanis Morissette had a baby.

Describe your creative process.
Honestly, my process is different for each song. Sometimes I start with a phrase of melody that I can’t get out of my head. Sometimes I have all the music written and go back and fill in the lyrics.

What is your main inspiration?
My main inspiration is trying to make sense of the world. If I’ve been hurt by a situation or a person, I write about it. If I am in love and trying to wrap my head around it, I write. If I am anxious with everything I am seeing, I write.

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If I am in love and trying to wrap my head around it, I write.

What musician do you admire most and why?
The musician I admire the most is probably Reba McEntire. She is a phenomenal entertainer, but she is a brilliant business woman. You have to be to have any longevity in the music industry. I’ve always wanted a long career not 15 minutes and done.

Did your style evolve since the beginning of your career?
I think just like me, my style has matured. I think as you get older, you look at life differently. I think I am less afraid to say what I feel now. When I first started, I was very afraid of saying the wrong thing even if it was my truth. I am more willing to go there now.

Who do you see as your main competitor?
Me. If you are comparing yourself to everyone else, you will always be miserable and unsatisfied. I compare to what I did last year, the last record, the last show. That is what I have control over.

What are your interests outside of music?
Helping others. I used to be really involved with recovery ministry. I still help some with a prison ministry when I have time. I believe we are supposed to leave this place better than we found it.

If it wasn’t a music career, what would you be doing?
I would be doing something in recovery ministry.

What is the biggest problem you have encountered in the journey of music?
There are two things. I think there is over saturation in the market. Literally anyone can release music and I think so many artists are just trying to copy someone else’s success and product…which longterm will never work.

I also think money talks. Money can sometimes buy success in this industry. Talent still matters, but many times it takes a backseat to money and who you know.

If you could change one thing in the music industry, what would it be?
That people care more about branding than artistry.

Why did you choose this as the title of this project?
I actually have no issues with Colorado. It simply flowed the best when I was writing the song.

What are your plans for the coming months?
I am continuing to work on my next project that is a throwback to 90’s country storytelling and style. 90’s country is what made me fall in love with writing and I really want to revisit it with this project.

Do you have any artistic collaboration plans?
I am always open to collaborations. I don’t currently have any plans other than for co-writes with some other artists, but I will always entertain the idea.

What message would you like to give to your fans?
Never give up. I’ve been told no more than yes. I’ve been told I can’t sing. I’ve been told I’m too young…or too old. Not blonde. Not thin enough…then lost weight and was too thin.

Don’t lose yourself and your unique sound trying to be what someone else wants. It won’t work. I’ve tried. Instead embrace your uniqueness….be willing to learn and take criticism, but no the difference between those wanting to help you and those only trying to hurt you.

And to those that have and continue to support me and my music, thank you! I couldn’t do it without you.

“Monroe Moon Unplugged: A Chat About Music And Latest Single – Smoked a Cigarette Instead

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"Monroe Moon Unplugged: A Chat About Music And Latest Single - Smoked a Cigarette Instead

With ‘Smoked a Cigarette Instead,’ a US/UK band known as Monroe Moon stunned the listeners once more. In just another example of how such styles can be interwoven to create excellent music, this song combines old with new sounds and has the feeling of a classic warm tune.

During an interview with Monroe Moon they gave us their moniker and their daily inspiration. To them, it is a daily meditation when composing songs because they draw their inspirations from day to day occurrences and this is how they express their appreciation to life.

Monroe Moon shared how they have evolved since they began. They will aim at improving and increasing their success with each project that they undertake. Their biggest worry is about marketing themselves. It’s not easy for them.

They would transform ego-based rivalry that pervades the music industry if they were able to rewrite history since music is meant for unity and not separation.

Their upcoming plan is exciting! They are just about done putting down the new tracks, expecting to have them pressed on vinyl for mid year in 2024. The fact that they are also eager for a music project in Detroit is plus.

Listen to Smoked a Cigarette Instead below

 

Follow Monroe Moon on

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What is your stage name

Monroe Moon

What is your main inspiration?

My personal inspiration comes from the endless effort of allowing myself to be inspired by the everyday, through active gratitude and curiosity. Writing music is a meditation for me. It is an unfiltered exercise of self love and love of life.

What musician do you admire most and why?
I admire so many musicians, but right now I’m really in awe of Damon Albarn. I love how he seems unstoppable and free flowing. The music he is making has the same delicious aroma, but always collaborative so as to have a distinctive new taste. As an artist who actively seeks to collaborate with each new project, I find a lot of inspiration from what he does.

Did your style evolve since the beginning of your career?
Absolutely! I would hope so! And I hope I never stop! Every project is made more interesting and fun for me because I am growing and learning.

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! Every project is made more interesting and fun for me because I am growing and learning.

Who do you see as your main competitor?
My inner critic.

What are your interests outside of music?
The praxis of living in truth and moving in freedom.

If it wasn’t a music career, what would you be doing?
I’m a homebody and a hobby homesteader. I would just be gardening and cooking and tending animals.

What is the biggest problem you have encountered in the journey of music?
Self Promotion and how painful it is.

If you could change one thing in the music industry, what would it be?
Inflated egos and those who seek to move by negative competition

Why did you choose this as the title of this project?
Just makes sense…

What are your plans for the coming months?
Monroe Moon will be wrapping up recording and production on just a couple more tracks. The project will then be pressed on vinyl and released mid 2024 (fingers crossed) We really are excited to see it all come together and get it out to our fans.

Do you have any artistic collaboration plans
We will be working on a new Detroit based collaboration and musical residency for most of 2024. We are really excited to see what blossoms from this next endeavor in Detroit. How will our stage performance evolve? What this new musical recipe will sound like?

What message would you like to give to your fans?
I Love you all so much! You make me blush! Thank you!!!

Introducing an Exclusive Chat with Artist Katelyn Paige

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Introducing an Exclusive Chat with Artist Katelyn Paige

Have you ever come across a song that feels like a journey through love’s rollercoaster? Katelyn Paige’s “Miles to You” captures that ride perfectly. It’s the soundtrack to every emotion you’ve experienced in pursuit of that special connection. You can cry to it, you can jam in your car—it’s a double win.

Paige’s ability to blend her lyrics with the song’s changing vibes is magnetic. Her vocal range is consistently impressive, making her stand out. And she’s not stopping here; we’re all eager to see what’s next in store from her.

Today, we’ve got a chance to sit down with Katelyn Paige, also known as KPZ, and Mister Styx of Musicarenagh, to dive deeper into her music and the inspiration behind her captivating sound.

Listen to Miles to you below

 

Follow Katelyn Paige on

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What is your stage name
KPZ

Is there a story behind your stage name?
I got my stage name from my best friends growing up. They always called me that, and it just stuck. It’s all about those tight bonds and good times we had together

Where do you find inspiration?
find inspiration in life’s ups and downs, channeling my emotions into my music

What was the role of music in the early years of your life?
Music has been my lifelong companion. I began singing before talking, rounding up cousins for family musicals. Wrote raps in 5th grade for commercials, always rocked talent shows with my voice. It’s been a joyful journey from the start!

Are you from a musical or artistic family?
Not at all. My dad was a music junkie though. Had so many CD’s and music always playing around the house .. even the bathrooms. My grandma can sing too

Who inspired you to be a part of the music industry?
My mom . She always told me to follow my dreams

How did you learn to sing/write/to play?
Honestly just by the feeling of it. Music feels like apart of my soul .
I did take vocal lessons with Mama Jan studios in 2021 and learned how to do my warm-ups and a few scales.

What was the first concert that you ever went to and who did you see perform?
Jingle Ball, Justin Bieber!

How could you describe your music?
It’s a mix of pop, hip hop, rap, and a dash of Southern charm. It’s a vibe that’s all its own

Describe your creative process.
My creative process starts with a feeling, lots of work, and ends with a song. My producer sets the vibe, and I add the lyrics. It’s all about capturing the emotion and making it into music.

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My creative process starts with a feeling, lots of work, and ends with a song.

What is your main inspiration?
My fans

What musician do you admire most and why?
I admire Alicia Keys the most because she creates amazing music with deep lyrics, and her style is classy.

Did your style evolve since the beginning of your career?
Definitely

Who do you see as your main competitor?
I don’t really “compete” with anyone . Im more of a collaborative type person . So Katelyn Paige vs KPZ

What are your interests outside of music?
Outside of music, I love playing with my dog Otis, having wine nights, dancing, throwing parties, and getting into decorating and organizing.

If it wasn’t a music career, what would you be doing?
Probably dentistry full time or competing on a Worlds team for competitive cheerleading

What is the biggest problem you have encountered in the journey of music?
Not knowing the business side in the beginning as well as should have.

If you could change one thing in the music industry, what would it be?
Social media populace being a priority over great music .

Why did you choose this as the title of this project?
Gin & Toxic? Drinking to kill the buz of a toxic relationship. & i thought it was cleaver like Gin & Tonic

What are your plans for the coming months?
Releasing 1 song every month

Do you have any artistic collaboration plans
Not yet

What message would you like to give to your fans?
Hey! Thanks for the love! Follow me on socials for the latest and greatest tunes. Stay tuned—it’s about to get lit!

 

Airyen Vay’s “Gimme Love” is a modern classic.

Airyen Vay's "Gimme Love" is a modern classic.
Airyen Vay's "Gimme Love" is a modern classic.

Within Airyen Vay’s rich auditory landscape inside her most recent single “Gimme love,” an ascending melody fuses with genuine appeals, forming an inspirational anthem equally as absorbing as it is stirring. This emotive and soul-baring ballad ruptures from its bindings with the unbridled passion one may expect from established icons including Adele or Amy Winehouse, solidifying Vay as a rising phenom harnessing creative vigor from profoundly meaningful sonic roots.

As the first notes echo, Vay’s silvery yet acute vocals cast a magical spell; fluctuating between satiny and razor-sharp tones — a contrast interweaving a complex emotional vision. An urgent longing for human connection permeates each resounding pitch — an intensely spiritual yearning only requited through unconditional love and understanding.

Airyen Vay's "Gimme Love" is a modern classic.
Airyen Vay’s “Gimme Love” is a modern classic.

We could easily drift within the currents of her lyrical odyssey, following our resilient heroine as she boldly pursues a singular cathartic instant — crying out amidst crashing waves of noise desperate to be heard, understood, embraced. Her entrancing strains cascade across fragile piano sequences rattling one’s pulse with anticipation — will her voice rise above the fray?

The driving rhythms inside “Gimme love” grab our attention, sweeping listeners through self-contemplation toward hope-tinged climaxes — that perpetual dance between longing and unity. This anthem leaves one simultaneously enraptured and reflective upon hearing its modern yet enduring story. For Vay, a thrilling creative journey filled with promise awaits around the next bend.

Follow Airyen Vay on Website, Facebook, YouTube and Instagram.

Kaiyah Mercedes’ New Single “How To Get Over You” Is a Must-Listen

Kaiyah Mercedes' New Single "How To Get Over You" Is a Must-Listen
Kaiyah Mercedes' New Single "How To Get Over You" Is a Must-Listen

Kaiyah Mercedes’ single “How To Get Over You” crystallizes the smoke-wreathed aftermath of affection unrequited, with a sound as heartrending as it is still. Her voice coasts through the tune like silk over polished glass – pure and leisurely, yet fixed in its squeeze of heartache.

The path saunters gradually but decidedly into your awareness, reminiscent of those quiet moments when the monotonous noise of daily life withdraws to disclose the pulsating undercurrents of loss. Kaiyah brightens these emotional crevices with verse adeptness; each statement seems dipped in both affectionate recollection and cool acceptance of a passion unilateral.

Kaiyah Mercedes' New Single "How To Get Over You" Is a Must-Listen
Kaiyah Mercedes’ New Single “How To Get Over You” Is a Must-Listen

Instrumentally subtle, “How To Get Over You” lays bare an emotive introspection that permits Mercedes’ formidable vocal endowment to own every inch of the sonic place. The relaxing rhythm underscores her search into post-breakup ennui – how routines become ghostly echoes haunting one’s trek onward.

There are tones here akin to Adele’s bluesy complaints or Norah Jones’ soft-spoken reflections on affection, tapping into universal experiences without succumbing to cliché. A listener might find parts that resonate in person—a line echoing old conversations or notes bending like remembered touches—forging a connection between artist and audience beyond simple empathy.

Follow Kaiyah Mercedes on Website, Facebook, YouTube and Instagram.

Mia Van De Loo’s debut EP “Open Book” is perfect.

Mia Van De Loo's debut EP "Open Book" is perfect.
Mia Van De Loo's debut EP "Open Book" is perfect.

Mia Van De Loo’s debut EP “Open Book” unveils her musical vulnerability similar to a tentative spring bloom embracing the gentle sunlight. As countless newcomers carefully wade into music’s turbulent waters, Mia takes the plunge, powered by silky, sultry vocals transforming raw emotion into resonant strength.

The five tracks tap into universal love and loss themes via intimate personal tales. The radiant single and my personal favourite “fairytale” dazzles like a jewel, resonating with any who’ve relished love’s fleeting euphoria. Throughout this cathartic collection, Mia traverses varied soundscapes where strings/piano intertwine in indie symphony infused with folk. Her voice oscillates hope and lyrical despair, blending Florence’s soulful flare within Norah’s poetic elegance.

From first crushes to heartbreaks, Mia chronicles the winding journey of youth – the slippery slope between crushed dreams and lofty ambitions. She artfully avoids clichés through inventive metaphors wrapped in melodies faintly recalling Joni Mitchell or early Sara Bareilles.

Mia Van De Loo's debut EP "Open Book" is perfect.
Mia Van De Loo’s debut EP “Open Book” is perfect.

As expected, “Open Book” exudes raw authenticity too frequently polished out of modern music but saturating these tracks reflecting Mia’s metamorphosis toward self-realization. For fans wanting evocative lyrics aligned with vocal prowess, Mia etches her name among intrepid predecessors revealing their intimate evolution transparently.

Though surely promising, a few tracks remain in cozy terrain without daring exploration. And occasionally the lyrics favor grand metaphor over palpable detail. Yet overall, “Open Book” exhibits creative genesis beyond mere talent – an ascending voice ready to spread her wings and abandon the familiar nest. This fledgling wordsmith may soon unfurl iconic anthems destined for singer-songwriter royalty.

The EP proposes Mia boasts the stellar vocal control and nuanced songwriting abilities to potentially achieve the storied status of Mitchell/Bareilles with experience. But for now, this novice appears content mapping her own course gradually as she evolves into her artistic identity. Where that journey leads long-term remains thrillingly undefined – much like this initial foray “Open Book” suggests more tantalizing treasures await just beneath the tentative surface.

follow Mia Van De Loo on Website, YouTube, Instagram and TikTok.

Jack Moy’s “Outgrowing You”: A visceral journey through the soul

Jack Moy's "Outgrowing You": A visceral journey through the soul
Jack Moy's "Outgrowing You": A visceral journey through the soul

Exploding out of Stockholm’s vibrant indie landscape, Jack Moy makes waves with “Outgrowing You,” a viscerally affecting collaboration with otherworldly-voiced siren Estherlivia. This lavishly layered track penetrates deep into the musical psychosphere and Moy’s fragmented psyche as he battles merciless inner demons.

Jack Moy’s gritty yet fragile vocals bear the cross of a man at war within, giving voice to raw truths about self-anesthesia and soul-deadening detachment. Estherlivia’s spectral soprano serves as an unearthly foil, their voices clashing and meshing unpredictably like a volatile affair, equally harmonic and hair-trigger combustible.

Jack Moy's "Outgrowing You": A visceral journey through the soul
Jack Moy’s “Outgrowing You”: A visceral journey through the soul

Fans of confessionalist savants like The National and Phoebe Bridgers will connect with Moy’s daringly transparent self-excavation. Yet his signature Scandinavian permafrost permeates the haunted vocals, glazing raw indie rock with cutting-edge chill.

Santa Claws: “She Turns” celebrates female empowerment

By the finale’s gut-punch crescendo, as revelations swirl amidst vertiginous melodies, you’re drained but desperately craving more. This wrenchingly cathartic ride reflects life’s harsh rhythms, luring urgent repeated listens. Moy and Estherlivia’s creative chemistry also drips from each exquisitely resonant note of their fearlessly exposed plunge into the darkest warrens of the soul.

Follow Jack Moy on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Santi Oia Shares The Cries Of Nature With Latest Single ‘My Christmas Tree

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Santi Oia Shares The Cries Of Nature With Latest Single 'My Christmas Tree

Santi Oia was born in Santa María of Oia and he found his musical passion as far back as his childhood as a way of intertwining melodies with relevant messages. Since beginning from collaborations in the Galician festivals he had been a composer of important comps such as “murmillo del bosque” or “ my christmas tree,” always defending environment with his artistic music.

His stagename as a symbol of his home roots which depicts his love for nature’s embrace and hatred for injustices. Santi’s music is a mix of protest, love and experiments that reflect his commitment to positive change.

In the face of issues confronting the music sector, Santi fights for just payment of musicians as they picture a society where music heals and lifts up more than just entertainment.

Coming projects promise more collaboration and instrumental works as part of his music-nature-activist agenda. This is what his message to fans means—be positive, change today, and enjoy time because it means life. Santi Oia is like an oasis of music that speaks out loudly beyond entertainment through the melody in search of a better world.

More of this was shared in a recent interview with Mister Styx of Musicarenagh, so join me as we delve deeper into Santi Oia’s life to know him better

Listen to My Christmas Tree below

 

Follow Santi Oia on

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What is your stage name?

Santi Oia

 

Is there a story behind your stage name?

Yes, my name is Santiago Martínez Castro, hence “Santi”. And Oia is the name of my hometown, south of Pontevedra, Galicia. A beautiful seaside town that I love with all my might, with unique landscape beauty and very special and inspiring smells and sounds. The full name is “Santa María de Oia”. And it also has the “Royal and Imperial” titles granted by the Catholic Monarchs. So Santa María de Oia, La Real and Imperial.

 

Where do you find inspiration?

Above all in Nature, I love Mother Earth.

But injustice makes me sick. And the lie, too. I think that lies waste your time and injustice prevents you from enjoying it. Time, something as unique as that, the most valuable thing. We cannot decide where or when to be born, but once you start breathing, we should be able to decide how we invest our time, which is limited and non-transferable.

And nature is everything. That’s why the song is about planting a tree to keep us company throughout the year and not what most people do: cutting down a tree in the forest to decorate it in our house during Christmas and then throwing it away like spoil. There is nothing noble in that, no learning for our little ones, who one day will grow up and wonder, What have our parents done for the planet? Well here my grain of sand. My previous work is also a rock denunciation of the felling of trees and forest fires, it is titled “Murmuro del Bosque” you may want to listen to it on my spotify.

 

What was the role of music in the early years of your life?

Hear. Listen and learn the sound language. I soon realized that there is music that enters your body and mind and becomes constructive, inspiring, motivating, or relaxing, calming and hopeful energy. And I no longer wanted to get out of that world that is Music. Of course, as with everything, you have to choose what to eat, fast food doesn’t suit anyone, but they continue to consume it, the same thing happens with music. You have to choose.

 

Are you from a musical or artistic family?

Neither one thing nor the other. My parents are very honorable workers. My father is a Builder and my mother works in the fields, in her garden and on his small farm. Now retired, they continue doing what they can. I love.

 

Who inspired you to be part of the music industry?

You refer to groups and artists that inspired me, supposing.

Well, a cappella music was always there, Take 6 or Boyz II Men with their version of the song Yesterday (by The Beatles) that I recommend you listen to. Doo wop, Gospel, Rock, Pop, Blues, Jazz and of course Classical music. I couldn’t stay with one genre. I drink from good music and the message that great bands give us. And because the guitar is my main instrument, I will tell you that without Eddie Van Halen I would be another, without Michael Jackson, without Tina Turner, Stevie Wonder, The Eagles, Mariah Carey, Pat Metheny or Sting, among many others, I would be another.

 

How did you learn to sing/write/play?

The guitar with a book of chords, and for some time self-taught, that gave me the development of my ear. Then I took guitar classes with different teachers throughout my life, I also went to the conservatory and the “Laboratory of Musical Creativity” in Vigo, studying modern music and some jazz, and it was there where I learned the most, the guitar classes. song came later. And I still continue to investigate and learn every day. The letters go through a period of reflection and then onto paper.

 

What was the first concert you went to and who did you see perform?

It was not the first but it was one of the most important, the group Dire Straits at the Balaídos stadium in Vigo, spectacular! Chris Isaak, Scorpions, La Guardia, Luz Casal, Bebo and Chucho Valdés, Alejandro Sanz, Amancio Prada, Carlos Cano, Vocal Sampling, Mint Juleps and Van Morrison among many, and one of the last and also enormous, the great Sting, superb !.

 

How would you describe your music?

Difficult task. Sometimes a protest song, other times committed to Mother Earth. Love is also present, of course. Always from a positive point of view and from the heart. And sometimes experimental. My second release was an instrumental where I mixed melodies and harmonies with sounds of nature recorded by me, in such a way that they caused the listener to relax, a relaxation different from ASMR, I think I achieved it. On my channel you can listen to something to know what I mean.

 

Describe your creative process.

Difficult too. I can dream about a song and when I wake up I have the general idea. I can start with the music other times because of the lyrics. And the most incredible is when you sit down and everything comes together almost without thinking about it, little happens but when it happens it is tremendous, like seeing a shooting star cross the sky. And when the muse doesn’t come, I sit down and start with the resources of knowledge until creativity appears and takes over, and it always appears.

 

What is your main inspiration?

Observation, contemplation, reasoning and the heart. Then comes the answer to the previous question, otherwise it wouldn’t come, of course.

 

Has your style evolved since the beginning of your career?

Yes. He always does. As everything. That’s how it should be. And so it remains.

 

Who do you see as your main competitor?

I can’t see music like that, I can’t see musicians as competitors. I don’t feel that way. They say some things and I say others. Music is a language with which we say things, with which we transmit ideas, we tell stories. William Shakespeare and Miguel de Cervantes Saavedra will never be competitors for those who read them, they both feed the soul and the spirit. That’s what I think good music should be “Food for the Soul and Spirit.”

 

What are your interests outside of music?

I dedicate myself entirely to music. I teach music. I have an acoustic cover duo that I love to play with, called “Take It Easy” after the song by The Eagles. We have a work on CD, also in streaming stores it is titled Máis fariña, it is a song of mine, the only one on the album.

And if you mean if I have hobbies, I’ll tell you some, I love photography, chess, family and nature.

 

If it wasn’t a music career, what would you be doing?

I don’t contemplate anything else. Everything I do is to improve who I am.

 

What is the biggest problem you have encountered in the journey of music?

That reproductions are not paid well, that copyrights are not paid well, at least for the artists who are trying to grow. And that there is a lot of “fast music”, as I told you before “fast food”. So you don’t have many incentives or motivations on the economic side. The market is not made for small artists or composers.

Motivation emerges from within, from passion, that’s why you never give up, that’s why I never give up. I think that’s the key.

 

If you could change one thing in the music industry, what would it be?

First, pay per reproduction. That each reproduction counted for both streaming and copyright. And of course they paid more for it. That would be a motivation and recognition of your work.

And more places to play. It would force doctors to prescribe music: You’re stressed, you have to get four concerts in two weeks, then come back here. Hahaha… everything would improve, surely.

 

Why did you choose this as the title of this project?

Well. As I told you before, it is about a tree that is planted and cared for like a friend throughout life, instead of cutting it in the bush and then throwing it away after Christmas. It is a Christmas song with a subtle protest against consumption and abusive felling of trees. Christmas is as good a time of year as any to raise awareness among people, especially the little ones. And also, we tend to be more receptive. I hope it catches on in society.

 

What are your plans for the next few months?

I’m preparing four versions with four friends, and among them there will be one or two of my songs. I am also working on another instrumental project, a small track: It is about harmonies and melodies that could be the Soundtrack of anyone, moments and feelings that we all have. So the title starts with “OST…”

 

Do you have any artistic collaboration plans?

Well, yes, I always end up playing my songs in the duo Take It Easy, so Pablo Costa is and will be my favorite collaborator, I love him.

 

What message would you like to give to your fans?

That they are good, that they contribute something positive to the planet and the people they love and that they take advantage of the time they have, that is the most important thing they have.

And above all, do it today! Tomorrow never comes.

Friends, be happy today!

Santa Claws: “She Turns” celebrates female empowerment

Santa Claws: "She Turns" celebrates female empowerment
Santa Claws: "She Turns" celebrates female empowerment

Santa Claws’ latest offering, “She Turns,” weaves a tapestry of female empowerment set to an infectious pop-rock rhythm. The single, the first taste from the forthcoming album “…So Live and Let Lie,” showcases sultry vocals that cascade over listeners like silk—strength cloaked in softness.

Greg Gordon’s adept production handcrafts an easy listening experience that conceals its rousing message; it is a salute to all women navigating their own courses with unapologetic joy. This 3 piece band fuses the roar of independence with catchy hooks, emboldening one’s spirit as each note pledges camaraderie.

As “She Turns” unfurls, one envisions anthems from Fleetwood Mac synthesized through HAIM’s modern lens—a revelry not merely heard but felt. It is music for personal revolutions; where beats act like open roads under relentless feet and each verse ascends like dawn’s light casting off night’s uncertainty.

James Spencer’s “Your Ship’s Coming In” – A Sea Shanty

With this track Santa Claws sets an audacious outset for their upcoming album—invigorated, meaningful and remarkably relevant. A clarion call enveloped in melody so sweetly presented that you barely notice you’ve been carried along into their jubilant insurgence until your heart swells heavy with that same fierce satisfaction.

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Acoustic Bloom’s “Christmas Eve” is an Audible Enchantment

Acoustic Bloom's "Christmas Eve" is an Audible Enchantment
Acoustic Bloom's "Christmas Eve" is an Audible Enchantment

Acoustic Bloom’s “Christmas Eve” is an audible enchantment—a festive folk song capturing yuletide’s magical essence in under three minutes. When Kilkenny’s preeminent octet glides through sanguine strings and holiday-hued rhythms, they gift wrap listeners in each velvety harmony like a long-awaited family embrace glowing with quiet joy and solemn hope renewed.

Vocalist Bloom’s honeyed tones melt Jack Frost himself; he could chill the staunchest Scrooge yet their notes kindle memories of reconciliation blossoming even in December’s darkest days. This goes beyond carols into the realms of invocation—calling upon the silent night’s innate majesty and sweeping light across our yearning thresholds.

Acoustic Bloom's "Christmas Eve" is an Audible Enchantment
Acoustic Bloom’s “Christmas Eve” is an Audible Enchantment

As their deft folk instrumentation interlaces with familiar jingles, we almost hear our ancestors’ faint laughter beckoning us to unite in celebration once more.

Here lies no commercially-packaged cheer, but that age-old magic that sparks new memories to life as we reminisce fireside, with shadows dancing decades deep behind our rapt and held breath. Their heartrending songs navigate life’s icy storms, guiding our reflections towards hope’s warm glow as the solstice passes—truly tapping into the profound spirit of the enduring Yuletide through rapturous melody.

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James Spencer’s “Your Ship’s Coming In” – A Sea Shanty

James Spencer's "Your Ship's Coming In" - A Sea Shanty
James Spencer's "Your Ship's Coming In" - A Sea Shanty

In the boundless sea of modern music, James Spencer’s “Your Ship’s Coming In” storms the charts like a tidal wave of defiant power, catching fans and critics alike off-guard with its audacious force. At its anarchic heart, it’s a mutinous fusion of folk-rock and Celtic punk, with the raw, renegade spirit of The Pogues having boarded the stadium-anthem might of Mumford & Sons’ vessel to stage a glorious high-seas takeover.

Spencer bellows above the fray, a charismatic captain rallying the chanting choruses while expertly navigating storm-tossed chord changes destined to give even landlocked listeners cabin fever. The message blasts through like cannon volleys against playing it safe, emboldening us to work tirelessly, chase uncharted dreams, and watch as opportunity surges in on windswept tides.

James Spencer's "Your Ship's Coming In" - A Sea Shanty
James Spencer’s “Your Ship’s Coming In” – A Sea Shanty

The infectious energy never drops anchor, charging recklessly ahead at ramming speed to leave listeners buoyed on waves of adrenalized rhythms and triumphant melodies. Every single Spencer has broadsided the charts within 2023 adds reinforcements to his marauding armada of fans, and with this exhilarating broadside signalling their growing domination, his conquering audience will soon span from bow to stern.

For rapacious ears thirsty, for music that salutes the time-honored classics while still sailing unexplored new sonic waters, let the conquering power of “Your Ship’s Coming In” transport you on a journey across high-voltage rhythms and windswept optimism. Spencer clearly isn’t just following trends, he’s using them to set a swashbuckling course through uncharted auditory territory, with press-ganged listeners left only to surrender completely to his bold new vision or walk the plank into last year’s news. All hands on deck mates, and prepare to be blown downright mutinous!

Follow James Spencer on Website, Facebook, Twitter, YouTube and Instagram.