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Tomer Sasson Makes Your ‘Heartbeat’ With His New Jazz Album

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Tomer Sasson Makes Your 'Heartbeat' With His New Jazz Album

Before we delve into the interview, I am all itchy and can’t wait to tell you about the latest album from the camp of Tomer Sasson. The album is titled “Heartbeat.” This is an album with six exceptional jazz songs. Which is sure to take you on a musical ride through time and space.

One thing I like about the albums is the length of each session, I call it session because it feels like Tomer is sending across a message, he takes his time to play each note, the production is more composition-oriented

Although the songs have no vocals, you can feel the message in every note played. I love all the songs on the album, but one song that had to play over and over again is “Unknown”. There is some magic behind that sound; the synergy behind the instrumentation is mystical, and the drum licks in the background is godlike.

Kudos to Oren Hardy and Alon Benjamini; the album wouldn’t have turned out this well if it weren’t for the dedication of these talented musicians.

The music says a lot about his personality, and in a recent interview with Mister Styx of Musicarenagh, the Tel Aviv, Israel-born guitarist takes his listeners on a ride and schools them about his musical journey and some of the challenges he has faced through his musical journey, he also touched on the main inspiration behind the album.

He began his music career at a very young age. His grandmother taught him how to read and write music and also taught him how to sing. He later took lessons on guitar and stated that it would be difficult to name them all since he took lessons from many musicians, I guess that is why he is this good. This discoveries were made in a recent interview with Mister Styx of Musicarenagh

Join us as we delve deeper into the life of Tomer Sasson

Listen to Heartbeat below

 

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What is your stage name

I just go by my birth name: Tomer Sasson

 

Is there a story behind your stage name?

My mother always liked the name Tomer so she called me that

 

Where do you find inspiration?

Other than in music I find inspiration in good stories and storytelling from almost all fields of life. I love history, philosophy, anime, folklore, psychology, biology, movies, sports and meditation! Among other stuff

 

What was the role of music in the early years of your life?

I grew up with my grandmother teaching me the basics of the piano. When I was three years old I started taking actual lessons from her but I stopped about 2 years after that. I only listened to music from that point, and by the time I was 12 I felt it was time to get back to playing. This time it was the guitar that sparked my interest, thanks to my older brother who was taking guitar lessons at the time.

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I grew up with my grandmother teaching me the basics of the piano. When I was three years old I started taking actual lessons from her

Are you from a musical or artistic family?

Yes. My grandmother was a classical concert pianist and educator. She loved spreading love for music as much as she loved playing. Unfortunately she died a little after I started showing real interest and dedication towards the guitar.

My grandfather was a conductor but he severed all connections to the family a way before I was born. My mom’s cousin is a mesmerizing oboe player his name is David Carmel and my 2nd cousin is a great clarinet player. My mother can play a little piano as well as my brother and he can play guitar too. Not professionally though.

 

Who inspired you to be a part of the music industry?

I saw my idols and my friends committing themselves to the highest standards of art and craft. Living your life in such a way that it’s artistic just to simply live was, and still is, beautiful to me.

Playing and writing music both inspires and introduces me to living in a deeper way and thinking deeply. To name a few people who have made such deep commitment and are well known today; Charlie Parker, Dizzy GIllespie, Miles Davis, John Coltrane, Wayne Shorter, Tom Jobim…

 

How did you learn to sing/write/to play?

My grandmother was the one who taught me how to read and write music. She also taught me how to sing (solfege) but I always loved it. I still do. I started playing guitar when I was 12 and for years I took lessons with many many musicians and guitarists so it would be impossible to name them. Nowadays I am mostly learning from listening to\watching my idols and playing with great musicians.

 

What was the first concert that you ever went to and who did you see perform?

That must be “the 3 Cohens” concert. The 3 Cohens are siblings who happen to be amazing musicians. They are Yuval Cohen on Soprano Sax, Anat Cohen on Clarinet\Ten. Sax and Avishai Cohen on Trumpet.

They played with Aaron Goldberg on piano, Gilad Abro on bass and Jonathan Blake on Drums. This show was held at a venue in Tel Aviv called “Levontin 7” and to this day I remember how much inspiration I got from this one concert. That one made mewant to get serious with Jazz.

 

How could you describe your music?

My music is very much rooted in Jazz tradition but is also very contemporary in terms of the sound in which I hear it performed. It is also heavily influenced by modern Brazilian music.

 

Describe your creative process.

It varies a lot and is mood dependent. Most of the music I write comes from just free playing. Then, if I stumble upon some part that I like – I will record it and try to see where it may want to go.

 

What is your main inspiration?

My main inspiration is other music, dreams that I have, my relationships with family and friends. Meditation is also very inspiring.

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My main inspiration is other music, dreams that I have, my relationships with family and friends. Meditation is also very inspiring.

What musician do you admire most and why?

Charlie Parker. He was definitely the turning point in Jazz, at least to my taste. The unique way in which he utilized a concept, any concept and the conception of bebop is my favorite style of music to listen to and work on. His technical ability was truly smooth, his innovative ideas and a passion for music keep his music sound fresh even today. Long melodies full of surprises and true finesse in spelling out beautiful and unique harmonies. Spectacular

 

Did your style evolve since the beginning of your career?

I am only at the beginning of my career now but my “style” changes and evolves every time I shift my focus on listening to new stuff, I guess. As well it has evolved in the past (more than once) when I changed\improved the some technical aspects of my playing.

 

Who do you see as your main competitor?

Myself. Procrastination.

What are your interests outside of music?

I love hanging out with my friends, reading and watching videos about history, Meditations reading scientific articles for dummies and playing cards

 

If it wasn’t a music career, what would you be doing?

Probably an astrophysicist or a comedian\comedy writer. I like getting serious but also share a laugh.

 

What is the biggest problem you have encountered in the journey of music?

For me, the biggest problem is this notion that musicians are often underpaid. Some people\companies are very fair. Some aren’t.

 

If you could change one thing in the music industry, what would it be?

Buffing up the per-stream payment paid by streaming services to the musicians.

 

Why did you choose this as the title of this project?

“Heartbeat” is a term that’s charged with many associations. Enough to be both very specific and abstract. Add this to the fact that one of the songs on the album is titled “Heartbeat” and there you have an easy choice.


What are your plans for the coming months?

I am currently planning  a European tour with my trio. We will be playing original materials, both off the album and newer music, as well as Jazz standards. We still have open dates so if anybody reading this wants to book us – contact me

 

Do you have any artistic collaboration plans

I am looking forward to joining my good friend drummer Alon Benjamini with his band. Alon has been working on some great music soon to be released and we have several special concerts to promote and celebrate the album.

Moreover, I am very eager to collaborate with my friends abroad as well as developing new connections with musicians around Europe and the US, both of which I will be visiting for a good chunk of 2024.

 

What message would you like to give to your fans?

Thanks for your support!

Lilo Powder’s ‘Sun Sets Just Like Heaven’ Is Soothing And Nostalgic

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Lilo Powder's 'Sun Sets Just Like Heaven' Is Soothing And Nostalgic

Lilo Powder is an iconic duo made by Andreas and Tim, and they have something special in stock for lovers of music. Their recent single “Sun Sets Just Like Heaven” is soulful and captivating, it has the power to alter the feelings of an individual.

The song kicks off with some guitar licks that prepare your heart for what’s coming next – the singer’s voice and the remarkable guitar riffs. Andreas’ voice is calming and soothing, and this is heightened by cool sound effects in the background.

The theme of the song is inspirational; it contains lyrics that resonate with listeners and can be enjoyed by people from all walks of life—a truly remarkable feat by all standards. The lyrics are reassuring and tell us to trust in the process, for everything will fall in place.

One thing about “Sun Sets Just Like Heaven” is the incredible instrumentation that gives it its nostalgic feel; it takes you to a calm and dreamy place. Andreas’ voice and the music blend so well, allowing the music to dawn on you.

Listening to “Sun Sets Just Like Heaven” is like trying to relax at the beach even when you have tons of problems. Immerse yourself in it.

Listen to Sun Sets Just Like Heaven below

 

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A Trip Into The Mind Of Carson Aday

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A Trip Into The Mind Of Carson Aday

Welcome to the world of Carson Aday a budding musician who communicates with his music. Over the years, Carson Aday has drawn inspiration from his surroundings, using relatable lyrics that resonate with every listener. His music is not directed at a certain group but can be consumed by the masses.

Although his love for music has been around since childhood, his musical journey started when he turned 16. Since then, he has written music about losing friends, moving away to college, and, of course, heartbreak!

This revelation was made during a recent interview with Mister Styx of Musicarenagh. In the interview, Carson Aday delved deeper into his personal life as well as his musical growth, and he also touched on some of the challenges he has faced in the music industry.

His recent song, Fade Away, feels like a song from the 1960s, yet it sounds refreshing and contains a lot of contemporary influences. The theme clearly captures the wild thoughts through his head—the fear of losing his Christian faith. This is an interesting song through and through, from the lyrics to the production.

Join me as we delve deeper into the life of Carson Aday.

Listen to Fade Away below

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Follow Carson Aday on

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What is your stage name

Carson Aday

 

Where do you find inspiration?
Most of my music is inspired by things I feel strongly about. I’ve written about losing friends, moving away to college, and of course heartbreak!

What was the role of music in the early years of your life?

When I was little I used to get up in front of my parents and dance around, singing a Disney song or 2000s radio hit. I’ve always loved music, but didn’t realize I had a talent for it until I turned 16!

Are you from a musical or artistic family?

My answer to that 5 years ago would’ve been no, but most of my family either plays or is learning an instrument now!

Who inspired you to be a part of the music industry?

A close family friend, Scott Ayers, inspired me to follow my gift in music and pursue this career. He told me that I had a one-in-a-million talent, but that means there are still hundreds of people like me out there. The only way I can set myself apart is through my work ethic.

How did you learn to sing/write/to play?

After an impulse purchase of a keyboard off of Facebook marketplace, I learned to play Come Sail Away by Styx and Fur Elise by Beethoven within a couple of hours after first touching the piano. A year later I was competing internationally for classical piano. I started teaching myself guitar, bass, and songwriting a couple of years after getting burnt out from classical piano.

What was the first concert that you ever went to and who did you see perform?

The first concert I went to was my own… I didn’t get into live music until I had developed a passion for performing.

How could you describe your music?

My music draws inspiration from the music of the 60s, 70s, and 80s. Growing up listening to The Beatles, Elton John, Michael Jackson, and other stars, I pull a lot of ideas from vintage music while using modern production elements to create a unique sound.

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My music draws inspiration from the music of the 60s, 70s, and 80s.

Describe your creative process.
It really just depends on what inspires me. Sometimes I’ll have a lyrical idea first, and create a soundscape to match the tone of my poetry. Conversely, I’ll occasionally get a melodic, harmonic, or rhythmic idea first, and have to flesh out what lyrical concepts match the tone of my composition.

Did your style evolve since the beginning of your career?

Definitely! When first starting out, I wrote strictly indie rock music. Most of my work was modeled after The Strokes since they were my biggest inspiration at the time. Since then, I’ve branched off into a pop sound, aligning more with both current works from Harry Styles or Charlie Puth, while also having a reminiscence to them, reminding the listening of Fleetwood Mac or other older groups.

What are your interests outside of music?

I love to travel. I’ve had the opportunity to visit most of the United States, alongside all of Western Europe and some of South America. The difference in cultures across the world is beautiful to me!

If it wasn’t a music career, what would you be doing?

I’m a business owner, and have been growing my business, Jupiter Studios LLC, since I was 17. I’d likely still be doing that!

What is the biggest problem you have encountered in the journey of music?

Getting people to care about what I’m passionate about is really hard. I’ve done countless marketing campaigns, short-form content series on Instagram and Tik Tok, among other creative ways to get my music in front of people, but that continues to be the biggest challenge!



What are your plans for the coming months?

I have SO much music in the works right now. I’m working on finishing up 12+ songs and putting together a strong marketing campaign to get my music in front of as many people as I possibly can.

What message would you like to give to your fans?

Thank you so much for listening to my work. I really can’t do this without you. We are so excited to get more songs out to you guys in 2024!

Libby Akerman “Conversations” A Harmonious Debut

Libby Akerman "Conversations" A Harmonious Debut
Libby Akerman "Conversations" A Harmonious Debut

Libby Akerman’s debut EP “Conversations” is a tender foray into the blooming garden of alternative pop, where soul influences are in full spring. From the first notes, it cradles the listener with graceful female vocals that glide effortlessly over an intricate tapestry woven from both modern and timeless threads.

Each of the five songs on the EP is a whispering confidant to moments of begging that serenity lasts just a while longer. The silk-threaded voice of the Liverpool-based musician is only the tip of the iceberg. Her flair for music production shows in the delicate decisions behind the soundboard.

Libby Akerman "Conversations" A Harmonious Debut
Libby Akerman “Conversations” A Harmonious Debut

In ‘Conversations’, Libby achieves what many strive for but few capture: she creates space. In the auditory room, there’s enough air surrounding each note for listeners to feel wrapped up but never crowded—like guests rather than intruders into personal stories told with universal appeal.

They range from chill-wave escapist pursuits to downtempo contemplations like early Lorde or Birdy flavoured with a hint of Corinne Bailey Rae.

This collection shows less like an arrival and more like a promise. A musical embrace assuring us that we can expect conversations worth having if we’re willing to listen closely to Libby Akerman’s whispers amongst universal shouts.

Follow Libby Akerman on Facebook, YouTube, Instagram and TikTok.

 

Supported by Musosoup #SustainableCurator

Lexi Lemonade’s “Orion”: A Celestial Comeback

Lexi Lemonade's “Orion”: A Celestial Comeback
Lexi Lemonade's “Orion”: A Celestial Comeback

In the never-ending firmament of contemporary music, “Orion” by Lexi Lemonade emerges like a serendipitous comet streaking across the night sky. After her two-year hiatus, marked not only by silence but also the life-affirming chapter of motherhood, Lexi returns with a poignancy that is as raw as it is refined.

The track opens to an ethereal soundscape, where synth-infused melodies twine elegantly around robust bass lines—setting a stage for what can only be described as an interstellar ballet. The first note of her smooth female vocals acts akin to the ignition of supernovae; luminous and enveloping. Within moments, we’re drenched in the amber glow of alternative pop—a genre she cradles tenderly yet transforms with effortless ambition.

Lexi Lemonade's “Orion”: A Celestial Comeback
Lexi Lemonade’s “Orion”: A Celestial Comeback

As “Orion” unfurls its celestial narrative about undying cosmic love and unity across space-time continuums—it’s hard not to draw parallels between its theme and Lexi’s own personal odyssey—her soulful delivery evokes both Venusian allure and maternal strength. There’s intimacy here amidst grandeur: every verse seems imbued with star-dust spun from real-life magic and wonderment at life itself.

Her production choice paints spaciousness without veering into void—the beats pulsate like heartbeats through nebulas making us feel every bit part of this voyage through auditory constellations soothing enough for mortal ears.

Lexi’s offering is less a mere single than it is an astronomical event—one that resonates long after playback ceases—as though each listener has traced their fingers along Orion’s belt before looping back home carrying echoes of universal resonance within them.

Follow Lexi Lemonade on Website, Twitter, YouTube, and Instagram.

 

Supported by Musosoup #SustainableCurator

Harmonizing Tales: Rachael Sage and Howard Jones in “I Made A Case”

Harmonizing Tales: Rachael Sage and Howard Jones in “I Made A Case”
Harmonizing Tales: Rachael Sage and Howard Jones in “I Made A Case”

It sometimes happens that while wandering in the verdant labyrinth of alt-folk, one comes across sparkling jewels. This time was favoured upon us by Rachael Sage’s “I Made A Case” which is part of her recently released album “The Other Side“. This elegiac mosaic captivates not only through its smooth female vocals but also with the poignant brushstrokes of collaboration, as it showcases the venerable Howard Jones’ tender harmonies.

Rachael Sage operates as an aural painter who carefully infuses poetic sensibilities into every strum or key strike. The song flourishes like an old tale that speaks to newly kindled flames and old love letters ravaged by seasons of transformation. Her vocal delivery is smooth as silk—concealing raw emotion in the softest manner possible as a morning sun drifts through curtains.

Harmonizing Tales: Rachael Sage and Howard Jones in “I Made A Case”
Harmonizing Tales: Rachael Sage and Howard Jones in “I Made A Case”

“I Made a Case” seems to be an intimately personal conversation observed from a corner at your favorite coffee shop; familiar but privately profound. This duet has production scaffolding performances and more than that, it creates an environment full of nostalgia, soft on the ears and yet has an underlying intensity that grips you suddenly at the most unguarded moments.

Witnessing Rachael Sage’s artistic prowess here is like watching a precise ballet of sound: lyricism blends with masterful melodic arrangement and is woven in a manner that feels natural, organic yet serviceable to the overall flow of the piece held together by production choices that make you want to get absorbed in her world.

The track does not aim for bombast or radio-ready shine. Instead, it celebrates its sincere investigation of the folds of love—a thematic fabric unfurled over four minutes of audio tapestry where each note has gravity and significance.

In other words, just say “I Made A Case” sounds boring! It transcends mere satisfaction: this is about connection—among artists finding strength in their individuality to create unity, between words transcending above melody lines into secret chambers within hearts eager for music beyond being simply heard, but truly felt.

Follow Rachael Sage on Website, Facebook, Twitter and Instagram.

 

Supported by Musosoup #SustainableCurator

Emilio Gonzalez’s “I’m Myself”: Navigating Life’s Musical Corridors

Emilio Gonzalez's "I'm Myself": Navigating Life's Musical Corridors
Emilio Gonzalez's "I'm Myself": Navigating Life's Musical Corridors

As you let Emilio Gonzalez’s “I’m Myself” wash over you, it gently tugs at the very fabric of introspective indie-folk with a sound that feels as comforting as coming home. Berklee College of Music might be printed on his diploma, but these five tracks bear witness to a far greater education — one garnered from life’s unpredictable corridors.

From the first strummed chords, there’s an unmistakable sincerity woven into the tapestry of relaxed acoustics and heartfelt male vocals that echo through this EP. Each song is like a chapter in Emilio’s personal anthology; he invites us along a voyage mapped by striking vulnerability and fervent musings set against the backdrop of serene landscapes crafted by dexterous fingers and an old soul’s wisdom.

Emilio Gonzalez's "I'm Myself": Navigating Life's Musical Corridors
Emilio Gonzalez’s “I’m Myself”: Navigating Life’s Musical Corridors

The cohesion melding these songs suggests that they are siblings rather than distant cousins. “I’m Myself” possesses warm whispers reminiscent of Iron & Wine whilst parading its own distinctive bravado akin to Sufjan Stevens’ tender narratives. The production embraces minimalist elegance allowing every note breathed into life by Emilio’s vocal cords or coaxed from his instruments ample room to resonate within our hearts.

Embrace “I’m Myself” for what it is: A vessel carrying Emilio Gonzalez’s essence down streams so often stagnant in today’s clamorous music scene. While some may seek solace in thunderous anthems, others find sanctuary within this delicate repository — not because it demands attention, but precisely because it doesn’t have to.

In over sixteen minutes travelled, we’re reminded how being true to oneself can yield a musical harvest rich with authenticity and resonance—a soothing reminder for weary souls adrift amongst cacophonic tides seeking refuge in serenity.

Follow Emilio on YouTube and Instagram.

 

Supported by Musosoup #SustainableCurator

Nostalgia and Wisdom: Unveiling Michael Isaak’s “hey boy”

Nostalgia and Wisdom: Unveiling Michael Isaak's "hey boy"
Nostalgia and Wisdom: Unveiling Michael Isaak's "hey boy"

Like sipping your “favorite warm drink on a peaceful, sunny morning”, Michael Isaak’s “hey boy.” From its first chords, this indie folk gem greets you as if it were a long-lost friend. Isaak’s warm, comforting vocal harmonises perfectly with the gentle acoustic tunes that will soothe this soul.

The track spreads out like pages in a journal covered with dust and filled with nostalgia. His buttery tones clearly show that this is not just singing, it is a feeling. Every smooth note from Isaak’s vocal cords seems to reach through the fabric of time, offering wisdom and comfort to a younger, wide-eyed version of oneself.

The song “hey boy” carries an undeniable ease that resembles Jason Isbell serenading a woodland gathering. It is a journey into reflection that evokes emotion without forcing tears or heartache; in other words, there is a quiet spot for whatever arises in introspection and it is set in the background of relaxing harmonies.

Nostalgia and Wisdom: Unveiling Michael Isaak's "hey boy"
Nostalgia and Wisdom: Unveiling Michael Isaak’s “hey boy”

This single has the ability to fit perfectly between your ears because of the tune’s breeziness and how skillfully rich the production is. A team that understands their job well enough has clearly put simplicity as opulence. The result? A classic made to be easy on the ear but deep enough so that each time you hear it you feel like you are unwrapping another layer to this love letter.

So go ahead—lean back, let “hey boy” wash over you like autumn leaves dancing along a steady breeze—and find solace in knowing Michael Isaak has crafted more than just music here: he has bottled hope in melody.

Follow Isaak on Website, YouTube, Instagram, Songkick and Instagram.

 

Supported by Musosoup #SustainableCurator

Unveiling Dani Hagan: Behind the ‘Kissing You’ EP and a Heartfelt Journey in Music

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Unveiling Dani Hagan: Behind the 'Kissing You' EP and a Heartfelt Journey in Music

Dani Hagan is gradually making waves with each song she releases and this time, she is put with a brand new body of work which she titles ‘Kissing You’ and Dani is making waves in the rock and alternative scene. Collaborating with big names like Ron Dante, John Ferriter, and Mikal Blue, who produced the entire EP, Dani showcases her exceptional artistry and a history of success that brings a raw and electrifying vibe to her music.

Recently, I had the privilege of sitting down with Dani Hagan to talk about her musical journey, creative process, and the personal inspirations that drive her music-making

In our conversation, Dani delves into the roots of her stage name, her sources of inspiration, and the profound impact of music in her life. From her childhood experiences in a family that fostered creativity to her deep-seated passion for the art, Dani candidly shares her artistic evolution and the journey that led to her authentic voice.

Dan begun by teaching herself how to play the piano at a tender age then later she was moved by the classics and eventually discovered her own sound through guitars and songwriting, Dani’s journey is an inspiring testament to the power of music in shaping one’s life and identity.

Stay tuned as Dani Hagan takes us through her musical process, creative inspirations, and the intimate details behind her deeply personal EP, “Kissing You.” In this exclusive interview, Dani opens up about her music, her journey, and the unfiltered emotions that fuel her artistry.

Listen to Kissing You below

 

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What is your stage name

Dani Hagan

Is there a story behind your stage name?

My legal name is Danielle, so Dani has been a nickname my whole life

Where do you find inspiration?

Literally everywhere! I always have my lyric book in arms reach, so I can jot down my thoughts. My stream of consciousness tends to be in iambic pentameter, thank you Shakespear, so my songs tend to write themselves. Generally if i’m in a heightened emotional state, the music flows out of me, one of many reasons why I love love, falling in and out of it is such a muse. I use music to process my own life experiences.

What was the role of music in the early years of your life?

My mom recognized how creative I was and put me into every singing, dancing and acting class or production she could find for me. I started teaching myself piano at age 5 (watching my big sister play was so inspiring to me) and I wrote my first song at 9. I’ve always had really big emotions, and writing songs helped me to navigate them.

Are you from a musical or artistic family?

All the kids in my family have creative gifts, my dad wanted to give us every opportunity that he didn’t have as a child, so we were well supported in our creative developments. My brothers sort of outgrew their interests in the arts, but my sister and I are still very active with our musical skills and talents. My mom is the queen of quilting and crafts!

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All the kids in my family have creative gifts,


Who inspired you to be a part of the music industry?

I just followed my own lead, without even realizing what the industry was. All I knew is that I needed to be on stage in front of an audience singing my songs. And before I knew it, I was swept into the business of it. Music was so ingrained in my daily life, I loved being moved by music, and I wanted to be the cause of moving other people, I’ve always felt that sense of purpose.

How did you learn to sing/write/to play?

As I mentioned, I started teaching myself piano at 5 years old. Learning how to read music and play nursery rhymes was the start of it all. Eventually I took a few years of lessons, and picked up a number of other instruments along the way. But my voice has always been my primary instrument.

I have a very classical background with training in opera, choral, musical theatre, etc. Then I moved to NYC and fell for a southern boy who introduced me to classic rock. At that point I knew I needed to buy myself a guitar and teach myself how to play, that’s when my songwriting really took off, and I found my authentic voice.

With all my classical training, I never felt like I found my sound, even though I developed great skills. When I started playing guitar and my own songs, I found my voice, and that was a true awakening.

What was the first concert that you ever went to and who did you see perform?

It was probably Lori Line, she was a pianist that my dad adored, so whenever she came to town, we’d go see her in concert.

How could you describe your music?

I’d call it blues rock. As Meredith Brooks would say, “I’m a little bit of everything, all rolled into one.” I keep finding deeper, stronger roots in my own sound. I recognize the wonderful influence from the people I work with, but am becoming more firm in maintaining my personal voice.

I don’t know if that makes sense, but I’m constantly refining my sound and allowing evolution. I think if you like top 40’s, classic rock, blues rock, pop rock, Americana, roots rock, etc, you’ll vibe with my music. I often write about matters of the heart, love is my favorite topic, from any angle. Whether it’s a ballad or a full rock sound, the heart of it will always shine through.

Describe your creative process.

I love being in flow state, so I’m always looking to be inspired. I keep my lyric book nearby, there’s a guitar (or two) in literally every room of my house. The best songs just kind of fall out of me. But there are other times I need to sit down and sculpt them a bit. I allow time for daydreaming, my logical side of the brain gets annoyed with how “unproductive ” I’m being, but I’ve come to realize that my daydreaming is actually part of my creative process so now I can hold space for that.

I realize I have creative seasons, sometimes creativity is flowing like a river, and sometimes it feels dried up, but that ebb and flow is just part of the development of the songs. So the best I can do is set aside time to sit with a glass of wine and my thoughts and hope that the musical muse will arrive, and if not, I don’t like to force creativity.

I’m a very emotional writer, but sometimes my best songs come from songwriting exercises rather than life experiences. So I don’t judge, I keep it playful, and I’m always willing to stop what I’m doing if inspiration hits. I get out of my own way and let it flow, just how I like it.

What is your main inspiration?

That’s easy… LOVE.

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That’s easy… LOVE.


What musician do you admire most and why?

I’m a huge fan of ZZ Ward, Grace Potter, and Nothing But Thieves. They are all incredible live performers, the songs are amazing and watching their evolutions as artists has been inspiring. The music speaks to me in every language, great songwriting, moves my heart, makes my body want to move and I hear my own stories in their songs. That’s the kind of artist I strive to be.

Has your style evolved since the beginning of your career?

Massively! Going from a singer/songwriter style artist to now playing big stages in LA with a full rock band has been quite the journey with lots of interesting chapters along the way. Playing dive bars all the way up to Carnegie Hall, getting better as a performer, as a singer, as a songwriter. I feel layered as an artist, I feel seasoned. I feel rooted.

Who do you see as your main competitor?

Me and only me. There is plenty of room for everyone to be successful, and most people aren’t willing to do the long term hard work. But I am. I’m always striving to be better than who I was yesterday.

What are your interests outside of music?

I am truly obsessed with Pilates, I love to paint, I enjoy cooking, and the main thing is connecting. I love spending time with the people I love.

If it wasn’t a music career, what would you be doing?

Teaching Pilates and making an impact on the health and wellness world (pst…I already do this alongside music)

What is the biggest problem you have encountered in the journey of music?

I would say my patience…haha. Everything is always six months behind schedule but right on time. I’ve really learned to enjoy the journey, let it flow and not be so controlling. This makes for a much smoother ride.

If you could change one thing in the music industry, what would it be?

Well, the finances of it all. The music industry is such a money machine, and artists are the last to get paid, if ever. It feels really backwards.

Why did you choose this as the title of this project?

My EP is titled “Kissing You.” Which is the name of the first song I wrote on my first electric guitar, the title really dials in what my songs are about, intimacy, the rollercoaster of love, making out, all the things! It brings in a bit of romance to the rock.



What are your plans for the coming months?

LA tends to shut down from mid-November to mid-January, so this is where all the behind the scenes work takes place. I’ll be in the recording studio cutting 4 new songs, rehearsing and touring with my band, photo shoots, game planning, and resting. All this so when LA gets up and running again, I’ll be ready with lots of music and content to roll out in the new year. There are also rumors that I’ll be headed back to London in a few months, where I get to shoot my music videos with Stabal, and hopefully do some touring!

Do you have any artistic collaboration plans

I love co-writing so I’m always looking for collaborations. As of right now, I’m focused on the next EP, many of the songs I co-wrote with my guitarist, Aaron Medina. But i’ll let you in on a little secret, I’ve started a new project with Rome Deluce, called The Switch. We wrote a bunch of duets and recorded a whole album of really incredible songs. We’ve done small performances around LA and need to figure out what to do with all this awesome music we’ve made together. I’ll keep you posted on that one.

What message would you like to give to your fans?

I am such a storyteller and a visual artist, my songs often have themes threaded through them, and story arcs. I’d love to hear if you pick up on them. This next ep is all about going deeper, and playing in the shadows. My music videos are an essential expression of the music, the music is so much more than what plays through the speakers. I hope fans explore the full range of the music. Love freely, dive deeper, sparkle in the sun and shine in the darkness. And may my music be the soundtrack to your life!

The Project Debuts With “Best Days”

The Project Debuts With "Best Days"
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Do you have a memory that you can label as one of your “Best Days”? probably, we all might have a day we hold dear. Yet “The Project” has captured a memory into sounds and would like to share that with the rest of the world.

Best Days” by ‘The Project’ is their debut and plays a pivotal role in their musical career. The Project is made up of experienced rockers from Southern California. This group includes James Davis from Shameless on guitar, the singer Jeff Plant, and drummer Andre Bonter.

The band knows their stuff, they blend genres like old-school rock vibes with a mix of eighties, hard rock, classic rock, and more.

Listening to “Best Days” you feel the guitar riffs from the beginning of the song they play with skill and strength, showcasing their prowess when it comes to music production, one thing that stands out is the impressive drum licks, quite impressive bringing in confidence and energy that you don’t hear every day.

The song wouldn’t stand tall if not for the vocals on the main vox star is Jeff Plant—his voice hits high and low notes perfectly, making the song even more better.

You can hear the voice of some of the greats such as Black Sabbath, Smashing Pumpkins, Rush, and Blink-182 as they are the main influence of the band

Their debut song gives a taste of what’s coming, mixing classic rock vibes with modern pop sounds.With their album on the way, this debut single hints at a sound that’ll make you feel the good old days while keeping things fresh and exciting.

Listen to Best Days below

 

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Connor Desai Shares Her Emotions On Latest Single

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Connor Desai Shares Her Emotions On Latest Single

Today we got the chance to review “Forever” by Connor Desai, a captivating song that blends folk and electronic music. From the moment you press play you are welcomed by the soothing voice of the songstress, and the sound sails smoothly from start to finish.

Connor’s voice is smooth and inviting, it matches perfectly with the guitar riffs, but as the song progresses, it builds and becomes heavy, carrying so many emotions yet Connor Desai maintains her vocals while sending a message across. Brad Dale, who helped produce the song, made sure it all fit together just right.

https://music.apple.com/us/artist/connor-desai/219710144

Connor Desai is based in Seattle and has had her music featured on Netflix and an upcoming movie at SXSW, but surprisingly Connor didn’t start off as a musician she is middle school math teacher, a professor, and a mom of three.

“Forever” is special—it switches between quieter parts and more modern sounds, “Forever” feels both sad and calming how Connor sings is heartfelt, and as the song goes on, it adds piano and beats that takes you on a rollercoaster ride through emotions.

The lyrics of “Forever” is relatable as the song talks about feeling hurt in a relationship, something lots of people can relate to. It has this moody vibe that’s strangely comforting.

Listen to Forever below

 

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Hot Spoon, Cold Mango Is Crafting Sonic Worlds and Embracing Unconventionality

Hot Spoon, Cold Mango Is Crafting Sonic Worlds and Embracing Unconventionality

Let me introduce you to Hot Spoon, Cold Mango a musical genius who is dedicated to producing breathtaking songs that leave you in awe. One could argue Hot Spoon, Cold Mango is a quirky name, but wait let me tell you how that name came about.

Picture this: a scorching day in D.C., no AC, and a craving for mango sorbet. But guess what? No spoons left. So, in a funny moment, a warm spoon from the dishwasher met the cold sorbet. And just like that, “hot spoon, cold mango” became a catchy name for this artist’s journey. And surprisingly it is the initials of his name and that of his lover HSCM.

This was shared in a recent interview with Mister Styx of Musicarenagh, in the interview a lot of discoveries were made, their responses to the questions are very detailed, allowing fans to catch a glimpse of their live and surroundings.

Hot Spoon, Cold Mango stated he finds inspiration in life itself—everyday moments, feelings, and the way music shaped their world from day one. From an early stage of their life’s, music has played a major role in his life growing up, music was like his TV, showing him how people connect through sounds.

Now lets talk about his recent works which is titled Paws On Ears, before I even begin I must admit coming up with such a name for an album is really creative and mindboggling. Their music? It’s not easy to pin down. Think of it as a trip to a place where reality blurs, where stories unfold between what’s real and what’s imagined. Making music for them is like painting emotions using sounds—they dive into their feelings, let their imagination run wild, and create something personal that connects deeply with listeners.

During the interview Hot Spoon, Cold Mango was asked the main inspiration behind Paws On Ears and this is what he had to say:

“It began with a dog. From there it would grow into a play on the word paws sounding like the word pause. Then there’s the moment when you find yourself surrounded by the love of and support of someone that cares so unconditionally, they are by your side in the long hours as you spiral further and further into madness…”

The album has 18 songs on it, although they have no lyrics, the theme of the song is not left out, you can feel every note played.

Listen to Paws On Ears below

 

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What is your stage name?
I go under the name Hot Spoon, Cold Mango

Is there a story behind your stage name?
On an ordinary mid-summer afternoon, as my lover and I ventured to the local grocery store during a particularly sweltering day in Washington, D.C., we found ourselves in possession of a delectable pint of Mango Sorbet. Upon returning to our home, a cozy abode without the luxury of air conditioning, we encountered a predicament – all our utensils had been used, and none remained. A stroke of luck intervened as the dishwasher hummed away in the background.

I swiftly opened the dishwasher, only to be met with a rush of hot, humid air, which added an unexpected element of mirth to the situation. Wishing to avoid any further exposure to the sauna-like conditions, I deftly retrieved the nearest spoon within reach and promptly shut the dishwasher door before departing. The spoon’s temperature took me by surprise, causing me to place it on the countertop adjacent to the Mango Sorbet.

Using the warm utensil, I indulged in my first bite of the cool mango delicacy, prompting me to whimsically remark to my lover, “..hot spoon, cold mango..” Our shared laughter marked the moment when inspiration struck, leading to the apt name for my artistic endeavor. Remarkably, this moniker also turned out to be an acronym of our initials – HSCM.

Where do you find inspiration?

My primary wellspring of inspiration derives from the raw essence of existence itself. Within this existence, I’m immersed in a profound sensation that saturates the world around me, an intensity I harness to craft an auditory tapestry. Through the intricate framework of sound and tonalities, I endeavor to encapsulate a mere fraction of the experiences I encounter in the world that envelopes me.

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My primary wellspring of inspiration derives from the raw essence of existence itself. Within this existence,

What was the role of music in the early years of your life?
Music is the way I grew up understanding the world you live in. It’s in the same vein as, the kid that grew up on T.V. (television). The sound of each song created a world that allowed me to understand how those around interacted with one another. There was an everlasting tone to the world. It would ring out.

Curving with the sky, beyond the horizon. Out and back. As the times changed from *(uncoincidentally, this seems to currently occur in decades oddly enough) decade to decade, so did the tonalities that resonated throughout everything. This has allowed me to build out worlds starting with a tone.

Who inspired you to be a part of the music industry?

In my earlier years, residing in the Netherlands, my parental action figures acquired a magnificent Ibach piano, a pivotal moment in my life. They engaged a music instructor who profoundly impacted my relationship with sound, for which I remain profoundly grateful.

This remarkable tutor possessed a complete set of tuning forks, and with a gentle strike, she would bring forth their distinct frequencies, allowing me to experience their resonance as she intricately described each one. The reverberating tones sent ripples through my mental pathways, setting in motion echoes that continue to resonate within me to this day.

How did you learn to sing/write/to play?
Spanning more than a decade of classical piano training and countless hours of dedicated experimentation, my journey has been intertwined with the ever-evolving landscape of technology. Additionally, I dedicated three years to an intensive education, from an institution that shall remain unnamed for reasons known to the universe. During this period, I acquired the essential competencies for recording live instruments and delved into a comprehensive study of diverse mixing techniques.

Over the years, I furthered my expertise as a freelance Sound Engineer, specializing in the dynamic realm of live performances, including operas, stage productions, and a wide array of sound engagements across vibrant cities such as Boston, MA, and St. Louis, MO.

What was the first concert that you ever went to and who did you see perform?
I find myself torn on this matter, and the memories have grown somewhat hazy over time. Sometimes, I ponder if it might have been B.B. King during his visit to St. Louis, Missouri. However, I also entertain the possibility that there could have been an earlier experience, perhaps even by accident. Yet, I cannot assert with complete certainty.

No, that would be an overstatement. After some reflection, I lean towards the notion that it was indeed B.B. King. Though, then again, I hesitate – could it have been the Trans-Siberian Orchestra? Yes, that resonates more strongly.

I’m increasingly convinced that the Trans-Siberian Orchestra was the first such experience. Well, at least it’s the earliest memory that surfaces at this point. It was quite an astonishing journey, particularly at a young age.

How could you describe your music?

Lost, somewhere in between. A random encounter. It’s the line that blurs the very notion of existence. Picture it as a fleeting invitation into a realm that might have been, or perhaps even something better. Then, you make your way back.

I’m sorry, but you can’t linger here. These worlds were crafted for visiting, not for a permanent stay. If you were to remain too long, I can’t promise you’d ever find your way back.

Describe your creative process.

The creative process I follow encompasses a multitude of essential steps. It commences with internal exploration, where I navigate the depths of my thoughts and emotions. This internal exploration leads to emotional resonance, as I draw inspiration from the profound sentiments that dwell within me.

My imagination is then unshackled, allowing it to roam freely and spark a wealth of unique ideas and concepts. The process is marked by intuitive expression, guided by instinct and authentic feelings rather than rigid plans. The result is a deeply personal narrative, a reflection of my experiences, beliefs, and values, interwoven into my work.

I embrace unconventional techniques, experimenting with various forms of expression that align with the unconventional nature of my inner world. This process demands vulnerability and offers catharsis as I unveil my inner world to create art. Ultimately, it forges a connection with the audience, inviting them to share in my emotional journey and fostering a deep sense of empathy and understanding.

What is your main inspiration?

The core inspiration behind my music is rooted in a paradox – a profound lack of understanding of the world that surrounds me, coupled with an insatiable yearning to decipher the enigma of our existence as sentient beings. This peculiar juxtaposition serves as the wellspring of my creative journey, compelling me to explore and unravel the intricate tapestry of this strange and bewildering reality we inhabit.

What musician do you admire most and why?

I admire the musicians that remains true to themselves. Be great story tellers. That’s why we are here. To entertain with the varying stories, told in all different dialects derived from all sorts of worlds. That’s why there is such a grand variety in music.

This planet is comprised of so many stories and not everyone will always sound like the other. We all have different perspectives to tell each other. So, the musician that remains true to themselves is whom I admire. Share crazy stories and inspire more art and creativity.

Did your style evolve since the beginning of your career?

Evolving one’s style is akin to the natural ebb and flow of emotions within a living being. Just as feelings shift and change, so too must artistic expression adapt and transition. A person experiences the gamut of sensations – weariness, hunger, sadness, joy, love, disdain, fear, indifference, and bewilderment, among others.

In my creative pursuit, I earnestly strive to transcribe the sounds I perceive, whether they originate in the tangible world or, as some have suggested, emanate from realms beyond.

Who do you see as your main competitor?

The sole true contender anyone faces is the reflection in the mirror. No one has genuinely wronged another to warrant causing harm in return. It’s imperative to retrace our steps, back to the origins of it all, a violation of the very principles of cause and effect. This perpetual cycle of cause and effect, an unending loop.

You wronged me, and in response, I’ll wrong you. And while I’m at it, why not escalate it? It seems that doing the abhorrent has somehow become the norm, spreading like contagious wildfire. It started to taint all those it encountered. It’s worth noting that, in those moments, who could stand against it? And now, we find ourselves ensnared in a web spun from the anger of one who was first vexed. Let’s pause and consider.

What are your interests outside of music?

My deepest passion lies in the art of exploration. Whether it’s the exhilaration of rock climbing, the serenity of ascending mountains, the immersion in diverse global cultures and perspectives, the thrill of snowboarding, the freedom of cycling, the mysteries of space, or the relentless pursuit of pushing the boundaries of my imagination—these pursuits ignite my soul. I revel in confronting the terror of the unknown and the chaotic horizons it unveils, forever in motion.

If it wasn’t a music career, what would you be doing?

I awaken within a labyrinth, confined to the center of a box bereft of windows or doors. The air carries the artificial scent of an external world, a simulacrum designed to comfort the newcomers in this peculiar realm I’ve found myself presiding over. Yet, as I long for the gentle caress of rain on unburned skin, I am acutely aware of its absence.

What is the biggest problem you have encountered in the journey of music?
The journey of being a fully independent artist demands an immeasurable investment of time, financial resources, unwavering dedication, and an unyielding drive. It necessitates a comprehensive education and access to the tools and knowledge required to transform the faintest whispers of creative thought into tangible, real-world manifestations.

The culmination of these efforts and sacrifices has carried me to this pivotal stage in my ongoing journey, where every step taken has been a testament to my artistic evolution.

If you could change one thing in the music industry, what would it be?
In an ideal scenario, I envision a world where the industry’s constraints are cast aside, fostering an era of unrestricted sharing of art and ideas. Yet, I’m reminded that such a paradigm shift comes with its own set of challenges.

The dichotomy between the pros and cons remains an immutable aspect of life, for every advantage carries a corresponding drawback. In my reintegration into the world after a period of isolation, I’ve come to realize that I might not possess the up-to-the-minute knowledge of the present music industry’s standards and procedures, rendering my opinions on the topic less immediately relevant.

As I shed my isolation cocoon, I stand at the crossroads of a changing landscape, seeking to navigate its nuances with a fresh perspective.

Why did you choose this as the title of this project?
It began with a dog. From there it would grow into a play on the word paws sounding like the word pause. Then there’s the moment when you find yourself surrounded by the love of and support of someone that cares so unconditionally, they are by your side in the long hours as you spiral further and further into madness. Just before the point of no return and you’ve fully lost everything you hold to be real in the physical realm, you are gently brought back by a disturbance. You awake to find the dog paw on one ear, a cat with a paw on the other as you sit on the couch in the afternoon.

Do you have any artistic collaboration plans?
I’m joining forces with the visionary artists Odedwulf and Elko to embark on a journey that pushes the very limits of what can be achieved. After an arduous twelve-year hiatus, our reunion is imbued with an anticipation that’s as exhilarating as it is profound.

As we unite, we eagerly anticipate the exchange of stories and the collective documentation of the countless lessons gleaned from our adventures. Our creative expressions will manifest across diverse mediums, serving as a testament to our shared experiences.

Through this collaborative fusion, we endeavor to construct a new realm, a veritable planet where we may both build and deconstruct—an enduring phoenix rising from the ashes, an emblem of the timeless cycle of creation and renewal.

What message would you like to give to your fans?
Communication is Key

Unveiling Tzion’s Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk”

Unveiling Tzion's Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk"
Unveiling Tzion's Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk"

Tzion’s lagoon is a creative artist who has spent years perfecting his craft to near perfection and with every production he leaves a mark to cement his prowess when it comes to music making, and in a recent interview with Mister Styx of Musicarenagh, we got the chance to delve into his mind to explore his musical journey, inspirations and future plans.

Before following his dream Tzion used to be a dance but with the help of his dance teacher who motivated him to start making music and later taught him how to play the guitar.

Tzion is well known for known for his unique blend of shoegaze, garage rock, and post-punk. The name Tzion’s Lagoon is a combination of his given name and a metaphor to emphasize on his dense and dark production style, reflects their artistic vision.

In the interview Tzion’s Lagoon was asked about his main ispiration and his response was mind boggling, this is what he had to say

“Im a Christian so id really say God and how i seen him everyday in my life and the world around me is my biggest inspiration, within that id say things ive experienced good and bad, stories ive heard good and bad, and the human experience inspires me and helps me create things.”

His latest single Evergreen 01 has a lot to say about his musical style and his persona, join us as we get to know the man behind the pseudonym Tzion’s lagoon

Listen to Evergreen 01 below

 

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What is your stage name
I am tzion’s lagoon

Is there a story behind your stage name?
Tzion is my name, the lagoon part is because i wanted the production part to sound really dense and dark, like a swamp more than a lagoon but lagoon sounds better i think.

What was the role of music in the early years of your life?
It’s something thats always been a part of my life honestly, since i was a kid ive always been making songs, kind of, they haven’t always been particularly good though.

Are you from a musical or artistic family?

Somewhat, my mom and dad sang in the choir at church, but my family generally wasnt full of music artist in the sense that i am.

Who inspired you to be a part of the music industry?

I used to be a dancer, and my dance teacher got me started making music and playing guitar, so thats really were a started on the road of being in the music industry.

Unveiling Tzion's Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk"
Unveiling Tzion’s Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk”


How did you learn to sing/write/to play?

I’m self taught with singing, and writing, and with guitar ive had a few teachers. One was my dance teacher, then i taught myself for a bit, then i had a guitar teacher at UNT, now im sort teaching myself again.

What was the first concert that you ever went to and who did you see perform?
I dont really remember the first, but the most memorable recently was men i trust in dallas, their guitarist is really good.

How could you describe your music?

Since im just starting out with tzion’s lagoon im still figuring things out but as far as a direction we’re going i’d say shoegaze, garage rock, and post punk as the genre’s we’re going for.

Describe your creative process.
It really just depends, sometimes i write in a really conceptual way, were im telling a story that is a metaphor for something else, sometimes im telling a personal story, other times i look into other sources for inspiration like the Bible, or other poems, or paintings.

What is your main inspiration?

Im a Christian so id really say God and how i seen him everyday in my life and the world around me is my biggest inspiration, within that id say things ive experienced good and bad, stories ive heard good and bad, and the human experience inspires me and helps me create things.

Unveiling Tzion's Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk"
Unveiling Tzion’s Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk”


What musician do you admire most and why?

I think my favorite artist is King Krule, i like the way stands out in indie music. From his voice to his production, and it also cool how different his live sound is from his studio releases.

Did your style evolve since the beginning of your career?

Yes my style has changed a lot, i started out making really lofidelity indie music, like a really muddy and washed out, and now i make shoegaze and garage rock stuff, still somewhat muddy but id say in a more tasteful way.

Who do you see as your main competitor?

Honestly no one, i think competition particularly in indie/alternative genres is super counter productive.

What are your interests outside of music?

I skate a little bit sometimes, but music is a pretty invasive hobby. It comes into alot of different aspects of life.

If it wasn’t a music career, what would you be doing?

I used to dance, and i used to box, so maybe one of those, but i’d probably be at some corporate job or something, maybe id be a missionary.

What is the biggest problem you have encountered in the journey of music?

Honestly myself, figuring out how to navigate overthinking and underthinking music.

If you could change one thing in the music industry, what would it be?
I dont really know, i think everything comes with good and bad sides regardless. But i think the way that genuine art is sometimes very under appreciated sucks, so maybe that somehow.

Unveiling Tzion's Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk"
Unveiling Tzion’s Lagoon: A Dive into Shoegaze, Garage Rock, and Post Punk”

Why did you choose this as the title of this project?
I named it after the wizard evergreen from adventure time, it doesn’t have much to do with him but i wrote the song with some themes in mind that apply to him and that episode/storyline.

What are your plans for the coming months?

I have a few more songs in the works for release within the next few months, possibly before the end of the year, we as a band have a few shows in denton coming up as well

Do you have any artistic collaboration plans

not at this time but i am interested.

What message would you like to give to your fans?
Thank you guys for being early adopters, this project should be a really fun journey for me my band and everyone who does/ will support us.

Lou Emery’s “Fools”: Alt-Rock Revelation Unleashed

Lou Emery's “Fools”: Alt-Rock Revelation Unleashed
Lou Emery's “Fools”: Alt-Rock Revelation Unleashed

Lou Emery’s single “Fools” bursts onto the alt-rock scene with all the tenacity of someone who’s got something to say and isn’t afraid to crank up the volume to make sure you hear it. This Los Angeles singer-songwriter is masterfully blending punchy electric guitars and an anthem-worthy melody that sticks in your head long after the song has ended.

The track leaps out of the gate with a certain kinetic energy—imagine driving down Sunset Boulevard, top-down, as dusk bleeds away into neon-lit night. Lou’s vocals are a front-and-centre force of nature; there’s grit and velvet wrapped tightly together in every note she belts out. She commands attention not just because her voice cuts through the airwaves—it narrates our shared run-ins with deception and false fronts, making “Fools” more than a tune: it’s a call-out cloaked in catchy riffs.

Lou Emery's “Fools”: Alt-Rock Revelation Unleashed
Lou Emery’s “Fools”: Alt-Rock Revelation Unleashed

Behind this rebel yell lies impeccable production—the sound is clean but far from sanitized. The instruments blend harmony saturated by raw spirit which gives us that ‘can’t help but stomp your foot’ vibe as we get swept up in Emery’s fiery exposé on cynicism.

If this fourth single teases what rests on her debut EP horizon, then buckle up for an electrifying ride ahead. In lacing scepticism with spirited hooks—and very possibly casting herself as rock’s next vigilante of truth—Lou Emery may have just bridged sonic pleasure with meaningful pokes at our collective consciousness.

Surely when “Fools” plays, fools are nowhere found among those tuning in—just fans eager for more earworms crafted by Lou’s skilled hands.

Follow Lou Emery on Website, Facebook, Twitter, YouTube and Instagram.

 

Supported by Musosoup #SustainableCurator

Davie Furey’s “The Rose of Bohermeen”: A Folk Escape

Davie Furey's “The Rose of Bohermeen”: A Folk Escape
Davie Furey's “The Rose of Bohermeen”: A Folk Escape

Davie Furey’s “The Rose of Bohermeen” does more than simply soothe the soul; it tenderly wraps listeners in the warm embrace of acoustic folk charm. With cool male vocals that effortlessly glide like a serene river over pebbles, Furey brings us an easy listening experience reminiscent of sitting under starlit skies, sharing stories by a crackling campfire.

Beginning with lilting guitar strings that weave into your consciousness, this single is a love song with substance – not just flitting emotions but genuine feelings. It paints vivid images: the girl in midnight choir evokes solemn beauty and earnest affection with strokes melodic and pure.

Davie Furey's “The Rose of Bohermeen”: A Folk Escape
Davie Furey’s “The Rose of Bohermeen”: A Folk Escape

The production here isn’t just clean—it’s pristine! Martin Quinn at JAM Studios has polished “The Rose of Bohermeen” to perfection without losing any emotional grain from Richard Ball’s heartfelt composition. The track serves up tranquility on a silver platter, while still carrying enough weight behind every note to ground you firmly in its narrative fold.

At times, you could close your eyes, swear you’re hearing echoes of James Taylor whispering through time—yet Furey maintains uniqueness as crisp as autumn air. A retreat from chaotic life pulses? Absolutely. You’ll find yourself hitting repeat not merely for background ambience but for rediscovering subtle layers tucked within its harmonious folds.

In essence? Davie Furey’s latest offering blooms bright yet unassuming—and in today’s clamor-filled world? What sweeter escape could one ask for than to be serenaded by such gentle force—a rose indeed among musical thorns. 🌹🎶

The song will be released on the 23rd of November 2023 so anticipate it.

Stay updated with Davie Furey on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Ko-Jo Cue Celebrates The Essence of Hip-Hop With I’M Back

Ko-Jo Cue Celebrates The Essence of Hip-Hop With I’M Back
Ko-Jo Cue Celebrates The Essence of Hip-Hop With I’M Back

After serving hip-hop fans with “Free Throw” and an unforgettable BET Hip-Hop Awards Cypher, Ko-Jo Cue has returned with an EP. Titled I’M Back, the seven-track project, released on November 16, marks his first project after a two-year hiatus. It also signifies a bold return to the roots of hip-hop, built around rhymes, flows, and technical ability.

 The rollout for “I’M Back” borrows a lot of imagery from basketball and sports and features Ghanaian rap stars like Joey B, Kwaku DMC, Tulenkey, Strongman, YPee, Kweku Smoke, and Ria Boss. The themes dance around self-expression, celebration, hustle, and seizing the day. Fortune Dane, iPappi, Retro, Kobe Norths, and others handle production. Notably, Peewezel, a long-term collaborator of Cue, makes a return after being absent from his last three projects.

 From the EP’s opening number, “Mac Tontoh,” Ko-Jo Cue pays homage to the individuals who’ve played a pivotal role in his journey. The track features Bigg Homie Flee, who spices up the track with his spoken words. On the next song, “Someway,” Ko-Jo Cue takes a swipe at individuals leading phony lives and seeking validation from strangers. 

 The next single, “Free Throw,” which features a verse from Ghanaian rapper Joey B, is a celebratory trap banger, highlighting his triumph against all odds. Ko-Jo Cue teams up with Kweku Smoke and Kwaku DMC on “32,” a drill anthem emphasizing the urgency of living life to the fullest. 

 For the EP’s fifth track, “OKAY OKAY,” Ko-Jo Cue talks about ambition, resilience, and hard work with hard-hitting verses from fellow Kumasi rappers Strongman and YPee. He maintains his determination discourse in “Cedi Kasa” while offering insightful social commentary on the nation’s challenges. For a change of tempo, Ko-Jo Cue ends I’M Back with the Ria Boss-assisted “Happy Endings,” which delves into the unpredictability of life and death, personal tragedies, and the futility of chasing fairytales. 

 “I’ve been gone for a bit, and I started feeling a lot of the energy that made me fall in love with hip-hop,” says Ko-Jo Cue. “So before I get back to regular scheduled programming, I felt like putting the glasses down and stepping into the booth again.” “I’M Back” is not just an album—it’s a statement. It’s a celebration of authentic hip-hop, a nod to the sports that have inspired Ko-Jo Cue, and a tribute to the artists who have helped him along the way. Additionally, it showcases Ko-Jo Cue’s storytelling prowess and dedication to addressing societal issues in his music. 

Listen to I’M Back on your preferred platform. 

About Ko-Jo Cue

Raised in the energetic rhythms of West Africa, Linford Kennedy Amankwaa, known to the world as Ko-Jo Cue, is a Ghanaian hip-hop artist who continues the legacy of the region’s revered griots. As a songwriter and lyricist, he weaves tales of African life through a lens both introspective and socially aware. His fusion of Hip-Hop, Highlife, and Afrobeats, paired with his philosophically tinged narrative style, mirrors the creative forces behind rap titans like Jay Z, Nas, J. Cole, and Obrafour. 

His collaboration with Ghanaian rapper Shaker on the album “Pen & Paper” in 2017 garnered accolades and caught the eye of Lauryn Hill. This earned him an opening slot on her tour. Similarly, his 2019 debut album, “For My Brothers,” was hailed as a landmark in the Ghanaian rap scene, dominated the Apple Music Charts, and gained a nomination for Album of the Year at the 3 Music Video Awards. Since 2019, he has accrued several awards, including the Adinkra Poetry Prize and an Artlink grant, for which he converted his album “For My Brothers” into a radio show aired across Europe.

Follow Ko-Jo Cue on Instagram, Twitter, and Facebook for more updates on the rapper.

“Duality II”: We Are To Blame’s Melodic Metal Mayhem

"Duality II”: We Are To Blame's Melodic Metal Mayhem
"Duality II”: We Are To Blame's Melodic Metal Mayhem

As the twilight glow of “Duality I” fades, We Are To Blame returns with ‘Duality II’, a six-track saga that’s like receiving a friendly punch from a velvet-gloved fist. Right out of the arctic chill, Alice Hartvig’s vocals are a beacon in the night, steering through stormy metal vortices with Johan Karlsson and Urban Granbacke’s dual guitar hurricanes.

The EP starts off running—no warm-up needed—and oh, does it soar! It’s anthemic; it’s like if Rebellion had a voice and could belt high Cs. These tracks aren’t just catchy, they’re your new guilty pleasure sing-alongs that your neighbours might file complaints about for all the right reasons.

We Are To Blame sprinkle this brief but mighty collection with rhythmic variety like chefs who’ve just discovered the spice rack. Prepare to be grilled by those power-packed punchy riffs served alongside melodic, saucy solos that can make even the most nonchalant foot tap.

"Duality II”: We Are To Blame's Melodic Metal Mayhem
“Duality II”: We Are To Blame’s Melodic Metal Mayhem

From galloping power metal grounds to intricate weaves of progressive metal – with a side order of melodic death metal sauce – these tunes melt into one another like constellations in an ever-expanding sonic universe. Each track is tempered by production that swaddles these fierce lullabies while keeping every snarl and shred crisp enough to cut through ice.

A second serving after their acclaimed ‘Duality I,’ this sequel shows no signs of a sophomore slump. When they say “we are to blame,” take it as more of an insistent recommendation than an admission. Because when you find yourself humming these melodies in inappropriate settings—remember where you heard them first. Cheers to being delightfully responsible for spreading an infectious bout of headbanging splendour!

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Supported by Musosoup #SustainableCurator

“One Wish For Christmas” by Limahl: A Velvet-Laced Winter Warmth

“One Wish For Christmas" by Limahl: A Velvet-Laced Winter Warmth
“One Wish For Christmas" by Limahl: A Velvet-Laced Winter Warmth

Limahl’s velvet-laced voice in “One Wish For Christmas” feels like the first warm sip of cocoa after coming in from a wintry chill. It’s more than just a single; it embodies that intimate moment when you find comfort amidst the cold.

As an adaptation, Limahl artfully recrafts “London for Christmas” into something deeply resonant for our current times. The song trades bustling yuletide excitement for heartfelt reflection, courtesy of a holiday season spent in the shadow of global solitude. There’s an ache to it – but it’s beautifully wrapped in hope and soft strings.

“One Wish For Christmas" by Limahl: A Velvet-Laced Winter Warmth
“One Wish For Christmas” by Limahl: A Velvet-Laced Winter Warmth

The melody itself is light, with electronic whispers carrying us back to less complicated Christmases without ever feeling lost in nostalgia. It straddles eras seamlessly: modern yet timeless, as though inviting Bing Crosby over for a 21st-century toast.

We’re spared vocal theatrics – Limahl knows better. His performance here is all about connection, tying together ribbons of past joy and future wishes with every note sung straight from the soul.

Lyrically? It dodges cliché neatly, planting poignant contemplations amidst its jingle-a-long optimism—echoing heartfelt sentiments that have come to define recent times while slotting perfectly beneath your favorite twinkling lights display.

In essence—my music-loving friends—”One Wish For Christmas” isn’t groundbreaking; instead, it’s grounding—a necessary reminder of traditions we hold dear. Through this piece, Limahl doesn’t just sing; he narrates our collective longing paired so well with genuine festivity spirit… much like those fuzzy reindeer socks hidden at the bottom drawer—it brings snug familiarity when we need it most.

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Unraveling the Soulful Threads of Chantal Celine’s “Sad, but Not Really”

Unraveling the Soulful Threads of Chantal Celine's “Sad, but Not Really”
Unraveling the Soulful Threads of Chantal Celine's “Sad, but Not Really”

Immerse yourself in the hauntingly serene world of Chantal Celine’s latest EP, “Sad, but Not Really.” This six-track vessel carries us gently down a river of indie-folk reverie where melancholy waltzes gracefully with hope. Chantal’s vocals are indeed the shining beacon here—a lighthouse guiding us through fog-laded emotional landscapes.

Each note feels like it was carefully plucked from her Canadian roots and nurtured in Gatineau’s hushed winter air. What truly sets this EP apart is how Chantal Celine does it all—her spirit weaves itself throughout her recordings as she writes, plays, and produces every delicate layer herself. It seems each song is a thread spun directly from her soul.

The vibe? Picture easing into your favorite armchair after a long day—the warmth of the room settling around you like an audible sigh; that’s “Sad, but Not Really,” comforting yet introspective. The production tucks recognizable indie sensibilities under its wing while introducing novel, airy soundscapes that flutter unexpectedly.

Unraveling the Soulful Threads of Chantal Celine's “Sad, but Not Really”
Unraveling the Soulful Threads of Chantal Celine’s “Sad, but Not Really”

Sure to be mentioned among the likes of Feist or Passenger for not only their folk foundation but also their ability to capture life’s bitter sweetness without veering into saccharinity (no sugar crash here).

Listening to Chantal Celine is less about hearing another person sing and more about eavesdropping on an intimate conversation with oneself—a personal showcase that seems almost wrong to witness yet too captivating to turn away from. So pull up a chair beside me; let’s talk until dawn about tracks that make us feel sad…but not really.

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A Divine Intersection – “Gospel for the Lost” by Ayrton Young

A Divine Intersection – “Gospel for the Lost” by Ayrton Young
A Divine Intersection – “Gospel for the Lost” by Ayrton Young

When Ayrton Young decided that his workouts needed a heady mix of beats and benedictions, he ended up creating an entire EP as sanctified as it is street-smart. “Gospel for the Lost” isn’t just music; it’s a celestial crossroads where gospel rap shakes hands with trap, each nodding respectfully to the other’s pulpit.

This 5-song sermon starts with an epic entrance, synthesizers swelling like church organs reimagined through a hip-hop lens. The feeling throughout is one of divine urgency—as if each verse could turn water into wine or at least convince you to try jogging on water. The production blends thumping bass lines with chanting echoes that wouldn’t feel out of place echoing off stained-glass windows—assuming those windows were overlooking graffiti-strewn alleys.

A Divine Intersection – “Gospel for the Lost” by Ayrton Young
A Divine Intersection – “Gospel for the Lost” by Ayrton Young

Ayrton doesn’t just spit bars; he crafts homilies, delivering them with an evangelist’s fervor wrapped in velvety vocal tones that beg you to testify—or at least nod your head emphatically. Through this reinvention of Church praise songs, we are invited to worship at the altar of authenticity and slick production values—the kind where choir robes might be swapped for bomber jackets without missing a beat.

If finding religion sounds daunting, fear not: whether you’re more about dropouts or Bible studies won’t matter when these tracks spin. “Gospel for the Lost” converts skeptics by marrying spiritual lyrics with earthly rhythms so seamlessly that you’ll forget they ever existed separately—a musical epiphany ready to bless your favorite playlist.

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“Forget You” by Avalon Stone: A Raw Grunge Breakup Anthem

"Forget You" by Avalon Stone: A Raw Grunge Breakup Anthem
"Forget You" by Avalon Stone: A Raw Grunge Breakup Anthem

Oh, Avalon Stone – you’ve just served us break-up coffee that’s bitter yet beautifully addictive. “Forget You,” a volcanic debut of raw grunge-infused alt-rock, crashes through our defences like heavy guitar riffs during a storm. The song is anthemic in its bones—a call to arms for the heartbroken—emboldened and rhythmic. It’s powered by relentless drums; the kind that stalks your pulse and dares it to race.

Now, cast your musical net back to the ’90s when flannel was more than a fashion statement—it was an emblem—this track would’ve shared tapestry space with the likes of Garbage or Hole. Stone’s female vocals don’t just climb; they ascend with grit and polished power, crackling through heartfelt lyrics etched from personal scars.

The overall production is a shadow dance between polish and fervor—the sound robust yet never overcooked. You can almost sense each strum and hit echoing in an oil-streaked garage as much as in high-end headphones.

"Forget You" by Avalon Stone: A Raw Grunge Breakup Anthem
“Forget You” by Avalon Stone: A Raw Grunge Breakup Anthem

To hear “Forget You” is to be swallowed by the eye of emotional upheaval while climbing a crescendo-ridden wave cresting with catharsis and crashed hopes. Avalon Stone has articulated what many hearts try to express post-breakup—a sentiment that throbs universally potent as a diary entry penned in electric ink.

In short? Strap in, because this eddy of emotion may just resonate with you longer than any past lover’s echo could dare—and isn’t that just the sweetest revenge?

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Grant Brown’s “Low”: A Silky Serenade

Grant Brown's “Low”: A Silky Serenade
Grant Brown's “Low”: A Silky Serenade

Grant Brown’s debut single “Low” is a smooth-sailing vessel on the easy-listening seas, connecting the shores of country twang with the breezy whispers of pop. His silky male vocals float effortlessly above an undulating rhythm, lending authenticity to words that tug at heartstrings as though they were guitar strings in perfect tune.

Jacob Frish has woven production threads so fine that they capture every nuance of feeling while refusing to overpower Brown’s great voice—pitched perfectly between croon and confession. This ballad takes you by the hand into a waltz of new romance; it’s like being hugged by a sunset: warm, comforting, full circle.

Grant Brown's “Low”: A Silky Serenade
Grant Brown’s “Low”: A Silky Serenade

The songcraft demonstrates a matadorian elegance—it’s all about tension and release. As we follow Grant’s melodic narrative through its gentle ascension, there is this anticipatory breath-holding until we’re met with swells of ambient beauty—the auditory equivalent of cresting waves under starlight before everything settles back into an acoustic embrace.

Brown doesn’t just sing “Low”; he delivers each note wrapped in velvet—a showcase for relaxation that might well turn your living room into the most intimate porch under twilight skies. Pop enough to be catchy yet soulful enough to linger after the final chord dies away, Grant Brown treads this path without misstep or pretense—it feels personal but universal—much like falling in love itself.

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Stripped-Down Truths: Scott Clay’s “Let It All Lay Bare”

Stripped-Down Truths: Scott Clay's “Let It All Lay Bare”
Stripped-Down Truths: Scott Clay's “Let It All Lay Bare”

Scott Clay’s fifth studio album, “Let It All Lay Bare,” might just be the heart-to-paper translation we didn’t realize we were yearning for. This Nashville-based singer-songwriter pulls at the guitar strings like he’s tugging on your soul, intertwining rock with folk sensibilities to create a soundscape as varied and dramatic as the themes he explores.

Throughout its ten tracks, Clay’s gravelly male vocals serve as your guide across sonic plains where significant relationships bloom and wilt under his melodic scrutiny. His voice is an earthy wind that carries you over fields of natural beauty — it’s less about hitting those perfectly polished notes and more about cracking open raw emotion from within.

The production values harmonize with Clay’s organic approach; there are no synthetic frills here, but instead a rich authenticity in the strumming patterns and backing instrumentation that feels both rootsy and superbly defined. Think Johnny Cash meets early Bon Iver, but dressed in contemporary threads.

Stripped-Down Truths: Scott Clay's “Let It All Lay Bare”
Stripped-Down Truths: Scott Clay’s “Let It All Lay Bare”

Listening to this album isn’t merely an auditory experience—it crafts narratives around iconic historical moments with such zest that you can almost visualize time folding into melody. You ride along on robust choruses that soar high enough to touch history itself before descending into intimate verses where every word quivers with sincerity.

“Let It All Lay Bare” reveals Scott Clay not only as a songwriter or musician – but also as a masterful storyteller who can adorn each note with human experience’s deepest shades. Come for the rock-folk fusion; stay for the journey through life’s trials which proves music truly can wear its heart on its sleeve—or better yet, let everything lay bare just like Scott intended.

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Summer Vibes: Iris Blue Drops “Evergreen”

Summer Vibes: Iris Blue Drops “Evergreen”
Summer Vibes: Iris Blue Drops “Evergreen”

“Evergreen,” by the Windy City’s own Iris Blue, is a track that sizzles with summertime fervor while artfully weaving in strands of introspection amidst its sunny disposition. From the first catchy riff, it feels like you’ve been scooped up and plopped down at an offbeat beach party where everyone is just too cool for school.

Vocally, our enigmatic lead singer serves up spoonfuls of charm with a dash of gritty vulnerability that seem to embody the essence of hipster-chic meets indie-rock nonchalance – think vibrant shades on an overcast day. As his voice dances upon waves of upbeat instrumentation, there’s this sense of holding back; each line delivered comes across as cautiously optimistic, though undeniably infectious.

Instrumentally speaking, “Evergreen” has all the makings of your next earworm; those guitar licks hit every emotional string like they’re trying to win something at a county fair game booth—and sometimes they do. Meanwhile, drums? Tasty doesn’t even begin to cover it! They pop and sizzle beneath fingers and sticks as if each beat intends to start its very own summer fling.

Summer Vibes: Iris Blue Drops “Evergreen”
Summer Vibes: Iris Blue Drops “Evergreen”

Speaking purely from production value—it’s crispier than freshly fried bacon at Sunday brunch. The balance found here strikes between raw energy and polished soundscaping. While wrapped in modernity, there’s also this retro vibe that conjures nostalgia without outright copying past eras’ homework—an auditory magic trick only few can pull off so deftly.

Yet within these bursts of sun-kissed choruses lies murky lyrical depth—a pool reflecting images both familiar and strange—of hesitant conversations under vivid skies casting shadows on half-heartedly nursing drinks brushing against bold hues warning signs dressed in disguise as festive garb.

Amidst those charged riffs lie complexities that invite listeners not just onto the dance floor but into contemplation’s quiet corner where feeling becomes thinking—where emotion wrestles cognition into submission or maybe alliance—who knows? That ambiguity makes “Evergreen” relishable repeat button fodder leaving us suspended somewhere between ‘just one more time’ and existential musings about what we say when we’re saying nothing at all.

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Love Ghost Features Camidoh And Dj Switch On Mind Blowing Singe ‘Dopeman’

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Love Ghost

I am an avid fan of Love Ghost, and the consistency and dedication to their music is something that cannot be taken away from them, this is one of the hardworking bands out there

Love Ghost is a band from Los Angeles and this time they have teamed up with Camidoh and DJ Switch from Ghana to create a song that has a different music styles a musical fusion. It’s something special, bringing together the energy of alternative rock with the catchy beats of Afrobeat.

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Camidoh brings in this cool Ghanaian style that feels both new and familiar, while Love Ghost’s lead singer, Finnegan Bell, adds dreamy vocals that fit perfectly.

Camidoh brings in this cool Ghanaian style that feels both new and familiar, while Love Ghost’s lead singer, Finnegan Bell, adds dreamy vocals that fit perfectly. “Dopeman,” is a real game-changer this is because the beats in the song is catchy and cool, and you can count on DJ Switch, she really did an awesome job with the music, using lots of different sounds that all mix together in a really wild way.

Love Ghost ft dj switch and camidoh out with Dopeman ,Love Ghost ft dj switch and camidoh releases Dopeman ,Love Ghost ft dj switch and camidoh with Dopeman ,Love Ghost ft dj switch and camidoh drops Dopeman ,Dopeman by Love Ghost ft dj switch and camidoh,Dopeman from Love Ghost ft dj switch and camidoh,Love Ghost ft dj switch and camidoh,Dopeman ,Love Ghost ft dj switch and camidoh Dopeman ,Dopeman Love Ghost ft dj switch and camidoh
Love Ghost And Dj Switch

When they all come together, the synergy created is wild, just like a rollercoaster going from groovy moments to dreamy ones, yet it keeps you hooked from start to finish.

“Dopeman” is a unique musical journey that’ll stick with you. Love Ghost keeps proving they’re not afraid to try new things, and this song is a great example of that. Give it a listen; it’s an exciting ride from beginning to end!

Watch Dopeman below

 

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Eleanor Hammonds Heals All ‘Hidden Wounds’

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Eleanor Hammonds Heals All 'Hidden Wounds'

Eleanor Hammond began her musical career at a very early stage of her life. As young as 11, she was already singing and playing some musical instruments, such as the guitar and piano, this helped in polishisg her craft to near perfection, and between the ages of 14- 22 was featured in two theatrical productions.

To Eleanor, music is a major way to express emotions, and this can clearly be seen in her songs. With each song she writes, you can tell she put in lots of work in the composition, and her latest single, Hidden Wounds, is the perfect proof.

When asked about the main inspiration behind her latest single, this is what she had to say.

“I wrote Hidden Wounds for anyone struggling secretly alone with their mental health, wishing I could offer them a magical cure. I also wanted to make it so you could dance along to the isolating experience of depression, as the relationship is not always just dark and somber all the time.”

We all face some emotional battles one way or the other and what we need is something to keep going, Hidden Wounds has the perfect message, the song begins on a gentle note, which grasps your attention and glues you to the sound, yet as you get comfortable with the song, the tempo switches with heavy kicks that leaves a lasting impression on you.

Listen to Hidden Wounds below

 

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Listen To Petra Jasmiina’s As She Shares Her Bitter Sweet Feelings On “Summer Dress”

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Listen To Petra Jasmiina's As She Shares Her Bitter Sweet Feelings On "Summer Dress"

From the moment you press play you are greeted by the lush vocals of Petra Jasmiina on her latest Summer Dress where she did everything herself from scratch to finish and I must say I am really impressed with the outcome a perfect fit for an artist her caliber.

In Summer Dress, Jasmiina’s voice is the light, the acoustic instrumentation is the dark but Bold beats lurk in the background,however, the pure emotions oozing from the song can be felt with each note she sings.

It’s not just about listening; it’s about feelingᅳas if each lyric and note are paintings on a canvas. Petra Jasmiina realized her passion for music early in life, singer-songwriter and producer Petra Jasmiina was writing lyrics as a 9-year-old.

Isn’t it strange? Although she was born in Finland she started writing English poems right from the start. Fast forward to when she was in her mid-twenties, that was when she kickstarted her musical career in NYC. She lived in many different countries, but it was in the indie music scene of NYC where she became known as a unique voice among many artists.

Summer Dress is a bitter-sweet song that pulls at your heartstring and stealing ypur attention and before you realize you end up putting it on repeat. The instrumentation is nostalgic which gives the song its eerie feel to help express the emotions of the singer

Listen to Summer Dress below

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Rosina Buck Pours Heart Into Latest Single ‘Like A Lion’

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Rosina Buck Pours Heart Into Latest Single 'Like A Lion'

With about 20 years of experience up her sleeves, it is no surprise to hear Rosina Buck release a song that is soulful and yet has the power to alter your emotions. You can tell “Like A Lion” was sung from the bottom of her heart.

It is a surprise to know Rosina had been sitting on this song for about 6 years , although that is a long to record a song, we would agree it came out right. Listening to it you can tell this is more than a mere song, this is a story of love, heartbreak, broken relationship and hurt.

Something that makes this song stand out is the honesty and passion with which she sung the songs, the lyrics are pure and depicts the poignant chronicle of Rosina’s journey through the final days of a relationship.

“My soul has traversed the winding paths of self-discovery, navigated the chaos of addiction and emerging with the light of radical self-love. I have walked the path of sobriety for four years, and with this release, I am ready to share my story.”

According to Rosina Buck, this is the main inspiration behind the composition of Like A Lion. The instrumentation perfectly complements her voice, just a few notes which allows the listener to hear the lyrics and ponder on them—something that is not crowded with different instruments.

Although the lyrics were penned by Rosina Buck, they resonate with the listener giving a feel of the emotions being poured into the song.

Listen to Like A Lion below

 

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Exploring Shadows and Light with Andrei Irimia’s “Necessary Evil”

Exploring Shadows and Light with Andrei Irimia's "Necessary Evil"
Exploring Shadows and Light with Andrei Irimia's "Necessary Evil"

When Andrei Irimia takes to the helm of a piece like “Necessary Evil”, you might fancy yourself a wanderer in an acoustic labyrinth; each turn, a note that beckons with both promise and poignant hesitation. As the prelude to his forthcoming album, this instrumental single carves out space for itself by folding classical grandeur into cinematic scope—a melding of epic intention with an undercurrent of something darkly enchanting.

The opening bars trickle in gently with piano keys that could easily be raindrops on the windowpane of some late-autumn evening—introspective and meditative. It’s as if time slows just enough for listeners to become cognizant of its dual essence: obstacle and vessel for our becoming. The piano lays down the fabric upon which richer tones are soon threaded—the melodious interplay between violin and cello blooms, articulating what feels like destiny entwined in notes.

To call it ‘relaxing’ may well oversimplify the emotional cartography “Necessary Evil” charts out through its moody progression. There’s relaxation there, sure, but accompanied by tension—as though reminding us that repose is often hard-won.

Consider moments when violins reach crescendos so profound they resonate within you long after they decline; think about how cellos assert their voice—sturdy yet soulful—casting shadows where light otherwise floods. This dynamic speaks volumes without uttering a word.

Production-wise, there’s precision balanced by raw feeling—the studio here acts not as cage but as crucible from which purity emerges. Each string seems plucked at precisely the right moment—not too rushed to clutter emotion nor too hesitant to lose impact.

Exploring Shadows and Light with Andrei Irimia's "Necessary Evil"
Exploring Shadows and Light with Andrei Irimia’s “Necessary Evil”

Finding parallels? For those acquainted with Netflix’s “Wednesday” series, picture her angst-laden elegance enmeshed within this song’s tapestry—an auditory cousin perhaps to the cello cover of ‘Paint it Black’. Yet while connections abound, nothing here is derivative; every homage feels more nod than mimicry.

“Necessary Evil”, thus spins a yarn seemingly conventional but fraught with unexpected turns. The quietude following swiftly behind seems less silence than breath drawn deep before life leaps forward once more—a necessary evil indeed.

Whether heard through headphones during one’s daily commute or echoed throughout dim-lit chambers at dusk’s hour—”Necessary Evil” offers sanctuary amid chaos sans ever demanding reason why we seek it in the first place.

Waiting expectantly for what follows from Irimia is now akin to awaiting sunrise straddling night—it promises illumination bound up in mystery equally intense_and_intimately personal.

After all isn’t every listening encounter partly about peeking within ourselves? If so—and trust me on this—”Necessary Evil” mirrors back complexities wondrously diverse amidst harmonies profoundly singular. Now press play… allow your own narrative amidst these chords unfurl!

Follow Andrei on Website, YouTube, Instagram and Spotify.

 

Supported by Musosoup #SustainableCurator

Chill City: “London Summer Loving” by The Wise Bloods

Chill City: “London Summer Loving” by The Wise Bloods
Chill City: “London Summer Loving” by The Wise Bloods

The Wise Bloods are back with the sun-soaked riddim of “London Summer Loving,” immersing us in a paradoxical blend of chilled-out vibes and poignant urban tales. Now imagine kicking off your shoes after a day’s hustle, closing your eyes to this tune – feels like an unexpected summer breeze drifting through London’s cobblestone alleys, doesn’t it?

Striking that delicate balance between easy listening and deep thematic grooves, these masters of modern reggae fuse mellow beats with sharp social lenses. It’s as if Bob Marley took a stroll through Brixton Market; the track is super catchy without sacrificing substance. From their new project “Eye Out For The Devil,” this third single paints inner-city strokes on a canvas traditionally reserved for sunnier shores.

Chill City: “London Summer Loving” by The Wise Bloods
Chill City: “London Summer Loving” by The Wise Bloods

The production here is cleaner than my nan’s Sunday silverware yet retains all the warmth you’d expect from homegrown Roots — it has that unique ‘just-right’ toastiness. Each instrument plays ally to the vocals; they’re neither overshadowed nor overpowering – talk about synergy!

Vocally? Spot-on! Imbued with authenticity, each note carries weight while dancing nimbly atop vibrant melodies—a street poet’s grace wrapped in harmonies.

“London Summer Loving” isn’t just another tune; it cradles multicultural symphonies amid stark reality checks. Like sipping iced tea at a Notting Hill carnival – refreshing but real – nestled vigorously within deep roots tender enough for any playlist aimed at serious unwinding or contemplation beneath swaying trees—urban canopies showing off their own kind of stars.

So pull up that lawn chair and let The Wise Bloods light up your evening sky—urban summer never sounded so invitingly complex.

Follow The Wise Bloods on Website, Facebook, Instagram, SongKick and TikTok.

 

Supported by Musosoup #SustainableCurator