Hip-Hop Evolution: The Arrival of GrayBeat's “Diamond Mic”
“Diamond Mic” detonates onto the scene with a mettle as tough as its title suggests. GrayBeat – flanked by Hookdiggy’s potent verses – deliveries with lyricism that dances often the edge of nostalgia and futurism, truly embodying the elegance of Snoop’s vibe juxtaposed with Ice Cube’s fiery critique, all hashed out through Kendrick’s poetic complexities.
Embarking on a rollicking beat ladened with old-school charm reminiscent of boomboxes and breakthrough acts – yes we’re timewarping to blocks where neon was de rigueur – there’s something irresistibly head-bobbing in this track: an ethereal echo challenging hip-hop’s greats without succumbing to mimicry. Their thrilling concoction affirms modern craftsmanship peppering 80s sentiment across every synapse-trigger stack.
Hip-Hop Evolution: The Arrival of GrayBeat’s “Diamond Mic”
Production itself is nothing short of alchemy—retro meet your contemporary wizard. Where sultry lows marry punchy highs crafting cinematic expanses propelling us into infinite cyberspace territories yet grounding us in bedrock fundamentals of rap charisma that keeps “Diamond Mic” orbiting around anthemic realms—a vivacity resurrection worthy for cult count-offs!
It’s more than just clever wordplay crashing parties here; There is discernible clarity shines throughout this threesome exploration portraying serene composure amidst stretching tensions like calmly conversing heartbeats during sirens.
Woven intricately into sonic textures gentle enough to lull yet gutsy in gripping vocal throw-down becomes an irresistible synergy earnestly swinging life-mantras against cold sweats of hot pursuits—an aced test if ever their musical prowess faced it!
“Diamond Mic,” isn’t just another contender waving at legends; it stands sprightly shoulder to shoulder, nodding rightly at its predecessors while audaciously tugging front-liners welcomes aboard resounding Soundship Ant games! What can I say but stay tuned and hold tight—GrayBeat might just have painted vibrancies amplifying not only airwaves but also how Zenned rap traditionals persuade gravity still thrives combust explosive sessions under pressure-in-front Monitors reigning Diamond-speak!”
Time Travels in Tunes: Kid Mammoth's “Past, Present, Future” EP
Embark on a sonic journey through time with Kid Mammoth’s latest EP, “Past, Present, Future.” A treasure trove for alternative rock aficionados and connoisseurs of super catchy anthems alike. Driven by Kerry Henderson’s poignant pensiveness in his lyricism and emotive male lead vocals that shimmer against the backdrop of nostalgic retro guitar riffs.
Kid Mammoth navigates the winding roads paved by our shared human condition—where reverb-drenched vocal cords resonate within us like echoes from days bygone. Here emotion is painted not just in broad strokes but also in nuanced shades of wistfulness and ebullient surrender to living inked across six compelling tracks.
What imbues this collection with magic is its universality; tales spun around identity spirits grappling reality amidst temporal shifts— thoughts awash with youthful bliss now brushing up against the tide of change. Cue anthemic crowd-pleasers laced with an infectious chorus leaving you humming long after the ring fades out.
Time Travels in Tunes: Kid Mammoth’s “Past, Present, Future” EP
The collaboration speaks volumes—a symphonic alliance as Dean Anshutz’s drumbeats pulse convincingly alongside Eric Hall’s electrifying guitar strings, heralding rhythm into battle cries layered upon compositions boasting both polish and raw edginess, honed beautifully from Henderson’s cascade of 125 song ‘sketches.’ Other notable members are Cory Webb – Drums, Seth Bain – Bass and Tom Lasky – Drums
Strap in for complementary whiplashes—from rollicking revels to blanketed strolls down memory lane imbued with mournful undertones. It’s melancholic yet invigorating—as if embracing your teenage self while cognizant of every misstep turned milestone along life’s intricate tapestry. This EP doesn’t just navigate nostalgia; it captures fleeting moments cast anew under today’s light—compelling music lovers to anchor firmly and swing free into ‘the feel-goods’ brilliantly packed in Kid Mammoth’s “Past, Present, Future”. RSVP ASAP because trust me – you’ll want to be part ‘n’ parcel of this auditory evolution!
“Breaking Free”: Rebecca Sichon Commands with Pure Vocals
Rebecca Sichon’s single “Breaking Free” is a true gem in the contemporary R&B scene. Dialing down complexity for sheer emotional power, her voice takes center stage and rightfully so—it’s as silky and welcoming as any vocal performance you’ll yearn to hear repeated.
Brought into existence with Juno-nominated Mathew V and Jared Manierka, this track is all about self-love—breaking away from what holds us back– wrapped in an arrangement that feels both current and timeless. There’s a swelling tenderness in each verse; its slow burn puts you at ease while laying bare our own vulnerabilities.
You listen to this piece, nod along thanks to the relaxing but stirring beat beneath it—and then those vocals hit again: deep digs without the need for fireworks—a testament to Rebecca’s command over your emotions through her spectacular pipes straight out of Vancouver’s vibe-soaked streets.
“Breaking Free”: Rebecca Sichon Commands with Pure Vocals
It doesn’t bog you down with heavy hands but carries production quality underpinning every note like delicate brushstrokes on an impressionist painting. So whilst Britain may have Adele serenading heart-torn tales, across the pond we’ve got bright shards of free-falling soul resonating in Sichon elixirs ready for affectionate playback thrice over.
“Breaking Free,” encapsulating more than just easy listening tunes—it invites hopefulness into your rhythm-seeking souls who fancy that kind of thing. It elegantly twines feelings around melodies assuredly etching themselves in mental soundtracks meant for softly lit evenings or retrospective pauses within fast-pacing worlds.
Matt DeAngelis Breaks The Ice With 'All Good Things
“All things must come to an end” this line in Matt DeAngelis’ latest single, “All Good Things” is mind-boggling. This phrase is self-explanatory, as regardless of what we are going through, there is always an end to it. But don’t think this is going to be one of those soul-depressing songs, because it isn’t.
All Good Things” is a song written about the conclusion of childhood and the transition into adulthood. While it is true that the carefree times of childhood are coming to an end, bigger and better things are in store for the future, even though it signals your innocence has been left behind. Departing from what one has known in some of the happiest times in their life is certainly no easy release, but must be done by all….
This according to Matt DeAngelis was the main inspiration behind “All Good Things” The song is full of inspiration and what I really like about the song is the laid-back nature of it, while the vocals are soothing and nostalgic and the instrumentation is full of bliss.
In a recent interview with Mister Styx of Musicarenagh Matt disclosed Outside of music, one of his other main interests is meteorology and revealed he is a storm chaser and have been chasing storms for a number of years now.
He even appeared on the popular Weather Channel television program “Deadline to Disaster” for documenting a damaging tornado. This has been his greatest accomplishment as a stormchaser thus far.
In the interview, Matthew DeAngelis delved deeper into his personal life and some of the battles he faces both personally and musically.
Is there a story behind your stage name? While there is no exciting story about my stage name, my legal name is Matthew DeAngelis, but I felt shortening my first name to Matt was better for the stage.
Where do you find inspiration?
I find inspiration as a songwriter in many areas of my life. The most notable are from the world around me, more specifically the global issues we all face and the events that ensue. I am an advocate for mental health and also for climate change, promoting ways we as humans can look after one another and our world.
What was the role of music in the early years of your life?
During the early years of my life, both of my parents were heavily involved in my musical influences. I began studing classical piano at age 9, but had began wrting my first songs at age 8. I was doing piano competitions and also played with the Rock University band when I was 10. I have been honing my craft ever since to become the songwriter and performer I am today.
Are you from a musical or artistic family? My family is very musical and artistic. My father is a professional musician and composer, while my mom is a poet and has been writing for many years. Many other members of my family are involved in either music or the arts, as well.
Who inspired you to be a part of the music industry? As I said, my dad is a professional musician and composer and was a main staple in my desire to become a professional musician. Although I had formal training at the piano, my dad tutored me as a musician for many years and continues to do so. Both of my parents have been incredibly supportive over my career thus far, as I credit them to any success I have. I am blessed to have such a strong support system that has propelled me into a career in the music industry.
How did you learn to sing/write/to play?
As a singer and songwriter, I am mainly self-taught, but my dad mentored me as a musician, mainly on the piano and keyboards. Growing up in such a musical household, it was quite easy for me to go to the piano and begin learning how to write songs and play. Singing was an art that has developed for me over time, but is something I can always remember doing. I later studied voice with a formal teacher that has been more than beneficial especially playing live.
As a singer and songwriter, I am mainly self-taught, but my dad mentored me as a musician, mainly on the piano and keyboards.
hat was the first concert that you ever went to and who did you see perform? The first concert I ever went to was to see the band The Musical Box, when I was 12 years old. They performed the well-known concept album “The Lamb Lies Down On Broadway,” originally written by the progressive rock band Genesis. This was an incredible experience and one that inspired me even more to be a professional musician and performer.
How could you describe your music? The best way I can describe my music is progressive pop. My songs have elements of classic and progressive rock, but also characteristics of pop music through key hooks and melodies that resonate with many audiences. I have always believed that strong beautiful melodies endure forever.
Describe your creative process. I do not always have a set creative process. Each time I write, the process is often different. I may begin by writing lyrics on one occasion, but start at the piano or guitar on another. Sometimes I create a melody on the spot, but other times I may write an entire song lyrically before even thinking about adding music. Whatever the case may be, I feel it is important for me to let the creative process come naturally.
What is your main inspiration?
My main inspiration would have to be my focus on worldly events and climate, but also having God as a foundation for my songs. I pride myself on adding a positive spin to all of my songs and offer hope for a brighter future. Having had to deal with OCD my entire life, I have had to rely on God to help me deal with the intrusive thoughts and anxiety that are part of the condition. I had to learn early on that I can’t survive without turning a negative into a positive.
What musician do you admire most and why? My first main musical inspiration growing up was the early music of David Bowie, as I have always admired him a great deal. Not only are his songs incredible, but tell a story that inspire me each time I listen. Aside from his musical and writing abilities, I always admired David Bowie as a performer and the way he was able to evolve as a musician over time.
Did your style evolve since the beginning of your career? When I first began writing, my songs were always progressive and had many parts, often totalling over at least seven minutes per song. I have since evolved as a progressive pop songwriter, where I have maintained my roots of writing detailed music, but have also incorporated elements of pop in my songs. This evolution has taken place over a number of years and I feel I am still evolving as a songwriter.
Who do you see as your main competitor? While I cannot pinpoint a main competitor, the music industry in general is incredibly competitive. As a musician and performer, I need to be on the top of my game at all times.
What are your interests outside of music? Outside of music, one of my other main interests is meteorology. Aside from being a professional musician, I am a storm chaser and have been chasing storms for a number of years now. I have even appeared on the popular Weather Channel television program “Deadline to Disaster” for documenting a damaging tornado. This has been my greatest accomplishment as a storm chaser thus far. I am also an advid photographer, primarily shooting weather photos.
If it wasn’t a music career, what would you be doing? While my music career is the most important aspect in my life, I am also an avid weather fan and storm chaser. My love for meteorology and storm chasing has been with me for many years, dating back to early childhood. I also have a degree in inclusive education and teach science and social studies to 4th and 5th graders. I have also begun teaching piano to beginners on my YouTube channel.
What is the biggest problem you have encountered in the journey of music? One of the biggest challenges I face as a solo artist is distributing my music to all possible platforms and increasing engagement with fans. It is a challenge because of the competitiveness of the industry, but also difficult just being a solo artist.
If you could change one thing in the music industry, what would it be? I would change the way music is being distributed. I feel that we have developed an excessive obsession for technology, and while there are a number of benefits, I believe that the music industry longs for the days when more things were done in an analog fashion–from recording to making an actual “record.”
There is so much more that can be incorporated, everything from artwork to liner notes. My recording process continues to be organic. Everything is written out and played by the great group of musicians who have been making recording with me over the past 5 years.
Why did you choose this as the title of this project? ‘All Good Things” is a song written about the conclusion of childhood and the transition into adulthood. While it is true that the carefree times of childhood are coming to an end, bigger and better things are in store for the future, even though it signals your innocence has been left behind. Departing from what one has known in some of the happiest times in their life is certainly no easy release, but must be done by all.
For those listening to this song, I intend for you to use my words to help you through the conclusion of your dependence and introduction to independence in life. While the future may seem frightening and unknown, acknowledge that while all good things are coming to an end, greater things await you for the rest of your life.
What are your plans for the coming months?
I plan on continuing to release new original singles and music videos, while also songwriting and performing live at many venues throughout the Mid Atlantic region.
Do you have any artistic collaboration plans? I have recently worked with the great Richie Cannata–Billy Joel’s original sax player. He will be featured on one of my new releases early in 2024. I have also worked with the great Chesta Davis gospel singers on that same release.
What message would you like to give to your fans?
I would like to thank my fans for their endless support. Without them, none of my success would be possible. I would also like to tell my fans that there is new music on the way, so stay tuned!
When I heard U2’s songs ‘Bad’ and ‘Unforgettable Fire’, that changed my life. That was the moment I decided singing is what I wanted to do” – this according to Jason Shand, is what ignited the musical torchlight in him.
Jason Shand, a New York City-born and raised singer, songwriter, and recording artist. Although he started music after college, Jason has done so much for himself in developing himself that he auditioned for a band in Boston and later became their frontman.
He admits the band really helped in perfecting his craft, but after some time the artistic dream in him was heightening, and as a result, he had to go solo, he began to write his own song since then, he took inspiration from for his personal life and his surroundings.
More of this was shared in a recent interview with Mister Styx of Musicarenagh, in the interview Jason Shand shed more light on his latest single ‘Selfish Bitch”
“Selfish Bitch’ is about an individual who has trouble fitting into the world around them and as a defense mechanism may come off as very selfish due to the hurt and heartache they experience… or perhaps they are simply just very selfish, but it’s hard to get a handle on where the one possibility delineates from the other.
Is there a story behind your stage name?
No, that’s my name. 🙂
Where do you find inspiration?
I’m generally a slice of life songwriter. I write about what’s going on around me, what’s going on in my life, or the lives of others that I observe, much to my family and friends chagrin.
What was the role of music in the early years of your life? Always loved music and loved all kinds. If it’s a good song, I love it, no matter the genre.
Are you from a musical or artistic family?
Kind of but not really? Growing up, my mother played piano in the house and she was very good… but it was more of a hobby as she was a United Nations diplomat. I was a United Nations kid. I wasn’t surrounded by musicians/artists.
Kind of but not really? Growing up, my mother played piano in the house and she was very good
Although I do recall a United Nations colleague of my mom was a singer on the side – he played a recording he had done – he was actually pretty good – and I remember being fascinated by that… but too shy to inquire further. I must have been 8 – 10 years old.
Who inspired you to be a part of the music industry?
When I heard U2’s songs ‘Bad’ and ‘Unforgettable Fire’, that changed my life. That was the moment I decided singing is what I wanted to do. Peter Gabriel and Seal would also inspire me. Perhaps I should back track and say my older cousin inspired me as it’s her record collection that I listened to. Throw in Queen and the Eagles as well.
How did you learn to sing/write/to play?
I didn’t pursue music until after college. That’s when I gathered up the courage to go and try an audition. It was an unknown world to me. My first audition was for a rock band in New York City, and I practiced so hard for this audition and by the time it came about, I had no voice left.
My voice would break whenever I would try to reach a high note, and it should’ve been very embarrassing for me. I didn’t know how to sing back then. I didn’t know how to sing from my diaphragm, etc. But the weird thing is, I left the audition feeling fantastic that I had put myself through that. That I had garnered the courage.
A year later, I would audition for a band in Boston. These guys were consummate musicians and the principle songwriter was fantastic. They all went to either Oberlin or Berkeley. They were a headlining band, and they took me with the condition that I get voice lessons.
So with my first band and only band that I was ever in, I crammed learning how to sing, and learning how to be a front man, and unknown to me at the time, I was soaking up how to write songs as well… good songs. I lucked out finding these guys. They taught me work ethic.
I had written only one song during my five years with this band. But it’s only after I left that band when I tapped into songwriting big time. I had no choice. I left the band because the artist in me was beginning to assert itself, and I wanted different things in the way the music was arranged. But having not written many songs at that time, no one would really listen to me. I had to go off on my own and it was a hard thing to do but I’m happy I did.
I had written only one song during my five years with this band. But it’s only after I left that band when I tapped into songwriting big time. I had no choice
What was the first concert that you ever went to and who did you see perform?
Tina Turner. Simply incredible.
How could you describe your music? Art rock? Adult alternative? Thinking man’s pop? Obviously, I’m under the umbrella of pop music. And there are many influences: rock, electronic, singer songwriter… I do my own thing I guess?
Describe your creative process. As mentioned before, I write about things that are going on in my life. And it just hits me when it does. I go through creative spurts. Sometimes I’m dry like the Sahara desert idea wise, other times it’s very fertile ground. Depends if I’m inspired. But I may have a melody or a lyric that will hit me which would be the tree trunk of the song, and then the branches would write themselves, sometimes very fast, or sometimes painfully slow.
‘Selfish Bitch’ was mostly written fast, but it waited probably eight or nine months for the second chorus lyrics to finally come to me.
What is your main inspiration?
Interpersonal relationships whether they be romantic, platonic, familial. They are so complex.
What musician do you admire most and why? Peter Gabriel? He’s just so cool.
Did your style evolve since the beginning of your career? For sure. After leaving the rock band in Boston, it took me quite some time to find myself as I was on the sidelines for a while, just soaking it all in. I would record things but not release them. I was always tinkering. Glad that is behind me.
I’m proud to have come to a place where I write my own music and lyrics and produce my own tracks. And I release them lol! It’s a blessing. I’ve become what I’ve envisioned and I’m so thankful.
Who do you see as your main competitor? Me. I don’t have a mentality of looking at other musicians as competitors.
What are your interests outside of music? Tennis. I used to be very good. Wanted to be a professional tennis player. That did not work out but I’m still very passionate about the sport.
If it wasn’t a music career, what would you be doing? Anything but a desk job. That would kill me.
What is the biggest problem you have encountered in the journey of music? In this digital era, there’s so much noise and peoples attention spans are fleeting. I just put my head down and keep doing what I love.
If you could change one thing in the music industry, what would it be? Artists getting paid what they deserve to be paid.
Why did you choose this as the title of this project? ‘Selfish Bitch’ organically evolved into the topic of not knowing what’s beneath the surface of someone in juxtaposition to how they come across.
‘Selfish Bitch’ is about an individual who has trouble fitting into the world around them and as a defense mechanism may come off as very selfish due to the hurt and heartache they experience… or perhaps they are simply just very selfish, but it’s hard to get a handle on where the one possibility delineates from the other.
The symbol of forgiveness is featured on the artwork for the single – the message being that one never knows what’s going on beneath the surface and that forgiveness and understanding may be in order… or maybe not.
What are your plans for the coming months?
I’ve done a lot of recording and will be releasing a few singles for the next few months. I plan to start playing out again in 2024 as I’ve been on a hiatus from the stage since February of this year.
Do you have any artistic collaboration plans? Nothing defined. Working on it. 🙂
What message would you like to give to your fans? Singles aplenty are coming, and see you on stage in ’24!!
Come Along As We Join Fat Bottomed Boys To Sing 'La La La'
We would all agree to the fact inspiration comes in different forms, but when it comes to “The Sgt.,” who is the singer for Fat Bottomed Boys, you would be marveled to know his source of inspiration. In a recent interview with Mister Styx of Musicarenagh he disclosed where his inspiration comes from
“I find inspiration in everyday life. My dog, my son, my love stories, the people who annoy me.”
You might find this strange, but when you listen to the music of “Fat Bottomed Boys” you will understand this better, to make this easier, let me introduce you to their latest single which is titled “La La La”
In a way you can say “Fat Bottomed Boys” is the reincarnation of the band “Queens,” yet their sound is true and original. The duo creates retro music that carries you away and takes you on a musical journey of bliss, wonderful instrumentation, and breathtaking lyrics.
“La La La” channels the spirit of Queen, particularly the iconic songwriting of drummer Roger Taylor, while bringing a captivating modernity to their music.
In the interview, The Sgt. shed more light on his musical growth and some of the challenges he has faced on his musical journey, join us as we uncover who The Sgt. is outside of music.
Is there a story behind your stage name?
It’s simply my surname. Here’s the scoop: my real name is Thibaut Sergent.
Where do you find inspiration?
I find inspiration in everyday life. My dog, my son, my love stories, the people who annoy me. Anything can be a pretext for a song, you just have to find the right angle.
What was the role of music in the early years of your life? Music has played a major role in my life. A whole new world opened up to me when I discovered Queen at the age of 9, and I immediately became a ‘fan’. Since then, there’s nothing that drives me more than trying to follow in the footsteps of my idols.
Are you from a musical or artistic family? Not at all! And I didn’t have the chance to go to music school, learn music theory or play an instrument when I was young. I learnt the rudiments of the guitar when I was a teenager. In fact, I learned to play like a right-handed person, even though I’m left-handed, because the only guitar I had was a right-handed one. The same goes for singing and the ukulele: I’m self-taught.
Who inspired you to be a part of the music industry? I think it’s impossible not to mention Queen, who remain my absolute role model. But I also have a lot of admiration for The Beatles, The Doors, Led Zeppelin, Pink Floyd, Oasis, Jet…
I think it’s impossible not to mention Queen, who remain my absolute role model. But I also have a lot of admiration for The Beatles,
How did you learn to sing/write/to play? All by myself! I’ve been writing lyrics since I was a teenager. Initially, they weren’t songs. In fact, I’m very keen on writing short stories, and I’ve also started writing a novel. Writing songs is a bit different. The first difficulty is writing in English, which is not my mother tongue. But it allows me to find – I think – simple and effective phrases, which is perfect for rock music.
What was the first concert that you ever went to and who did you see perform? My first concert was The Offspring, in March 2004. I skipped school to go with my best friend. I was in the front row, having never been to a concert before, I started off with a punk-rock concert, complete with pogos, slams and all that. Crazy atmosphere!
How could you describe your music? Our music is a tribute to our favorite band, Queen, through original compositions. If you hate Queen, you’re unlikely to like the music of Fat Bottomed Boys. If you love Queen… Go and listen to our 4 albums!
Describe your creative process. There isn’t really a predefined recipe. Everyone writes and composes, even if we all have our own pre-dispositions and personal preferences.
A song can be born from a guitar riff, a piano melody or pre-existing lyrics.
In the end, it’s Elash, our maestro, who takes care of the arrangements that make the songs sound like Queen.
What is your main inspiration? Queen, of course!
What musician do you admire most and why? At the risk of sounding like a mono-maniac, Freddie Mercury, Brian May, Roger Taylor and John Deacon. They managed to create music for over 20 years, without ever repeating themselves. They mixed genres, they managed to make complex music popular, and took music to the next level. And then on stage, what a show!
Did your style evolve since the beginning of your career? I’d say that with Fat Bottomed Boys, the more time passes, the more freedom we give ourselves. We’re not trying to imitate Queen, or reproduce this or that song. Sometimes a song doesn’t sound like Queen, and that’s fine. That was unthinkable at the very beginning of the project.
Who do you see as your main competitor? We are fortunate to be the only group to explore this concept. Maybe because it’s a bad idea? I’m joking!
Queen fans can be very demanding and sometimes a bit narrow-minded, when it’s not the great Freddie Mercury himself. It’s impossible to compete with the absolute master and so… I think our biggest rivals are Queen!
What are your interests outside of music? I love stories, which is why I like writing and watching movies. I also like to eat. I like to eat *too* much. That’s why I do sport: to avoid becoming a Fat Bottomed Boy.
And I love dogs.
If it wasn’t a music career, what would you be doing? Music is not my main profession. I’m an industrial IT engineer. That’s why we have to become rock stars: I can’t do this job any more!
What is the biggest problem you have encountered in the journey of music? Our biggest problem is expanding our audience. It’s very difficult these days to find a place among the plethora of music available on streaming platforms. Generally speaking, when people listen to our music, it doesn’t leave them indifferent… But we still have to reach the ears of our potential listeners.
If you could change one thing in the music industry, what would it be? No longer to consider music as a commercial and consumable object. And to focus on quality.
Why did you choose this as the title of this project? Fat Bottomed Boys is a direct reference to a Queen song: Fat Bottomed Girls. As we’re not girls, we had to change the name a little.
What are your plans for the coming months? Our 4th album ‘Haters Gonna Hate’ will be released on 24 November 2023. We will be promoting this new album on the next months. Concerts are planned in Paris, Lille and London.
And we’ve already got tracks for our 5th album, which will almost certainly be the soundtrack to a novel by our friend Craig Mulhall, an Australian author.
Do you have any artistic collaboration plans On our album ‘Haters Gonna Hate’, we recorded a duet with the band Secret Garden & The Dusty Man. They play bluegrass, and it wasn’t an obvious collaboration, since our styles aren’t very compatible at first sight. But that’s the magic of music: the track that came out of this collaboration is one of the highlights of the album.
What message would you like to give to your fans? Where are you?
Fat Bottomed Boys will be in concert in London on November 26th at The Fighting Cocks.
More info on fatbottomedboys.fr
Have A Listen Of Freddie Sunshine's Sad and Beautiful "Goose"
Gradually, Freddie Sunshine is gaining popularity with his monthly song releases in 2023, and his latest release, “Goose” is one of those amazing collections. Goose has two amazing songs on it titled, “Threshold”, and “Little Bit”
With over 9 million listens on Spotify in the past year and a growing fan base, people were eager to hear this one. Each song has a unique theme yet psychedelic a mix of modern indie music and darker sounds, with lyrics that look inward.
“Threshold,” is the first song and one thing I love about it is the dark drum licks that opens the tracks, Freddie allows the instruments do the talking before he graces it with his unique vocals, he has this melancholy voice that makes the song even more darker.
The beginning of the song says that the singer knows they don’t meet their partner’s “threshold.” This means that there is a certain level of acceptance or standard that the he cannot reach. this realization has made him sad and as a result affected their relationship as expected.
While listening to the song, Freddie reveals he wants to be more independent and not always rely on his partner’s approval on who to be. They’re tired of pretending and not being true to themselves. It’s like they used to expect their partner to fix everything for them, but now they want to change that.
While ‘Little Bit” exploits the singers inner thoughts, the lyrics express the battles he fights within, with lyrics likes
“I feel a little bit of heaven When the sun hits my skin I feel a little bit of hell When I cheat up on my bitch I guess I’m going straight to hell Cause God I’m full of fucking sin”
You have a perfect idea of the message Freddie Sunshine is sending across, although the message words are personal, the message is relatable as we all have at a point judge ourselves. The use of relatable phrases gives each individual a personal feel of “Little Bit”.
You hardly come across individuals who are willing to step out of their comfort zones to an uncharted land, but that is not the case with Natalie Clark. Natalie Clark left her career as a teacher to pursue music full-time, a risk worth taking, let me tell you why.
Ever since she released her EP ‘One By One’ in 2021, LA-based Scottish artist Natalie Clark has shown no sign of slowing down and as proof of her growth and versatility, she is out with a new one which she titles “Freedom”.
“Freedom” is a gospel-inspired pop song. Natalie’s distinct voice can be heard singing in the background as “Freedom” opens with a beautiful piano a sweet and soft melody. The drums, guitars, and engaging harmonies are added to the song as it progresses.
“Freedom” is a gospel-inspired pop song.
Listening to “Freedom,” you can tell she put in much effort during the songwriting process, as the lyrics are relatable and mind-boggling. These are day-to-day experiences that affect every human.
The song’s theme is not lost in all this as she inspires her audience to persevere in the face of adversities, to persevere through life’s challenges, and to appreciate their accomplishments.
To Natalie Clark “Freedom” may represent her new found love, which is chasing her dreams and doing what she likes to do best, ‘sharing her thoughts and emotions through music’. ‘FREEDOM’ marks one of her most engaging and enticing releases to date.
Shane Rennison Talks About Latest EP 'Nice To Meet You'
While most people like to perform under a moniker, Shane Rennisonfelt detached when she used a pseudonym. Previously, he released songs under the moniker “Rennii” but according to him, he often felt detached from the music he was making.
It wasn’t until 2019 that Shane Rennison bought a guitar, and that was when the fire-burning desire in him was rekindled. Since then, he has dedicated his life to sharing awesome music with music lovers across the globe, and a bit of that is his latest EP which is titled “Nice To Meet You.”
In a recent interview with Mister Styx of Musicarenagh, Shane Rennison was asked the real inspiration behind “Nice To Meet You” and this is what he had to say:
“I chose Nice to Meet You because I feel it’s a perfect name for a debut project. It’s like “hey, nice to meet you, here I am!” I just loved the effect it had on the project as a whole.”
Nice To Meet You” contains five tracks that are like a sneak peek into the life of the sensational singer and songwriter. The EP is a blend of Shane’s favorite a blend of pop, rock, and rap.
In the interview, Shane Rennison delved deeper into his personal life and shared some of his achievements as well as the challenges that he has faced on his musical journey.
Is there a story behind your stage name?
I decided to start releasing music with my real name as a metaphorical way of bringing authenticity to my projects. I used to release music under the moniker Rennii and I often felt detached from the music I was making.
Where do you find inspiration?
At this point in my life, inspiration can come from anywhere. I work really hard spiritually to connect to the highest vibrations of love that exist in the universe so every moment of every day feels so fresh and alive. Therefore, something as simple as cooking a nice meal can be inspiring for me. Life is so awe-inspiring. It’s just a matter of us gaining that perspective.
What was the role of music in the early years of your life?
I’m kind of a late bloomer when it comes to being a musician. I played the trombone in middle school but never really took it seriously. In 2019 I bought my first guitar and as soon as I started learning, I knew it was something I wanted to dedicate my life to.
Are you from a musical or artistic family?
To be honest, not really. I come from a family of hard workers, which is where I get my work ethic from but I have no musicians in my direct family. A few distant cousins here and there played some instruments but no one that would’ve inspired me at a young age to pursue music. That being said, my dad is a classic rock and roller from the ‘70s so there was always good music being played in the house.
Who inspired you to be a part of the music industry?
There’s really no person that I can point to as someone who inspired me to be a part of the music industry. I just had this feeling when I started learning music theory that it was something I was supposed to be doing with my time on earth. It just felt so right I knew almost instantly that I had to get started and see how far I could take it.
How did you learn to sing/write/to play?
A lot of YouTube videos! I just started looking up basic exercises on the guitar and piano and coupled that with a consistent vocal routine.
Writing music kind’ve came naturally to me. I have this innate ability to hear clear, unique melodies. So it was really a matter of learning instruments and music theory so that I could better understand these melodies that I was hearing in my head and get them out efficiently and effectively.
What was the first concert that you ever went to and who did you see perform?
Super random but my family and I actually own a kettle corn business. One of the venues we do is Bethel Woods Performing Arts Center in upstate New York. So basically from the time I was 8 years old, I’ve seen some of the best musicians stepping on the stage. Crosby, Stills, Nash and Young, Deep Purple, The Eagles, Elton John – just to name a few. I’m extremely fortunate for this!
Shane Rennison Talks About Latest EP ‘Nice To Meet You’
How could you describe your music?
I usually describe my music as a blend of pop, rock and rap. My three favorite genres!
Describe your creative process. My process is mostly about creating a safe space in which to create. As a musician, I work tirelessly to become a true instrument of the universe so that the highest vibrations of love can manifest through my medium (music). Therefore, I just have to create ideal conditions for the spirit to flow through me.
This means I have to be in a comfortable setting so that I can fully surrender to the creative flow of energy. Once I have that space, it’s just about finding the right tool (instrument) to “get out” whatever is trying to manifest in that moment. And then once I feel comfortable in my space and I’ve found the right tool for the moment, the energy guides me in manifesting my spirit’s intention.
It’s hard to articulate because it’s become such a spiritual practice for me but it’s gotten to the point where I can create that space pretty easily and work consistently on new material.
What is your main inspiration?
Honestly just life in general. I’ve worked hard over the past few years to develop a healthy, spiritual regimen and this has allowed me to be fully present in each moment. Therefore, every moment of every day just feels so alive and rich.
We are all connected as one pure moment of energy and so through this understanding I am able to conjure up motivation and inspiration from just about anything. There’s magic all around us!
What musician do you admire most and why? In modern times, I’d say Harry Styles and Miley Cyrus. They’re just two prime examples of true artists. You can say what you want about their music but their creative identity is so real.
I also have an affinity for classic rock and rollers that have stood the test of time. Guys like Steve Miller, Billy Joel, The Rolling Stones – just to name a few. They give me hope that it’s possible to find longevity in the music industry and that it can be done on your own terms.
Did your style evolve since the beginning of your career?
Absolutely! Like I said, I started out as a rapper. However, that music never really felt authentic or real for me so it gradually evolved into the music I’m making today.
Who do you see as your main competitor?
I know its cliche but myself. I don’t compare myself to anyone else. We’ve all been born into this physical reality, some with more and some with less. It’s about utilizing the opportunities given to your unique human experience to create the best version of yourself. There’s no one in this universe that changes that work for you.
What are your interests outside of music?
I’m a big New York sports fan. I love the Knicks, Jets, Mets and Rangers. I love to hike, play basketball, workout, meditate and do yoga. I love to cook as well. I’m in the kitchen just about every night creating a feast for myself.
If it wasn’t a music career, what would you be doing?
I’ve always said if not for music I would be some sort of exotic travel guide. Basically, just an excuse to travel the world consistently.
What is the biggest problem you have encountered in the journey of music? Just getting my name out there. I’m from a small town in the mountains so it’s been a challenge just building recognition. But in this modern day of technology and social media, we’re able to do so much while living in rural areas. It’s just a matter of time!
If you could change one thing in the music industry, what would it be? It’s hard to say. The industry is so fluid and ever-changing as it is that I really don’t think too much about what I’d like it to look like. I focus more on what I want my life to look like and how that plays into the music industry.
Why did you choose this as the title of this project? I chose Nice to Meet You because I feel it’s a perfect name for a debut project. It’s like “hey, nice to meet you, here I am!” I just loved the effect it had on the project as a whole.
What are your plans for the coming months? Currently my team and I are working on releasing a live EP with three songs that we recorded with a full band. There are two videos that will be released on YouTube as part of the project, along with the EP releasing on digital streaming platforms on November 24th.
We’re also getting ready to release a full-length LP. We hope to release that in early 2024.
Do you have any artistic collaboration plans To be honest, not really. I feel as though I have so much work to do on my own right now that I’m just not in a place where I feel collaboration is necessary. We still have to better understand our own creative identity before tying it in with others.
What message would you like to give to your fans? My whole point for pursing music is to show that our work as human beings is to discover our true passions and then to use them as outlets for the unconditional love of the universe to enter into our physical reality.
I chose music because it spoke to me but everyone has their own unique passion that they themselves must discover. This is the work of the spirit. You must look deep within yourself through open meditation to fully understand what it is you’re supposed to be doing with your time here on earth. And then go do it!
"Meet LÖNA: The Twins Behind Dark Electro Pop Music"
‘LÖNA’ is a fast-rising musical duo whose sole purpose is to create electro pop music and share their emotions with the rest of the world. Join me as we dig deeper into the lives of Madelon and Danielle, the twin sisters who make up this unique musical act.
We began by asking them about the reason behind choosing their stage name, and their response was interesting, they explained that ‘Löna’ is a Swedish word that means “valuable,” and it gives their name a Scandinavian touch, something that can point to their root.
They continued to say,
“Our songs are a reflection of our personal lives – real and heartfelt. They’re our experiences and raw emotions. And we get inspired by any dark and melancholic sounds or music.”
When asked about the main inspiration behind their latest single “Game” they said:
“Our latest song is called ‘Game.’ It’s a metaphor for dating, akin to a game of poker. Just like in the game, dating can be fun, sometimes someone’s bluffing, and it’s equally capable of yielding big wins or painful losses. Drawing this parallel adds an intriguing layer to the song’s narrative.
‘LÖNA’ had a lot to share with their fans and their final message to their fans is touching and inspiring, you can tell this duo has their fans at heart now join us as we delve deeper into the lives of the duo and who they really are outside music
Is there a story behind your stage name?
We wanted a name with a Scandinavian ring, resonating with the dark, haunting beauty of the Scandinavian landscapes. “löna” means “valuable” in Swedish, which adds a touch of significance.
Where do you find inspiration?
Our songs are a reflection of our personal lives – real and heartfelt. They’re our experiences and raw emotions. And we get inspired by any dark and melancholic sounds or music.
What was the role of music in the early years of your life? / Are you from a musical or artistic family?
We’re twins who grew up in a home where music was always playing, though we didn’t have any musical family members. We both started piano lessons at the age of 9, and Danielle picked up the guitar at 14 and we then both started the beginning of our songwriting journey. And when Danielle, at 15, cracked Logic Pro X, a software for music production, her producing talent flourished.
Who inspired you to be a part of the music industry?
We draw our inspiration from the darker, more electronic side of music. Artists like BANKS, Sevdaliza, Lana Del Rey, Tove Lo, and AURORA have a profound impact on us. We aim to express our feelings and experiences through our music, connecting with our audience on a deeper level.
How did you learn to sing/write/to play? Our musical journey began with classical piano lessons at the tender age of 9. Danielle later added a guitar to the mix, and that’s when we started writing our own songs. We learned by doing, by simply diving headfirst into the world of sound and expression.
Our musical journey began with classical piano lessons at the tender age of 9
What was the first concert that you ever went to and who did you see perform? We think our first real concert experience was Laura Jansen’s performance at Paradiso in Amsterdam when we were around 14 years old.
How would you describe your music? We like to call it “dark electro pop.” It’s a fusion of pop songs with electronic beats and a touch of darkness and melancholy that defines our unique sound.
Describe your creative process. Typically, it all starts with Madelon, who often has a melody and lyrics swirling in her head. These lyrics are drawn from real-life encounters and experiences. She then sits down at the computer, starts writing, finding the right chords and rhythm. Once the song is taking shape, it’s passed on to Danielle, who adds different instruments and sound, and voila – a LÖNA song is born!
What is your main inspiration?
Life itself is our main muse. The ups and downs, the joy and sorrow – all of it feeds into our music. And also inequality is a topic we write about.
What musician do you admire most and why?
Thom Yorke is a towering figure in our admiration list. His exceptional voice and the ethereal compositions of Radiohead have a captivating effect. Their ever-evolving sound and ability to touch the soul with every album are truly inspiring.
Did your style evolve since the beginning of your career?
Most definitely! Our musical journey started with acoustic singer-songwriter tunes, morphed into rock when we joined bands, ventured into psychedelic rock, and finally found our niche in dark electro pop. We’ve even swapped some human elements for the electronic beats, except for our live performances.
Who do you see as your main competitor?
It’s hard to pinpoint a direct competitor. We’re crafting a unique blend of music that doesn’t have many direct parallels. It’s a bit like BANKS and AURORA, they also write their names in caps ;), so perhaps they could be our friendly rivals!
What are your interests outside of music?
Madelon has a talent for fashion and designs her own clothing when she’s not immersed in music.
If it wasn’t a music career, what would you be doing?
Music will always be our passion. We’d likely be working in the music industry, helping other musicians bring their art to life.
What is the biggest problem you have encountered in the journey of music? Sexism in the music industry is a significant challenge, casting shadows on the creative process and equal opportunities for all. Luckily, it is certainly not a lot of our experience, but things do happen too often.
Why did you choose this as the title of this project?
Our latest song is called ‘Game.’ It’s a metaphor for dating, akin to a game of poker. Just like in the game, dating can be fun, sometimes someone’s bluffing, and it’s equally capable of yielding big wins or painful losses. Drawing this parallel adds an intriguing layer to the song’s narrative.
What are your plans for the coming months?
In the coming months, we’re planning to release several more songs, taking it slow and steady. By the end of 2024 or the beginning of 2025, we aim to drop a full album.
What message would you like to give to your fans?
Embrace your uniqueness! You can enjoy dark music and still lead a happy, fulfilling life. Stay true to yourself and let our music be a part of your extraordinary journey.
'Leonardo the Space Pianist' Takes Us To Space With His Ethereal Sound 'Chrysalis'
Guys I found a masterpiece and it would be unfair on my part if I don’t introduce Chrysalis by Leonardo the Space Pianist to you, I am sure you are wondering why anybody would want to call themself a space pianist, hold on tight because I am going to share with the reason.
Leonardo the Space Pianist performs under that moniker because he is actually an aerospace engineer! Yet that didn’t stop him form following his passion because his music has being to space twice and he is current working on going onboard the International Space Station for the third time with the ASTROBEAT project next year.
During a recent interview with Mister Styx of Musicarenagh the multi-talented artist revealed a lot about his personal experience and also shared his personal mantra, something that keeps him going, interview Leonardo the Space Pianist shared some of his interest outside music and some of the challenges he faces on his musical journey.
Leonardo is a pianist who has spent years of his life perfecting his craft, although his music mostly doesn’t contain any vocals just like Chrysalis but listening to it you can feel the emotions behind every keynote he plays.
“Chrysalis is a story of resilience, a space music composition that depicts the concept of a chrysalis, a vessel for transformation, through a vivid musical landscape.”
Says Leonardo the Space Pianist, he continued to say
“Imagine a dimly lit stage adorned with a mysterious cocoon, barely discernible in the soft glow. The sounds evoke the cocoon’s nascent awakening.”
What is your stage name Leonardo the Space Pianist
Is there a story behind your stage name?
I am a pianist and an aerospace engineer! My music went to Space already twice, next year will go onboard the International Space Station for the third time with the ASTROBEAT project and I am working every day on the Dream I had when I was 12 years old, playing the piano being in Space.
Where do you find inspiration?
From the Universe and studying it in its different forms.
What was the role of music in the early years of your life?
I discovered my passion for music and the piano when I was 6 years old. I created my first compositions when I was 7 years old, since then I never stopped. My mantra is Nullo die sine nota, not a day without a note. Music definitely is shaping me in becoming who I was.
Are you from a musical or artistic family?
No, but my father is really passionate about music and was fundamental in inspiring me to start playing the piano when I was a kid.
Who inspired you to be a part of the music industry?
Jordan Rudess, Dream Theater’s keyboardist and a world-class artist that I consider one of my Mentors.
How did you learn to sing/write/to play?
I have a classical background, I got my degree at the Music Conservatory in Italy, I studied also composition for few years and the experience on stage and studying by myself taught me a lot during my journey.
I have a classical background, I got my degree at the Music Conservatory in Italy,
What was the first concert that you ever went to and who did you see perform?
I don’t really remember, I was too young.
The first one I have memory of is probably the concert of the classical pianist Filippo Gamba, winner of the ‘Premio Venezia’ piano competition, when I was 6-7 years old, so in 1990 I guess.
How could you describe your music?
I can describe it as…space-y! It has cinematic vibes, often experimental/avant-garde and with a nuance of melancholy.
Describe your creative process.
It is very difficult to summarize in few words, since it is a…process. Multi-layered, with a constellation of parameters constantly changing. The human soul is extremely variable and this influences everything we create.
Everything can be a source of inspiration that later on is filtered and processed into a ‘final product’, but at the same time I can say that not necessarily you need something or someone to inspire you to create something from zero.
What is your main inspiration?
Space and the legacy of huge Artists.
What musician do you admire most and why?
S. Bach, because he is the Immortal God of Harmony (cit.) and he will never die.
Did your style evolve since the beginning of your career? Of course…and a lot! It would be impossible the opposite during the artistic journey.
Who do you see as your main competitor?
Probably Son Goku.
What are your interests outside of music?
I do not perceive something as ‘outside’ my interest for music and space, I perceive everything connected, like: freediving, photography and videography, Brazilian jiu-jitsu.
If it wasn’t a music career, what would you be doing?
If I wasn’t building my own path as the Space Pianist, probably I would have done the time traveller.
What is the biggest problem you have encountered in the journey of music?
The human nature and untuned pianos.
If you could change one thing in the music industry, what would it be?
Higher streaming royalties, i.e. having a more equitable and fair system for artists. Implementing a more transparent and artist-friendly compensation system, where artists are fairly paid for their work, would empower more musicians, above independent artists.
Why did you choose this as the title of this project?
My new release is a story of resilience, a space music composition that depicts the concept of a Chrysalis, a vessel for transformation, through a vivid musical landscape.
Imagine a dimly lit stage adorned with a mysterious cocoon, barely discernible in the soft glow. The sounds evoke the cocoon’s nascent awakening.
Recorded on the ethereal Zanta ZB 200 grand piano, literally a “space piano” for its refined sound and aesthetic qualities, this composition takes on a journey of profound metamorphosis.
What are your plans for the coming months?
I will be working in developing further my main project ‘Music from Space’, starting with the upcoming mission to Space, ASTROBEAT.
Do you have any artistic collaboration plans.
Nothing is fully defined for the new year yet, I recently collaborated with a dancer and aerial artist for the release ‘Holo Black’ and probably I will work on a project to disseminate Space history knowledge with a TV journalist. Besides this I will mainly focus on structuring important collaborations in the field of space art for the ASTROBEAT mission.
What message would you like to give to your fans?
Do your part to move the statistical average of the human race from ugly to awesome and look up there.
Alright, let’s dig into Chandra’s recent single “Smile (No Fox Gibbon)”. Following the success of “Pretty”, they return to grace our ears with an indie rock/pop number that hits a lot out of the ballpark. Harnessing his signature male vocals, it exudes this infectious upbeat energy that can’t help but pull you in.
Kicking off on a high note, it tosses us headfirst into vibrant riffs and buoyant drumming which sets the tone for what one would call an absolute banger. The track is certainly a wonderful example of confetti-filled ode to self-expression and individuality, prompting listeners to shed inhibitions like snakeskin… with far less hissing hopefully!
The beauty here lies in its simplicity – no needless flares or frills, just plain good music remnant of old school rock-pop infused with 90’s rock sensibilities. This seamless blend provides that feel-good aura every listener craves from time-to-time.
Chandra Urges Us To “Smile” In His New Single
Vocally too there isn’t anything left wanting. Chandra envelops us within coils of confident yet charming tones showing he’s got the vocal chops down pat while connecting emotionally to his audience through those soothing cadences and earnest inflections.
“Smile (No Fox Gibbons)” is effortlessly easy-going while managing to keep your foot tapping throughout – Now THAT’S worth celebrating! Its production crispness amplifies without overshadowing other elements painting quite vividly how much thought has gone behind each element placement: truly admirable & rare these days where overproduction tends often steal focus from raw talent… looking at you modern pop industry!
All-in-all if this tantalizing taste was any indication as we eagerly await more from Chandra’s arsenal—rest assured—it will be dished hot ‘n’ occurring regularly on most playlists I reckon; So buckle-up mate! Refreshingly real Indie magic coming up to brighten days.
“Hole in my heart,” just like the title of the song, “Dici” pens down heartfelt lyrics that steeps down into your soul to tickle the loneliness deep inside you.
With 7 release this year, the Miami-raised half-Japanese artist ‘Dici’ has topped it up with a pop ballad mixed with hiphop, to make it his 8th song for the year “Hole in my heart”. This song isn’t just about the beats, it goes beyond that, this song speaks volumes and reeks of emotions.
Because the lyrics are relatable, and loneliness is a feeling we have all faced one way or the other, so a theme such as this elates the listening experience.
“Dici” is currently aiming at being one of the best musical artiste and most sought after, I think this an achievable feat because with songs like, you can tell he is on that path and sooner that expected.
He really outdid himself with this song, he chose the right instrumentation for the song, although the lyrics are nostalgic and melancholic, the drum licks keeps you nodding and before you realize.
Dici has really outdone himself, listening to the song you can feel the emotions behind the song, not just some recital, his vocals are clear and ear-pleasing that heightens the listening experience.
One part of Hole in my heart is the instrumentations, not only does it compliment the lyrics and the artists voice but it has a mix of melancholy and same time some hip-hop vibes
This is a song that you can jam to when alone, same time when hanging out with friends.
Paul Crupi's "Home": A Sentimental Journey of Family and Music
Diving into Paul Crupi’s album “Home” feels like stepping through the door of a cherished family reunion – sentimental, warm and profoundly personal. It’s clear this songwriter has been honing his craft for over 15 years, fusing the vital spirit of soft rock with soothing synth backdrops.
From generously uplifting anthems to deeper introspective journeys, Home is an emotional kaleidoscope brought alive by Crupi’s earnest male vocal performance. His dedication as a father illuminates every track; each song stands as a testament to his eternal love and empowerment for his two daughters. It’s far from your typical lullaby collection though – think more Springsteen coaching at Little League draped in the comforting aura of James Taylor.
The general theme revolves around gratitude towards familial bliss – but its ripple effect extends beyond that realm. A particular charm lies within its relatability: making pancakes on weekends or staying up late watching movies – spinning mundane instances into soul-stirring epics that fans across any demographic could relate to.
Paul Crupi’s “Home”: A Sentimental Journey of Family and Music
On the production front, the seven-song album enjoys a polished output where synths are subtly woven throughout which nicely bridge genres between classic singer-songwriter vibes and contemporary easy listening music scene.
“Home” presents us with multi-dimensional layers of domestic joy, personifying what life ‘beyond touring buses & stadium lights’ looks like for many musicians out there. So sit back, click ‘play’ (preferably accompanied by home-cooked dinner) and let Crupi give you something memorable- proving once again that home isn’t just where the heart resides but also some pretty damn good music!
Dax Impresses Again With "To Be A Man" ft. Darius Rucker
In Dax’s “To Be A Man” remix, the strong melding of soul, rap and a surprising twist of country creates an electrifying sonic landscape. The tinge of piano weaves an atmosphere that sets the stage for profound lyrical storytelling.
Encapsulating societal notions of masculinity, “To Be A Man” does more than just talk about expectations and pressures; it gives men a rallying cry to remain stoic yet empathetic in the face of adversity. Not many artists venture down this path, but then again, Dax isn’t ‘many artists’.
Dax Impresses Again With “To Be A Man” ft. Darius Rucker
This remix is a powerful return after his critically-acclaimed album “What Is Life.” While staying true to its lyrical genius, the track injects new vitality thanks largely to featured artist Darius Rucker whose velvety vocals seamlessly blend into the mix. It’s like sipping whiskey with a dash of honey – an unexpected combination that works.
Dax’s flow on this track is hypnotic; his rhymes hook you in while delivering hammer-like truths in poetic fashion. The overall aura exhibits what one could aptly term as ‘Soul Rap’: raw emotiveness coupled with captivating rhythm propelling every lyric forward.
Ultimately, Dax’s “To Be A Man” addresses social discourse without sacrificing musicality ensuring its relevancy beyond current times while guaranteeing enjoyment each play through. If such scholarly approach to music was always this funky and heartfelt… sign me up for that class! Music lovers – pack your attention spans because they’re going on one heck of a journey with this tune!
Paul Bibbins' "Disenchantment at a Distance": A Texas Rock Odyssey
Alright, buckle up music fans, we’re going on a Texas road trip packed with cool vibes and awesome guitar skills as we explore the EP “Disenchantment at a Distance” by Dallas local, Paul Bibbins. I tell you, this guy’s got the spirit of Hendrix flowing through him and playing out from his fingers.
Cue the light show because track one creates a psych-rock tableau that is pure visual audio. It’s classic Bibbins; energetic indie rock soaked in the color of a pro guitarist’s magic. The next three songs keep that amazing feeling going, each with its own tone, from hot to sweet.
Bibbins has done something pretty amazing here by mixing both heartfelt depth and some classic ‘rock n roll fun. There’s a common vibe but independence between tracks – a shared charm that brings to mind stars like Clapton and Paige while staying definitely Bibbins. You feel everything; the romance of wide-open Texas plains, the buzz of downtown Dallas.
Paul Bibbins’ “Disenchantment at a Distance”: A Texas Rock Odyssey
When it comes to singing, Bibbins has a voice as comfortable as your favorite whiskey, yet still able to surprise you. His emotional touches blend perfectly with the huge range of his musicianship, making for an interesting sound tale just made better by the clever production.
All in all “Disenchantment at a Distance” stands as proof of years spent getting good at guitar while keeping up with today’s indie look, showing us again why Paul Bibbins’ talent shines bright beneath the Texas sky or anywhere else indeed.
"Benedict Sinister's 'Only Sixteen': A Raw Musical Memory Trip"
Some wise person once mentioned, “Music is what gives us memories.” This holds true for Benedict Sinister’s new single, “Only Sixteen”, a slightly sad but captivating take on the Italian rap song “Autostima” by the young guys, Psicologi. Imagine Michelangelo painting the Sistine Chapel to a beat drop!
Sinister prepares us for his relaxing trip right from the start, turning old memories into cool art in this “emo rap meets Adele” type song. The music itself is different and calming, asking listeners to pick up a piece of past heartbreak and look at it through rich electronic sounds and gentle drum patterns.
And we can’t miss the exciting part – Sinister’s spoken word performance. It guides you through a teenage heartbreak story like a moody Morgan Freeman narration, creating a painting with words alone. This style adds a lovely touch of rawness… a brave honesty that makes Sinister an exciting artist to watch.
“Benedict Sinister’s ‘Only Sixteen’: A Raw Musical Memory Trip”
The combination of slick sound design with those slow spoken words sparks a lot of feelings! Talking about emotional back and forth – Sinister’s song got me wishing for some teen drama but then again happy my bad skin days are over!
To wrap it up – “Only Sixteen” is like music that tells the truth, carefully made to help you remember stuff you never knew you forgot! So grab your most comfy chair – or floor (we don’t judge), turn down the lights and get lost into these waves of growth from past love! And remember – He’s not just Benedict Sinister; he’s Benedict ‘Awesome’ Sinister from now on!
Clio Cadence Out With "Innocence (Acoustic Version)"
Very few artists have the skill to draw out feeling from music and words like rising star, Clio Cadence. Her alternative acoustic rock single “Innocence (Acoustic Version)” fits this description perfectly.
The song beats with a catchy rhythm as she reveals a deep and poetic story written in a dreamy moonlit graveyard. Talk about ghostly inspiration!
Cadence’s singing is nothing less than engaging – it showcases power, belief, and a real vulnerability that pulls you into her ghostly world. More than just a singer-songwriter, Cadence’s got the spark; she’s a skilled artist turning regular experiences into captivating sound treasures.
Clio Cadence Out With “Innocence (Acoustic Version)”
Pulling from rich acoustic sounds and simple soundscapes, “Innocence” has the charm to enchant listeners out there – ironically stripping them of their ‘innocence’. The production stands out not by being loud or flashy but quiet, allowing Clio’s voice to be fully heard.
In essence (no pun intended), the real victory here is in Clio Cadence’s total control of her skill and voice. Simple but powerful in its delivery – “Innocence (Acoustic Version)” turns serious heartache into something extremely beautiful, perhaps diamond-like.
It leaves you eagerly waiting for what else lies within the charming artist that is Clio Cadence… after all moonlit graveyards are often sources of unending stories!
Midwave Breaks' "Stonewall": A Nostalgic and Refreshing Anthem
Strike up the band, friends, grab your air guitars and prepare to chant in wide open fields or stuffy school halls, because Midwave Breaks’ new single ‘Stonewall’ is here and it’s a rousing treat. Not only does this New Zealand duo offer a solidly upbeat classic rock anthem, but also an all-round instant crowd-pleaser – an almost forgotten ’90s flair brought to life with the bang of a drum.
‘Stonewall’ feels as though it could impel even the most rhythmically inhibited among us into moving our bodies. Invoking memories of headlining festival performances and smoky clubs—the lead singer-songwriter-guitarist Bruce Conlon commands your attention like a purposeful pied piper. His warm, resonant male vocals lend themselves beautiful to a sing-along chorus so catchy; it may end up living free-rent in your cerebellum long after you’ve unpacked your festival gear.
The real heart-racing home-hitter though is Drummer Paul Russell. He drives this anthemic banger forward at near breakneck speed—and if his recount of “Stonewall”‘s unconventional origin won’t have you rolling down memory lane, I don’t know what will! This infectious tune was serendipitously birthed from simple domestic duty—a reluctant one translated swiftly into cleverly quippy lyrics.
Midwave Breaks’ “Stonewall”: A Nostalgic and Refreshing Anthem
That’s where the true strength of this indie pairing shines—his deft rhythmic percussive touch coupled with Conlon’s lyrical balladry showcasing complexities within simplicities are why Midwave Breaks ought to be on everyone’s playlist. It’s no stretch to say that if John Bonham jammed with Billy Joel in Bob Dylan’s basement, ‘Stonewall’ might well be the wildly successful offspring!
In short, folks—interrupting pop-up pool maintenance and transforming them into rock-‘n’-roll diamonds isn’t your everyday musical aspiration, but in Midwave Breaks’ case—it’s no doubt a task they’ve nailed to the ‘T’. Time may tell if we could hear more like this from this Kiwi twosome. Meanwhile, pop on those headphones or crank up your car stereos—and treat yourself to a ride along this crafted wave of feel-good nostalgia with ‘Stonewall.’
James Carr Band's Soul-Stirring Saga in “Ghost of My Past”
If the melodies lingering in your mind lately feel uncertain, allow me the pleasure of pressing play on “Ghosts of my Past” by James Carr’s Band. A radiant gem from the rugged treasure chest of classic rock, this song blends a generous helping of Americana with spicy dashes of Country spice, all cooked up to irresistible perfection in a soulful cauldron.
Fronted by the enigmatic James Carr, his vocals resonate with a paradoxical potency–forceful yet gentle, like ancient tales whispered across undulating oceans. The music hypnotically sweeps you into uncharted territories of Carr’s cognitive labyrinth–consider it an unintentional group therapy session!
Forget your mundane earworms, this is medical-grade catchy. It seeds rhythmic beats deeply into your brain that demand public displays of spontaneous head-nods: on buses, while drafting spreadsheets or even during those boardroom meetings where Karen insists on discussing quarterly metrics again. Good luck resisting!
James Carr Band’s Soul-Stirring Saga in “Ghost of My Past”
Holding truth to its tantalizing title, “Ghosts of my Past” masterfully paints sonic landscapes teeming with haunted memories and spectral dreams. The result? A triumph in musical storytelling achieved through intricate guitar work and thunderous drum syncopation.
Emotionally starved? Prepare for an all-you-can-feel buffet because this track delivers emotions in heaps. Carr strikes chords reminiscent of Springsteen’s raw grit enriched by Bob Dylan-esque poetic tapestry cloaked subtly under harmonies worthy of the Eagles.
Hungry for hard-hitting rock mixed with profound lyrics and flavoured with just enough country charm? “Ghosts Of My Past” is ready to sate your sonic cravings. Plug into full volume and let the melodious journey unfurl – it might just become your next ‘I-don’t-want-to-admit-how-much-I-love-this’ track! Your secret’s safe here!
Anabel Rose Releases Eclectic Second Single: Do Not Disturb
Ghanaian-Filipino alternative pop singer Anabel Rose returns with her second single after her successful debut single, “Love Me or Die”. With about 50,000 global streams, she made waves on international Spotify editorial playlists in Nigeria and the Philippines and urban radio in Ghana and Nigeria. The independent Afropop artist is set to make waves once again with her just-released second single, Do Not Disturb (DND). This is a genre-blending piece that promises to take listeners on a delightful sonic journey.
Do Not Disturb is a fusion of alternative R&B/pop, Bossa nova, trap, and highlife, a unique blend that defies genre boundaries. With its mesmerizing rhythms and Anabel Rose’s ethereal vocals, this song offers a fresh and eclectic take on a 20-something-year-old’s journey of liberation from societal pressures. It’s the perfect anthem for nights out with friends or intimate solo concerts in your bedroom, embodying the Gen-Z spirit of authenticity and self-expression.
“I felt bogged down by the expectations of what kind of music I should be making as a young woman in Ghana. With this song, I just needed to shut out the noise and make what felt true to me. It’s the definition of “never let them know your next move” ” the young artist explains. With the expertise of Ghanaian producer, Insvne Auggie (99PHACES), her vision was brought to life.
This marks Anabel Rose’s second release, and she continues to defy musical conventions while satisfying her own curiosity for genre exploration. Her commitment to creating music that breaks free from the norm is evident in Do Not Disturb, a track that refuses to be confined by any one style.
Do Not Disturb is available for streaming on all major music platforms.
ABOUT ANABEL ROSE
Anabel Rose is a young singer on a self-driven path of sonic exploration, reimagining the sounds of her formative years with the exciting genres and sounds that are taking over the listener-scape in West Africa.
The Ghanaian-Filipino singer/songwriter is on a lifelong journey with music, which began when she was handed a karaoke mic to sing into at 8 years old. Since then, her journey has been shaped by the influence of a melting pot of genres including indie-folk, r&b, classic rock, reggae, highlife, and hiplife. She looks up to artists who are unapologetic in their sound, fusing a range of genres to birth new and exciting sounds. This includes Amaarae, Somadina, WILLOW and Odunsi.
Contributing to the creative industry as a live performer, digital content creator and creative director, Anabel Rose began developing her artist identity and sound in 2018 when she joined the Black Girls Glow music residency in Accra, Ghana. There, along with 5 other female artists, co-wrote, recorded, and co-produced a studio album – HERmony. Her passion for collaboration endures as a member of Ghanaian music collective 99PHACES – a group of young artists committed to working together and supporting each other through their musical journeys.
Her debut single, Love Me or Die introduced audiences to the singer’s desire for sound exploration, as well as her wide vocal range and lyrical finesse.
The budding songstress creates music to escape the restrictions of a world that dictates what people can and cannot do; Anabel Rose creates beyond boundaries.
Join Us As We Explore Kmalectro's World On The 'Digital Highway'
Let me introduce to you guys Kmalectro and his latest single “Digital Highway’, to him music is more than just tunes; it’s like a tapestry, weaving together Rock, Electro, Jazz, and Classical Indian Music into something unique.
What makes Kmalectro stand out isn’t just his music as a lot of things are involved in each production, it’s the way he mixes art and technology, with the help of a four-legged friend by his side for comfort and inspiration.
In a recent interview with Mister Styx of Musicarenagh, he was asked if there was a story behind his stagename Kmalectro and this is what he had to say:
“Kmalectro derives its roots from the word “Kamal,” which means perfection in my language. However, I find myself far from perfection. In our context, “You’ve achieved Kamal” implies that you’ve accomplished something special, a form of art.”
Also he shared the fact that aside doing music he has a job as an osteopath, physiotherapist, and trainer, with a focus on trauma patients.
So, join us as we explore Kmalectro’s world on the “Digital Highway” a journey that uncovers an artist who is focused on connecting us in a digital age and reminding us of the importance of supporting independent musicians. Strap in and come along on this musical adventure with Kmalectro, a rising star in the world of experimental and diverse music.
Listen to Digital Highway below
KMALECTRO out with Digital Highway ,KMALECTRO releases Digital Highway ,KMALECTRO with Digital Highway ,KMALECTRO drops Digital Highway ,Digital Highway by KMALECTRO,Digital Highway from KMALECTRO,KMALECTRO,Digital Highway ,KMALECTRO Digital Highway ,Digital Highway KMALECTRO
My stage name is Kmalectro – and forgive the initial simplicity of my answer; I’m not accustomed to interviews. But I promise to bring more depth to my responses as we go on.
**Is there a story behind your stage name?**
Kmalectro derives its roots from the word “Kamal,” which means perfection in my language. However, I find myself far from perfection. In our context, “You’ve achieved Kamal” implies that you’ve accomplished something special, a form of art. Given my upbringing around electricity and my belief that our lives are inherently tied to currents and voltage – even our muscles function at -70 millivolts at rest – it’s a fitting moniker. In essence, it represents the fusion of various electronic elements, from the E-Guitar to synthesizers and beyond.
**Where do you find inspiration?**
Inspiration flows from every facet of life, from interactions with friends and fellow humans to the melodies that echo through the radio and the vast realm of the internet. Today, I’m elated to have the opportunity to embark on a social media journey, where I can share my true self and where I come from.
**What was the role of music in the early years of your life?**
Music was a source of comfort during my early years when material wealth was scarce. In my homeland, we dined on the floor using our hands, so our needs were modest – just pots, rice, and some other essentials. That’s how I grew up, surrounded by a colorful tapestry of people – Africans, Italians, Indians, Afghans, Russians, and more – all living together happily in an asylum neighborhood.
We shared laughter and enjoyed live music in the evenings, with nothing but a sitar, tabla, and makeshift sound-producing spoons. This is where my musical roots lie, in finding joy with so little. In essence, true happiness that cannot be bought; because you cannot buy ‘nothing.’ We didn’t need material riches; all we required was community and love. This spirit reflects in my music and aligns with my professional life, where I support individuals when they are in physical distress.
**Are you from a musical or artistic family?**
While my family isn’t inherently musical, they’ve always supported my artistic pursuits. My great cousin, Ahmad Wall, is a hidden gem of an artist, and many others within the family have artistic talents they never had the courage to reveal. Nevertheless, music was always cherished in our household because it bridged laughter and tears, binding us together in harmony.
**Who inspired you to be a part of the music industry?**
My inspiration to join the music industry was driven by an inherent passion for the art itself and the belief that music possesses a unique power to connect people on a profound level. Although I was initially apprehensive about diving into the industry, I now relish the fact that I can create music independently. The music industry often prioritizes profit over artists, neglecting to compensate the creative minds behind the music.
**How did you learn to sing/write/to play?**
I am mostly self-taught. While I receive guitar lessons, I’ve also learned to play the tabla from two talented Ustads who mentored me. My cousin was a strict teacher, and his guidance compelled me to practice daily, honing my skills.
**What was the first concert that you ever went to, and who did you see perform?**
My earliest concert experiences were marked by Afghan and Indian music. However, it was my father’s heartfelt rendition of a sad song that remains etched in my memory. Even today, the sorrow in his voice resonates, reminding me of his feelings for his homeland and the world’s collective sadness. Such songs are not just music but a means to cope and vent emotions.
**How could you describe your music?**
Describing my music is a complex endeavor, as I am still discovering my unique sound. It’s experimental and multifaceted, with each new track representing a distinct facet of my creative journey. My upcoming songs, which I hope will be well-received, revolve around life’s experiences. It’s important to me that my music resonates with people, offering them a sense of connection and emotion. Each song I create must touch me deeply at some point; otherwise, it doesn’t make the cut.
**Describe your creative process.**
My creative process is akin to a voyage of exploration. It commences with a concept or a particular emotion, and from there, both the music and visuals flow organically. The process mirrors the intricacies of the digital age, which is ever-evolving and filled with layers waiting to be peeled back.
**What is your main inspiration?**
My primary inspirations are my friends, fellow humans, and the reflections within myself. I find inspiration within the challenging conversations I have with myself.
**What musician do you admire most and why?**
I hold deep admiration for musicians who are a one-person powerhouse – legends like George Michael, Prince, Alanis Morissette, David Bowie, and Michael Jackson. These artists inspire me because they were not only exceptional in their talents but also because they managed their entire creative process single-handedly, demonstrating true genius.
**Did your style evolve since the beginning of your career?** Absolutely, my style has evolved over time. It has become more eclectic, embracing a wide array of musical influences. It’s a continuous process of growth, and my upcoming track will introduce a fresh sound while staying true to my artistic essence.
**Who do you see as your main competitor?** I don’t perceive fellow musicians as competitors. The music industry is vast and diverse, offering a stage for each artist to shine brightly – like a radiant diamond.
**What are your interests outside of music?** Beyond music, I have a profound passion for games, indulging in movies of all kinds, and, of course, dogs! I’m an avid reader, and I relish meaningful conversations – yes, talking is a hobby. I also find joy in listening, not just to music but to the stories people share.
**If it wasn’t a music career, what would you be doing?** My musical journey is just beginning, and I can’t make a living from it yet. Therefore, I continue my work as an osteopath, physiotherapist, and trainer, with a focus on trauma patients. My music is sustained by these roles, as it doesn’t generate substantial income. For instance, even with 700,000 video views, the earnings remain modest.
In reality, we can only survive and thrive by securing consistent support and building a community. This is vital for small artists, as it ensures we can create and remain afloat, offering more than just our music – an evolving narrative that others find captivating.
**What is the biggest problem you have encountered in the journey of music?** One of the most significant challenges I’ve faced is the overwhelming presence of record companies and individuals incessantly peddling playlist placements. This can be quite frustrating, especially when many seek to sell followers and subscribers. It’s a detriment to the industry as it can obstruct genuine connections with real people.
Consequently, I’ve always been hesitant to invest large sums in such promotions. While advertising is essential, it must be balanced to ensure that our music can be heard by authentic listeners. Buying followers is a fallacy; organic growth is the only meaningful approach. It’s a substantial issue for independent artists.
**If you could change one thing in the music industry, what would it be?** If I had the power to make one change in the music industry, it would be to ensure that artists receive a more equitable share of the revenue. They are the ones who change the world and introduce innovative ideas. Without artists, there is no future.
Being an artist is akin to being a philosopher – we all have our unique insights to share, and our smaller voices deserve to be heard just as much as the established ones. Let’s not underestimate the potential of smaller artists and appreciate the diverse spectrum of talent that exists.
**Why did you choose this as the title of this project?** The title of this project, “Digital Highway,” mirrors my journey in merging a deep love for music with a profound exploration of the digital age. It’s a reflection of the evolving landscape we find ourselves in and the opportunities it presents.
**What are your plans for the coming months?** In the months ahead, I’m excited to release new tracks, including “SAVE ME,” which holds a special place in my heart. Additionally, I’ll be introducing an EDM track and another one that delves into independent electronic territory. There’s a lot to look forward to on this musical journey.
**Do you have any artistic collaboration plans?** At the moment, I don’t have any concrete artistic collaboration plans, but I’m open to the possibility. Who knows, maybe I’ll join forces with Tonee Jukebox in the near future.
**What message would you like to give to your fans?** To all my fans, I’d like to express my deep gratitude. Your support is the driving force behind my creative journey. Keep embracing the music, keep sharing the emotions, and let’s continue this incredible adventure together. Thank you for being an integral part of my musical odyssey!
Tana's “Face Value”: A Bold Ode to Self-Love and Societal Scrutiny
“Face Value”, the latest release by powerhouse Tana, feels like an aural filleting of societal superficiality. Couched comfortably in this trap-infused banger is a resonating message of self-love and defiance against baseless judgement – talk about sub-Saharan heat with idiosyncratic ice touch!
Structurally, “Face Value” buzzes with electric confidence as it oscillates between waves of raw emotiveness and high-octane beats. Oh, and it doesn’t just dip its toes in the pool of personal narrative, but rather performs a gutsy cannonball.
Tana’s vocals? Absolutely stellar. Picture a smoky haiku: potent yet delicate, tapping into the human experience’s ventricles with striking forcefulness. A husky timbre weaves through verses that are both tautly composed and woefully all-too-relatable, ultimately forming an intoxicating sonic mosaic.
Tana’s “Face Value”: A Bold Ode to Self-Love and Societal Scrutiny
The overall production serves as an adhesive that seamlessly marries her extraordinary vocal acrobatics with trap elements to create something audibly delicious (figuratively speaking – please don’t eat your headphones). It reminds me of when you find out peanut butter and sriracha actually taste amazing together. Yeah, that kind of curiously delightful fusion.
In terms of vibe, “Face Value” maintains a palpable intensity that sustains across the track. While there’s much variety within today’s music scene skewing towards lyrical escapism or Instagram-worthy soundbites, Tana stands unblushing amid her peers, choosing to pull on heartstrings and rattle skeletons in society’s closet instead.
After this listen, you’ll inevitably ruminate on societal superficialities while jumping around your room belting out Trap-infused anthems (or is that just me?). Either way – cue applause for Tana.
Jalisa Denice Motivates with Spicy Single “Get To Work”
Picture this: it’s a vibrant weekend and you’re searching for that missing groove in your life. Well, my friend, fasten your audiophile seatbelt for the plucky revelation that is “Get To Work” by Jalisa Denice.
“Sassy, yet determined” – could be how I humorously label her vocals soaring in the airspace of this pop-funk crossover single. This emerging songbird doesn’t just fly high; she dip-dives and glides through verses with enough grit to make an oyster blush!
Listen closely as Jalisa sculpts an anthem of tenacity against the rhythm of life’s ceaseless beat. Her lyrics? An audacious toast to perseverance, a jubilant defiance to today’s pedal-to-the-metal society that leaves no one untouched! The theme is certainly not new ground but Denice dusts it off with a sparkly conviction only she seems to have.
Jalisa Denice Motivates with Spicy Single “Get To Work”
I’m going to let Corey Kane take centre stage now… Ladies and gents: hands up for those funk-elicited heart palpitations! ‘The Recording Studio London’ was clearly their stomping playground. That wedding between his top-notch production and her harmonics is so electric, even lightning bolts are green with envy!
While humming along, one can’t help but be drawn into the picture Denice paints – part of ‘Exhibit J LP’, twelve collective chapters comprising of self-value and everchanging perspective on self-reflection, all brilliantly peppered with human touch-because deep down ladies and gentlemen don’t we all love a bit of drama?
In summary, my music-devotee comrade, “Get To Work” is like witnessing Dr Funk’s orderlies sedate Pop-princess grooves… under disco ball lights! Pure stardust magic!
Discovering “Kismet”: The Swigs’ Genre-Bending Musical Adventure
Well, pluck my heartstrings and blow me away! Fresh out of the post-punk rich Camden scene, The Swigs have served up a little something that defies boundaries: “Kismet”. It’s a generous dollop of indie psyche deliciousness with an unexpected Latino twist that gets your musical taste buds tingling to the rhythm.
This track showcases their genre-bending talent loud and clear. A dreamy psychedelic melody opens the song – think Lucy in the Sky but on her own journey through sonic dimensions. It superbly marries trippy vibes with just enough grandeur to keep it grounded yet tantalizing.
Discovering “Kismet”: The Swigs’ Genre-Bending Musical Adventure
Just when you think you’ve got it figured out, The Swigs pull an audible left-turn. We careen into a faster-paced flamenco-esque second half – let me tell you, those intricate guitar lines don’t ever miss their call time! Their intensity is balanced by rapped vocal responses that almost seem to flirt with the notes, creating a lively repartee that is simply mouthwatering.
A shout-out here for female vocals in rock bands – as rare as hen’s teeth and refreshing like an oasis in this quintessential testosterone-driven landscape. She brings a unique tonality, adding another layer of allure to the sound tapestry The Swigs cleverly weave together.
Producer Alfie Pawsey deserves a round of applause too. He has fine-tuned “Kismet” into an audiophile’s sweet delight at West Eleven recording studio; no easy task if I might add!
So, is “Kismet” worth your time? Absolutely! It arrives on scene like some swashbuckling pirate flag waving in the winds of change across London’s underground indie music scene, making us eager for more mischief from The Swigs’ pantry.
A Walk Through Stephanie Phillips' Life, A Musical Journey of Honesty and Vulnerability"
Today, we have the privilege of delving into Stephanie Phillips’ world to uncover the stories, inspirations, and aspirations that have shaped her remarkable career.
Stephanie Phillips is a singer-songwriter whose music is described as progressive folk or indie folk. She has been writing and performing music for over 30 years, and her latest album, “Retrospective,” is a collection of songs that she originally recorded in 1993 but never released.
In this interview, Stephanie talks about her creative process, her musical inspirations, and the challenges and rewards of being an independent musician. She also shares her plans for the future and her message to her fans.
Stephanie was raised in a household where both parents were deeply involved in music, her parents’ love for music, and her mother’s poetic gift, ignited her love for music at an early stage of her life. He musical journey began at a young age, Stephanie took guitar lessons and that was when she uncovered her talent for songwriting and singing.
In this exclusive interview, Stephanie opens up about her influences, creative process, and the evolution of her musical style from traditional folk to a folk-pop vibe. She also shares her views on the challenges independent artists face in the industry and her hopes for fair compensation in the streaming era.
Join us in this candid conversation with Stephanie Phillips as she delivers a heartfelt message to her fans, emphasizing the honesty and vulnerability she pours into every song she writes.
I find inspiration from everywhere — movies, tv shows, my family, my love… just living life!
What was the role of music in the early years of your life?
We always had music in the house when I was growing up. My mother played piano, and she my dad loved to have music on the background — classical, jazz, pop, folk….
We always had music in the house when I was growing up.
Are you from a musical or artistic family?
Yes, both parents sing and play piano.
Who inspired you to be a part of the music industry?
I think I inspired myself, but my dad was probably my biggest cheerleader in wanting me to take my music to the next level.
How did you learn to sing/write/to play?
I took guitar lessons at age 9-11. The singing and writing I guess just came naturally. My mother is a gifted poet, so the lyrics are in my blood, you could say.
A Walk Through Stephanie Phillips’ Life, A Musical Journey of Honesty and Vulnerability”
What was the first concert that you ever went to and who did you see perform?
I’m not sure I know the correct answer to this, but I think it was either the Beach Boys or America (the band).
How could you describe your music?
I call it progressive folk, but others call it indie folk. It is ballad-driven with strong melodies and lyrics that tell stories.
Describe your creative process.
Usually, i decide to write so I sit down with my guitar and paper/pencil. Generally, I write music and lyrics together.
What is your main inspiration?
I don’t know if I have a main one. I just keep notes of little phrases or ideas for songs and use them when I sit down to write.
What musician do you admire most and why?
I have a number of musicians I admire, mostly because of their ability to touch me with their music: Cheryl Wheeler, Billy Joel, Dan Fogelberg, James Taylor, Pink.
Did your style evolve since the beginning of your career?
Yes, it started out as more traditional folk sounding, and now it has more of a folk-pop vibe.Who do you see as your main competitor?
I don’t think I have a competitor, per se. There’s enough room for all of us.
What are your interests outside of music?
Reading, exercise, being with my girls, my love, and my pets. I also enjoy gardening in the spring/summer, traveling, and going to the beach.
If it wasn’t a music career, what would you be doing?
In my other life, I’m a personal trainer.
What is the biggest problem you have encountered in the journey of music?
I just think there are too many things for an independent musician to try and get done. There aren’t enough hours in the day for all the marketing, promotion, performing, practicing, writing, etc.
If you could change one thing in the music industry, what would it be?
I wish the streaming services actually paid artists fairly.
Why did you choose this as the title of this project?
This album is titled “Retrospective” as it was 30 years in the making. Originally recorded in 1993 but never released to the public (because indie artists couldn’t do that then), I decided to release it this year on its 30th anniversary. So, I recorded harmonies with my much younger self and added a bonus track before remastering it.
What are your plans for the coming months?
I am going to be starting a new album in the next few months, hopefully to be released in the first quarter of next year.
Do you have any artistic collaboration plans?
I hope my daughter MCKNZ will continue to add her beautiful keyboard to my next album, as she has in the past.
What message would you like to give to your fans? I would just like to say that I hope people who listen to my music get the honesty and vulnerability I wish to convey with every song I write. And, I thank those who listen, purchase, and give me feedback.
Listen To Satellite Train's Uplifting Anthem 'Cry' from 'The Melbourne Sessions'
Time and Time the Melbourne geniuses ‘Satellite Train’ have proved their prowess when it comes to music production, and their latest single “Cry” says exactly that, the message, production and lyrical composition is and has always been on point.
with Michael Paynter’s strong vocals at the forefront, the band’s distinctive sound takes listeners on a trip through a variety of musical styles. “Cry” has a very distinct message that is elated by the singer, the lyrics are touchy and heartwrenching, this is the sophomore release of their debut upcoming album “The Melbourne Sessions”.
The song opens with the gentle sound of piano keys played by John McAll and the guitar strums by Shane O’Mara follows suite.
Just like the title “Cry”, the message paints the cry of a young in solitude, a young girl who has to live her life alone because of the absence of her parents, well one can argue this is a sad story, but here is the plot twist. Instead of dwelling on the negative aspect of all this ‘Satellite Train’ rewrites a beautiful story.
Despite this, the message in the song is not melancholy but ful of inspirations, especially in the triumphant chorus where the singer Paynter encourages the listener to “open up your heart” and “catch a falling star.” It conveys a message of inner strength and trying to find joy even during challenging times.
This single is a perfect preview of what to expect in their upcoming debut album, you can tell the band has a lot to offer their listeners.
Jeb Rault's Album 'Rising' Is A Ground Breaking Record
Jeb Rault is a guitarist/singer/songwriter and musical genius with over 30 years of experience up his sleeves, with this in mind you should expect nothing but breathtaking songs from his latest album which he titles “Rising”
The title of the album stirs up from the meaning of the word, which means “to ascend”, “to advance”, “to incline upward”. That is just what Rault’s career has been doing since he first started touring internationally a decade ago.
“Rising” has a total of 10 incredible songs that pulls at your hearts hamstrings and ear-pleasing instrumentation that leaves you wanting more. The songs were recorded in Spring 2023 at one of New Orleans’ premier recording studios, Marigny Studio, by well known Sound Engineer Ben Lorio.
In each song Jeb doesn’t fail to showcase his magnificent guitar licks that brings the song to life, listening to the album you would hear genres such Classic sounding Blues Rock to Funky Blues, and some darker sounding material as well, featuring layered guitar leads and harmony vocals, this is an album that speaks for itself.
All 10 songs were written and produced by Rault ,include a mixture of different guitar-inspired songs ranging from straight ahead, the first song that opens ‘Rising’ is a fast paced rock n roll song with incredible lyrics, the lyrics are heartwarming and tells the story of a relationship that went south, this song is titled “Pretty Pictures”.
“Rising” is preceded by two previous albums(Yin Yang From The Mire and Sweet Dancer), but this album is nothing like the previous as they showcase the growth and transformation of Jeb Rault.
“Rising” is preceded by two previous albums(Yin Yang From The Mire and Sweet Dancer),
The album was featured by other talented musicians such as Lee Schwartz on Drums, Logan Emory providing solid rhythm guitar, and Matt Wisdom on Bass, the tracks also feature sit ins by New Orleans talent such as Wayne Lohr on keys, Joe Crachiola on Sax, and Charlie Denard on Grand Piano.
The album spans for 38 minutes and 2 seconds, one point that cannot be overlooked is the uniqueness that the album comes with, not forgetting the great lyricism and storyline that grips you and steals your attention throughout the entirety of the album.
My music is a culmination of all the music I loved to listening to growing up
Kärma Sounds is the pseudonym of singer-songwriter Karina Morin who creates a fusion of soul, electro-pop, RnB, funk, disco, and jazz and in a recent interview with Mister Styx of Musicarenagh, Kärma Sounds had a lot to say about her music journey and touched on her latest release which she titles “Mysterious”.
Mysterious is funky and a fusion of disco and dance music that is graced by Morin’s vocals which is smooth and powerful. Kärma Sounds is inspired by artists such as Sade and Jessie Ware, and her music is described as sensual and groovy.
In the interview, Kärma Sounds stated aside from music she likes to spend her time her partner, family and friends and there is something else she enjoys doing, she stated
“I like to do the simple things like cooking or taking a walk at the beach. I love to travel and experience other cultures and food, and I enjoy yoga & Pilates and skiing in the winter.”
In this interview, Kärma Sounds talked about her musical journey, her creative process, and what her plans are for the future. She also shares her thoughts on the music industry and the challenges that artists face. Get the full interview below
Is there a story behind your stage name? It was actually my partner in crime, music and life – Karlo who came up with it! It has similar letters to my given name (Karina M) and I’ve always had a deep interest in healing modalities like energy healing and crystal therapy, so the name resonated perfectly.
Where do you find inspiration? I find inspiration in movies, certain interesting lines of text I hear that strike me, honest conversations and listening to new and old music.
What was the role of music in the early years of your life?
I started singing before I could talk and according to my dad, I was always on pitch! I got selected to sing in school productions and in high school I played sax and my music teacher encouraged me to sing at the year end concerts. After high school I sang with a girl group and we had our song play on radio stations across North America. Sadly the band later broke up and I toured across Europe singing backups for French singer Corneille .
I then enrolled in performance arts college and the rest is history …
Are you from a musical or artistic family?
Music has always been part of my DNA. My father was a musician and exposed me to soul, funk and jazz music my entire childhood. I recently found out on my mothers side, my great uncle was a Torah singer.
Who inspired you to be a part of the music industry?
My parents are my biggest supporters But I’ve always dreamed of being a part of it because It’s something that has always been a part of me .
How did you learn to sing/write/to play?
I would say I’m self taught for the most part. Lots of practice to a point of obsession in my early years.
What was the first concert that you ever went to and who did you see perform?
Growing up in Montreal , I was lucky to have attended the Montreal International Jazz Festival every summer and I saw numerous talented acts.. Off the top of my head, Holly Cole and Diana Krall.
How could you describe your music?
My music is a culmination of all the music I loved to listening to growing up. It’s a fusion of soul, electro-pop, RnB, funk, disco and a touch of jazz inflection
My music is a culmination of all the music I loved to listening to growing up
Describe your creative process.
I usually collaborate with other musicians and when I hear certain chords that I gravitate to, it inspires me to sing a melody on top. From there a mood or story starts to form, sometimes it’s quite abstract, but it’s a process of uncovering until I hear words that jump out, that’s is where the magic happens!
What musician do you admire most and why?
My all time favorite artist is SADE. Her music and lyrics are timeless and beloved across the globe. It’s sensual and has a good groove. Plus She’s has an enigmatic aura and is a true class act. These days my favorite artist is Jessie Ware, I adore her style & her voice. Uk soul always hits me.
Did your style evolve since the beginning of your career?
Yes a bit, it depends on who I collaborate with, but I tend to come back to the same sound in the end!
Who do you see as your main competitor?
Hard to say… I don’t really want to be in competition with others.
Everyone has their own unique spice and I just want to be appreciated for what I bring to the table.
What are your interests outside of music?
I love spending time with my partner, my family and friends when I’m not performing. I like to do the simple things like cooking or taking a walk at the beach. I love to travel and experience other cultures and food, and I enjoy yoga & Pilates and skiing in the winter.
If it wasn’t a music career, what would you be doing?
I would be doing something creative like wardrobe styling or graphics arts
What is the biggest problem you have encountered in the journey of music? For many years it’s been a ‘boys club’ with big barriers of entry past the gate keepers… but Things have been evolving and improving since the rise of steaming and social media.
If you could change one thing in the music industry, what would it be? Artists & songwriters need to be paid fairly for their work.
What are your plans for the coming months?
I’m planning on releasing more singles leading up to my ep/album release in the new year. I’m looking forward to performing my live show with my 6 piace band on a stage near you!
Do you have any artistic collaboration plans No set plans at the moment, I definitely foresee some wonderful collaborations in the future, so I’m putting that energy out there in the universe… I’m always open to collaborating with artists that resonate!
What message would you like to give to your fans?
Huge gratitude for their support!
I love and appreciate every one of them!
John Byrne Takes You on a Wild West Ride with “The Bold and the Blasphemous”
Batten down the hatches, folks! John Byrne’s single “The Bold and the Blasphemous” hurtles listeners into a wild ride through time, tricking out 50’s-era gunslinger anthems with devil-may-care modernity. Damn straight, it’s the unlikely alloy of boot-kickin’ cowboy music and fists-in-the-air vista rock – audaciously blasphemous for purists perhaps, but undeniably intoxicating in its genre-bending craftsmanship.
From guitar strings that gallop like unstoppables mustangs to drums that stomp hearty echoes across vast canyons, this track is every inch a triumph for instrumental music. Oh, there’s no dodging its gripping energy and atmospheric thrum that reverberates like an adrenaline shot straight to the heart.
The genius behind this monolith? Multi-instrumentalist John Byrne from Liverpool – proving once more that geographical boundaries bear no weight on artistic curiosity. Isn’t it just ridiculously splendid how he channels American cowboy spirit through his English marrow!
John Byrne Takes You on a Wild West Ride with “The Bold and the Blasphemous”
Produced to sparkling finesse by Sweden’s Rollin’ Sound Studios, they’ve done justice to both breathtaking landscapes of spaghetti westerns and electric gush of contemporary stadium rock while injecting their signature production sheen.
If you closed your eyes right now and thought about feelings… by God you’d see yourself astride a thunderbolt stallion charging across weatherworn stretches in perfect sync with this rip-roaring composition.
Although “The Bold and the Blasphemous” demands auditory valor from its listener, it positively rewards with exhilaratingly bold instrumentals stamped with an ineffaceable ‘Byrne’ mark on its heart. Hold onto your hats (wide-brimmed or otherwise), amigos – because boy oh boy does this tune pack a wallop!
