Eleanor Hammond began her musical career at a very early stage of her life. As young as 11, she was already singing and playing some musical instruments, such as the guitar and piano, this helped in polishisg her craft to near perfection, and between the ages of 14- 22 was featured in two theatrical productions.
To Eleanor, music is a major way to express emotions, and this can clearly be seen in her songs. With each song she writes, you can tell she put in lots of work in the composition, and her latest single, Hidden Wounds, is the perfect proof.
When asked about the main inspiration behind her latest single, this is what she had to say.
“I wrote Hidden Wounds for anyone struggling secretly alone with their mental health, wishing I could offer them a magical cure. I also wanted to make it so you could dance along to the isolating experience of depression, as the relationship is not always just dark and somber all the time.”
We all face some emotional battles one way or the other and what we need is something to keep going, Hidden Wounds has the perfect message, the song begins on a gentle note, which grasps your attention and glues you to the sound, yet as you get comfortable with the song, the tempo switches with heavy kicks that leaves a lasting impression on you.
Listen To Petra Jasmiina's As She Shares Her Bitter Sweet Feelings On "Summer Dress"
From the moment you press play you are greeted by the lush vocals of Petra Jasmiina on her latest Summer Dress where she did everything herself from scratch to finish and I must say I am really impressed with the outcome a perfect fit for an artist her caliber.
In Summer Dress, Jasmiina’s voice is the light, the acoustic instrumentation is the dark but Bold beats lurk in the background,however, the pure emotions oozing from the song can be felt with each note she sings.
It’s not just about listening; it’s about feelingᅳas if each lyric and note are paintings on a canvas. Petra Jasmiina realized her passion for music early in life, singer-songwriter and producer Petra Jasmiina was writing lyrics as a 9-year-old.
Isn’t it strange? Although she was born in Finland she started writing English poems right from the start. Fast forward to when she was in her mid-twenties, that was when she kickstarted her musical career in NYC. She lived in many different countries, but it was in the indie music scene of NYC where she became known as a unique voice among many artists.
Summer Dress is a bitter-sweet song that pulls at your heartstring and stealing ypur attention and before you realize you end up putting it on repeat. The instrumentation is nostalgic which gives the song its eerie feel to help express the emotions of the singer
Rosina Buck Pours Heart Into Latest Single 'Like A Lion'
With about 20 years of experience up her sleeves, it is no surprise to hear Rosina Buck release a song that is soulful and yet has the power to alter your emotions. You can tell “Like A Lion” was sung from the bottom of her heart.
It is a surprise to know Rosina had been sitting on this song for about 6 years , although that is a long to record a song, we would agree it came out right. Listening to it you can tell this is more than a mere song, this is a story of love, heartbreak, broken relationship and hurt.
Something that makes this song stand out is the honesty and passion with which she sung the songs, the lyrics are pure and depicts the poignant chronicle of Rosina’s journey through the final days of a relationship.
“My soul has traversed the winding paths of self-discovery, navigated the chaos of addiction and emerging with the light of radical self-love. I have walked the path of sobriety for four years, and with this release, I am ready to share my story.”
According to Rosina Buck, this is the main inspiration behind the composition of Like A Lion. The instrumentation perfectly complements her voice, just a few notes which allows the listener to hear the lyrics and ponder on them—something that is not crowded with different instruments.
Although the lyrics were penned by Rosina Buck, they resonate with the listener giving a feel of the emotions being poured into the song.
Exploring Shadows and Light with Andrei Irimia's "Necessary Evil"
When Andrei Irimia takes to the helm of a piece like “Necessary Evil”, you might fancy yourself a wanderer in an acoustic labyrinth; each turn, a note that beckons with both promise and poignant hesitation. As the prelude to his forthcoming album, this instrumental single carves out space for itself by folding classical grandeur into cinematic scope—a melding of epic intention with an undercurrent of something darkly enchanting.
The opening bars trickle in gently with piano keys that could easily be raindrops on the windowpane of some late-autumn evening—introspective and meditative. It’s as if time slows just enough for listeners to become cognizant of its dual essence: obstacle and vessel for our becoming. The piano lays down the fabric upon which richer tones are soon threaded—the melodious interplay between violin and cello blooms, articulating what feels like destiny entwined in notes.
To call it ‘relaxing’ may well oversimplify the emotional cartography “Necessary Evil” charts out through its moody progression. There’s relaxation there, sure, but accompanied by tension—as though reminding us that repose is often hard-won.
Consider moments when violins reach crescendos so profound they resonate within you long after they decline; think about how cellos assert their voice—sturdy yet soulful—casting shadows where light otherwise floods. This dynamic speaks volumes without uttering a word.
Production-wise, there’s precision balanced by raw feeling—the studio here acts not as cage but as crucible from which purity emerges. Each string seems plucked at precisely the right moment—not too rushed to clutter emotion nor too hesitant to lose impact.
Exploring Shadows and Light with Andrei Irimia’s “Necessary Evil”
Finding parallels? For those acquainted with Netflix’s “Wednesday” series, picture her angst-laden elegance enmeshed within this song’s tapestry—an auditory cousin perhaps to the cello cover of ‘Paint it Black’. Yet while connections abound, nothing here is derivative; every homage feels more nod than mimicry.
“Necessary Evil”, thus spins a yarn seemingly conventional but fraught with unexpected turns. The quietude following swiftly behind seems less silence than breath drawn deep before life leaps forward once more—a necessary evil indeed.
Whether heard through headphones during one’s daily commute or echoed throughout dim-lit chambers at dusk’s hour—”Necessary Evil” offers sanctuary amid chaos sans ever demanding reason why we seek it in the first place.
Waiting expectantly for what follows from Irimia is now akin to awaiting sunrise straddling night—it promises illumination bound up in mystery equally intense_and_intimately personal.
After all isn’t every listening encounter partly about peeking within ourselves? If so—and trust me on this—”Necessary Evil” mirrors back complexities wondrously diverse amidst harmonies profoundly singular. Now press play… allow your own narrative amidst these chords unfurl!
Chill City: “London Summer Loving” by The Wise Bloods
The Wise Bloods are back with the sun-soaked riddim of “London Summer Loving,” immersing us in a paradoxical blend of chilled-out vibes and poignant urban tales. Now imagine kicking off your shoes after a day’s hustle, closing your eyes to this tune – feels like an unexpected summer breeze drifting through London’s cobblestone alleys, doesn’t it?
Striking that delicate balance between easy listening and deep thematic grooves, these masters of modern reggae fuse mellow beats with sharp social lenses. It’s as if Bob Marley took a stroll through Brixton Market; the track is super catchy without sacrificing substance. From their new project “Eye Out For The Devil,” this third single paints inner-city strokes on a canvas traditionally reserved for sunnier shores.
Chill City: “London Summer Loving” by The Wise Bloods
The production here is cleaner than my nan’s Sunday silverware yet retains all the warmth you’d expect from homegrown Roots — it has that unique ‘just-right’ toastiness. Each instrument plays ally to the vocals; they’re neither overshadowed nor overpowering – talk about synergy!
Vocally? Spot-on! Imbued with authenticity, each note carries weight while dancing nimbly atop vibrant melodies—a street poet’s grace wrapped in harmonies.
“London Summer Loving” isn’t just another tune; it cradles multicultural symphonies amid stark reality checks. Like sipping iced tea at a Notting Hill carnival – refreshing but real – nestled vigorously within deep roots tender enough for any playlist aimed at serious unwinding or contemplation beneath swaying trees—urban canopies showing off their own kind of stars.
So pull up that lawn chair and let The Wise Bloods light up your evening sky—urban summer never sounded so invitingly complex.
Jersey Calling Laments On The Parasocial Security Of Modern Day
When it comes to the source of inspiration for musical artists it differs, yet to think Josh, a 41-year-old songwriter, guitarist, and lead vocalist for Jersey Calling would write music from angst is something we least expect. He revealed this in a recent interview with Mister Styx of Musicarenagh, where he shared parts of him and also some of the challenges he and the band have faced.
When asked about what really inspires him to write, this is what he had to say
“Anger is usually what motivates me to write. Also, self-doubt, sadness, and frustration with something about society at large. I’m kinda angsty for a 41-year-old guy, lol. “
Although this is true, Twisted Paradigm, which is the fourth song on their latest Parasocial Security album, has a nostalgic feel. This is perfect proof of the versatility Jersey Calling. Their song has the ability to alter your emotions. Parasocial Security has a total of songs and is heavily centered on post-punk.
According to the band, there were two reasons why they chose Parasocial Security as the title of their album.
“We chose Parasocial Security as the album title for two reasons: it is a play on “social security,” which seemed a good follow-up to our last album title of “Punk Rock Retirement,” and it’s a commentary on the parasocial relationships that have become a mainstay of modern society, including those we have with musicians on social media, whose lives are much more curated and public now. It’s not enough to just make music anymore, you need to have constant content.”
What really caught my attention of the artwork for the album, I would leave that to you to access it yourself.
Sean (lead guitarist) and I (Josh, vocals/guitar) were originally in a band called Burn Kate that broke up. We were on a big kick of listening to The Clash at the time, and we thought Jersey Calling would be a cool homage to their album London Calling.
Where do you find inspiration?
Bad Religion, NOFX, Green Day, Paramore, Midtown, Against Me!, and then our own experiences in our lives inform our lyrics.
What was the role of music in the early years of your life?
I grew up listening to punk all through high school, and I remember seeing my first local show with a band called Sexy Chocolate – guys I knew and hung out with – and it had never occurred to me that guys like me could play music too. So the local scene in my area gave me the confidence I needed to start my own band. It looked like so much fun!
Are you from a musical or artistic family?
My mother painted, and my dad does theater, so I grew up with an appreciation for the arts.
Who inspired you to be a part of the music industry?
I love playing music, all of us do, and the dream would be able to do this and have it actually pay the bills. We aren’t there yet, lol.
How did you learn to sing/write/to play?
Sean (lead guitarist) taught me the basic chords on guitar. As far as singing, I always sang growing up, and it was just something that I did because we didn’t have someone else designated for that role. Now, Victoria is a different story. She can actually sing, and now she’s in the band AND I married her, so that’s awesome.
What was the first concert that you ever went to and who did you see perform?
Reel Big Fish, I was in high school and ska was my entryway into punk music. I still love ska.
How could you describe your music?
I often describe it to people as what punk sounded like in the 90s. 90s retro punk has been my go-to for describing our genre.
Describe your creative process.
Totally different for each song. Some start with lyrics, some with music, and some with just a title. I started writing Gods & Cowboys with Victoria because I heard someone in a YouTube video describe the United States as “the land of gods and cowboys.”
What is your main inspiration?
Anger is usually what motivates me to write. Also, self-doubt, sadness, and frustration with something about society at large. I’m kinda angsty for a 41 year old guy, lol.
What musician do you admire most and why?
I think Laura Jane Grace from Against Me!, Frank Turner, and Fat Mike from NOFX are my three favorite songwriters.
Did your style evolve since the beginning of your career?
We’ve always been a punk band, but I like to think that our songwriting had matured a bit. Some of my lyrics from 20 years ago make me cringe, but that probably means I’m growing.
Who do you see as your main competitor?
I prefer cooperation to competition.
Jersey Calling Laments On The Parasocial Security Of Modern Day
What are your interests outside of music?
I took up skateboarding last year (at 40), and I’m totally addicted to it. I absolutely love it.
If it wasn’t a music career, what would you be doing?
None of us do this as our career (yet?) Sean works for a non-profit food distributor, Randy’s a firefighter, John owns a restaurant, Victoria works in the justice system, and I’m a teacher.
What is the biggest problem you have encountered in the journey of music?
It’s tough to make the time necessary to do what we love, because we all have jobs, families, and social lives. But we do it as often as we can, because it’s important to us. Music has helped me process some really difficult times in my life, and I think I can say the same for the rest of the band members too. Randy fell off a roof while he was on a job as a firefighter back in February and was in a wheelchair for months.
He still hasn’t returned to work, and he said to us that music helps him through that. His story blew up and he talked about the band so much in his news interviews that Live Nation offered us an opening spot on the Adjacent Festival with Blink-182 and Paramore back in May of this year. So music ended up giving him (and us) one of the best days of our lives.
If you could change one thing in the music industry, what would it be?
There’s a lot of homogenization in the industry. There isn’t a lot of different genres on the top charts these days. It’s almost all pop or rap, which aren’t bad types of music, but it leaves me wanting more variety.
Why did you choose this as the title of this project?
We chose Parasocial Security as the album title for two reasons: it is a play on “social security,” which seemed a good follow-up to our last album title of “Punk Rock Retirement,” and it’s a commentary on the parasocial relationships that have become a mainstay of modern society, including those we have with musicians on social media, whose lives are much more curated and public now. It’s not enough to just make music anymore, you need to have constant content.
What are your plans for the coming months?
We have a couple music videos in the works, and we have a bunch of shows coming up. Follow us on Instagram jerseycalling to see where we’re playing next!
Do you have any artistic collaboration plans?
Not at the moment, but we’d certainly be open to the idea.
What message would you like to give to your fans?
Thank you for continuing to listen, coming to our shows, and hanging out with us. We have some fans that go back over 20 years, and it’s been really cool growing up with them.
“Mind Running Wild”: Indie Rock That Heals with Chloe & the Brainwaves
Diving into Chloe & the Brainwaves’ latest single, “Mind Running Wild,” is a bit like stumbling into an enchanted forest at the height of spring—it’s dark, yes, with its twisted roots and thick shadows mirroring a child’s trauma endured in silence—but look closer and you’ll see flecks of light dappling through. It’s this juxtaposition that Chloe harnesses in her haunting voyage through heartache towards healing.
The indie rock backbone gives us that familiar comfort—a rhythm that has our feet tapping almost instinctively—while those silky female vocals thread through your soul like silver needles pulling along glinting threads of hope. Those catchphrases we all toss around—’super catchy,’ ‘earworm material’—they’re justified here more than ever as Chloe twists hooks into artful sculptures, making choruses you’ll hum long after the song ends.
Yet it’s not just about melodic pleasure; there’s poetry threaded within those notes. Each chord progression carries weight—the heaviness of past pains coupled with the lightness of newfound strength—and let me tell you, few artists can walk that line without tumbling into cliché pits or overwrought melodrama.
“Mind Running Wild”: Indie Rock That Heals with Chloe & the Brainwaves
As for production? Spot on! With pristine clarity playing tag with raw edges enough to remind us this isn’t just studio polish but real human emotion poured out, spilled over six strings and microphone mesh.
“Mind Running Wild” might well be a diary page ripped out and set to music for others festering similar wounds—that emptiness and shame—to find solace within its sound waves. And in doing so it becomes less about what made us broken but rather what makes us defiantly dance amidst our ghosts. So go ahead: play it loud and let their spirits sway too because this track by Chloe & her gang is bound to resonate deep within any wild-running mind seeking some semblance of peace amidst life’s dissonant chords.
“Better Guy”: A Synth Duel From Ivon Roberts & O'Donoghue
Dive into Cian O’Donoghue & Ivon Roberts’ collaborative track “Better Guy,” and you’re hit with a synth-pop concoction so upbeat it practically struts. Picture this: two friends, sidled up to the bar, not-so-covertly battling wits in an ego-fueled duel for romantic attention. But here’s the twist – they seem less entranced by the girl they vie for and more seduced by their own bravado.
The dual vocals groove through lyrics loaded with swaggering humor that dance atop a sonic backdrop big enough to get lost in; think neon lights flickering against chrome-laden 80s bars. Their voices juxtapose adeptly – where Cian delivers a rhythmic sophistication in his fluid tenor, Ivon flirts with chaos yet somehow remains arrestingly melodic.
Ivon Roberts
What truly gives “Better Guy” its edge is how these artists meld distinct musical personalities —Cian’s polished synths collide with Ivon’s love affair with disorder—creating sparks of indie pop magic that resonate as much on dance floors as they do through car speakers on night drives.
From production to vocal performance, there’s an airiness despite the satire—a wink within each beat—that says we shouldn’t take life too seriously. Those who appreciate Phoenix’s modern gloss or Passion Pit’s anthemic choruses will find themselves at home here.
“Cian O’Donoghue
So whether you’re out-doing mates at your local or just needing that sunroof-down anthem as winter fades away – slip on “Better Guy.” O’Donoghue & Roberts may just be competing for your best summer soundtrack slot… and let’s just say things are heating up!
Imagine wandering through a moonlit forest, the crunch of leaves underfoot and a whispering melody cutting through the night air. That’s the realm you enter with Matt McKnzi’s latest single “Atlas,” an inviting blend of chill vibes that pays homage to ancient lore while echoing modern sentiments.
McKnzi crafts his own niche within the alternative R&B scene with this track, fusing soulful undertones and hip-hop beats that cradle each lyric in their rhythmic embrace. His vocals seem to hover above the music—ethereal and haunting—with a contemporary edge one might expect from The Weeknd or Frank Ocean after they’ve skimmed through Greek mythology.
“Atlas” is where indie artistry kisses dark pop elements, creating shivers down your spine without scaring off your calm. Laid-back yet layered—the production teeters on minimalist brilliance; synths undulate like waves against an electronic shore as McKnzi’s voice acts like a beacon guiding listeners through emotional seas.
“Atlas” Review: McKnzi’s Moonlit Melodies
And let me tell you—if feeling had a sound, it would be this track humming in your ears after just having said goodbye to someone who pulled at your heartstrings but didn’t stay long enough for tea.
Expectations now hum around what treasures will follow in McKnzi’s upcoming debut EP “Ghost.” If “Atlas” is an indication—prepare for more audio excursions bound by introspection and wrapped in silk-smooth sounds. Here’s raising our glasses (or headphones!) to musical cartography courtesy of Matt McKnzi—who knew tracing emotional landscapes would resonate so deeply?
Soul Embrace: Unwrapping Heleenyum's “SYMPHONY OF <3”
In the cosmos of contemporary music, “SYMPHONY OF <3” by Heleenyum twinkles with a rare luster that demands attention. This Estonian R&B/Soul artist has weaved an audial tapestry so plush it’s like sinking into your favorite armchair – assuming your chair vibrates with deep bass and is draped in ethereal harmonies.
Her silky vocals bind this piece together, fluttering effortlessly between registers in a performance both confident and sensuous. As if she knows just how to stroke the strings of your soul, Heleenyum’s voice carries you aloft on a cloud of soothing synths that brings about this exquisite sense of falling… but without ever needing the ground to rush up at you.
The production quality serves as the golden thread through it all; remarkably crisp yet never underplaying its warm analog heart. You’re not merely listening; you’re partaking in what feels like an intimate serenade dedicated to pleasure itself.
Soul Embrace: Unwrapping Heleenyum’s “SYMPHONY OF <3”
Listen closely and there’s something quite celestial about it—giving Aphrodite a run for her money while also tipping its hat to neo-soul greats who laid down these velvety tracks before her.
If “SYMPHONY OF <3” were to be served at dinner parties, it would unquestionably be paired with decadent desserts—a sonic treat laden with flavors so rich each note seems dipped in auditory chocolate. Scoff one might at such sweetness—and certainly indulgence isn’t for everyone—but pluck out any guilt and instead savor Heleenyum’s confectionery concoction of sound that’s as heady as love first blooming.
In short? It wraps around you like satin sheets: utterly luxurious, deeply comforting, but I’ll bet even Momma Nature nods along when those sleek vibrations turn air into pure vibe territory. A single play may well leave listeners craving another dive back into this alternate universe—another fall through boundless bliss where each rise feels tantalizingly inevitable.
Do you ever reminisce about that special person you thought was going to be with you forever, how do you feel when you think about that person? Does it bring back good memories or bad memories, how does it make you feel, these are the feelings that oozes out of Reminiscin’, the latest track from the camp of Ozzient.
He produced “Reminiscin”, and invited talented rappers to further bring out the theme of the song, and just as expected they delivered. But the centre of
Ozzient grew up in a musical home full of creatives and this has really helped in shaping his musical ear. During his childhood he was taught how to play the Güira, it is a percussion instrument from the Dominican Republic used as a percussion instrument, it is made of a metal sheet and played with a stiff brush.
But later along the line, he started to play the piano which was self-taught, although his mother plays the guitar, that wasn’t where his interest was. In a recent interview with Mister Styx of Musicarenagh, Ozzient shed more light on his upbringing and also touched on his musical journey and some of the challenges.
What is your stage name?
My stage name is Ozzient
Is there a story behind your stage name?
The story behind my stage name is that my friends in highschool used to call me Ozzie. I decided to add the “nt” at the end cause I feel like it adds a nice ring to it and also “ent” is kinda short for the word entertainment.
Where do you find inspiration?
I find inspiration everywhere I go.
What was the role of music in the early years of your life?
As a young kid I used to play the Güira (still do from time to time), I play the piano & I also beatbox as well.
Are you from a musical or artistic family?
I’m from a musically talented family, my brother taught me how to play the Güira, I always had an interest in playing the piano, & my mom loves to play the guitar.
Who inspired you to be a part of the music industry?
The person who inspired me to be part of the music industry has always been my brother that knows how to dance, sing, and play the güira because he’s very versatile and always told me to never give up.
How did you learn to sing/write/to play?
I learned to play the piano by ear, and by looking at YouTube videos. My brother taught me how to play the güira. And beatboxing just naturally came to me.
What was the first concert that you ever went to and who did you see perform?
The first concert I went to was FLOSSTRADAMUS & Dillon Francis.
How could you describe your music?
The best way I can describe my music would be versatile, I like blending and mixing different elements of genres together.
Describe your creative process.
My creative process is to start off with the melody, then the chords, followed by the drums. I usually always start off with making the hook. Chorus first then work my way into making the verses of the tracks.
What is your main inspiration?
My main inspirations are Eminem, DJ Khaled, Calvin Harris, & Mike Will Made-It. As to why is because I’d love to not only give back to my parents but also be able to be free and not worry about the money situation and of course I just love listening and making music in general.
What musician do you admire most and why?
The musician I admire most is Eminem because his music is always different as well as his flows, cadance, and delivery. He delves into different styles of music.
Did your style evolve since the beginning of your career?
I’d say that my style has evolved from the beginning.
Who do you see as your main competitor?
I don’t see anyone has my competitors, we’re all striving musicians, content creators and I think we should all be helping and supporting each other, that’s how we grow as a community. “Team work makes the dream work.”
What are your interests outside of music?
My interests outside music consists of making graphic designs, playing video games, playing soccer, baseball & watching movies.
If it wasn’t a music career, what would you be doing?
I honestly wouldn’t know what I would be doing if it wasn’t music. Music has always been my passion.
What is the biggest problem you have encountered in the journey of music?
The biggest problem I have encountered in the journey of music has been keeping up with promotion, networking, marketing, advertising & making more versatile types of content. It’s a learning process and I love it cause it build character as well as your own portfolio.
If you could change one thing in the music industry, what would it be?
If I could change one thing in the music industry I think it would be the lack of support that comes from other artists & the biases that come from the music industry itself.
Why did you choose this as the title of this project?
The reason why I chose this as the title of this project is because this song talks about reminiscing about that special someone, who you taught would be the one.
What are your plans for the coming months? My plans for the coming months are to continue putting out content that I enjoy and hope that people also enjoy it.
Do you have any artistic collaboration plans? My artistic collaboration plans are to help smaller artists get a bigger spotlight as well as also getting their visions brought to life and heard by others.
What message would you like to give to your fans? The message that I would like to give to my fans would be to never give up on your dreams, stay true to yourself and keep working hard at it. Thank you for being supportive and for always being there!!
Livi Jacobs' “Better That Way”: A Pop Heartache Anthem
Livi Jacobs’ “Better That Way” bursts through the musical foliage like a neon vine, unabashedly shining amidst the dark contours of pop’s dense forest. As her fifth single, it’s an adrenaline-pumped track that solidifies her as more than a blip on the radar; she’s a siren call to all ears craving that sweet spot between alternate pop and EDM zest.
From its onset, Jacob’s voice grabs hold—crystalline with an edge, as if each note is dipped in both honey and steel. Her 22-year-old vocal cords defy expectation, acutely embodying angst and bliss wrapped up in one sultry package. It’s this contrast that fuels “Better That Way,” painting audible pictures of heartache-laced independence.
The production is a polished playground for auditory exploration; distorted voices threaded among pristine beats invoke images of glimmering cityscapes at twilight—the end signalizing new beginnings. This isn’t just your run-of-the-mill dance track; it’s therapy you didn’t realize was set to music until your feet start moving on their own accord.
Livi Jacobs’ “Better That Way”: A Pop Heartache Anthem
Florida might be known for the sun, but Jacobs crafts shade and light equally well within her soundscape—it shimmies confidently into territories where heady bass meets slick synth stabs produces something remarkably fresh yet nostalgically familiar. You can almost smell the heady combination of summer rain on hot pavement—a fitting tribute to ephemeral relationships crystallized by time’s relentless march forward.
“Better That Way” offers freedom ensconced for about two minutes—not only does it affirm Livi Jacobs’ rapid ascendance but resonates with anyone who ever whispered (or shouted) into the void: yes indeed, sometimes it truly is better that way. Relatable yet robust—Jacobs ensures we’re all rapidly becoming fans not by force but by pure sonic seduction.
T-FINNY’s latest track, “Dancing in the Dark,” is like stepping into a cozy yet sad dream. It mixes light, airy synth-pop with the moody vibes of dream pop to take us on a journey through the ups and downs of one-sided love—the kind that sticks with you long after night has fallen.
When T-FINNY sings, it feels close and personal but somehow far away at the same time. His voice takes us smoothly through the rough ride of heartache without stumbling. It’s really interesting how his singing can sound comforting one second and then echo with loneliness the next—it’s like he’s right there with you in your own moments of love pains.
The coolest part about this single is how it turns all that heartache and confusion into something totally mesmerizing. The music production here is magic; it makes synths buzz under your skin and beats match your own heartbeat—they know just when to amp up for big feelings or pull back for quiet reflection.
Synth and Sorrow: T-FINNY’s “Dancing in the Dark”
This song fits perfectly into that sweet spot between easy-going tunes you want to play over and over again, while also packing deep lyrics that are there—invisible but deeply felt—every time we hit play.
You might think comparing T-FINNY to those unforgettable classic love songs out there is too much for someone new on the scene…but honestly? This song has got a bit of their timeless charm! Imagine looking at faded old photos full of memories about what might have been—this track brings back those familiar pangs most everyone’s gone through at some point, only this time they’re wrapped up in beautiful words and melodies.
“Dancing in the Dark” isn’t just another song—it’s comfort food for anyone nursing bitter-sweet romantic wounds under starry skies. More than just hearing it, T-FINNY invites us to really sink our teeth into all these layers of feelings—the bittersweet leftovers from times when love doesn’t quite make it…and still seems to keep twirling around us unseen.
Sak_Slick's “Clean Slate”: A Gritty, Melodic Rebirth
In the EP “Clean Slate,” musician Sak_Slick gives us a mix of thoughtful reflection and bold swagger. His voice grabs your attention in each of the seven unique tracks. This collection straddles two worlds; on one side, there’s openness and honesty, on the other, strong self-assurance – almost like taking a walk through tough city streets where his personal stories play out to edgy beats and straightforward lyrics that reach an emotional peak.
What really makes this EP stand out is how Sak_Slick not only sings but also crafts most of the music himself from his own creative space. His do-it-yourself style brings listeners up close and personal with every song – you feel as if you’re right there with him, hitting ‘play’ to capture all that emotional intensity.
These tunes are about starting afresh, sort of like watching someone rise brilliantly from their own ashes over and over again—and it’s clear Sak knows what he’s doing. His vocals have a gravel-like depth giving off sage vibes while still feeling relatable as they rack up life stories. He switches between quiet, introspective songs to ones filled with headstrong pride without missing a beat.
Sak_Slick’s “Clean Slate”: A Gritty, Melodic Rebirth
When it comes to sound quality – nothing’s been skipped over. Beats come down hard like snap decisions yet never take away from Sak himself; they seem perfectly timed too—like maybe they’re mirroring how he found balance within chaos?
We often think of artists like Kendrick Lamar or Kanye West when we talk about transformative rap music—but don’t underestimate Sak! He might just fly by them with real-deal flair—all while leaving little sparks behind for us to follow. In “Clean Slate,” he’s both an everyman and completely individual—a story set against background noise that clears our heads amidst chaos.
Though sometimes things might get rough around the edges—that happens when tackling inner battles—it doesn’t detract from his achievements: crafting intimate tell-alls laid over custom-made infectious tunes (that he put together himself!). And though these musical confessions may echo through ghostly corners of hip-hop halls long established…Sak fascinates us thoroughly with tales of change — so much so that we’re eager for another listen even before the last notes fade away.
Neon Dreams Awaken in Olya Polyakova's New Hit "Love is Blue"
In the high-octane pop landscape, few collaborations spark a Technicolor blaze as vividly as Olya Polyakova partnering with Army of Lovers on their latest single “Love is Blue.” This track is an effervescent cocktail of 80s flair and modern Eurovision grandeur, brimming with enough epic euphoria to fuel dance parties across continents.
Polyakova’s crystalline vocals soar; she becomes this valkyrie leading us through glittering synth landscapes reminiscent of neon-streaked skies. The chorus—oh, that chorus! It’s like auditory honey: unmistakably catchy, drawing you into full-throated singalongs from the first listen. She channels energy and vulnerability in equal measure—a siren call weaving through driving beats that unify hearts under its spell.
Neon Dreams Awaken in Olya Polyakova’s New Hit “Love is Blue”
The production work deserves kudos for it wraps nostalgia resplendently around contemporary sounds—a delicate balancing act worthy of a Cirque du Soleil trapeze artist. Love resonates here not just in theme but also through every synth stab and drum thump. Thematic layers peel away to reveal more than just an anthem for empowerment; there’s a profound plea for unity in times when division headlines our daily dirge.
It’s praiseworthy how “Love is Blue” manages to be larger-than-life yet intimate—an embrace felt all the more deeply because of the genuine feeling Polyakova infuses into her performance. The song wields infectious joy but doesn’t shy away from pulling at heartstrings with earnest poignancy.
Is it too early to deem this power-pop leviathan fit for festival stages worldwide? I think not. After all, isn’t love always better when painted blue—together among streams and torrents of echoing melodies? Get ready: “Exodus” promises journeys unknown, but if “Love Is Blue” marks its journey’s start—we’re strapping in willingly for one kaleidoscopic ride!
Ah, “Heavy Water” – an indie-pop earworm by Joonas that hits harder than a double-shot espresso on Monday morning. As I dove into this pop/punk anthem, the irony wasn’t lost on me; despite its upbeat rhythms and soaring male vocals, this tune delves deep into the murky depths of love’s more toxic trenches.
Joonas channels his inner tightrope walker—born in Norway’s stoic landscapes and honed on London’s eclectic streets—to strike a curious balance. It’s no mean feat; our man here might just be the Houdini of music-making as he wrangles both mainstream allure and wonderfully bizarre elements with equal zeal.
Vocally? Pure dynamite! His voice croons with raw honesty—a testament to every heartbroken pub chant rising above clinking glasses as we sing-along to his intoxicating choruses. He delivers pure feeling—the kind that revs up your internal engine, hitting you right in the chest where past loves lay dormant.
Joonas Stirs Up Indie Waves with “Heavy Water”
Musically speaking, strap yourself in for roaring guitars thrashing against slick production—an audacious thunderclap reminding us all too well of love’s chaotic dance. Nothing about “Heavy Water” is lukewarm—it crashes through with a wave of energizing hooks yet harbors complexity akin to quantum theory as it reminds us how falling back for ‘that’ ex can be thrilling but treacherous.
It’s super catchy—yes—but boxing “Heavy Water” within those three words does it no justice. You’ll find yourself humming along before realizing you’re mentally crafting texts you swore never to send again.
Picture heavy water – dense & precarious – carried atop infectious beats and bright melodies…it’s that sticky-sweet delight wrapped in danger sign tape. In simpler terms: pack away those sappy ballads folks because Joonas is riding high-sea waves proving bleak subjects can rock hard without losing their depth or cool factor!
Bottom line? Spin it at your next soiree if torment was ever melodically delicious; chances are everyone will ask who serenaded them…right after they check their phones for old flame messages ditheringly drafted under “Heavy Water”’s influence!
Unleashing the Spirit: Caly Bevier's Single “Demons”
In the haunting echoes of Caly Bevier’s single “Demons,” there’s a clash between shadow and light that births a true musical enigma. The track, an anthemic journey through cathartic darkness, is wrapped in the shroud of alternative rock with nuances that ignite both soulful contemplation and energized revelation.
What strikes first about “Demons” are the fiercely visceral female vocals –think Florence Welch shaking hands with early days Alanis Morissette– whose sheer intensity seems to conjure strength from vulnerability. Her voice transports you across mountaintops under storm-tossed skies, daring lightning to strike all while whispering secrets meant only for your ears—empowering poetry indeed.
The production marries clarity with grit; it pours polished sound into raw emotion’s bottle like vintage wine aged in new oak barrels. It balloons during the crescendo where her echo lingers—an anthem calling forth warriors from within us during long insomniac nights spinning tales grandiose.
Unleashing the Spirit: Caly Bevier’s Single “Demons”
Underneath lies astute instrumentation—the guitar strums pulse with fervent life challenging percussive beats as if thunder were trying to keep pace with heartbeats. Sonically, we’re veiled in twilight: not quite sinking beneath waves yet drawn towards shadows’ embrace─we find a paradoxical peace there, grasping ‘power’ amidst our most tempestuous tango-turns with doom-laden worries.
But don’t let those earnest-moon moments spawn gravity that might hold you aground – revel instead in this battle-hymn that welds broken pieces back better’n new! Through all-encompassing waves of majestic-alt-rock gusto, Caly preaches a razor-sharp truth: demons aren’t sulking beasts lurking at the chamber’s canvas but relics craving conversation & co-authorship over your evolving epic tale… armor up listeners!
Step into “Demons” prepared for more than music—the resonance is heady alchemy turning sleepless night-thought cobwebs into death-defying silk bridges spanning chasms wide as dreams.
Proklaim Has Revealed The 'Theives' In Plain Sight
Thieves is far different from the sounds of Proklaim, at this point we all admit he is a lyrical monster. Proklaim is a skilled rapper with a smooth flow. His poetic words put listeners in a trance, and his rhythmic delivery is captivating. His fiery hip-hop track “Thieves” is a prime example of his talent. Each verse is packed with rich meaning and flows seamlessly from start to finish. Trust me, time and time again I say Proklaim is an artist to look out for.
With each release, he reaffirms his status as a significant voice in the genre, unafraid to explore new sonic territories and engage in meaningful storytelling.
With words like this, you can tell what is going on in the mind of Proklaim, one thing I like about his music is the fact that he talks about his surroundings and uses relatable lyrics to express himself. As Proklaim continues to explore the intersections of his diverse cultural influences and his sheer love for hip hop, it’s clear that his journey is one worth following.
Thieves is quite different from the regular Proklaim sound you are accustomed to, with this the lyrics are laid back and engaging.
Seßler/Zeeb Releases A Stellar Record Titled 'N.N'
Thanks to the fast pace of technology, it is much easier to share your song with the rest of the world, but that comes with another problem, getting listeners to stream your music, considering the number of songs being released on a daily basis, it makes so much sense when Seßler/Zeeb states this is their major challenge.
Seßler/Zeeb is a two-man band hailing from Germany Comprising Kurt Seßler, the songwriter and singer, and Werner Zeeb, a multi-instrumentalist and producer, their stage name is a reflection of their true selves. This duo began their musical journey at the early stages of their life, this was triggered by the fascination for melodies and harmonies.
The duo has been working together since 2021 and has already released 14 amazing songs. Their new single “N.N.” is an instrumental track one of the incredible pieces Seßler/Zeeb has to offer.
Although both weren’t raised in a musical family, their love for music is unwavering and continues to play a major role in their life. While the music industry presents challenges in finding an audience, Seßler/Zeeb hopes for better recognition and compensation for independent artists.
This disclosure was made in a recent interview with Mister Styx of Musicarenagh, in the interview Seßler/Zeeb had more to share with their fans, and at the end of it all their message to their fans is cathartic and inspirational.
Is there a story behind your stage name? These are our last names. Kurt Seßler: songwriter and singer
Werner Zeeb: multi-instrumentalist and producer.
We´re from the south of Germany.
Where do you find inspiration? The inspiration is always there. You are influenced by everything that happens around you.
You are constantly flooded with sensory impressions.
Being able to process this creatively in music is like an outlet.
What was the role of music in the early years of your life? For as long as we can remember, we have been fascinated by music.
So we started learning instruments at an early age and played in bands when we were young.
Are you from a musical or artistic family? No, we are not.
Who inspired you to be a part of the music industry? The inspiration came from within ourselves.
When we were teenagers and young adults, there was no digital music market.
That’s what appealed to me, these new possibilities.
So I had the idea of making an album with my songs.
I turned to Werner Zeeb – who I knew from school days – and so we’ve been working together since 2021. We´ve released 14 tracks so far.
The inspiration came from within ourselves. When we were teenagers and young adults, there was no digital music market.
How did you learn to sing/write/to play? I’m not a professional singer, but since they’re my songs, I just sing the songs and the singing has been well received by critics so far.
Otherwise, we taught ourselves almost everything; you can also learn a lot by copying and then develop it further for yourself.
What was the first concert that you ever went to and who did you see perform? I don’t remember exactly, I think the first concert I went to was by Barclay James Harvest.
How could you describe your music? I would say we make rock and pop music with influences from other styles of music.
But we’re not tied to any genre, we do a lot of different things because we also have a very diverse taste in music.
Describe your creative process. I usually play a harmony on the piano and a melody often comes to mind.
Once I have that, I start arranging and only then do I think about lyrics that could fit the character of the song.
But we also like to do instrumentals – like this song “N.N.”
What is your main inspiration? The main inspiration is to simply be creative and make the music created available to anyone who is interested.
What musician do you admire most and why? The band we have always admired the most are “The Beatles”.
This creativity was something completely new back then and had a lasting influence on modern music.
Did your style evolve since the beginning of your career? We’ve actually always been very diverse in what we do musically, but you develop on your own if you stick with it.
Who do you see as your main competitor? We don’t think in such categories. Ultimately, the listener decides what they like.
What are your interests outside of music? Werner Zeeb is a very versatile artist and he also has other projects.
I, on the other hand, still love sports – watching it and being active myself.
If it wasn’t a music career, what would you be doing? We only ever made music on the side and otherwise had normal jobs.
Werner Zeeb also produces for others, so he also has an income from it.
What is the biggest problem you have encountered in the journey of music? It’s not easy to find an audience for your music.
It’s easy to post music on the big platforms, but finding listeners for it isn’t easy – given the mass of music that is released every day.
If you could change one thing in the music industry, what would it be? Independent artists should be given more chances to be played on the major platforms and also be better compensated.
Why did you choose this as the title of this project? “N.N.” (this single) is the abbreviation for “nomen nescio”.
This means: The name is not known. We found that very fitting in connection with this instrumental track.
What are your plans for the coming months? We only make music as a hobby and that’s why we see it in a relaxed way.
We still have a few interesting songs in store and are now planning to start a new single.
Do you have any artistic collaboration plans? No, there are no plans.
What message would you like to give to your fans?
No matter what, just stick with it and try to do well.
Here Is An Interview With Liam J Edwards As He Delves Into His Life
Music has the power to alter the lives of people; it can change how they see things and even affect how they think, yet when it comes to Liam J. Edwards, not only did music help him, but it was the only thing that made him whole, it was comforting and soothing. In a recent interview with Mister Styx of Musicarenagh, Liam J. Edwards made some disclosures about his growing up, this is what he said:
“Music shaped who I was in the early years of my life. Growing up, I never fit in and struggled to make friends. When I felt lonely, I’d listen to music, sing, write and watch music videos and imagined doing that one day. It brought me massive comfort and hope even in my darkest of times, like when I came out. It was an extremely scary and painful experience, but music was there.”
More of such revelations were made during the interview, Liam revealed the first song he ever wrote was for a girl he had crush, this was when he was just 10 years old, but what really changed his life was when he took the time to reflect on his life, that was when the dream of songwriting was ignited.
His latest body of work Unnecessarily Complicated: The Epilogue is an EP with 5 songs on it, and this right here is a peek into his abilities. Following the success of ‘The Prologue’ in 2021, this new EP is a remarkable two-year labour of love, celebrating the strengths, triumphs, loves, and losses they’ve experienced on their journey as a young queer creative.
Listen to Unnecessarily Complicated: The Epilogue below
What is your stage name
– My stage name is Liam J. Edwards
Is there a story behind your stage name?
– My real name is Liam McGlinchey, it’s an Irish surname. As proud as I am of my name and heritage I decided when it came to pronunciation, spelling etc a stage name was needed. I took my middle names John and Edward and made Liam J. Edwards. It’s a lot easier to spell but now everyone thinks I’m a Jedwards tribute act, out of the frying pan into the fire lol! I love my stage name and it’s always a fun joke to break the ice.
Where do you find inspiration?
– Everywhere. Inspiration is all around us we just have to feel it. If I had to narrow it down to one source, I would have to say experience. My experience navigating life as a young, queer and Welsh artist. From moving out, starting uni, making and losing friends, and all the emotions that come with trying to figure out what life is all about.
What was the role of music in the early years of your life?
– Music shaped who I was in the early years of my life. Growing up, I never fit in and struggled to make friends. When I felt lonely, I’d listen to music, sing, write and watch music videos and imagined doing that one day. It brought me massive comfort and hope even in my darkest of times, like when I came out. It was an extremely scary and painful experience, but music was there.
Are you from a musical or artistic family?
– I am blessed to come from an extremely musical and supportive family, but I owe my musicality entirely to my mam. She loved to play music from her youth around the house like Mamas and Papas, Aretha Franklin and ABBA. Not to mention, she worked hard and gave everything to make sure I could explore music.
Driving me back and forth to singing and flute lessons and concerts, attending all the good, bad (and atrocious) performances and supporting my decision to go to drama college. I will never be able to repay her for everything she’s done, and I am extremely grateful to have the family I have.
Who inspired you to be a part of the music industry?
There was no one defining person. But every time I’d go to a concert and see someone perform, it gave me an overwhelming sense of determination to one day get there myself.
How did you learn to sing/write/to play?
Like many of my fellow Welshies, I began performing in the Eisteddfod yr Urdd, a festival celebrating the Welsh culture in all its beautiful glory. Ever since that 5-year-old starting to sing, they were obsessed. At around 10, I discovered the beauty of songwriting and started from there.
Funnily enough, the first song I ever wrote was for a girl I ‘had a crush on’ (bless her). I wrote here and there but I really started taking it seriously over the pandemic when I and everyone else was forced to look inward and reflect. The minute things starting on track back to normality, I made it my mission to make music happen and here we are, grateful to the 5-year-old who dared to dream.
What was the first concert that you ever went to and who did you see perform
The first concert I ever attended was BBC Radio One’s ‘Biggest Weekend’ Festival in Swansea 2018. I got there at 7am and ran to the front when the gate opened. My eyes and ears were entranced by the array of music, visuals and performances from my all-time favorite artists like Taylor Swift, Sam Smith, Florence and the Machine and so many more. It was in that moment watching my idols when I knew, I had to be on that stage. Since then, I’ve made it my life goal to one day perform on the main stage of a BBC Big Weekend Stage, and every day I’m getting that little bit closer.
How could you describe your music?
Empowering. Unique. Unpredictable.
Describe your creative process.
The creative process for this EP was magical, the people I got to meet and work with that helped me find my sound and bring it all together made it the most fun I’ve ever had. It was also the hardest I’ve ever worked on a project but as much as it scared me, I knew that if I wanted to achieve what I wanted to I’d have to push myself further out of my comfort zone than ever before. Reaching out to PR companies, hiring graphic designers, choreographers, producers etc was nerve-wracking but looking back I’m so proud that I took that step to make the creative process behind this EP next level.
The creative process for this EP was magical, the people I got to meet and work with that helped me find my sound and bring it all together made it the most fun I’ve ever had.
What is your main inspiration?
I’m so grateful to have grown up in a very musical household surrounded by so many incredible influences. The first artist who inspired me to write was Amy Winehouse, from 2011-15 all I ever listened to was her. The way she wrote, told her story, expressed herself was nothing short of monumental to me. I miss her every day and even though I will never get to thank her, the influence she had on myself and so many other artists will be forever. When I began writing pop music, some of my favourite artists and songwriters include Dua Lipa, Lady Gaga, Bebe Rexha and Rina Sawayama.
What musician do you admire most and why?
There are so many musicians that I admire, local and global. If I had to choose one that inspires me over all others it would have to be Dua Lipa. I’ve been such a massive fan of hers ever since she released ‘New Love’ back in 2016. The way she’s grown over time into the artist she is the most inspiring thing to me, and how she constructed the era that was ‘Future Nostalgia’ got me through some of the darkest times of my life. Her music, visuals and live performances are nothing short of iconic, one of the highlights of my young life was seeing her front row in Cardiff’s Motorpoint arena in 2022.
Did your style evolve since the beginning of your career?
Massively. I started my career at 19. I was still finding my feet and figuring out what my sound and brand was. When it came to my style, I used to think more was more, I used to add more layers to things like my music, artwork and performance clothes. Now, after learning from multiple mentors and learning that sometimes less is more, everything changed. My style became more confident, clean and polished, as seen in my recent artwork for ‘The Epilogue’ and social media posts promoting the work.
Who do you see as your main competitor?
Honestly, myself. I (like many of my fellow artists) am my biggest fan and worst critic. I find myself constantly comparing myself and beating myself up. Especially over the little things like if a performance didn’t go as well, a post doesn’t get a certain amount of interaction and other trivial things. Thankfully, with help from my therapist I’ve learned I need that this behavior is not only negative, but totally unproductive to bettering myself as an artist. Every time I find myself acting like this, I tell myself “What more could u be doing? You’re doing your best so what more can you do?” and it brings massive comfort and realization that we’re all on our own paths and need to be a lot kinder to ourselves.
What are your interests outside of music?
As much as music is my first love, when it becomes your whole life, activities outside of it are essential to avoid going insane. In my free-time I love to be with my friends and family, playing with my nephews and enjoying the simple things. I also thoroughly appreciate my own time which I spend time reflecting and allowing myself to feel what I’m feeling. Also watching TV (especially my comfort shows), building LEGO and swinging my lightsabers pretending I’m a Jedi. I am a massive geek and an adult child.
If it wasn’t a music career, what would you be doing? I’ve always wondered the same. In school, almost as much as music I loved studying history and English. I’m not sure what career path I’d be on but it would certainly be in those areas, perhaps a librarian or university lecturer. As nice as those options are and as much as I tried to force myself to consider them as an option, they couldn’t match the passion I had for music.
I can’t imagine myself being truly happy doing anything else, it’s important to have other hobbies outside music but when it comes to a career, music is the one. There are however other passions I have that I’d like to explore like acting, voice work and presenting, I’ve dabbled in these areas before, and have found great joy in them.
What is the biggest problem you have encountered in the journey of music?
The biggest problem I’ve encountered thus far is the lack of respect for pop music in the local scene, especially queer-pop. One thing I have experienced multiple times in gigs, open mics, songwriting events and radio shows is being called “just a pop singer” and after performing “Not bad for a pop singer”. I not only find this extremely disrespectful but also hypocritical, as I know for a fact if Taylor Swift or Dua Lipa hit them up asking to open for them they’d be buzzing! Pop music is expressive, beautiful and fun! More than anything it deserves to be celebrated in the local scene as it is globally.
If you could change one thing in the music industry, what would it be? There are so many things that I wish the industry did differently, two distinct things come to mind. Firstly, I would change the influence of certain social media apps on the industry. It can be extremely distressing for brilliant creatives to place all their energy into learning about algorithms rather than creating and basing the worth on how many views/likes it receives.
Secondly, I would like the leaders of the industry be those who care about the music rather than how they can make money by profiting off hard working creatives. The industry is a near impossible journey to navigate, but all we can do is take it one step at a time and never let anyone take our worth away from us.
Why did you choose this as the title of this project? The title ‘Unnecessarily Complicated’ came from a bad time in college. A teacher decided that he had some sort of personal vendetta against me, I was running 5 minutes late and walked into my class to hear that teacher saying very unkind things about me to another teacher. I confronted him and he tried rationalizing his actions, I tried to make things light of it by saying “It’s all good, I’m just Unnecessarily Complicated”. It was a lightbulb moment. Before most of the songs were written, I knew this was the title, it summed me up perfectly while also taking the mick out of those who tried to hurt me.
Then I had the idea to split the EP into two volumes, ‘The Prologue’ to represent the beginning of my journey navigating the industry. Now there’s ‘The Epilogue’ signifying the end, having found my sound and style and ready to take the industry by storm. While our journey never ends, I am ready to start a new path now that ‘The Epilogue’ is out in the world.
What are your plans for the coming months?
I have a couple gigs across the UK here and there, one super exciting one is a Queer Pop Night in The Jam Factory in Hereford on November 25th. As well as shows and music, I’ll be continuing to work towards completing my degree as a classical singer. I’m sure as Christmas approaches there will be so many concerts so keep an eye on my socials for a wide range of music and shows!
Do you have any artistic collaboration plans
– Nothing set in stone as of yet. I just finished an incredible collaboration with producer Millie Blooms, which will be revealed end of next year. In the meantime, my DMs are always open and I’m always down to collab with fellow hard-working musicians and creatives who love what they do and have something important to say.
What message would you like to give to your fans?
– Thank you. Thank you Thank you THANK YOU. Wherever you are, I wish I could give every single one of you a big cwtsh. To everyone who has streamed, watched, added to playlists, shared my work, spread positivity and came to my shows, I am eternally grateful. You give me the motivation to keep going and make the best work I can make. I’m looking forward to growing together and I hope I can and continue to make you all proud.
Jane N’ The Jungle, is a band that is gradually making waves in the world of modern rock which each song they produce, the band has once again proved their prowess when it comes to music making with their latest single, “Cut Me Open.”
The band actually hails from Phoenix, yet “Cut Me Open” has a strong message for anyone who is trying to be good enough for someone else. With Jordan White singing and Brian Dellis playing the guitar, this sync creates a sound that’s really something.
The song’s opening is moody with a dark message, and the singer does a great job tuning her voice to bring out the message she is trying to convey perfectly.
The song’s opening is moody with a dark message, and the singer does a great job
The explosive guitar riffs and drum licks are right on the spot, they create a perfect sync between the instrumentation and the singer’s vocal range. The soaring vocals of Jane draws your attention to the lyrics to the song; you can hear her emotions oozing which each word she sings out, the pain of wanting to be something better for someone else.
Jane N’ The Jungle are actually a band to keep an eye on because with each song they release, you can tell how vexed they are with this music thing, from the production to the instrumentation, songwriting, and singing.
“I wanna be special in your eyes,” this is a recurring lyrics in the song that gives it a nostalgic vibe and tickles the listener’s emotions.
John Conlin Drops Heartache Anthem “Months and Months”
Ever stumbled on a track that instantly felt like it turned your heartache into an anthem? If not, let me cue you in on John Conlin’s newest single “Months and Months,” which has been spinning through my speakers on repeat – to the point where I’m pretty sure my neighbors are about ready to stage an intervention!
Kicking off with a beat crafted to get even the most reluctant toes tapping, this electric pop potion is concocted with lashings of synth-infused vitality which blends nostalgia and liberation in one masterstroke. You know those tracks that make you want to dance around in your underwear while simultaneously texting your ex “thanks but no thanks”? This is the absolute embodiment.
Let’s zoom straight into those male vocals – we’re talking raw emotion wrapped up snugly in silk-smooth delivery. Conlin takes us on his journey from longing whispers shuffling down memory lanes best left untrodden, right through to declarations of self-preservation belted out with assertive clarity. It’s amidst this vocal roller-coaster where we find ourselves wholly invested; because who hasn’t had that sing-it-from-the-rooftop moment screaming (or rather crooning), “let’s keep it that way”?
Now onto what makes this single all click together – intent meets talent meets precision production. The engineers behind “Months and Months” have clearly sweated every detail: how else could they ensnare us so fully in its head-nodding euphoria?
John Conlin Drops Heartache Anthem “Months and Months”
Conlin spins vulnerability like sugar fibers into candyfloss levity during each chorus refrain – hookier than Captain Hook’s hardware after a fish-o’-five days at sea! His repeated stanzas are more than just earworms; they’re mantras for anyone caught between longing for someone toxic and swooping towards fresher skies.
So picture yourself, sunset-gazing after ditching baggage too weighty— yeah, the song pairs well with such scenes—infusing listeners with upbeat vibes as if saying ‘sure you’ve got scars but don’t forget those dancing shoes’.
It’s evident John Conlin doesn’t merely churn songs; he crafts vessels meant for sailing stormy emotional seas toward brighter horizons. With echoes resonating somewhere between Robyn’s electro heartbeat sincerity and Imagine Dragons’ anthemic appeal tossed overboard by The 1975’s sardonic smirkiness when navigating love lost—all aboard ‘Months and Months’ stands towering.
To sum things up—a break-up banger? An emancipation songfest? A victory lap clad in neon nachtlicht rajahs?! Whatever label suits your fancy—just ensure “Months and Months” finds its rightful place among this year’s powerhouse playlists—it demands nothing less! So here I am signing off before I accidentally manifest that dreaded knock from next door—you’ve got some impassioned soundscapes awaiting exploration!
Yael Lanciano's “Runnin' Away”: A Nostalgic Alt-Pop Gem
When “Runnin’ Away” by Yael Lanciano hits your ears for the first time, there’s an immediate magnetic pull—part nostalgia, part something you can’t quite put your finger on. It’s a crowded market in alternative pop, yet here stands Lanciano with a tune that whispers its way into an intimate corner of your mind.
Her single is like crystalizing feelings into music—the vocals alternate between a tender vulnerability and confident strength. There’s this chatty warmth to her voice as if she’s unravelling stories of elusive love across from you in some dimly lit room filled with close confidants and shadowy corners.
The production combines retro-cool vibes—think ’80s synth-pop meets millennial sharpness—with contemporary flourishes that elevate it beyond mere catchy ear candy. The blend surrounds you, the disarmingly playful synths mingling with modern beats to create a soundscape that echoes long after the song ends.
This track has claws; it catches hold of you with its infectious chorus “Why are you runnin’ away” looping around in your head like unanswered calls. And while upbeat on the surface, “Runnin’ Away” never trivializes emotions—it channels them through lively verses and deep basslines that tell us this is more than just sound: it’s artistry painted with heartfelt hues.
Yael Lanciano’s “Runnin’ Away”: A Nostalgic Alt-Pop Gem
Lanciano pens her lyrics not only from experience but also expertise—you feel inspired by each pulse of genuine sentiment reverberating through every vocal crescendo and instrumental ripple.
We may never know who spurred such earnest yearning within Lanciano’s musical realms, yet their influence resonates—listeners instinctively sync along to rhythms sprinkled with reflective undertones so commonly shared among those struck by romance-turned-mystery tales.
Whether you’re empathizing intensely with our protagonist or reflecting alongside her reticent paramour — “Runnin’ Away” captures both universal themes and unique musings: A mix-up of hesitance infused within an enchanting melody that compels playback investigation—why do we indeed run away?
Hats off to Yael Lanciano—a storyteller merging past echoes & tomorrow’s notes into singable anecdotes! And rest assured—we’re glued right here anticipating what sonic roads she’ll lead us down next without even thinking about taking flight.
As though a gentle tide caresses the shore, leaving patterns on the sand that tell tales of both tranquility and turmoil, Luna Keller’s single “Ocean Inside Of Me” touches the soul with its soothing waves. This indie folk reverie encapsulates the sentiment of nostalgia as it ebbs and flows through our consciousness, its smooth acoustic guitar strumming like a heartbeat in sync with nature’s own quietude.
Keller’s voice is an immediate standout; silky-smooth, enveloping you like early morning mist clinging to seaside cliffs. There are layers within her great voice—a depth often sought but rarely found in contemporary sounds waves—that speak directly to one’s core. Her candid delivery enshrouds listeners in velvet comfort while also conveying potent emotion—akin to finding warmth against evening sea breezes under a cozy woolen blanket.
Throughout this slow-tempo serenade, there breathes an easy listening vibe that belies its complex emotional grounding. It’s relaxing without being soporific—more meditative than solely melodic—and weaves introspection into harmonious threads that dress wounds old and new with tender care.
Navigating Luna Keller’s “Ocean Inside Of Me”
Production-wise, minimalism reigns supreme here. The simple acoustic backdrop is intimate yet expansive—as broad as endless oceanscape and as personal as footprints in wet sands. Each note presses gently upon your spirit emblematic of water kissing shoreline relentlessly but with great love—a sound-catcher’s dream where each vibration rings true without artificial echo or digitally layered facade.
The song itself—and indeed the concept album it heralds—is deeply personal for Keller. Born from a place brimming over with rumination amid struggle, “Ocean Inside Of Me” lays bare our universal journey from darkness towards illumination. Herein lies proof positive that music can be a vessel on seas stormy or serene—an intrinsic compass leading us back towards self-love and liberation from mental tempests too often navigated alone.
Letting one drift away into musings animated by imagery akin to oceanic expanse implies more than meeting chords with calmness—it leads us on excursions beneath surfaces deep enough to discover lost treasures within ourselves all over again; they become interconnected stories told visually via accompanying videos also born of intent contemplative vision craftership.
In sumptuous wholehearted authenticity wrapped up snugly amidst mournful melodies and hopeful harmonics—the title track signals not only promising beginnings for what seems surefire mellow masterpiece collection but stands tall itself among echelons where sincerity meets craftsmanship at sunset horizons awash peel bell resonance.
Open your windows wide—or better yet find yourself nearest beachside perch—to imbibe fully “Ocean Inside Of Me.” Let Luna Keller’s porous rhythms saturate senses until every last cell hums homeward bound across nurturing azure vastness laid out before eager toes yearning wading adventure depths anew.
Strap in, y’all, because Megan Thee Stallion’s single “Cobra” is a sinewy serpentine bop that slithers through the underbrush of heavy hip-hop beats with rap verses sharp enough to cut glass. It’s a track pulsating with emotional rawness and transparent introspection – an unguarded confession booth where vulnerability meets ferocity.
Megan’s lyrical dexterity shines as she navigates personal tribulations amid the blinding spotlight of fame. The juxtaposition between her powerful public persona and private despair is woven intricately into every verse; it’s as if you’re reading pages torn from her diary set to 808s. With a flow crisper than autumn leaves underfoot, she underscores how loneliness can persist even when it feels like the whole world’s gawking at your every move.
Production on “Cobra” grips you like cold fingers around your neck—it’s dark, brooding yet absolutely sleek. You get these booming bass hits punctuating moments of stark clarity throughout her narrative—each thump acting almost like a defibrillator jolt for your attention span. This isn’t background noise; this track demands to be front and center.
The claustrophobic mix complements Megan’s confessional: contorted synth lines tangle around hard-hitting hi-hats creating a cinematic atmosphere so tense Hitchcock would applaud from his grave. Vocally? Please—she spits fire with the finesse of an artisan glassblower and brings heat strong enough to have Lucifer sweating!
And let us not glance over that chorus – tongue-in-cheek wordplay dances cheekily with metaphorical depth illustrating both sexual autonomy and mental health struggles without missing a beat or breaking stride in rhythm delivery.
Now sure, we could compare Meg to other greats—but frankly, “Cobra” cements her unique space within hip-hop history akin more closely perhaps to storytelling mastery reminiscent of old-school Tupac mixed with Missy Elliot’s innovation if they had access to today’s production tech toys.
“Cobra” sees Megan Thee Stallion metamorphosing once again—the hustle never stops but neither does the hurt—and she ain’t trying for stoic perfection here! She uses music as reckoning—it’s healing draped in Dolce & Gabbana rhymes dripping hot sauce wrapped boldness on display wrinkles-and-all style—an anthem for anyone who ever felt gloriously broken but determinedly unbowed by life’s bite.
Feel the Might of Edge of Paradise's New Hit “Basilisk”
“Basilisk” by Edge of Paradise gets right under your skin, with all the makings of an arena-rock staple. It’s dramatic, heading straight for epic territory, powered by Margarita Monet’s vocals that grip you from the first note. “Basilisk” is part of the band’s already-released album named “Hologram” which has received praise globally.
Picture this—a goddess wielding a microphone in one hand and your heartstrings in the other. Her voice pivots between empowering cries and darker tones that could coax secrets out of shadows. Meanwhile, Dave Bates wields his lead guitar like Excalibur, contrasting beautifully against David Ruiz on rhythm who anchors us amidst the gathering storm.
The drumming? Jaime Moreno sounds like Thor is personally auditioning for percussionist; it’s pulse-quickening stuff backed up by Kenny Lockwood’s bass lines which don’t just groove—they mesmerize.
Feel the Might of Edge of Paradise’s New Hit “Basilisk”
Now thematically? “Basilisk” bewitches you into dancing at the edge where fear meets thrill—like daring to look into mystical eyes knowing full well they hold a challenge: feel alive or forever walk half-awake. Each chord and cry isn’t just heard but felt—an invitation (or is it a dare?) to face those inner demons head-on with every beat.
This song has force—it harrows before it uplifts—In simpler terms: imagine being dipped low in a dance, glimpsing what lies beneath then spun outwards fast enough to blur worries away. If exhilarating had a soundtrack, Edge of Paradise would be blaring through its speakers non-stop!
Hold tight folks—Their ride shows no signs of stopping!
Hip-Hop Evolution: The Arrival of GrayBeat's “Diamond Mic”
“Diamond Mic” detonates onto the scene with a mettle as tough as its title suggests. GrayBeat – flanked by Hookdiggy’s potent verses – deliveries with lyricism that dances often the edge of nostalgia and futurism, truly embodying the elegance of Snoop’s vibe juxtaposed with Ice Cube’s fiery critique, all hashed out through Kendrick’s poetic complexities.
Embarking on a rollicking beat ladened with old-school charm reminiscent of boomboxes and breakthrough acts – yes we’re timewarping to blocks where neon was de rigueur – there’s something irresistibly head-bobbing in this track: an ethereal echo challenging hip-hop’s greats without succumbing to mimicry. Their thrilling concoction affirms modern craftsmanship peppering 80s sentiment across every synapse-trigger stack.
Hip-Hop Evolution: The Arrival of GrayBeat’s “Diamond Mic”
Production itself is nothing short of alchemy—retro meet your contemporary wizard. Where sultry lows marry punchy highs crafting cinematic expanses propelling us into infinite cyberspace territories yet grounding us in bedrock fundamentals of rap charisma that keeps “Diamond Mic” orbiting around anthemic realms—a vivacity resurrection worthy for cult count-offs!
It’s more than just clever wordplay crashing parties here; There is discernible clarity shines throughout this threesome exploration portraying serene composure amidst stretching tensions like calmly conversing heartbeats during sirens.
Woven intricately into sonic textures gentle enough to lull yet gutsy in gripping vocal throw-down becomes an irresistible synergy earnestly swinging life-mantras against cold sweats of hot pursuits—an aced test if ever their musical prowess faced it!
“Diamond Mic,” isn’t just another contender waving at legends; it stands sprightly shoulder to shoulder, nodding rightly at its predecessors while audaciously tugging front-liners welcomes aboard resounding Soundship Ant games! What can I say but stay tuned and hold tight—GrayBeat might just have painted vibrancies amplifying not only airwaves but also how Zenned rap traditionals persuade gravity still thrives combust explosive sessions under pressure-in-front Monitors reigning Diamond-speak!”
Time Travels in Tunes: Kid Mammoth's “Past, Present, Future” EP
Embark on a sonic journey through time with Kid Mammoth’s latest EP, “Past, Present, Future.” A treasure trove for alternative rock aficionados and connoisseurs of super catchy anthems alike. Driven by Kerry Henderson’s poignant pensiveness in his lyricism and emotive male lead vocals that shimmer against the backdrop of nostalgic retro guitar riffs.
Kid Mammoth navigates the winding roads paved by our shared human condition—where reverb-drenched vocal cords resonate within us like echoes from days bygone. Here emotion is painted not just in broad strokes but also in nuanced shades of wistfulness and ebullient surrender to living inked across six compelling tracks.
What imbues this collection with magic is its universality; tales spun around identity spirits grappling reality amidst temporal shifts— thoughts awash with youthful bliss now brushing up against the tide of change. Cue anthemic crowd-pleasers laced with an infectious chorus leaving you humming long after the ring fades out.
Time Travels in Tunes: Kid Mammoth’s “Past, Present, Future” EP
The collaboration speaks volumes—a symphonic alliance as Dean Anshutz’s drumbeats pulse convincingly alongside Eric Hall’s electrifying guitar strings, heralding rhythm into battle cries layered upon compositions boasting both polish and raw edginess, honed beautifully from Henderson’s cascade of 125 song ‘sketches.’ Other notable members are Cory Webb – Drums, Seth Bain – Bass and Tom Lasky – Drums
Strap in for complementary whiplashes—from rollicking revels to blanketed strolls down memory lane imbued with mournful undertones. It’s melancholic yet invigorating—as if embracing your teenage self while cognizant of every misstep turned milestone along life’s intricate tapestry. This EP doesn’t just navigate nostalgia; it captures fleeting moments cast anew under today’s light—compelling music lovers to anchor firmly and swing free into ‘the feel-goods’ brilliantly packed in Kid Mammoth’s “Past, Present, Future”. RSVP ASAP because trust me – you’ll want to be part ‘n’ parcel of this auditory evolution!
“Breaking Free”: Rebecca Sichon Commands with Pure Vocals
Rebecca Sichon’s single “Breaking Free” is a true gem in the contemporary R&B scene. Dialing down complexity for sheer emotional power, her voice takes center stage and rightfully so—it’s as silky and welcoming as any vocal performance you’ll yearn to hear repeated.
Brought into existence with Juno-nominated Mathew V and Jared Manierka, this track is all about self-love—breaking away from what holds us back– wrapped in an arrangement that feels both current and timeless. There’s a swelling tenderness in each verse; its slow burn puts you at ease while laying bare our own vulnerabilities.
You listen to this piece, nod along thanks to the relaxing but stirring beat beneath it—and then those vocals hit again: deep digs without the need for fireworks—a testament to Rebecca’s command over your emotions through her spectacular pipes straight out of Vancouver’s vibe-soaked streets.
“Breaking Free”: Rebecca Sichon Commands with Pure Vocals
It doesn’t bog you down with heavy hands but carries production quality underpinning every note like delicate brushstrokes on an impressionist painting. So whilst Britain may have Adele serenading heart-torn tales, across the pond we’ve got bright shards of free-falling soul resonating in Sichon elixirs ready for affectionate playback thrice over.
“Breaking Free,” encapsulating more than just easy listening tunes—it invites hopefulness into your rhythm-seeking souls who fancy that kind of thing. It elegantly twines feelings around melodies assuredly etching themselves in mental soundtracks meant for softly lit evenings or retrospective pauses within fast-pacing worlds.
Matt DeAngelis Breaks The Ice With 'All Good Things
“All things must come to an end” this line in Matt DeAngelis’ latest single, “All Good Things” is mind-boggling. This phrase is self-explanatory, as regardless of what we are going through, there is always an end to it. But don’t think this is going to be one of those soul-depressing songs, because it isn’t.
All Good Things” is a song written about the conclusion of childhood and the transition into adulthood. While it is true that the carefree times of childhood are coming to an end, bigger and better things are in store for the future, even though it signals your innocence has been left behind. Departing from what one has known in some of the happiest times in their life is certainly no easy release, but must be done by all….
This according to Matt DeAngelis was the main inspiration behind “All Good Things” The song is full of inspiration and what I really like about the song is the laid-back nature of it, while the vocals are soothing and nostalgic and the instrumentation is full of bliss.
In a recent interview with Mister Styx of Musicarenagh Matt disclosed Outside of music, one of his other main interests is meteorology and revealed he is a storm chaser and have been chasing storms for a number of years now.
He even appeared on the popular Weather Channel television program “Deadline to Disaster” for documenting a damaging tornado. This has been his greatest accomplishment as a stormchaser thus far.
In the interview, Matthew DeAngelis delved deeper into his personal life and some of the battles he faces both personally and musically.
Is there a story behind your stage name? While there is no exciting story about my stage name, my legal name is Matthew DeAngelis, but I felt shortening my first name to Matt was better for the stage.
Where do you find inspiration?
I find inspiration as a songwriter in many areas of my life. The most notable are from the world around me, more specifically the global issues we all face and the events that ensue. I am an advocate for mental health and also for climate change, promoting ways we as humans can look after one another and our world.
What was the role of music in the early years of your life?
During the early years of my life, both of my parents were heavily involved in my musical influences. I began studing classical piano at age 9, but had began wrting my first songs at age 8. I was doing piano competitions and also played with the Rock University band when I was 10. I have been honing my craft ever since to become the songwriter and performer I am today.
Are you from a musical or artistic family? My family is very musical and artistic. My father is a professional musician and composer, while my mom is a poet and has been writing for many years. Many other members of my family are involved in either music or the arts, as well.
Who inspired you to be a part of the music industry? As I said, my dad is a professional musician and composer and was a main staple in my desire to become a professional musician. Although I had formal training at the piano, my dad tutored me as a musician for many years and continues to do so. Both of my parents have been incredibly supportive over my career thus far, as I credit them to any success I have. I am blessed to have such a strong support system that has propelled me into a career in the music industry.
How did you learn to sing/write/to play?
As a singer and songwriter, I am mainly self-taught, but my dad mentored me as a musician, mainly on the piano and keyboards. Growing up in such a musical household, it was quite easy for me to go to the piano and begin learning how to write songs and play. Singing was an art that has developed for me over time, but is something I can always remember doing. I later studied voice with a formal teacher that has been more than beneficial especially playing live.
As a singer and songwriter, I am mainly self-taught, but my dad mentored me as a musician, mainly on the piano and keyboards.
hat was the first concert that you ever went to and who did you see perform? The first concert I ever went to was to see the band The Musical Box, when I was 12 years old. They performed the well-known concept album “The Lamb Lies Down On Broadway,” originally written by the progressive rock band Genesis. This was an incredible experience and one that inspired me even more to be a professional musician and performer.
How could you describe your music? The best way I can describe my music is progressive pop. My songs have elements of classic and progressive rock, but also characteristics of pop music through key hooks and melodies that resonate with many audiences. I have always believed that strong beautiful melodies endure forever.
Describe your creative process. I do not always have a set creative process. Each time I write, the process is often different. I may begin by writing lyrics on one occasion, but start at the piano or guitar on another. Sometimes I create a melody on the spot, but other times I may write an entire song lyrically before even thinking about adding music. Whatever the case may be, I feel it is important for me to let the creative process come naturally.
What is your main inspiration?
My main inspiration would have to be my focus on worldly events and climate, but also having God as a foundation for my songs. I pride myself on adding a positive spin to all of my songs and offer hope for a brighter future. Having had to deal with OCD my entire life, I have had to rely on God to help me deal with the intrusive thoughts and anxiety that are part of the condition. I had to learn early on that I can’t survive without turning a negative into a positive.
What musician do you admire most and why? My first main musical inspiration growing up was the early music of David Bowie, as I have always admired him a great deal. Not only are his songs incredible, but tell a story that inspire me each time I listen. Aside from his musical and writing abilities, I always admired David Bowie as a performer and the way he was able to evolve as a musician over time.
Did your style evolve since the beginning of your career? When I first began writing, my songs were always progressive and had many parts, often totalling over at least seven minutes per song. I have since evolved as a progressive pop songwriter, where I have maintained my roots of writing detailed music, but have also incorporated elements of pop in my songs. This evolution has taken place over a number of years and I feel I am still evolving as a songwriter.
Who do you see as your main competitor? While I cannot pinpoint a main competitor, the music industry in general is incredibly competitive. As a musician and performer, I need to be on the top of my game at all times.
What are your interests outside of music? Outside of music, one of my other main interests is meteorology. Aside from being a professional musician, I am a storm chaser and have been chasing storms for a number of years now. I have even appeared on the popular Weather Channel television program “Deadline to Disaster” for documenting a damaging tornado. This has been my greatest accomplishment as a storm chaser thus far. I am also an advid photographer, primarily shooting weather photos.
If it wasn’t a music career, what would you be doing? While my music career is the most important aspect in my life, I am also an avid weather fan and storm chaser. My love for meteorology and storm chasing has been with me for many years, dating back to early childhood. I also have a degree in inclusive education and teach science and social studies to 4th and 5th graders. I have also begun teaching piano to beginners on my YouTube channel.
What is the biggest problem you have encountered in the journey of music? One of the biggest challenges I face as a solo artist is distributing my music to all possible platforms and increasing engagement with fans. It is a challenge because of the competitiveness of the industry, but also difficult just being a solo artist.
If you could change one thing in the music industry, what would it be? I would change the way music is being distributed. I feel that we have developed an excessive obsession for technology, and while there are a number of benefits, I believe that the music industry longs for the days when more things were done in an analog fashion–from recording to making an actual “record.”
There is so much more that can be incorporated, everything from artwork to liner notes. My recording process continues to be organic. Everything is written out and played by the great group of musicians who have been making recording with me over the past 5 years.
Why did you choose this as the title of this project? ‘All Good Things” is a song written about the conclusion of childhood and the transition into adulthood. While it is true that the carefree times of childhood are coming to an end, bigger and better things are in store for the future, even though it signals your innocence has been left behind. Departing from what one has known in some of the happiest times in their life is certainly no easy release, but must be done by all.
For those listening to this song, I intend for you to use my words to help you through the conclusion of your dependence and introduction to independence in life. While the future may seem frightening and unknown, acknowledge that while all good things are coming to an end, greater things await you for the rest of your life.
What are your plans for the coming months?
I plan on continuing to release new original singles and music videos, while also songwriting and performing live at many venues throughout the Mid Atlantic region.
Do you have any artistic collaboration plans? I have recently worked with the great Richie Cannata–Billy Joel’s original sax player. He will be featured on one of my new releases early in 2024. I have also worked with the great Chesta Davis gospel singers on that same release.
What message would you like to give to your fans?
I would like to thank my fans for their endless support. Without them, none of my success would be possible. I would also like to tell my fans that there is new music on the way, so stay tuned!
