Touched by the soft dusk of Nina Anto’s ghostly yet intense voice, “Show Me Your Scars” takes you on a surreal dance between pain and pleasure. This song is more than a regular tune, it quivers under the force of package full of emotions flung randomly in a vast blue sky sprawled with stars.
This ditty gives you an adrenaline rush, directly jumping from piano’s feel-good tease to soulful strings that seem to sob out of happiness. It imprints your mind with lovely memories. Don’t let its seductive mix trick you; what you’re hearing here involves loads of raw emotion nudging each note forward as naturally as blood circulates in our body.
Anto delivers sweet relief while matching note-to-note with Danny Clvrk’s smooth rap lines- making it all look effortlessly beautiful yet scary like new planets forming from leftovers by Moses Sumney and Sampha. Even if art pop and indie come together for this shaky performance, they tend not to agree on certain strengths and weaknesses! The music is lively yet frustrating at the same time!
Credit: NINA ANTO | Holy Smoke Photography
Despite the complexities handling different themes ‘Necrosis’ managed to put on its own unique spin onto ‘Show Me Your Scars’ which begins with whispers and ends in screams all spotlighting emotional health issues all under music’s vigilant supervision playing tricks delightfully painful encounters—making for an unforgettable chaotic love saga right here.
A musical arrangement that is mildly amusing while being painful…Immerse yourself deeply; allow Nina Anto to wrap around echoes originating from the depth where emptiness meets an extraordinary awe woven forever within music’s baffling structure.
Shaker Bloomheart’s "Nobody's Perfect and So Can You": A Sonic Dreamscape
Like a Technicolor dreamscape, traversing the sonorous cosmos of Shaker Bloomheart’s latest EP “Nobody’s Perfect and So Can You” is akin to dancing with shadowy ghosts one moment and pirouetting across a field of ethereal lilies the next. An auditory Rorschach test splattered across time signatures, it oscillates between melancholic nostalgia and blistering rage – a sonic chiaroscuro.
The torque in Bradley Average’s emotionally-charged vocals paints an anguished yet irresistible portrait on “I Will Rupture and Die,” where genres ricochet like fervent comets; punk confronts emo while lo-fi beats elbow trip-hop into intoxicating submission. A cataclysmic epic that tantalizes then terrifies—like an indigo sun collapsing unto its fevered core.
Yet your soul barely has time to lick its metaphoric wounds before you’re vaulted headfirst into the flighty zeal of “Leftover Generation.” Shorter in length but no less monumental—it sighs with boundless energy, tirelessly pounding upon terra firma till it echoes through every ear-canal from Seattle to Neptune.
Shaker Bloomheart’s “Nobody’s Perfect and So Can You”: A Sonic Dreamscape
Recording done amid bedroom walls bear testament not just talent but nerves frayed raw – unfiltered snapshots like Polaroids delineating creative evolution at fever pitch. Heartfelt shouts harmonize misfit solidarity against everyday ennui—the song-studded outcry both cautionary tale and boisterous anthem for fellow societal square pegs spiraling amidst round holes.
EP closes leaving ears ringing—a beckoning echo that dances ghostly tango along synapses—balancing precariously on that silken thread dividing mellifluous mayhem from sublime serenity. With precision as poetic as it is powerful, this ultimately bite-sized beastie bristles with such riotous energy one can’t help but be bewitched by Bloomheart’s mesmerizing mélange — a bellyful banquet whetted down into a tantalizing tapas for the auditorily intrepid.
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Have you heard Austin Blyth’s latest single “Vow Of Silence” yet? This track from his Clinging To Her Shadow EP is an absolute stunner. Blyth dives into some really heavy, powerful themes around personal sacrifice and the burden of carrying dark secrets to protect your loved ones.
It opens with this super gripping, driving beat and electric guitar riff that just pulls you right in from the start. But it’s Blyth’s raw, haunting vocals that really drive the emotional depth home as he delivers these gut-punch lyrics about staying silent at your own expense. Lines like “I’ll take a vow of silence, I’ll keep this secret for a thousand years. It would hurt too much to see those blue eyes fill with tears.” Chilling stuff.
The way Blyth uses vivid imagery and metaphors to convey the inner torment of holding onto painful truths is so powerful. He sings about “A swarm of ancient vengeful locusts ravaging the gardens of my mind” – you can just feel the weight and desperation dripping off every word. The electric guitar and drums create this perfect backdrop that amplifies the intensity even more.
The way Blyth uses vivid imagery and metaphors to convey the inner torment of holding onto painful truths is so powerful.
“Vow Of Silence” isn’t just a great song, it’s an outright anthem for anyone who has had to bear that heavy burden of protecting someone they love, even at their own expense. Blyth translates those deeply personal experiences into lyrics and a soundscape that just resonates so hard. You can tell he’s laid it all on the line with this one.
If you haven’t checked out “Vow Of Silence” yet, do yourself a favor and queue it up ASAP. It’s a prime example of how Blyth’s songwriting and vocal talents can just gut-punch you with all the raw emotion and imagery he packs into his music. An early contender for one of the most moving, hard-hitting tracks of the year for sure.
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Let me introduce the amazing and talented singer, rapper, and songwriter you should surely know about – Seaker. Originally hailing from the city of London, she is professionally known as Kiran Hungin and she composes the loveliest orchestral alt-pop melodies.
Seaker teases us with her music video for “Grown” released earlier this year after a two-year hiatus of which this was such an inspiring, powerful comeback. She has this ability of just being able to pull you into her world with her deeply personal lyrics.
And true to form, she hasn’t wasted any time coming back with another great new track called “Strange Old Thing. ” It’s more of what fans have come to expect from Seaker; smooth and compelling melodies paired with meaningful lyrics. It is poppy and simple yet very powerful, which goes to show why she is one of the most promising artists in the particular genre today.
And true to form, she hasn’t wasted any time coming back with another great new track called “Strange Old Thing. ”
It was a pleasure to talk to Seaker about her latest tracks, her return from inactivity, and the future of her artistic career. Trust me; her journey and attitude towards her creativity is as engrossing as her music.
Seaker is really gifted and you can’t question it, but at the same time she managed to stay as sweet as she was when she started, and you can actually see she really struggled sometimes. Listening to her speak about her motivations, challenges, and the mentalities she encounters in her work was fascinating and empowering. This is an artist you’re going to be hearing a whole lot more from – I’m already feeling lucky to have gotten a glimpse into her world and artistic mindset so soon. Get to know who Seaker is before she becomes the next big thing!
What was the role of music in the early years of your life? I grew up listening to a lot of music. It started with the influence of my dad, who has a vast and eclectic record and cd collection. He had huge speakers in our living room and I would sit and look through the booklets about the artists as I listened to their music.
There was no particular genre as it spanned electronic, country, pop, rock, singer-songwriter, motown.. all of it really. I remember a feeling that music gave me that I hadn’t felt anywhere else. I had no idea at that time that I would go on to make my own music but I definitely became obsessed at a very young age.
How did you learn to sing/write/to play? I had piano and flute lessons when I was a kid, but in classic childhood rebellion I got sick of the exams so I stopped. The rest of it I have just picked up along the way somehow. Various people in my life have given me guidance and tips, Youtube has been helpful for production.
I’ve had a few vocal lessons to help with proper technique, but mainly just figuring it all out as I go. There has been no particular way. I learned to sing harmony by singing along in my bedroom as a teenager. I was fascinated by all the different vocal parts and how they made magic together.
What are your plans for the coming months? Releasing more tracks. I’m really trying to be more consistent this year with putting stuff out. It’s a lot of work when you are working as one person, but I’m giving it my best shot.
What message would you like to give to your fans? I just really hope there is some kind of emotional connection with my music and that it makes you feel something. The way music affects me is so profound and if I were able to do that for others, that would be very meaningful to me.
Nu-Metal Revival: Love Ghost's 'Do You Like Me Now?' Featuring Cinnamon Babe
Hey music fans!In their recent works, Love Ghost has been on fire with their ability to integrate various genres and their new song “Do You Like Me Now?” is no exception. These guys have always been more versatile, combining elements of such genres as grunge, alt-rock, metal, pop-punk, rap-rock, and hip-hop during their work. Such versatility of musical genres is one of the major factors distinguishing this band’s sound.
For the song “Do You Like Me Now?”, Love Ghost collaborated with another nu-metal artist, and believe me, that was the right decision. They take the biggest of both their feels and combine them into one strong, versatile song. Guitars are powerful and grim, drums are heavy and thick, bass drops have superior sound separation – it’s a proper nu-metal now.
The production was done by Mike Summers and he has worked with big artists for example Tech N9ne, Kendrick, Lil Wayne, so its professional sounding as always. The sheer volume and passion are reminiscent of Linkin Park and Rage Against the Machine but have a certain newness that may make it appealing to more fans.
One of the most notable features is the vocals of Love Ghosts’ Finnegan Bell and the obscene, catchy screams and raps of Cinnamon Babe. Bell has such a great pop-punk type of voice which makes it quite interesting to compliment the heavier side of the band. It’s this awesome juxtaposition of hostility and serenity of the bright and the black.
One of the most notable features is the vocals of Love Ghosts’ Finnegan Bell and the obscene, catchy screams and raps of Cinnamon Babe.
The lyrics talk about turmoil, anxiety and frustration, which are emotions shared by many people, but are sung in an empowering way that is infectious. When Bell was mentioning how music is ‘the language for emotion’, this track fits into that to a T, like a balm for the soul to feel understood for anyone coping with mental health issues.
Additionally, they released a music video with this super cool third person game overwatch playstyle thing going on. You know, with health bars, mini-maps, it’s as if both artists are playing their avatars in real life. It was so refreshing to see something so different added to the music.
In summation, if you have any preference for heavy rock and especially nu-metal at all, then ‘Do You Like Me Now?’ is an absolute essential. Love Ghost and Cinnamon Babe killed it with these giant vocals, those rap-rock aspects and bomb production. Overall, this is easily one of the stand-out releases of the year thus far. If you snoozed on Love Ghost before, this is the great starting point to understanding who they are and how their music has progressed. Don’t sleep!.
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Now I am really excited to introduce you Richard Berger an amazing artist based on LA. His latest album Retrovert is really a perfect piece of work – the combination of deep and inspiring lyrics, melodies on the guitar, spacey synths, and fat grooves is great, and it just makes you want to bob your head to the beat.
Songs like “Another One” and “Ignore Me” are simply those songs that would make your ears happy. Richard, especially, has this funky rhythmic flair and quite expressive melodic sensibilities with synthesizer-driven emotive quality. There are sounds lifting from the classic songs of The Beatles and the psychedelic indie sounds from Tame Impala. But he makes the sound completely his own – nostalgic but modern at the same time.
Even more impressive is the fact that Richard is a completely self-produced musician who also has a day job and works as a researcher at one of the largest film studios in Hollywood. Oh well, what can I say, they are the original multi-taskers; talk about wearing many hats!But his passion for music remains as passionate as before.
I was able to have a brief interview with Richard on how he comes up with ideas, his sources of inspiration, and his experiences as an indie artist. I asked him everything I wanted to know, and I am excited to share the conversation with everyone. Prepare yourself for the musical odyssey of Richard Berger with these magic songs!
What is your stage name No stage name – Richard Berger is my real name.
Is there a story behind your stage name? No stage name
Where do you find inspiration? So many different places – hard to say just one thing – I generally just like to make time for myself on one of my keyboards and just play and tune into whatever comes.
What was the role of music in the early years of your life? Music has been one of the most important things in my life ever since I can remember. My earliest memories are of the Beatles and Beach Boys – I could not get enough of their music. Then I discovered Steve Wonder, Steely Dan and Fleetwood Mac and so many I can’t name. Discovering new music and new artists is still to this day one of my favorite things to do. There is nothing quite of finding a new artist that blows you away.
Are you from a musical or artistic family? Not really – my grandmother played piano but nobody in my immediate family plays an instrument.
Who inspired you to be a part of the music industry? Funny – I don’t really feel like I am part of the music industry. I have been writing and recording music since I was a teenager, but my first official release was an EP back in 2018. And as an independent artist that self-distributes music, I don’t feel a connection to the “music industry” per se. I have met some great independent artists and I like the idea of being part of that community.
How did you learn to sing/write/to play? I started playing piano as a young kid and took to it right away, but as young kids often do, I lost interest and rebelled against the more formal aspects of taking classical piano lessons. But I still loved playing around on the piano. And, when I bought my first synth in high school, everything changed for me.
I just started writing my own songs. In college, I took some music theory and jazz classes which helped me understand what I was writing. When I started recording my songs, I would always find someone else to sing as I am not a natural singer. Over time, I started singing background vocals and eventually lead vocals on some songs. It is really only in the past 5 years that I have focused more on singing. I am always learning.
I started playing piano as a young kid and took to it right away, but as young kids often do, I lost interest and rebelled against the more formal aspects of taking classical piano lessons.
What was the first concert that you ever went to and who did you see perform? The first concert I went to was Billy Joel when I was in high school. Thinking about it, you asked what inspires me….every time I see live music, I am inspired.
How could you describe your music? I really have a hard time describing it because I tend to blend genres, so it really depends on the song. Also, I really prefer not to put my music in a box and let the listener decide for themselves. If pressed, I will describe it as melodic, introspective – retro vibes but with a fresh new take.
Describe your creative process. It really just starts with making time to play and being open to what comes to me. I find myself playing some chord progressions that set a mood which inspires me to further express the way I am feeling. I almost always focus on developing melodies on top of the chord changes and then find the words that more or less fit the melody. But my process is really about the music first, lyrics second….but only in sequence, not in importance.
What is your main inspiration? If you mean my main inspiration to make music – the answer is simple – I don’t have a choice. It is something I just have to do to be who I am. At times, it is the most pure way to express myself.
What musician do you admire most and why? I could not possibly pick one. There are so many musicians I admire for various reasons. I would say Stevie Wonder’s music has played an important role for most of my life. Of the newer artists I admire, Kevin Parker has created some of my favorite music in recent years. Both of these artists write, play multiple instruments, and have incredible voices. There are so many others I could go on and on about.
Did your style evolve since the beginning of your career? Yes – for sure. Even when I have gone back to revisit songs I have written years ago…the new version of it sounds very different from how it started when first conceived. I think my musical style has evolved due to a combination of personal growth and the ever-evolving access to new music and new artists that influence and inspire me.
Who do you see as your main competitor? I don’t. This is not a competition. I love discovering other artists and I love making music.
What are your interests outside of music? Spending time with my family and friends. I am also a huge cinephile.
If it wasn’t a music career, what would you be doing? That’s an easy one. Music is not my career. I run a R&D tech lab for the major motion picture studios. I suppose for now I am a just part-time artist. Maybe some day that will change.
What is the biggest problem you have encountered in the journey of music? The biggest challenge for an independent artist like me is to find their audience. The good news is that it is far easier than ever before to get access to the tools you need to create really high fidelity music. That said, I read somewhere that there are over 40,000 songs uploaded to Spotify every day – and that is just one music service. So, how does an indie artist rise above all the “noise” and find their audience? Please let me know.
If you could change one thing in the music industry, what would it be? There is no silver bullet to fix the music industry. Any time you mix business with art, there are going to be challenges. I wish it was easier for indie artists to find their audience and for fans to find the new music they will love. I really do hope that people continue to appreciate and embrace new music and the connection they can make to the artist. I know I really appreciate people who listen to my music.
Why did you choose this as the title of this project? “Retrovert” is the perfect name for this album. My definition is – A dreamer to say the least – someone who appreciates a past time or condition.
What are your plans for the coming months? I am putting a band together to play some shows here in Los Angeles. I am excited to play the album in front of a live audience.
Do you have any artistic collaboration plans I am always open to collaboration with other artists. I have reached out to a couple people so we shall see…stay tuned.
What message would you like to give to your fans? Thanks for listening. I hope you enjoy the music as much as I enjoyed creating it.
Cacophonous Harmony: My Satellite on Their New Single 'Denial'
Have you heard of My Satellite band before?They have something that is quite special, with bright vocal lines meeting the rawer edge of ‘later indie pop’. In essence, the core of the group was Bryan Stage who is not only an incredible singer and songwriter but also an electrifying multi-instrumentalist. He later teamed up with Andy Marshall who played bass, guitar and keys plus Dan Grimes who completed the group as a drummer.
These include influences such as Tame Impala’s psychedelic rock, Radiohead’s atmospheric brilliance and others. One can almost feel that symphony coupled with discord of their tunes. It sets up this dense, huge canvas of sonic ground.
They recently released a track titled ‘Denial’ which comes from their forthcoming record, PERSON. The song touches on the raw emotion and all aspects of the first big fight that occur in most relationships. The whole album, which took nearly a decade to be completed, is, in fact, about the deepest questions of human existence.
In this episode, I had the chance to talk with the man behind My Satellite, Bryan Stage, about what led him to create PERSON, how the music is written, and the long process that My Satellite went through to get to their current state. This was quite interesting as it provided information directly from the respective parties. Maybe I should tell you more about what we were talking about. ..
Is there a story behind your stage name? It was one of those mornings where the moon was still incredibly vibrant in the daylight and the song “Satellite” by Guster came to mind. “My Satellite” seemed the perfect fit with the tone of the music I was writing and my own personal fascination with space. I felt an immediate connection to that name and from that day on My Satellite was alive.
Where do you find inspiration? Truly everywhere. I try to absorb as much art and information as I can so that when I’m ready to sit down and create, my tank is full of experience to draw from.
What was the role of music in the early years of your life? I did a lot of singing as a child. My mom loved to sing to my sister and I when we were babies and her love of music rubbed off on me in a big way. She’s the reason why 80s pop has always held a special place in my heart.
Are you from a musical or artistic family? Art and music were always around my family. My grandma played organ, my dad plays sax, clarinet and trumpet, my mom is an appreciator of art and enjoys china painting, and my sister is a dancer who also played piano and flute. The arts were never the single focus of our family life, we weren’t the Von Trapps, but they were a constant presence and held importance.
Who inspired you to be a part of the music industry? One of my most distinct inspirational memories was my dad showing me the Woodstock documentary and seeing Hendrix perform for the first time. I had only been playing guitar for a few years and seeing this demi-god just destroy on stage at a pivotal moment in music history stirred something in me that has never gone away.
How did you learn to sing/write/to play? Singing came very naturally to me so I was just fortunate to be gifted in that way. Of course, I’ve had to do a lot of work to improve and maintain my voice, but carrying a tune wasn’t something I really had to learn. I started playing guitar at 13 so I could join the youth folk choir at my childhood church. I was pretty much performing for people in church after only a few months of playing guitar which was quite the trial by fire. Needless to say, my inexperienced ass got burned a number of times during those performances.
What was the first concert that you ever went to and who did you see perform? My first big concert was seeing Rush. I know they can be a polarizing band to some, but it was a real privilege to see those three virtuosos play. I was awestruck by how good they were as a band
How could you describe your music? I strive to create music that is an emotional experience. More of a description of the feeling of a moment than a linear story. It’s an evolving journey that takes you in and leaves you somewhere different than where you started
I strive to create music that is an emotional experience. More of a description of the feeling of a moment than a linear story.
Describe your creative process.
For this album I typically brought some half-baked ideas into the studio and then Andy and I would put down layers and changes at it until the songs started to take shape. It began as a period of throwing everything we can at the song which was really fun and exciting. Then as we got past the tracking stage and moved into mixing, we started whittling away all the excessive layers to find the song’s final form. Wouldn’t say it was always the most efficient way to make an album, but it was really fun and creatively fulfilling
What musician do you admire most and why? Bjork is usually top of mind for me. She has been consistently inventive all throughout her career and she’s the type of artist that puts out albums which have meaning and intention behind them
Did your style evolve since the beginning of your career? Most definitely. I think you can very distinctly hear the evolution just within the My Satellite discography. But beyond that, I feel very fortunate to be someone able to evolve and grow my skills, my taste and my enjoyment of music as I get older, and to have a partner in Andy who feels the same. We refuse to be walled in by a style or genre
Who do you see as your main competitor? I don’t see art as a competition. I love hearing how my fellow musicians are pushing the artform because it inspires me to push further with my music. Viewing creativity as a competition sounds like a miserable space to inhabit and, for me, would suck the joy out of music
What are your interests outside of music? Movies, books, comedians, and hanging with my cat
If it wasn’t a music career, what would you be doing? Perhaps something in the film industry. I really love movies.
If you could change one thing in the music industry, what would it be? My main wish is that the industry wasn’t so greedy and exploitative of the artist. For better or worse we live in a world that is run by money, but it’s been baked into the entire history of the music industry that the artist, the one creating the very thing driving the industry, is constantly getting the short end of the stick.
It’s unfortunate that something which can showcase and define the best aspects of what it means to be human, is run by an industry which has allowed humanities worst impulses to thrive
What are your plans for the coming months? We’re going to keep grinding, promoting our new songs and playing live shows
What message would you like to give to your fans? Thank you so much for sticking with us all these years! We love you and can’t wait to keep sharing more music and experiences with you!
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Hey boys, guess what… I had an opportunity to speak to the one and only Bruce Mack, the B-MACK!This male individual is really versatile and has multiple gifts or skills. I was happy to be able to talk to him after he released his latest funky tune “Duckgrease Burning at The Crabhouse. “
In this particular convo, Bruce was very much willing to share the meaning of his song as well as the creative process in this new track. As you would ask, it is a straight vibe!B-MACK distinctive vocal section complement each other so well with the soulful recording by MsLarayne. It is this soulful mix of funk, rhythm and blues that you will be dancing to.
However, Bruce is not only a dope composer combined with the lead vocalist but a total maestro when it comes to sound production. With this attitude, he masterfully incorporates hip-hop, funk, soul, and R&B steadily into the album. It has been like that since B-MACK and his crew Michael cox on bass, Ben tyree on guitar, chris Eddleton on the drums, Leon gruenbaum on keys since their formation in the year 2017. They primarily take influence from greats such as Funkadelic and the late Charles Bradley.
Bruce shared with me more about his whole journey into the world of creativity – starting from the young man who first witnessed the musical revolutions in Harlem and the Bronx and up to the present-day home studio experimenting in Staten Island. He is not only an amazing singer, his story is equally interesting, for real!You have to come with me to enter the fantastic world of B-MACK!Let’s goooo!
Listen to ‘Duckgrease Burning at The Crabhouse’ below
Is there a story behind your stage name? It’s actually the short version of my name (Bruce Mack) that became a nickname started by the late Greg Tate – founder of the band Burnt Sugar the Arkestra Chamber, which I’m also a contributing member of. I’ve always liked the sound of “B-MACK” as it feels simultaneously strong and joyful when I hear it.
All the other band members followed suit, affectionately referring to me as B-Mack, so when I put the press release together for the recent singles I decided to relinquish using my full name and call the whole band “B-MACK”. It is more inclusive of the players as they contribute to the sound that is based around my songwriting & voice. Did it with all caps because the name is unpredictable as are the songs and I’m a big dude.
Where do you find inspiration? I find inspiration in the observation of nature. I love camping, hiking and while doing so, I gaze at nature’ often making comparions to or how it applies itself to urban life.
What was the role of music in the early years of your life? In my early years (1960’s-70’s), music was like a moderator for everything I witnessed going on in my neighborhoods (Harlem & the Bronx) and around the world such as the heroin epidemic, corrupt police, racism, Vietnam war, the assasinations of the Kennedy’s, Malcolm X, and MLK. Music provided a language that helped me understand it all and was therapuetic in learning that an artist could speak, sing and/or play out their social awareness.
Are you from a musical or artistic family? I guess to some extent we were… there were six of us, four girls and two boys. The oldest – Emmajane has passed on leaving 3 older sibling – Florence, Delores, Walter and younger sister Lydia, all talented. Emma was a hair & make-up stylist, Delores & Florence could replicate and resize images from magazine onto a wall via drawing or painting. Walter loved singing as he does to this day in church and I often imitated him when he babysat me.
But aside from Emma who had a career as a hairstylist, they never pursued careers in the arts. Youngest sibling Lydia is a wonderful singer and went to Fiorello H. LaGuardia School of Performing Arts in New York City to do so. I always felt she was “the real deal” and remember being so impressed by her making it into that school, it is probably the most well respected performimng arts high school in NYC. She actually did pursue a career in music and invited to sing in one of her groups for a short period, but life as it can do took her in a different direction. But she did teach one of her daughters to sing and that happens to be LaRayne aka MsLaRayne who is featured on the bridge of Duckgreaser…
I went to DeWitt Clinton H.S. at that time, a bit of a scatter-brain and torn between sports and music. But the vapors from my early love of music kept flowing around me… Our mother, Sallie Catherine Mack loved the performing arts, particularly dance and music, and in my formative years she always set aside time to address curiosities about what and who Lydia and I were listening to. I was a bit more curious being 3yrs older, so ‘Ma (as I called her) would tell me who the artist were and introduced me to who they were inspired by. That knowledge became important to my development in the business of music in later years and as an educator.
Who inspired you to be a part of the music industry? Well, when you say “music industry” I think of the creative side as well as the business side… creatively I would say Sly&The Family Stone, business-wise I would say Tommy Boy Records.
Tommy Boy was an independent record label based in NYC that made me feel empowered to create my own path to expose my writing and performing skills, which I eventually did with my good friend Kenneth A. Edmonds when we formed our own indie record labe Attic Sounds, in the mid-eighties, releasing an extended-length double-sided single ‘Chemical Pollution’ b/w ‘You Got Me’ with our band (the original) PBR Streetgang.
How did you learn to sing/write/to play? I was inspired to sing by listening to recordings of Lambert Hendrix & Ross, King Pleasure, Betty Carter and other greats. I learned to sing by mimicking horn solos on James Brown recordings that featured Maceo Parker and Fred Wesley. After high school, I took voice lessons at the JazzMobile Workshop and then studdied classical voice in college.
Writing came naturally to me because I connected it to abstract painting, which allowed me to put words&thoughts together in unconventional ways. This worked well for me being someone not well-read or knowledgeable with figures of speach, yet I’ve always been socially aware, historically informed, romantic with nature and empathetic. I’m also a student of Sly Stone, Joni Mitchell and Brenda Russell.
I play several instruments… piano, electric bass, drumset and various percussion all self-taught. I generally acquired those skills when I would pick up an instrument attempting to create an ostinato or rhythm pattern because it would at least sound or feel like I had some ability. If it felt easy to be creative on, I would continue with it. I played around with piano and synths quite a bit because aside from it being great accompaniment with my voice, I could also convey feeling and/or the rhythm I wanted other players to capture.
I learned to sing by mimicking horn solos on James Brown recordings that featured Maceo Parker and Fred Wesley.
What was the first concert that you ever went to and who did you see perform? The P-Funk Earth Tour, 1976 at Madison Square Garden. The headliner was Parliament-Funkadelic with opening act Booty’s Rubber Band.
How could you describe your music? Quirky original songs fused with an eclectic blend of edgy funk and rock.
Describe your creative process. My creative process is more like a short manual of approaches. One approach very personal to me often starts with the rhythm of a melodic or lyrical phrase in my head that I’ve been repeatedly singing for days, sometimes months at a time before dropping it on a rhythm track with chord changes in Logic Pro or GarageBand. Then I will start to layer it with other sounds or instruments I am hearing.
Sometimes the ideas come to me as complete arrangements and or lyrics all at once! Which is fun because I then open up the recording software and work feverishly to capture the idea and feeling. This was the case with Duckgrease Burning at The Crabhouse.
Another favorite approach is jamming or collaborating live with other musicians… I’ll bring a notepad of lyrics, and as we establish grooves we like…I’ll attempt to see which what lyrics or poem might fit, then I record the session with a handheld stereo (in case the idea is sonically sound and salvageable) device, take it home, drop it into one of the DAWs (digital audio workstation) and begin experimenting, doubling instruments, adding keys, vocals, etc..
What is your main inspiration? Nature.
What musician do you admire most and why? Guitarist/composer/producer Vernon Reid. Because of his ability to instigate exploration and experimentation in any genre of music. To be that is beyond self-gratification because it is inclusive of all musicians involved in projects he is at the helm of or as a side contributor.
Did your style evolve since the beginning of your career? Although my style has always centered around funk, it has evolved in that I now incorporate elements, concepts and genres of Afro-Caribbean, West Africa, South America and electronica.
Who do you see as your main competitor? That’s an interesting and excellent question. I haven’t given it much thought, but if the late great Charles Bradley (R.I.P.) were alive… I would consider him my competition because of our closeness in vocal range, tone, how we apply our voices to song, similarity in genres and band instrumentation. Although his palette of meloncholy was much deeper.
So who’s left? Hmmm…. I’ll have to say this fantastic artist based here in NYC called
Blak Emoji.
What are your interests outside of music? Cooking, hiking, camping, I love the outdoors!
If it wasn’t a music career, what would you be doing? I think I would be a forest ranger or something in that field – no pun intended.
What is the biggest problem you have encountered in the journey of music? Although I have changed, it was my fear of trusting and giving 100% of myself to the music. Doing other jobs to earn money caused me to waste energy, which resulted in a lack of discipline to practice, which in turn made it stressful for me to work as a sideman because I had to put so much more in with short periods of time to get the music together for whatever gig I was on.
If you could change one thing in the music industry, what would it be? Increase the royalty fees paid to artist by streaming platforms.
Why did you choose this as the title of this project? During the fall of 2023, I was cooking, testing different spices and temperatures to use for cooking Duck breast and rendering duck fat aka duck confit aka duckgrease, and found in all cases it came out well and was easy to do.
So after a few bites, a couple glasses of wine, and some solo dancing in the kitchen… I started using the term “duckgrease” as a metaphor for making it easy to have a good time. I was having a moment and such a good time, It made me forget my woes and the state our country is in… Then I began to imagine there being a place for everyone to go enjoy themselves as well and sat down to write this mini tale of a fictitious getaway. Pure escapism. That’s why I called this project “Duckgrease Burning at The Crabhouse!
What are your plans for the coming months? Plans for the coming months include recording new songs to combine with previous releases for a full length album that will include vinyl & CDs. The release of a concept video for Silent Witness, booking B-MACK band in venues, and get to the woods! Oh and one small thing… Come August 9th & 10, I will be performing several songs with and conducting Burnt Sugar the Arkestra Chamber at Lincoln Center in a concert tribute to Melvin Van Peebles, directed by his son & film director Mario Van Peebles.
Do you have any artistic collaboration plans Yes, producer Michael Cox and I are planning to do an album of electronica dance music with various singers and featured instrumentalists. Also looking forward to recording a duet with NYC Blues Hall of Fame
bassist Pete Cummings in early summer.
What message would you like to give to your fans? Thank you for indulging my work with your continuous support, and to keep yourself and children creative and uplifted with positivity during these complex times. When we all get pass the madness, there will be banana pudding waiting for us at the ‘Crabhouse! One Love.
NYRE on Turning Pain into Power and Finding Her Voice in Dark Pop
Hey listeners, fans of music, welcome back to another episode of getting to know your favorite artists and today we are going to be featuring NYRE, Toronto’s dark pop royalty. She is just starting to get attention and she combines dark backgrounds with the emotional and honest lyrics that will make you feel goosebumps.
NYRE discovered who she is, musically, by incorporating dark and moody tones from her UK alt-pop queen, Billie Eilish, into her powerful narrative of strength and change. Her debut single ‘Glitter With A Vengeance’ in 2023 packed the visceral, brash punch of young, unfiltered frustration but was backed by an unyielding positivity in the same vein as disco-era anthems.
And she’s not stopping for anybody, or anything. NYRE just unleashed her new summer jam “You Didn’t Mean It” – an electropop single that aches with glossy synths and aggressive beats to call out the fickle nature of ex-lovers. But do not be fooled, this one is all about regaining control or assertiveness for a woman after it has been stripped from her.
I’m so excited to really get to know NYRE through her responses to some of her biggest questions and what drives her as an artist and creative in the dark pop genre. The girl’s got stories to tell, and we are buckling up our seat belts for the ride. Break out the popcorn: It’s time to be entertained.
Listen to ‘You Didn’t Mean it’ below https://open.spotify.com/track/1ZqgES8qeJI24OFuoBOPRJ?si=299868dc22454f8e Follow NYRE on
Yes, NYRE is inspired by the idea of transformation and rebirth. It reflects the journey of turning pain into power and the process of self-discovery. It’s my name Eryn in reverse, representing the mirrored version of myself in the most confident and unapologetic form who I aim to become more of with each day.
Where do you find inspiration?
I find inspiration in my personal experiences, emotions, and the world around me. The city of Toronto at night is very mesmerizing and electrifying which provides a constant backdrop for my creativity. Additionally, I draw from literature, movies, and the stories of people I meet.
What was the role of music in the early years of your life?
Music has always been a significant part of my life. Growing up, I remember my mom always playing piano throughout my childhood which led me to learn piano and the basics of music theory. Music documentaries were always playing on the television, sparking my fascination with becoming a performer as far back as I can recall. I have been writing songs for over 16 years now since I was 8 years old, however I began releasing music in 2019.
Are you from a musical or artistic family?
Yes, my family has a strong musical background. My mom is an immensely talented piano player and is also an artist as well. She got me set up on GarageBand when I initially began playing around with music production in high school and helped me transition into Logic once I began taking it more seriously with a goal to release my creations.
Who inspired you to be a part of the music industry?
Watching Hannah Montana on TV made me dream of performing on stage and making people smile all throughout my elementary years. As I grew older, alternative pop artists like Halsey and Billie Eilish inspired me to pursue music professionally and express my emotions through songwriting. I can relate heavily to their songs and was able to see a place for myself in the music industry from listening to them.
How did you learn to sing/write/play?
I learned to play the piano through lessons after school as a child and a lot of self-teaching for singing. I was very self-conscious of my singing voice when I was younger, so I mainly practiced my favourite songs alone in front of my bedroom mirror throughout high school. However, songwriting came naturally as I’ve always loved stories, poetry and theatre – especially Shakespeare.
What was the first concert that you ever went to and who did you see perform?
The first concert I ever attended was a Jonas Brothers concert in 2009!
How could you describe your music?
My music is a blend of dark pop, R&B, EDM, and alternative genres. It features moody trap beats, ethereal melodies, and introspective lyrics that explore themes of love, loss, and personal growth. I aim to capture the cool winds of Toronto in my synths and highlight the intimidating presence of the nightlife in my beats.
Describe your creative process.
My creative process often begins with a moment of inspiration, usually in the evening when the city lights come alive. I start with a melody or lyrical phrase and build from there, layering synths and beats to create a mood that complements the lyrics. It’s a blend of spontaneous creativity and regular refinement.
My creative process often begins with a moment of inspiration, usually in the evening when the city lights come alive
What is your main inspiration?
My main inspiration comes from personal experiences and emotions. I find that the most impactful songs are those that come from a place of genuine feeling and reflection that make you sit back thinking: “damn, that was real.”
What musician do you admire most and why?
I admire BTS for their ability to blend genres, innovate musically, and convey deep emotional narratives. Their connection with their audience on a global scale and their artistry inspire me to push my own creative boundaries.
Did your style evolve since the beginning of your career?
Absolutely, my style has evolved significantly. Initially, I was really all over the place experimenting with different genres and sounds to find the voice that would be authentic to me. Over time and still continuously, I am refining my style and tones to speak myself through enchanting dark pop.
Who do you see as your main competitor?
I don’t focus much on competition; instead, I see other artists as sources of inspiration and potential collaborators. Each artist has something unique to their story and how they choose to share it, so I believe there’s an audience for everyone. Like all kinds of art, peoples’ tastes are so vast and fluid that I focus on developing a community for my own niche that embraces artist and fan overlap.
What are your interests outside of music?
Outside of music, I enjoy exploring new places around me, playing tennis, and hanging out with friends (my cats included). I love spending time outside, which helps me recharge and find new inspiration. I also have a keen interest in fashion, I’m working on adapting my merchandise line to become limited collections.
If it wasn’t a music career, what would you be doing?
If I weren’t pursuing a music career, I would likely be involved in a creative field such as acting or writing. Both allow for storytelling and personal expression, which are at the heart of my passions, and I have a background in acting which I did for years prior to transitioning to music.
What is the biggest problem you have encountered in the journey of music?
One of the biggest challenges has been balancing the creative side of music with the business aspects. Navigating the industry’s demands and constant need for social media content creation can be overwhelming particularly if I’m really inspired in the studio and want to stay locked in to work on music. However, it also is a blessing since it allows me to expand my storytelling abilities through many different mediums.
If you could change one thing in the music industry, what would it be?
I would like to see more support and reliable resources for emerging artists. The industry can be difficult to navigate without proper guidance, and having access to genuine mentorship and platforms that promote new talent would make a significant difference.
Why did you choose this as the title of this project?
“You Didn’t Mean It” perfectly encapsulates the theme of the song—dealing with the aftermath of betrayal and finding strength in self-love. It speaks to the core message of transforming pain into empowerment. For me, it represents acceptance of the past though this doesn’t mean I always feel inner peace about the experience of the past.
What are your plans for the coming months?
In the coming months, I plan to release more music, continue engaging with my fans through social media, and perform live shows. I also have an animated lyric video for “You Didn’t Mean It” coming out on June 7th and more exciting content planned for the summer.
Do you have any artistic collaboration plans?
Yes, I am currently collaborating with Toronto-based producer Jonathan Karkar on some of my favourite works yet!
What message would you like to give to your fans?
To my fans, I want to say thank you for your unwavering support. Your messages, presaves, reposts and encouragement mean the world to me. Always remember to live day by day, fall in love with your journey, and believe in the impossible. Your support helps me continue creating music that resonates and empowers.
RAGS AND RICHES Inspire with Uplifting New Single 'Wisdom'
Kentucky based act, RAGS AND RICHES has released a new single, ‘Wisdom,’ an uplifting alt-pop anthem that acts as a call to arms for anyone with a dream. Tanner and Peyton, the Whitt brothers, have done it again and demonstrate their abilities to provide a musical boost for listeners. In this context, “Wisdom” is a light and positive song that encourages people to use their inner power and fight for a better life.
The music and the singer’s voice immediately make you listen to the piece, and the energy that surges through the track does not allow you to stay indifferent to the performance. With passion, the Whitt brothers’ share their simple inspiring message, their encouraging lyrics are wrapped in complex harmonies, elaborate melodies, and electronic sounds. The song is also modern, although there are intentional references to classic pop/rock which gives the song timeless character.
With a gentle piano and strings introduction, “Wisdom” starts with a contemplative mood that increases to a passionate sound with chorus based on empowering lyrics. The audio recording is professionally done, giving the appropriate level of acoustic backdrop for the brothers’ touching vocals. Every verse echoes the themes of the fight and victory, and that is something that Tanner and Peyton masterfully handle in the show. The meaning of the lyrics is explicit, but they have an uplifting message for people who feel lost and require a light at the end of the tunnel.
Every verse echoes the themes of the fight and victory, and that is something that Tanner and Peyton masterfully handle in the show.
Tanner explained that they recorded some of the music for the track over and over and over until they finally felt they had it right. This dedication along with the natural ability and sheer hard work is evident in every note and every word they sing. In addition, the liveliness and positive vibe of the song clearly mark it as an amazing addition to the discography of the band/artist.
RAGS AND RICHES currently has over five million streams to their credit, as well as impressive video views which show that they are one of the most up-and-coming alt-pop acts currently. Their first song released in 2019, Speed of Sound, received almost a million plays and they have played over 300 gigs across 40 states. With a Josie Music Award for Pop Artist of the year in their portfolio, and future concert at Lovin Life and Backwoods festivals, the duo is expected to achieve more milestones in 2024.
In this song, RAGS AND RICHES clearly and straightforwardly offer hope by singing ‘Wisdom’. It is one of the most touching songs which helps the listeners remember that despite the difficult life situations, the human spirit is limitless and able to overcome all the obstacles. This is not just any ordinary song; it is an artist’s rendition of the Whitt brothers’ journey and their dreams of being musicians all in one track, so anyone feeling uninspired should definitely give this a listen.
Reviving Pop-Punk with Passion: OddLisT Talks 'Undisputed'
Listen up all you fans of pop-punk because OddLisT is going to give you a nice little trip back to the days of Blink-182 and Sum 41 with his new single “Undisputed. ”
But do not think that this is a simple direct continuation of the classics. “Undisputed” thrashes away with the intensity and defiance that first captured our attention in the noughties but marinated in 2021 with perfect production by Nick Giaimo and Ryan Schumer. With Horner’s resonant voice tugging at the emotions, the lyrics are the perfect accompaniment to feel like you’re back in a carefree summer, singing about being 16 again.
Recently, we sat down with the man behind the Pop-Punk Revival show himself to talk about what drives him – from the musical influences that inspired this sizzling rebirth to the workmanship that led to the creation of “Undisputed”. OddLisT takes the curtain off his journey through the industry and where he would like to take this throw-back sound next. Prepare yourself for the rebirth of the spirit of pop-punk that has never died out in the first place.
Is there a story behind your stage name? I am strange and I appreciate everything odd. My music is just that a list of odd songs
Where do you find inspiration? Everywhere. Anything can be inspiring. If it give me emotion I’ll probably use it at some point. I like to tell a story.
What was the role of music in the early years of your life? Pretty much the same as it is now. Therapy for the soul. Got me through so much. That’s why I started writing. To connect with others.
Are you from a musical or artistic family? Not really. I’m kind of the “odd” one out
Who inspired you to be a part of the music industry? Blink182. I’m sure it shows… but their music is what changed and shaped who I am musically.
How did you learn to sing/write/to play? By ear. And just doing it over and over and over again. I still have soo much to improve
What was the first concert that you ever went to and who did you see perform? Blink182, greenday, and Jimmy eat world. Best show ever!
How could you describe your music? That’s not easy, I write so many different styles. I think I would say it is possible for anyone to find one of my songs they like..
Describe your creative process. Drums first, then guitars, then bass, and finally vocals.
I tend to work days on the music in a row until it’s there. Then I could take weeks or months writing the lyrics. Then longer after I decide if I like it or want to change it.
What is your main inspiration? The chance that someone will tell me that my music helped them in some way get through or enhance some part of their life. It’s all about the connections made.
What musician do you admire most and why? Mark Hoppus. He is always doing something and writing. No matter what, he found a way to keep blink going. He has had so many things that could have kept him down, but he didn’t stop.
Did your style evolve since the beginning of your career? It will never stop evolving.
I dont know if what I’m doing could be considered a career yet haha.
Who do you see as your main competitor? No one, im not trying to compete with anyone. I’m just doing me.
What are your interests outside of music? My family first and foremost. I am a maintenance man by day. I love yo tinker and fix things, make things.. I like motorcycles and cars and movies!
If it wasn’t a music career, what would you be doing? What I am doing by day.. maintenance/fixing/repairs
What is the biggest problem you have encountered in the journey of music? The industry changing… its so hard to get played with as saturated as the scene is now
If you could change one thing in the music industry, what would it be? Labels now want you to do everything and have a massive following before they will even look at you. I would like to see less studio magic and more authentic artists. I like the ones that you can see the potential to grow with their fans
Why did you choose this as the title of this project? It’s about never giving up. Getting knocked down over and over again in life and in music. Music is so subjective you have to have a thick skin. Im undisputed at getting back in the saddle
What are your plans for the coming months?
I am already working on 2 new releases. Then an album release of the past 7 songs!
Do you have any artistic collaboration plans My co producer is Nick Giaimo, and Ryan Schumer was the mastering engineer on this song. I really like them and hope to continue working with them
What message would you like to give to your fans? Don’t you ever give up! Become undisputed!
Bloodlin3 and Twista Bring the Heat with "No Mercy": A Must-Listen Hip-Hop Masterpiece
If the next generation of rappers hold any hope to rival the greats, Bloodlin3 – the trio made up of Mallachi, Stephen King, and Reinman Quiji – are the permanent proof that they can. On the instant that the peculiar synths come in and that banging beat hits, you already know that it’s going to be a crazy ride. These dudes just have you hooked off the get go with nonstop rapid-fire and super fresh phrases, giving your ears a real buzz. For example, he raps, “How am I flowering is similar to open heart surgery,” and “You may never destroy me when I’m checking and recollecting. ” Wow, that’s hard-driver!
However, just when you think it can’t get any more mad & insane, the legendary spitter Twista charges the battlefield and makes this song burst so high that it reaches the stratosphere. He just cuts through with his blinding flow, his fast riff just slicing through the beat like a surgical precision, tieing everything perfectly to Bloodlin3’s already hard-hitting bars. Listening to them trade verses back and forth might cause you to get your adrenaline going, so that you will keep your eyes and ears glued for the whole duration of the track.
In terms of the lyrics, “No Mercy” resonates like Bloodlin3’s full-power rousing oratory. They are transparent in saying that they are there to walk the path of themselves, not to keep up with what’s cool at the moment. They weave the line “We don’t even try to climb the popularity trends, but instead, we pave our individual way,” they spit, a defiant shout-out to the fans that prefer raw and real hip-hop over soulless commercialism. For one, they show the 90s influences like Eminem and Bone Thugs, but they did these in their own completely modern style.
This story is a tip of an iceberg of what we can expect from the Bloodlin3 and Twista collaboration – a real explosion of hip-hop skills and creativity. Whichever category you belong to; old-school hip-hop head or new-school rap fanatic, ‘No Mercy’ should find a spot in your playlist asap. Believe the hype!
Creating Blissful Ballads: Sarah Rose Talks 'Making of Us'
You should definitely listen to Sarah Rose’s brand new song called Making of Us… I mean it’s truly magical. Here is one of the UK’s best singer-songwriters, gearing up for the second single in 2024, and this one is absolutely soaring with both emotion and songwriting skills.
You know, ‘Making of Us’ was written like, last fall I think, but idea of this song is very close to me and I think it does not have an expiry date. Sarah was dreaming about her first dancing song for the future wedding and she just poured out this story while singing it out.
It begins almost skeletal in structure, it’s just Sarah singing over a few piano notes to start with. However, as events progress, the overall show does the same, growing into such lush layers and mere electrical touches. There are clearly echoes of an artist such as Sasha Alex Sloan in Sarah’s music which is warm, folk and country with electronic pop elements.
One thing that I found particularly fascinating about Sarah is the fact that she can take inspiration from basically anything; whether it is movies or books she reads or simply things she comes across in her daily life. A love for music has also been identified as another lifelong activity which entails playing piano from home when she was young, under her mom’s tuition. Today, she uses her first and second names for her performance pseudonym.
But as much as I have seen her acquire success and grammy awards, Sarah has remained very down to earth and relentless continuously improving the craft of her music and songwriting. I would be very interested in exploring it further and finding out more about her and the inspiration behind “Making of Us” album and her further plans. This just whet my appetite for this band!
What was the role of music in the early years of your life?
I loved writing songs at the piano as a child, I did it for pleasure and had no desire to finish or share them!
Are you from a musical or artistic family?
My mum is a pianist
Who inspired you to be a part of the music industry?
Becoming part of the industry was a natural progression from writing songs, performing and learning about the industry.
How did you learn to sing/write/to play?
Initially I was self-taught and then I had music lessons, ending up with grade 8 qualifications on piano and vocals.
What was the first concert that you ever went to and who did you see perform?
I actually don’t remember the first ever gig I went to, but I remember being seeing Tracy Chapman in an intimate setting in my early songwriting days.
I remember being seeing Tracy Chapman in an intimate setting in my early songwriting days.
How could you describe your music?
country inspired dreamy pop with electronic elements
Describe your creative process.
It varies – I’ll usually have a concept and title and then a seed of a melodic idea, the song will grow from there.
What is your main inspiration?
I feel a strong pull to writing songs, when ideas come to me from the middle of nowhere, I feel that the songs deserve to be written – that inspires me!
What musician do you admire most and why?
I’m a massive fan of Julia Michaels as a songwriter and artist – she has her own unique sense of artistry with rhythmic melodies and infectious choruses and even in songs she has written for others, I hear her songwriting shining through.
Did your style evolve since the beginning of your career?
Yes – I started with a fully singer/songwriter sound, experimented with more electronic sounds and I’ve now taken my favourite elements of everything to create my own artistry and write songs I love.
Who do you see as your main competitor?
I’m a small independent artist so I don’t see myself in that way – there is room for everyone’s artistry.
What are your interests outside of music?
Hanging out with my friends and family, travel, film, nature and spending time with my dog (Marley the shih-tzu)
If it wasn’t a music career, what would you be doing?
Maybe writing books for kids – perhaps I’ll dabble with this in the future!
What is the biggest problem you have encountered in the journey of music?
Currently – trying to cut through the noise and stay motivated when it doesn’t come easily.
If you could change one thing in the music industry, what would it be?
More artist to fan platforms that aren’t skewed towards the big artists.
Why did you choose this as the title of this project?
‘Making of Us’ refers to the early days of a relationship which become the foundation of the relationship, the story that connected two people.
What are your plans for the coming months?
I’m working on an album at the moment for release next year, entitled ‘love stories & legends’, inspired by the ghosts, myths and legends of my hometown Winchester.
Do you have any artistic collaboration plans
I have lots of collaborations booked as part of this album project.
What message would you like to give to your fans?
Thank you for listening to my music – so much more to come soon!
Beyond the Chaos: Monique Angele on Finding Bliss Through Music
Dreaming by Monique Angele is a single that people should check out right away. She still has this unbelievable ability to convey the feeling of idling and daydreaming, which many of her illustrations depict. In this brand new piano-infused pop tune, Monique calls on everyone to take a break from their daily woes and escape into a calm daydream.
Her ethereal voice complements those soft piano notes in such harmony. It’s charming, and rather mesmerizing – at least as much as this beautiful, operatic lullaby that plays to put you into a state of calmness. You can hear the classical influence within Monique, but at the same time, there is something almost almost naked within her music.
Right from the pensive beginning with the piano, ‘Dreaming’ just envelops you in this warm, dreamy aura that builds into a grand orchestral piece. The music production is also very good, especially the harmonized vocals and the other elements such as the electric guitar and punchy beat.
Monique recalled using her time in Australian as the basis for the carefree, sunny themes of the songs about the pleasure of the present. She said: ”This theme was supposed to be about daydreaming and just being so happy even when everything around is heavy and complicated. ”
Does that sound more conversational and friendly?I attempted to bring up the musical and lyrical content more casually while still emphasizing the uniqueness of Monique’s skillset. Please just let me know if you would like me to adjust or lengthen the human-voiced take any more.
I find inspiration in my own personal life experiences or other people’s experiences. Nature is also a big influence, whenever I’m on a hike or somewhere in nature I always get inspired to write. Seeing a live show, listening to music, and travelling are also big inspirations.
What was the role of music in the early years of your life?
Music was very important in the early years of my life. My family was always big supporters of music and got me into piano lessons as a kid.
Are you from a musical or artistic family?
Yes, I come from a musical and artistic family. Several family members have played musical instruments and my younger brother continues to write, perform and record his own original music. Several family members are also artists and writers. My older brother is also in the film industry.
Who inspired you to be a part of the music industry?
I think various musicians, bands and artists inspired me to pursue music. I started learning the piano as a kid and from there that’s when my musical education progressed. I started taking singing lessons years later. I’m classically trained in piano and singing. I’ve always been inspired by listening to musicians in any genre.
Once I decided I wanted to study other genres like musical theatre, pop, rock, jazz, that’s when I realised I wanted to pursue writing my own music, recording and performing my original material. I would say that the main artist/band that inspired me to pursue my own original music was Queen.
I would say that the main artist/band that inspired me to pursue my own original music was Queen.
How did you learn to sing/write/to play?
I started taking singing lessons when I was in university and from there I learned various styles of singing: opera, pop, rock, jazz, etc. I learned how to play piano when I was a kid and I’ve played ever since. I started to write my own songs when I was in University.
What was the first concert that you ever went to and who did you see perform?
I honestly can’t remember haha. But I’m pretty sure it would have been a classical music concert of some sort.
How could you describe your music?
I would describe my music as operatic piano pop. It has pop and classical elements similar to Kate Bush, Tori Amos, Queen, Muse. It has melodic soaring vocals and a classical piano vibe. Describe your creative process. I usually write songs when I’m feeling some kind of emotion or need to release my feelings somehow. So I started to write about falling into a blissful state of mind when you feel overwhelmed. Whatever your blissful state of mind is, just go there and forget about your worries.
What is your main inspiration?
I would say my main inspiration is my life experiences, other people’s life experiences, world events and nature. What musician do you admire most and why? Freddie Mercury from Queen as he was an amazing performer and I love the music so much.
Did your style evolve since the beginning of your career?
Yes I think my style has evolved. I think I’ve learned how to create music without thinking too much and just letting things flow more organically. I would say my more current music is a bit more on the progressive pop side than my earlier works.
Who do you see as your main competitor?
I’ll be honest, I don’t feel like I compete with anyone and I don’t really see anyone as my main competitor. I just create things and hope it brings some kind of joy to people and makes people feel something.
What are your interests outside of music?
Being in nature – Exercise – hiking, running, swimming, dancing – Spending time with family and friends – Socializing and meeting new people – Seeing live shows or any art form – Traveling
If it wasn’t a music career, what would you be doing?
A wildlife carer, environmental scientist or a conservation scientist. I just want to save the planet and wildlife.
What is the biggest problem you have encountered in the journey of music?
I have had some pretty crazy experiences where it really affected my physical and mental health in a negative way, however I’m a lot stronger for it now. I just keep going and follow my dreams.
If you could change one thing in the music industry, what would it be?
I’m not sure at the moment.
Why did you choose this as the title of this project?
The inspiration behind my new single comes from daydreaming. The song is about going into a dreamlike blissful state of mind where there are no stresses at all. In a world where you are trying to find yourself and know what to do can be overwhelming. It’s about following your dreams and heart and being where you want to be to make you happy.
What are your plans for the coming months?
I’ll be performing, writing and getting ready to record new music. I plan to release new music again in the not too distant future.
Do you have any artistic collaboration plans
I do have some plans in the works.
What message would you like to give to your fans?
Thank you so much for your amazing support for my music. I can’t thank you enough for all the love!
Unveiling Vulnerability: An Intimate Conversation with POLI NIKA
Hello music lovers! I’ve got an awesome interview lined up for you all with the incredibly talented POLI NIKA. If you haven’t heard her latest indie-pop gem “Down to Earth” yet, you’re seriously missing out.
This Lisbon-based artist is the real deal – her music just oozes vulnerability, honesty and an emotional rawness that hits you right in the feels. For “Down to Earth,” she teamed up with Canadian songwriter Liz Rodrigues to craft a stunning track blending heartfelt piano chords with these lush, evocative orchestral arrangements. And POLI’s vocals? Sublime doesn’t even begin to describe it.
In our chat, POLI got candid about her whole musical journey – from falling in love with singing and piano as a kid to the inspirations that shape her artistry today. We really dug into her creative ethos and how she channels vulnerability into her songs, celebrating the courage it takes to be that open and emotionally expressive.
POLI laid it all out there – the highs and lows that fuel her inspiration, the role music played in her early years, and the iconic artists who influenced her path along the way. It’s a testament to her resilience, authenticity and her drive to forge human connections through her music.
If you want to get to know the depth behind POLI NIKA’s sound and artistic vision, hear her hopes for the future, and the heartfelt message she wants to share with fans, you’ve gotta tune into this one. Her story is powerful, her talent is undeniable, and her spirit is truly something special. Get ready to be inspired!
My stage name, POLI NIKA, comes from my real name, Polina, and the first letters of my surname, Ka. “Poli” also refers to the Greek word “πολύ” (poli), which means “many” and reflects my multifaceted personality and music.
Where do you find inspiration?
I find inspiration in my emotions—whether it’s happiness and joy or sadness and pain. My relationships with important people also inspire me. Sometimes a song is my way of expressing what I can’t say directly, other times it’s a continuation of a conversation or an expression of gratitude. I also find inspiration in stories of other people when they deeply touch and resonate with me.
What was the role of music in the early years of your life?
I’ve loved singing since childhood, and my first performance was at age five. Music has always been around me—I studied piano at a music school and later started vocal lessons. I would come home, turn on karaoke, and sing my favoгrite songs for hours. I listened to my favoгrite artists’ albums on repeat and sang along with them. I loved watching music shows and imagined myself performing on stage.
Are you from a musical or artistic family?
Although my family loves music, none of my relatives pursued it professionally. My mother played the violin and was the one who started nurturing my love for music. However, our family leaned more towards the exact sciences than creativity and art.
Who inspired you to be a part of the music industry?
Since childhood, I was always drawn to the stage. I wanted to perform, be an artist, sing, and create. I loved doing it and noticed it came naturally to me. However, I made my serious steps into the music industry at 28. I was inspired by the singer Rita Dakota. I attended her music course, and it was there that I wrote my first song.
How did you learn to sing/write/play?
I started learning piano at a music school when I was five. At 13, I began vocal lessons at the same school. This developed me as a performer but not as a songwriter. I started writing my own songs relatively recently, after attending a music course for artists that I mentioned before. That course made me believe in myself and my ability to write songs. I attended various workshops, masterclasses, and songwriting marathons, and eagerly listened to lectures about music. To improve my songwriting, I participated in a retreat by The Songwriting Academy. I continue to learn and refine my skills to this day.
What was the first concert that you ever went to and who did you see perform?
I can’t recall my very first concert, but Emeli Sande’s concert in Cologne 2 years ago truly inspired me. The incredible energy she exuded filled me up. I also immensely enjoyed Bobby McFerrin’s concert—it was an amazing musical experience that left me feeling like the happiest person on Earth.
How would you describe your music?
My music is gentle and delicate, contemplative, and sometimes playful. It’s rich in imagery and soulfulness, filled with warmth, love, comfort, and light. Even in my sad songs, there’s always a place for hope. My music can embrace and soothe, be profound and heartfelt, ironic and carefree.
Describe your creative process.
I usually start at the piano, improvising and trying to express my emotions in sounds. I begin to hum a melody and insert random words. At some point, a phrase grabs me and leads the story. Sometimes, the phrase appears in my head first, and I try to set it to music. I create a rough draft of a verse or chorus and play it over and over until it feels right. I move forward, thinking about how the story will continue.
I experiment a lot until I’m 100% satisfied. Sometimes I write a song in one day; other times, I take breaks and return to it later. Initially, I let go of my inner critic and give myself freedom. Once I have a rough draft, I start editing. It’s crucial for me that the song retains its strong emotional charge and authenticity. If even one line makes me feel proud and excited, I’m satisfied.
I experiment a lot until I’m 100% satisfied.
What is your main inspiration?
Life and my emotions, and all the experiences I go through. Life with its carousel of amazing events. And, as I mentioned before, human relationships.
What musician do you admire most and why?
There are many musicians I admire, but at the moment, I want to highlight Jordan Rakei. He recently released a wonderful album. When I think about what I want to achieve in music, his work sets a very high standard for me. My dream would be to collaborate with Jordan someday.
Has your style evolved since the beginning of your career?
Yes, with each new song, I explore and discover new facets of myself and my style. I delve into different themes and emotions. I started with songs about a painful breakup, then explored what makes me happy. Now, I’m focusing on themes of openness, vulnerability, and self-acceptance, which is reflected in my music.
Who do you see as your main competitor?
Are there really competitors in music? I don’t think so. There are great artists I admire and talented ones whose successes I celebrate. Their achievements inspire me and give me faith that I can also achieve my goals. Music is not a sport; there is no competition. The challenge is to be heard and to find your tribe.
What are your interests outside of music?
I love traveling, reading books, especially good literature. I am interested in technology, particularly AI, and the new products and solutions emerging from its use. I enjoy meeting new people, having conversations on important topics, and immersing myself in others’ worlds with curiosity. I find it very inspiring to communicate with other creatives.
If it wasn’t a music career, what would you be doing?
When I was little, I wanted to be a writer and write books, for example, children’s books. I also wanted to be a translator, which I find very interesting. I love learning languages and speaking foreign languages. I liked journalism and tried my hand at writing articles and doing reports. So, I might have explored a career in literature or journalism.
What is the biggest problem you have encountered in the journey of music?
All my problems are internal. They are my own limitations and prejudices. My inner critic and its judgment, which I face almost every day. Sometimes I lack patience and find it hard to accept that the musical journey is a long one. It feels like I’m doing so much, so why am I not filling stadiums yet? (I’m joking, of course) All of this distracts me from the main thing and causes anxiety instead of playfulness and the joy of making music. High expectations from myself and sometimes being too strict with myself—yes, that’s what stresses me out now.
What are your plans for the coming months?
I am preparing to release new songs and plan to record a live session with musicians in the studio by the end of the summer. I am also currently looking for a producer for my next EP. My plans include applying to participate in various festivals and showcases. Additionally, I am planning concerts in Portugal and am open to invitations to perform in other countries.
Do you have any artistic collaboration plans?
I really enjoyed writing a song with Liz Rodrigues, and I would definitely like to repeat that experience in the future. Additionally, I am currently looking for a producer for creative collaboration.
What message would you like to give to your fans?
Through my music, I want to share messages centered on themes such as freedom, the importance of dreaming and pursuing those dreams, living life to its fullest, and fostering deep connections. I emphasize love, the urgency of not postponing life, the value of authenticity, trusting oneself and one’s heart, allowing oneself to make mistakes, marveling at the beauty of the world, being curious, taking care of oneself, the ability to slow down, not rushing ahead, acknowledging one’s feelings, not fearing vulnerability, confronting fears, and the reminder that we have only one life to live—no one else can live it for us. Only we truly know what makes us genuinely happy and the importance of doing what we desire.
Energy Whores: Blending Art and Activism in 'MACH9NE'
Guys check out this crazy avant-garde band called Energy Whores based in New York City. They are on some other level stuff, combining artsy alt-rock with electro punk-pop with much difference and individuality.
Formed by ruthless guitarist Attilo Valenti and vocalist/songwriter Carrie Schoenfeld, Energy Whores don’t fuck around. Using elements from protest poets like Bob Dylan, and the rebellious spark of Rage Against The Machine they create music which is lyrically sharp like a blade, and sonically creative, bending the listeners mind.
Their recent single “MACH9NE” was released in April and it does depict their progressive and meaningful conception. It takes place in a world where technology and art intertwine together which makes it examine man’s connection with AI with this sick cyberpunk notion of NRG – a human cyborg.
As for Energy Whores, for those who like their music to be daring and provocative and lyricism to contain a message, it is an act that one should get acquainted with. I am excited to quiz them about their unconventional approach to songwriting, their concept behind their songs, and what is the next step in this cyberpunk dystopian artpop journey.
The band name comes from a song called Energy Whores I wrote in 2019 about climate change. It is a political song about science deniers, corrupt corporations aligned with politicians’ hell bent on keeping us dependent on fossil fuels for their own financial gain. In first world countries, we are all Energy Whores so it’s not only a name for the band but for us all.
What was the role of music in the early years of your life?
Music got me through everything and still does. I don’t think I would have survived otherwise.
How did you learn to sing/write/to play?
My love of music started at age Nine when I went to the Mannes Collage of Music in New York City. I studied classical music composition and was a classical pianist. But then there was rock, synth pop, disco and electronic music that was so much more appealing to my young mind. I took my knowledge of classical music and it evolved into what it is now. I have no formal training in singing or writing.
How could you describe your music?
This is a hard one to answer because I’m not sure what style the music is. Music is a mix of emotions and vibrations. How do you describe an interpretation of that? I don’t know but I’ll take a stab at it.. I think our music genre should be called Avant- electro. That name seems to fit.
This is a hard one to answer because I’m not sure what style the music is.
Describe your creative process.
Most often I write the music first with the theme and some lyrics in my head. Sometimes I wake up from dreams with melodies in my head and then run to the keyboard to play them. Sometimes I hear something on the news that angers me so much that it becomes a song. Each songs develops in it’s own unique way and I can’t generalize how and why songs come to life.
Did your style evolve since the beginning of your career?
Yes, If you don’t evolve you become obsolete.
Who do you see as your main competitor?
I love to support other artists and I don’t compete with anyone. I feel that we are all in this together and love to collaborate.
If it wasn’t a music career, what would you be doing?
I’d own a pancake house and make pancakes all day. I would have a soup kitchen attached for the homeless.
What is the biggest problem you have encountered in the journey of music?
In the music industry everyone must fit into a specific genre and stick to it. People always ask me after listening to one of my songs “ But what is it?” They want to put it in a box. Besides that it has been a great journey!
If you could change one thing in the music industry, what would it be?
Oh don’t even get me started! I know it’s about the money but it would be nice if it was about the music too. Songs start to sound alike because everyone seems to accept the status quo because there is nothing more innovative. I have to dig deep into the unknown music section of Spotify to find something interesting and new. It takes intelligence, guts and money to gamble on something unconventional , controversial and impactful. We are looking for that person.
Why did you choose this as the title of this project?
Mach9ne is about a half AI and half human NRG . The number 9 is believed to represent completeness, balance, and perfection. In the song NRG believes she is now all of these things and can live in a world without humans who are flawed and destructive.
What are your plans for the coming months?
We will be releasing a new song “Bunker Man” along with a new music video this summer.
Do you have any artistic collaboration plans?
We are currently collaborating with the band Indifferent Monkey
What message would you like to give to your fans?
Don’t be a leader or a follower. Be a locksmith who gives people keys to open their minds. This is our message because that’s what we believe and who we are.
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You guys should listen to new track by Ephraim called Double Hustle!This is one really fresh Afrobeat track that only catches you off guard in the most pleasant way.
Ephraim mixes in those carefully crafted beats and timeless rhythms that we’ve come to know and love with his own special multifaceted style. There are lots of hooky rhythms and melodies right from the start – those are so tight and well-produced that you can feel this crazy musician’s soul in every note.
But what impresses me most is that “Double Hustle” kind of inspires as Ephraim tells us how he is trying to carve his way through the industry and the advice the song gives to us. Lany says the song was written about fighting through hardships to get the money. It happened in the cinematic way that just grips you into the life of Ephraim.
He honors Afrobeats music with those traditional melodies and rhythms. But then he turns it upside down and inserts the elements of a new school and modern instrumental to make it completely different and not similar to anything else.
Ephraim is like a pendulum that is connecting the old and the new in the coolest manner. “Double Hustle” is a straight banger from start to finish – there is energy, character and just a really interesting and fresh sound. But I bet this track is going to be huge!For your fans of afrobeats or just all music lovers, this one needs to be repeated right away. Ephraim as a man is the real thing.
Gimme Cake is the latest single by Ghanaian Fu musician The ART on how he balances daily frustrations about his daily hustle, released on May 10th 2024.
The ART maintains an alarming tone in the delivery of his theme from the onset, stressing on his lack of time and applying himself to good use in the first verse. He realizes the amount of time he’s wasted being mindless of opportunities before him. Being known as a “wasteman” is the last he’d wish for himself, he resorts to solutions that will put him in situations to get the “cake”.
In the mean while he remains patient in the grind as he sings in the hook
– I breathe in and breathe out
-Exercising
-Patience I need
-Streets dey bleed me Lord!
-My momma gots feed
-I’m running outta sleep
-Gimme ma cake please
“The song is in part a celebration and appreciation of my mother who held our household together, spreading herself thin to cater for me and my brother.
For that she will forever be my inspiration to surge on to greatness. I know I owe her that much. In all honesty, my love for her helped me see clearly through a lot of bad situations.” – The ART shed more light on the inspiration behind Gimme Cake.
The ART calls himself a storyteller and a graphic one at that, the artwork for the song by ThePlague(his alter ego) perfectly visualizes his stress of sleepless nights and confused running abouts in search of solutions to his ordeal.
The song is a highlight of The ART’s Resilience which claims a trait passed on by his mother. He describes himself care free until caring need be done, a show of his dynamic personality.
GIMME CAKE continues The ART’s story he’s been relaying in his songs released from 2020 to the present which shows his struggles and victories in being FEARLESS.
The Arcane Insignia Unleashes "The Violent Within": A Celestial Descent
In the storm-tossed seas of prog rock and classical fusion, The Arcane Insignia’s latest auditory tempest, “The Violent Within,” emerges as a poignant phantasmagoria of pain that dances—no, writhes—on the razor-sharp edge between anguish and enlightenment. This is not merely a song; it is an exorcism presided over by vocalist-composer Lodrö Nyima, whose voice channels both celestial whispers and demonic screams, enchantingly tethered to Noah Heau’s cello—a mournful river flowing through landscapes desecrated by grief.
As if summoned by sorcery or necessity—or both—the track roves across atmospheric wildernesses rife with thunderous prog-rock tirades contrasting starkly against serene pools of almost monastic classical interludes. Lodrö’s guitar sutures these opposing forces together in a grotesquely beautiful tapestry while percussion crashes like furious waves against cliffs wrought from sorrow.
The Arcane Insignia Unleashes “The Violent Within”: A Celestial Descent
Here lies music that breathes fire yet weeps blood—a paradox eternal encapsulated within this dedication to lost love and fought-for dignity. The piece serves not just as homage but also as battlefield reconnaissance sent into depths unspeakable where only art dares linger. Amidst triumphant chaos seeking catharsis through crescendoing agony combined deftly with acoustic gentleness lurks “The Violent Within”—a title prophetic in its frenzied embrace of transformational violence inflected upon soul interiors wounded by life itself.
Listeners beware: you are voyaging deep inside Pandora’s Box; sublime terror intertwining ecstatic reverence awaits your ears’ pilgrimage. Perchance what delightfully terrifies also promises salvation in its cruel revelation? Thus stirs Arcane Insignia- crafting cataclysmic harmony mired drawn from fragile humanity’s darkened corners transcended gloriously into symphonic balms soaring phoenix-like from ashes profound.
Rocking the Storm: Reynald n'trio Unleashes 'Pin'up'
In the tempestuous crucible of rock and blues, Reynald n’trio have birthed “Pin’up,” a maelstrom of fervid riffs and impassioned poetics that flirts with chaos yet curtsies at the altar of harmony. Here is music as wild as a storm-lashed sea, swaying with self-deprecating humor in studded leather boots, its soul bared beneath moonlit confessions.
“Pin’up” throbs with Reynald Chivot’s heartstrings plucked in French eloquence—a lingual choice steeping each verse in velvety terroir, rich as Bordeaux spilled on a poet’s grave. The song crackles like antique vinyl; nostalgia wraps around your senses, a soft shroud folding then falling away to reveal sharp edges—modern love dissected under the glare of stage lights.
Rocking the Storm: Reynald n’trio Unleashes ‘Pin’up’
And oh! The exploration starts innocently as dawn over jazz-smoked cobblestones but rapidly rollicks into ecstatic frenzy. It dances—you cannot help but be swept onto this dance floor made from shattered constraints—it demands an ear bent to catch every electric note spiraling towards euphoria or perhaps punctuating ennui.
Delightfully unpretentious despite its philosophical jamboree through love’s kaleidoscope while romping hand-in-hand with high-energy execution—this debut single carves out beats and beliefs into stone tablets for modern times. A cunning confluence of spontaneity and structure where simplicity meets sizzle; it pulls at seams who dare say raw must stay tame!
Reynald n’trio leers from their cheek-stained canvas within “Pin’up,” splattered boldly across our audial landscapes: not just musicians—but minstrels recounting rebellions both external in melody and internal through satire-tuned insight—all wrapped up neatly within layers you’ll ache to unfurl again.
Exploring Melodies and Memories: An Interview with Gabriel Byrd
Guys we’ve got an amazing interview to share just for you. Now, it’s the turn to get acquainted with Gabriel Byrd – he is a multi-instrumentalist, composer and producer whose phenomenal new single “Under a Mango Tree” is out now.
Now he draws his ideas from some serious guitar names like Robbie Basho, Jimmy Page, and Egberto Gismonti. However that he is skillfully combining folk, classical, progressive and experimental rock styles and creates this really special sonic tapestry that no one else can ever create. The guy is really something – he played and produced every single musical instrument on the newly released song by himself. And that’s not all, it was mastered by Miles Showell at the legendary Abbey Road Studios, London, UK. How cool is that?
In our discussion, Gabriel shared a lot about his journey into music from those days and how he was inspired by his surroundings and challenges in this sector to the creative process behind his music. Then, we went super in-depth about his ideas, the significance behind his stage name, and the tale of why he titled his recent project “Under a Mango Tree”.
If you would like to see the soul of a highly competent artist who consciously follows his roots and his own thought, you should definitely listen to Gabriel Byrd. Homie is the bomb! His deep-seated love of music is simply contagious. Let’s dive in!
Is there a story behind your stage name? My close friends always called me Byrd for some mysterious, but no apparent reason, so I adopted it as my stage name. I like how it sounds and I believe it suits the persona well.
Where do you find inspiration? Pretty much from everywhere: other artists that I admire, poetry, old films, painters, modern art, architecture, writers, and nature itself. I believe being an artist means keeping your eyes open to the world around you and then translating it with your own unique vision—that’s our contribution to posterity.
What was the role of music in the early years of your life? I started learning piano at an early age, then moved to guitar, interested in learning rock and pop music. I felt special and deeply connected to it and since then never looked back.
Are you from a musical or artistic family? Yes. My grandma was a pianist and teacher at the music conservatory in my hometown, and pretty much all of us in the family were somehow encouraged to pick up an instrument. Even those who didn’t follow a professional career were always very close to music.
My dad was a huge music enthusiast, owning an extensive vinyl collection, which today belongs to me. He was responsible for blowing my young mind with all these incredible sounds. He introduced me to most of the things that influenced me from an early age until now, from traditional Brazilian folk music, to Rock and Roll, Jazz, and beyond.
Who inspired you to be a part of the music industry? My own compositions, I guess… I believe in them, and I believe what I do is valid as an artistic expression.
How did you learn to sing/write/play? It was a mixture of having some instrument classes at an early age, listening to loads of records, being in a band as a teenager, and later on studying and earning a university degree in music and composition. With all that background, everything I write is a product of my intuition, taste, and inspiration.
What was the first concert that you ever went to and who did you see perform? I don’t really remember to be honest. I think it was Milton Nascimento performing at this public concert at the square of my hometown.
How would you describe your music? I believe it’s fierce, intriguing, and sophisticated, while still raw, melodic, and somehow emotional. I try to be as authentic and devoted to it as I can. It’s an extension of my own self.
I try to be as authentic and devoted to it as I can. It’s an extension of my own self.
Describe your creative process. It really depends. Most of the time, it comes from a melodic motif, a groove, or a chord progression. Once I find something that interests me and I find somehow valid, I develop all the context around it, be it the instrumentation, structure, textures, or mood. Most of the time, I write the music first and then the lyrics later. Writing the lyrics later gives me more freedom to experiment with different themes, interesting words, and even different languages if I want to.
What is your main inspiration? I think the main thing that inspires me to write something is that the idea itself means something to me and reflects my artistic mind sonically. It can be deep personal feelings, daily life experiences, fantastic storytelling, silly love songs… Sometimes the music can also be cinematic, where I try to picture some image.
It can also be political in a sort of protest approach if I want to deliver a message. Again, I believe that the embryo behind each composition is the melody, mood, and aesthetics of each idea. If I find those ideas special somehow, I’m inspired to proceed with their completion, and this will dictate the effect I want to achieve with the final product.
What musician do you admire most and why? That’s a very hard question; I like the ‘real ones’. I can’t pick only one, sorry. I could give you a short list, though: Nina Simone, Bob Dylan, The Beatles, Led Zeppelin, Pink Floyd, classical composers such as Bach, Motown groups, Jazz cats, and old bluesmen are some of them. The blues is everywhere in my music, even if I don’t dare to call myself a bluesman. All of them have a special place in my heart and helped forge my style.
Has your style evolved since the beginning of your career? Yes, and it keeps evolving.
Who do you see as your main competitor? I don’t see arts and music in terms of competition, but like everyone else, I find challenges. One of them is that I feel the music industry nowadays is very formulaic, and shaped by executives far from having any artistic sensibility or creative appeal, rarely related to the music itself. Just look at the global top charts and you’ll know what I mean.
The music market – at least in terms of the mainstream – paradoxically, is directed toward celebrities rather than the music itself. Originally made for the ears, music has been currently sold mainly to the eyes; everything down the throat. This forces and misleads audiences to be more interested in – and eventually consume – an apparent fancy frame rather than the painting itself
What are your interests outside of music? Literature, History, people of the Earth (native tribes and exotic cultures), Arts in general, Theology, Philosophy, Design, Architecture, fauna and flora.
If it wasn’t a music career, what would you be doing? I don’t know…I like drawing. Probably, I would have invested in architecture.
What is the biggest problem you have encountered in the journey of music? Being able to represent my ideas properly and to the right audience. As sometimes the compositions carry rich instrumentation, it is always a challenge to replicate it live and also produce it in the studio. Also, it is tricky to have the right team around me—people who share the same vision and help me manifest these ideas.
If you could change one thing in the music industry, what would it be? That’s a tough one, and I don’t want to rant about the music industry and its shallow, clichéd formula approach again. If I could change one thing—and that’s utopic—well, I wish everything went back to the Analog days (tape machines and all of that). This would automatically scrap so much irrelevant garbage off the radar because the so-called artists would be forced to actually perform their own music. Nothing against the digital world, but this would drastically separate the wheat from the chaff, changing things a bit, for the better.
Why did you choose this as the title of this project? In its early stages, this piece bore the working title ‘Song for Another One,’ which was rather nondescript. I vividly recall one blessed afternoon, about 10 years ago, when I played it for my dad at our ranch in Brazil, literally under a mango tree. He was deeply impressed, especially by its unique rhythm, which he described as having an intriguing ‘gallop.’
He said It reminded him of Egberto Gismonti’s sounds, the world-famous arranger and composer. My dad passed away recently, and as this is my first signed solo production—completely produced, arranged, recorded, and mixed by me—I felt it fitting to honor his memory and those precious moments. As the piece is acoustic, I believe the name enhances the vibe, evoking imagery and connecting with my tropical roots.
What are your plans for the coming months? I’m working on new music that will be available soon. It’s an 8-minute song called ‘Lighthouse,’ and it blends a bit of everything: prog rock, funk, folk, psychedelic, and even a bit of country. It’s about following your inner light.
Do you have any artistic collaboration plans? Not in terms of composition, but I often collaborate with other musicians in terms of recordings, arrangement, and music production.
What message would you like to give to your fans? Thank you for your continuous support. If you like what I am doing, listen to the music, spread the word, and come say hello at our gigs!
Princess Liv Delivers 80s Synth-Pop Bliss with 'On The Line'
Listen to Princess Liv’s new melody “On The Line,” which in my opinion is a magnificent synth-pop piece. This LA singer-songwriter has done more than anyone before to distill that vintage 80s feeling but keeping things a bit more current and up to date.
The track starts with those slightly trippier yet really catchy synths, and it just wraps you up. Liv’s waves carry the song in the right direction. The words are devoted to the recollection of a former loved one and a past love. The refrain is impossibly catchy and at the same time so memorable with lines such as “You know I’ve been trying to call you baby / Will you at least pick up the phone?” It completely stays in your head for days.
What really stands out for me is the way they have used the retro sounds with the creative modern textures as well as the quirky synths. This is all primed to a fade out at the end that has you craving more. There is a memory with an enduring and also an energetic vibe – a perfect fit for the summer song materials.
It is like Princess Liv can easily compose these catchy melodies that will get stuck in your head even though they still convey those universal thoughts and issues. By just this song, we can tell that she is a good artist. Listen to this if you like the 80s sound or synth-pop. It’s synth-pop perfection!
NOAH! Brings the Heat with 'ANVIL! (Metal Version)'
At the young age of 17, Noah! has made quite a name for himself in the independent music circle and is now mixing the fierceness of trap metal with his own style. This Alabama native, who’s now a rising Nashville star, has been a part of BadWeather Entertainment from the get-go and has been producing amazing music since 2022. His current album, “ANVIL! (Metal Version),” is no doubt as well.
Right from the very first guitar beat, “ANVIL! (Metal Version)” grabs you with its high impact and raw intensity. The track begins with in a haunting way, and then soft vocals of come in, creating a moving soundscape. It is briefly interrupted by distorted guitar tones and pounding rhythms that harbor the idea of the craziness of what lies ahead.
The song bursts with charged metal guitars, punching drums, and powerful vocal bursts, highlighted by soaring background vocals. This eruption of unfiltered rock energy produces a readery listening experience.
However, with the song proceeding, the transition is smooth back to the peaceful acoustic view of the beginning and then into the powerful emo metal finale. It gradually crescendos to an atmospheric breakdown, overcast with dark overtones and bombastic half-time drums, resulting in a flavorsome two-and-a-half-minute mixture of NOAH!’s
NOAH!He has demonstrated that he is indeed a force to be reckoned within the music industry. “ANVIL! (Metal Version)” is a statement of his unique sound and tremendous inspiration. This track most likely will make this artist more famous among listeners who are into hard-core music as it is a crazy ride with a lot of thrilling twists and raw emotions.
Massimo De Simone Blends Genres and Transcends Boundaries in 'Nel Tutto'
Italian composer and lyricist Massimo De Simone has done it again with his new release titled “All the Way”. Featuring his unique style that fuses Italian classical music with global rhythms, he has yet again united a blissful mix. “Nel Tutto”, which means “in the whole”, is not just a synergy of the multiple styles but a canvas in which the theme of universal unity is expressed.
The opening track combines a classic blues rock feel with 80s synthwave elements, finished with some disco vibes. This eclectic mélange builds up a dynamic scene that De Simone uses as a medium to let the listener follows an evolving soundscape. The song’s orchestral upsurges, bel canto segments, and classical components lift it to another level of transcendentality, which makes the listening experience feel like a trip into different musical territories.
Lyrically, “Nel Tutto” addresses the issues of cosmic unity and spirituality via its profound themes. De Simone goes to the core of human life, our belonging and connectedness to the universe, provoking listeners to reflect on the meaning of their existence and life itself. Lyrics are rhyming and intellectual, taking me on an intellectual and emotional rollercoaster ending with the impression that still haunts my mind.
De Simone goes to the core of human life, our belonging and connectedness to the universe, provoking listeners to reflect on the meaning of their existence and life itself.
Sound-wise, ‘Nel Tutto’ is rich and immersive. There is a blend of tones that takes the listener into another dimension. A cinematic effect is added to the pop-rock elements of the song to give it a special dimension which keeps the audience engaged with its frequent changes of style and mood.
De Simone performs with her heart and soul in her every note. The notes are of course suffused with meaning. His ability to make intricate ideas understandable and touching is indeed an artistic confrontation. The track’s structure gradually grows into a powerful finale concatenating voices and instruments in order to depict an overarching feeling of triumph.
Massimo De Simone has once again proven why his music resonates so deeply with listeners. As we await his next musical vision, “Nel Tutto” remains a powerful testament to his talent and creative spirit. This track is sure to stay on repeat, carrying listeners away on its transcendental voyage time and time again.
Joe Bygraves’ 'Healing': A Heartfelt Journey Through Heartbreak
By the time he reached the ripe age of 27, the singer-songwriter and Joe Bygraves was famous beyond just the dreams of many singing stars. The soft guitar, rich vocals, and catchy lyrics of Bygraves have led him to share the stage with Paloma Faith and Ronan Keating, as well as performing sold-out headline shows and receiving top accolades for his 2020 single “Stand As One”. ” To see his latest effort “Healing,” a track which continues that path, give the audience a raw and honest look at the emotions of heartbreak and recovery.
His style, having been strongly influenced by Ed Sheeran, Coldplay and Tom Grennan is noticeable in “Healing. ” This song contrastingly pairs simple piano with powerful vocals, thus producing a striking but stylishly designed pop ballad. The simplify melody part of Bygraves’ may for some might call Sheeran’s “Perfect” or you know, the intensity of Bruno Mars’ “Grenade. ” Yet Bygrave’s coarse voice gives a depth and originality to the track.
His style, having been strongly influenced by Ed Sheeran, Coldplay and Tom Grennan is noticeable in “Healing. ”
The thing that is listening to “Healing” is like putting on a comfy and cozy blanket. The laid back, smooth melody is completely weird with Bygraves’ gritty, haunting vocals under it all. This juxtaposition shows the song’s themes of emptiness, perishability, loneliness, and cuteness. These themes depict some of the feelings the singer is going through. According to Bygraves, ‘healing’ is about trying to move on from that one person: that one person that you would never have believed you could ever live without; that one person whom you thought you would be with forever, and that one person whom you will always hold in your heart.
The song is a simple structure—a ballad with soft piano chords—which is gradually crescendo as the song goes by. It is no secret that the words used captures her state and it is all romantic and personal, addressing the slow and painful process of moving on. Through “Bygraves’” voice, the pain and longing appear to be inherited traits, that is, it feels so real. Said bridge is these listeners times of reflection which enhances the emotional part of the story.
Through “Bygraves’” voice, the pain and longing appear to be inherited traits, that is, it feels so real.
“Healing” the song written by Bygraves is touching in the sense that not only does it conjure the past memories but also the healing process is not an overnight one. The song has truthfully shown the artist’s appeal in exposing innermost feelings and connecting to the audience on a personal level.
Joe Bygraves’ journey from a known face in Bedfordshire to an artist with a world-wide recognition demonstrates his outstanding talent and effort. His music, featuring their emotional openness and human-ness, still touches the audience from different parts of the world. “Healing” is a powerful dance number, and I can’t wait to see what he comes up with as an encore.
If you haven’t heard of Joe Bygraves yet, you must check out his music. His new song entitled “Healing” is everywhere now, and it’s a sentimental song that anyone who had discarded any meaningful connection is sure to identify with. Byrgraves mastering the art of expressing his pain and hope in the very form he creates stands out. His song “Healing” is a beautiful representation of his talent.
Inside the Mind of Marc Schuster: Music, Art, and Inspiration
Isn’t it strange that some musicians have the ability to “paint” your mind’s picture with their lyrics? Marc Schuster, as one of those guys, is unquestionably an inspiring figure. Whoa, this guy is truly the behemoth in the creative world; he rips apart singles, throws in beats, and basically defies the laws of creativity with his logic.
Marc actually does a million different things: a solo artist of course, group work with e. g. The Star Crumbles or Scoopski, he teaches at college, has his own radio show and he writes his own blog to report on the indie scene. His expertise tracks a wide range from enticing hardware of Elvis Costello to the cinematic mastery of David Lynch films. Marc intertwines and adapts to different genres from pop punk to indie and to so many others in his music that has this rich compositional and lyrical layers to it. Ralph is for sure coordinating with his own bagpipe-playing multi-patterned kilt.
Even his latest “Arguably” album which was released on May 1 is, without doubts, a result of the hard work Marc put into it. All the tracks are produced by and performed by him, that is writing and everything obviously. And he did not forget to invite Jim Lorino from the band Scoopski to rhyme on their song titled “Paul Giamatti”. Lyrically, Marc has such a gift when it comes to crafting raps that anyone would fall in love with his style. This is not only its faithfulness to the art, but also an album in its truest sense.
In this interview, we will explore why and what makes Marc the artist he is now, how he found his way through music as a profession, and of course, his dream in writing and making this song. If you’re ready for a behind-the-scenes glimpse of the mind of a real musical multi-purpose agent who doesn’t hesitate to act outside the box, grab your headphones and head on over to our interview.
I usually find inspiration in the work of other artists—particularly artists who do their own thing and don’t worry about trends or popularity. I love the movies of David Lynch, for example. They’re not for everyone, and that’s the point. I feel the same way about music. A while back, my wife said something to the effect that I like “weird” music, and I took it as a real compliment. But I think I’ve always worn the “weird” label like a badge. Maybe it’s the Gen X-er in me or maybe I’m just antisocial, but if everyone likes something, I tend to shy away.
What was the role of music in the early years of your life?
Music has always been part of my life. When I was really young, we had the Beatles’ White Album on cassette, and it was always on whenever we’d go out for a drive. I was like five or six, and I knew that album by heart. It was also a bit of an odd album because it’s all over the place, and I think that had an effect on the way I think about music.
I didn’t even realize there were four Beatles at the time. I figured there had to be like ten or twelve guys in the band considering all the different types of songs and instruments they were playing. It just sounded so big and sprawling to me. I feel like I’ve always had a sense of musicality, of appreciating the rhythms of certain words and phrases, and that probably goes back to listening to the Beatles on all of those car rides when I was little.
What was the first concert that you ever went to and who did you see perform?
My first concert was the Monkees. That was in 1987. I think I was about fourteen at the time. I knew that the Monkees were never really four guys who lived in a beach house, but that fantasy is something that probably still informs my thinking about music to this day. I mean, who wouldn’t want to hang out with their buddies all day, making music and going on weird little adventures that get resolved in the space of a half-hour to the tune of your latest song? And their music holds up really well. Pisces, Aquarius, Capricorn, and Jones Ltd. is a great album!
How could you describe your music?
My music is fairly idiosyncratic. It probably goes back to listening to the Beatles’ White Album so much when I was young, and I suppose it’s also a function of listening to all of that “weird” music I’m into. I just love experimenting with different sounds and trying to fit them together like puzzle pieces. It’s poppy in places, a little jazzy, a little funky, mildly cinematic, depending on the song you’re listening to. I draw on a lot of different influences and try to synthesize something new from them. I really like the term “art rock.” I’m not sure it’s what I make, but it’s a label I aspire to. If someone, completely unbidden and unprompted, heard one of my songs and said, “Oh, that’s art rock,” I’d take it as a massive compliment.
Who inspired you to be a part of the music industry?
That’s an interesting question because I often wonder what it means to be a part of the music industry. I feel like I’m technically part of the music industry by virtue of the fact that I make music and people can listen to it on various streaming services and whatnot—and that I have a radio show and a blog where I interview indie musicians—but I’m pretty far out on the fringes of that industry, which is exactly where I want to be.
But to answer the question, I teach at a college with a musician named Mike Kelly. A while back—fifteen years ago or so—he was talking about how people were always asking him how to “break into” the music industry, and that he always told them that the music industry wasn’t something you break into. It’s something you develop a relationship with. That really stuck with me, and as I started thinking about what I wanted to get out of music, I realized that a lot of it had to do with developing relationships with like-minded people. People who like the weird kind of music I like.
That distinction between breaking into the music industry and developing a relationship with it changed everything for me. I went from thinking that the music industry was just this massive, foreign, nebulous entity I could never really have anything to do with to realizing it’s just people making music. Some make a lot of money at it. Most are people like me who build up relationships with other musicians and start their own scenes and movements. It’s just a matter of belief, I guess. I’m in the music industry because I believe I am—and because I believe I’m in the industry, I behave like someone in the industry by making music, helping other musicians make and promote music, and being an active member of a community.
Who do you see as your main competitor?
I try not to view music as a competition. To me it’s better when we all work together and find joy in each other’s accomplishments. This attitude may be a function of my age. If I were younger—and hungrier, I suppose—I’d probably be looking at other artists and wondering why they’re doing better than I am: why they have more followers on social media, for instance, or why they get so many plays on Spotify. But at some point, I just realized that all of my bases are covered. I have a job, I can pay my bills, and I can make the kind of music I like without worrying about all that other stuff. There’s a freedom in that. It’s like being my own patron, my own biggest fan. Which, hey, if I’m not a big fan of my work, why would I expect anyone else to be?
Why did you choose Arguably as the title of this project?
I was originally going to call it Arguably an Album because I’m always getting into conversations with fellow music lovers about what constitutes an album. Is it just a collection of songs? Do they have to share a theme? Tell a story? Or can they just be a random assortment of tunes recorded in roughly the same period of time? As a result of these kinds of conversations—not to mention my own tendency to overthink everything—I was hesitant to say with 100% certainty that I had recorded an album. But Arguably an Album felt a little clunky to me, so I switched it to just Arguably, which I liked because then I could write “Arguably Marc Schuster” on the cover, which, again, speaks to my tendency to overthink things. I mean, there’s an argument to be made that this is me, but who am I, and what does it mean to be someone? Maybe it’s all just a construction, my best attempt at assembling an identity at this particular point in my life.
What musician do you admire most and why?
I really admire Elvis Costello and Brian Eno. I’d describe them as restless souls, at least as far as music is concerned. They’re both always exploring new territory and breaking new musical ground, and neither gets hemmed in by genre or expectations. Part of it, I think, is an endless hunger for knowledge, a desire to learn. Both are known for collaborating with other musicians almost as much as they’re known for their own work, and I think a huge part of that interest in collaboration comes from a desire to learn something new from the people they’re working with. It keeps their music fresh, and I think it keeps them from seeing music as a commodity so much as an experience.
Do you have any artistic collaboration plans?
I always have a few irons in the fire. I play bass in Scoopski, and we’ll be recording a few songs in June. I’ve also been talking to Neither Could Dylan about a potential collaboration. I really just love playing music with other people. There’s no bigger thrill for me than getting an email from someone who wants me to record bass or drums for them—or even to try my hand at mixing a song. It’s incredibly flattering. And one funny thing I realized recently is that while I like playing live, I don’t necessarily like playing my own music live. That’s why playing bass in Scoopski is so perfect for me. I get to scratch that “playing out” itch without having to figure out how to translate my own music from the studio to the stage.
What message would you like to give to your fans?
More than anything, I just want to say thank you. We live in a world where so much mass-market entertainment is being forced down everyone’s throats all that time that it’s nearly impossible to discover new, independent voices. If you’ve listened to any of my songs—even just once—you probably had to put some work into finding it. No algorithm served it up to you. No one was playing it on the radio. You found it because you’re the kind of person who, like me, is always looking for something new and different. And the fact that you took some time to listen to my music means the world to me!
Exploring Jonah Sirtes' 'Make Me Feel (Something)'
In the technicolor undertow of Jonah Sirtes’ “Make Me Feel (Something),” one is swept into a sonic tapestry where opal hues and azure whispers conspire in incandescent embrace. The downtempo EDM rhythms pulse like neon heartbeats beneath gossamer layers of cool percussive shadows, each beat catapulting you through mirrored backstreets immortalized by Fred again’s introspective luminosity and Bicep’s relentless twilight grooves.
Here lies an echo chamber where euphoric crescendos coalesce with wistful melancholy—a slender siren call beckoning from ephemeral dreamscapes. As velvet vocals cascade over phosphorescent synth terrains, time dissolves into liquid crystal; moments stretch infinitely then snap back with crisp urgency.
Jonah cradles his listeners in diaphanous wings spun from fractured stardust, tenderly coaxing souls to float above mundane disquietudes. Yet for all its celestial balm, there’s an undercurrent—a seduction tinted by longing—that cuts deep as Overmono’s reflective cybernetic hymns.
Exploring Jonah Sirtes’ ‘Make Me Feel (Something)’
This transcendent escape whirlwinds across genres like a feverish lover etching ellipses upon your mind—ecstasy entwined with the ghost kissings of angst leaves impressions that linger well beyond mere minutes spent submerged within this spectral anthem.
A prophetic harbinger indeed rising majestically from Sydney’s vibrant cradle—the maestro twines learned hands around nascent brilliance gratis: seeking not only mastery but symbiotic renaissance among the undiscovered artisans lying dormantly brilliant along our collective horizon. Spectral waves release buckling valleys unfolding new chapters eternal… Jonson Sirtes envisions realms unvisited until now laid bare for re-dreaming anew.
Unleash the Beast: Dirty Mitts' 'Electric Kid' Roars to Life
Dirty Mitts’ “Electric Kid” thrums with unholy grit and angelic spunk – a tornado of piteous blues bearing the fierce snarl of an unchained beast against gleaming lutescent moonlight. Graffiti’d on back alley walls of sound, snippets weave through gory biro-scribbled stanzas.
A seismic surge sends us hurtling into wanton nostalgia – Tommy’s voice, a ragged specter haunting forgotten halls; bassist Matt serving grave throbs beneath Mo’s razor-edged riffs that snag your soul and let it bleed out each plucked anguish. Every drum beat from Mateusz then sobs like ancient ghosts clawing at tightly nailed coffins for release.
Yet within this cataclysmic cacophony lies a quirkily hopeful insomnia – fashioned no less by designer Ghazi’s lyrical talents, as each word choice roars audacious defiance between histrionic cries and tender whispers.
Unleash the Beast: Dirty Mitts’ ‘Electric Kid’ Roars to Life
The tumultuous ebb and flow ultimately conspires to birth a redemptive anthem – it is messy, scorching turmoil etched coolly out in lucid self-reflection. “Electric Kid” proves Dirty Mitts are not chroniclers simply wallowing but warriors fighting their way home.
Gloriously dissonant! A symphony shattering centuries to emerge raw-eyed but unbowed from its ashes awakened our weary ears on May 3rd – all streaming platforms their battlefield. This aberration won’t bow…and none should dare demand it so!
Feast on Ferocity with Living With The Storm’s 'New Animal Culture'
In the savage storm of musical mediocrity, Jim Bryant as Living With The Storm “New Animal Culture” erupts like a voltaic bolt, riotous and unapologetic. This art-pop colossus soars within its pixilated crescendos before crumbling into an effervescent sea of synthetic symphonies; electronic pop rendered with feral beauty.
“Mewling kitten to roaring puma in nine dizzying tracks!” The album ignites ferociously with “No Maps,” weaving ghost whispers from forsaken refugee camps. It pirouettes on the edge of discordant catharsis, voicing unheard echoes against faceless oppression. Stark realism cut with electronic tempered steel but swaying findly as a dervish caught in populist melody.
Snap! Just as gravity loses strength under feathery synths and celestial harmonies — we crash back to earthbound mortality: “When did it get so dark?”. This electro-dirge bathed incandescently in light laments teetering between haunting entropy and hopeful dream-state elation encapsulates Bryant’s lunatic audacity – tickling us till laughter bleeds into tears!
Feast on Ferocity with Living With The Storm’s ‘New Animal Culture’
Fearlessly slamming soulful evocations alongside algorithmic tonality – motley flavors mashed-up inside a hallucinogenic Richardsonian prism ’til they bleed eidetic turquoise. Astonishing! Short yet ample enough for gourmands to feast upon this delirious spectral banquet–a smoky tourmaline aurora that will continue to dance maddeningly behind closed eyelids at dawn’s first blush.
Wash your ears aggrieved by today’s sludge-red homogeny in this Sea-of-Forgetfulness-green melody-shower — Living With The Storm ecstatic phantasmagoria: A reverie echoing through intersections of Byzantine electronica, baroque pop stagecraft and damned-if-I-care lyrical audacity; Scorn-euphoria-rapture! Each palaverous note a scintillating dervish spinning out cosmic insights, daring you to tame this ‘New Animal’ – welcoming you boldly into the eye of its storm…one sonic cyclone at a time.
The Sonic Exorcism of 'Angel Hanael's Song' by Karen Salicath Jamali
Immerse: the spectral album “Angel Hanael’s Song” by Karen Salicath Jamali. A symphony of ethereal whispers, its composition is an Edenesque garden sprung from the loom of joy itself – each note a blue-throated bird bursting from morning blossoms into divine sky.
Deliriously bewitching like a peacock in full splendor one moment, then softly lulling as Van Gough’s star-dusted nightfall the next; brimming with celestial ecstasy yet tinged with earthly melancholy. Boldly choreographing forms both sacred and profane across the grand theater of human emotions.
In angel Hanael – archangel of untrammeled delight – Jamali found her muse. She renders his majestic wings onto her own canvas to grant this opus flight through nine tracks that glide along sheer, sighing precipices before soaring heavenward once more.
Oft-times nebulous as misty dawn over crystalline tides, on occasion eruptive as mirrored thunderheads roaring for release; always awash in transcendent serenity. She intertwines notes to mimic luminous harp strings playing upon radiant zephyrs, swathes listeners in a chimerical cocoon spun from drapings of irradiant melodic silk.
The Sonic Exorcism of ‘Angel Hanael’s Song’ by Karen Salicath Jamali
Yet such ecstatic fever does not blunt curious edges where light skirts shadow-side introspection… Small wonder sound engineer Bryon William Harris doesn’t attempt restrain but instead honors artistry at play—sensational dragonfly darting amidst bold strokes commanded by unwieldy genius!
Yet beware—this hallucinogenic fête isn’t all sunshine dappled biblical meadows… expect pyres lit within abyssal grottoes whisper dire secrets via discordant hums until petrified silence descends—a bone-quaking reminder that even paths paved with righteous intent court peril’s kiss.
On singular “Angel Hanael’s Song,” Jamali seduces us down unexpected corridors shaded by sober reflection, blossoming into celestial radiance of music revelation itself—a magnificent and disorienting mélange—purer than any mortal exhalation.
