November 13, 2023

Parasocial Security out with Parasocial Security Album,Parasocial Security releases Parasocial Security Album,Parasocial Security with Parasocial Security Album,Parasocial Security drops Parasocial Security Album,Parasocial Security Album by Parasocial Security ,Parasocial Security Album from Parasocial Security ,Parasocial Security ,Parasocial Security Album,Parasocial Security Parasocial Security Album,Parasocial Security Album Parasocial Security — Jersey Calling Laments On The Parasocial Security Of Modern Day

When it comes to the source of inspiration for musical artists it differs, yet to think Josh, a 41-year-old songwriter, guitarist, and lead vocalist for Jersey Calling would write music from angst is something we least expect. He revealed this in a recent interview with Mister Styx of Musicarenagh, where he shared parts of him and also some of the challenges he and the band have faced.

When asked about what really inspires him to write, this is what he had to say

“Anger is usually what motivates me to write. Also, self-doubt, sadness, and frustration with something about society at large. I’m kinda angsty for a 41-year-old guy, lol. “

Although this is true, Twisted Paradigm, which is the fourth song on their latest Parasocial Security album, has a nostalgic feel. This is perfect proof of the versatility Jersey Calling. Their song has the ability to alter your emotions. Parasocial Security has a total of songs and is heavily centered on post-punk.

According to the band, there were two reasons why they chose Parasocial Security as the title of their album.

“We chose Parasocial Security as the album title for two reasons: it is a play on “social security,” which seemed a good follow-up to our last album title of “Punk Rock Retirement,” and it’s a commentary on the parasocial relationships that have become a mainstay of modern society, including those we have with musicians on social media, whose lives are much more curated and public now. It’s not enough to just make music anymore, you need to have constant content.”

What really caught my attention of the artwork for the album, I would leave that to you to access it yourself.

Listen to Parasocial Security below

Follow Jersey Calling on

What is your stage name

Jersey Calling

Is there a story behind your stage name?

Sean (lead guitarist) and I (Josh, vocals/guitar) were originally in a band called Burn Kate that broke up. We were on a big kick of listening to The Clash at the time, and we thought Jersey Calling would be a cool homage to their album London Calling.

Where do you find inspiration?

Bad Religion, NOFX, Green Day, Paramore, Midtown, Against Me!, and then our own experiences in our lives inform our lyrics.

What was the role of music in the early years of your life?

I grew up listening to punk all through high school, and I remember seeing my first local show with a band called Sexy Chocolate – guys I knew and hung out with – and it had never occurred to me that guys like me could play music too. So the local scene in my area gave me the confidence I needed to start my own band. It looked like so much fun!

Are you from a musical or artistic family?

My mother painted, and my dad does theater, so I grew up with an appreciation for the arts.

Who inspired you to be a part of the music industry?

I love playing music, all of us do, and the dream would be able to do this and have it actually pay the bills. We aren’t there yet, lol.

How did you learn to sing/write/to play?

Sean (lead guitarist) taught me the basic chords on guitar. As far as singing, I always sang growing up, and it was just something that I did because we didn’t have someone else designated for that role. Now, Victoria is a different story. She can actually sing, and now she’s in the band AND I married her, so that’s awesome.

What was the first concert that you ever went to and who did you see perform?

Reel Big Fish, I was in high school and ska was my entryway into punk music. I still love ska.

How could you describe your music?

I often describe it to people as what punk sounded like in the 90s. 90s retro punk has been my go-to for describing our genre.

Describe your creative process.

Totally different for each song. Some start with lyrics, some with music, and some with just a title. I started writing Gods & Cowboys with Victoria because I heard someone in a YouTube video describe the United States as “the land of gods and cowboys.”

What is your main inspiration?

Anger is usually what motivates me to write. Also, self-doubt, sadness, and frustration with something about society at large. I’m kinda angsty for a 41 year old guy, lol.

What musician do you admire most and why?

I think Laura Jane Grace from Against Me!, Frank Turner, and Fat Mike from NOFX are my three favorite songwriters.

Did your style evolve since the beginning of your career?

We’ve always been a punk band, but I like to think that our songwriting had matured a bit. Some of my lyrics from 20 years ago make me cringe, but that probably means I’m growing.

Who do you see as your main competitor?

I prefer cooperation to competition.

What are your interests outside of music?

I took up skateboarding last year (at 40), and I’m totally addicted to it. I absolutely love it.

If it wasn’t a music career, what would you be doing?

None of us do this as our career (yet?) Sean works for a non-profit food distributor, Randy’s a firefighter, John owns a restaurant, Victoria works in the justice system, and I’m a teacher.

What is the biggest problem you have encountered in the journey of music?

It’s tough to make the time necessary to do what we love, because we all have jobs, families, and social lives. But we do it as often as we can, because it’s important to us. Music has helped me process some really difficult times in my life, and I think I can say the same for the rest of the band members too. Randy fell off a roof while he was on a job as a firefighter back in February and was in a wheelchair for months.

He still hasn’t returned to work, and he said to us that music helps him through that. His story blew up and he talked about the band so much in his news interviews that Live Nation offered us an opening spot on the Adjacent Festival with Blink-182 and Paramore back in May of this year. So music ended up giving him (and us) one of the best days of our lives.

If you could change one thing in the music industry, what would it be?

There’s a lot of homogenization in the industry. There isn’t a lot of different genres on the top charts these days. It’s almost all pop or rap, which aren’t bad types of music, but it leaves me wanting more variety.

Why did you choose this as the title of this project?

We chose Parasocial Security as the album title for two reasons: it is a play on “social security,” which seemed a good follow-up to our last album title of “Punk Rock Retirement,” and it’s a commentary on the parasocial relationships that have become a mainstay of modern society, including those we have with musicians on social media, whose lives are much more curated and public now. It’s not enough to just make music anymore, you need to have constant content.

What are your plans for the coming months?

We have a couple music videos in the works, and we have a bunch of shows coming up. Follow us on Instagram jerseycalling to see where we’re playing next!

Do you have any artistic collaboration plans?

Not at the moment, but we’d certainly be open to the idea.

What message would you like to give to your fans?

Thank you for continuing to listen, coming to our shows, and hanging out with us. We have some fans that go back over 20 years, and it’s been really cool growing up with them.

“Mind Running Wild”: Indie Rock That Heals with Chloe & the Brainwaves

Music

Chris The Blogger

November 13, 2023

“Mind Running Wild”: Indie Rock That Heals with Chloe & the Brainwaves

Diving into Chloe & the Brainwaves’ latest single, “Mind Running Wild,” is a bit like stumbling into an enchanted forest at the height of spring—it’s dark, yes, with its twisted roots and thick shadows mirroring a child’s trauma endured in silence—but look closer and you’ll see flecks of light dappling through. It’s this juxtaposition that Chloe harnesses in her haunting voyage through heartache towards healing.

The indie rock backbone gives us that familiar comfort—a rhythm that has our feet tapping almost instinctively—while those silky female vocals thread through your soul like silver needles pulling along glinting threads of hope. Those catchphrases we all toss around—’super catchy,’ ‘earworm material’—they’re justified here more than ever as Chloe twists hooks into artful sculptures, making choruses you’ll hum long after the song ends.

Yet it’s not just about melodic pleasure; there’s poetry threaded within those notes. Each chord progression carries weight—the heaviness of past pains coupled with the lightness of newfound strength—and let me tell you, few artists can walk that line without tumbling into cliché pits or overwrought melodrama.

As for production? Spot on! With pristine clarity playing tag with raw edges enough to remind us this isn’t just studio polish but real human emotion poured out, spilled over six strings and microphone mesh.

“Mind Running Wild” might well be a diary page ripped out and set to music for others festering similar wounds—that emptiness and shame—to find solace within its sound waves. And in doing so it becomes less about what made us broken but rather what makes us defiantly dance amidst our ghosts. So go ahead: play it loud and let their spirits sway too because this track by Chloe & her gang is bound to resonate deep within any wild-running mind seeking some semblance of peace amidst life’s dissonant chords.

Follow Chloe & the Brainwaves on Facebook, Twitter, YouTube, Instagram and TikTok.

Supported by Musosoup #SustainableCurator

“Better Guy”: A Synth Duel From Ivon Roberts & O’Donoghue

Music

Chris The Blogger

November 13, 2023

“Better Guy”: A Synth Duel From Ivon Roberts & O'Donoghue

Dive into Cian O’Donoghue & Ivon Roberts’ collaborative track “Better Guy,” and you’re hit with a synth-pop concoction so upbeat it practically struts. Picture this: two friends, sidled up to the bar, not-so-covertly battling wits in an ego-fueled duel for romantic attention. But here’s the twist – they seem less entranced by the girl they vie for and more seduced by their own bravado.

The dual vocals groove through lyrics loaded with swaggering humor that dance atop a sonic backdrop big enough to get lost in; think neon lights flickering against chrome-laden 80s bars. Their voices juxtapose adeptly – where Cian delivers a rhythmic sophistication in his fluid tenor, Ivon flirts with chaos yet somehow remains arrestingly melodic.

What truly gives “Better Guy” its edge is how these artists meld distinct musical personalities —Cian’s polished synths collide with Ivon’s love affair with disorder—creating sparks of indie pop magic that resonate as much on dance floors as they do through car speakers on night drives.

From production to vocal performance, there’s an airiness despite the satire—a wink within each beat—that says we shouldn’t take life too seriously. Those who appreciate Phoenix’s modern gloss or Passion Pit’s anthemic choruses will find themselves at home here.

So whether you’re out-doing mates at your local or just needing that sunroof-down anthem as winter fades away – slip on “Better Guy.” O’Donoghue & Roberts may just be competing for your best summer soundtrack slot… and let’s just say things are heating up!

Follow Ivon Roberts on YouTube and Instagram.

Supported by Musosoup #SustainableCurator

“Atlas” Review: McKnzi’s Moonlit Melodies

Music

Chris The Blogger

November 13, 2023

“Atlas” Review: McKnzi's Moonlit Melodies

Imagine wandering through a moonlit forest, the crunch of leaves underfoot and a whispering melody cutting through the night air. That’s the realm you enter with Matt McKnzi’s latest single “Atlas,” an inviting blend of chill vibes that pays homage to ancient lore while echoing modern sentiments.

McKnzi crafts his own niche within the alternative R&B scene with this track, fusing soulful undertones and hip-hop beats that cradle each lyric in their rhythmic embrace. His vocals seem to hover above the music—ethereal and haunting—with a contemporary edge one might expect from The Weeknd or Frank Ocean after they’ve skimmed through Greek mythology.

“Atlas” is where indie artistry kisses dark pop elements, creating shivers down your spine without scaring off your calm. Laid-back yet layered—the production teeters on minimalist brilliance; synths undulate like waves against an electronic shore as McKnzi’s voice acts like a beacon guiding listeners through emotional seas.

And let me tell you—if feeling had a sound, it would be this track humming in your ears after just having said goodbye to someone who pulled at your heartstrings but didn’t stay long enough for tea.

Expectations now hum around what treasures will follow in McKnzi’s upcoming debut EP “Ghost.” If “Atlas” is an indication—prepare for more audio excursions bound by introspection and wrapped in silk-smooth sounds. Here’s raising our glasses (or headphones!) to musical cartography courtesy of Matt McKnzi—who knew tracing emotional landscapes would resonate so deeply?

Follow McKnzi on Website, Twitter, YouTube, Instagram and TikTok.

Supported by Musosoup #SustainableCurator

Soul Embrace: Unwrapping Heleenyum’s “SYMPHONY OF <3”

Music

Chris The Blogger

November 13, 2023

Soul Embrace: Unwrapping Heleenyum's “SYMPHONY OF <3”

In the cosmos of contemporary music, “SYMPHONY OF <3” by Heleenyum twinkles with a rare luster that demands attention. This Estonian R&B/Soul artist has weaved an audial tapestry so plush it’s like sinking into your favorite armchair – assuming your chair vibrates with deep bass and is draped in ethereal harmonies.

Her silky vocals bind this piece together, fluttering effortlessly between registers in a performance both confident and sensuous. As if she knows just how to stroke the strings of your soul, Heleenyum’s voice carries you aloft on a cloud of soothing synths that brings about this exquisite sense of falling… but without ever needing the ground to rush up at you.

The production quality serves as the golden thread through it all; remarkably crisp yet never underplaying its warm analog heart. You’re not merely listening; you’re partaking in what feels like an intimate serenade dedicated to pleasure itself.

Listen closely and there’s something quite celestial about it—giving Aphrodite a run for her money while also tipping its hat to neo-soul greats who laid down these velvety tracks before her.

If “SYMPHONY OF <3” were to be served at dinner parties, it would unquestionably be paired with decadent desserts—a sonic treat laden with flavors so rich each note seems dipped in auditory chocolate. Scoff one might at such sweetness—and certainly indulgence isn’t for everyone—but pluck out any guilt and instead savor Heleenyum’s confectionery concoction of sound that’s as heady as love first blooming.

In short? It wraps around you like satin sheets: utterly luxurious, deeply comforting, but I’ll bet even Momma Nature nods along when those sleek vibrations turn air into pure vibe territory. A single play may well leave listeners craving another dive back into this alternate universe—another fall through boundless bliss where each rise feels tantalizingly inevitable.

Follow Heleenyum on Intsgram and Facebook.

Supported by Musosoup #SustainableCurator

Join Us As we Dissect The Life Of Ozzient

Interviews

Mister Styx

November 11, 2023

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Do you ever reminisce about that special person you thought was going to be with you forever, how do you feel when you think about that person? Does it bring back good memories or bad memories, how does it make you feel, these are the feelings that oozes out of Reminiscin’, the latest track from the camp of Ozzient.

He produced “Reminiscin”, and invited talented rappers to further bring out the theme of the song, and just as expected they delivered. But the centre of

Ozzient grew up in a musical home full of creatives and this has really helped in shaping his musical ear. During his childhood he was taught how to play the Güira, it is a percussion instrument from the Dominican Republic used as a percussion instrument, it is made of a metal sheet and played with a stiff brush.

But later along the line, he started to play the piano which was self-taught, although his mother plays the guitar, that wasn’t where his interest was. In a recent interview with Mister Styx of Musicarenagh, Ozzient shed more light on his upbringing and also touched on his musical journey and some of the challenges.

Listen to Reminiscin below

What is your stage name?
My stage name is Ozzient

Is there a story behind your stage name?
The story behind my stage name is that my friends in highschool used to call me Ozzie. I decided to add the “nt” at the end cause I feel like it adds a nice ring to it and also “ent” is kinda short for the word entertainment.

Where do you find inspiration?
I find inspiration everywhere I go.

What was the role of music in the early years of your life?
As a young kid I used to play the Güira (still do from time to time), I play the piano & I also beatbox as well.

Are you from a musical or artistic family?
I’m from a musically talented family, my brother taught me how to play the Güira, I always had an interest in playing the piano, & my mom loves to play the guitar.

Who inspired you to be a part of the music industry?
The person who inspired me to be part of the music industry has always been my brother that knows how to dance, sing, and play the güira because he’s very versatile and always told me to never give up.

How did you learn to sing/write/to play?
I learned to play the piano by ear, and by looking at YouTube videos. My brother taught me how to play the güira. And beatboxing just naturally came to me.

What was the first concert that you ever went to and who did you see perform?
The first concert I went to was FLOSSTRADAMUS & Dillon Francis.

How could you describe your music?
The best way I can describe my music would be versatile, I like blending and mixing different elements of genres together.

Describe your creative process.
My creative process is to start off with the melody, then the chords, followed by the drums. I usually always start off with making the hook. Chorus first then work my way into making the verses of the tracks.

Ozzient Features Pronto Valid, Kay9 & Clarissa On Feelin’ A Vibe

What is your main inspiration?
My main inspirations are Eminem, DJ Khaled, Calvin Harris, & Mike Will Made-It. As to why is because I’d love to not only give back to my parents but also be able to be free and not worry about the money situation and of course I just love listening and making music in general.

What musician do you admire most and why?
The musician I admire most is Eminem because his music is always different as well as his flows, cadance, and delivery. He delves into different styles of music.

Did your style evolve since the beginning of your career?
I’d say that my style has evolved from the beginning.

Who do you see as your main competitor?
I don’t see anyone has my competitors, we’re all striving musicians, content creators and I think we should all be helping and supporting each other, that’s how we grow as a community. “Team work makes the dream work.”

What are your interests outside of music?
My interests outside music consists of making graphic designs, playing video games, playing soccer, baseball & watching movies.

If it wasn’t a music career, what would you be doing?
I honestly wouldn’t know what I would be doing if it wasn’t music. Music has always been my passion.

What is the biggest problem you have encountered in the journey of music?
The biggest problem I have encountered in the journey of music has been keeping up with promotion, networking, marketing, advertising & making more versatile types of content. It’s a learning process and I love it cause it build character as well as your own portfolio.

If you could change one thing in the music industry, what would it be?
If I could change one thing in the music industry I think it would be the lack of support that comes from other artists & the biases that come from the music industry itself.

Why did you choose this as the title of this project?
The reason why I chose this as the title of this project is because this song talks about reminiscing about that special someone, who you taught would be the one.

What are your plans for the coming months?
My plans for the coming months are to continue putting out content that I enjoy and hope that people also enjoy it.

Do you have any artistic collaboration plans?
My artistic collaboration plans are to help smaller artists get a bigger spotlight as well as also getting their visions brought to life and heard by others.

What message would you like to give to your fans?
The message that I would like to give to my fans would be to never give up on your dreams, stay true to yourself and keep working hard at it. Thank you for being supportive and for always being there!!

Livi Jacobs’ “Better That Way”: A Pop Heartache Anthem

Music

Chris The Blogger

November 9, 2023

Livi Jacobs' “Better That Way”: A Pop Heartache Anthem

Livi Jacobs’ “Better That Way” bursts through the musical foliage like a neon vine, unabashedly shining amidst the dark contours of pop’s dense forest. As her fifth single, it’s an adrenaline-pumped track that solidifies her as more than a blip on the radar; she’s a siren call to all ears craving that sweet spot between alternate pop and EDM zest.

From its onset, Jacob’s voice grabs hold—crystalline with an edge, as if each note is dipped in both honey and steel. Her 22-year-old vocal cords defy expectation, acutely embodying angst and bliss wrapped up in one sultry package. It’s this contrast that fuels “Better That Way,” painting audible pictures of heartache-laced independence.

The production is a polished playground for auditory exploration; distorted voices threaded among pristine beats invoke images of glimmering cityscapes at twilight—the end signalizing new beginnings. This isn’t just your run-of-the-mill dance track; it’s therapy you didn’t realize was set to music until your feet start moving on their own accord.

Florida might be known for the sun, but Jacobs crafts shade and light equally well within her soundscape—it shimmies confidently into territories where heady bass meets slick synth stabs produces something remarkably fresh yet nostalgically familiar. You can almost smell the heady combination of summer rain on hot pavement—a fitting tribute to ephemeral relationships crystallized by time’s relentless march forward.

“Better That Way” offers freedom ensconced for about two minutes—not only does it affirm Livi Jacobs’ rapid ascendance but resonates with anyone who ever whispered (or shouted) into the void: yes indeed, sometimes it truly is better that way. Relatable yet robust—Jacobs ensures we’re all rapidly becoming fans not by force but by pure sonic seduction.

Follow Livi Jacobs on Facebook, Twitter, YouTube and Instagram.

Synth and Sorrow: T-FINNY’s “Dancing in the Dark”

Music

Chris The Blogger

November 9, 2023

Synth and Sorrow: T-FINNY's “Dancing in the Dark”

T-FINNY’s latest track, “Dancing in the Dark,” is like stepping into a cozy yet sad dream. It mixes light, airy synth-pop with the moody vibes of dream pop to take us on a journey through the ups and downs of one-sided love—the kind that sticks with you long after night has fallen.

When T-FINNY sings, it feels close and personal but somehow far away at the same time. His voice takes us smoothly through the rough ride of heartache without stumbling. It’s really interesting how his singing can sound comforting one second and then echo with loneliness the next—it’s like he’s right there with you in your own moments of love pains.

The coolest part about this single is how it turns all that heartache and confusion into something totally mesmerizing. The music production here is magic; it makes synths buzz under your skin and beats match your own heartbeat—they know just when to amp up for big feelings or pull back for quiet reflection.

This song fits perfectly into that sweet spot between easy-going tunes you want to play over and over again, while also packing deep lyrics that are there—invisible but deeply felt—every time we hit play.

You might think comparing T-FINNY to those unforgettable classic love songs out there is too much for someone new on the scene…but honestly? This song has got a bit of their timeless charm! Imagine looking at faded old photos full of memories about what might have been—this track brings back those familiar pangs most everyone’s gone through at some point, only this time they’re wrapped up in beautiful words and melodies.

“Dancing in the Dark” isn’t just another song—it’s comfort food for anyone nursing bitter-sweet romantic wounds under starry skies. More than just hearing it, T-FINNY invites us to really sink our teeth into all these layers of feelings—the bittersweet leftovers from times when love doesn’t quite make it…and still seems to keep twirling around us unseen.

Follow T-FINNY Website, YouTube and Instagram.

Sak_Slick’s “Clean Slate”: A Gritty, Melodic Rebirth

Music

Chris The Blogger

November 9, 2023

Sak_Slick's “Clean Slate”: A Gritty, Melodic Rebirth

In the EP “Clean Slate,” musician Sak_Slick gives us a mix of thoughtful reflection and bold swagger. His voice grabs your attention in each of the seven unique tracks. This collection straddles two worlds; on one side, there’s openness and honesty, on the other, strong self-assurance – almost like taking a walk through tough city streets where his personal stories play out to edgy beats and straightforward lyrics that reach an emotional peak.

What really makes this EP stand out is how Sak_Slick not only sings but also crafts most of the music himself from his own creative space. His do-it-yourself style brings listeners up close and personal with every song – you feel as if you’re right there with him, hitting ‘play’ to capture all that emotional intensity.

These tunes are about starting afresh, sort of like watching someone rise brilliantly from their own ashes over and over again—and it’s clear Sak knows what he’s doing. His vocals have a gravel-like depth giving off sage vibes while still feeling relatable as they rack up life stories. He switches between quiet, introspective songs to ones filled with headstrong pride without missing a beat.

When it comes to sound quality – nothing’s been skipped over. Beats come down hard like snap decisions yet never take away from Sak himself; they seem perfectly timed too—like maybe they’re mirroring how he found balance within chaos?

We often think of artists like Kendrick Lamar or Kanye West when we talk about transformative rap music—but don’t underestimate Sak! He might just fly by them with real-deal flair—all while leaving little sparks behind for us to follow. In “Clean Slate,” he’s both an everyman and completely individual—a story set against background noise that clears our heads amidst chaos.

Though sometimes things might get rough around the edges—that happens when tackling inner battles—it doesn’t detract from his achievements: crafting intimate tell-alls laid over custom-made infectious tunes (that he put together himself!). And though these musical confessions may echo through ghostly corners of hip-hop halls long established…Sak fascinates us thoroughly with tales of change — so much so that we’re eager for another listen even before the last notes fade away.

Follow Sak_Slick on Website, Facebook, YouTube and Instagram.

Neon Dreams Awaken in Olya Polyakova’s New Hit “Love is Blue”

Music

Chris The Blogger

November 9, 2023

Neon Dreams Awaken in Olya Polyakova's New Hit "Love is Blue"

In the high-octane pop landscape, few collaborations spark a Technicolor blaze as vividly as Olya Polyakova partnering with Army of Lovers on their latest single “Love is Blue.” This track is an effervescent cocktail of 80s flair and modern Eurovision grandeur, brimming with enough epic euphoria to fuel dance parties across continents.

Polyakova’s crystalline vocals soar; she becomes this valkyrie leading us through glittering synth landscapes reminiscent of neon-streaked skies. The chorus—oh, that chorus! It’s like auditory honey: unmistakably catchy, drawing you into full-throated singalongs from the first listen. She channels energy and vulnerability in equal measure—a siren call weaving through driving beats that unify hearts under its spell.

The production work deserves kudos for it wraps nostalgia resplendently around contemporary sounds—a delicate balancing act worthy of a Cirque du Soleil trapeze artist. Love resonates here not just in theme but also through every synth stab and drum thump. Thematic layers peel away to reveal more than just an anthem for empowerment; there’s a profound plea for unity in times when division headlines our daily dirge.

It’s praiseworthy how “Love is Blue” manages to be larger-than-life yet intimate—an embrace felt all the more deeply because of the genuine feeling Polyakova infuses into her performance. The song wields infectious joy but doesn’t shy away from pulling at heartstrings with earnest poignancy.

Is it too early to deem this power-pop leviathan fit for festival stages worldwide? I think not. After all, isn’t love always better when painted blue—together among streams and torrents of echoing melodies? Get ready: “Exodus” promises journeys unknown, but if “Love Is Blue” marks its journey’s start—we’re strapping in willingly for one kaleidoscopic ride!

Follow Olya Polyakova on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Supported by Musosoup #SustainableCurator

Joonas Stirs Up Indie Waves with “Heavy Water”

Music

Chris The Blogger

November 9, 2023

Joonas Stirs Up Indie Waves with “Heavy Water”

Ah, “Heavy Water” – an indie-pop earworm by Joonas that hits harder than a double-shot espresso on Monday morning. As I dove into this pop/punk anthem, the irony wasn’t lost on me; despite its upbeat rhythms and soaring male vocals, this tune delves deep into the murky depths of love’s more toxic trenches.

Joonas channels his inner tightrope walker—born in Norway’s stoic landscapes and honed on London’s eclectic streets—to strike a curious balance. It’s no mean feat; our man here might just be the Houdini of music-making as he wrangles both mainstream allure and wonderfully bizarre elements with equal zeal.

Vocally? Pure dynamite! His voice croons with raw honesty—a testament to every heartbroken pub chant rising above clinking glasses as we sing-along to his intoxicating choruses. He delivers pure feeling—the kind that revs up your internal engine, hitting you right in the chest where past loves lay dormant.

Musically speaking, strap yourself in for roaring guitars thrashing against slick production—an audacious thunderclap reminding us all too well of love’s chaotic dance. Nothing about “Heavy Water” is lukewarm—it crashes through with a wave of energizing hooks yet harbors complexity akin to quantum theory as it reminds us how falling back for ‘that’ ex can be thrilling but treacherous.

It’s super catchy—yes—but boxing “Heavy Water” within those three words does it no justice. You’ll find yourself humming along before realizing you’re mentally crafting texts you swore never to send again.
Picture heavy water – dense & precarious – carried atop infectious beats and bright melodies…it’s that sticky-sweet delight wrapped in danger sign tape. In simpler terms: pack away those sappy ballads folks because Joonas is riding high-sea waves proving bleak subjects can rock hard without losing their depth or cool factor!

Bottom line? Spin it at your next soiree if torment was ever melodically delicious; chances are everyone will ask who serenaded them…right after they check their phones for old flame messages ditheringly drafted under “Heavy Water”’s influence!

Follow Joonas on YouTube, Instagram and TikTok.

Unleashing the Spirit: Caly Bevier’s Single “Demons”

Music

Chris The Blogger

November 9, 2023

Unleashing the Spirit: Caly Bevier's Single “Demons”

In the haunting echoes of Caly Bevier’s single “Demons,” there’s a clash between shadow and light that births a true musical enigma. The track, an anthemic journey through cathartic darkness, is wrapped in the shroud of alternative rock with nuances that ignite both soulful contemplation and energized revelation.

What strikes first about “Demons” are the fiercely visceral female vocals –think Florence Welch shaking hands with early days Alanis Morissette– whose sheer intensity seems to conjure strength from vulnerability. Her voice transports you across mountaintops under storm-tossed skies, daring lightning to strike all while whispering secrets meant only for your ears—empowering poetry indeed.

The production marries clarity with grit; it pours polished sound into raw emotion’s bottle like vintage wine aged in new oak barrels. It balloons during the crescendo where her echo lingers—an anthem calling forth warriors from within us during long insomniac nights spinning tales grandiose.

Underneath lies astute instrumentation—the guitar strums pulse with fervent life challenging percussive beats as if thunder were trying to keep pace with heartbeats. Sonically, we’re veiled in twilight: not quite sinking beneath waves yet drawn towards shadows’ embrace─we find a paradoxical peace there, grasping ‘power’ amidst our most tempestuous tango-turns with doom-laden worries.

But don’t let those earnest-moon moments spawn gravity that might hold you aground – revel instead in this battle-hymn that welds broken pieces back better’n new! Through all-encompassing waves of majestic-alt-rock gusto, Caly preaches a razor-sharp truth: demons aren’t sulking beasts lurking at the chamber’s canvas but relics craving conversation & co-authorship over your evolving epic tale… armor up listeners!

Step into “Demons” prepared for more than music—the resonance is heady alchemy turning sleepless night-thought cobwebs into death-defying silk bridges spanning chasms wide as dreams.

Follow Caly on Facebook, Twitter, YouTube, Instagram and TikTok.

Proklaim Has Revealed The ‘Theives’ In Plain Sight

Music

Mister Styx

November 9, 2023

RAP, Trap ,Rap/Hip hop, US RAP, CHRISTIAN, GOSPEL, HIP-HOP ,MALE VOCALS ,SUPER EDGY ,SUPER CATCHY, BOOM BAP ,HIP-HOP ,POLITICAL HIP-HOP ,RAP ,US RAP ,CHRISTIAN ,MALE VOCALS ,SUPER EDGY ,SUPER CATCHY ,ANTHEMIC, PROKLIAM, Thieves BY PROKLIAN, PROKLAIM LATEST SINGLE, Thieves EYEZ BY PROKLAIN, RAPPER Proklaim, Thieves, — Proklaim Has Revealed The 'Theives' In Plain Sight

Thieves is far different from the sounds of Proklaim, at this point we all admit he is a lyrical monster. Proklaim is a skilled rapper with a smooth flow. His poetic words put listeners in a trance, and his rhythmic delivery is captivating. His fiery hip-hop track “Thieves” is a prime example of his talent. Each verse is packed with rich meaning and flows seamlessly from start to finish. Trust me, time and time again I say Proklaim is an artist to look out for.

With each release, he reaffirms his status as a significant voice in the genre, unafraid to explore new sonic territories and engage in meaningful storytelling.

“I look around and see the world going crazy

Is it just me ?”

“All Eyez” by Proklaim Is A Visionary Blend of Hip-Hop and Enlightening Messages

With words like this, you can tell what is going on in the mind of Proklaim, one thing I like about his music is the fact that he talks about his surroundings and uses relatable lyrics to express himself. As Proklaim continues to explore the intersections of his diverse cultural influences and his sheer love for hip hop, it’s clear that his journey is one worth following.

Thieves is quite different from the regular Proklaim sound you are accustomed to, with this the lyrics are laid back and engaging.

Listen to Thieves below

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Seßler/Zeeb Releases A Stellar Record Titled ‘N.N’

Interviews

Mister Styx

November 8, 2023

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Thanks to the fast pace of technology, it is much easier to share your song with the rest of the world, but that comes with another problem, getting listeners to stream your music, considering the number of songs being released on a daily basis, it makes so much sense when Seßler/Zeeb states this is their major challenge.

Seßler/Zeeb is a two-man band hailing from Germany Comprising Kurt Seßler, the songwriter and singer, and Werner Zeeb, a multi-instrumentalist and producer, their stage name is a reflection of their true selves. This duo began their musical journey at the early stages of their life, this was triggered by the fascination for melodies and harmonies.

The duo has been working together since 2021 and has already released 14 amazing songs. Their new single “N.N.” is an instrumental track one of the incredible pieces Seßler/Zeeb has to offer.

Although both weren’t raised in a musical family, their love for music is unwavering and continues to play a major role in their life. While the music industry presents challenges in finding an audience, Seßler/Zeeb hopes for better recognition and compensation for independent artists.

This disclosure was made in a recent interview with Mister Styx of Musicarenagh, in the interview Seßler/Zeeb had more to share with their fans, and at the end of it all their message to their fans is cathartic and inspirational.

Listen to N.N below

Follow Seßler/Zeeb on

What is your stage name?

Our stage name is “Seßler/Zeeb”.

Is there a story behind your stage name?
These are our last names. Kurt Seßler: songwriter and singer
Werner Zeeb: multi-instrumentalist and producer.
We´re from the south of Germany.

Where do you find inspiration?
The inspiration is always there. You are influenced by everything that happens around you.
You are constantly flooded with sensory impressions.
Being able to process this creatively in music is like an outlet.

What was the role of music in the early years of your life?
For as long as we can remember, we have been fascinated by music.
So we started learning instruments at an early age and played in bands when we were young.

Are you from a musical or artistic family?
No, we are not.

Who inspired you to be a part of the music industry?
The inspiration came from within ourselves.
When we were teenagers and young adults, there was no digital music market.
That’s what appealed to me, these new possibilities.
So I had the idea of making an album with my songs.
I turned to Werner Zeeb – who I knew from school days – and so we’ve been working together since 2021. We´ve released 14 tracks so far.

How did you learn to sing/write/to play?
I’m not a professional singer, but since they’re my songs, I just sing the songs and the singing has been well received by critics so far.
Otherwise, we taught ourselves almost everything; you can also learn a lot by copying and then develop it further for yourself.

What was the first concert that you ever went to and who did you see perform?
I don’t remember exactly, I think the first concert I went to was by Barclay James Harvest.

How could you describe your music?
I would say we make rock and pop music with influences from other styles of music.
But we’re not tied to any genre, we do a lot of different things because we also have a very diverse taste in music.

Describe your creative process.
I usually play a harmony on the piano and a melody often comes to mind.
Once I have that, I start arranging and only then do I think about lyrics that could fit the character of the song.
But we also like to do instrumentals – like this song “N.N.”

What is your main inspiration?
The main inspiration is to simply be creative and make the music created available to anyone who is interested.

What musician do you admire most and why?
The band we have always admired the most are “The Beatles”.
This creativity was something completely new back then and had a lasting influence on modern music.

Did your style evolve since the beginning of your career?
We’ve actually always been very diverse in what we do musically, but you develop on your own if you stick with it.

Who do you see as your main competitor?
We don’t think in such categories. Ultimately, the listener decides what they like.

What are your interests outside of music?
Werner Zeeb is a very versatile artist and he also has other projects.
I, on the other hand, still love sports – watching it and being active myself.

If it wasn’t a music career, what would you be doing?
We only ever made music on the side and otherwise had normal jobs.
Werner Zeeb also produces for others, so he also has an income from it.

What is the biggest problem you have encountered in the journey of music?
It’s not easy to find an audience for your music.
It’s easy to post music on the big platforms, but finding listeners for it isn’t easy – given the mass of music that is released every day.

If you could change one thing in the music industry, what would it be?
Independent artists should be given more chances to be played on the major platforms and also be better compensated.

Why did you choose this as the title of this project?
“N.N.” (this single) is the abbreviation for “nomen nescio”.
This means: The name is not known. We found that very fitting in connection with this instrumental track.

What are your plans for the coming months?
We only make music as a hobby and that’s why we see it in a relaxed way.
We still have a few interesting songs in store and are now planning to start a new single.

Do you have any artistic collaboration plans?
No, there are no plans.

What message would you like to give to your fans?
No matter what, just stick with it and try to do well.

Here Is An Interview With Liam J Edwards As He Delves Into His Life

Music

Mister Styx

November 8, 2023

Liam J. Edwards out with Unnecessarily Complicated: The Epilogue ,Liam J. Edwards releases Unnecessarily Complicated: The Epilogue ,Liam J. Edwards with Unnecessarily Complicated: The Epilogue ,Liam J. Edwards drops Unnecessarily Complicated: The Epilogue ,Unnecessarily Complicated: The Epilogue by Liam J. Edwards ,Unnecessarily Complicated: The Epilogue from Liam J. Edwards ,Liam J. Edwards ,Unnecessarily Complicated: The Epilogue ,Liam J. Edwards Unnecessarily Complicated: The Epilogue ,Unnecessarily Complicated: The Epilogue Liam J. Edwards — Here Is An Interview With Liam J Edwards As He Delves Into His Life

Music has the power to alter the lives of people; it can change how they see things and even affect how they think, yet when it comes to Liam J. Edwards, not only did music help him, but it was the only thing that made him whole, it was comforting and soothing. In a recent interview with Mister Styx of Musicarenagh, Liam J. Edwards made some disclosures about his growing up, this is what he said:

“Music shaped who I was in the early years of my life. Growing up, I never fit in and struggled to make friends. When I felt lonely, I’d listen to music, sing, write and watch music videos and imagined doing that one day. It brought me massive comfort and hope even in my darkest of times, like when I came out. It was an extremely scary and painful experience, but music was there.”

More of such revelations were made during the interview, Liam revealed the first song he ever wrote was for a girl he had crush, this was when he was just 10 years old, but what really changed his life was when he took the time to reflect on his life, that was when the dream of songwriting was ignited.

His latest body of work Unnecessarily Complicated: The Epilogue is an EP with 5 songs on it, and this right here is a peek into his abilities. Following the success of ‘The Prologue’ in 2021, this new EP is a remarkable two-year labour of love, celebrating the strengths, triumphs, loves, and losses they’ve experienced on their journey as a young queer creative.

Listen to Unnecessarily Complicated: The Epilogue below

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What is your stage name
– My stage name is Liam J. Edwards

Is there a story behind your stage name?
– My real name is Liam McGlinchey, it’s an Irish surname. As proud as I am of my name and heritage I decided when it came to pronunciation, spelling etc a stage name was needed. I took my middle names John and Edward and made Liam J. Edwards. It’s a lot easier to spell but now everyone thinks I’m a Jedwards tribute act, out of the frying pan into the fire lol! I love my stage name and it’s always a fun joke to break the ice.

Where do you find inspiration?
– Everywhere. Inspiration is all around us we just have to feel it. If I had to narrow it down to one source, I would have to say experience. My experience navigating life as a young, queer and Welsh artist. From moving out, starting uni, making and losing friends, and all the emotions that come with trying to figure out what life is all about.

What was the role of music in the early years of your life?
– Music shaped who I was in the early years of my life. Growing up, I never fit in and struggled to make friends. When I felt lonely, I’d listen to music, sing, write and watch music videos and imagined doing that one day. It brought me massive comfort and hope even in my darkest of times, like when I came out. It was an extremely scary and painful experience, but music was there.

Are you from a musical or artistic family?
– I am blessed to come from an extremely musical and supportive family, but I owe my musicality entirely to my mam. She loved to play music from her youth around the house like Mamas and Papas, Aretha Franklin and ABBA. Not to mention, she worked hard and gave everything to make sure I could explore music.

Driving me back and forth to singing and flute lessons and concerts, attending all the good, bad (and atrocious) performances and supporting my decision to go to drama college. I will never be able to repay her for everything she’s done, and I am extremely grateful to have the family I have.

Who inspired you to be a part of the music industry?
There was no one defining person. But every time I’d go to a concert and see someone perform, it gave me an overwhelming sense of determination to one day get there myself.

How did you learn to sing/write/to play?

Like many of my fellow Welshies, I began performing in the Eisteddfod yr Urdd, a festival celebrating the Welsh culture in all its beautiful glory. Ever since that 5-year-old starting to sing, they were obsessed. At around 10, I discovered the beauty of songwriting and started from there.

Funnily enough, the first song I ever wrote was for a girl I ‘had a crush on’ (bless her). I wrote here and there but I really started taking it seriously over the pandemic when I and everyone else was forced to look inward and reflect. The minute things starting on track back to normality, I made it my mission to make music happen and here we are, grateful to the 5-year-old who dared to dream.

What was the first concert that you ever went to and who did you see perform

The first concert I ever attended was BBC Radio One’s ‘Biggest Weekend’ Festival in Swansea 2018. I got there at 7am and ran to the front when the gate opened. My eyes and ears were entranced by the array of music, visuals and performances from my all-time favorite artists like Taylor Swift, Sam Smith, Florence and the Machine and so many more. It was in that moment watching my idols when I knew, I had to be on that stage. Since then, I’ve made it my life goal to one day perform on the main stage of a BBC Big Weekend Stage, and every day I’m getting that little bit closer.

How could you describe your music?

Empowering. Unique. Unpredictable.

Describe your creative process.

The creative process for this EP was magical, the people I got to meet and work with that helped me find my sound and bring it all together made it the most fun I’ve ever had. It was also the hardest I’ve ever worked on a project but as much as it scared me, I knew that if I wanted to achieve what I wanted to I’d have to push myself further out of my comfort zone than ever before. Reaching out to PR companies, hiring graphic designers, choreographers, producers etc was nerve-wracking but looking back I’m so proud that I took that step to make the creative process behind this EP next level.

What is your main inspiration?

I’m so grateful to have grown up in a very musical household surrounded by so many incredible influences. The first artist who inspired me to write was Amy Winehouse, from 2011-15 all I ever listened to was her. The way she wrote, told her story, expressed herself was nothing short of monumental to me. I miss her every day and even though I will never get to thank her, the influence she had on myself and so many other artists will be forever. When I began writing pop music, some of my favourite artists and songwriters include Dua Lipa, Lady Gaga, Bebe Rexha and Rina Sawayama.

What musician do you admire most and why?
There are so many musicians that I admire, local and global. If I had to choose one that inspires me over all others it would have to be Dua Lipa. I’ve been such a massive fan of hers ever since she released ‘New Love’ back in 2016. The way she’s grown over time into the artist she is the most inspiring thing to me, and how she constructed the era that was ‘Future Nostalgia’ got me through some of the darkest times of my life. Her music, visuals and live performances are nothing short of iconic, one of the highlights of my young life was seeing her front row in Cardiff’s Motorpoint arena in 2022.

Did your style evolve since the beginning of your career?
Massively. I started my career at 19. I was still finding my feet and figuring out what my sound and brand was. When it came to my style, I used to think more was more, I used to add more layers to things like my music, artwork and performance clothes. Now, after learning from multiple mentors and learning that sometimes less is more, everything changed. My style became more confident, clean and polished, as seen in my recent artwork for ‘The Epilogue’ and social media posts promoting the work.

Who do you see as your main competitor?

Honestly, myself. I (like many of my fellow artists) am my biggest fan and worst critic. I find myself constantly comparing myself and beating myself up. Especially over the little things like if a performance didn’t go as well, a post doesn’t get a certain amount of interaction and other trivial things. Thankfully, with help from my therapist I’ve learned I need that this behavior is not only negative, but totally unproductive to bettering myself as an artist. Every time I find myself acting like this, I tell myself “What more could u be doing? You’re doing your best so what more can you do?” and it brings massive comfort and realization that we’re all on our own paths and need to be a lot kinder to ourselves.

What are your interests outside of music?
As much as music is my first love, when it becomes your whole life, activities outside of it are essential to avoid going insane. In my free-time I love to be with my friends and family, playing with my nephews and enjoying the simple things. I also thoroughly appreciate my own time which I spend time reflecting and allowing myself to feel what I’m feeling. Also watching TV (especially my comfort shows), building LEGO and swinging my lightsabers pretending I’m a Jedi. I am a massive geek and an adult child.

If it wasn’t a music career, what would you be doing?
I’ve always wondered the same. In school, almost as much as music I loved studying history and English. I’m not sure what career path I’d be on but it would certainly be in those areas, perhaps a librarian or university lecturer. As nice as those options are and as much as I tried to force myself to consider them as an option, they couldn’t match the passion I had for music.

I can’t imagine myself being truly happy doing anything else, it’s important to have other hobbies outside music but when it comes to a career, music is the one. There are however other passions I have that I’d like to explore like acting, voice work and presenting, I’ve dabbled in these areas before, and have found great joy in them.

What is the biggest problem you have encountered in the journey of music?

The biggest problem I’ve encountered thus far is the lack of respect for pop music in the local scene, especially queer-pop. One thing I have experienced multiple times in gigs, open mics, songwriting events and radio shows is being called “just a pop singer” and after performing “Not bad for a pop singer”. I not only find this extremely disrespectful but also hypocritical, as I know for a fact if Taylor Swift or Dua Lipa hit them up asking to open for them they’d be buzzing! Pop music is expressive, beautiful and fun! More than anything it deserves to be celebrated in the local scene as it is globally.

If you could change one thing in the music industry, what would it be?
There are so many things that I wish the industry did differently, two distinct things come to mind. Firstly, I would change the influence of certain social media apps on the industry. It can be extremely distressing for brilliant creatives to place all their energy into learning about algorithms rather than creating and basing the worth on how many views/likes it receives.

Secondly, I would like the leaders of the industry be those who care about the music rather than how they can make money by profiting off hard working creatives. The industry is a near impossible journey to navigate, but all we can do is take it one step at a time and never let anyone take our worth away from us.

Why did you choose this as the title of this project?
The title ‘Unnecessarily Complicated’ came from a bad time in college. A teacher decided that he had some sort of personal vendetta against me, I was running 5 minutes late and walked into my class to hear that teacher saying very unkind things about me to another teacher. I confronted him and he tried rationalizing his actions, I tried to make things light of it by saying “It’s all good, I’m just Unnecessarily Complicated”. It was a lightbulb moment. Before most of the songs were written, I knew this was the title, it summed me up perfectly while also taking the mick out of those who tried to hurt me.
Then I had the idea to split the EP into two volumes, ‘The Prologue’ to represent the beginning of my journey navigating the industry. Now there’s ‘The Epilogue’ signifying the end, having found my sound and style and ready to take the industry by storm. While our journey never ends, I am ready to start a new path now that ‘The Epilogue’ is out in the world.

What are your plans for the coming months?

I have a couple gigs across the UK here and there, one super exciting one is a Queer Pop Night in The Jam Factory in Hereford on November 25th. As well as shows and music, I’ll be continuing to work towards completing my degree as a classical singer. I’m sure as Christmas approaches there will be so many concerts so keep an eye on my socials for a wide range of music and shows!

Do you have any artistic collaboration plans
– Nothing set in stone as of yet. I just finished an incredible collaboration with producer Millie Blooms, which will be revealed end of next year. In the meantime, my DMs are always open and I’m always down to collab with fellow hard-working musicians and creatives who love what they do and have something important to say.

What message would you like to give to your fans?
– Thank you. Thank you Thank you THANK YOU. Wherever you are, I wish I could give every single one of you a big cwtsh. To everyone who has streamed, watched, added to playlists, shared my work, spread positivity and came to my shows, I am eternally grateful. You give me the motivation to keep going and make the best work I can make. I’m looking forward to growing together and I hope I can and continue to make you all proud.

Jane N’ The Jungle Screams ‘Cut Me Open’

Music

Mister Styx

November 8, 2023

ALTERNATIVE ROCK ,HARD ROCK ,ROCK ,CLASSIC ROCK ,FEMALE VOCALS ,US BASED ,ANTHEMIC ,CLASSIC SOUND, Jane N' The Jungle, Jane N' The Jungle latest single, cut me open, cut me open by Jane N' The Jungle, single Jane N' The Jungle Follow Jane N' The Jungle on — Jane N' The Jungle Screams 'Cut Me Open'

Jane N’ The Jungle, is a band that is gradually making waves in the world of modern rock which each song they produce, the band has once again proved their prowess when it comes to music making with their latest single, “Cut Me Open.”

The band actually hails from Phoenix, yet “Cut Me Open” has a strong message for anyone who is trying to be good enough for someone else. With Jordan White singing and Brian Dellis playing the guitar, this sync creates a sound that’s really something.

The song’s opening is moody with a dark message, and the singer does a great job tuning her voice to bring out the message she is trying to convey perfectly.

The explosive guitar riffs and drum licks are right on the spot, they create a perfect sync between the instrumentation and the singer’s vocal range. The soaring vocals of Jane draws your attention to the lyrics to the song; you can hear her emotions oozing which each word she sings out, the pain of wanting to be something better for someone else.

Jane N’ The Jungle are actually a band to keep an eye on because with each song they release, you can tell how vexed they are with this music thing, from the production to the instrumentation, songwriting, and singing.

“I wanna be special in your eyes,” this is a recurring lyrics in the song that gives it a nostalgic vibe and tickles the listener’s emotions.

Watch Cut Me Open below

John Conlin Drops Heartache Anthem “Months and Months”

Music

Chris The Blogger

November 8, 2023

John Conlin Drops Heartache Anthem “Months and Months”

Ever stumbled on a track that instantly felt like it turned your heartache into an anthem? If not, let me cue you in on John Conlin’s newest single “Months and Months,” which has been spinning through my speakers on repeat – to the point where I’m pretty sure my neighbors are about ready to stage an intervention!

Kicking off with a beat crafted to get even the most reluctant toes tapping, this electric pop potion is concocted with lashings of synth-infused vitality which blends nostalgia and liberation in one masterstroke. You know those tracks that make you want to dance around in your underwear while simultaneously texting your ex “thanks but no thanks”? This is the absolute embodiment.

Let’s zoom straight into those male vocals – we’re talking raw emotion wrapped up snugly in silk-smooth delivery. Conlin takes us on his journey from longing whispers shuffling down memory lanes best left untrodden, right through to declarations of self-preservation belted out with assertive clarity. It’s amidst this vocal roller-coaster where we find ourselves wholly invested; because who hasn’t had that sing-it-from-the-rooftop moment screaming (or rather crooning), “let’s keep it that way”?

Now onto what makes this single all click together – intent meets talent meets precision production. The engineers behind “Months and Months” have clearly sweated every detail: how else could they ensnare us so fully in its head-nodding euphoria?

Conlin spins vulnerability like sugar fibers into candyfloss levity during each chorus refrain – hookier than Captain Hook’s hardware after a fish-o’-five days at sea! His repeated stanzas are more than just earworms; they’re mantras for anyone caught between longing for someone toxic and swooping towards fresher skies.

So picture yourself, sunset-gazing after ditching baggage too weighty— yeah, the song pairs well with such scenes—infusing listeners with upbeat vibes as if saying ‘sure you’ve got scars but don’t forget those dancing shoes’.

It’s evident John Conlin doesn’t merely churn songs; he crafts vessels meant for sailing stormy emotional seas toward brighter horizons. With echoes resonating somewhere between Robyn’s electro heartbeat sincerity and Imagine Dragons’ anthemic appeal tossed overboard by The 1975’s sardonic smirkiness when navigating love lost—all aboard ‘Months and Months’ stands towering.

To sum things up—a break-up banger? An emancipation songfest? A victory lap clad in neon nachtlicht rajahs?! Whatever label suits your fancy—just ensure “Months and Months” finds its rightful place among this year’s powerhouse playlists—it demands nothing less! So here I am signing off before I accidentally manifest that dreaded knock from next door—you’ve got some impassioned soundscapes awaiting exploration!

Follow John Conlin on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Yael Lanciano’s “Runnin’ Away”: A Nostalgic Alt-Pop Gem

Music

Chris The Blogger

November 8, 2023

Yael Lanciano's “Runnin' Away”: A Nostalgic Alt-Pop Gem

When “Runnin’ Away” by Yael Lanciano hits your ears for the first time, there’s an immediate magnetic pull—part nostalgia, part something you can’t quite put your finger on. It’s a crowded market in alternative pop, yet here stands Lanciano with a tune that whispers its way into an intimate corner of your mind.

Her single is like crystalizing feelings into music—the vocals alternate between a tender vulnerability and confident strength. There’s this chatty warmth to her voice as if she’s unravelling stories of elusive love across from you in some dimly lit room filled with close confidants and shadowy corners.

The production combines retro-cool vibes—think ’80s synth-pop meets millennial sharpness—with contemporary flourishes that elevate it beyond mere catchy ear candy. The blend surrounds you, the disarmingly playful synths mingling with modern beats to create a soundscape that echoes long after the song ends.

This track has claws; it catches hold of you with its infectious chorus “Why are you runnin’ away” looping around in your head like unanswered calls. And while upbeat on the surface, “Runnin’ Away” never trivializes emotions—it channels them through lively verses and deep basslines that tell us this is more than just sound: it’s artistry painted with heartfelt hues.

Lanciano pens her lyrics not only from experience but also expertise—you feel inspired by each pulse of genuine sentiment reverberating through every vocal crescendo and instrumental ripple.

We may never know who spurred such earnest yearning within Lanciano’s musical realms, yet their influence resonates—listeners instinctively sync along to rhythms sprinkled with reflective undertones so commonly shared among those struck by romance-turned-mystery tales.

Whether you’re empathizing intensely with our protagonist or reflecting alongside her reticent paramour — “Runnin’ Away” captures both universal themes and unique musings: A mix-up of hesitance infused within an enchanting melody that compels playback investigation—why do we indeed run away?

Hats off to Yael Lanciano—a storyteller merging past echoes & tomorrow’s notes into singable anecdotes! And rest assured—we’re glued right here anticipating what sonic roads she’ll lead us down next without even thinking about taking flight.

Follow Yael Lanciano on Website, Facebook and YouTube.

Navigating Luna Keller’s “Ocean Inside Of Me”

Music

Chris The Blogger

November 8, 2023

Navigating Luna Keller’s “Ocean Inside Of Me”

As though a gentle tide caresses the shore, leaving patterns on the sand that tell tales of both tranquility and turmoil, Luna Keller’s single “Ocean Inside Of Me” touches the soul with its soothing waves. This indie folk reverie encapsulates the sentiment of nostalgia as it ebbs and flows through our consciousness, its smooth acoustic guitar strumming like a heartbeat in sync with nature’s own quietude.

Keller’s voice is an immediate standout; silky-smooth, enveloping you like early morning mist clinging to seaside cliffs. There are layers within her great voice—a depth often sought but rarely found in contemporary sounds waves—that speak directly to one’s core. Her candid delivery enshrouds listeners in velvet comfort while also conveying potent emotion—akin to finding warmth against evening sea breezes under a cozy woolen blanket.

Throughout this slow-tempo serenade, there breathes an easy listening vibe that belies its complex emotional grounding. It’s relaxing without being soporific—more meditative than solely melodic—and weaves introspection into harmonious threads that dress wounds old and new with tender care.

Production-wise, minimalism reigns supreme here. The simple acoustic backdrop is intimate yet expansive—as broad as endless oceanscape and as personal as footprints in wet sands. Each note presses gently upon your spirit emblematic of water kissing shoreline relentlessly but with great love—a sound-catcher’s dream where each vibration rings true without artificial echo or digitally layered facade.

The song itself—and indeed the concept album it heralds—is deeply personal for Keller. Born from a place brimming over with rumination amid struggle, “Ocean Inside Of Me” lays bare our universal journey from darkness towards illumination. Herein lies proof positive that music can be a vessel on seas stormy or serene—an intrinsic compass leading us back towards self-love and liberation from mental tempests too often navigated alone.

Letting one drift away into musings animated by imagery akin to oceanic expanse implies more than meeting chords with calmness—it leads us on excursions beneath surfaces deep enough to discover lost treasures within ourselves all over again; they become interconnected stories told visually via accompanying videos also born of intent contemplative vision craftership.

In sumptuous wholehearted authenticity wrapped up snugly amidst mournful melodies and hopeful harmonics—the title track signals not only promising beginnings for what seems surefire mellow masterpiece collection but stands tall itself among echelons where sincerity meets craftsmanship at sunset horizons awash peel bell resonance.

Open your windows wide—or better yet find yourself nearest beachside perch—to imbibe fully “Ocean Inside Of Me.” Let Luna Keller’s porous rhythms saturate senses until every last cell hums homeward bound across nurturing azure vastness laid out before eager toes yearning wading adventure depths anew.

Follow Luna Keller on Website, Facebook, Twitter and Instagram.

Megan Thee Stallion – “Cobra” Review

Music

Chris The Blogger

November 8, 2023

Strap in, y’all, because Megan Thee Stallion’s single “Cobra” is a sinewy serpentine bop that slithers through the underbrush of heavy hip-hop beats with rap verses sharp enough to cut glass. It’s a track pulsating with emotional rawness and transparent introspection – an unguarded confession booth where vulnerability meets ferocity.

Megan’s lyrical dexterity shines as she navigates personal tribulations amid the blinding spotlight of fame. The juxtaposition between her powerful public persona and private despair is woven intricately into every verse; it’s as if you’re reading pages torn from her diary set to 808s. With a flow crisper than autumn leaves underfoot, she underscores how loneliness can persist even when it feels like the whole world’s gawking at your every move.

Production on “Cobra” grips you like cold fingers around your neck—it’s dark, brooding yet absolutely sleek. You get these booming bass hits punctuating moments of stark clarity throughout her narrative—each thump acting almost like a defibrillator jolt for your attention span. This isn’t background noise; this track demands to be front and center.

The claustrophobic mix complements Megan’s confessional: contorted synth lines tangle around hard-hitting hi-hats creating a cinematic atmosphere so tense Hitchcock would applaud from his grave. Vocally? Please—she spits fire with the finesse of an artisan glassblower and brings heat strong enough to have Lucifer sweating!

And let us not glance over that chorus – tongue-in-cheek wordplay dances cheekily with metaphorical depth illustrating both sexual autonomy and mental health struggles without missing a beat or breaking stride in rhythm delivery.

Now sure, we could compare Meg to other greats—but frankly, “Cobra” cements her unique space within hip-hop history akin more closely perhaps to storytelling mastery reminiscent of old-school Tupac mixed with Missy Elliot’s innovation if they had access to today’s production tech toys.

“Cobra” sees Megan Thee Stallion metamorphosing once again—the hustle never stops but neither does the hurt—and she ain’t trying for stoic perfection here! She uses music as reckoning—it’s healing draped in Dolce & Gabbana rhymes dripping hot sauce wrapped boldness on display wrinkles-and-all style—an anthem for anyone who ever felt gloriously broken but determinedly unbowed by life’s bite.

Feel the Might of Edge of Paradise’s New Hit “Basilisk”

Music

Chris The Blogger

November 7, 2023

Feel the Might of Edge of Paradise's New Hit “Basilisk”

“Basilisk” by Edge of Paradise gets right under your skin, with all the makings of an arena-rock staple. It’s dramatic, heading straight for epic territory, powered by Margarita Monet’s vocals that grip you from the first note. “Basilisk” is part of the band’s already-released album named “Hologram” which has received praise globally.

Picture this—a goddess wielding a microphone in one hand and your heartstrings in the other. Her voice pivots between empowering cries and darker tones that could coax secrets out of shadows. Meanwhile, Dave Bates wields his lead guitar like Excalibur, contrasting beautifully against David Ruiz on rhythm who anchors us amidst the gathering storm.

The drumming? Jaime Moreno sounds like Thor is personally auditioning for percussionist; it’s pulse-quickening stuff backed up by Kenny Lockwood’s bass lines which don’t just groove—they mesmerize.

Now thematically? “Basilisk” bewitches you into dancing at the edge where fear meets thrill—like daring to look into mystical eyes knowing full well they hold a challenge: feel alive or forever walk half-awake. Each chord and cry isn’t just heard but felt—an invitation (or is it a dare?) to face those inner demons head-on with every beat.

This song has force—it harrows before it uplifts—In simpler terms: imagine being dipped low in a dance, glimpsing what lies beneath then spun outwards fast enough to blur worries away. If exhilarating had a soundtrack, Edge of Paradise would be blaring through its speakers non-stop!

Hold tight folks—Their ride shows no signs of stopping!

Follow the band on Website, Facebook, Instagram and Twitter

Hip-Hop Evolution: The Arrival of GrayBeat’s “Diamond Mic”

Music

Chris The Blogger

November 7, 2023

Hip-Hop Evolution: The Arrival of GrayBeat's “Diamond Mic”

“Diamond Mic” detonates onto the scene with a mettle as tough as its title suggests. GrayBeat – flanked by Hookdiggy’s potent verses – deliveries with lyricism that dances often the edge of nostalgia and futurism, truly embodying the elegance of Snoop’s vibe juxtaposed with Ice Cube’s fiery critique, all hashed out through Kendrick’s poetic complexities.

Embarking on a rollicking beat ladened with old-school charm reminiscent of boomboxes and breakthrough acts – yes we’re timewarping to blocks where neon was de rigueur – there’s something irresistibly head-bobbing in this track: an ethereal echo challenging hip-hop’s greats without succumbing to mimicry. Their thrilling concoction affirms modern craftsmanship peppering 80s sentiment across every synapse-trigger stack.

Production itself is nothing short of alchemy—retro meet your contemporary wizard. Where sultry lows marry punchy highs crafting cinematic expanses propelling us into infinite cyberspace territories yet grounding us in bedrock fundamentals of rap charisma that keeps “Diamond Mic” orbiting around anthemic realms—a vivacity resurrection worthy for cult count-offs!

It’s more than just clever wordplay crashing parties here; There is discernible clarity shines throughout this threesome exploration portraying serene composure amidst stretching tensions like calmly conversing heartbeats during sirens.

Woven intricately into sonic textures gentle enough to lull yet gutsy in gripping vocal throw-down becomes an irresistible synergy earnestly swinging life-mantras against cold sweats of hot pursuits—an aced test if ever their musical prowess faced it!

“Diamond Mic,” isn’t just another contender waving at legends; it stands sprightly shoulder to shoulder, nodding rightly at its predecessors while audaciously tugging front-liners welcomes aboard resounding Soundship Ant games! What can I say but stay tuned and hold tight—GrayBeat might just have painted vibrancies amplifying not only airwaves but also how Zenned rap traditionals persuade gravity still thrives combust explosive sessions under pressure-in-front Monitors reigning Diamond-speak!”

Follow Graybeat on Website, Facebook, Twitter, Instagram and TikTok.

Time Travels in Tunes: Kid Mammoth’s “Past, Present, Future” EP

Music

Chris The Blogger

November 7, 2023

Time Travels in Tunes: Kid Mammoth's “Past, Present, Future” EP

Embark on a sonic journey through time with Kid Mammoth’s latest EP, “Past, Present, Future.” A treasure trove for alternative rock aficionados and connoisseurs of super catchy anthems alike. Driven by Kerry Henderson’s poignant pensiveness in his lyricism and emotive male lead vocals that shimmer against the backdrop of nostalgic retro guitar riffs.

Kid Mammoth navigates the winding roads paved by our shared human condition—where reverb-drenched vocal cords resonate within us like echoes from days bygone. Here emotion is painted not just in broad strokes but also in nuanced shades of wistfulness and ebullient surrender to living inked across six compelling tracks.

What imbues this collection with magic is its universality; tales spun around identity spirits grappling reality amidst temporal shifts— thoughts awash with youthful bliss now brushing up against the tide of change. Cue anthemic crowd-pleasers laced with an infectious chorus leaving you humming long after the ring fades out.

The collaboration speaks volumes—a symphonic alliance as Dean Anshutz’s drumbeats pulse convincingly alongside Eric Hall’s electrifying guitar strings, heralding rhythm into battle cries layered upon compositions boasting both polish and raw edginess, honed beautifully from Henderson’s cascade of 125 song ‘sketches.’ Other notable members are Cory Webb – Drums, Seth Bain – Bass and Tom Lasky – Drums

Strap in for complementary whiplashes—from rollicking revels to blanketed strolls down memory lane imbued with mournful undertones. It’s melancholic yet invigorating—as if embracing your teenage self while cognizant of every misstep turned milestone along life’s intricate tapestry. This EP doesn’t just navigate nostalgia; it captures fleeting moments cast anew under today’s light—compelling music lovers to anchor firmly and swing free into ‘the feel-goods’ brilliantly packed in Kid Mammoth’s “Past, Present, Future”. RSVP ASAP because trust me – you’ll want to be part ‘n’ parcel of this auditory evolution!

Follow Kid Mammoth on Instagram and YouTube.

“Breaking Free”: Rebecca Sichon Commands with Pure Vocals

Music

Chris The Blogger

November 7, 2023

“Breaking Free”: Rebecca Sichon Commands with Pure Vocals

Rebecca Sichon’s single “Breaking Free” is a true gem in the contemporary R&B scene. Dialing down complexity for sheer emotional power, her voice takes center stage and rightfully so—it’s as silky and welcoming as any vocal performance you’ll yearn to hear repeated.

Brought into existence with Juno-nominated Mathew V and Jared Manierka, this track is all about self-love—breaking away from what holds us back– wrapped in an arrangement that feels both current and timeless. There’s a swelling tenderness in each verse; its slow burn puts you at ease while laying bare our own vulnerabilities.

You listen to this piece, nod along thanks to the relaxing but stirring beat beneath it—and then those vocals hit again: deep digs without the need for fireworks—a testament to Rebecca’s command over your emotions through her spectacular pipes straight out of Vancouver’s vibe-soaked streets.

It doesn’t bog you down with heavy hands but carries production quality underpinning every note like delicate brushstrokes on an impressionist painting. So whilst Britain may have Adele serenading heart-torn tales, across the pond we’ve got bright shards of free-falling soul resonating in Sichon elixirs ready for affectionate playback thrice over.

“Breaking Free,” encapsulating more than just easy listening tunes—it invites hopefulness into your rhythm-seeking souls who fancy that kind of thing. It elegantly twines feelings around melodies assuredly etching themselves in mental soundtracks meant for softly lit evenings or retrospective pauses within fast-pacing worlds.

Follow Rebecca on: Website, Facebook, Twitter, Soundcloud, Bandcamp, YouTube and Instagram.

Matt DeAngelis Breaks The Ice With ‘All Good Things

Interviews

Mister Styx

November 6, 2023

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“All things must come to an end” this line in Matt DeAngelis’ latest single, “All Good Things” is mind-boggling. This phrase is self-explanatory, as regardless of what we are going through, there is always an end to it. But don’t think this is going to be one of those soul-depressing songs, because it isn’t.

All Good Things” is a song written about the conclusion of childhood and the transition into adulthood. While it is true that the carefree times of childhood are coming to an end, bigger and better things are in store for the future, even though it signals your innocence has been left behind. Departing from what one has known in some of the happiest times in their life is certainly no easy release, but must be done by all….

This according to Matt DeAngelis was the main inspiration behind “All Good Things” The song is full of inspiration and what I really like about the song is the laid-back nature of it, while the vocals are soothing and nostalgic and the instrumentation is full of bliss.

In a recent interview with Mister Styx of Musicarenagh Matt disclosed Outside of music, one of his other main interests is meteorology and revealed he is a storm chaser and have been chasing storms for a number of years now.

He even appeared on the popular Weather Channel television program “Deadline to Disaster” for documenting a damaging tornado. This has been his greatest accomplishment as a stormchaser thus far.

In the interview, Matthew DeAngelis delved deeper into his personal life and some of the battles he faces both personally and musically.

Watch All Good Things below

Follow Matt DeAngelis on

What is your stage name?

My stage name is Matt DeAngelis.

Is there a story behind your stage name?
While there is no exciting story about my stage name, my legal name is Matthew DeAngelis, but I felt shortening my first name to Matt was better for the stage.

Where do you find inspiration?

I find inspiration as a songwriter in many areas of my life. The most notable are from the world around me, more specifically the global issues we all face and the events that ensue. I am an advocate for mental health and also for climate change, promoting ways we as humans can look after one another and our world.

What was the role of music in the early years of your life?

During the early years of my life, both of my parents were heavily involved in my musical influences. I began studing classical piano at age 9, but had began wrting my first songs at age 8. I was doing piano competitions and also played with the Rock University band when I was 10. I have been honing my craft ever since to become the songwriter and performer I am today.

Are you from a musical or artistic family?
My family is very musical and artistic. My father is a professional musician and composer, while my mom is a poet and has been writing for many years. Many other members of my family are involved in either music or the arts, as well.

Who inspired you to be a part of the music industry?
As I said, my dad is a professional musician and composer and was a main staple in my desire to become a professional musician. Although I had formal training at the piano, my dad tutored me as a musician for many years and continues to do so. Both of my parents have been incredibly supportive over my career thus far, as I credit them to any success I have. I am blessed to have such a strong support system that has propelled me into a career in the music industry.

How did you learn to sing/write/to play?

As a singer and songwriter, I am mainly self-taught, but my dad mentored me as a musician, mainly on the piano and keyboards. Growing up in such a musical household, it was quite easy for me to go to the piano and begin learning how to write songs and play. Singing was an art that has developed for me over time, but is something I can always remember doing. I later studied voice with a formal teacher that has been more than beneficial especially playing live.

hat was the first concert that you ever went to and who did you see perform?
The first concert I ever went to was to see the band The Musical Box, when I was 12 years old. They performed the well-known concept album “The Lamb Lies Down On Broadway,” originally written by the progressive rock band Genesis. This was an incredible experience and one that inspired me even more to be a professional musician and performer.

How could you describe your music?
The best way I can describe my music is progressive pop. My songs have elements of classic and progressive rock, but also characteristics of pop music through key hooks and melodies that resonate with many audiences. I have always believed that strong beautiful melodies endure forever.

Describe your creative process.
I do not always have a set creative process. Each time I write, the process is often different. I may begin by writing lyrics on one occasion, but start at the piano or guitar on another. Sometimes I create a melody on the spot, but other times I may write an entire song lyrically before even thinking about adding music. Whatever the case may be, I feel it is important for me to let the creative process come naturally.

What is your main inspiration?
My main inspiration would have to be my focus on worldly events and climate, but also having God as a foundation for my songs. I pride myself on adding a positive spin to all of my songs and offer hope for a brighter future. Having had to deal with OCD my entire life, I have had to rely on God to help me deal with the intrusive thoughts and anxiety that are part of the condition. I had to learn early on that I can’t survive without turning a negative into a positive.

What musician do you admire most and why?
My first main musical inspiration growing up was the early music of David Bowie, as I have always admired him a great deal. Not only are his songs incredible, but tell a story that inspire me each time I listen. Aside from his musical and writing abilities, I always admired David Bowie as a performer and the way he was able to evolve as a musician over time.

Did your style evolve since the beginning of your career?
When I first began writing, my songs were always progressive and had many parts, often totalling over at least seven minutes per song. I have since evolved as a progressive pop songwriter, where I have maintained my roots of writing detailed music, but have also incorporated elements of pop in my songs. This evolution has taken place over a number of years and I feel I am still evolving as a songwriter.

Who do you see as your main competitor?
While I cannot pinpoint a main competitor, the music industry in general is incredibly competitive. As a musician and performer, I need to be on the top of my game at all times.

What are your interests outside of music?
Outside of music, one of my other main interests is meteorology. Aside from being a professional musician, I am a storm chaser and have been chasing storms for a number of years now. I have even appeared on the popular Weather Channel television program “Deadline to Disaster” for documenting a damaging tornado. This has been my greatest accomplishment as a storm chaser thus far. I am also an advid photographer, primarily shooting weather photos.

If it wasn’t a music career, what would you be doing?
While my music career is the most important aspect in my life, I am also an avid weather fan and storm chaser. My love for meteorology and storm chasing has been with me for many years, dating back to early childhood. I also have a degree in inclusive education and teach science and social studies to 4th and 5th graders. I have also begun teaching piano to beginners on my YouTube channel.

What is the biggest problem you have encountered in the journey of music?
One of the biggest challenges I face as a solo artist is distributing my music to all possible platforms and increasing engagement with fans. It is a challenge because of the competitiveness of the industry, but also difficult just being a solo artist.

If you could change one thing in the music industry, what would it be?
I would change the way music is being distributed. I feel that we have developed an excessive obsession for technology, and while there are a number of benefits, I believe that the music industry longs for the days when more things were done in an analog fashion–from recording to making an actual “record.”

There is so much more that can be incorporated, everything from artwork to liner notes. My recording process continues to be organic. Everything is written out and played by the great group of musicians who have been making recording with me over the past 5 years.

Why did you choose this as the title of this project?
‘All Good Things” is a song written about the conclusion of childhood and the transition into adulthood. While it is true that the carefree times of childhood are coming to an end, bigger and better things are in store for the future, even though it signals your innocence has been left behind. Departing from what one has known in some of the happiest times in their life is certainly no easy release, but must be done by all.

For those listening to this song, I intend for you to use my words to help you through the conclusion of your dependence and introduction to independence in life. While the future may seem frightening and unknown, acknowledge that while all good things are coming to an end, greater things await you for the rest of your life.

What are your plans for the coming months?
I plan on continuing to release new original singles and music videos, while also songwriting and performing live at many venues throughout the Mid Atlantic region.

Do you have any artistic collaboration plans?
I have recently worked with the great Richie Cannata–Billy Joel’s original sax player. He will be featured on one of my new releases early in 2024. I have also worked with the great Chesta Davis gospel singers on that same release.

What message would you like to give to your fans?
I would like to thank my fans for their endless support. Without them, none of my success would be possible. I would also like to tell my fans that there is new music on the way, so stay tuned!

Jason Shand Points Hand At The ‘Selfish B!tch”

Interviews

Mister Styx

November 6, 2023

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When I heard U2’s songs ‘Bad’ and ‘Unforgettable Fire’, that changed my life. That was the moment I decided singing is what I wanted to do” – this according to Jason Shand, is what ignited the musical torchlight in him.

Jason Shand, a New York City-born and raised singer, songwriter, and recording artist. Although he started music after college, Jason has done so much for himself in developing himself that he auditioned for a band in Boston and later became their frontman.

He admits the band really helped in perfecting his craft, but after some time the artistic dream in him was heightening, and as a result, he had to go solo, he began to write his own song since then, he took inspiration from for his personal life and his surroundings.

More of this was shared in a recent interview with Mister Styx of Musicarenagh, in the interview Jason Shand shed more light on his latest single ‘Selfish Bitch”

“Selfish Bitch’ is about an individual who has trouble fitting into the world around them and as a defense mechanism may come off as very selfish due to the hurt and heartache they experience… or perhaps they are simply just very selfish, but it’s hard to get a handle on where the one possibility delineates from the other.

Listen to Selfish Bitch

Follow Jason Shand on
Facebook

What is your stage name?
Jason Shand

Is there a story behind your stage name?
No, that’s my name. 🙂

Where do you find inspiration?
I’m generally a slice of life songwriter. I write about what’s going on around me, what’s going on in my life, or the lives of others that I observe, much to my family and friends chagrin.

What was the role of music in the early years of your life?
Always loved music and loved all kinds. If it’s a good song, I love it, no matter the genre.

Are you from a musical or artistic family?
Kind of but not really? Growing up, my mother played piano in the house and she was very good… but it was more of a hobby as she was a United Nations diplomat. I was a United Nations kid. I wasn’t surrounded by musicians/artists.

Although I do recall a United Nations colleague of my mom was a singer on the side – he played a recording he had done – he was actually pretty good – and I remember being fascinated by that… but too shy to inquire further. I must have been 8 – 10 years old.

Who inspired you to be a part of the music industry?
When I heard U2’s songs ‘Bad’ and ‘Unforgettable Fire’, that changed my life. That was the moment I decided singing is what I wanted to do. Peter Gabriel and Seal would also inspire me. Perhaps I should back track and say my older cousin inspired me as it’s her record collection that I listened to. Throw in Queen and the Eagles as well.

How did you learn to sing/write/to play?
I didn’t pursue music until after college. That’s when I gathered up the courage to go and try an audition. It was an unknown world to me. My first audition was for a rock band in New York City, and I practiced so hard for this audition and by the time it came about, I had no voice left.

My voice would break whenever I would try to reach a high note, and it should’ve been very embarrassing for me. I didn’t know how to sing back then. I didn’t know how to sing from my diaphragm, etc. But the weird thing is, I left the audition feeling fantastic that I had put myself through that. That I had garnered the courage.

A year later, I would audition for a band in Boston. These guys were consummate musicians and the principle songwriter was fantastic. They all went to either Oberlin or Berkeley. They were a headlining band, and they took me with the condition that I get voice lessons.

So with my first band and only band that I was ever in, I crammed learning how to sing, and learning how to be a front man, and unknown to me at the time, I was soaking up how to write songs as well… good songs. I lucked out finding these guys. They taught me work ethic.

I had written only one song during my five years with this band. But it’s only after I left that band when I tapped into songwriting big time. I had no choice. I left the band because the artist in me was beginning to assert itself, and I wanted different things in the way the music was arranged. But having not written many songs at that time, no one would really listen to me. I had to go off on my own and it was a hard thing to do but I’m happy I did.

What was the first concert that you ever went to and who did you see perform?

Tina Turner. Simply incredible.

How could you describe your music?
Art rock? Adult alternative? Thinking man’s pop? Obviously, I’m under the umbrella of pop music. And there are many influences: rock, electronic, singer songwriter… I do my own thing I guess?

Describe your creative process.
As mentioned before, I write about things that are going on in my life. And it just hits me when it does. I go through creative spurts. Sometimes I’m dry like the Sahara desert idea wise, other times it’s very fertile ground. Depends if I’m inspired. But I may have a melody or a lyric that will hit me which would be the tree trunk of the song, and then the branches would write themselves, sometimes very fast, or sometimes painfully slow.

‘Selfish Bitch’ was mostly written fast, but it waited probably eight or nine months for the second chorus lyrics to finally come to me.

What is your main inspiration?
Interpersonal relationships whether they be romantic, platonic, familial. They are so complex.

What musician do you admire most and why?
Peter Gabriel? He’s just so cool.

Did your style evolve since the beginning of your career?
For sure. After leaving the rock band in Boston, it took me quite some time to find myself as I was on the sidelines for a while, just soaking it all in. I would record things but not release them. I was always tinkering. Glad that is behind me.

I’m proud to have come to a place where I write my own music and lyrics and produce my own tracks. And I release them lol! It’s a blessing. I’ve become what I’ve envisioned and I’m so thankful.

Who do you see as your main competitor?
Me. I don’t have a mentality of looking at other musicians as competitors.

What are your interests outside of music?
Tennis. I used to be very good. Wanted to be a professional tennis player. That did not work out but I’m still very passionate about the sport.

If it wasn’t a music career, what would you be doing?
Anything but a desk job. That would kill me.

What is the biggest problem you have encountered in the journey of music?
In this digital era, there’s so much noise and peoples attention spans are fleeting. I just put my head down and keep doing what I love.

If you could change one thing in the music industry, what would it be?
Artists getting paid what they deserve to be paid.

Why did you choose this as the title of this project?
‘Selfish Bitch’ organically evolved into the topic of not knowing what’s beneath the surface of someone in juxtaposition to how they come across.

‘Selfish Bitch’ is about an individual who has trouble fitting into the world around them and as a defense mechanism may come off as very selfish due to the hurt and heartache they experience… or perhaps they are simply just very selfish, but it’s hard to get a handle on where the one possibility delineates from the other.

The symbol of forgiveness is featured on the artwork for the single – the message being that one never knows what’s going on beneath the surface and that forgiveness and understanding may be in order… or maybe not.

What are your plans for the coming months?
I’ve done a lot of recording and will be releasing a few singles for the next few months. I plan to start playing out again in 2024 as I’ve been on a hiatus from the stage since February of this year.

Do you have any artistic collaboration plans?
Nothing defined. Working on it. 🙂

What message would you like to give to your fans?
Singles aplenty are coming, and see you on stage in ’24!!

Come Along As We Join Fat Bottomed Boys To Sing ‘La La La’

Interviews

Mister Styx

November 6, 2023

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We would all agree to the fact inspiration comes in different forms, but when it comes to “The Sgt.,” who is the singer for Fat Bottomed Boys, you would be marveled to know his source of inspiration. In a recent interview with Mister Styx of Musicarenagh he disclosed where his inspiration comes from

“I find inspiration in everyday life. My dog, my son, my love stories, the people who annoy me.”

You might find this strange, but when you listen to the music of “Fat Bottomed Boys” you will understand this better, to make this easier, let me introduce you to their latest single which is titled “La La La”

In a way you can say “Fat Bottomed Boys” is the reincarnation of the band “Queens,” yet their sound is true and original. The duo creates retro music that carries you away and takes you on a musical journey of bliss, wonderful instrumentation, and breathtaking lyrics.

“La La La” channels the spirit of Queen, particularly the iconic songwriting of drummer Roger Taylor, while bringing a captivating modernity to their music.

In the interview, The Sgt. shed more light on his musical growth and some of the challenges he has faced on his musical journey, join us as we uncover who The Sgt. is outside of music.

Listen to La La La below

Follow Fat Bottomed Boys on

What is your stage name?
People call me The Sgt.

Is there a story behind your stage name?
It’s simply my surname. Here’s the scoop: my real name is Thibaut Sergent.

Where do you find inspiration?
I find inspiration in everyday life. My dog, my son, my love stories, the people who annoy me. Anything can be a pretext for a song, you just have to find the right angle.

What was the role of music in the early years of your life?
Music has played a major role in my life. A whole new world opened up to me when I discovered Queen at the age of 9, and I immediately became a ‘fan’. Since then, there’s nothing that drives me more than trying to follow in the footsteps of my idols.

Are you from a musical or artistic family?
Not at all! And I didn’t have the chance to go to music school, learn music theory or play an instrument when I was young. I learnt the rudiments of the guitar when I was a teenager. In fact, I learned to play like a right-handed person, even though I’m left-handed, because the only guitar I had was a right-handed one. The same goes for singing and the ukulele: I’m self-taught.

Who inspired you to be a part of the music industry?
I think it’s impossible not to mention Queen, who remain my absolute role model. But I also have a lot of admiration for The Beatles, The Doors, Led Zeppelin, Pink Floyd, Oasis, Jet…

How did you learn to sing/write/to play?
All by myself! I’ve been writing lyrics since I was a teenager. Initially, they weren’t songs. In fact, I’m very keen on writing short stories, and I’ve also started writing a novel. Writing songs is a bit different. The first difficulty is writing in English, which is not my mother tongue. But it allows me to find – I think – simple and effective phrases, which is perfect for rock music.

What was the first concert that you ever went to and who did you see perform?
My first concert was The Offspring, in March 2004. I skipped school to go with my best friend. I was in the front row, having never been to a concert before, I started off with a punk-rock concert, complete with pogos, slams and all that. Crazy atmosphere!

How could you describe your music?
Our music is a tribute to our favorite band, Queen, through original compositions. If you hate Queen, you’re unlikely to like the music of Fat Bottomed Boys. If you love Queen… Go and listen to our 4 albums!

Describe your creative process.
There isn’t really a predefined recipe. Everyone writes and composes, even if we all have our own pre-dispositions and personal preferences.
A song can be born from a guitar riff, a piano melody or pre-existing lyrics.
In the end, it’s Elash, our maestro, who takes care of the arrangements that make the songs sound like Queen.

What is your main inspiration?
Queen, of course!

What musician do you admire most and why?
At the risk of sounding like a mono-maniac, Freddie Mercury, Brian May, Roger Taylor and John Deacon. They managed to create music for over 20 years, without ever repeating themselves. They mixed genres, they managed to make complex music popular, and took music to the next level. And then on stage, what a show!

Did your style evolve since the beginning of your career?
I’d say that with Fat Bottomed Boys, the more time passes, the more freedom we give ourselves. We’re not trying to imitate Queen, or reproduce this or that song. Sometimes a song doesn’t sound like Queen, and that’s fine. That was unthinkable at the very beginning of the project.

Who do you see as your main competitor?
We are fortunate to be the only group to explore this concept. Maybe because it’s a bad idea? I’m joking!
Queen fans can be very demanding and sometimes a bit narrow-minded, when it’s not the great Freddie Mercury himself. It’s impossible to compete with the absolute master and so… I think our biggest rivals are Queen!

What are your interests outside of music?
I love stories, which is why I like writing and watching movies. I also like to eat. I like to eat *too* much. That’s why I do sport: to avoid becoming a Fat Bottomed Boy.
And I love dogs.

If it wasn’t a music career, what would you be doing?
Music is not my main profession. I’m an industrial IT engineer. That’s why we have to become rock stars: I can’t do this job any more!

What is the biggest problem you have encountered in the journey of music?
Our biggest problem is expanding our audience. It’s very difficult these days to find a place among the plethora of music available on streaming platforms. Generally speaking, when people listen to our music, it doesn’t leave them indifferent… But we still have to reach the ears of our potential listeners.

If you could change one thing in the music industry, what would it be?
No longer to consider music as a commercial and consumable object. And to focus on quality.

Why did you choose this as the title of this project?
Fat Bottomed Boys is a direct reference to a Queen song: Fat Bottomed Girls. As we’re not girls, we had to change the name a little.

What are your plans for the coming months?
Our 4th album ‘Haters Gonna Hate’ will be released on 24 November 2023. We will be promoting this new album on the next months. Concerts are planned in Paris, Lille and London.
And we’ve already got tracks for our 5th album, which will almost certainly be the soundtrack to a novel by our friend Craig Mulhall, an Australian author.

Do you have any artistic collaboration plans
On our album ‘Haters Gonna Hate’, we recorded a duet with the band Secret Garden & The Dusty Man. They play bluegrass, and it wasn’t an obvious collaboration, since our styles aren’t very compatible at first sight. But that’s the magic of music: the track that came out of this collaboration is one of the highlights of the album.

What message would you like to give to your fans?
Where are you?

Fat Bottomed Boys will be in concert in London on November 26th at The Fighting Cocks.
More info on fatbottomedboys.fr

Have A Listen Of Freddie Sunshine’s Sad and Beautiful “Goose”

Music

Mister Styx

November 5, 2023

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Gradually, Freddie Sunshine is gaining popularity with his monthly song releases in 2023, and his latest release, “Goose” is one of those amazing collections. Goose has two amazing songs on it titled, “Threshold”, and “Little Bit”

With over 9 million listens on Spotify in the past year and a growing fan base, people were eager to hear this one. Each song has a unique theme yet psychedelic a mix of modern indie music and darker sounds, with lyrics that look inward.

“Threshold,” is the first song and one thing I love about it is the dark drum licks that opens the tracks, Freddie allows the instruments do the talking before he graces it with his unique vocals, he has this melancholy voice that makes the song even more darker.

The beginning of the song says that the singer knows they don’t meet their partner’s “threshold.” This means that there is a certain level of acceptance or standard that the he cannot reach. this realization has made him sad and as a result affected their relationship as expected.

While listening to the song, Freddie reveals he wants to be more independent and not always rely on his partner’s approval on who to be. They’re tired of pretending and not being true to themselves. It’s like they used to expect their partner to fix everything for them, but now they want to change that.

While ‘Little Bit” exploits the singers inner thoughts, the lyrics express the battles he fights within, with lyrics likes

“I feel a little bit of heaven
When the sun hits my skin
I feel a little bit of hell
When I cheat up on my bitch
I guess I’m going straight to hell
Cause God I’m full of fucking sin”

You have a perfect idea of the message Freddie Sunshine is sending across, although the message words are personal, the message is relatable as we all have at a point judge ourselves. The use of relatable phrases gives each individual a personal feel of “Little Bit”.

Listen to Goose below

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Natalie Clark Sings Out The Songs Of ‘Freedom’

Music

Mister Styx

November 5, 2023

Natalie Clark out with Freedom ,Natalie Clark releases Freedom ,Natalie Clark with Freedom ,Natalie Clark drops Freedom ,Freedom by Natalie Clark ,Freedom from Natalie Clark ,Natalie Clark ,Freedom ,Natalie Clark Freedom ,Freedom Natalie Clark — Natalie Clark Sings Out The Songs Of 'Freedom'

You hardly come across individuals who are willing to step out of their comfort zones to an uncharted land, but that is not the case with Natalie Clark. Natalie Clark left her career as a teacher to pursue music full-time, a risk worth taking, let me tell you why.

Ever since she released her EP ‘One By One’ in 2021, LA-based Scottish artist Natalie Clark has shown no sign of slowing down and as proof of her growth and versatility, she is out with a new one which she titles “Freedom”.

“Freedom” is a gospel-inspired pop song. Natalie’s distinct voice can be heard singing in the background as “Freedom” opens with a beautiful piano a sweet and soft melody. The drums, guitars, and engaging harmonies are added to the song as it progresses.

Listening to “Freedom,” you can tell she put in much effort during the songwriting process, as the lyrics are relatable and mind-boggling. These are day-to-day experiences that affect every human.

The song’s theme is not lost in all this as she inspires her audience to persevere in the face of adversities, to persevere through life’s challenges, and to appreciate their accomplishments.

To Natalie Clark “Freedom” may represent her new found love, which is chasing her dreams and doing what she likes to do best, ‘sharing her thoughts and emotions through music’. ‘FREEDOM’ marks one of her most engaging and enticing releases to date.

Listen to Freedom below

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Shane Rennison Talks About Latest EP ‘Nice To Meet You’

Interviews

Mister Styx

November 5, 2023

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While most people like to perform under a moniker, Shane Rennison felt detached when she used a pseudonym. Previously, he released songs under the moniker “Rennii” but according to him, he often felt detached from the music he was making.

It wasn’t until 2019 that Shane Rennison bought a guitar, and that was when the fire-burning desire in him was rekindled. Since then, he has dedicated his life to sharing awesome music with music lovers across the globe, and a bit of that is his latest EP which is titled “Nice To Meet You.”

In a recent interview with Mister Styx of Musicarenagh, Shane Rennison was asked the real inspiration behind “Nice To Meet You” and this is what he had to say:

“I chose Nice to Meet You because I feel it’s a perfect name for a debut project. It’s like “hey, nice to meet you, here I am!” I just loved the effect it had on the project as a whole.”

Nice To Meet You” contains five tracks that are like a sneak peek into the life of the sensational singer and songwriter. The EP is a blend of Shane’s favorite a blend of pop, rock, and rap.

In the interview, Shane Rennison delved deeper into his personal life and shared some of his achievements as well as the challenges that he has faced on his musical journey.

Listen to Nice To Meet You below

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What is your stage name
Shane Rennison

Is there a story behind your stage name?
I decided to start releasing music with my real name as a metaphorical way of bringing authenticity to my projects. I used to release music under the moniker Rennii and I often felt detached from the music I was making.

Where do you find inspiration?
At this point in my life, inspiration can come from anywhere. I work really hard spiritually to connect to the highest vibrations of love that exist in the universe so every moment of every day feels so fresh and alive. Therefore, something as simple as cooking a nice meal can be inspiring for me. Life is so awe-inspiring. It’s just a matter of us gaining that perspective.

What was the role of music in the early years of your life?
I’m kind of a late bloomer when it comes to being a musician. I played the trombone in middle school but never really took it seriously. In 2019 I bought my first guitar and as soon as I started learning, I knew it was something I wanted to dedicate my life to.

Are you from a musical or artistic family?
To be honest, not really. I come from a family of hard workers, which is where I get my work ethic from but I have no musicians in my direct family. A few distant cousins here and there played some instruments but no one that would’ve inspired me at a young age to pursue music. That being said, my dad is a classic rock and roller from the ‘70s so there was always good music being played in the house.

Who inspired you to be a part of the music industry?
There’s really no person that I can point to as someone who inspired me to be a part of the music industry. I just had this feeling when I started learning music theory that it was something I was supposed to be doing with my time on earth. It just felt so right I knew almost instantly that I had to get started and see how far I could take it.

How did you learn to sing/write/to play?
A lot of YouTube videos! I just started looking up basic exercises on the guitar and piano and coupled that with a consistent vocal routine.

Writing music kind’ve came naturally to me. I have this innate ability to hear clear, unique melodies. So it was really a matter of learning instruments and music theory so that I could better understand these melodies that I was hearing in my head and get them out efficiently and effectively.

What was the first concert that you ever went to and who did you see perform?
Super random but my family and I actually own a kettle corn business. One of the venues we do is Bethel Woods Performing Arts Center in upstate New York. So basically from the time I was 8 years old, I’ve seen some of the best musicians stepping on the stage. Crosby, Stills, Nash and Young, Deep Purple, The Eagles, Elton John – just to name a few. I’m extremely fortunate for this!

How could you describe your music?
I usually describe my music as a blend of pop, rock and rap. My three favorite genres!

Describe your creative process.
My process is mostly about creating a safe space in which to create. As a musician, I work tirelessly to become a true instrument of the universe so that the highest vibrations of love can manifest through my medium (music). Therefore, I just have to create ideal conditions for the spirit to flow through me.

This means I have to be in a comfortable setting so that I can fully surrender to the creative flow of energy. Once I have that space, it’s just about finding the right tool (instrument) to “get out” whatever is trying to manifest in that moment. And then once I feel comfortable in my space and I’ve found the right tool for the moment, the energy guides me in manifesting my spirit’s intention.

It’s hard to articulate because it’s become such a spiritual practice for me but it’s gotten to the point where I can create that space pretty easily and work consistently on new material.

What is your main inspiration?
Honestly just life in general. I’ve worked hard over the past few years to develop a healthy, spiritual regimen and this has allowed me to be fully present in each moment. Therefore, every moment of every day just feels so alive and rich.

We are all connected as one pure moment of energy and so through this understanding I am able to conjure up motivation and inspiration from just about anything. There’s magic all around us!

What musician do you admire most and why?
In modern times, I’d say Harry Styles and Miley Cyrus. They’re just two prime examples of true artists. You can say what you want about their music but their creative identity is so real.

I also have an affinity for classic rock and rollers that have stood the test of time. Guys like Steve Miller, Billy Joel, The Rolling Stones – just to name a few. They give me hope that it’s possible to find longevity in the music industry and that it can be done on your own terms.

Did your style evolve since the beginning of your career?
Absolutely! Like I said, I started out as a rapper. However, that music never really felt authentic or real for me so it gradually evolved into the music I’m making today.

Who do you see as your main competitor?
I know its cliche but myself. I don’t compare myself to anyone else. We’ve all been born into this physical reality, some with more and some with less. It’s about utilizing the opportunities given to your unique human experience to create the best version of yourself. There’s no one in this universe that changes that work for you.

What are your interests outside of music?
I’m a big New York sports fan. I love the Knicks, Jets, Mets and Rangers. I love to hike, play basketball, workout, meditate and do yoga. I love to cook as well. I’m in the kitchen just about every night creating a feast for myself.

If it wasn’t a music career, what would you be doing?
I’ve always said if not for music I would be some sort of exotic travel guide. Basically, just an excuse to travel the world consistently.

What is the biggest problem you have encountered in the journey of music?
Just getting my name out there. I’m from a small town in the mountains so it’s been a challenge just building recognition. But in this modern day of technology and social media, we’re able to do so much while living in rural areas. It’s just a matter of time!

If you could change one thing in the music industry, what would it be?
It’s hard to say. The industry is so fluid and ever-changing as it is that I really don’t think too much about what I’d like it to look like. I focus more on what I want my life to look like and how that plays into the music industry.

Why did you choose this as the title of this project?
I chose Nice to Meet You because I feel it’s a perfect name for a debut project. It’s like “hey, nice to meet you, here I am!” I just loved the effect it had on the project as a whole.

What are your plans for the coming months?
Currently my team and I are working on releasing a live EP with three songs that we recorded with a full band. There are two videos that will be released on YouTube as part of the project, along with the EP releasing on digital streaming platforms on November 24th.

We’re also getting ready to release a full-length LP. We hope to release that in early 2024.

Do you have any artistic collaboration plans
To be honest, not really. I feel as though I have so much work to do on my own right now that I’m just not in a place where I feel collaboration is necessary. We still have to better understand our own creative identity before tying it in with others.

What message would you like to give to your fans?
My whole point for pursing music is to show that our work as human beings is to discover our true passions and then to use them as outlets for the unconditional love of the universe to enter into our physical reality.

I chose music because it spoke to me but everyone has their own unique passion that they themselves must discover. This is the work of the spirit. You must look deep within yourself through open meditation to fully understand what it is you’re supposed to be doing with your time here on earth. And then go do it!

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