Jazz, Rock, and Hip-Hop Collide: The Intricate Harmony of Sound Liberation
Sound Liberation & Di. J. Quartet’s latest album is a blend of eclectic sounds and fearless experimentation that takes you through the musical journey toward myriad feelings like colors in a kaleidoscope, with each new song being completely different from others. The album starts off with a playful fanfare in the opening notes of “The Overtures” that soon turns into an electric guitar accompanied by horns and electronic samples, giving it orchestrated sound.
“Density Intensities” is similar in this regard: moody and ambient, coupled with an irresistibly groovy beat. With the inclusion of glitchy vocals that border on being rapped this stands out as a stylish piece. ManChartra is darker, with a cosmic feel and compelling trumpet lines that will pull the listener into an eerie odyssey—a standout.
“MMM” presents soulful 20th century blues vocals in a nostalgically beautiful setting. “Illusions Yet Again” blends ethereal tones with lo-fi hip-hop percussion, demonstrating the ability of this band to merge contrasting elements seamlessly. The peak of the album is reached with “Deep Time 2,” a folk-jazz song that has a glowing and tropical trace.
Sound Liberation & Di. Quartets are very commendable for their ability to break the boundaries of music while maintaining accessibility. Gene Pritsker and his quartet have created a sort of album that can not be categorized, using rock’s energy with the improvisation feel like in jazz music as well as hip-hop rhythm. ‘Each track serves as a proof of their musical talent , with an interesting aroma of surprise that accompanies the listener throughout.
The album has a total of 6 songs on it and spans over 42 mins and 46 secs, the first song on the album “The Overtures” is the lengthiest, but surprisingly the sound doesn’t bore you and before you realize the song has ended. I like the fact most of the songs on the album are long enough to enable the listener really soak into the soak.
This album isn’t simply another collection of songs; it is a sonic expedition that appreciates the charm of the enigmatic. Sound Liberation calls on you to enter the universe of energetic and dynamic music they create, every track holds a finished product waiting for exploration. If, however, you intend this year to branch out musically speaking – look no further because this album is a genius of experimental greatness.
Life Beyond the Mic: Natalia Quest's Passions and Pursuits
Allow me to introduce Natalia Quest. She is the Russian singer-songwriter who’s currently causing waves in LA. Her stage name, a fusion of her innate sense of adventure and the word ‘Quest,’ reflects a deliberate choice to encapsulate the essence of her journey through life and music.
“Inversion” delves into the depths of societal discord, wielding orchestral arrangements, gritty guitars, and haunting vocals to mirror the stark realities of our contemporary world. The song serves as both a commentary and a call to action, challenging listeners to confront the unsettling truths woven into the fabric of our existence.
But Natalia is not only about music; her dedication to human beings transcends studio boundaries. For instance, she recalls parting ways with her closest creative collegue, because she suddenly realized he was creating an Inversion for her on a personal level—sabotaging and inverting some of her most sincere creative expressions. If Natalia hadn’t exposed the Inversion in her personal microcosm, the song might never have been released. Therefore, shedding light on both personal and collective shadow aspects is her special gift.
Join us as we delve deeper into the life of this multi-talented musician.
When I recorded my first song several years ago, I also had to choose a name for my project. I asked myself, ‘What pseudonym or word could succinctly and metaphorically encapsulate the quintessence of my personality, experiences, and ever-evolving consciousness?’ And within a few days, the word ‘Quest’ confidently came to me.
Where do you find inspiration?
I don’t actively seek it… Inspiration comes spontaneously. Often, as a form of therapy during intense moments in my life, I gravitate towards listening to intense songs that help process my feelings, or I create ones like that myself. While pain can certainly serve as a major source of inspiration, I can also draw inspiration from very positive and uplifting aspects of life, as well as from some artists and writers, and their masterpieces that touch my soul.
What was the role of music in the early years of your life?
I graduated from a music school and a music college in my hometown in Russia. Although my school years were not the most pleasant and easy for me due to various reasons, I believe that my academic background still helps me incorporate classical elements into my compositions and feel more comfortable experimenting with musical harmonies. During my teenage years, I was a huge fan of Queen. They became my role models for their unique approach to mainstream, playful freedom of artistic expressions, sophisticated self-ironical rebelliousness, and their bold blend of various genres, etc
Life Beyond the Mic: Natalia Quest’s Passions and Pursuits
Are you from a musical or artistic family?
Partially. My father and my uncle possess great creative and musical talents.
Who inspired you to be a part of the music industry?
The music industry itself is not very inspiring, and I’ve encountered a lot of resistance in pursuing this path. However, lyrics and music keep coming to me. I once came across the wisdom that hoarding one’s artistic expressions in private constitutes a form of ‘transgression.’ Therefore, I am more inspired by the idea of sharing my songs with those willing to listen, rather than by being a part of the music industry per se.
How did you learn to sing/write/to play?
I am not very fond of playing various instruments, and when it comes to singing, I underwent a complex and unconventional journey that required me to figure out how to ‘unlearn’ certain things and imprints to simply unleash my natural voice and my true essence through vocals. I have always written poetry, and my first mature songs were recorded in 2014. I don’t use formulas or algorithms in composition; I want to give the song the freedom to be what it wants to be. And yes, I am constantly learning and will continue to learn; I cannot claim that I have fully mastered anything by this point.
What was the first concert that you ever went to, and who did you see perform?
I think it was the Russian rock singer Vladimir Kuzmin, and I was around 5 years old. )
How could you describe your music?
It’s a form of magic to me. It’s a form of a spell. Most of my lyrics have a tendency to manifest itself over time—it’s fascinating, and this observation imposes a certain responsibility on me, as well as presents me with some interesting dilemmas.
Describe your creative process.
There’s nothing linear in there. It’s about observing how chaos and raw emotion gradually take shape, flowing through time and your entire being. Each song is a separate world to me, with its own history.
What is your main inspiration?
The idea that my craft can help someone navigate through difficult times and/or realize something important for themselves, consequently changing their life for the better, inspires me the most.
Who do you see as your main competitor?
I do not compete in art… everyone is a unique expression of the Source, you can only compete with your past self
What are your interests outside of music?
I have a degree in psychology, and I am continuing my education in this field. Additionally, I have studied astrology, which remains both my hobby and an addiction, in a way) I also like exploring the hidden and taboo aspects of reality and society, which helps me better understand the bigger picture.
If it wasn’t a music career, what would you be doing?
I would work as a therapist, conduct honest and transparent charitable acts, which, in fact, I have always wanted to do, regardless of music. I would also like to help address environmental issues in the future when my more basic needs are further fulfilled and secured.
If you could change one thing in the music industry, what would it be?
I would cultivate a more complex and profound approach to composition in the mainstream. The simplification and algorithmic soullessness of much of today’s mainstream music can truly upset me. I would also stop glorifying consumption in one form or another. We are much deeper and far more interesting beings to primarily cultivate and celebrate our animalistic urges.
Do you have any artistic collaboration plans?
Yes, I’m open to collaborating with like-minded professionals. The right chemistry is rare but can perform miracles when combining the right skill set along with it.
What message would you like to give to your fans?
Be very honest, first and foremost, with yourself. Then with others. Treat yourself with kindness and compassion. The world will reflect ,)
20 and Bold: Joyce Tratnyek's Debut Album 'Solastalgia
20-year-old Joyce Tratnyek, a singer/songwriter and producer hailing from the busy life in New York City. Solastalgia her first album following a decade of writing lyrics and five previous single releases was released on January 7th,
At the age of 10, Joyce began her musical journey fueled by a passion for composing songs and investigated how sound could evoke emotion. Joyce was raised Portland Oregon, where she absorbed a cocktail of grunge, shoegaze, pop-rock and more. At 20 she is a singer, composer and producer all set to release her first album for the world.
Solastalgia is a testament to years spent perfecting her craft, where every note and lyric bears the weight of real emotion. Join Joyce Tratnyek in her musical tale about waves of nostalgia, traces of angst and bright colors that mark the beginning of something huge.
The album has a total of 18 unique songs, the transition between each song proves her prowess, the entire album spans 1 hour and 10 mins, this is enough time to soak into the realm on Solastalgia.
In this interview, Joyce dishes the dirt on her journey, influences and what they were that made “Solastalgia” keep ticking from climate change to mental health. Let’s plunge into the artistic space of Joyce Tratnyek and discover a unique musical world.
What is your stage name
My stage name is Joyce Tratnyek, same as my real name.
Is there a story behind your stage name?
My parents wanted to give me a “literary” name, and so my name was inspired by James Joyce and Joyce Carol Oates. They said it was also because I brought them joy as a child.
Where do you find inspiration?
I try to find it everywhere, although I think you have to be in a certain mindset to do that. Like sometimes I’ll be bored sitting on the subway, so I’ll challenge myself to notice interesting things around me that could potentially turn into lyrics. It’s like I have to manually switch my brain into CREATIVITY: ON mode, which gets really exhausting after a while. Sometimes you just need to stare into space and let your mind rest and wander a bit instead.
What was the role of music in the early years of your life?
I always loved music, even as a child, certain melodies would make me happy and excited. I was drawn to melody, but also to words, and I loved writing from a young age. However, it wouldn’t be until I was 9 years old that I finally put the two together and started songwriting.
Are you from a musical or artistic family?
Not really! Neither of my parents are particularly artistic, although my mom played piano in her younger years. My twin sister has a really unique talent for drawing though, but she’d never admit it.
Who inspired you to be a part of the music industry?
In third grade, a friend gave me Taylor Swift’s debut album CD for my birthday. I quickly became obsessed with it, and swore that I would write songs like her.
How did you learn to sing/write/to play?
I took piano lessons as a young child, but wasn’t very invested. When I decided I wanted to start writing songs, I would just sing melodies out loud and write the lyrics on random scraps of paper. My babysitter at the time let me borrow her guitar for a few weeks and taught me some basic chords. I remember I was so tiny at the time, and the guitar was huge compared to my 9 year old body, and it also had this gecko sticker on it that would change colors when you rubbed it.
Over time, I went back to the piano, re-teaching myself some things, and making up melodies and chords that I thought sounded good. I can read music thanks to my early childhood piano lessons, but these days I mostly experiment until I find chords I like, often making them up as I go.
What was the first concert that you ever went to and who did you see perform?
When I was a child, my dad took me to one of the big concert halls in downtown Portland, Oregon (where I grew up) on New Year’s Eve to see Esperanza Spalding perform. He had always been a huge fan of her music, and also loved the fact that she was born and raised in Portland like my sister and I, so I think it was only natural that she would be my first concert. I remember getting dressed up fancier than I ever had in my life up until then, and waiting for her to come on stage.
My father and I had the nosebloodiest of nosebleed seats, we were at the literal back left corner of the highest balcony, so that if I leaned back just a little bit, my head would touch two walls. But she was the kind of performer who makes you forget all that—I remember being electrified as I heard her sing the songs I grew up hearing, like “Cinnamon Tree” and “City of Roses.” She seemed to radiate joy, like a small sun.
Even when she made a mistake or her electric bass suddenly popped out of tune, she was so graceful and elegant that I couldn’t help but fall in love with her a little bit. That wasn’t the performance that inspired me to become a performer myself, but it’s a night I’ll always remember with passion.
My father and I had the nosebloodiest of nosebleed seats, we were at the literal back left corner of the highest balcony, so that if I leaned back just a little bit, my head would touch two walls
How could you describe your music?
I would call my music gritty yet pretty, with the sonics of grunge and shoegaze, but the melodies of pop, the dynamics of Nirvana, and the lyrics of Suzanne Vega.
Describe your creative process.
My creative process is such a mess that I barely remember what it looks like when I’m not actively doing it, ha.
What is your main inspiration?
My main inspiration is the hope that someone out there will enjoy listening to my music, and it will make them feel a bit happier, or at least understood.
What musician do you admire most and why?
I love Dave Grohl. He seems so badass, kind, and welcoming all at the same time. I admire his journey as a musician, from a self-taught drummer who dropped out of high school to tour, then the drummer for Nirvana, then the mastermind behind the Foo Fighters, one of my favorite bands ever.
He’s overcome so many things and continues to make music that’s real and authentic. He’s definitely my idol, and I would love to try his barbecue cooking and jam with him someday! Hey, stranger things have happened!
Did your style evolve since the beginning of your career?
Yes, so much! When I first started writing music, I pretty much only listened to Taylor Swift, and the music I was writing reflected that obsession, it was pretty bare-bones guitar-based pop-folk. Over time I started to diversify my music tastes, going through Bob Dylan, Twenty One Pilots, Nirvana, and K-pop phases. All of these bands still influence me. Also, learning how to produce my own music was a game changer. Suddenly, I had more options than just singing and strumming my acoustic guitar, I could make my music sound like anything I wanted.
Over time I started to lean towards louder, harsher sounds. I just think there’s something cathartic in a wall of noise. When I first heard the song “Modern Girl” by Sleater-Kinney, it felt like my entire world shifted a little bit. The way that song sounded made me feel things no other song had before—it was so gritty, grungy, and harsh, but so soft and beautiful at the same time. That’s the vibe that inspires me the most today, although I like to experiment with other styles too.
Who do you see as your main competitor?
I am my only real competitor. Even my friends here in the NYC music scene all support each other, and besides, our styles are so different from each other, that it would make no sense to compare amongst ourselves. I do get jealous of some big-name artists who are around my age, but I try to remind myself that just because I didn’t become famous at 16 or whatever, that doesn’t mean that I will never be successful, since no one’s journey is the same.
What are your interests outside of music?
Outside of music, I love animals, the environment, reading, fashion, and graphic design.
If it wasn’t a music career, what would you be doing?
I would be doing graphic design, for sure! That’s my other passion aside from music, and it’s actually my major in college right now. I got into it by designing my album art as a teenager, and now I design all my own visuals, including album covers, CD packaging, and merch. I go to Parsons School of Design in New York. It’s so exciting for me to explore all the ways that music and design intertwine with each other.
What is the biggest problem you have encountered in the journey of music?
I think getting people to listen to your music is really hard, there are so many independent artists releasing new stuff these days, and lots of it doesn’t get heard, or at least not by people who will truly appreciate it. A lot of people just like to listen to familiar music, which I understand, making room for new artists in your heart is hard. It’s one thing to just get in front of new people and let them know you make music, but it’s even harder to get them to actually listen to it—I think listening to new music is a leap of faith, and it can even get overwhelming sometimes. I think of music as sort of an unspoken bond between the artist and the listener.
I honestly love being born in this generation, because I think I was born to be a DIY artist,
If you could change one thing in the music industry, what would it be?
I honestly love being born in this generation, because I think I was born to be a DIY artist, and there’s no better time to do that, with the accessibility of resources and technology. But there are definitely things that still need to change. One thing I believe is that we should have more female producers, and women should learn to produce their own music. When I did, it was literally a game changer, it finally felt like my music was my own.
I’m not saying all female artists need to produce all their own releases and never get help from other, likely male, producers or engineers, just that it’s amazingly empowering and helpful to meet those people at their level and speak to them in their language in the studio. I’ve been talked over by male producers as a child recording my first songs, and I still remember the way it stung. Now, making music has never felt more freeing.
Why did you choose this as the title of this project?
Solastalgia is a word I came across while reading an article about how climate change can affect mental health, especially for Gen Zers such as myself. It’s a recently-coined word, referring to the distress people feel due to environmental change around them. “Hopeless” is the thematic heart of the album, as I wrote it about how thinking about climate change gives me suicidal thoughts.
However, the rest of the album looks at the title in a more abstract way, not necessarily related to physical environment, although I have a habit of using weather, nature, or seasonal metaphors in my songs. In the context of most of the album, solastalgia is basically referring to a complicated blend of emotional pain: nostalgia, fear, depression, loneliness, boredom, anger, and longing for things I can never have.
What are your plans for the coming months?
I’ll be busy with many artistic projects! Most likely I’ll release a single or two to follow Solastalgia, and try to get into playing shows more often in NYC. I would love to do a tour for Solastalgia, I’m hoping maybe in a few years. I also want to experiment with making more of my own music videos, producing songs for other artists, and co-writing more often.
Do you have any artistic collaboration plans?
Not right now!
What message would you like to give to your fans?
I appreciate each and every one of you, even if we’ve never met. I hope we can someday, and I hope my music can be there for you when you feel most alone, the way my favorite artists are there for me. You can always dm me on instagram if you want to talk 🙂
A conversation between Rick and my husband is what brought Rick and me together as co-songwriters.
Meet Sometimes Julie, is a San Diego dynamic duo who ended 2023 with a musical bang by releasing their album “Seven Wishes” on New Year’s night. Sometimes Julie is made up of powerhouse vocalist Monica Sorenson and musical wizard Rick Walker.
Monica’s earthy voice, as a guiding light, adds life to the fear of universal time slipping away while Rick creates sonic terrain that resembles Fleetwood Mac by adding rock touches.
Their fifth album, “Seven Wishes”, opens in pop, country and blues to express seven raw desires. Julie’s music is often so magnetic and compelling that it makes listeners want to realize their desires and grasp the moment.
Monica reveals in our chat how she got the name of her stage persona, Julie – a personality oozing mega confidence onstage. Acting motivated by love and personal lives, their creative path starts from a word to integrated gems with Rick.
Monica’s musical beginnings in a multicultural family influenced her youthful years and how they changed from simple songs to risky compositions express the uniqueness of their sound.
Sometimes Julie celebrates the reawakening of rock and roll with nods to U2 and Brandi Carlile. Apart from music, Monica enjoys nature and a little silliness. The future has a lot in stock for them, from live performances, solo projects and collaborations.
To fans, Sometimes Julie’s message is clear: help local musicians, enjoy live music celebrations and partake in the hope journey of love play. Take a plunge into the universe of Sometimes Julie and make their music vibrate in your heart.
What is your stage name? Our band name is Sometimes Julie. My real name is actually Monica, but when I am onstage people call me Julie most of the time, so I guess that’s what I go with for a stage name.
Is there a story behind your stage name? Julie is my performance name. When I first started singing, at open mics mostly, I thought it was important to use a stage name so I could maintain separation between my performance life and personal and professional lives.
With this separation, I could allow myself to be authentic on stage and perform freely, without having to worry about being tagged in potentially embarrassing videos posted to social media. So in short, Monica is a little self-conscious, while Julie is confident and free. So I’m gonna be Julie whenever I can.
Where do you find inspiration?
I find my inspiration in my relationships, feelings, and personal history as well as in dreams and imagined stories. I hear songs in my head when I am walking or hiking. Being in nature really lets me tune in. Melodies come to me as the stories develop.
When I return home from a hike, I will sit at the piano or with my guitar and work out a little bit of the song at a time. Then Rick and I will get together to fully develop the song. Rick’s collaboration often sends a song in a direction I didn’t anticipate, and I find that to be very exciting. So Rick is a big inspiration to me as well.
What was the role of music in the early years of your life?
Music was really important in the early years of my life. Many people in my family are musicians. Music was always playing in my house, whether it was classical or country or a little bit of jazz, standards, rock and roll, or pop. We didn’t have a lot of money but we had good stereo systems, a great collection of records, and instruments in our house – pianos, drums, and guitars.
Music was always there in the background of my childhood. I remember singing quite a bit to myself as a small child and loving learning songs.
Are you from a musical or artistic family?
My family is full of musicians. My grandparents were professional musicians and played in symphony orchestras, had radio shows, and regularly played in nightclubs. My father, who unfortunately I never met, was a professional musician in the Edmonton Symphony Orchestra. My mother also played piano quite well. My little brother is a professional guitar player and vocalist in Phoenix, Arizona.
Who inspired you to be a part of the music industry?
Rick inspired me to be a part of the music industry. A conversation between Rick and my husband is what brought Rick and me together as co-songwriters.
A conversation between Rick and my husband is what brought Rick and me together as co-songwriters.
How did you learn to sing/write/to play? As a child, I resisted my family’s efforts to teach me to play an instrument. And I was shy at school and did not join in with singing (fortunately, I eventually got over that). When I was a little older, I wrote quite a bit of poetry and actually pursued a master’s degree in English creative writing for a while. Writing poetry and writing lyrics draw from pretty much the same skill set. Also around the same time, I took a piano class for a semester as an elective. I loved it, but I didn’t pursue piano further until recently.
Although I have now been singing for several years, most of my development as an instrumentalist occurred only during the last few. After forming Sometimes Julie, I realized that in order to grow into the songwriter I wanted to be, I needed a better understanding of music and music theory. The piano is the perfect instrument for learning those things, and I am always eager to learn more.
What was the first concert that you ever went to and who did you see perform?
The first concert I went to was Elton John. I know I also went to see Chicago at about the same time. Elton John was amazing, he was very energetic, and Chicago’s sophisticated musical arrangements were inspirational. I began going to concerts after I got a job and could afford to buy my own tickets!
How could you describe your music?
Our music is original Indie Alt Rock, influenced by blues, pop, and a little bit of country. Our sound is entirely our sound, and while our music is relatable, it’s difficult to categorize us in a particular genre. What matters the most about our music is that it’s melodic and it’s a fully authentic experience that captures and conveys the moment and the feeling of the song.
Describe your creative process.
Usually, the words come first. A phrase, an idea comes along and then it is suddenly married to a tune that spins around in my head. I sing it into my phone and then I work it out on my piano. Some songs are all composed at once, while others have gone through revisions over a period as long as 10 years. Rick comes in to collaborate and helps me turn it into a song with all of the instrumental parts. A handful of times, Rick has composed a complete musical piece, to which I apply lyrics and melody.
Once the music and lyrics are essentially complete, we produce a demo in our home studio, and then take the completed demo to our band to develop the song further. After the band has played it out a few times, we go to a professional recording studio (Pacific Records, Pacific Beat Recording, and/or Bigrock Studios) for additional polishing and then release to the public!
What is your main inspiration?
Love, hope, pain, loss, hope. I’ve been thinking about love, and falling in love, and how to best describe love, my whole life. I think if people are honest they will say they are thinking about it almost all the time. I have had some very big losses in my life, as we all do. When I lost my son, in 2013, the pain was unimaginable. Writing songs to him and about him has been a saving grace. He too was incredibly creative and musical. I often imagine that he is inspiring me each step of the way. I also often write about a need to feel more freedom to express myself, so that is another recurring theme in my lyrics.
What musician do you admire most and why?
I most admire musicians who continue to evolve and get better and try new things. I also admire musicians who use their incredible talent and their energy to make the world a better place and give back. At the moment the artist that most comes to mind is the band U2 and Bono. We’re going to go and see them at The Sphere in Las Vegas.
But we’ve seen them many times before. They’re the reason I met my husband. I’ve created a lot of relationships with people listening to their music so I have to say they’re pretty influential for me. They use their tremendous influence to create Project Red which brings life saving opportunities to others.
Another person who I really admire is Brandi Carlile because she is so talented. Her music moves me. As an up and coming artist she was able to create while being a very authentic person. She was able to come out in 2002 and marry her wife in 2012. She uses her position of influence to create the Looking Out Foundation which helps fund a number of different things that I really believe in from conservation to supporting people in areas of conflict and Doctors Without Borders, a number of really important causes. Interesting connection: I recently found out that she learned to play piano and guitar after hearing Elton John.
Has your style evolved since the beginning of your career?
So much. We started out with what I would call safe little songs and we have developed into risk-taking songwriters. We try new things, bring in amazing collaborators, and create very original songs. I have grown as a musician, as both a singer and now an instrumentalist, with a better understanding of music theory and production.
Who do you see as your main competitor?
Time. You can’t trust it. It always steals the show.
What are your interests outside of music?
Hiking, glamping, being in nature, and being silly and childish.
If it wasn’t a music career, what would you be doing?
Painting and writing something other than songs. I also like working with animals.
What is the biggest problem you have encountered in the journey of music? Self-doubt.
If you could change one thing in the music industry, what would it be?
The rightful return of rock and roll as the dominant genre in popular culture. In my opinion, there is no other music genre with as much variety, and authenticity, than rock and roll.
Why did you choose this as the title of this project?
I am always wishing, hoping, and wishing some more, to have time with people I love and seeing people I have lost one more time. That is really what this is about.
What are your plans for the coming months?
Play! Play! Play! And work on my solo-ish project – which will be largely acoustic and piano oriented. Rick will be right there with me, so it’s only kind of a solo project.
Do you have any artistic collaboration plans?
I may be writing with a few friends, Linda Berry and Pat Pickslay to name a couple. I hope to put together some cool shows with all female-fronted bands.
What message would you like to give to your fans?
Please listen to and support local musicians and live music whenever you can! Hope, love, play! We appreciate your support and hope you will let us know what you think of our new album.
The Heart of Indie Music: Sambox's Candid Conversation on 'Imagination'
Sambox is back with his latest record “Imagination” this is an intriguing fusion of techno and classic sounds, this masterpiece was created in collaboration with cellist Anita Barbereau. Buckle up and get ready for a musical trip! It’s a dance of keys and cello, presenting one vivid performance in your mind.
Sambox is a musician with roots going back a lot in the 1980’s and early 1990 who are passionate about electronic music giving timelessness and easy listening quality to your tunes.
In a recent interview with Sambox he made some disclosures and delved into his personal life, he stated he is inspired by the melancholic and nostalgic sides of life, using music as a powerful conductor for emotions.
Recognizing the monetary difficulties that indie artists face, Sambox supports fair streaming payments by highlighting the importance of proper crediting.
Sambox announces some interesting future collaborations with cellist Anita Barbereau and hails the fans for listening to real heartfelt music.
Now click those links if you haven’t yet and let Sambox’s tunes take your imagination on a real feel-good adventure. It is more than music; it’s a rhythm that vibrates with the heart, making you dance and feel every pulse.
Is there a story behind your stage name ? There’s no real story behind my artist name
Where do you find inspiration ? Like many artists, my inspiration comes from everyday life, but the melancholy and nostalgic side is a real source of inspiration for me.
It’s in this melancholy that I’m able to express my artistic ideas.
What was the role of music in the early years of your life ? music has played an important role since I was very young, allowing me to discover different musical worlds and to blossom.
Are you from a musical or artistic family ? Yes, I come from a family of musicians, so we’re all artistically inclined, but in different musical worlds.
Who inspired you to be a part of the music industry ?
Clearly, when I discovered electronic music in the late 80s and early 90s, I said to myself, this musical universe speaks to me and this is where I belong.
How did you learn to sing/write/to play ? I trained in classical music and this has helped me a lot in the construction and realization of my compositions.
Nevertheless, I’m still a pure autodidact when it comes to mastering the various software and mixing techniques. It took me many hours, even years, of work to master certain phases, and I’m still learning every day, like many artists.
Cellist Anita Barbereau
What was the first concert that you ever went to and who did you see perform ? sincerely, I don’t know anymore
How could you describe your music? I would describe my music as pleasant to listen to and timeless.
Describe your creative process. My creative process is often the same: I stand in front of my piano and play completely imporvised until I find a chord progression or a beautiful melody that sounds good.
From then on, I set to work in my home studio to embroider this idea.
What is your main inspiration ? Although I’m not sad by nature, I really like melancholy and nostalgic things, because they’re often situations and things in life that touch you, and by definition music is a transmitter of emotions.
What musician do you admire most and why ? Difficult questions, I’d say that when a musician succeeds in moving you with his creations, he inevitably arouses admiration.
Did your style evolve since the beginning of your career? Yes and no. Basically, my artistic touch remains the same, but I’m experimenting with other sound textures and I like to mix acoustic instruments with electronic music.
Who do you see as your main competitor ? I don’t think there are any competitors in the art world of independent artists, but rather friends or even role models.
What are your interests outside of music ?
I really like the contact with water, in this case the wellness areas.
If it wasn’t a music career, what would you be doing ? hard to imagine, in fact, like many music fans, many will tell you they couldn’t see themselves doing anything else.
What is the biggest problem you have encountered in the journey of music ? As in any business, money is the key, and when you’re a self-producer like me, it’s hard to make big plans and invest in new equipment.
If you could change one thing in the music industry, what would it be ? The best thing would be a fair payment on streaming, and for that we need a complete overhaul of the artist remuneration system.
I don’t know a single artist who’s happy with his or her royalties. You have to live decently, and all work deserves decent remuneration.
Maybe one day there won’t be any human creators left, especially if you want to make music with a real soul.
Why did you choose this as the title of this project ? my latest single “Imagination” is above all a place for dreams and hope in this difficult world
What are your plans for the coming months? For a year I have been working in close collaboration with cellist Anita Barbereau, we exchange a lot and we still have many projects to realize for 2024
Do you have any artistic collaboration plans No other collaborations to come.
What message would you like to give to your fans ? listen, listen, again and again to my music, or if you prefer to buy it that’s good too because that’s what allows me to offer those who follow me or discover me authentic music that comes from the depths of heart.
A Symbol Of Hope In The Face Of Adversities - When Stars Collide
What do you do when everything seems to go bad? Do you fold back into your shell or face it like Ian Dencker? Ian Dencker is a musical artist who pours his heart out into every production; he has made it sole purpose to empower the world with his music
His latest single “When Stars Collide,” is that one song that can be enjoyed by people from all walks of life regardless of age. Ian is a solo artist who plays the guitar and keyboard, and atop that, he sings as well.
In a recent interview with Mister Styx of Musicarenagh, Ian Decker went deep into his personal life and share some bits of him. When asked about the main inspiration behind “When Stars Collide” this is what he had to say :
“The song is about awakenings, new beginnings and new realisations trying to capture that feeling in song”
Now join us as we get dig deeper into the life of Ian Decker and his latest single “When Stars Collide”
Ian Dencker
Is there a story behind your stage name?
No, it’s just my real name
Where do you find inspiration?
Everywhere, life, dreams, you just have to listen
What was the role of music in the early years of your life?
It offered hope and escape from a very poor upbringing
Are you from a musical or artistic family?
Nah
Who inspired you to be a part of the music industry?
I naturally was drawn to music as a young boy and would torment my family on the old piano
How did you learn to sing/write/to play?
I’m self taught
What was the first concert that you ever went to and who did you see perform?
I recall seeing Neil Youg and Crazy Horse
How could you describe your music?
Heart felt
Describe your creative process.
Sometimes I will dream a song and when I wake I record the words and music
What is your main inspiration?
A mixture really but the human condition prevails
What musician do you admire most and why?
I really like Thom Yorke as he is so gifted technically and creates a scenery like no one else
Did your style evolve since the beginning of your career?
Yes I think so and still evolving
Who do you see as your main competitor?
I would like to be as good as Green Day or Radiohead
What are your interests outside of music?
Martial arts and the good side of humanity
If it wasn’t a music career, what would you be doing?
I’d be a farmer or race car driver or a sailor
What is the biggest problem you have encountered in the journey of music?
being understood and getting my ideas across tp production
If you could change one thing in the music industry, what would it be?
more inclusive to all
Why did you choose this as the title of this project?
I was watching the Milky Way with my 9yo son whilst camping
What are your plans for the coming months?
To Promote When Stars Collide and perform it live
Do you have any artistic collaboration plans
Not at this stage but always open to offers 🙂
What message would you like to give to your fans?
I hope you like my new song, this one was very hard to write and I had to dig very deep as my life was undergoing drastic changes
Strings and Stories: Alexander Nantschev's Musical Tapestry
Lets talk about Alexander Nantschev the musician guy with a story as diverse as his tunes. His musical journey involves walking on a tight rope between classical melodies and experimental loops on a balcony that links his brother’s studio to his father’s classical music haven.
Like him, there is a little bit of everything in his latest album, “Selves.” Each song is an alternative side of him; like having multiple alter egos. For this reason, he does not believe in one self only, he argues that it does not work for such world as ours where we are forced to be stuck with one identity only.
In the midst of the buzz created by music and arts in his family, Alexander derives pleasure from mundane things – deep conversations, strolls in nature or teaching kids how to play violins. His process of making music? More like playing around and seeing what sticks.
In a recent interview with Mister Styx of Musicarenagh, he was asked if his music style evolve since the beginning of your career and his response was an interesting one, this is what he had to say:
“I strive not to regress, maintaining a dreamlike state that reflects a unique magic while learning life’s lessons.”
In this conversation we explore how he entered into music, who influenced his jamz and how he juggles the whole artist-manager thing. From being an avid Pink Floyd fanboy to finding his own sound, Alexander gives us all the stats about the music he loves creating without any fancy lingo at all.
Is there a story behind your stage name? Certainly, it’s simply my official name.
Where do you find inspiration? I draw inspiration from deep conversations with friends, visits to galleries, concerts, nature walks, reading, and engaging with other artists. My work teaching kids the violin is a constant wellspring of creativity due to its playful nature.
What was the role of music in the early years of your life? Music permeated my upbringing, with a father as a violinist, a ballerina mother, a conductor-composer uncle, and a music-producing brother. Our home was a hub for musicians, painters, and artists.
Are you from a musical or artistic family? Yes, my family is deeply rooted in music and the arts.
Who inspired you to be a part of the music industry? The early influence of The Beatles and Pink Floyd sparked my interest in the music industry.
How did you learn to sing/write/to play? My father initiated my violin training at age 3, followed by piano lessons at 9 and guitar at 15. My uncle enriched my knowledge in counterpoint, harmony, theory, music history, and solfeggio. I further studied violin and piano at the Music University in Vienna.
What was the first concert that you ever went to and who did you see perform?
While I can’t recall the first concert, seeing Pink Floyd at 13 in the front row left a lasting impression.
seeing Pink Floyd at 13 in the front row left a lasting impression.
How could you describe your music? Some label it as progressive, but I prefer to describe it as psychedelic. Influenced by classical music, my focus centers on melody and its arrangement.
Describe your creative process. My approach is playful, often starting with improvisation. I then refine by cutting out favored parts. Dance has been a significant influence, connecting various art forms like choreography, video projection, music, and stage design.
What is your main inspiration? A good sleep is crucial. While exhaustion hinders creativity, there are exceptions, like compositions born from high fever and sickness. Exceptional performances by other musicians also serve as inspiration.
What musician do you admire most and why? I admire Glenn Gould for his unique and individualistic approach to music, unswayed by external judgments.
Did your style evolve since the beginning of your career? I strive not to regress, maintaining a dreamlike state that reflects a unique magic while learning life’s lessons.
Who do you see as your main competitor? As Bela Bartok said, competitions are for horses.
What are your interests outside of music? I enjoy art, movies, books, philosophy, nature walks, and deep conversations with friends.
If it wasn’t a music career, what would you be doing? Probably a diplomat.
What is the biggest problem you have encountered in the journey of music? Confronting self-criticism and balancing the roles of artist and manager can be challenging.
If you could change one thing in the music industry, what would it be? I believe the public needs to value music more, akin to other forms of entertainment.
Why did you choose this as the title of this project? The album “Selves” represents different facets of me, each song embodying a distinct self – the Romantic, the classical, the hippie, the astronaut, the guru self.
What are your plans for the coming months? I’ve formed a new band, and rehearsals are underway. Additionally, I’m planning classical violin concerts.
Do you have any artistic collaboration plans? I’m always open to collaborating with inspiring individuals.
What message would you like to give to your fans? Believe in what you excel at. If someone inspires you, great. If a concert leaves you feeling down, it may have been more about ego than art.
Connie Lansberg's “Seconds and Circles”: A Fable of Timeless Jazz
In the oblong flow of jazz, timing is everything, and Connie Lansberg’s “Seconds and Circles” spins a fable with every tick tock of its musical hands. This bewitching number from Australia’s most streamed jazz virtuoso isn’t just a song; it’s an odyssey across time’s infinite dance floor.
With Mark Fitzgibbon’s adept fingers coaxing stories out of each piano key, we’re engrossed into Lansberg’s universe—one that glitters beyond conventional jazz confines. Here, standards don’t apply unless they’re recast in fresh outlines by these maestros’ hands. Like skilled alchemists turning melody to gold, Lansberg and Fitzgibbon fuse classic sensibilities with innovative gusto.
Lansberg’s vocal tone—a cultivated fusion redolent of the smoke-tinged spectres like Billie Holiday—casts spells embedded not just in the present moment but reminiscent of bygone times. Her ability to convey profound narratives within the ligaments of song fuses new listeners’ interest while seducing seasoned aficionados with her authentic touch. It’s enchantment spun through octave and tone.
Connie Lansberg’s “Seconds and Circles”: A Fable of Timeless Jazz
The artful arrangement thrusts us through temporal waves as intuitive drumming complements bass lines that anchor without constraining freedom flights quite fittingly enclosed within “Seconds and Circles.” What starts as mere vibrations in air transforms under their stewardship into raw emotion palpable enough to rouse souls long after final notes fade away.
Connie Lansberg has indeed exceeded barriers—with storytelling finesse entwined elegantly amongst the sophistication only acquired over expansive careers dedicated wholly to craft-reshaping definitions about what it means ‘to jazz.’
If this track signals what awaits on her sonic horizon, brace for heartbeats syncing up with rhythm; expect minds swirling along metaphysical staves where “seconds” aren’t plainly seconds—they’re eternal possibilities encircling moments grasped between breaths felt profoundly within our visceral tapestry.
Ingravity “Move It Up”: A Funk-Fueled Soulful Adventure
In the galaxy of neo-soul and buoyant pop, fresh constellations are problematic to arrive—but ‘Move It Up’ by Ingravity illuminates like a supernova in the heart of Berlin’s busy soundscape. At the wheel is Benedict Goebel, whose vision for this large-scale soul-pop blend has been fastidiously made since 2014 and now emanates through their debut album.
From opening chords that accept you like an old friend’s smile to rhythms that prod at inactive dance instincts, ‘Move It Up’ is less an invitation and more a compelling push towards joyous abandonment. The eleven-track adventure conjures up a generous portion of Stevie Wonder-esque enchantment with touches of classic Motown polish that never feels overdone.
Ingravity wields instruments with natural delight—the funk-fueled basslines grip your feet while brass arrangements lift melodies into an elevated stratosphere of groove. Tracks flirt effortlessly between easy listening bistro vibes and Friday-night fever; they dare listeners not to nod heads or tap feet as they’re wrapped in waves of warmth courtesy of layered harmonies fit for contemporary choirs.
Ingravity “Move It Up”: A Funk-Fueled Soulful Adventure
Yet beyond energetic hooks and refined production lies Ingravity’s unspoken prowess: passion laced within details—a percussion fill here, an off-center chord there—creating emotive landscapes often lost in over-produced records.
‘Move it Up,’ true to its title, is about elevation—lifting spirits amid adversity through collective musical prowess. Goebel doesn’t merely want you nodding along—he pulls you into a dynamic synergy where each song serves as both sanctuary and celebration.
Whisking us on this diverse voyage cemented with fun-filled artistry, Ingravity seems positioned not only to soundtrack summer barbecues but also claim stake within personal catharses during quieter moments when one needs simply…to move up.
Ace Pariston’s “Saints Row”: A Rap EP for the Soul
Ace Pariston’s “Saints Row” is a haunting tapestry woven with threads of despair and hope, setting it apart in today’s hip-hop mixtape landscape that often favors bravado over vulnerability. As the inaugural mixtape from the Swedish artist/rapper/producer, these ten tracks are not just a collection but a pulsating narrative of emotional resurrection. Through melancholic introspection bound by beats and rhymes, Pariston crafts an EP that reads like poetry for the soul cast against the urban sprawl.
Firstly, one must acknowledge this Swedish artist’s dexterity—not only does Pariston command the microphone with his verses, but he also sculpts the soundscape as its producer. To hear “Saints Row” is to witness a craftsman piecing together his own monument.
The street-paved melodies carry anthemic hooks that burrow deep within your consciousness, demanding residency long after the final note has decayed into silence. It beckons comparisons to The Weeknd’s darker early opuses or J Cole’s candid confessions—each word uttered by Pariston resonates like graffiti on soul’s bare walls.
But what makes “Saints Row” a riveting first Hip-Hop Mixtape for Pariston isn’t solely its thematic achievements; it’s also how he stitches classic rap storytelling with contemporary sensibilities—a revivalist yet fresh sound eager both to nod at tradition and push beyond existing boundaries.
Ace Pariston’s “Saints Row”: A Rap EP for the Soul
As much as it embodies personal resurrection through music—an audible come-up story—the collection could serve as an anthem for all navigating their tribulations towards self-actualization. In these compositions lies both curse and cure: an unflinching gaze at life’s inherent messiness alongside harmonious prospects for tomorrow.
To listen to “Saints Row” is indeed more than ingestion—it is immersion into Ace Pariston’s psyche holding out hope amidst torrents of emotions—and perhaps there lies its most powerful act: transforming pain into sonic gold—each track alchemizing sadness into something bordering sublimity.
Ace Pariston invites listeners across diverse spectrums—to not merely observe his ascent but feel every stride in verse-charged cadences leading upwards—a truly universal tale spun atop hip-hop threads, offering solace throughout Saint Rows’ cathartic crusade against desolation. And so ensues Ace Pariston’s love letter engraved in rhythm and rhyme—a genuine dedication worth replaying until every word feels like homecoming.
Liza Jane's "Man Or The Monster" a Puzzle Wrapped in Synth Layers
“Man Or The Monster”—Liza Jane’s latest solitary—is etching an enduring groove in the electronic dance floors of TikTok and Instagram, where beat-seekers inhale life into #dancechallenges that quake virtual and physical worlds alike. In this forceful path, listeners are dunked into the gloomy waters of affection gone astray—a style as timeless as Shakespeare but spun with the contemporary strum of pulsating pop.
Directed by Joseph Spence, the song video is a chiaroscuro maze reflecting those same dark undertones transported within Liza’s haunting songs—infidelity twisting through its arteries like poison oak on an old-fashioned wall, while self-reclamation stands elevated at its core, defiant and unmovable.
Liza Jane’s “Man Or The Monster” a Puzzle Wrapped in Synth Layers
While her tune hinges on grief and betrayal reminiscent of Gotham’s most heartbreaking figure Two-Face—the lines blur between heroics and villainy; correct or incorrect. Such is “Man Or The Monster,” a puzzle wrapped in synth layers produced deftly by Shayon Daniels. Experiencing it feels like observing coin mid-flip; every listener betting on which side lands face up—love or loss?
The sonic personality cannot be restricted to one gendered voice but echoes general sentiment that transcends labels—an anthem for anyone who has stared across the war zone at someone they no longer identify. It speaks quantities about Liza Jane, Key West’s native daughter whose vocal dreams bloomed before she could even fully express them.
In this meticulously made narrative soundscape, our Floridian mermaid bends genre just as much as she does prospect—the seductive allure ensnaring us amid deep basslines intertwined with electronic passion. Listen closely: is that desire or anxiety echoing back from your orators? With each listen comes another layer revealed—a different shade perceived from either ‘man’ or ‘monster’.
Behold Liza Jane—as enchanting and meaningful in artistry as an oceanic sunset off her coastal roots—carving out a heritage not just in pop civilization lexicon but also within the tattered edges of our own exquisitely flawed humanity. “Man Or The Monster” reaches tendrils out past song into psyche—and isn’t that what all truly magnificent music should do?
Moontwin's "Symbols" is a Lullaby for Adults and an Ode for Reflective Spirits
In a transcendent fusion of acoustic intimacy and indie-folk sensibilities, Moontwin’s latest contribution “Symbols” lays bare the intricacies of human emotion beneath the moonlit canvas of night. The single is not merely a tune; it’s an evocative expedition through the psyche, courtesy of Maple Bee’s haunting vocals and Zac Kuzmanov’s instrumental alchemy.
The narrative behind Moontwin is as enrapturing as their music—bound by companionship and artistry despite physical disconnection, with Kuzmanov orchestrating from his Bulgarian home while Garside weaves lyrical sorcery in Cornwall. This distance seems only to add depth to “Symbols,” a track born out of nocturnal revelations that gleam like constellations across landscapes vast and personal.
Moontwin’s “Symbols” is a Lullaby for Adults and an Ode for Reflective Spirits
One might say “Symbols” serenades listeners with melodies dipped in the inkwell of dreams—a potent sonic elixir brewed within those fragile hours where reality softens, allowing thoughts to swell into ripples upon consciousness’ still waters. It echoes artists like Nick Drake or Vashti Bunyan yet walks its own road—one illuminated by fireflies’ dance rather than spotlight glare.
Garside’s female vocals ripple through each verse with ethereal grace, at times reminiscent of Joni Mitchell or Sandy Denny. She navigates us through our subconscious fears, wishes entwined intricately as if braided by nymphs hidden just beyond view. Each refrain feels closer to chant than chorus—an invocation for minds caught dangling precariously between wakefulness and slumber.
Kuzmanov conjures an organic blanket under which these musings can nestle—acoustic strums ebbing and flowing against the gentle rhythm heartbeat-esque percussion; there is both warmth and melancholy here—comfort amidst longing. Their virtual teamwork defies miles, proving once more that true creativity knows no limits but rides borderless on digital currents.
“Symbols” may have arrived stealthily into our world under cloak of darkness but illuminates indefatigably bright now discovered. In this track lies proof that even in solitude — maybe especially so — music remains an indefatigable channel connecting souls across any divide.
As much a lullaby for adults as it is an ode for reflective spirits steering themselves towards dawn after long nights wrestling inner turbulence – “Symbols” glimmers delicately poised atop Moontwin’s growing discography – each listen etching enigmatic emblems deeper within memory’s halls.
Evol Walks’ acoustic interpretation of the Ramones’ macabre anthem “Pet Sematary” spirals into our awareness with an eerie new life. This is not merely a remake; it’s a revival that haunts with gentleness and resonates with unexpected emotion, created from the creative cradle of Leah Martin-Brown—the Australian enchantress spinning her ethereal silk spiderwebs across rock’s exalted tomb.
With Evol Walks’ latest release, there’s an immediate atmospheric shift—one that tugs listeners away from punk’s frantic crypt and lays them delicately atop celestial clouds of longing. Martin-Brown manipulates the tempo as if decelerating time itself to exhume every subtlety previously buried within frenzied guitar riffs. She infuses soulful female vocals like golden incense in holy spaces, sharply contrasted against her band’s past hard-rock pursuits.
Jasmine Crowe’s mournful violin melodies intertwine through this musical ritual—shivers down your spine manifest as notes on a staff. Every pluck, every hum carries more significance than just music; it enfolds you in the stories and ghosts once enshrined in two-minute punk ballads now drawn out into something exquisitely radiant—a gothic shroud gently draped over pop skeletons.
The magnificence lies in emancipation; you sense Evol Walks has broken free from genre constraints. Their decision to peel back layers reveals so much more than “a different side” to venerable punk rockers The Ramones—it uncovers mortality’s tender vulnerabilities versus its raucous revolt.
Evol Walks Impresses With “Pet Sematary”
Listeners may find themselves pilgrimaging along familiar melodic paths only to be escorted onto gloomy trails where recollection mingles with melody—a somber contemplation transforms what was once passionate into a quiet veneration for alley-cat anthems turned prayerful sanctuaries.
This second single heralds their forthcoming Acoustic EP not merely as another mark on discography belt but signals an expansiveness we eagerly await—an exploration both tremendously profound and sublimely spirited that casts renewed perspectives upon timeless refrains.
As much as “Pet Sematary” conveys sepulchral tones ripe for midnight performances beneath pale moonlight, above all else it resonates significantly deeper amidst tranquility rather than noise—with each listen uncovering nuanced whispers worthy of both thoughtful solitude and communal reverence among followers old and new.
Beyond the Lyrics: A Heart-to-Heart with NazTheMoon
Meet NazThe Moon, is an indie artist from Memphis, TN. She is a cool artist who shares her mental health struggles through her music while doing it all from her bedroom. Listen to her latest track “Local Freak Act” where live guitar meets post-hardcore rock.
Naz tells us how she got her stage name and talks about her musical journey. From jamming with post-hardcore and rock bands like Dream State to using music as an escape from mental health battles, Naz holds nothing back.
Discover how she comes up with her songs, what influences her and how the sound has changed over time. She’s honest about the struggles especially the constant comparison game in the music industry. Also, she has a message for fans –
“a big thank you for the love and support – She says. She’s doing it all for you and hopes to make you proud. Much love folks! ❤️
What is your stage name? My stage name as of right now is NazTheMoon or just Naz! It may change to Naz in the future, but right now, NazTheMoon is my brand.
Is there a story behind your stage name? It’s quite funny actually, I got inspiration from the song Nazareth by Sleep Token. I had made NazTheMoon my username on Twitter and it just stuck, it became my brand unintentionally.
Where do you find inspiration? I find inspiration in many different musicians as well as my personal life experiences. My sound is heavily inspired by post-hardcore, rock, & metal bands such as Dream State or Glass Heart. I write all of my songs about my personal life experiences and struggles and draw inspiration lyrically from the bands mentioned previously.
What was the role of music in the early years of your life? Music has always been something that has helped me feel alone in my struggles with mental health. I grew up listening to music as an escape and decided that when I started pursuing this career I would give back what I was given from music. I want people to feel less alone in their struggles and I hope I can do that with my music.
Are you from a musical or artistic family? My family isn’t super musical, although my parents did play instruments/sing in their youth. I’m the youngest of my six siblings, and I just so happened to be the odd one out! I’m the only one who thought, “Man, music is the one thing that truly makes me happy. Guess that’ll be my career now!”
Who inspired you to be a part of the music industry? In all honesty, my friends were 100% of the reason why I wanted to get into this industry. I used to never be confident in my voice, and then one day I decided to share my cover of a Sleep Token song with a few close friends who pushed me to write and release music.
I’m not friends with a couple of these people anymore, but I believe they’ll always be the people who made such a big impact on my career.
How did you learn to sing/write/to play? I grew up playing any instrument I could find. I learned to play guitar by searching YouTube tutorials and then self-taught myself from there. I learned how to improve my singing & songwriting at a local place called The Song Shack. The Song Shack taught me to push my limits and my teacher, Ashton, really helped me gain confidence both as a writer and a singer.
What was the first concert that you ever went to and who did you see perform? The first concert I ever went to was Twenty One Pilots back in 2018 or 2019, right after their album Trench was released. I was incredibly hyper-fixated on Twenty One Pilots back then, and even though I could barely see (because I didn’t have glasses), it was still the best experience of my life.
How could you describe your music? I describe my music as a mix of some post-hardcore & rock. My songs have deep lyrics that truly delve deep into struggles with mental health and learning to love yourself, combined with live instrumentals to truly create a unique experience for my fans.
Describe your creative process. A lot of my creative process is done in my room, on my bed, with nothing but a guitar and a notebook. I sit for hours, and the songwriting process can sometimes take days on end. I’ll listen to musicians who inspire me, analyze their songwriting or chord progressions, and draw inspiration from there.
From then on, I just play chords and sing along. If a lyric comes to me, I write it down and workshop it later. When a song is done writing, I bring it to my producer and we work on recording and touching up any empty spots. This process can take a few days to months! It truly just depends on how inspired I am to sit down and finish a song.
What is your main inspiration? My main inspiration is probably my own life experiences & mental health. Mental health struggles are something that has affected me for a long time, and writing about it truly helps me understand my feelings and create songs that are beautiful and unique to me.
What musician do you admire most and why? Jessie Powell of Dream State. Easy question. Jessie has truly inspired me with her lyricism as well as her story as a musician. The fact that she almost quit music and now she is in a band as successful as Dream State has truly inspired me to continue pursuing my dream and she’s taught me it is never too late to do what you love.
Did your style evolve since the beginning of your career? Very much so. In the beginning, my sound was more folk-pop or even jazzy sounding. I later learned that those sounds were just… Not my thing. I enjoy myself the most when there are hard instrumentals and find it easier to write a rock song than I do with any other genre. My clothing style has seemed to have shifted as well, which is a little odd to me. But is it me if I’m not changing aesthetics monthly?
Who do you see as your main competitor? Honestly, I don’t see anyone as my competitor. I do music for others to hear and think, “Man, she understands me.” If someone likes my music and is a fan, then great! I’m doing exactly what I set out to do.
What are your interests outside of music? I love photography and I’m doing it as a hobby on the side! Concert photography is always something I’ve loved and I decided to pursue it for fun. Other than that, I also enjoy gaming every so often. Baldur’s Gate 3 has truly distracted me from writing music.
If it wasn’t a music career, what would you be doing? I couldn’t tell you. I’ve always struggled to know what I wanted to do in life until I realized that music is what I have to pursue. If I wasn’t a musician, I’d likely still be in the music industry somewhere. I’ve considered being a tour manager at times. No matter the situation, I think I’d always be in the music industry.
What is the biggest problem you have encountered in the journey of music? Comparing myself to others, that’s the biggest thing. Going into the music industry and releasing my first single, I’ve constantly been comparing myself to others. I’ll see their engagement and wonder if I’m not doing enough. I’ve caught myself doing that and trying to teach myself that I’m doing good where I am and that things will get better.
If you could change one thing in the music industry, what would it be? I would likely change the lack of support for small/independent musicians. It can be very hard to come across venues or blogs that truly wish to support small musicians, and I’d like to change that. Many of us are looking to make a true career from this, but the lack of support can be very discouraging at times. That first step into the door of the music industry is always the hardest.
Why did you choose this as the title of this project? Local Freak Act is truly representative of what the song is supposed to be about. This song is supposed to represent me changing my name and truly focusing on my artist self. Some people may think of it as running away and joining the circus.
Getting that support to pursue what you love isn’t easy, and at times it can feel like you’re nothing but a clown to other people. I wanted to represent that in my title and cover art.
What are your plans for the coming months? I’m in the process of writing and recording my first EP currently, and I have another single coming out within the next couple of months (no spoilers for the exact date yet, I gotta leave some things a surprise)! I’m also working on writing an album that’ll hopefully come out late in the year.
Do you have any artistic collaboration plans? At the moment, I don’t have any collaboration plans. I’d love to work with artists like Jessie from Dream State or Princess Liv, but right now I’m focusing on my career and getting my foot into the door first.
What message would you like to give to your fans? Thank you so much for the overwhelming love and support, I never would’ve thought I’d be getting so many DMs and love. Thank you for being fans, and I hope to make you all so proud. You’re the reason I’m doing this, I love you <3
Kelvyn Boy Captivates Audience With Stellar Performance At Duku Festival
Renowned Ghanaian artist Kelvyn Boy took center stage and captivated attendees with an electrifying performance at the highly anticipated Duku Festival held on 7th January, 2024 the festival witnessed a blend of music, culture, and vibrant energy, with Kelvyn Boy’s set emerging as a standout moment of the event.
Known for his dynamic stage presence and chart-topping hits, Kelvyn Boy did not disappoint. He delivered a performance that resonated with fans and newcomers alike, showcasing his versatility, passion, and undeniable talent. From soulful melodies to high-energy tracks, Kelvyn Boy’s repertoire kept the audience engaged and enthralled throughout his set.
The Duku Festival, celebrated for its commitment to promoting music and cultural exchange, provided the perfect platform for Kelvyn Boy to connect with his audience on a deeper level. His ability to command the stage, interact with fans, and deliver flawless vocals reaffirmed his status as a leading artist in the music industry.
“We are thrilled to have had Kelvyn Boy grace the Duku Festival stage. His performance was nothing short of spectacular, and it truly elevated the overall experience for attendees,” said by Usher. “His energy, talent, and genuine connection with the audience encapsulate what the Duku Festival aims to celebrate.”
Kelvyn Boy expressed gratitude to the people of Tema New Town for their overwhelming support and promised to continue delivering memorable performances for his fans worldwide. As the Duku Festival concludes, organizers, artists, and attendees alike reflect on another successful event, eagerly anticipating future editions and collaborations.
Embark on a melodic odyssey with Agyenim’s latest release, “Me Alone,” a collaborative masterpiece with acclaimed Ghanaian producer Vacs. This track dives into the depths of solitude and self-reflection, capturing Agyenim’s raw emotions and signature style that seamlessly blends introspection with irresistible rhythms.
As “Me Alone” explores the complexities of solitude and the peace it unveils, the co-production by Agyenim and Vacs crafts a sonic journey with compelling verses and energetic beats, immersing listeners in a captivating experience.
The song unfolds with an evocative chant, setting the stage for a narrative voyage into Agyenim’s psyche. Woven with verses in local dialects and English, the track resonates universally, addressing themes of loneliness, self-discovery, and the pursuit of inner peace.
In collaboration with the renowned Vacs, celebrated for his distinctive sound and innovative production, “Me Alone” seamlessly combines compelling storytelling with captivating musical arrangements. This collaboration promises an enthralling auditory experience for fans and music enthusiasts alike.
Agyenim shares, “‘Me Alone’ is more than just a song; it’s a personal journey laid bare. Working with Vacs has been an incredible experience, and I can’t wait for listeners to connect with the emotions and energy we’ve poured into this track.” Get ready to be captivated by the synergy of emotions and musical prowess in “Me Alone.”
Paapa Versa Unveils 'Brand New' To Kickstart An Electrifying 2024
After serving fans with the Versa Villa album in 2023, Paapa Versa returns to the music scene with “Brand New.” The chill and optimistic track, released on January 5, marks the first single from his “24 Songs in 2024” project. This will see the Ghanaian Afro-Soul artist release a song every two weeks.
The self-produced and written song came to Paapa Versa when he was trying to figure out his next step in life. In his words, “I was feeling crippled by mistakes from the past, but a breakthrough conversation with a loved one gave me the spark to start a new chapter in my life.” “Brand New” touches on themes such as new beginnings, optimism, and hope in the people and passions in one’s life.
Paapa Versa’s artistry shines in “Brand New,” which blends soul with retro and highlife vibes. “I wrote and scrapped three songs while trying to find the right sound and vibe to start off my 2024 challenge,” he revealed. After days of hopelessness, Paapa constantly reminded himself that he needed a “brand new song” with a “brand new feeling.” That marked the start of the song’s lyrics. “Once it clicked, I wrote, produced, and recorded the whole song myself in two days,” he added.
“Brand New” is the first of the 24 songs Paapa Versa will release in 2024. In a video message, the artist asked for topics for his upcoming releases and received suggestions from fans and artists, including Koo Kusi, Worlasi, and Carter Ace.
Listen to “Brand New” on your preferred streaming platform.
Born Edwin Paapa hMensa, Paapa Versa is a versatile Ghanaian producer, singer-songwriter, rapper, and podcaster. He has received much attention and respect for his empathetic and broad musical style since his debut. The lead single, “Write for Me,” off his sophomore album Songs for Kukua, received massive airplay and critical acclaim, locally and internationally. In 2021, he changed his stage name from Paapa to Paapa Versa, with the Versa as an abbreviation of versatile.
As a gifted multi-instrumentalist, Paapa can play most instruments but is well-versed in the piano, drum kit, ukulele, bass, electric guitars, and percussion instruments. His genre-bending music is often labeled as eclectic, insightful, uplifting, and more. Paapa’s greatest wish is to inspire people everywhere to utilize their gifts and follow their dreams.
Emotional Currents: Diana Omar's "CAUTIOUS" EP Unveiled
In the swirling galaxy of contemporary music, it’s not rare for artists to grasp at the fibers of history, weaving them into modern narratives fixed firmly within our Spotify playlists. With “Sentimentalist in Chaos,” Diana Omar reaches from her desk in a Yale composing class to clasp hands with an unnamed historical figure, drawing forth a spectral muse that breathes life into her latest single.
Omar bathes us in an evocative soundscape that defies the monochrome of mundane modernity; she urges listeners to embrace vibrant splashes of humanity within a society where pulsing circuits often threaten to overwhelm whispering heartbeats. This theme rings clear as cathedral chimes throughout this defiantly introspective piece—a bold yet fragile tirade against robotic synchronicity.
The track unfurls like silk ribbons on a windy day—Omar’s voice is both anchor and sail. Elements of pop provide buoyancy while indie undertones weave complexity beneath, crafting an auditory experience that invites you to drift alongside existential quandaries rather than sink beneath them. Those familiar female vocals resonate as both balm and battle cry—an incantation spellbinding one moment and propelling you forward the next.
There is duality here: structure coupling with impulse—the way Omar oscillates between symphonic cadence and raw emotive power is stark evidence of masterful artistry reminiscent of Florence Welch’s bewitching command over melody and meaning. You’ll hear echoes too, perhaps unintentional but certainly welcome, nodding towards Adele or even Regina Spektor when they dare tread off beaten paths onto grander lyrical landscapes.
Diana Omar
“Sentimentalist in Chaos” bridges emotional alienation with collective understanding by exploring those felt but often unspoken emotions bubbling under society’s stoic surface. In discarding pretense for authenticity—one might say Omar grants permission for individual chaos to be acknowledged amidst societal silence—and therein lies relief wrapped in resonance.
This song isn’t just heard; it reverberates within cavernous spaces we’re conditioned to neglect—dusting cobwebs off sentimentality itself until it gleams anew against soulless steel beams of expected indifference. So rare is such synergy that transitions seamlessly from headphone seclusion into conversations sparked over coffee cups about how hauntingly beautiful acknowledgement can be.
Whether cloaked in academia or laid bare upon poetry canvases stretched out across airwave studios—”Sentimentalist in Chaos” stands testament not merely as another tract on tripping fantastic down sonic trails—it serves more so as profound reflection upon our collective human endeavor affectionately cradled amid disarrayed chords dancing deftly toward hopeful horizons.
Diana Omar may well have penned perchance unknowingly—a hymn dedicated less to past shadows than future illuminations; “Sentimentalist” becomes synonymous not with mawkish malady but instead emerges anthemic—an ode rejoicing textured terrains traversed deep inside every feeling trodden terrain within us all.
The Unsuals Showcases Their Showmanship With Single 'Pressure'
THE UNUSUALS, are two talented people from the Pacific Northwest who are making waves in hip-hop music. “Pressure” isn’t just a normal song; it is going deep into life’s good and bad sides. Ninjaface and Xperience put a lot of themselves into this one. They look at the hard decisions we all have to make between good or bad.
This team is made up of Ninjaface and Xperience. They worked with Theory Hazit to make beats, Tim Carpenter for an amazing music video in it also have some “Mandalorian” fight scenes added.
In a recent interview with the duo, they revealed information about their new album. They have put their heart and soul into every song, trying to do better than before with each step. They’ve taken ideas from the old hip-hop time but put their own new touch.
THE UNUSUALS aren’t just about music; they are also about a message. They want their music to emotionally affect you, making you think about the fights between good and bad inside everyone.
Looking ahead, they have more music in the works. But, they also want to find songs that touch the soul and talk about real life problems. These guys want to use their stage for encouragement and motivation. They believe the music world needs more of this kind, according to them.
An In-Depth Conversation With The Cumberland River Project On 'Your Man'
Today, we will talk about “Your Man” by The Cumberland River Project. This song is fun and makes us think of rock music with a touch of blues from Hagen in Germany where Frank Renfordt made it along with his skilled team.
Frank is the main person in a program. He works with Simon on drums, Dennis plays guitar and Jenny sings backup vocals as well Dima adds horn sounds too. They’ve made a song based on old stories like Joe Cocker and Tina Turner. It sounds sweet with ’70s and ’80s blues-rock feel in it.
“Your Man” is a story about a guy who wants to impress country girl. It mixes old blues style with new fashion.
So, let’s relax and talk to Frank about his music journey. We will discuss what makes him creative and the story behind this fantastic song.
What is your stage name The Cumberland River Project
Is there a story behind your stage name? Nashville ‚Music City‘ is located on the banks of the Cumberland River and it’s my favorite town beside of my hometown ‚Hohenlimburg‘ in Germany. Most of my songs are more in the style of American Country music or Americana music and the home of this kind of music is in those Cumberland area in Kentucky and Tennessee.
Where do you find inspiration? From life! You can write a song about everything and sometimes it is like a therapy. and all my life I have listened to many different kinds of music, so there is a long playlist in my mind.
What was the role of music in the early years of your life?
I liked to listen to my brother’s tapes. He was seven years ahead of me and he heard all the cool stuff of the sixties like The Beatles, The Stones, The Bee Gees and so on and I think it had an influence. I tried to sing along despite I couldn’t understand anything.
Are you from a musical or artistic family?
Not really, my mother was a very creative person. I think she could have been an artist in other circumstances. She liked to sing in the choir at church.
Who inspired you to be a part of the music industry?
First who inspired me was my older brother who started to play bass guitar in a rock band in the age of seventeen and that was a very cool thing and I wanted to be like him.
How did you learn to sing/write/to play?
I got a guitar from my parents when I was ten years old and they organized guitar lessons. As soon as I had learned to play some chords I started to write somw crappy songs. I learned to write better songs many years later with the help of experienced songwriters from the Nashville area which was only possible because of the internet.
I guess I’ve also read every book about songwriting and in addition I have attended a couple of songwriting retreats and seminars in the US and in UK. I also started to take vocal lessons some years ago, so I plan to sing my songs more and more by myself.
What was the first concert that you ever went to and who did you see perform?
The first big concert was a Genesis concert, it was in the late seventies. It was very impressive and I was a big fan of that kind of music in those years.
How could you describe your music?
I love to hear guitars playing, I like organic music, real instruments and vocal harmonies and this leads to my style of music, which is a mix of country, rock, pop & folk music, very organic and most of the time with meaningful lyrics.
I love to hear guitars playing, I like organic music, real instruments and vocal harmonies and this leads to my style of music
Describe your creative process.
There is no fixed process. In the case of ‚Your Man‘ it all started with the bass line and I hummed some words to it and it all built up quite naturally. But sometimes I write the lyrics first, or I have a catchy chorus in mind and built the song around it. Once the song structure is finished I consider the arrangement and look for the right people to help me to bring my song and my ideas to life.
What is your main inspiration?
Life.
What musician do you admire most and why?
I cannot answer with only one name. There are so many I admire for different reasons. Since ever I love The Eagles because of their catchy songs and vocal harmonies, I love Chris Stapelton because of his unique singing capabilities, as a songwriter I admire Lori McKenna and I have to confess I’m a ‚Swiftie‘, I love everthing about Taylor Swift.
Did your style evolve since the beginning of your career?
I started to write songs which I thought could fit into the Country Billboard Charts, I wanted to write something with commercial potential. But it is rather difficult to make it in the country community when you are not living in Nashville. Today I don’t care so much about this. My style is less genre specific anymore, but still very country related, because I love that kind of music.
Who do you see as your main competitor?
Making music and writing songs is neither a business nor a competition for me. So there are no competitors, only likeminded people, friends and colleagues – a great community.
What are your interests outside of music?
No 1 of course is my family. I like to read a good book, doing some sports, gardening … not enough time for everything.
If it wasn’t a music career, what would you be doing?
I’m an independent artist and actually I can’t make a living from my music, so I still have my job as a purchasing manager. But if it wouldn’t be music, I would try to write a book, I think I need to be creative.
What is the biggest problem you have encountered in the journey of music?
To find the people who like my music. I know they are out there, but without a big promotion budget its hard to break through the noise and get heard by the people who are into the kind of music I make.
If you could change one thing in the music industry, what would it be?
I think there is not such a thing as ‚the music industry‘, today the market for music is really diversified. It was never easier to release music and it was never more difficult to gain attention. But there’s nothing to complain about this, there’s no way back. You don’t really need the music industry anymore, you just need to be outstanding, which is as difficult as it ever was.
What are your plans for the coming months?
I’m gonna release an other single end of January and then – probably in March – an EP with six new Country/Americana songs which I will sing by myself. It’s nearly finished and I’m really excited about it, because these songs are more personal than what I wrote before and I love each of them like a baby.
Do you have any artistic collaboration plans
Not really, but I’m open to collaborate with everyone if we are on the same page.
What message would you like to give to your fans?
Chase your dreams and enjoy the journey AND stay tuned and look forward to some very nice songs to be released soon.
Unveiling the Depths of Paul Marotto's 'Anthem for the Forgotten'
Let me introduce you Paul Marotto’s latest song “Anthem for the Forgotten” truth be told this is a song that really gets to you, the song speaks directly to you and has the power to alter your emotions. It’s personal, you know? With those heavy piano tunes, his heartfelt singing, and a sound that really makes you stop and think.
Anthem for the Forgotten begins with some deep piano notes, and this sets the mood right for some in-depth conversation, setting the scene for some serious self-reflection. What makes the song exceptional is Marotto’s singing, it’s like he’s pouring his heart out, telling his own story about battling opioid addiction. He’s keeping it real, and you can feel the rawness in his lyrics.
Unveiling the Depths of Paul Marotto’s ‘Anthem for the Forgotten’
Then the drums kick in, giving the tune this urgency and drive. The synchronization of the vocals and instrumentation blend perfectly creating a dreamy vibe taking you on a journey.
The theme behind the song is such a powerful one when asked about the it this is what Marotto had to say:
“….. to show these people that even a person battling mental illness and drug addiction can create something meaningful from their experiences.”
Anthem for the Forgotten is more of a memoir a song, he really poured out his heart into the song. It’s about his struggles with addiction and depression, laying bare the pain and the ongoing fight to get back on track. Inspired by the impact of OxyContin on his generation, he’s hoping this song shines a light on the shattered lives and ongoing battles so many face.
An Animated Rock Odyssey: Reviewing Dirty Power's 'Said And Done
Dirty Power, the international rock trio presents chapter two,” Said and done”, of their three-part musical saga inherent in its forthcoming EP entitled “Gravitas”. Whereas ‘I Did My Time’ raised enough momentum to propel this band onto new heights, here it strays into an edgy rootsy unplugged territory developing what might be termed
Begun in light of Rodrigo y Gabriela’s guitar rhythms and the solid ‘industry-coustic” beats placed by Rammstein’s “Los,”Said And Done centers on buddies coming up for each other. The stage is set amid life’s trials, it is the collective support that defines our journeys.
The EP “Gravitas” is scheduled to be released between late 2023 and early This new approach diverges significantly from their previous aggressive EP, “Notions” , as a reaction to the personal and collective crises lived through during the Covid pandemic; they offer an introspective musical journey reminiscent of albums that transformative like Nirvana’s with Unplugged In New York or Metallica in S&M.
Reclaiming roots and finding solace in the midst of chaos, “Gravitas” is a live recording carried out within Ireland’s southwest coast ancestral castle for the frontman. Managed by talented engineers from the sensational Ireland’s band, “The Scratch,” audio production along with live filming of the EP expresses a lifetime opportunity.
As the EP travels through its own tracks and ends on two thunderous covers, it doesn’t just revel in Irish musical legacy but also creates a hard-rock tribute of sorts as befittingly respectful in creating this dynamic after-party to mark what was essentially an incredible musical odyssey.
When you hear the name Peppermint Moon, let me tell you what to expect from him as an artist, infact let me use his new Ep “Pocket Dial Tears” to tell you more about him. Colin Schlitt, the brains behind Peppermint Moon from sunny San Francisco, California.
He’s the guy doing it all—writing, performing, and producing Peppermint Moon’s tunes. So, Colin just dropped a new EP under Peppermint Moon called “Pocket Dial Tears.” It’s a sweet mix of power-pop and psychedelia that’s got this catchy vibe going on.
The EP’s title? Colin says it’s about the trouble a butt-dial can land you in—talk about unexpected inspiration, right?
The EP kicks off with “I Thought I Knew,” and it’s a rock-pop banger that hooks you right from the start. The electric guitar riffs and beats are retro-cool, and the synths add a nice touch. Colin’s vocals bring the fun, and the song’s got this groovy flow that’s hard not to vibe with.
“Above Clouds” is all about that warm, sunny feeling breaking through on a cloudy day. It’s a happy-go-lucky track with cheerful keys, dreamy guitars, and drum beats that just make you smile. The vocals and chorus? They’re like the cherry on top—pure art.
Then there’s “Like Like Me.” It’s a slow, reflective piece diving into complicated relationships, where people act friendly but really can’t stand each other. It starts slow and contemplative, then shifts gears into a psychedelic rock vibe—a real musical gem.
“Day To Day” sets a mysterious tone, inspired by some favorite TV shows. Strings lift the song to another level, giving it this magical feel that’s hard to resist. It’s a laid-back piece that really gets you thinking.
“Foxy Friends” takes on Fox News and how news stations twist things up to keep us arguing. It’s a wild ride with epic guitar solos, heavy drums, and vocals that fit right into that psychedelic groove. The production here is top-notch.
Closing it out, we’ve got “He She They,” inspired by someone close to Colin on a journey of self-discovery. It’s a bit like The Kinks’ “Lola,” diving into the confusion of discovering one’s identity. The song builds beautifully, painting a heartfelt story through its words and music.
Listening to the songs on the album, you can tell a lot has really gone into the EP, from the song writing, to the production and recording. Each of the six tracks brings authenticity, both in the music and the lyrics.
Dancing Among Stars: The Loopstationist's 'Interstellar Dance' Review
Giulio De Marco otherwise referred to as The Loopstationist is a multi talented musician who uses music to express his heartfelt feelings. Born in Salento, Italy, he started his musical career with the help of his sister who is a pianist and took lessons on several instruments.
His latest single, Interstellar Dance comes in so soft and gentle as a mother’s goodnight kiss. Delicate piano notes create a warm atmosphere, gradually taking the listener to dream world where he tampers magic of free space picturesque silence pale radiance and hidden mysteries.
the nonverbal communication of piano resonates profoundly, sends shivers down one’s spine and sounds like gentle tears trickling , you just cant help but be moved by its brilliant softness. The song gets more dramatic, sci-fi and new wave sounds to it but remain danceable like groovy It’s warm.
The Loopstationist’s Interstellar Dance tracks smoothly grooves between piano-driven emotions and melodic beauty.
The harmonious structures of this composition evoke a magnificent dance in our minds, make us feel and imagine endless possibilities. It’s an engagement of our senses, a beckoning toward satisfaction and orientation in every encounter.
The faraway lights revive in us irretrievable tastes, remaking our fantasies, reigniting a longing for life’s finest and most innocent moments—those ordinary yet dreamlike nights of serenity and satisfaction.
It’s almost as warm, full of energy and a belief in life being what it is – filled with its own mysterious path to elevation and happiness.”
Since the time I came across this Gary Dranow, in fact from now to eternity he continually provides his fans reasons why they should stick around with him and so let me introduce you to one of His latest freshest productions it’s entitled “Im A Man”. It’s a hard-hitting song that has plenty of blues inflections along with contemporary sounds. Feeling the influence of bands such as Counting Crows, The Verve and Oasis is possible but Gary bring his own flavor that makes it feel fresh and exciting.
‘I’m A Man’ included in his upcoming album titled “Never Give Up,” and it really shines. There are no taboos about the blues feeling for Gary, especially with that harmonica – it envelops this song from the very beginning in its powerful and plaintive aura. And that man his voice is fantastic. You can feel all those emotions he’s putting into it, when telling the story of growing up and getting a better person.
One interesting thing in Gary’s music is the way he creates such bright images with his lyrics and tunes. “I’m A Man” is no different – it feels like you are watching a movie while listening. This song is about this dude who has had a rough ride but manages to turn things around for the better. It’s a happy ending that makes you cheer for the fellow.
Gary has had a hard life with conditions such as bipolar disorder and recovering from strokes. But music has been his means of dealing and sharing the story. The mixture of classic rock and new vibes is really clicking with his band, Gary Dranow & the Manic Emotions.
As a whole, this song is indicative of the fact that Gary Dranow knows how to combine old school blues with something new and appealing. It’s a tune that will stay in your ear, telling the story of rising up and deliverance.
Happy Duke’s “Merry Christmas”: A Song for the Season of Giving
In a period where the globe still lingers under the gossamer veil of yuletide festivity, Happy Duke emerges as both commander and companion with his latest single, “Merry Christmas.” A piece conceived amidst political skirmishes, financial upheavals, and lingering viral shadows, it is designed to be a heartwarming anthem perfect for cultivating an atmosphere of unity.
Happy Duke – Artist, Music Composer and Producer extraordinaire – strings together infectious melodies in this musical tapestry that not only captures but emanates the essence of holiday cheer. With male vocals that carry warmth like a roaring hearth on winter solstice night intertwines unapologetically with funk-infused reverberations to get even the most stubborn Scrooge tapping their feet.
Beyond its groove-laced melodies lines and shimmering chords lies a thoughtful intent: the track beseeches listeners worldwide to spread love infinitely and hold dear every precious moment with family and friends. Lyrics soaked in optimism give wings to sentiment without descending into saccharine cliché; indeed, levity meets depth as “Merry Christmas” becomes more than just another seasonal tune—it’s an invitation extended by Happy Duke himself to reflect joyously on shared humanity.
Happy Duke’s “Merry Christmas”: A Song for the Season of Giving
This ditty does not merely lean back onto tradition but updates the playbook using 21st-century sonics—a soundscape diverse enough for universal appeal yet singularly magnetic. Picture vibrant splashes of brass meeting playful synth zaps; they adorn what could easily settle within any era’s celebratory playlist.
Whether you’re adorned in ugly sweaters or swapping gifts by Zoom calls this year again—whatever your festive ritual—”Merry Christmas” claims its rightful space within your soundtrack. Like evergreen boughs festooned across mantlepieces worldwide or strings of twinkling lights seen from snowy streets afar—the track is super catchy while championing collective resilience during times when division runs rampant through societies fragmenting at their seams.
Happy Duke’s “Merry Christmas”: A Song for the Season of Giving
From start to finish, mix-master expertise ensures each note under Happy Duke’s directive delivers precision-calibrated joy—and let’s face it—that’s exactly what we crave during these pervasive cycles around sunsets shortening against evening skies soon sparkling aglow again with renewing hope each December returns us home anew.
Spirit lifting? Check.
Groove-inducing? You bet.
A song celebrating love over conflict wrapped up neatly with a bow?
It seems “Merry Christmas” has delivered right on time.
Space Owl Takes You on a Musical Journey with "Flask"
Step beyond the threshold of expectation with Space Owl’s latest single, “Flask,” a genre-bending odyssey that serves not merely as a song but as an alchemical transformation of sound. Navigating through the celestial confluences of prog rock, jazz fusion, and classical music, this track shapeshifts from audial stardust to solid ground beneath your feet.
“Flask” begins with the whisper of strings plucked by virtuoso guitarist Ari Joshua; each note is like a spark in the quiet darkness before dawn. As dawn breaks, John Ewing’s drums beat out rhythms reminiscent at once of heartbeats and distant thunder—utterly organic yet commanding in their precision. Bob Lovelace’s bass undercurrent runs deep and strong: it’s both anchor and compass for this intricate vessel captained by melody.
Then there’s David Appelbaum on keyboards—a sorcerer summoning harmonious storms within clouds shaped like grand pianos. Sometimes he is Steve Winwood driving through Spencer Davis Group-era traffic; at others, he channels Rick Wakeman taking Yes to unexplored galaxies.
As “Flask” weaves its enchanting melodies throughout shifting time signatures and key changes, listeners are invited onto an undulating carpet ride where complexity feels effortless—almost improvised despite its obvious craftsmanship. The record moves you through halls decked with Escher-like tessellations made audible; twists around Charybdis’ swirling syncopation without succumbing to her depths.
Space Owl’s members become architechts engaged in constructing an intricately detailed sonic landscape—breathtakingly expansive no matter which direction you turn your ear. You find yourself awash in lush orchestrations that bow respectfully to Mogwai or Mahavishnu Orchestra inspired crescendos while also borrowing whispers from Chopin nocturnes when tenderness takes center stage during contemplative interludes.
Space Owl Takes You on a Musical Journey with “Flask”
What remains consistent across “Flask”’s dynamic range is an undercurrent vibe—an energy born not merely from sound but also from silence waiting patiently between notes. This pause lends gravity to every return as trains of rhythm reengage after wandering playful diversions into melodic wilderness.
To listen here is not just hearing—it’s experiencing something unique yet universally intuitive: evolution captured in audio form where past tradition meets future potential amid present expressionist painting contours drawn by four artists showing us what they see behind closed eyes used for looking inward rather than outward.
Far more than merely another catchy tune cluttering airwaves already over-populated by fleeting trills posing as anthems—the ingenuity displayed within “Flask” promises staying power among playlists harboring desires for journeys both vast in imagined distance traversed and rich with returns paid handsomely upon arrival back home at song’s end
In short, Space Owl doesn’t soar—they transcend—with a flight path charted straight into adventurous hearts open wide enough to welcome merging worlds knit together seamlessly via threads pulled lovingly from genres less stirred about classification tags preferring rather simply being called exhilarating experiences designed delightfully for ears too often tempted settle down instead soaring skyward alongside owls daring explore space nestled deeply inside music endlessly revealing hidden treasures secured safely within flask crafted carefully composed cosmic wonder.
Jack Simpson Releases New Single "Crucifix of San Damiano"
Jack Simpson’s latest single, “Crucifix of San Damiano,” is a stirring musical homage to a relic steeped in mystery and divine whispers. Acting as both a historian and bard, Simpson reverently navigates through the waters of alt folk with male vocals that glimmer with the sincerity of stained glass stories.
The track opens up like dawn over Assisi—gentle guitar strings pluck the serene silence before giving way to Simpson’s earnest voice. There’s an intimate fragility here that augments the spiritual gravity one would expect from such subject matter. His vocals carry weight—a certain gravitas yet remain as accessible as prayer—inviting listeners into contemplation alongside him.
As we voyage further into this auditory pilgrimage, it becomes apparent how profoundly rooted “Crucifix of San Damiano” is within its Christian ethos. Yet, fear not secular sojourners; for all are welcome under this expansive sonic canopy. The melodies craft bridges across belief systems—an interfaith dialogue written in chord progressions and lyrical confessions.
Jack Simpson Releases New Single “Crucifix of San Damiano”
What captivates about the song isn’t just its historical curiosity or sacred theme but precisely how seamlessly it fuses these elements together through evocative storytelling woven directly into its soundscape. It resonates silently behind lyrics woven tight with lore—the anonymity of an object inspiring devotion morphing into vibrato-filled verses suggesting origins shrouded in time’s embrace.
Though modern audiences may find themselves more familiar with high velocity streaming tracks where message often plays second fiddle to beats per minute, “Crucifix of San Damiano” slows us down—it asks us to consider legacy and legend on a deeply personal level. The alt-folk genre breathes well on this terrain; just ask disciples like Bon Iver or Fleet Foxes whose hymnals have long combined nature’s mysticism with human yearning.
But make no mistake: while Jack doesn’t shy away from comparisons to his indie contemporaries—with traces echoing Sufjan Stevens’ tender extrapolations—he ultimately crafts his own niche altar among them: one part troubadour-poet straddling eras passed by candlelight nuances, another prophet singing past truths into today’s ever-shifting tides.
In essence: To listen to “Crucifix of San Damiano” is less about unearthing definitive answers regarding its titular artifact and more about accepting music as sacrament—a vessel carrying echoes old enough they might have once swept softly through St Francis himself had he been prone beneath ancient stars pondering crosses amidst uncertain skies laden heavy not just with rain but potentiality too undreamt by mere mortals without tunes like these to guide them home…or inward at very least.
Hannah Johnson's "Slow Motion" is a Funky, Synth-Heavy Ode to Love
Hannah Johnson’s debut single “Slow Motion” is not just an aural delight—it’s the sonic embodiment of an artist ready to redefine modern Pop with retro soul. The track unfurls around a groove that sinks its claws deep—the kind of funk-laden bassline that commands your hips to sway as if they’ve been bewitched by rhythm itself.
As earworm synth patterns spiral through the soundscape, one can’t help but be transported to the neon-soaked ’80s nightscape only to find it seamlessly merged with laser-sharp contemporary production. It’s as if Daft Punk decided to have a rendezvous in Prince’s iconic Paisley Park studio—a homage both timeless and audaciously new.
Hannah Johnson’s “Slow Motion” is a Funky, Synth-Heavy Ode to Love
But what makes “Slow Motion” sparkle like sunlight on a rippling sea is Hannah Johnson’s earnest message enveloped within her catchy lyrics and melodies—real love moves us all at its own destined pace, rewarding those patient enough with experiences beyond their wildest dreams. Her voice cascades over each verse with passion tinged by experience, imbuing every word about love’s tangible joy with authenticity; it feels less like listening and more like remembering.
Moreover, this fusion anthem basks in genuine feeling and solidifies Johnson’s position as not just another flash-in-the-pan songwriter but rather someone who has honed her craft for nearly ten years—an artisan whose tools are hooks that snag you softly yet profoundly.
Invariably, “Slow Motion” is not merely another addition to today’s pop vernacular; it is Poetry-in-Motion personified—a slow dance promised at life’s grand ballroom where we all yearn for songs exactly like this: eternal, evocative, enrapturing. Hannah Johnson is clearly here not just to join the pantheon but perhaps even reinvent it—measure by stirring measure.
No Terror in the Bang: The Dark Muse of "Lulled by the Waves"
With the hauntingly swelling “Lulled by the Waves,” No Terror in the Bang enticingly invites listeners into a swirling sea of emotion, where despair’s murky depths are met with an eerily tranquil state of being. This second single from their impending album “HEAL” washes over you, a cresting wave of cinematic metal that urges one to immerse within its pervasive undertow.
Poignantly capturing humanity’s darkest musings, the lyrics coil imaginatively around your consciousness like cold oceanic depths longing for surrender. The notion of death as both menace and sanctuary is rendered exquisitely through richly textured female vocals that rise and fall with a spectral charm; here lies an evocative siren call weaving creatively between sorrow’s dirge and liberation’s last breath.
No Terror in the Bang distills progressive metal down to its most poignant aspects—allowing explosively complex moments to live alongside those as delicate as sea foam spray on marbled skin. Their latest offering alternates deftly between frenzied turbulence and somnolent dreamscape—a chiaroscuro soundscape inviting reflection on life’s inherent tempests.
No Terror in the Bang: The Dark Muse of “Lulled by the Waves”
The music itself is an imaginative labyrinth; guitars ebb and flow around percussive breakers while orchestral flourishes soften sharp edges of pained introspection. It feels akin to witnessing a dazzling aurora borealis across indigo night skies—an undulation between eternal sleep under starlit sanctity or waking struggle against merciless tides.
“Lulled by the Waves” does not simply suggest darkness but immerses you within it, ensuring each listener emerges baptized by emotional authenticity—the blurring line between pain’s disdainful caress and yearned-for oblivion becomes startlingly clear under No Terror in the Bang’s spellbinding artistry.
Anticipating “HEAL” transforms now into bated breath; if this track serves as any portent, we should prepare for odysseys uncharted yet deeply known within soul-recess realms. Herein promises more than just songs: they’re woven narratives—with thread spun from anguish—that resonate long after final notes dissolve into silence…or perhaps beginning anew somewhere among unfathomable celestial waves.
