Jack Simpson Releases New Single "Crucifix of San Damiano"
Jack Simpson’s latest single, “Crucifix of San Damiano,” is a stirring musical homage to a relic steeped in mystery and divine whispers. Acting as both a historian and bard, Simpson reverently navigates through the waters of alt folk with male vocals that glimmer with the sincerity of stained glass stories.
The track opens up like dawn over Assisi—gentle guitar strings pluck the serene silence before giving way to Simpson’s earnest voice. There’s an intimate fragility here that augments the spiritual gravity one would expect from such subject matter. His vocals carry weight—a certain gravitas yet remain as accessible as prayer—inviting listeners into contemplation alongside him.
As we voyage further into this auditory pilgrimage, it becomes apparent how profoundly rooted “Crucifix of San Damiano” is within its Christian ethos. Yet, fear not secular sojourners; for all are welcome under this expansive sonic canopy. The melodies craft bridges across belief systems—an interfaith dialogue written in chord progressions and lyrical confessions.
Jack Simpson Releases New Single “Crucifix of San Damiano”
What captivates about the song isn’t just its historical curiosity or sacred theme but precisely how seamlessly it fuses these elements together through evocative storytelling woven directly into its soundscape. It resonates silently behind lyrics woven tight with lore—the anonymity of an object inspiring devotion morphing into vibrato-filled verses suggesting origins shrouded in time’s embrace.
Though modern audiences may find themselves more familiar with high velocity streaming tracks where message often plays second fiddle to beats per minute, “Crucifix of San Damiano” slows us down—it asks us to consider legacy and legend on a deeply personal level. The alt-folk genre breathes well on this terrain; just ask disciples like Bon Iver or Fleet Foxes whose hymnals have long combined nature’s mysticism with human yearning.
But make no mistake: while Jack doesn’t shy away from comparisons to his indie contemporaries—with traces echoing Sufjan Stevens’ tender extrapolations—he ultimately crafts his own niche altar among them: one part troubadour-poet straddling eras passed by candlelight nuances, another prophet singing past truths into today’s ever-shifting tides.
In essence: To listen to “Crucifix of San Damiano” is less about unearthing definitive answers regarding its titular artifact and more about accepting music as sacrament—a vessel carrying echoes old enough they might have once swept softly through St Francis himself had he been prone beneath ancient stars pondering crosses amidst uncertain skies laden heavy not just with rain but potentiality too undreamt by mere mortals without tunes like these to guide them home…or inward at very least.
Hannah Johnson's "Slow Motion" is a Funky, Synth-Heavy Ode to Love
Hannah Johnson’s debut single “Slow Motion” is not just an aural delight—it’s the sonic embodiment of an artist ready to redefine modern Pop with retro soul. The track unfurls around a groove that sinks its claws deep—the kind of funk-laden bassline that commands your hips to sway as if they’ve been bewitched by rhythm itself.
As earworm synth patterns spiral through the soundscape, one can’t help but be transported to the neon-soaked ’80s nightscape only to find it seamlessly merged with laser-sharp contemporary production. It’s as if Daft Punk decided to have a rendezvous in Prince’s iconic Paisley Park studio—a homage both timeless and audaciously new.
Hannah Johnson’s “Slow Motion” is a Funky, Synth-Heavy Ode to Love
But what makes “Slow Motion” sparkle like sunlight on a rippling sea is Hannah Johnson’s earnest message enveloped within her catchy lyrics and melodies—real love moves us all at its own destined pace, rewarding those patient enough with experiences beyond their wildest dreams. Her voice cascades over each verse with passion tinged by experience, imbuing every word about love’s tangible joy with authenticity; it feels less like listening and more like remembering.
Moreover, this fusion anthem basks in genuine feeling and solidifies Johnson’s position as not just another flash-in-the-pan songwriter but rather someone who has honed her craft for nearly ten years—an artisan whose tools are hooks that snag you softly yet profoundly.
Invariably, “Slow Motion” is not merely another addition to today’s pop vernacular; it is Poetry-in-Motion personified—a slow dance promised at life’s grand ballroom where we all yearn for songs exactly like this: eternal, evocative, enrapturing. Hannah Johnson is clearly here not just to join the pantheon but perhaps even reinvent it—measure by stirring measure.
No Terror in the Bang: The Dark Muse of "Lulled by the Waves"
With the hauntingly swelling “Lulled by the Waves,” No Terror in the Bang enticingly invites listeners into a swirling sea of emotion, where despair’s murky depths are met with an eerily tranquil state of being. This second single from their impending album “HEAL” washes over you, a cresting wave of cinematic metal that urges one to immerse within its pervasive undertow.
Poignantly capturing humanity’s darkest musings, the lyrics coil imaginatively around your consciousness like cold oceanic depths longing for surrender. The notion of death as both menace and sanctuary is rendered exquisitely through richly textured female vocals that rise and fall with a spectral charm; here lies an evocative siren call weaving creatively between sorrow’s dirge and liberation’s last breath.
No Terror in the Bang distills progressive metal down to its most poignant aspects—allowing explosively complex moments to live alongside those as delicate as sea foam spray on marbled skin. Their latest offering alternates deftly between frenzied turbulence and somnolent dreamscape—a chiaroscuro soundscape inviting reflection on life’s inherent tempests.
No Terror in the Bang: The Dark Muse of “Lulled by the Waves”
The music itself is an imaginative labyrinth; guitars ebb and flow around percussive breakers while orchestral flourishes soften sharp edges of pained introspection. It feels akin to witnessing a dazzling aurora borealis across indigo night skies—an undulation between eternal sleep under starlit sanctity or waking struggle against merciless tides.
“Lulled by the Waves” does not simply suggest darkness but immerses you within it, ensuring each listener emerges baptized by emotional authenticity—the blurring line between pain’s disdainful caress and yearned-for oblivion becomes startlingly clear under No Terror in the Bang’s spellbinding artistry.
Anticipating “HEAL” transforms now into bated breath; if this track serves as any portent, we should prepare for odysseys uncharted yet deeply known within soul-recess realms. Herein promises more than just songs: they’re woven narratives—with thread spun from anguish—that resonate long after final notes dissolve into silence…or perhaps beginning anew somewhere among unfathomable celestial waves.
Kete Bowers' "Holy Night" is a Festive Folk-Pop Gem
In the quietude of the festive twilight, Kete Bowers brings a gift wrapped in acoustic warmth with his latest single, “Holy Night.” Delicate as the descending snowflakes but steady in its emotive gait, this tune is where folk-pop encounters the festive spirit in an easy-listening embrace.
Bowers’ soft baritone voice serves as a beacon guiding us through winter’s reminiscence, illumination drawn from inside his narrative lyrics and treasured memories. The song depicts a landscape calm and hopeful; you can nearly hear the crackling firewood accompanying every gentle pluck of guitar strings—such is its atmospheric allure.
“Holy Night,” steeped not just in harmonic elegance but also ripe with poetic imagery, lays bare before us like markings on untouched snow—each imprint denoted by reflections that shimmer below festive lighting.
Kete Bowers’ “Holy Night” is a Festive Folk-Pop Gem
Very much like sitting with James Taylor for warm spiced cider or exchanging tales beside Paul Simon beneath mistletoe-festooned rafters, there’s an authenticity here that resonates past mere seasonal sentimentality. For those who crave solace amidst December’s hustle or seek consolation-clad melodies at year-end gatherings – Bowers proves himself once more a troubadour for restful souls looking for a moment of zen.
This tune floats through your consciousness like echoes of carolers beyond frosted windowsills—a calming voyage well worth taking on any Peaceful night when you need to unwind.
Perry Ripley's "Sinner": A Gothic Tale of Temptation and Vice
In the brooding depths of Perry Ripley’s latest release, “Sinner,” there lies a provocative exploration of temptation and vice. Hailing from Brighton, this independent singer-songwriter has crafted not just an auditory journey but a visual chronicle that teases the senses with its gothic nuance.
Much like witnessing Caravaggio channelling brush strokes into darkness whilst hints of light battle their way through, “Sinner” intertwines ethereal melodies with haunting lyricism to paint its somber tale. Its mood is redolent of Depeche Mode’s shadowy romance: profound yet laden with accessible despair.
Perry Ripley’s “Sinner”: A Gothic Tale of Temptation and Vice
The self-produced music video serves as a conduit between ancient scriptural warnings and modern-day malaise; it artfully personifies the seven deadly sins within a tale featuring Ripley as our fallen angel—a protagonist caught in the seductive lattice of sin’s embrace. This piece is cinematic storytelling folded seamlessly into musical form—Ripley doesn’t simply sing tales; he ensnares us within them.
As we traverse the harmonic landscape, one can’t help but applaud Perry’s triple threat maneuver—as creator, producer, and editor—an emblem of true indie spirit that promises even more intrigue in future instalments. So much accomplished here resonates beyond mere melody or lyrics—it elicits reflection on our own fragilities against temptation’s lure.
“Sinner” asks listeners not only to hear but witness—a sensuous testament to both our innate flaws and capacities for redemption wrapped in chilling cords echoing long after final notes dissolve into silence. A siren song for those entwined by personal demons or simply enamored with deep-toned meticulous artistry flowering from forbidden grounds.
Jeff H. Ulrich - “Love Might Not Wait”: A Tender Ballad of Divine Persistence
In the soundscape of contemporary Christian music, Jeff H. Ulrich’s latest single “Love Might Not Wait” emerges not just as a mere wave in calm waters, but rather like a sincere admission set amidst a storm of tenderness and necessity. As lone songwriter, main performer, and craftsman behind its production material, Ulrich weaves an close narrative swathed in holy resonance.
Upon pressing play, one is greeted with an ambiance that straddles both pop effervescence and easy listening grace—a synergy reflective of life’s intricate harmony between joyous celebration and contemplative peacefulness. Here is where vocal dynamism shines; it becomes instantly apparent why the balance between male and female voices are not merely duets but dialogues—each interwoven thread strengthening the tapestry that unfolds the story of celestial love.
Jeff H. Ulrich – “Love Might Not Wait”: A Tender Ballad of Divine Persistence
Vocals on this tune suggests robust confidence yet cradles vulnerability within each note—an illustrative duality capturing faith’s bold step out into uncertainty guided only by trust. Conversely, offsetting this masculine energy is a feminine presence dispensing soothing assurance that drifts through ears to nestle securely within hearts yearning for solace. This musical masterpiece features a guitar solo by an award-winning musician JL Fulks during the bridge.
Infused throughout “Love Might Not Wait” is an undercurrent ‘the ticking clock,’ an admonition of love’s inherent impatience: urging listeners toward redemption before time renders opportunity lost. Similar to how God presents his ultimatum of eternal grace through His Son’s sacrifice -insistent yet gentle- so does Ulrich beckon his audience with melodic persuasion toward forgiveness’ embracing arms.
With ears tuned attentively to spiritual echoes resounding off secular alcoves, fans might find reminiscent notes echoing works akin to Switchfoot or Casting Crowns here—but make no mistake; Jeff H. Ulrich has carved out his own voice; raw honesty entangled beautifully with divine reassurance in a song sure to resonate deeply among believers across boarders esoteric or geographical.
And long after the track quiets down—the haunting question remains reverberating within: will you let unconditional love wait? In answering such calls promptly lies hidden wisdom so elegantly laid bare by Jeff H. Ulrich—the beauty found squarely at crossroads where human hesitation meets divine persistence.
Super Saiyan Jay's Holiday EP "GC Presents An Unplanned Christmas"
In the kingdom of Yuletide rap, Super Saiyan Jay’s “GC Presents An Unplanned Christmas” EP materializes like an unexpected present wrapped in beats and bars. With just a duo of tracks, the conciseness of this holiday offering echoes the fleeting essence of December’s festive spirit—yet its impact is as enduring as any classic carol.
From the outset, “Deck The Halls” crowns itself as a reveler’s anthem—a fusion of thumping bass lines with merry mischief that could likely ignite dance floors even beyond Santa’s realm. Its party-focused vibe conjures images of tinsel-decorated turntables, a modern-day sonic sleigh ride tailor-made for hip hop heads eager to rock their ugly Christmas sweaters.
Swaying to another rhythm is “Wish List,” serving up warm rhythmic hot chocolate topped with sentimental rhymes. This track harks back to old-school hip hop cheer while charmingly weaving tales not just of lavish desires but also heartfelt wishes—to care deeply for someone amidst the glitz can resonate powerfully when authentically spun by Super Saiyan Jay.
Super Saiyan Jay’s Holiday EP “GC Presents An Unplanned Christmas”
Recorded at Palm Beach studio under Oscar’s technical mastery, there’s raw authenticity in each cut—a testament to an unplanned project that feels fortuitous rather than manufactured. One might think combining rap and festive tunes would yield garland-covered gimmicks; instead, it delivers astonishing subtleties—an urban soundscape decorated with sincerity and swaggering seasonal joy.
While only covering a couple of songs may leave some listeners craving more winter chronicles from this dynamic artist, Super Saiyan Jay masters distillation—the artful compactness evokes greater appreciation for each mesmerizing hook and clever lyric composed amid jingle-bell jubilation. Cheers to fresh Noel narratives where “GC Presents An Unplanned Christmas” is not just observed but celebrated—with flair.
Songwriting Secrets and Inspirations: Inside the Mind of Tom Minor
Today I had the pleasure of interviewing Tom Minor who is a London based musician, a musician with many talents. When we say talents I mean the talent to create elaborative tunes and lyrics that ponder important questions, Tom’s music is fascinating, he blends blues, rock , indie , and his sounds are so appealing that it can be enjoyed by people from all walks of life.
The title of his latest single, “Where Do You See Yourself In Five Years?” is one that steals your attention, I mean that was what really spiked my interest, and I wasn’t disappointed, he actually nailed it on the head. Tom travels on a juke journey via blues-rock rhythms about the intricacies of growth and fear.
In a recent interview with Mister Styx of Musicarenagh, we get into Tom Minor’s creative world, where he tells us how he is inspired and how his musical style evolved. Come with us as we reveal the heart of Tom’s craft, his thoughts on the music business and upcoming works including his much anticipated first album – “Eleven Easy Pieces by Anger & Disappointment.”
Prepare yourself to take a deep dive into the thoughts and tunes of Tom Minor as he reveals his ideas, tales, and undying love for making music that touches people’s hearts.
Listen to Where Do You See Yourself In Five Years below
Well, I was born Thomas Miner, and I’ve always been called Tom, so I guess that’s as far as my imagination went.
Where do you find inspiration?
I’d say my musical tastes are quite eclectic and I tend to follow all things indie more or less, often the quirkier the better. I also have an affinity for rootsier stuff, be it blues, country, folk, vintage soul, punk, new wave or even pure classic rock, as long as the song in question strikes a chord in me.
What was the role of music in the early years of your life?
I’ve been into music as long as I can remember really. My parents had a great record collection, and I always loved good old rock tunes as well as all the catchy pop melodies of the day they used to play when I was a kid.
Are you from a musical or artistic family?
Not particularly. I did inherit a great deal of love and appreciation for all art forms from my childhood family though. There was always music playing in our home. And although my parents didn’t really play any instruments, they used to sing a lot together along to the radio or records, especially at weekends and house parties.
Who inspired you to be a part of the music industry?
It must have been the slightly older kids in the neighbourhood who seemed to have all the best records. They started learning instruments and eventually formed bands, looked cool and sounded great whenever I had the chance to see and hear them play.
How did you learn to sing/write/to play?
I’m pretty much self-taught. Very few actual lessons, but a lot of listening, reading, trial & error and rehearsing on my own and with others.
What was the first concert that you ever went to and who did you see perform?
One of the earliest that I recall was this huge free concert in Victoria Park, London, where I went with my school mates. There was this local Brit pop band, whose name I can’t even remember now. I don’t think they ever recorded, but they totally blew our minds, and I’m sure we wanted to follow in their footsteps right there and then. Sometime later we went to see The Libertines, Arctic Monkeys and the like many times over.
How could you describe your music? What is your main inspiration?
I call it classic indie rock, broadly speaking and for lack of a more precise term. Musically, I’d say any piece of music that I happen to enjoy for whatever reason can be inspirational, and I do take a lot of influence from here and there. Lyrically, I guess I’m most often inspired by ordinary everyday things, be it human relationships or more universal issues.
Describe your creative process.
My songwriting process often starts with the title and some kind of basic idea for a viewpoint. Once I’ve come up with a promising candidate for a song title, I’ll let it work in my subconscious for a while, and if it still seems valid enough after a couple of days, I start writing down ideas around it.
Usually the musical embryo of the song begins to take shape at the same time, and the music and the lyrics often write each other hand in hand. When it comes to the recording part of the process, I like the song to be as finished as possible before I start fiddling with the recording gear.
What musician do you admire most and why?
If I could mention only one, I’d say composer Arnold Schoenberg. He pretty much single-handedly changed the course of (art) music by inventing the famous twelve-tone technique in the 1920’s.
Besides him though, I’d name David Bowie. He was obviously a great inventor as well and has had a huge impact on modern music.
Did your style evolve since the beginning of your career?
I guess so. My earlier stuff was more straight-forward, and a certain number of nuances and layers both musically and lyrically has no doubt crept in since.
Who do you see as your main competitor?
I don’t really see competitors when it comes to other musicians. We’re all sowing the same field, more or less, and the more good music there is in the world, the richer the culture will get. I guess the real competitors for all musos are other activities like games and social media these days.
What are your interests outside of music? If it wasn’t a music career, what would you be doing?
This is a tough one. Well, I’ve always been keen on reading, from poetry to prose, science and even journalism, so I guess I’d try my hand at writing something myself.
What is the biggest problem you have encountered in the journey of music?
Finding my own voice and style of writing was never hard for me. But it’s always a challenge for a beginning musician to get heard. I’ve been no exception.
If you could change one thing in the music industry, what would it be?
This one is easy: artists get paid way too little by digital platforms.
Why did you choose this as the title of this project?
Referring to my currently single “Where Do You See Yourself in Five Years?”, I always found that classic job interview question fascinating in some disturbing way. So I guess it was just a matter of time before that song wrote itself.
What are your plans for the coming months?
We’re currently mixing my debut album Eleven Easy Pieces on Anger & Disappointment, and it’s due out sometime in April or May.
Do you have any artistic collaboration plans?
Hopefully more so in the future. This much I can tell you now: I’m looking to deepen our collaboration with my producer Teaboy Palmer, who’s also a respected roots artist in his own right.
What message would you like to give to your fans?
A humble thank you to each and everyone for following me. And: hang on, there’s loads of nice stuff in the pipeline for the next few weeks and months!
Unleashing the Soundscape: A Conversation with Genre-Defying Musician Parham Gharavaisi
Welcome, let us dive into the world of multitalented Parham Gharavaisi, a musician who makes sounds like he blends colors – strong, surprising and completely his own, this man mixes types of music just as a crazy scientist does in an audio workshop.
Parham is not like most people in the music industry. He doesn’t like trends or want to be well-known. He just creates music for himself, where he pours his heart and spirit into every note. He does this even if it means being alone in a world that likes to put things into boxes. He’s like a rebel with guitar, finding his own way in the music world.
This might come as a surpise, but when it comes to production, Praham producedand recorded “Mirror’s Gaze” with close to zero musical instruments, but not much equipment, making his own recording and trying to understand the puzzles of music world comes with some problems he meets.
Parham Gharavaisi’s songs are puzzles waiting to be solved. It’s a window into his thoughts, where video game sounds mix with metal shouts and everything in between.
In a recent interview with Mister Styx of Musicarenagh, Parham made lots of disclosures and we’ll talk about where he gets his ideas, how he makes music and the big hopes that come with every song.
When asked about his plans this is what he said
“Additionally, I have two upcoming metal albums scheduled for the next two years, both professionally produced by other studios for the first time. The first album, titled Ghosts of Nations, is set for release on October 14, 2024.
It’s a rather grim album that addresses sensitive subjects such as societal collapse, domestic abuse, suicide, and mass shootings, among others. I hope to approach these topics in a tasteful manner. The second album, Infect the Clouds, is a concept album featuring a villain protagonist who is a disgruntled misanthrope seeking revenge on humanity. This album is scheduled for release on October 14, 2025.”
Mirror’s Gaze’ is expected to be released on 24th January so stay closed to have an experience of this. Here is a link to the official YouTube video which will go live on release day.
I had to choose my full name because it was the only option still available. Every possible combination of letters from the dictionary has already been taken fifty times over by other bands. You wouldn’t believe it, but even made-up words and misspelled words are already used as band names. So, the only reasonable option for me was to go with my own name, I guess.
Where do you find inspiration?
Mostly video games; I guess I’m a huge nerd since it’s pretty much my only hobby. Growing up, I played games on the Sega Genesis, which made me fall in love with the sound of its 8-bit music. Even now, it’s pretty much the same. In fact, some of my all-time favorite records are actually video game soundtracks. What was the role of music in the early years of your life?
What was the role of music in the early years of your life?
Well, my initial exposure to music was through video game soundtracks, which I grew up listening to. Later on, I was introduced to the metal genre, and it was an instant connection. I fell in love with the intensity, complexity, and emotional depth of metal music. This transition from the melodic and often atmospheric tunes of video games to the powerful and expressive world of metal has been a major influence in my own musical journey.
Are you from a musical or artistic family?
Not really, I don’t think so.
Who inspired you to be a part of the music industry?
No one specifically inspired me; I just thought that if I’m going to make music, why not also share it on the Internet? You know, what’s the harm, right? So, I just decided to put it out there.
How did you learn to sing/write/to play?
You could say I’m a self-trained musician since I never really took any formal classes or lessons. I vaguely remember some piano lessons as a little kid, but I don’t remember much from them, and I don’t really play the piano now.
My instruments are the electric guitar, electric bass, and classical guitar. Vocally, I do both clean singing and metal screams. This self-training extends to recording and production as well. In fact, I feel I’ve only recently begun to scratch the surface in achieving professional-sounding audio quality on my own.
My single Mirror’s Gaze marks a significant step up in production quality. The violin is one of my favorite instruments, and I aspire to learn how to play it one day.
What was the first concert that you ever went to and who did you see perform?
Actually, I’ve never attended any concerts or other kinds of live events. Social gatherings don’t interest me at all, and I tend to avoid them unless absolutely necessary.
How could you describe your music?
I believe diverse is the best word to describe my music, as it spans across many different genres and subgenres. This can be both a blessing and a curse, though in my case, it’s been more of the latter. It’s kind of too heavy for the pop crowd, yet too soft for the metalheads, if you see what I mean. In any case, this is the sound I like the most, so I’m going to stick with it, hoping to find my niche.
Describe your creative process.
Here’s my process for creating new songs: First, I start by composing riffs and/or chord progressions on the classical guitar, as it’s more convenient for me. Once I’m happy with the results, I transpose them into whatever key sounds or plays best on the electric guitar. After finalizing the song structure, I begin the recording process, starting with the electric guitar, followed by the electric bass. Once the guitars are recorded, I add in the drums. Next, I write the lyrics and vocal melodies simultaneously and then record the vocals. The final step involves adding synth elements and atmosphere to the song.
What is your main inspiration?
I wholeheartedly adore the sound of old-school melodic death metal as well as gothic/doom records. To me, metal is all about authenticity and catharsis; it’s about releasing a sound that truly embodies who you are, without any compromise or doubt. Ever since I was introduced to the metal genre as a young child, I’ve been deeply fascinated by both its aesthetics and philosophy. I knew from early on that this was the path I wanted to pursue in my own music-making. In a sense, I aspire to stand on the shoulders of the giants who have shaped this genre. With that being said, I do hope that I may contribute something new of my own as well.
What musician do you admire most and why?
Oh, choosing between Olivier Deriviere and Akira Yamaoka would be incredibly difficult! I absolutely adore every piece of music they’ve composed, so much so that picking a favorite seems impossible. While they primarily compose music for video games, and as I’ve mentioned, I’m a huge nerd, I’d rather talk about my favorite work from each composer.
Starting with Akira Yamaoka, there’s something magical about his song ‘Cradle of the Forest’ from the Silent Hill 4 soundtrack that’s hard to articulate. It has the most haunting atmosphere I’ve ever encountered in music, hands down. Everything about it perfectly harmonizes with the game’s themes. When you listen to this song, you can visualize the game; it’s beyond impressive.
The same can be said about Olivier Deriviere’s ‘An End for a Prelude’ from the Alone in the Dark (2008) soundtrack. The Bulgarian choir vocals are spine-tingling, and the orchestral background is simply out of this world.
However, if I had to choose my all-time favorite soundtrack, it would be Hideyuki Fukasawa’s work on the Chaos Legion Soundtrack.
Did your style evolve since the beginning of your career?
Absolutely! My debut was an instrumental post-rock album, featuring no drums or vocals. The albums that followed were a mix of rock and metal. It wasn’t until my 5th full-length album that I fully transitioned into metal. As for the subgenres, that’s a long story for another day.
Who do you see as your main competitor?
I’m not particularly well-versed in the music industry or other artists, so I can’t say for sure. However, if I were to hazard a guess, I’d say it would likely be another artist who experiments with blending various genres and subgenres together.
What are your interests outside of music?
Video games are undoubtedly my biggest, if not my only, hobby. These days, I’m mostly into competitive first-person shooters, and I take my ranking on the leaderboards very seriously, always striving to compete against the best. Mobile games have significantly evolved, so I spend a lot of my gaming time on mobile shooters, though I was primarily a PC gamer in the past. For instance, I’ve been playing Counter-Strike 1.6 since its early days. However, when it comes to story-driven games, I’m a huge fan of Action RPGs, particularly the soulslike genre, as I love overcoming meaningful challenges.
If it wasn’t a music career, what would you be doing?
My alternative interest would be either video game development, which I have some experience in, or writing. Speaking of which, I recently authored my first anthology book. It’s a collection of my older short stories, poems, and previously unreleased lyrics. You can find it on Google Books.
What is the biggest problem you have encountered in the journey of music?
Right, I can actually think of a couple of examples off the top of my head! As you might know, I operate from what you could technically call a home studio, but in reality, it’s quite basic. My only physical instruments are an electric bass and an electric guitar, which I used to plug directly into my PC’s motherboard line-in jack with an adapter. It’s only recently that I’ve acquired an audio interface to use with my new microphone. Frankly, I was quite surprised to realize that it didn’t make much of a difference, if any, in terms of instrument signal quality. However, I needed it to connect my dynamic mic, so there’s that. The point is, I have practically no physical gear, and everything you hear is the result of computer software magic. The fact that it’s now possible to make this kind of music without going to an actual studio filled with tons of colossal gear is a testament to how far technology has advanced. Impressive, isn’t it? One can only imagine where technology might go in the future. Honestly, it’s kind of frightening, I guess. The fear of the unknown and all, but I digress.
If you could change one thing in the music industry, what would it be?
I’m not sure, maybe add more kittens to the music industry or something, because I love animals. Like I said, I’m not deeply involved with the music industry, nor do I know much about it. So, it’s really hard for me to say what I’d change when I’m not fully aware of all the ins and outs. You see what I mean?
Why did you choose this as the title of this project?
I’ve always been fascinated by mirror metaphors in literature, so it felt natural to incorporate what I like into my work. The primary reason I chose Mirror’s Gaze as the title for this single was because I couldn’t find any other artist using this exact title, at least not from what I could find on search engines.
What are your plans for the coming months?
My ongoing plan is to release a new song every first Friday of each month. Additionally, I have two upcoming metal albums scheduled for the next two years, both professionally produced by other studios for the first time. The first album, titled Ghosts of Nations, is set for release on October 14, 2024.
It’s a rather grim album that addresses sensitive subjects such as societal collapse, domestic abuse, suicide, and mass shootings, among others. I hope to approach these topics in a tasteful manner. The second album, Infect the Clouds, is a concept album featuring a villain protagonist who is a disgruntled misanthrope seeking revenge on humanity. This album is scheduled for release on October 14, 2025. The tracklisting and lyrics for both albums are available online now.
Do you have any artistic collaboration plans”
I don’t have any specific collaboration plans of my own, unless it involves working with my friends and associates. However, I am open to receiving collaboration offers and will consider each proposal on a case-by-case basis.
What message would you like to give to your fans?
Be kind to animals. Peace!- What was the role of music in the early years of your life?
Well, my initial exposure to music was through video game soundtracks, which I grew up listening to. Later on, I was introduced to the metal genre, and it was an instant connection. I fell in love with the intensity, complexity, and emotional depth of metal music. This transition from the melodic and often atmospheric tunes of video games to the powerful and expressive world of metal has been a major influence in my own musical journey.- Are you from a musical or artistic family?
Embracing Holiday Spirit: Alison Wahl & Brian Berggoetz's Heartfelt Tune
“Christmas is the Right Time for Us” by Alison Wahl and Brian Berggoetz is a great song in Christmas music. This duo took a step back from the normal norm and have produced a breathtaking single that pulls at your heartstring.
For starters Brian Berggoetz is an accomplished guitarist who taught himself how to play and thanks to that he has many successes under his belt, shows off his special way of playing. His guitar skills, learned from playing at SXSW Festival and with well-known singers, make the song feel real and happy.
Alison Wahl, is also famous for her great singing and songwriting skills, and she shows off how good she is through complex finger strumming patterns and creative words. Her great soprano sound brings color, sharing an uplifting message with depth and thought.
Alison Wahl, is also famous for her great singing and songwriting skills,
The synergy between this duo is something that can be felt throughout the song. The best words in the song say, “When love is enough for us to share, Christmas is right time”. These phrase summarizes the theme of the song– celebrating our feelings above everything else. That’s a big lesson of this music too!
This holiday song is not just any ordinary one. It shows a secret chat between two people in love, hoping the magic of Christmas will push them to do something about their affection for each other.
Starting with Brian’s happy guitar playing and Alison’s light singing, the song shows a story of hopeful love. It tells a story we can relate to, saying that love is more important than getting things during holiday time.
“Christmas Is The Right Time For Us” is special because it’s full of joy and happiness. Alison’s singing, like a sweet snow fall, goes well with Brian’s soft voice. This makes it feel close and loving.
Listen to Christmas Is The Right Time For Us below
DT Unveils: The Evolution Behind 'Only a Matter of Time 2'
Welcome to DT‘s world. Here, music keeps changing and growing like living things! He’s the person behind “Only a Matter of Time 2,” which is his second project. He believes that success will eventually arrive as it did before in “Time Part 1”.
DT’s stage name came from his initials, but they were not picked by him. It stuck when folks began calling him that, and he accepted it. His ideas come easily. They are fired up by his love for music and respecting artists such as Larry June and Baby Face Ray, like a spark does naturally in the open air without help or support from anything else outside of itself (i.e., something not needed).
His music, as he explains it, is simple and natural, it makes you move your head to the tune while listening. He enjoys playing basketball, gaming and exploring places apart from music. He’s getting into basketball again after an injury. It is another thing he loves to do now.
He is getting ready to put out new music, videos, joint works and another big idea beginning 2024. DT wants his fans to understand he’s always there for them and is very grateful for their backing.
“Only a Matter of Time 2” isn’t just an album, it’s DT believing in his inevitable success. For him, it’s not simply a job; instead, he sees chance at tomorrow.
It’s my initial’s I actually didn’t even give myself the nickname name but I liked it once people start calling me that, so I start going by that.
Where do you find inspiration?
it’s natural to me . Always been a passion of mine. I’m also inspired by other artist like Larry June, baby face ray. It’s a few more but those are my main two
What was the role of music in the early years of your life? I enjoyed it it always helped my mood I prob had headphones on most of the time as teen.
Are you from a musical or artistic family?
Somewhat my mom likes to sing but she never got into recording . Couple only cousins do music too.
Who inspired you to be a part of the music industry?
It’s really just me . I like my music honestly . It motivates me to make more I get tired of hearing the same songs or waiting in my favorite artist to drop music so It push me to make more .
It’s really just me . I like my music honestly . It motivates me
How did you learn to sing/write/to play?
Naturally it’s just something I can do I use to write raps in middle school I had a blue book I kept in my back pocket .
What was the first concert that you ever went to and who did you see perform?
I think it was young jeezy.
How could you describe your music?
It’s raw it’s organic but it makes you bob your head . I love my sound .
Describe
Describe your creative process.
I honestly write random I could be out shopping and and lyrics just start coming to my head . I use to didn’t write them now but now I write everything
Down I think that’s why music better .
What is your main inspiration?
just hearing my music .
What musician do you admire most and why?
Larry June . We kinda move the same in my eyes and people say our music kinds give the same vibes when I be on my smooth tip .
Did your style evolve since the beginning of your career? Yes it definitely did I can probably rap on any beat now days .
Who do you see as your main competitor?Me its always me vs me because I’m the only person who can slow me down .
What are your interests outside of music?
Basketball , video games relaxing &
Traveling
If it wasn’t a music career, what would you be doing?
Basketball is my other career . I’m getting back into that as we speak I was hurt so I took a break from it.
What is the biggest problem you have encountered in the journey of music? The people you deal with and trying to get where I need it be with my music.
If you could change one thing in the music industry, what would it be?
Why did you choose this as the title of this project?
The meaning is literal it’s only a matter of time before I blow up. That’s how I see it . I feel it .
What are your plans for the coming months?
Drop some singles a couple videos , another tape for my brother vinnie LLV2 coming early 2024 . I have a few other tapes in the works sitting on 3 collab taps so they all coming soon .
Do you have any artistic collaboration plans
I have a few .
What message would you like to give to your fans?
Don’t be afraid to reach out to me , I appreciate every stream . Who ever a fan of me I love you , I love all my fans I appreciate the support .
Yvngerror's "Spyglass" is a Feel-Good Summer Anthem for the Ages
Slipping into the sonic vessel of “Spyglass,” Yvngerror, otherwise known as Mitchell Young, beckons us to journey with him on a boisterous ode to the elation of companionship. This single pulses through your speakers like a heartbeat fueled by pure rock ‘n’ roll adrenaline – scratchy guitars, rollicking drums from the masterful sticksman James Guercio (whose rhythms once escorted Elvis Presley himself), and male vocals that crackle with sincerity and youthfulness.
There’s no denying that “Spyglass” is imbued with an irresistible energy; it’s music meant for sun-soaked drives down memory lane or spontaneous dance parties in living room forts. Not just content to make you move, however—the track has depth too: Yvngerror writes with an ear for classic rock hooks while breathing fresh life into them under Alan Charles Smith’s deft production hand.
Yvngerror’s “Spyglass” – Mitchell Young
The song stitches together threads from different musical tapestries—there are nods to timeless legends, yet this is not mere pastiche. Instead, “Spyglass” cunningly weaves these influences into something current; imagine Tom Petty jamming with The Killers at a beach bonfire. It’s vintage heart worn on modern sleeves—a soundtrack for looking back fondly without ever slowing down.
Yvngerror’s “Spyglass” – James Guercio
“Sypglass” achieves what every great single should aspire toward—it instantly colors your surroundings brighter, leaves you richer in spirit and more connected to those around you. It invites listeners not merely as passive recipients but active participants—to clap along and be present in their joy amongst friends real or soon-to-be-met.
What Yvngerror delivers here is three minutes out of time—a chance encounter where everything clicks perfectly into place—and oh does it hum beautifully! Raise your glasses high; “Spyglass” compels us all to celebrate the alchemy of music uniting souls under its gaze.
Julo, is a pop musician who learnt how to play the piano during the early stages of his life and he has released a new tune named “Gone Already“. After his previous famous hit ‘Over Again,’ he’s back with a special treat for his listeners, one that is sure to catch your attention.
Well, the theme behind this song is quite obvious and relatable this song is all about Julo getting out of a bad relationship. It uses enjoyable electronic noises along with Julo’s voice is strong and has the power to alter your feelings. The music is easy, with a sound that makes his voice prominent.
Julo, who’s from Brooklyn, worked together with a producer called Dan Salazar to create this song. They took an idea Julo had on the piano and made it into a fun pop song. Julo’s voice reaches high tones and sounds very nice, showing he has skills with this kind of tune.
In “Already Gone,” Julo wants to say it’s okay when we have a relationship that isn’t good for us and moving on is the right thing to do. He wants us to know how valuable we are and not stay in relationships that make us feel down.
The music uses the sounds of indie pop and rock pop to create calm or high energy. It’s a song that makes us feel like we are in the sky, leaving all the bad stuff behind.
Julo’s “Already Gone” feels like having someone to cheer for us when we need to let go of bad things and start new journeys in life. It’s a tune that raises us up and gives us cheer to go ahead.
Immerse In Allen Kai-Lang Yu's Debut Album 'Winds of Change'
Allen Kai-Lang Yu, a musician releasing his first-ever album called “Winds of Change” he has poured years of his feelings and musical talent into this album. Working together with pianist Victor Hugo Morales, Allen has created a set of piano songs that go beyond regular music styles, touching deep emotions with their beautiful melodies.
The album starts softly with a song named “Whispers of the Wind.” It feels gentle and thoughtful, perfect for focusing or thinking about yourself. Then there’s “Tango Fantasia,” which combines lively tango and classical music in a catchy way.
“Peoples and Traditions” begins softly but grows stronger with different notes. It’s like listening to someone’s thoughts in music, showing both happy and sad feelings.
“A Fairy’s Tale” feels like a magical journey, changing between high and low notes beautifully. “Cityscapes” gives a classy New York jazz vibe, as if you’re sitting in a fancy piano bar.
Each song in “Winds of Change” tells its own story. “Pastoral River” makes you think about new beginnings, while “A Joyful Ride” feels playful and happy. “A Mother’s Voice” is like a soothing lullaby, comforting and strong.
“Foggy Bay” feels urgent yet calming, going from worry to acceptance. “Leaves in the Wind” is a bit sad but also brings a feeling of finishing something.
The main song, “One Shared Destiny,” is different from Allen’s usual style. It’s a pop song with a message of peace and togetherness. Along with his earlier songs “Mountain Mist” and “Habanera,” it shows how good Allen is at different kinds of music. Allen wants his music to bring comfort and happiness to others, sharing his private feelings with everyone.
Born in Taiwan and living in Southern California, Allen’s album is like a story of his life in music. “Winds of Change” invites us into a world where music and feelings come together, making it a special experience for anyone who listens.
Adrian Sutherland's song 'Precious' Is A nice look at culture and music."
Adrian Sutherland, who hails from Canada’s Far North, talks about his new album “Precious Diamonds”. He gives a tasty taste of it through the song “Precious” that shows what kind music he plays.
Working again with Grammy-winning producer Colin Linden in Nashville, Sutherland’s songs show his powerful singing skills and deep cultural connections. “Precious” is a powerful song that gets its inspiration from the soulful Black music coming out of America’s southern areas.
Linked to the problems of minority groups, it honors the ongoing worldwide battle for rights and freedoms. Sutherland’s voice shows strong feelings like the Black Keys, with singing from powwow and a big ending. This sounds similar to his music heroes he admires so much.
Made with fun tunes and delicate music, the song shows how good Sutherland’s voice is. It feels like modern blues and has unique sounds of accordion while playing B3 organ parts at the same time.
Sutherland’s music mixes rock, roots, folk and blues with his life tied to the Cree culture making a deep connection. His dedication to his culture is clear not only in his music but also by promoting important problems like dirty water and mental health.
“Precious Diamonds” is a big part of Sutherland’s music story. It shows not only his voice skills but also that he cares about culture too. These single songs, a great mix of old and new sounds, show how good Sutherland is at putting many types together. They make people excited to find out the interesting stories in his album. Adrian Sutherland makes lovely music and shows respect for his heritage. This will give you a wonderful hearing experience.
Country Charms: Unveiling the Warmth of 'Cinnamon' by Michael Louis Austin"
Michael Louis Austin, a country singer from Salt Lake City, is back with his new single “Cinnamon.” He became famous in 2020 for the album he made called “Radio”. His newest song tells about finding unexpected deep love.
The country music group called “Cinnamon” has a traditional sound full of strong guitar playing, powerful bass and loud drum hits. Austin’s nice singing, made for his love, easily shows how much he cares. This lets people on listen feel like they are also part of the feeling in the song.
This song creates a pleasant and happy feeling, telling a story of hope and relief through easy-to-remember tunes. The “Cinnamon” story may be simple in its design, but it is full of personality and has been carefully built. Written by the good Michael Louis Austin, this song’s fun pop-rock feeling means a lot. It is made better with pretty guitars and strong drum sounds that make it more likable for many people to listen to.
Austin’s voice is expressive and makes you want to listen. It tells a story about love and connecting with the soul, which nobody else can do better. As he candidly shares his personal experience, Austin’s sincerity shines through: Discovering surprising love after a broken heart, accepting it and later marrying his perfect match.
Taking ideas from great bands like Creedence Clearwater Revival, Counting Crows and The Wallflowers “Cinnamon” uses guitar sounds with drum beats. It also has emotional singing in it. The song’s exciting beginning and love-filled feelings, along with the strong feeling it gives off while singing, make a very connecting music experience.
Michael Louis Austin’s real song, “Cinnamon,” shows his love and thanks for his partner. The true words in the songs and how they are played give a nice hearing that may make you want someone special to hear it with.
Karen Conner's 'Pieces That Make Me' Is A Song That Really Gets You Thinking
Conner’s latest song, “Pieces That Make Me,” tells how life experiences help us make to know who we are. The story in the song is such a touching one. The song is a sweet reminder to love our whole life – the happy moments and sad times, joyful days as well as sorrowful ones.
What makes Conner different is her skill to go beyond normal. She adds realness into her music and it stays on the listener’s heart for a long time. “Pieces That Make Me” isn’t just a song, it is journey of feelings that softly opens up deep parts our hearts we forget.
Conner’s music is very strong, it easily tells a story that everyone can feel with it’s relatable lyrics. Her voice, which is full of feeling and depth, makes you feel things even after the last sound fades.
Karen Conner gives us music that is deep and easy for everyone to connect with it. “Pieces That Make Me” is a calling for us to accept our weaknesses and rejoice in the assortment of events that make up who we are. By doing this one song, Conner proves that she can become a new big singer who will make lasting changes in the music world.
Velcrocranes: "What If I Die" is a Tempest of Sound
Velcrocranes’ latest offering, “What If I Die,” hits the ears like a tempest of sound: it’s an existential scream into the void set to music. This 9-track magnum opus is layered with deep dread and raw energy that pulls you through life’s spiraling uncertainty—a symphony of reflections on mortality cast against a backdrop of human grit.
From the gritty growl of opening riffs, we launch into this visceral experience crafted by Velcrocranes—their unique blend of influences excavates new ground in every track. Each song unfurls its own contemplative narrative, weaving tales between textures; the piercing clarity in Efim’s vocals soars over Nikita’s thunderous rhythms while Alex and Liza draft intricate melodic tapestries buoyed by Bogdan’s bass lines—an anchor amid tumultuous sonic seas.
Laced within these melodies are moments reminiscent of past jazz greats—notes that speak eloquently before hurtling headlong back into frenetic electronic progressions and prog-rock declarations. It’s as though Velcrocranes has distilled vast musical eras to underscore life’s evanescence.
Velcrocranes: “What If I Die” is a Tempest of Sound
Yet, amid all this vibrancy lies profound introspection. Tracks simmer with disquiet about mortality yet defy silence with anthemic reverb. There’re palpable tension balances that lure you across a tightrope; heartbeats synchronize with beats per minute as one contemplates meaning amidst gyrating lights or under star-speckled solitude.
While revered for their distinct genre alchemy, Velcrocranes goes beyond mere soundscape architects—they are philosophers sculpting waves into audible form. Echoing whispers challenge orthodoxy just as resolute chords champion compassion over discrimination—each note proudly asserting identity against narratives imposed externally.
“What If I Die” isn’t just heard but felt—a cerebral journey danced through bodily realms. For anyone who craves music both grandiose and intimate—a soundtrack not just to ponder life but to live it boldly—this album compels attention until its final decrescendo imprints your core.
Foxxglove's Debut EP "The Chaos" is a Dazzling Masterpiece
In a tornado of dazzling indie pop and sincere lyricism, Foxxglove’s debut EP “The Chaos” emerges with the enchanting allure of a night sky just before dawn – both dark and dotted with brilliance. Across six tracks, Foxxglove unveils an anthemic painting that ripples through your senses like power through liquid – extremely catchy melodies nestled in rhythms as compelling as the pull of a moonlit tide.
“The Chaos” is not just a collection of songs but an adventure sculpted from raw emotion. From her stunning female vocals to the gripping grip on storytelling, this isn’t just about listening; it’s about feeling. Her voice, soars above orchestration that bends between gentleness and might, revealing both resilience and vulnerability like interlaced vines climbing towards light.
Foxxglove has discovered alchemy within music by weaving personal tales steeped in shadow – heartbreaks murmuring across strings into introspective ballads while beats resurrect strength in overcoming mental health battles. Through these peaks and valleys runs an undercurrent aimed at interlacing our solitary experiences into shared solace; you are transported to places where pain collides exquisitely with triumph.
Foxxglove’s Debut EP “The Chaos” is a Dazzling Masterpiece
Echoes here may remind one of Halsey’s tempestuous spirit or Florence Welch’s elaborate eclecticism – yet there shines through them something profoundly unique: A beacon for those navigating their own Chaos among starlit paths forged by sincerity-filled verses.
It is indeed uncommon when art imitates life so poignantly; even rarer still when it wraps itself around each listener like a comforting embrace assuring us we aren’t walking our toughest miles alone. With “The Chaos,” Foxxglove has undoubtedly etched her name into indie pop realms—an artist glittering bright on the horizon—stirring excitement for what reveries she’ll craft next on her ascent skywards.
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Mafalda Minnozzi, is a singer recognized all around the world. She just put out her newest music collection, “Natural Impression,” with Paul Ricci. He is a guitarist and producer. The album blends various types of music such as jazz, Bossa nova and French songs among others.
Mafalda doesn’t just take songs; she adds her own style to them. She wants to get back the feelings she had when she first heard these songs. It’s like making old favorites feel new again.
In our conversation, Mafalda tells how music helped her get away from a difficult childhood when she worked at the family restaurant with mom and dad. She found freedom in singing.
Even though music wasn’t popular in her family, winning children singing competitions in Italy showed she had skill. That’s what made her start with music.
Mafalda’s songs are a blend of jazz, R&B, Samba and African rhythms. She wants to amaze her audience and make every song special.
Mafalda’s new music album and our talk are asking fans not to just take normal songs. She wants people to truly feel the songs they hear.
What is your stage name It’s my birth name, Mafalda Minnozzi
Where do you find inspiration? In nature, in sound around me and how it touches my emotions, regardless of culture or style.
What was the role of music in the early years of your life? It was my escape from an oppressive childhood where I was forced to work in my parent’s restaurant from the age of 9. I wasn’t able to have a normal social life or childhood. Music was my freedom.
Are you from a musical or artistic family? No
Who inspired you to be a part of the music industry? The fact that I entered youth song contests in Italy and won them all, made it clear to me that I was chosen to do this.
That was my inspiration.
How did you learn to sing/write/to play? I am self taught with no musical schooling aside from a church choir when I was young.
I did study vocal coaching for years for physical control of my instrument. I also studied other idioms so I could perform in English, French, Portuguese and Spanish as well as my native Italian.
I am self taught with no musical schooling
How could you describe your music? It’s derived from jazz interpretations of classics but the style that I go for requires the listener to pay attention.
There are R&B tinges, Samba, Bossa, African elements and French Chanson.
I love these songs so much that I want to recreate the emotion of hearing them for the first time. They can’t be carbon copy or it would be better to listen to the original. My music has an arranging style that is designed to surprise and please. I like to think I can give back something to the composer as gratitude for the gift of a certain song. Maybe they would say, “ Wow, nice! I never thought of that”
Describe your creative process. Instinctive. When a new song or project is approached, I leave my musical director arranger to his own imagination. He knows my voice and personality like nobody else. Sometimes I will give him an idea and he will record it and fit an arrangement around it. Sometimes he surprises me with something of his creation. I will then digest it and make suggestions or changes, sometime subtle, sometimes drastic. This is why we co-sign all of the arrangements.
Without his theoretical understanding, I wouldn’t be able to get the song on to paper.
What is your main inspiration? The tingle I get when I song cuts through to my heart
Did your style evolve since the beginning of your career? Oh yes! In the beginning I was like a wild horse with a large vocal range and vocal power.
It took me years to tone it down and find the beauty in the soft vocal colors in my voice. In general, Italian singers tend to show off their instruments (maybe due to our operatic roots) and the result is not always so musical.
My 25+ years living, recording and touring in Brazil has taught that the whisper can speak louder than the full-out belting style.
Who do you see as your main competitor? Myself!!!
What are your interests outside of music? Cooking, reading, traveling, museums, cinema and of course meeting people. I love to communicate and interact with people even if it is not through music.
If it wasn’t a music career, what would you be doing? I would have possibly the best restaurant in Italy or Brazil or New York. Of course it’s only a dream but since I have been doing it since I was 9 years old, I am seriously good at it.
What is the biggest problem you have encountered in the journey of music? People taking the profession seriously and thinking that music is there to serve them instead of vice versa.
If you could change one thing in the music industry, what would it be? Streaming platforms that effectively steal from us.
Why did you choose this as the title of this project? I have over 20 albums under my belt. Two of the last three have been predominantly in Portuguese with Brazilian and American musicians. After so many years in Brazil and collaborations with Leny Andrade, Milton Nascimento, Roberto Menescal and others, I got up the courage to express my own impressions of the beautiful music from Brazil. It would have to come from a natural place inside of me. The result is my Natural Impression.
What are your plans for the coming months? I’m already back on the road. Early January shows in NY, mid January I go to Brazil for shows and the second recording session for my next release. February back to NY through April. April is Germany and Italy ….then when I catch my breath I ask my husband/manager what’s next!
Do you have any artistic collaboration plans Well the new album I am speaking of is a kind of a meeting of the generations in Rio. The leading surviving composer of Bossa Nova and the leading bassist DJ producer of the younger generation and my faithful Paul Ricci on guitar,,,,,have formed a kind of a garage band. We got together in a room and messed around with ideas and recorded. It’s what Paul Ricci calls an “anti-production” and everyone is really digging it.
What message would you like to give to your fans? Don’t give up on really listening to the music, whatever it is. Don’t accept mediocrity or AI will be the only source for music in the future
'Silver Screen' By Serena Foster Shines in Pop's Realm
Serena Foster’s new song “Silver Screen” is amazing and lovely, it sounds like popular music and you will enjoy it, especially the singing part which everyone can remember because of its catchy lyrics, and you can hear what they are saying right away so your attention goes to that part first.
The singing is amazing, going in different directions all at once. The video was made by OJ Baclig and designed creatively by Kate Orates about working through inside feelings and fighting against something seen as an “opponent”.
Serena wants it will help people who are at dealing with difficult things that dont seem right for a movie.
Silver Screen goes into a combo of Electro Pop and Alt Pop music. Serena was born in Los Angeles and has been making music for a long time. This new song has a moody-pop feeling and its tale shows that true life isn’t always as perfect as it appears on movie screens.
The sounds are like they came from a movie, making it feel scarier with their weird tones and powerful beats. Serena’s voice stands out, in Silver Screen, like a star applying under the light. “Silver Screen” is a mysterious and cool indie pop song you’d love to have on your playlist.
Listen to The Soulful Journey of Teika & The Raw Beat's 'Falling In Love'
Teika & The Raw Beat ‘s new song, “Falling In Love,” gives a lovely hint of their next album called “Bones’n’Stones.” It features singer Mateja Kert from Berlin. She sings about love using British style with rock and punk sounds mixed in.
‘Falling in Love’ begins with soft piano sounds that quickly get your attention, Kert’s gentle voice moves to the front gently. Beautiful string music adds depth and makes it even better. What’s amazing is how far Kert can sing; she starts quietly, drawing closeness in, and then slowly lets out all the strength of her voice. This makes it very captivating as you listen more closely through squeezing power.
Beautiful string music adds depth and makes it even better.
Falling in Love isn’t just about romance; it’s a music trip diving into the details of relationships – personal, things and spiritual. Kert’s voice has a true feeling like PJ Harvey and Kate Bush. His words tell us that love can go beyond limits, connecting the seen world with unseen realms.
Teika & The Raw Beat, with Georg Kostron on bass guitar and drums played by Gidon Carmel. Kim-Esther Rolloff helps out too using a viola while Guilherme Rodrigues adds sound from his cello. Together they make the music deeper and fuller in space which is close to things we see every day but also wishes for something beyond just thatshine
“Falling In Love” feels like a deep look at love from being weak to getting successful. The album shows what it can be, giving a nice and deep look at Teika & The Raw Beat’s skill in music and words.
Abby Asabea's 'The Way It Was': A Funky Blast from the Past with a Modern Twist
So, Abby Asabea is new to the London music scene but she’s been making her own songs for a long time in secret. She released a cool song, “The Way It Was,” which has an old feel mixed with modern rhythm. It’s like she’s making the fun vibes from the ’70s come back in a new way.
Have you ever experienced a song making your emotions strong? This one is about being hurt and then moving forward. Abby’s words in her songs are true and easy to understand, discussing lost love and wanting to forget the past. Plus, her voice? Man, it’s strong and pulls you in right away.
Abby’s words in her songs are true and easy to understand, discussing lost love and wanting to forget the past
But she didn’t do it by herself, though. Abby joined forces with a secret producer known as Young Jay, who seems to use many different names. Together, they made something that feels like an old-time meal with a new style.
This song isn’t just some music; it’s like going on a memory journey while dancing to fresh sounds. Abby’s first song shows she has a lot of promise. It’s the beginning of something huge, remember what I say!
J.J. Chamberlain Strumming Through Life and Music With 'Tired of Christmas'Edited in Prisma app with Mononoke
Hey folks, get ready to meet J.J. Chamberlain, the musician behind the track “Tired of Christmas,” a song that speaks to anyone tired of the crazy holiday commercialism. This tune is all about wanting Christmas to be more about chilling with family and friends, you know?
He’s all about the real stuff in life, pulling inspiration from everything around him. Growing up, music was like the soundtrack to his family life, from his dad’s painting sessions accompanied by tunes to his grandpa’s jazz singing during family gatherings.
No fancy music school for this guy—he taught himself. J.J. Chamberlain is heavily inspired by Kurt Cobain, he picked up the guitar and never looked back. J.J.’s not just about music, He’s super passionate about fairness for everyone and loves diving into some good food and coffee.
He’s got big plans, though. A whole album in the works and some cool collabs. J.J.’s all about connecting with fans and making tunes that really hit home.
So, grab a seat, and let’s dive into J.J.’s world of music, life, and everything in between.
Is there a story behind your stage name?
Not really, it’s my initials but when I first released Tired of Christmas, a lot of the streaming services put it out on the wrong profile as there was already an artist called John Chamberlain. There are probably still some platforms that have it out under the wrong artist, but if you see Tired of Christmas, just know that it’s MINE!
Where do you find inspiration?
I think the answer to that is life. There’s always something happening, I’m a really busy person, but I go through phases of prolific songwriting and it’s usually when I’m working through something. Possibly why my lyrics can be a little…emotional.
What was the role of music in the early years of your life? It was everything. I remember my parents playing records while they cooked. That’s how I first discovered a lot of the music that I still listen to today. I associate Tom Waits with the smell of frying onions. He’d probably like it that way too.
Are you from a musical or artistic family?
Yeah, my Dad is a painter who has been quite active in recent years. He also plays guitar. My Grandfather was a singer in jazz bands and on Christmases gone by I remember the whole family singing old folk and traditional Irish songs. My brother plays bass with me in 2 bands (Box Time and Love Barons). It’s woven throughout my family, both historically and currently.
Who inspired you to be a part of the music industry? I’ve always wanted to be in a band since I can remember, but never thought I’d end up being a songwriter. There are two people that continue to inspire me to write and create, neither of whom are still with us, sadly. One is my former friend and bandmate Lanfranco, I write a lot for him. There’s even a song dedicated to him that I’ll be putting out in the near future.
The other is my Uncle Will, who was just the coolest musician I ever knew. There’s not much he couldn’t do. He and my Dad had me playing one-note solos in their band when I was 4 years old.
How did you learn to sing/write/to play?
I’m self taught. I had violin lessons as a kid and then I discovered Kurt Cobain, before long I was playing guitar every day and night.
I’m self taught. I had violin lessons as a kid and then I discovered Kurt Cobain
What was the first concert that you ever went to and who did you see perform?
My Dad was in a band called The Expanding Wallets and I’m pretty sure I was at his gigs before I was even born. My parents used to take me to festivals as a child. When I was a teenager, my first big concert was seeing The Rolling Stones at Wembley. I’d never seen anything like it.
How could you describe your music?
Bittersweet, happy-sad diary entries mostly. Sometimes I write angry songs but somehow they turn out upbeat. My lyrics often contradict the mood of the music. This is what happens if you bring your kids up on Punk-Rock, people!
Describe your creative process.
Depends really. In the past I used to write a guitar part first and then try to fit words and melodies to it, but recently I’ve flipped it and I’m often writing the lyrics before anything else. I don’t know why it happened but my brain decided it was a better idea and I actually think I’ve written some of my best songs since. It’s a quick way to fix a bad mood, write down your feelings about someone or something that has upset you, leave it and come back to it with new energy later on.
What is your main inspiration?
Hard to pinpoint, but I think it mostly comes from seeing other musicians perform live. I love watching everything from grassroots music events to big artists at the top of their game. It always makes me hungry to put stuff out there and get on a stage myself.
What musician do you admire most and why?
Hard to name any single musician here. I always loved Frank Zappa for having the guts to create his own label when all the majors turned him down. He was a true DIY artist. I really admire Mark Oliver Everett or ‘E’ from Eels for the same reason. The idea that everything can be done from home is inspiring.
Did your style evolve since the beginning of your career? Massively. I was always the lead guitarist in other people’s projects until I formed Box Time and started writing my own songs which helped me to have the confidence to be a frontman.
Who do you see as your main competitor?
I don’t see other artists as competition, I think we’re all here to support each other in this game. If anything, the odds are stacked against us in terms of the way that the industry is structured. This is why we all need to help each other wherever we can. I’ve had some overwhelming support from some great artists recently and I’ll give that back however I can.
What are your interests outside of music?
I’m passionate about neurodiversity and equal rights. Also food, and coffee!
If it wasn’t a music career, what would you be doing?
It would still be something in music. Maybe Film. I used to enjoy taking part in independent film projects.
What is the biggest problem you have encountered in the journey of music?
There are lots of little bumps in the road. I think the big problem in grassroots live music is promoters that are still operating with ticket systems that are practically pay to play. The problem lies mainly in London and major cities but the cut that bands take is so small compared to the money they earn for these promoters, and the “promotion” that takes place is often as little as a short Instagram story that lasts a day in return.
If you could change one thing in the music industry, what would it be?
The biggest issue at the moment is the closure of music venues. This is often down to decisions made by the government and the lack of finances. The arts aren’t taken as seriously as they should be. In the pandemic, the biggest insult to the arts was the government advising us all to “retrain.” That tells you everything you need to know about their attitude.
Why did you choose this as the title of this project?
I’m not a Grinch, or a Scrooge, or a Christmas curmudgeon. I’ve had a tough year in my personal life and although I can usually overlook the ever increasing prematurity of the Christmas hype, I just felt that this year I could do without it. I’m very much looking forward to Christmas itself, but I feel that we’re diluting Christmas by celebrating it too early with hyper-consumerism.
What are your plans for the coming months?
I’ve written a lot of songs, I’m now selecting and ordering tracks for my debut album which I plan to finish recording and mixing in 2024. There’ll be more singles too, but the album is my priority.
Do you have any artistic collaboration plans
Yes actually, as I mentioned I play in two active bands separately, but there’s another exciting new project on the way in the coming year. I’ll reveal more on my socials so keep an eye out!
What message would you like to give to your fans?
Just how grateful I am to anyone who has listened to my song and especially anyone who has decided to revisit it for more. I’ve always felt musically capable, but I never felt capable of writing and recording music that I felt ready to release, until now. To know that there are people out there who genuinely liked my music is an amazing feeling.
Matt McKnzi's "City People" cuts to truth's essence with balm and blade
In the convoluted landscape of contemporary music, navigating melodies that truly resonate can be as grueling as seeking verities in a sprawling metropolis rife with whispers. Enter “City People,” an evocative anthem from Matt McKnzi’s seminal EP “Ghost” that listeners cannot help but acknowledge with their undivided attention.
McKnzi, ascending like smoke above the New England firmament, amalgamates elements of pop and soul on a canvas imbued with alternative R&B pigments. This is a painter bathing his brush in emotional profundity and spiritual rumination; each stroke laden with yearning, resentment, and the burdensome gaze of society at large.
The ballad opens upon a sinister cityscape – notes pulse like streetlamps against dusk. A beat suffused with longing situates us firmly in the shoes (or perhaps soul) of urban wanderers engaging in intimate rendezvous beneath towering buildings onerous with secrets.
Matt McKnzi’s “City People” cuts to truth’s essence with balm and blade
His voice is both balm and blade—consoling yet probing, it cuts to truth’s essence. The production embraces unostentatious refinement—understated synths interlace gracefully around rhythms that reflect heartbeats quickening in cloistered alleyways.
“City People” stretches beyond mere observation; it enfolds one within chronicles thickened by examination—a clarion call for veritable connection amidst specious facades. Herein lies its virtuosity: McKnzi attenuates our external footholds till we’re suspended among filaments of condemnatory stares then gently lowers us back down to mortal ground via poignant versification punctuated by redeeming harmonies.
By integrating personal wayfarer tales within universal echoing chambers of social encumbrances—the twisting cravings ensnared amongst roots of rancor—McKnzi has not just created music but erected an aural monument where shadows caper freely; unjudged murmurs are rendered mute to simply listen…and perhaps see.
Fault Lines Is A Musical Therapy By Magdalia - Listen Here
Welcome, everyone! Before jumping into that topic, let me introduce you to today’s featured artist Magdalia and her latest single Fault Lines. Tracing the difficulties and turbulence of relationships as well as mankind’s burden–and with a voice to vanquish gravity, ‘Fault Lines’, unforgettable pop anthem style, lingers long after its end.
This combination of powerhouse vocals with addictive, crafted beats give Magdalia songs substance. She says her own life provides the flashpoints and windows into which she weaves emotions that contribute to produce a catchy song people will find rewarding to listen to over and over again. Her stage name, was taken from her grandmother’s middle name ‘Magdala,’ not only has a familial touch; it has also got something unique to offer.
Finding the way in a digital world of biggest challenges navigating the music industry has been how to find an honest voice, amid so much artifice. But, Magdalia will continue now to bring real music of the heart from her street singing days to share with an uncorrupted audience.
Her message echoes with a simple yet beautiful ‘thanks’ on behalf of everyone who has been involved in this musical journey.
Is there a story behind your stage name? It was inspired by my grandmother’s middle name ‘Magdala’ which is also a mine in Victoria, Australia. I added the ‘i’ to make it my own and give it a bit of flair.
Where do you find inspiration? Usually from my personal life. I find it quite difficult to write about things I haven’t experienced so I tend to stick to what I know and what I’ve been through, there’s always new material!
What was the role of music in the early years of your life? Some of my earliest memories involve listening and watching concert DVDs that my dad had, like the Bee Gees and Neil Diamond. I was always interested with how the artists interacted with their audience and how they put on a show. I started singing when I was 8 years old and haven’t stopped since. It was a way for me to express myself when I felt shy.
Are you from a musical or artistic family? My parents don’t play any instruments but they are very invested in the music that they like which makes them incredibly supportive of my endeavours. Other members of my extended family are quite musical.
Who inspired you to be a part of the music industry? The first real album I was obsessed with was ‘Innocent Eyes’ by Delta Goodrem, I loved her voice and the way she wrote her lyrics. When I started to learn to sing I was really into Taylor Swift (still am) and she was all I wanted to sing.
How did you learn to sing/write/to play? I started to learn classically in school. I took private lessons from the age of 8 and started to grow my contemporary side when I was about 13. The way I learnt was very traditional – sheet music, scales, theory and exams, but I wouldn’t change it.
I took private lessons from the age of 8 and started to grow my contemporary side when I was about 13.
What was the first concert that you ever went to and who did you see perform? I’m pretty sure it was Katy Perry’s Teenage Dream tour in 2011. It was amazing. I loved the stagecraft and energy she put into the show and I’ll never forget it.
How could you describe your music? A marriage between Florence & the Machine and Taylor Swift. Big vocals and heartfelt lyrics.
Describe your creative process. For my most recent song, I actually don’t remember the process, it kind of just happened. But usually I’ll have a lyrical idea first and will then work out the chords that match. After that I try to find some reference songs to send to my producer and go from there.
What is your main inspiration? My main inspiration is my own life and the influences of the music that I listen to. I love big, pop songs so I hope that comes across with ‘Fault Lines’
What musician do you admire most and why? I have a few but my main two are Florence & the Machine and Taylor Swift. I love how they tell stories through their music with such poetic lyrics and catchy tunes.
Did your style evolve since the beginning of your career? I hope so! I definitely started my songwriting with mainly ballads and slower songs and recently with my past few releases have tried to move towards a bit more of an upbeat vibe.
Who do you see as your main competitor? I think there’s enough room in the world for all of us. Obviously I’m human so I compare myself to others sometimes but I try not to see anyone as a competitor, rather someone to support and maybe work with in the future!
What are your interests outside of music? I love to read and craft things. My favourite thing to do is watch a tv show and make something with my hands, it’s very relaxing.
If it wasn’t a music career, what would you be doing? I’m also singing teacher by day so I would likely still be doing that. If I’d never started singing I like to think I’d still be doing something creative.
What is the biggest problem you have encountered in the journey of music? I think overall it can be very confusing knowing what to do and how to be yourself, especially online. I’m quite introverted so I find this particularly difficult.
If you could change one thing in the music industry, what would it be? Probably all the fake Spotify marketing schemes and bots!
Why did you choose this as the title of this project? ‘Fault Lines’ had been coming up in my writing quite regularly at the time so when I was writing this, it seemed to fit perfectly and I knew it should be the title.
What are your plans for the coming months? I have a couple of singles lined up for release and hopefully there will be an EP sometime later in 2024!
Do you have any artistic collaboration plans? I will be releasing my first song with another artist early next year which is very exciting!
What message would you like to give to your fans? Just a big thank you to anyone who has taken the time to stream ‘Fault Lines’ and let me know what they think. I really appreciate all the kind words and messages!
Journeying Through 'Pure Imagination': An Exclusive Insight into The Sound of Monday
NYC pulses with creativity, and at its heart is indie-pop virtuoso Dave Jay, the maestro behind ‘The Sound of Monday.’ His latest rendition of ‘Pure Imagination’ marks a spectacular prelude to an upcoming album, offering a tantalizing glimpse into the artist’s innovative soundscapes.
This cover transcends nostalgia, fusing the timeless charm of Brian Wilson’s ‘Pet Sounds’ with a contemporary indie-pop vibe. It’s, an eclectic blend that mirrors the artist’s kaleidoscopic approach.
With a stellar ensemble of musicians and the artistic prowess of Charles Newman behind production, ‘Pure Imagination’ isn’t just a track; it’s a portal to a world of wonder. The accompanying animated video, crafted by Richard Mather, is a visual feast, transporting viewers on a psychedelic journey reminiscent of Dali’s surrealism.
In a candid conversation, Dave Jay reveals the origin of ‘The Sound of Monday,’ echoing the dichotomy of hope and drudgery that Mondays embody. His inspiration, he shares, comes from an endless well of stimuli, a whirlwind of thoughts, melodies, and experiences.
Reflecting on his musical roots, Dave reminisces about childhood days spent engrossed in his parents’ record collection and forming backyard duos inspired by The Monkees. His journey into music was a blend of chance encounters and relentless passion.
While ‘showbiz’ beckoned him early on, Dave’s style has evolved organically, staying true to his vaudevillian love for variety and entertainment. His music, he describes, is lyrically rich, akin to Elvis Costello, and melodically akin to a one-man Beach Boy.
With upcoming releases and plans for collaboration, Dave’s message to fans is simple: Have fun and uplift spirits. His music is a gateway to joy and escape from life’s hardships.
Stay tuned for an exclusive peek into the upcoming ‘Pure Imagination’ album, a testament to Dave Jay’s artistic prowess and boundless creativity.
Is there a story behind your stage name? “The Sound of Monday” is a lyric in a song called Sunday Street by Squeeze, and the turn of phrase immediately appealed to me, because I could relate to the competing ideas of what Mondays meant to people. On one hand, I had the drudgery of starting another week in a job I loathed, yet also the hope from new opportunities that may come with the start of a brand new week. It also reminded me of The Sound of Music, so I liked how music came to mind when you said our name.
Where do you find inspiration?
Inspiration finds me. There’s an endless stream of stimuli all around us.
It can be a concept, turn of phrase I overhear, read, or mistakenly say, a melody that I just start humming by chance, word play off of some existing line, documentary or article about someone or something I find fascinating, insight provided by listening to someone else’s convo., a reflection or realization about myself, or any other number of ways you could think of. Once an idea gets introduced to my consciousness, I riff with myself (or others) as it develops, often keep myself entertained, and a lot of ideas derive that way.
What was the role of music in the early years of your life?
Among my earliest memories during the mid/late1970s, I would rifle through my parents’ record collection, from show tunes to Trini Lopez Live at P.J.’s. I’d listen, while devouring the liner notes and imagine what was going on behind each photo and each morsel of cover art.
I was a fixture in front of the speakers of this huge credenza in our living room housing the record player and an AM/FM radio, imbibing classic rock of the 50s and 60s, supping up all the Doo Wop, Rock-n-Roll and Ballads, and loving every moment! Around that time, I discovered reruns of The Monkees TV show, where the humor and snappy melodies, captured my imagination—I dreamt of being “The 5th Monkee”. My babysitters, who’d all experienced The
Monkees in the 60s and had outgrown them, gave me all of their old Monkees records—I was in heaven, memorizing every tune on every album, unfazed by the magic marker-scribbled, “Wendy loves Micky” doodles all over the album covers. Then, my best friend Stephen and I formed a duo called, “The Li’l Monkees”, and we’d put shows on for the neighbors in my backyard!
Are you from a musical or artistic family?
Not particularly. My Dad’s side of the family is very analytical, and I inherited some of those natural skills,
but my Mom’s pretty creative, and has a sense of humor. When I was growing up, we used to look through
the White Pages phone book, find funny sounding names, and crack each other up riffing on ‘em.
Journeying Through ‘Pure Imagination’: An Exclusive Insight into The Sound of Monday
Who inspired you to be a part of the music industry?
When I was a young boy, the 20 th Century notion of “Showbiz” permeated my dreams. I’d had a clear vision early on that it’s where I belonged–to sing, dance, tell jokes and funny stories, write songs and appear on TV and in movies. The Monkees, Mel Brooks, Peter Sellers, my cousin Jack, Steve Martin, The Beatles, Johnny Carson, Sid Caesar, The Beach Boys, and others all drove my dreams in this direction.
“How can I make it in showbiz?” was always on the forefront of my mind, and this basic idea really hasn’t changed, though it has evolved.
How did you learn to sing/write/to play?
When I was 9, I decided to give songwriting a try, and “’Cause Girl I Love You” was the result, about my 3rd grade crush. I couldn’t play any instruments, nor notate melodies or chords, so, that summer at sleepaway camp, as chance would have it, my counsellor was a vibraphonist who loved Jazz, sat with me at the piano at my urging, and told me the chords to write down as I sang him the song. I continued writing songs, filling a loose leaf notebook with lyrics, and scraps of paper with ideas, memorizing my own melodies for them.
When I entered junior high school, I met a classmate who was a really good guitarist. I got the number of his teacher, begged my parents for lessons, got ‘em, and the rest is history.
What was the first concert that you ever went to and who did you see perform? My Dad surprised my friend Stephen and I with tickets to see Davy Jones and Mickey Dolenz of The Monkees perform at a theater in NYC! I screamed my head off: “Sing Valerie!!” The Laughing Dogs was the opening act. It was thrilling!
How could you describe your music?
Lyric-driven like a pack of Elvis Costellos and melodic as a one man Beach Boy!
Describe your creative process.
Exploration, wanderlust through words and ideas, followed by organization once I capture them in a fixed state.
What is your main inspiration? I’m a willing slave to wonderment.
What musician do you admire most and why?
There are so many, but Francis Dunnery jumps immediately to mind. I deeply admire his incredible abilities as a guitarist (he was Robert Plant’s for a time), singer with a sweet voice and awesome range, and fantastic songwriting, encompassing both meaningful and clever lyrics and catchy melodies. He’s the full package, and I aspire to put it all together as well as he has!
Did your style evolve since the beginning of your career? I wasn’t conscious of style early on, I just liked to create whatever I fancied, from theatrical to rock. I even wrote a rap, (it was really bad). Though it has evolved and matured, my style itself has never really changed, in that I love the variety format fostered by vaudeville, and the aforementioned 20th century entertainment that I love so much.
Who do you see as your main competitor?
Myself, primarily, though I suppose that everyone else seeking an audience’s attention, from shoe sellers to artists of very different genres are all competitors in a sense.
I’ve never really liked the idea of competition with others when it comes to creating stuff I like. I just hope to find people who dig the stuff I enjoy creating, and let that speak for itself.
What are your interests outside of music?
American football and in particular, the NY Jets, of which I am a lifelong diehard fan—so, in a way, I guess you can say I’m deeply interested in some form of masochism. I like sports, both as fan and participant. I also find deep harmony with history and nostalgia.
If it wasn’t a music career, what would you be doing?
What is the biggest problem you have encountered in the journey of music?
Lack of recognition.
If you could change one thing in the music industry, what would it be?
I’m not interested in changing the industry. I just want to find a home, a fan base with whom I can connect, to provide entertainment, joy and an escape from how tough life can be.
Why did you choose this as the title of this project?
I normally enjoy getting creative choosing the title for my projects after the collection of songs has already been completed. This time around, while working with longtime collaborator/producer, Charles Newman on our Pure Imagination single, he approached me with a cool concept to put together a LP using this iconic title, and taking original songs I’d already been working on that embodied the “imagination” theme. The idea really appealed to me, and we’ve been off to the races ever since!
What are your plans for the coming months?
We’ve got a bunch of new releases, from the Pure Imagination full length, to remixes of our cover of Spiderman Theme, and I’m excited to have landed a license in an upcoming feature film!
Do you have any artistic collaboration plans
There are so many I’d love to branch out and collaborate with, and have had some conversations about doing so, though nothing in the works beyond the work I just completed with Emiliano Melis, Streamkitty, and Sisko, who did great remixes of our standout single, “Spiderman Theme”. I also created a pending single with Sisko called “The Jester”.
TolumiDE's 'Naturally Me' Is Fusing Heritage and Modernity"
This is the latest release from TolumiDE, a soulful Afropop artist whose blood runs half-Nigerian and half-Canadian. Naturally Me! It’s an inspiring song that promotes natural hair along with different styles of hair cut or style. TolumiDE’s track, based in Washington DC and Maryland looks on as a groovy homage to how anyone can be comfortable with their own skin at any time through the day. It tells of individuality and character.
TolumiDE says in her own words that she hopes to bring out listeners ‘own styles. There are a variety of options; it is ultimately their decisions, which give them the power. Iru Mi, meaning my hair in Yoruba is inspired by various braid styles she had when at school back home in Lagos, Nigeria.
Naturally Me’ is delightful and engaging song. A co-mingling of Afrobeat and R&B imbues it with a multicultural essence, raising African pop to an airy modernity. Suya Soul: TolumiDE’s self-defined genre is a detailed, personalised world of art that combines accessible and substantial elements between the audience.
Apart from its packaging, the track’s contents are a fine piece of work. It combines bouncy African rhythms with delicate electronic layers and harmonies, creating an uplifting instrumental. TolumiDE’s equally energetic vocals, switching back and forth from English to Yoruba fit the positive, intense musicality of this song.
Dax out with Catch The Rain ,Dax releases Catch The Rain ,Dax with Catch The Rain ,Dax drops Catch The Rain ,Catch The Rain by Dax ,Catch The Rain from Dax ,Dax ,Catch The Rain ,Dax Catch The Rain ,Catch The Rain Dax
The new song by Dax entitled, ‘Catch the Rain’ can be found on his album “What is life? Ep,” and it’s making waves. This is a good song, one that shows the development of Dax and his ability to touch our hearts. His musical talent is also highlighted by seven other great tunes in the album.
Now let’s talk about the song itself. Dax really comes into his own in Catch the Rain. He has this talent for combining emotions and deep meanings naturally. But a shoutout to music producer Lex Nour whose work gives this additional and cool sleek veneer over Dax’s already awesome sound.
With a great combination of storytelling and catchy beats, “Catch the Rain” hits home in just an entirely different way that makes you want to hit rewind for repeated listenings. He switches effortlessly between smooth flows and quick verses, leaving a mark on his devoted fans.
Yet it’s not only about the music. In his lyrics, Dax raps about real things–bouncing back, looking inward and chasing dreams. It’s that openness which makes him seem so different from all the artists just out for hits.
He is dynamic, charged and fills every line with life. You sit up to listen. With his own style of hip-hop, Catch the Rain is a prime cut. If you want an artist who’s genuine, talented and is able to speak from the heart then Dax and his work are definitely worth a listen.
Yarisho Unplugged: A Tale of Musical Evolution and Raw Emotion
Yarisho started his music journey only a couple of years ago. He is from Kyiv, Ukraine. He’s released three singles and rocked the live performances. His stage name, takes account of the search for peace in this life’s cacophony while also hinting at Slavic mythology.
In this chat, Yarisho talks about his life. He’s self-taught, drawing inspiration from the small things of life, his development follows his music: from being addicted to TV-station performers, he springs onto the stage at a Kyiv festival.
All is feeling in his music, leading you into a realm of emotions. James Blake and Joji are the artists that have influenced Yarisho’s music, which has changed as he’s grown.
But outside music, he plunges into graphic design and marketing. Looking back at the hard places in his journey, he’s used failures as a kick to get even stronger.
Hinting at an upcoming album and keeping collabs hush-hush, Yarisho shares a heartfelt message with fans: stay true, don’t forget the simple pleasures of life and pursue your dreams. Every song Yarisho spins a link and the sound of music isn’t something that we just hear, it can also be felt in our lives.
Is there a story behind your stage name? I can’t say that I have a specific story behind my stage name, but if we are speaking about the meaning, it contains different senses. The main is “a place where you can find your calm”. Also it is consonant with Yarylo, slavic God of spring and vitality.
Where do you find inspiration? Life inspires me pretty much. Although it sounds trite, you should definitely romanticize your daily life to survive in this crazy world. Any relationships, situations, people or nature can be the impetus for your art. Beauty is in the eye of the beholder, inspiration in the same.
What was the role of music in the early years of your life? When I was little, I was always fascinated by the artists on TV. The way they look and act on the stage. Then I became addicted to vocal shows and dreamed that one day I’ll definitely burst into the music world.
Are you from a musical or artistic family? I am a guy from a regular family. My parents never played music, but they like to listen to it.
Who inspired you to be a part of the music industry? Me, myself and I [laughs]. I couldn’t say that I have someone who spurred me on the music path, it was my own decision.
How did you learn to sing/write/to play? I’m self-taught with no formal music training. I was learning from scratch, mainly through trial and error, and devoted all of my time to it.
What was the first concert that you ever went to and who did you see perform? My first concert (if we can call it that) was at a Kyiv festival timed to the Christmas holidays. I remember it was a very cold day, kids and their parents danced below the stage. I was very worried but it was over in a flash.
My first concert (if we can call it that) was at a Kyiv festival timed to the Christmas holidays
How could you describe your music? I can sum it up in three words: emotional, sensual, engaging.
Describe your creative process. Usually I begin with a short hook melody, which could suddenly come to me. Then I start to build composition around it, experimenting with the sound, taking the small steps toward the final version. And the last step is lyrics. I think I always keep in my mind what this song should be about, but the whole work with text leaves for last.
What is your main inspiration? Well, like I said, this is life – love, my close and music itself. I really like to go to live performances, theaters and festivals. Cultural life inspires me as well.
What musician do you admire most and why? James Blake, Sampha, Joji, Unknown Mortal Orchestra – their vision of music is close to my heart.
Did your style evolve since the beginning of your career? Sure, and it’s a common thing for young artists. At first I used to try myself in classical pop – because of music I listened to at that time. After a long break in my musical path, searching for a fresh sound and senses, I presented a new single “Take it slow”, which became the first swallow of the upcoming album.
Electronic sound and new style made this song directly opposed to what I has done before. Artist worldview changes and, as a result, music changes too. Maybe I’ve become a more adulty adult.
Who do you see as your main competitor? Actually I don’t like the idea of competition at all. We are all fighting our own battle, where the main competitor is you itself. I prefer to say I have people and artists I look up to, but I don’t want to compare myself with someone.
What are your interests outside of music? Graphic design and marketing, I work in this area.
If it wasn’t a music career, what would you be doing? It would definitely be something connected with Graphic design. Love it.
What is the biggest problem you have encountered in the journey of music? Do not give up after the first failure, as it should be seen as a further step to improve your skills. I am a very sensitive and emotional person like most artists, that’s why every mistake makes me sad. No one will argue that we all want everything at once, but, unfortunately, it does not work this way.
If you could change one thing in the music industry, what would it be? That’s a difficult question, because there are many different aspects. I will not say anything new – fair compensation, more honesty, less predatory.
What are your plans for the coming months? I’m working on my new album consisting of 9 songs — the release is scheduled for next year. Although I plan to shoot a video.
Do you have any artistic collaboration plans I would like to keep it a secret. Let it be a great surprise for people who listen to my music.
What message would you like to give to your fans? Never be afraid of being yourself, define your life goal which would make the greatest sense just for you and go ahead. Be patient and love what you do, avoid people who say you’ll never succeed. Show gratitude for those who are kind to you and find your inspiration in simple things.
