Foxxglove's Debut EP "The Chaos" is a Dazzling Masterpiece
In a tornado of dazzling indie pop and sincere lyricism, Foxxglove’s debut EP “The Chaos” emerges with the enchanting allure of a night sky just before dawn – both dark and dotted with brilliance. Across six tracks, Foxxglove unveils an anthemic painting that ripples through your senses like power through liquid – extremely catchy melodies nestled in rhythms as compelling as the pull of a moonlit tide.
“The Chaos” is not just a collection of songs but an adventure sculpted from raw emotion. From her stunning female vocals to the gripping grip on storytelling, this isn’t just about listening; it’s about feeling. Her voice, soars above orchestration that bends between gentleness and might, revealing both resilience and vulnerability like interlaced vines climbing towards light.
Foxxglove has discovered alchemy within music by weaving personal tales steeped in shadow – heartbreaks murmuring across strings into introspective ballads while beats resurrect strength in overcoming mental health battles. Through these peaks and valleys runs an undercurrent aimed at interlacing our solitary experiences into shared solace; you are transported to places where pain collides exquisitely with triumph.
Foxxglove’s Debut EP “The Chaos” is a Dazzling Masterpiece
Echoes here may remind one of Halsey’s tempestuous spirit or Florence Welch’s elaborate eclecticism – yet there shines through them something profoundly unique: A beacon for those navigating their own Chaos among starlit paths forged by sincerity-filled verses.
It is indeed uncommon when art imitates life so poignantly; even rarer still when it wraps itself around each listener like a comforting embrace assuring us we aren’t walking our toughest miles alone. With “The Chaos,” Foxxglove has undoubtedly etched her name into indie pop realms—an artist glittering bright on the horizon—stirring excitement for what reveries she’ll craft next on her ascent skywards.
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Mafalda Minnozzi, is a singer recognized all around the world. She just put out her newest music collection, “Natural Impression,” with Paul Ricci. He is a guitarist and producer. The album blends various types of music such as jazz, Bossa nova and French songs among others.
Mafalda doesn’t just take songs; she adds her own style to them. She wants to get back the feelings she had when she first heard these songs. It’s like making old favorites feel new again.
In our conversation, Mafalda tells how music helped her get away from a difficult childhood when she worked at the family restaurant with mom and dad. She found freedom in singing.
Even though music wasn’t popular in her family, winning children singing competitions in Italy showed she had skill. That’s what made her start with music.
Mafalda’s songs are a blend of jazz, R&B, Samba and African rhythms. She wants to amaze her audience and make every song special.
Mafalda’s new music album and our talk are asking fans not to just take normal songs. She wants people to truly feel the songs they hear.
What is your stage name It’s my birth name, Mafalda Minnozzi
Where do you find inspiration? In nature, in sound around me and how it touches my emotions, regardless of culture or style.
What was the role of music in the early years of your life? It was my escape from an oppressive childhood where I was forced to work in my parent’s restaurant from the age of 9. I wasn’t able to have a normal social life or childhood. Music was my freedom.
Are you from a musical or artistic family? No
Who inspired you to be a part of the music industry? The fact that I entered youth song contests in Italy and won them all, made it clear to me that I was chosen to do this.
That was my inspiration.
How did you learn to sing/write/to play? I am self taught with no musical schooling aside from a church choir when I was young.
I did study vocal coaching for years for physical control of my instrument. I also studied other idioms so I could perform in English, French, Portuguese and Spanish as well as my native Italian.
I am self taught with no musical schooling
How could you describe your music? It’s derived from jazz interpretations of classics but the style that I go for requires the listener to pay attention.
There are R&B tinges, Samba, Bossa, African elements and French Chanson.
I love these songs so much that I want to recreate the emotion of hearing them for the first time. They can’t be carbon copy or it would be better to listen to the original. My music has an arranging style that is designed to surprise and please. I like to think I can give back something to the composer as gratitude for the gift of a certain song. Maybe they would say, “ Wow, nice! I never thought of that”
Describe your creative process. Instinctive. When a new song or project is approached, I leave my musical director arranger to his own imagination. He knows my voice and personality like nobody else. Sometimes I will give him an idea and he will record it and fit an arrangement around it. Sometimes he surprises me with something of his creation. I will then digest it and make suggestions or changes, sometime subtle, sometimes drastic. This is why we co-sign all of the arrangements.
Without his theoretical understanding, I wouldn’t be able to get the song on to paper.
What is your main inspiration? The tingle I get when I song cuts through to my heart
Did your style evolve since the beginning of your career? Oh yes! In the beginning I was like a wild horse with a large vocal range and vocal power.
It took me years to tone it down and find the beauty in the soft vocal colors in my voice. In general, Italian singers tend to show off their instruments (maybe due to our operatic roots) and the result is not always so musical.
My 25+ years living, recording and touring in Brazil has taught that the whisper can speak louder than the full-out belting style.
Who do you see as your main competitor? Myself!!!
What are your interests outside of music? Cooking, reading, traveling, museums, cinema and of course meeting people. I love to communicate and interact with people even if it is not through music.
If it wasn’t a music career, what would you be doing? I would have possibly the best restaurant in Italy or Brazil or New York. Of course it’s only a dream but since I have been doing it since I was 9 years old, I am seriously good at it.
What is the biggest problem you have encountered in the journey of music? People taking the profession seriously and thinking that music is there to serve them instead of vice versa.
If you could change one thing in the music industry, what would it be? Streaming platforms that effectively steal from us.
Why did you choose this as the title of this project? I have over 20 albums under my belt. Two of the last three have been predominantly in Portuguese with Brazilian and American musicians. After so many years in Brazil and collaborations with Leny Andrade, Milton Nascimento, Roberto Menescal and others, I got up the courage to express my own impressions of the beautiful music from Brazil. It would have to come from a natural place inside of me. The result is my Natural Impression.
What are your plans for the coming months? I’m already back on the road. Early January shows in NY, mid January I go to Brazil for shows and the second recording session for my next release. February back to NY through April. April is Germany and Italy ….then when I catch my breath I ask my husband/manager what’s next!
Do you have any artistic collaboration plans Well the new album I am speaking of is a kind of a meeting of the generations in Rio. The leading surviving composer of Bossa Nova and the leading bassist DJ producer of the younger generation and my faithful Paul Ricci on guitar,,,,,have formed a kind of a garage band. We got together in a room and messed around with ideas and recorded. It’s what Paul Ricci calls an “anti-production” and everyone is really digging it.
What message would you like to give to your fans? Don’t give up on really listening to the music, whatever it is. Don’t accept mediocrity or AI will be the only source for music in the future
'Silver Screen' By Serena Foster Shines in Pop's Realm
Serena Foster’s new song “Silver Screen” is amazing and lovely, it sounds like popular music and you will enjoy it, especially the singing part which everyone can remember because of its catchy lyrics, and you can hear what they are saying right away so your attention goes to that part first.
The singing is amazing, going in different directions all at once. The video was made by OJ Baclig and designed creatively by Kate Orates about working through inside feelings and fighting against something seen as an “opponent”.
Serena wants it will help people who are at dealing with difficult things that dont seem right for a movie.
Silver Screen goes into a combo of Electro Pop and Alt Pop music. Serena was born in Los Angeles and has been making music for a long time. This new song has a moody-pop feeling and its tale shows that true life isn’t always as perfect as it appears on movie screens.
The sounds are like they came from a movie, making it feel scarier with their weird tones and powerful beats. Serena’s voice stands out, in Silver Screen, like a star applying under the light. “Silver Screen” is a mysterious and cool indie pop song you’d love to have on your playlist.
Listen to The Soulful Journey of Teika & The Raw Beat's 'Falling In Love'
Teika & The Raw Beat ‘s new song, “Falling In Love,” gives a lovely hint of their next album called “Bones’n’Stones.” It features singer Mateja Kert from Berlin. She sings about love using British style with rock and punk sounds mixed in.
‘Falling in Love’ begins with soft piano sounds that quickly get your attention, Kert’s gentle voice moves to the front gently. Beautiful string music adds depth and makes it even better. What’s amazing is how far Kert can sing; she starts quietly, drawing closeness in, and then slowly lets out all the strength of her voice. This makes it very captivating as you listen more closely through squeezing power.
Beautiful string music adds depth and makes it even better.
Falling in Love isn’t just about romance; it’s a music trip diving into the details of relationships – personal, things and spiritual. Kert’s voice has a true feeling like PJ Harvey and Kate Bush. His words tell us that love can go beyond limits, connecting the seen world with unseen realms.
Teika & The Raw Beat, with Georg Kostron on bass guitar and drums played by Gidon Carmel. Kim-Esther Rolloff helps out too using a viola while Guilherme Rodrigues adds sound from his cello. Together they make the music deeper and fuller in space which is close to things we see every day but also wishes for something beyond just thatshine
“Falling In Love” feels like a deep look at love from being weak to getting successful. The album shows what it can be, giving a nice and deep look at Teika & The Raw Beat’s skill in music and words.
Abby Asabea's 'The Way It Was': A Funky Blast from the Past with a Modern Twist
So, Abby Asabea is new to the London music scene but she’s been making her own songs for a long time in secret. She released a cool song, “The Way It Was,” which has an old feel mixed with modern rhythm. It’s like she’s making the fun vibes from the ’70s come back in a new way.
Have you ever experienced a song making your emotions strong? This one is about being hurt and then moving forward. Abby’s words in her songs are true and easy to understand, discussing lost love and wanting to forget the past. Plus, her voice? Man, it’s strong and pulls you in right away.
Abby’s words in her songs are true and easy to understand, discussing lost love and wanting to forget the past
But she didn’t do it by herself, though. Abby joined forces with a secret producer known as Young Jay, who seems to use many different names. Together, they made something that feels like an old-time meal with a new style.
This song isn’t just some music; it’s like going on a memory journey while dancing to fresh sounds. Abby’s first song shows she has a lot of promise. It’s the beginning of something huge, remember what I say!
J.J. Chamberlain Strumming Through Life and Music With 'Tired of Christmas'Edited in Prisma app with Mononoke
Hey folks, get ready to meet J.J. Chamberlain, the musician behind the track “Tired of Christmas,” a song that speaks to anyone tired of the crazy holiday commercialism. This tune is all about wanting Christmas to be more about chilling with family and friends, you know?
He’s all about the real stuff in life, pulling inspiration from everything around him. Growing up, music was like the soundtrack to his family life, from his dad’s painting sessions accompanied by tunes to his grandpa’s jazz singing during family gatherings.
No fancy music school for this guy—he taught himself. J.J. Chamberlain is heavily inspired by Kurt Cobain, he picked up the guitar and never looked back. J.J.’s not just about music, He’s super passionate about fairness for everyone and loves diving into some good food and coffee.
He’s got big plans, though. A whole album in the works and some cool collabs. J.J.’s all about connecting with fans and making tunes that really hit home.
So, grab a seat, and let’s dive into J.J.’s world of music, life, and everything in between.
Is there a story behind your stage name?
Not really, it’s my initials but when I first released Tired of Christmas, a lot of the streaming services put it out on the wrong profile as there was already an artist called John Chamberlain. There are probably still some platforms that have it out under the wrong artist, but if you see Tired of Christmas, just know that it’s MINE!
Where do you find inspiration?
I think the answer to that is life. There’s always something happening, I’m a really busy person, but I go through phases of prolific songwriting and it’s usually when I’m working through something. Possibly why my lyrics can be a little…emotional.
What was the role of music in the early years of your life? It was everything. I remember my parents playing records while they cooked. That’s how I first discovered a lot of the music that I still listen to today. I associate Tom Waits with the smell of frying onions. He’d probably like it that way too.
Are you from a musical or artistic family?
Yeah, my Dad is a painter who has been quite active in recent years. He also plays guitar. My Grandfather was a singer in jazz bands and on Christmases gone by I remember the whole family singing old folk and traditional Irish songs. My brother plays bass with me in 2 bands (Box Time and Love Barons). It’s woven throughout my family, both historically and currently.
Who inspired you to be a part of the music industry? I’ve always wanted to be in a band since I can remember, but never thought I’d end up being a songwriter. There are two people that continue to inspire me to write and create, neither of whom are still with us, sadly. One is my former friend and bandmate Lanfranco, I write a lot for him. There’s even a song dedicated to him that I’ll be putting out in the near future.
The other is my Uncle Will, who was just the coolest musician I ever knew. There’s not much he couldn’t do. He and my Dad had me playing one-note solos in their band when I was 4 years old.
How did you learn to sing/write/to play?
I’m self taught. I had violin lessons as a kid and then I discovered Kurt Cobain, before long I was playing guitar every day and night.
I’m self taught. I had violin lessons as a kid and then I discovered Kurt Cobain
What was the first concert that you ever went to and who did you see perform?
My Dad was in a band called The Expanding Wallets and I’m pretty sure I was at his gigs before I was even born. My parents used to take me to festivals as a child. When I was a teenager, my first big concert was seeing The Rolling Stones at Wembley. I’d never seen anything like it.
How could you describe your music?
Bittersweet, happy-sad diary entries mostly. Sometimes I write angry songs but somehow they turn out upbeat. My lyrics often contradict the mood of the music. This is what happens if you bring your kids up on Punk-Rock, people!
Describe your creative process.
Depends really. In the past I used to write a guitar part first and then try to fit words and melodies to it, but recently I’ve flipped it and I’m often writing the lyrics before anything else. I don’t know why it happened but my brain decided it was a better idea and I actually think I’ve written some of my best songs since. It’s a quick way to fix a bad mood, write down your feelings about someone or something that has upset you, leave it and come back to it with new energy later on.
What is your main inspiration?
Hard to pinpoint, but I think it mostly comes from seeing other musicians perform live. I love watching everything from grassroots music events to big artists at the top of their game. It always makes me hungry to put stuff out there and get on a stage myself.
What musician do you admire most and why?
Hard to name any single musician here. I always loved Frank Zappa for having the guts to create his own label when all the majors turned him down. He was a true DIY artist. I really admire Mark Oliver Everett or ‘E’ from Eels for the same reason. The idea that everything can be done from home is inspiring.
Did your style evolve since the beginning of your career? Massively. I was always the lead guitarist in other people’s projects until I formed Box Time and started writing my own songs which helped me to have the confidence to be a frontman.
Who do you see as your main competitor?
I don’t see other artists as competition, I think we’re all here to support each other in this game. If anything, the odds are stacked against us in terms of the way that the industry is structured. This is why we all need to help each other wherever we can. I’ve had some overwhelming support from some great artists recently and I’ll give that back however I can.
What are your interests outside of music?
I’m passionate about neurodiversity and equal rights. Also food, and coffee!
If it wasn’t a music career, what would you be doing?
It would still be something in music. Maybe Film. I used to enjoy taking part in independent film projects.
What is the biggest problem you have encountered in the journey of music?
There are lots of little bumps in the road. I think the big problem in grassroots live music is promoters that are still operating with ticket systems that are practically pay to play. The problem lies mainly in London and major cities but the cut that bands take is so small compared to the money they earn for these promoters, and the “promotion” that takes place is often as little as a short Instagram story that lasts a day in return.
If you could change one thing in the music industry, what would it be?
The biggest issue at the moment is the closure of music venues. This is often down to decisions made by the government and the lack of finances. The arts aren’t taken as seriously as they should be. In the pandemic, the biggest insult to the arts was the government advising us all to “retrain.” That tells you everything you need to know about their attitude.
Why did you choose this as the title of this project?
I’m not a Grinch, or a Scrooge, or a Christmas curmudgeon. I’ve had a tough year in my personal life and although I can usually overlook the ever increasing prematurity of the Christmas hype, I just felt that this year I could do without it. I’m very much looking forward to Christmas itself, but I feel that we’re diluting Christmas by celebrating it too early with hyper-consumerism.
What are your plans for the coming months?
I’ve written a lot of songs, I’m now selecting and ordering tracks for my debut album which I plan to finish recording and mixing in 2024. There’ll be more singles too, but the album is my priority.
Do you have any artistic collaboration plans
Yes actually, as I mentioned I play in two active bands separately, but there’s another exciting new project on the way in the coming year. I’ll reveal more on my socials so keep an eye out!
What message would you like to give to your fans?
Just how grateful I am to anyone who has listened to my song and especially anyone who has decided to revisit it for more. I’ve always felt musically capable, but I never felt capable of writing and recording music that I felt ready to release, until now. To know that there are people out there who genuinely liked my music is an amazing feeling.
Matt McKnzi's "City People" cuts to truth's essence with balm and blade
In the convoluted landscape of contemporary music, navigating melodies that truly resonate can be as grueling as seeking verities in a sprawling metropolis rife with whispers. Enter “City People,” an evocative anthem from Matt McKnzi’s seminal EP “Ghost” that listeners cannot help but acknowledge with their undivided attention.
McKnzi, ascending like smoke above the New England firmament, amalgamates elements of pop and soul on a canvas imbued with alternative R&B pigments. This is a painter bathing his brush in emotional profundity and spiritual rumination; each stroke laden with yearning, resentment, and the burdensome gaze of society at large.
The ballad opens upon a sinister cityscape – notes pulse like streetlamps against dusk. A beat suffused with longing situates us firmly in the shoes (or perhaps soul) of urban wanderers engaging in intimate rendezvous beneath towering buildings onerous with secrets.
Matt McKnzi’s “City People” cuts to truth’s essence with balm and blade
His voice is both balm and blade—consoling yet probing, it cuts to truth’s essence. The production embraces unostentatious refinement—understated synths interlace gracefully around rhythms that reflect heartbeats quickening in cloistered alleyways.
“City People” stretches beyond mere observation; it enfolds one within chronicles thickened by examination—a clarion call for veritable connection amidst specious facades. Herein lies its virtuosity: McKnzi attenuates our external footholds till we’re suspended among filaments of condemnatory stares then gently lowers us back down to mortal ground via poignant versification punctuated by redeeming harmonies.
By integrating personal wayfarer tales within universal echoing chambers of social encumbrances—the twisting cravings ensnared amongst roots of rancor—McKnzi has not just created music but erected an aural monument where shadows caper freely; unjudged murmurs are rendered mute to simply listen…and perhaps see.
Fault Lines Is A Musical Therapy By Magdalia - Listen Here
Welcome, everyone! Before jumping into that topic, let me introduce you to today’s featured artist Magdalia and her latest single Fault Lines. Tracing the difficulties and turbulence of relationships as well as mankind’s burden–and with a voice to vanquish gravity, ‘Fault Lines’, unforgettable pop anthem style, lingers long after its end.
This combination of powerhouse vocals with addictive, crafted beats give Magdalia songs substance. She says her own life provides the flashpoints and windows into which she weaves emotions that contribute to produce a catchy song people will find rewarding to listen to over and over again. Her stage name, was taken from her grandmother’s middle name ‘Magdala,’ not only has a familial touch; it has also got something unique to offer.
Finding the way in a digital world of biggest challenges navigating the music industry has been how to find an honest voice, amid so much artifice. But, Magdalia will continue now to bring real music of the heart from her street singing days to share with an uncorrupted audience.
Her message echoes with a simple yet beautiful ‘thanks’ on behalf of everyone who has been involved in this musical journey.
Is there a story behind your stage name? It was inspired by my grandmother’s middle name ‘Magdala’ which is also a mine in Victoria, Australia. I added the ‘i’ to make it my own and give it a bit of flair.
Where do you find inspiration? Usually from my personal life. I find it quite difficult to write about things I haven’t experienced so I tend to stick to what I know and what I’ve been through, there’s always new material!
What was the role of music in the early years of your life? Some of my earliest memories involve listening and watching concert DVDs that my dad had, like the Bee Gees and Neil Diamond. I was always interested with how the artists interacted with their audience and how they put on a show. I started singing when I was 8 years old and haven’t stopped since. It was a way for me to express myself when I felt shy.
Are you from a musical or artistic family? My parents don’t play any instruments but they are very invested in the music that they like which makes them incredibly supportive of my endeavours. Other members of my extended family are quite musical.
Who inspired you to be a part of the music industry? The first real album I was obsessed with was ‘Innocent Eyes’ by Delta Goodrem, I loved her voice and the way she wrote her lyrics. When I started to learn to sing I was really into Taylor Swift (still am) and she was all I wanted to sing.
How did you learn to sing/write/to play? I started to learn classically in school. I took private lessons from the age of 8 and started to grow my contemporary side when I was about 13. The way I learnt was very traditional – sheet music, scales, theory and exams, but I wouldn’t change it.
I took private lessons from the age of 8 and started to grow my contemporary side when I was about 13.
What was the first concert that you ever went to and who did you see perform? I’m pretty sure it was Katy Perry’s Teenage Dream tour in 2011. It was amazing. I loved the stagecraft and energy she put into the show and I’ll never forget it.
How could you describe your music? A marriage between Florence & the Machine and Taylor Swift. Big vocals and heartfelt lyrics.
Describe your creative process. For my most recent song, I actually don’t remember the process, it kind of just happened. But usually I’ll have a lyrical idea first and will then work out the chords that match. After that I try to find some reference songs to send to my producer and go from there.
What is your main inspiration? My main inspiration is my own life and the influences of the music that I listen to. I love big, pop songs so I hope that comes across with ‘Fault Lines’
What musician do you admire most and why? I have a few but my main two are Florence & the Machine and Taylor Swift. I love how they tell stories through their music with such poetic lyrics and catchy tunes.
Did your style evolve since the beginning of your career? I hope so! I definitely started my songwriting with mainly ballads and slower songs and recently with my past few releases have tried to move towards a bit more of an upbeat vibe.
Who do you see as your main competitor? I think there’s enough room in the world for all of us. Obviously I’m human so I compare myself to others sometimes but I try not to see anyone as a competitor, rather someone to support and maybe work with in the future!
What are your interests outside of music? I love to read and craft things. My favourite thing to do is watch a tv show and make something with my hands, it’s very relaxing.
If it wasn’t a music career, what would you be doing? I’m also singing teacher by day so I would likely still be doing that. If I’d never started singing I like to think I’d still be doing something creative.
What is the biggest problem you have encountered in the journey of music? I think overall it can be very confusing knowing what to do and how to be yourself, especially online. I’m quite introverted so I find this particularly difficult.
If you could change one thing in the music industry, what would it be? Probably all the fake Spotify marketing schemes and bots!
Why did you choose this as the title of this project? ‘Fault Lines’ had been coming up in my writing quite regularly at the time so when I was writing this, it seemed to fit perfectly and I knew it should be the title.
What are your plans for the coming months? I have a couple of singles lined up for release and hopefully there will be an EP sometime later in 2024!
Do you have any artistic collaboration plans? I will be releasing my first song with another artist early next year which is very exciting!
What message would you like to give to your fans? Just a big thank you to anyone who has taken the time to stream ‘Fault Lines’ and let me know what they think. I really appreciate all the kind words and messages!
Journeying Through 'Pure Imagination': An Exclusive Insight into The Sound of Monday
NYC pulses with creativity, and at its heart is indie-pop virtuoso Dave Jay, the maestro behind ‘The Sound of Monday.’ His latest rendition of ‘Pure Imagination’ marks a spectacular prelude to an upcoming album, offering a tantalizing glimpse into the artist’s innovative soundscapes.
This cover transcends nostalgia, fusing the timeless charm of Brian Wilson’s ‘Pet Sounds’ with a contemporary indie-pop vibe. It’s, an eclectic blend that mirrors the artist’s kaleidoscopic approach.
With a stellar ensemble of musicians and the artistic prowess of Charles Newman behind production, ‘Pure Imagination’ isn’t just a track; it’s a portal to a world of wonder. The accompanying animated video, crafted by Richard Mather, is a visual feast, transporting viewers on a psychedelic journey reminiscent of Dali’s surrealism.
In a candid conversation, Dave Jay reveals the origin of ‘The Sound of Monday,’ echoing the dichotomy of hope and drudgery that Mondays embody. His inspiration, he shares, comes from an endless well of stimuli, a whirlwind of thoughts, melodies, and experiences.
Reflecting on his musical roots, Dave reminisces about childhood days spent engrossed in his parents’ record collection and forming backyard duos inspired by The Monkees. His journey into music was a blend of chance encounters and relentless passion.
While ‘showbiz’ beckoned him early on, Dave’s style has evolved organically, staying true to his vaudevillian love for variety and entertainment. His music, he describes, is lyrically rich, akin to Elvis Costello, and melodically akin to a one-man Beach Boy.
With upcoming releases and plans for collaboration, Dave’s message to fans is simple: Have fun and uplift spirits. His music is a gateway to joy and escape from life’s hardships.
Stay tuned for an exclusive peek into the upcoming ‘Pure Imagination’ album, a testament to Dave Jay’s artistic prowess and boundless creativity.
Is there a story behind your stage name? “The Sound of Monday” is a lyric in a song called Sunday Street by Squeeze, and the turn of phrase immediately appealed to me, because I could relate to the competing ideas of what Mondays meant to people. On one hand, I had the drudgery of starting another week in a job I loathed, yet also the hope from new opportunities that may come with the start of a brand new week. It also reminded me of The Sound of Music, so I liked how music came to mind when you said our name.
Where do you find inspiration?
Inspiration finds me. There’s an endless stream of stimuli all around us.
It can be a concept, turn of phrase I overhear, read, or mistakenly say, a melody that I just start humming by chance, word play off of some existing line, documentary or article about someone or something I find fascinating, insight provided by listening to someone else’s convo., a reflection or realization about myself, or any other number of ways you could think of. Once an idea gets introduced to my consciousness, I riff with myself (or others) as it develops, often keep myself entertained, and a lot of ideas derive that way.
What was the role of music in the early years of your life?
Among my earliest memories during the mid/late1970s, I would rifle through my parents’ record collection, from show tunes to Trini Lopez Live at P.J.’s. I’d listen, while devouring the liner notes and imagine what was going on behind each photo and each morsel of cover art.
I was a fixture in front of the speakers of this huge credenza in our living room housing the record player and an AM/FM radio, imbibing classic rock of the 50s and 60s, supping up all the Doo Wop, Rock-n-Roll and Ballads, and loving every moment! Around that time, I discovered reruns of The Monkees TV show, where the humor and snappy melodies, captured my imagination—I dreamt of being “The 5th Monkee”. My babysitters, who’d all experienced The
Monkees in the 60s and had outgrown them, gave me all of their old Monkees records—I was in heaven, memorizing every tune on every album, unfazed by the magic marker-scribbled, “Wendy loves Micky” doodles all over the album covers. Then, my best friend Stephen and I formed a duo called, “The Li’l Monkees”, and we’d put shows on for the neighbors in my backyard!
Are you from a musical or artistic family?
Not particularly. My Dad’s side of the family is very analytical, and I inherited some of those natural skills,
but my Mom’s pretty creative, and has a sense of humor. When I was growing up, we used to look through
the White Pages phone book, find funny sounding names, and crack each other up riffing on ‘em.
Journeying Through ‘Pure Imagination’: An Exclusive Insight into The Sound of Monday
Who inspired you to be a part of the music industry?
When I was a young boy, the 20 th Century notion of “Showbiz” permeated my dreams. I’d had a clear vision early on that it’s where I belonged–to sing, dance, tell jokes and funny stories, write songs and appear on TV and in movies. The Monkees, Mel Brooks, Peter Sellers, my cousin Jack, Steve Martin, The Beatles, Johnny Carson, Sid Caesar, The Beach Boys, and others all drove my dreams in this direction.
“How can I make it in showbiz?” was always on the forefront of my mind, and this basic idea really hasn’t changed, though it has evolved.
How did you learn to sing/write/to play?
When I was 9, I decided to give songwriting a try, and “’Cause Girl I Love You” was the result, about my 3rd grade crush. I couldn’t play any instruments, nor notate melodies or chords, so, that summer at sleepaway camp, as chance would have it, my counsellor was a vibraphonist who loved Jazz, sat with me at the piano at my urging, and told me the chords to write down as I sang him the song. I continued writing songs, filling a loose leaf notebook with lyrics, and scraps of paper with ideas, memorizing my own melodies for them.
When I entered junior high school, I met a classmate who was a really good guitarist. I got the number of his teacher, begged my parents for lessons, got ‘em, and the rest is history.
What was the first concert that you ever went to and who did you see perform? My Dad surprised my friend Stephen and I with tickets to see Davy Jones and Mickey Dolenz of The Monkees perform at a theater in NYC! I screamed my head off: “Sing Valerie!!” The Laughing Dogs was the opening act. It was thrilling!
How could you describe your music?
Lyric-driven like a pack of Elvis Costellos and melodic as a one man Beach Boy!
Describe your creative process.
Exploration, wanderlust through words and ideas, followed by organization once I capture them in a fixed state.
What is your main inspiration? I’m a willing slave to wonderment.
What musician do you admire most and why?
There are so many, but Francis Dunnery jumps immediately to mind. I deeply admire his incredible abilities as a guitarist (he was Robert Plant’s for a time), singer with a sweet voice and awesome range, and fantastic songwriting, encompassing both meaningful and clever lyrics and catchy melodies. He’s the full package, and I aspire to put it all together as well as he has!
Did your style evolve since the beginning of your career? I wasn’t conscious of style early on, I just liked to create whatever I fancied, from theatrical to rock. I even wrote a rap, (it was really bad). Though it has evolved and matured, my style itself has never really changed, in that I love the variety format fostered by vaudeville, and the aforementioned 20th century entertainment that I love so much.
Who do you see as your main competitor?
Myself, primarily, though I suppose that everyone else seeking an audience’s attention, from shoe sellers to artists of very different genres are all competitors in a sense.
I’ve never really liked the idea of competition with others when it comes to creating stuff I like. I just hope to find people who dig the stuff I enjoy creating, and let that speak for itself.
What are your interests outside of music?
American football and in particular, the NY Jets, of which I am a lifelong diehard fan—so, in a way, I guess you can say I’m deeply interested in some form of masochism. I like sports, both as fan and participant. I also find deep harmony with history and nostalgia.
If it wasn’t a music career, what would you be doing?
What is the biggest problem you have encountered in the journey of music?
Lack of recognition.
If you could change one thing in the music industry, what would it be?
I’m not interested in changing the industry. I just want to find a home, a fan base with whom I can connect, to provide entertainment, joy and an escape from how tough life can be.
Why did you choose this as the title of this project?
I normally enjoy getting creative choosing the title for my projects after the collection of songs has already been completed. This time around, while working with longtime collaborator/producer, Charles Newman on our Pure Imagination single, he approached me with a cool concept to put together a LP using this iconic title, and taking original songs I’d already been working on that embodied the “imagination” theme. The idea really appealed to me, and we’ve been off to the races ever since!
What are your plans for the coming months?
We’ve got a bunch of new releases, from the Pure Imagination full length, to remixes of our cover of Spiderman Theme, and I’m excited to have landed a license in an upcoming feature film!
Do you have any artistic collaboration plans
There are so many I’d love to branch out and collaborate with, and have had some conversations about doing so, though nothing in the works beyond the work I just completed with Emiliano Melis, Streamkitty, and Sisko, who did great remixes of our standout single, “Spiderman Theme”. I also created a pending single with Sisko called “The Jester”.
TolumiDE's 'Naturally Me' Is Fusing Heritage and Modernity"
This is the latest release from TolumiDE, a soulful Afropop artist whose blood runs half-Nigerian and half-Canadian. Naturally Me! It’s an inspiring song that promotes natural hair along with different styles of hair cut or style. TolumiDE’s track, based in Washington DC and Maryland looks on as a groovy homage to how anyone can be comfortable with their own skin at any time through the day. It tells of individuality and character.
TolumiDE says in her own words that she hopes to bring out listeners ‘own styles. There are a variety of options; it is ultimately their decisions, which give them the power. Iru Mi, meaning my hair in Yoruba is inspired by various braid styles she had when at school back home in Lagos, Nigeria.
Naturally Me’ is delightful and engaging song. A co-mingling of Afrobeat and R&B imbues it with a multicultural essence, raising African pop to an airy modernity. Suya Soul: TolumiDE’s self-defined genre is a detailed, personalised world of art that combines accessible and substantial elements between the audience.
Apart from its packaging, the track’s contents are a fine piece of work. It combines bouncy African rhythms with delicate electronic layers and harmonies, creating an uplifting instrumental. TolumiDE’s equally energetic vocals, switching back and forth from English to Yoruba fit the positive, intense musicality of this song.
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The new song by Dax entitled, ‘Catch the Rain’ can be found on his album “What is life? Ep,” and it’s making waves. This is a good song, one that shows the development of Dax and his ability to touch our hearts. His musical talent is also highlighted by seven other great tunes in the album.
Now let’s talk about the song itself. Dax really comes into his own in Catch the Rain. He has this talent for combining emotions and deep meanings naturally. But a shoutout to music producer Lex Nour whose work gives this additional and cool sleek veneer over Dax’s already awesome sound.
With a great combination of storytelling and catchy beats, “Catch the Rain” hits home in just an entirely different way that makes you want to hit rewind for repeated listenings. He switches effortlessly between smooth flows and quick verses, leaving a mark on his devoted fans.
Yet it’s not only about the music. In his lyrics, Dax raps about real things–bouncing back, looking inward and chasing dreams. It’s that openness which makes him seem so different from all the artists just out for hits.
He is dynamic, charged and fills every line with life. You sit up to listen. With his own style of hip-hop, Catch the Rain is a prime cut. If you want an artist who’s genuine, talented and is able to speak from the heart then Dax and his work are definitely worth a listen.
Yarisho Unplugged: A Tale of Musical Evolution and Raw Emotion
Yarisho started his music journey only a couple of years ago. He is from Kyiv, Ukraine. He’s released three singles and rocked the live performances. His stage name, takes account of the search for peace in this life’s cacophony while also hinting at Slavic mythology.
In this chat, Yarisho talks about his life. He’s self-taught, drawing inspiration from the small things of life, his development follows his music: from being addicted to TV-station performers, he springs onto the stage at a Kyiv festival.
All is feeling in his music, leading you into a realm of emotions. James Blake and Joji are the artists that have influenced Yarisho’s music, which has changed as he’s grown.
But outside music, he plunges into graphic design and marketing. Looking back at the hard places in his journey, he’s used failures as a kick to get even stronger.
Hinting at an upcoming album and keeping collabs hush-hush, Yarisho shares a heartfelt message with fans: stay true, don’t forget the simple pleasures of life and pursue your dreams. Every song Yarisho spins a link and the sound of music isn’t something that we just hear, it can also be felt in our lives.
Is there a story behind your stage name? I can’t say that I have a specific story behind my stage name, but if we are speaking about the meaning, it contains different senses. The main is “a place where you can find your calm”. Also it is consonant with Yarylo, slavic God of spring and vitality.
Where do you find inspiration? Life inspires me pretty much. Although it sounds trite, you should definitely romanticize your daily life to survive in this crazy world. Any relationships, situations, people or nature can be the impetus for your art. Beauty is in the eye of the beholder, inspiration in the same.
What was the role of music in the early years of your life? When I was little, I was always fascinated by the artists on TV. The way they look and act on the stage. Then I became addicted to vocal shows and dreamed that one day I’ll definitely burst into the music world.
Are you from a musical or artistic family? I am a guy from a regular family. My parents never played music, but they like to listen to it.
Who inspired you to be a part of the music industry? Me, myself and I [laughs]. I couldn’t say that I have someone who spurred me on the music path, it was my own decision.
How did you learn to sing/write/to play? I’m self-taught with no formal music training. I was learning from scratch, mainly through trial and error, and devoted all of my time to it.
What was the first concert that you ever went to and who did you see perform? My first concert (if we can call it that) was at a Kyiv festival timed to the Christmas holidays. I remember it was a very cold day, kids and their parents danced below the stage. I was very worried but it was over in a flash.
My first concert (if we can call it that) was at a Kyiv festival timed to the Christmas holidays
How could you describe your music? I can sum it up in three words: emotional, sensual, engaging.
Describe your creative process. Usually I begin with a short hook melody, which could suddenly come to me. Then I start to build composition around it, experimenting with the sound, taking the small steps toward the final version. And the last step is lyrics. I think I always keep in my mind what this song should be about, but the whole work with text leaves for last.
What is your main inspiration? Well, like I said, this is life – love, my close and music itself. I really like to go to live performances, theaters and festivals. Cultural life inspires me as well.
What musician do you admire most and why? James Blake, Sampha, Joji, Unknown Mortal Orchestra – their vision of music is close to my heart.
Did your style evolve since the beginning of your career? Sure, and it’s a common thing for young artists. At first I used to try myself in classical pop – because of music I listened to at that time. After a long break in my musical path, searching for a fresh sound and senses, I presented a new single “Take it slow”, which became the first swallow of the upcoming album.
Electronic sound and new style made this song directly opposed to what I has done before. Artist worldview changes and, as a result, music changes too. Maybe I’ve become a more adulty adult.
Who do you see as your main competitor? Actually I don’t like the idea of competition at all. We are all fighting our own battle, where the main competitor is you itself. I prefer to say I have people and artists I look up to, but I don’t want to compare myself with someone.
What are your interests outside of music? Graphic design and marketing, I work in this area.
If it wasn’t a music career, what would you be doing? It would definitely be something connected with Graphic design. Love it.
What is the biggest problem you have encountered in the journey of music? Do not give up after the first failure, as it should be seen as a further step to improve your skills. I am a very sensitive and emotional person like most artists, that’s why every mistake makes me sad. No one will argue that we all want everything at once, but, unfortunately, it does not work this way.
If you could change one thing in the music industry, what would it be? That’s a difficult question, because there are many different aspects. I will not say anything new – fair compensation, more honesty, less predatory.
What are your plans for the coming months? I’m working on my new album consisting of 9 songs — the release is scheduled for next year. Although I plan to shoot a video.
Do you have any artistic collaboration plans I would like to keep it a secret. Let it be a great surprise for people who listen to my music.
What message would you like to give to your fans? Never be afraid of being yourself, define your life goal which would make the greatest sense just for you and go ahead. Be patient and love what you do, avoid people who say you’ll never succeed. Show gratitude for those who are kind to you and find your inspiration in simple things.
MUSIC UNLTD. is a group with their own special musical concoction melting together classic rock, pop-rock, psychedelia and reggae into one unforgettable drink! Their journey has lasted nearly a decade, with hits like ‘Play Me A Song,’ as well as their latest single: THIS IS IT.
Here, we speak to the man behind this launch: multifaceted Milin. From composing to writing lyrics, playing guitar and leading vocals– Milin shares his thoughts on the musical world.
Milin’s foray into music, however, was atypical. As a kid, he was really into sports and hanging with his friends. But it was only much later, in college that he seriously strapped on the guitar. He immersed himself into music and graduated from The Musicians Institute located in Hollywood, USA.
His musical heroes cover the gamut: from legends like Joni Mitchell to Indian classical artists Bribhushan Kabra and Kishori Amonkar. These many-sided inspirations are thrown into Music UnLtd.’s sound. Sometimes it is driving, sometimes dreamy, always melodic in Rock and Pop-Rock styles.
For Music UnLtd. For Milin’s supporters, the message is simple: stream their music; share it; follow them on social media and if you have a chance, go see them live. Their fans’ support is a great encouragement to them as they proceed with creating, releasing and planning performances.
What is your stage name: Music UnLtd. (Pronounced ‘UnLimited’)
Is there a story behind your stage name? No, just thought of it!
Where do you find inspiration? In relationships and daily life, and the music that has influenced me throughout my life.
What was the role of music in the early years of your life? I took occassional music lessons at home as a child which were not serious at all, as I was more interested in sports and playing with friends. But the radio was on in the background every morning in the house. I took up the guitar casually in high school, but started learning seriously only when I went to college.
Are you from a musical or artistic family? No, I’m the first member from amongst my family & relatives to take up music seriously.
Who inspired you to be a part of the music industry? I applied for admission in The Musicians Institute, Hollywood, USA after seeing their ads in The Guitar Player magazine. After graduating from there, I took up music professionally and started composing for commercials, audio-visuals, documentaries, corporate films, feature films and TV series – which I stopped 10 years ago to concentrate on my own music and band.
How did you learn to sing/write/to play? I learnt to sing, write and compose mostly by instinct, and learnt to play guitar by initially taking private lessons and subsequently seriously at the Guitar Institute of Technology at The Musicians Institute.
I learnt to sing, write and compose mostly by instinct, and learnt to play guitar by initially taking private lessons
What was the first concert that you ever went to and who did you see perform? I don’t remember which concert I attended first, but the live performances that have blown me away are Joni Mitchell, Bribhushan Kabra (Indian classical guitarist), Kishori Amonkar (Indian Classsical singer), Keb Mo, Jimmy Thackery, Beth Hart, Frank Gambale, Scott Henderson (his earlier days), Peter Sprague and the Rolling Stones.
How could you describe your music? Sometimes driving, sometimes lilting, sometimes dreamy, sometimes cheesy …but always melodic …mostly in the Rock/PopRock genres broadly.
Describe your creative process. I compose & write at the same time. Some compositions could be finished in a day and others might take weeks – depending on my state of mind.
What is your main inspiration? Relationships, my experiences, and the music that has influenced me throughout my life.
What musician do you admire most and why? Musicians like Joni Mitchell, Bribhushan Kabra (Indian classical guitarist), Kishori Amonkar (Indian Classsical singer), Keb Mo, Jimmy Thackery, Beth Hart, Frank Gambale, Scott Henderson (his earlier days), Peter Sprague, Jethro Tull, Crosby-Stills-Nash, Pink Floyd, Robbie Williams, Elton John, Richie Havens, Young The Giant (newer band) – for their dedication to their music and their originality.
Did your style evolve since the beginning of your career? Yes, the more I heard the more I learnt.
Who do you see as your main competitor? The demand for film music & DJs in India drowns out Indie music – that’s the main challenge here. But my potential market/audience is international, so the challenge is to get my music to Indie music lovers all over the world without any financial/logistical/marketing support from record labels.
What are your interests outside of music? Chilling with friends, good films & TV series on OTT, travelling, scuba diving, sampling world cuisine/red wines/cocktails, and spending time with my family.
If it wasn’t a music career, what would you be doing? Probably theatre (acting).
What is the biggest problem you have encountered in the journey of music? The demand for film music & DJs in India drowns out Indie music – that’s the main challenge here. But my potential market/audience is international, so the challenge is to get my music to Indie music lovers all over the world without any financial/logistical/marketing support from record labels.
If you could change one thing in the music industry, what would it be? Make them listen to new artistes and tell them to have the courage to put down money on great music – not just music from the established ones.
Why did you choose this as the title of this project? Because I thought – “This is it …this could be my time.”
What are your plans for the coming months? To keep writing, composing, releasing songs and performing live.
Do you have any artistic collaboration plans? I would like to do that as it really expands your fanbase.
What message would you like to give to your fans? If you like our music, please invest in us by simply streaming our songs, sharing them with your circles, following us on social media and attending our concerts.
Matt McKnzi Conjures a Beguiling Soundscape on "Ghost"
Matt McKnzi’s single “Ghost,” an entrancing entanglement of melodic brilliance and poignant lyricism, materializes from the shadows of his New England studio as a spectral symphony that builds a bridge between R&B’s sultry tones and hip-hop’s rhythmic grip. This title track from his debut EP paints the dark pop canvas with brooding hues of profound emotional attachments and glimpses into spiritual revelations, making it an aural mirror reflecting McKnzi’s very essence.
Within its opening measures, “Ghost” enthrals you in an elegiac atmosphere reminiscent of The Weeknd’s introspective narratives fused with Daniel Caesar’s harmonic subtleties. McKnzi interweaves these influences seamlessly—his voice is both knife-sharp in precision, yet velvety gentle to the emotional touch. As he navigates through the labyrinthine aftermath of a toxic relationship, each verse strips away layers upon layers of personal healing like removing scars only to find fresh skin below.
McKnzi molds his experience into an uplifting anthem for those who have loved too deeply only to be turned phantom in their own lives. His production—a polished concoction that still retains the rawness true to pop ethos—is complemented by vocals that sway between confessional aggression and whispered vulnerability.
Matt McKnzi Conjures a Beguiling Soundscape on “Ghost”
What makes “Ghost” hypnotic isn’t just its cross-genre magnetism but also how it firmly cements McKnzi among contemporary R&B artists determined not merely to conform but stand out; this is someone who does not follow trails but forges new paths haunted with memories yet aglow with future possibilities.
This track doesn’t just touch on melancholy—it wholly embodies it and emerges stronger on the other side. One listen will entrance you; multiple listens unearth addictive nuances—and isn’t that what we crave? Music so filtered through humanity that every rhythm resonates within our bones? Make no mistake: Matt McKnzi has conjured something beguiling here—you might just find yourself becoming another ‘ghost’ trailing behind him, eager for wherever he ventures next.
Dirty Money's "Vice and Virtue": Authenticity Wrapped in Musical Fervour
“Vice and Virtue,” the latest EP from Dirty Money, is a rip-roaring ride through the ethos of rock’s golden era, with the raw edge of modernity. Formed in February 2022 post-Chemical Pulse demise, Dirty Money wields their instruments like proverbial weapons of mass disruption: Spud Hudson on vocals delivers an anthemic roar that meshes seamlessly with Mark Walker’s shredding lead guitar. Ross Hutton’s bass lines are not merely heard but felt in the gut, while Luis Silver hammers down a percussive thunderstorm behind the drums.
The record tears open with “Play to Win,” sending out high-voltage signals that this is no passive listen—the grit of gravel underfoot and the smell of rebellion fill your senses. With only four tracks to make its mark, “Vice and Virtue” doesn’t dally; it demands attention at every turn.
Hudson’s lyrics are painted across vast canvasses that examine life in vivid strokes – sometimes broad sweeps questioning morality and fate; other times fine dots highlighting our hedonistic streaks. The storytelling furrows deep into one man’s episodes amongst chaos yet maintains universality for listeners who’ve ridden similar highs and lows.
Each track feels like cruising an electric highway—windows down, windswept thoughts dissipating in rearview mirrors—as we experience Midnight Suns,’ it resonates like Springsteen’s fist-pumping energy met by Foo Fighters’ sonic audacity.
Dirty Money’s “Vice and Virtue”: Authenticity Wrapped in Musical Fervour
What stands out starkly against contemporaries is how authenticity isn’t forced; they breathe as much fire performing gut-busting ballads as they do delivering chest-thumping crescendos. It makes you wonder if these guys have lifetimes worth of experiences balled up into just over half a year together because what materialises feels anything but infantile—it roars matured insights wrapped in musical fervour.
As “Ego,” caps off this rollercoaster—a fun upbeat piece laced with nostalgia—you emerge roughened yet strangely hopeful amidst personal symphonies oscillating between vice and virtue.
“Vice and Virtue” EP is Dirty Money’s gauntlet thrown at today’s homogenized soundscapes challenging them with piercing guitars crafted on roaring riffs assemblage line—and rest assured, rock puritans to casual chart dabblers will wholeheartedly agree something visceral has been sparked here. Let there be no confusion: you don’t listen to “Vice and Virtue”; you feel it—in every fibre until reverberations cease long after the last notes fade away.
Nalya's "Un monde en couleurs" is a hopeful anthem for unity.
Let the shades of Nalya’s “Un monde en couleurs” envelop you; it’s an audio watercolour that splatters hope across the canvas of today’s pop vista. The track is an exuberant voyage through French lyrics that could inspire even those nameless flowers prospering defiantly in cracked urban concrete.
The single, with its cheerfully unyielding female vocals, offers not just an earworm but also a heart embrace. It sparkles in pop sensibilities yet manages to hold a message as poignant as the world’s need for unity and optimism despite our common trials. As notes dance like dappled sunlight upon a Monet, we’re reminded of France’s legacy – from chanson française to modern-day pop sorcery.
Nalya’s “Un monde en couleurs” is a hopeful anthem for unity.
In true anthem fashion, “Un monde en couleurs” pulsates with spirit. There’s something fresh here—the refusal to give in; it’s painted not only in sound but also in intent. Through environmental woes and societal tides high enough to drown moods, Nalya composes an unyielding vote for tomorrow’s bright mosaic.
As jubilantly upbeat melodies interweave seamlessly with profound purpose, one can’t help feeling part of this growing colorful world full of love she sings into existence—a testimony resonating well beyond francophone souls.
Surpassing linguistic boundaries, her song twirls around us all like ribbons at maypole festivities—intertwining everyone into her energetic vision for humanity: united and alight with chromatic possibilities.
Maria Kadima's 'Je Te Desire': A Soul-Stirring Journey of Faith
Christian singer Maria Kadima recently released the ballad Je Te Desire, a real-life testament to her spiritual journey. It’s hard not to find something touching about it. Sung in French with deep emotion, and translated on the spot into a warm expressive purity, Kadima speaks of longing for divine contact. Yet this gentle prayer of a song expresses the artist’s wish to draw closer to God.
Kadima, who is from Congo and a worship leader in the United States now, became involved with music at age 7. Relying on her experience of education from her church and self-education, she is able to integrate the two sides of herself–spirituality with music.
Maria Kadima’s ‘Je Te Desire’: A Soul-Stirring Journey of Faith
In addition to displaying the full breadth of Kadima’s vocal skills, ‘Je Te Desire’ bears witness at one point in her development as a solo performer. Backed by her able band, she treats the audience to soulful music in which it can participate and thus find spiritual solace. Getting off to a good start, listeners can look forward to more sincere works extolling Maria Kadima’s faith.
Unmasking Cyril Brière: From Disco Influences to Electro-Pop Sensibilities"
For a stylistic change, we’ll go behind the scenes with Cyril Brière of Sans Sebastien who just launched his first solo EP ‘Dans la lune’. Featuring stripped-down electro arrangements and taken in radio length format it is an audio voyage.
In the best traditions, Cyril’s harrowingly beautiful voice paints dreamlike landscapes with his music. Between Paris and Montreal, ‘Dans la lune’ was made with English arrangers Michael Wookey and Majiker (Camille’s album le fil producer), takes the listener into a utopia of hush-filled romanticism through words full of double meaning that stab straight to one’s emotions inside out. Laconic airiness against solemn gravity; tenderness amid
his debut single, ‘Dans l’été indien,’ a celebration of the life cycle that leaves its mark forever in an evocative echo. Now offered as a minimalist version ‘The Minimal Mix’ along with Michael Wookey, the song envelops listeners in swaying synths like gentle summer breezes. However, behind that dreamy façade lies a pensive melancholy. Its evocative tones touch the heart yet go beyond words.
Cyril’s creative process is similar to his music, as it takes dreaming and thinking. It often begins near the sea where he may have found inspiration for one of this tracks on Waves web site linked here or looks at elsewhere – possibly an article about robots helping them shear their sheep in Yorkshire? He draws inspiration from a broad range of influences–from the disco era through French pop, even to Barbra Streisand and Madonna or Tori Amos. These various elements combine within his musical universe in an exquisitely unique way.
You can see his evolution as an artist in the development of his style, to make sincere and direct expression rather than second-degree. Music89 Cyril’s interests aren’t limited to music, either. They range from swimming and films as a break from the stress roles in music entail.
Cyril plans to release singles every month with the intent of making an album and is always interested in more places where he can perform. He turns this over to you–where should be watch out for him next? A join work with Pascale Borel of Mikado and Laurence G do from Montreal’s Le couleur, as well DVTR suggests exciting musical possibilities.
What is your stage name I currently sing under my real name: Cyril Brière and from 2012 to 2017 I sang under the name Sans Sebastien.
Is there a story behind your stage name? The real me 🙂
Where do you find inspiration? Dreaming and contemplating, best by the sea.
I dream awake a lot, it’s part of my character. I’m in the moon ahaha
What was the role of music in the early years of your life? Last night the music saved my life … and all the others nights….
Are you from a musical or artistic family? No, absolutely not, my father flew helicopters and my mother worked for the tax office :-). They went on to run a bar.
Who inspired you to be a part of the music industry? Disco at the end of the 70s, then French pop with artists like etienne daho or lio or elli and Jacno or Mikado, the new wave of new order and depeche mode … And the beautifully melodic pop of Madonna. I also plunged into the fascinating world of Tori Amos.
How did you learn to sing/write/to play? I learned to sing (and I’m still learning) with several singing teachers, and also by practising a lot at home, and a lot of Karaoke a passion ahah. Singing is liberating but singing in the studio is really difficult I find, it’s like a scan of your voice, and those who think you can just correct it with auto-tune are completely wrong, if the intention and the note don’t come close, it doesn’t work, even with correction. Singing and scenic energy are much more my thing.
I learned to sing (and I’m still learning) with several singing teachers, and also by practising a lot at home, and a lot of Karaoke
What was the first concert that you ever went to and who did you see perform? Indochine , a well-known French pop group. They fill stadiums today.
How could you describe your music? A light, fragile bubble that unravels every time you try to catch it. But always on the verge of bursting. A bubble of dreams and heady melodies with comforting words.
Describe your creative process. Most of the time I don’t write my melodies, I prefer to leave that to better people than me. But when I get one that I really like, I listen to it hundreds of times. Then at some point I lie down on my bed with some chocolate, I dream again, I fall asleep, I bite into the chocolate, and from time to time, words come to me.
And after a while (it’s never the same timing, it’s very variable) a phrase or a word that comes out of my head touches me and then the words are usually written in full. Then in the next few days I come back to it and perfect it.
What is your main inspiration?
The melancholy of passing time… Passing loves … Abandonment is a real source of anxiety for me (and I can’t find a specific reason for it in my past).
What musician do you admire most and why? Tori amos I think, for her unique universe and also for her total independence as a musician (well apart from the fact that she has to carry around a 10 tonne piano everywhere ahah). She sings perfectly, plays perfectly… it must be a total pleasure to be able to express herself in this place.
Did your style evolve since the beginning of your career? Yes of course and especially my singing lol… In Sans Sebastien my singing was really special ahah… I’m evolving because I listen to a lot of the music coming out today, not just the music from the past that built me up.
After all, my love for pop remains stainless, so I’m not changing genres, I’m evolving in my genre. I’m also trying to be more sincere, a bit less second-degree than in Sans Sebastien. To hide less.
Who do you see as your main competitor? Artificial intelligence
What are your interests outside of music? I swim a lot (12km a week), and I watch films when I have time (I love almodovar for example or David Lynch…) Music takes up so much time when you have all the roles.
If it wasn’t a music career, what would you be doing? I’d marry a millionaire, or I’d have sex on the beach
What is the biggest problem you have encountered in the journey of music? I need the industry to have confidence in me, and that’s still not a given, as the public follow more than the industry.
If you could change one thing in the music industry, what would it be? The ridiculous and unfair remuneration of independent artists…
Why did you choose this as the title of this project? You mean my name? Well, I’ve taken my real name so I can stop hiding, as I said earlier. A quest for sincerity no doubt.
What are your plans for the coming months? I’m going to release a single a month, starting in January, on the platforms that will eventually form an album. I’m doing this to develop my visibility. The full album will normally be available before then, but only in my download store, not for streaming. I’m also hoping to do a lot more concerts, because I only do a few, and that’s what I like best… If you have any dates to suggest, don’t hesitate :-))!
Do you have any artistic collaboration plans Yes, I worked with Pascale Borel from the pop group Mikado (80s cult french pop) on the album, and also with Laurence G do from montreal, who has the group Le couleur and the group DVTR in Quebec. I’m also currently working with a singer/director on a beautiful duet song, and she has a voice I adore (but I won’t tell you the name, otherwise there’s no secret :-))…
What message would you like to give to your fans? Let’s keep the bubble light but strong, and pop it only at the top 🙂
In a landscape overflowing with anthemic pledges of self-acceptance, GEA’s “U R U” emerges as an aurora against the night sky – a beacon in art-pop form that summons listeners towards self-embrace. With crystalline vocals echoing Björk’s ethereal callings, this single is designed for souls who wander the edges, seeking refuge.
GEA shows her vocal power to expose vulnerability, transitioning seamlessly into unshakeable strength as we journey through an individual’s metamorphosis from self-doubt to wholehearted authenticity. At first a hushed story then proclaimed with conviction; we’re pulled close only to be uplifted in the swell of determination.
The track pulses with layered synths and rousing harmonies which envelop you like warm fabric on wind-chilled skin. Yet it remains open-hearted—the rests between notes overflowing with resonance ready to fill gaps carved by societal expectations.
GEA’s “U R U” is an Anthem for Self-Embrace
“U R U” isn’t mere sound amidst silence; it resonates with purpose—a healing refrain for those labeled as outliers. Its embrace crosses sonic divides into activism realms—scoring anthems that paint rainbows over colorless judgments, its melody steeped not just in sounds but shared humanity.
As GEA conducts this blend of compassion and conviction nestled within elements so deliberately chosen they’re artifacts making history—it’s clear she is not simply making music but sculpting audible enlightenment.
For any ear seeking comfort or courage—in “U R U”, reassurance has found its voice-string soaked in liberation, singing to each soul: indeed, you are you—and wonderfully so.
Sofia Lynch's "I'll Be Back Around": A Somber Ballad
Sofia Lynch’s “I’ll Be Back Around” is an indie folk elegy that spills out of the heart like the first glow of dawn after a long, pensive night. With vocals as crystalline and restorative as a mountain stream, Lynch weaves her tale with the artful touch of enduring singer-songwriters.
A tender paean to distance and destined farewells, this single resonates with anyone who has ever loved from afar or grappled with necessary goodbyes. The track feels like introspection set to melody — each guitar strum carries the weight of rumination while Sofia’s voice crests and falls between hope and sober reality, painting wistful vignettes evocative of those conjured by Joni Mitchell or Phoebe Bridgers.
The inset of subtle instrumental swells lends an organic crescendo and diminuendo to the piece, encapsulating what it means not merely to listen but to feel music. It’s raw yet refined; personal yet universal — proof positive that Lynch has transcended self-doubt in virtuosic fashion.
Sofia Lynch’s “I’ll Be Back Around”: A Somber Ballad
Every note hints at this artist’s burgeoning mastery; whether scoring cinematic moments or filling quiet rooms where listeners seek respite. As she casts consummately crafted verses into our ears, you can nearly envision her there: embracing vulnerability as both armor and artform—murmuring gently amidst chords that ring ever true, “I’ll be back around.”
In little time, Sofia Lynch doesn’t just perform—she gives us whispered assurance through songcraft honed by authenticity that indeed she will return… And one can’t help but feel thankful for such reassurance in a world often spinning too swiftly for its own lyrical tales.
Empty Machines' "Velvet Sky" is a hauntingly gorgeous anthem.
“Velvet Sky” lands like a blazing comet streaking across the indie firmament, with Glasgow’s Empty Machines crafting an anthem for contemplative nights. Thomas Crawford and Jodie Helena sculpt their second single—both hauntingly gorgeous and sturdily resilient.
The opening strains are a siren’s summons to the elusive; it’s as if Florence + the Machine’s passion met The National’s brooding tunes. What follows is Empty Machines’ singular fusion—condensing intimate garage essence into a sweeping soundscape familiar yet novel.
Helena’s vocal—ethereal yet strong—commands attentiveness without insisting. It soars over Crawford’s adroit instrumentation with poise and weight, contrasting vulnerability against the duo’s DIY ethos permeating each chord and lyric.
Lyrically, “Velvet Sky” veils its melancholy in celestial metaphor. It wrestles with impermanence—passion fading to embers, dreams plunging Icarus-like from unshielded heights of hope. Listeners find themselves amid Hollowayesque visual poetry in shared human orbit.
Empty Machines’ “Velvet Sky” is a hauntingly gorgeous anthem.
For all its lusciousness, a raw edge persists; one can’t ignore the self-driven authenticity exuding from this track. This isn’t just served-up music—it’s crafted, layered like paint, by artists fully invested.
As the song crests, cradling us toward a conclusion feeling more beginning than end—one can’t help but feel part of something ephemeral yet eternal. Most enthralling is how “Velvet Sky” reverberates beyond silence—testifying to touchstones of love lost, life lived…beneath its namesake expanse.
With just two singles down, Empty Machines may be planting their flag early—but if “Velvet Sky” indicates what’s coming, we’ll witness them redefining “anthemic” in indie circles while igniting skies with their blazing talent.
Gritty and Compelling: Balloon Shed's 'Hate Song' Explored
Balloon Shed is the musical creation of singer-songwriter Rowan Davies from Bristol, UK. with a new-wave indie feel like Jeff Rosenstock and AJJ.
After not playing music for 20 years, in 2022 Davies picked up his guitar and began to write songs. With early songs like “Prick” and “Frank Says,” Balloon Shed’s style was already set–a blend of therapy, emotion, catchiness.
There’s now a new song in town, called Hate Song. It describes a world turned topsy-turvy by some truly not very nice people! Davies sings, plays guitar and you will hear a little drumming and bass. The star is the angry high-pitched singing with pretty hard words.
This track captures real feelings–nervousness, anger, and stuff that hits a little close to home with what’s going on today about the world. The guitar is thick, rough and real; the kind of classic rock tunes that don’t play coy.
But Davies’ singing gives such depth to the song, and there are these trippy psychedelic elements interwoven in a rock style which keeps it interesting. When you listen, it’s like the musicians are right in front of your eyes playing live.
In other words, Balloon Shed’s Hate Song is a raw musical form-the real thing. It’s rough, it’s real and is something worth a listen.
With his debut in the EDM scene and courtesy of DJ / producer Coke Beats on “In My Dreams,” Italian singer Marc has created a captivating union between his sweet and tender vocals by him, and the distinctive beats provided by Coke Beat.
The song channels the universal quest for love through heartfelt vocals, the song paints a touching picture of a couple navigating the intricacies of relationships. The track’s distinguishing element is Coke Beats ‘expertise, especially his experience gained from contributing to Smash The House/Generation Smash. This puts everything in place for grandiose performances at EDM festivals like Ultra and Tomorrowland.
This touching tale which goes beyond gender, reveals the challenges and dreams in a relationship and all this unfolds in “In My Dreams”. Marc’s soulful version of the song expresses love ‘contradictions, and people can feel it. After all, everyone longs for real connection.
This is a fundamental turn for Marc, as he showcases his talent as an artist who can switch effortlessly from pop to EDM. Fans eagerly wait for Marc’s Live shows in 2024, during which In My Dreams ‘infectious vigor and profound emotional weight will take the world by storm. People have to see this masterpiece with their own eyes to believe it; indeed, that is how impressive of a musician he really has become.
A bold introduction, with engaging synthesizers plunges listeners into a sensory adventure.
“In My Dreams” becomes a potential summer anthem, and validates the teamwork of Coke Beats along with Marc. The song whirlwinds listeners into its stunning universe. This cooperation shows both artists ‘abilities, and they create a sensational track that integrates into its poetic richness an exquisite bisexual romance love story.
Musical Fusion and Roadside Tales: Trickshooter Social Club's 'Truck Stop Dangerous'
An EP, Truck Stop Dangerous, by Trickshooter Social Club just came out baring us deep into musical America. They’ve got this mingling of guitars and violins, singing about tales of heroes as well as legends.
This EP came out in late-night sessions consisting of these Chicago guys, who were led by Larry Liss and Steve Simoncic. They got this cool sound old-school power pop, a little southern rock and noodly tales of America.
The EP gets off to a great start with an old-fashioned rocker that uses guitars to full advantage and packs up some catchy chorus. “(Beautiful comes out punching, riding the strength of its mighty guitar hooks as well as having a suitably big following for its hook.) Some of them have this kind of rock feel, but with a bit country touch to them. There’s “Clarksdale Serenade #2″ and then there are these elvis figurines; both show up on the Vice site yesterday. The EP closes with the slow love-ballae” Lie to Me’ showing off their harmonies and wide repertoire of styles.
Musical Fusion and Roadside Tales: Trickshooter Social Club’s ‘Truck Stop Dangerous'”
Therefore, Truck Stop Dangerous reads like a trip. Each song can be tapped along to. Every one has its own unique vibe. There’s an addictive energy to the music it finds you humming along. The singing also neatly fits in with the music, so everything sounds amazing.
The EP moves along at a good speed, with enough interest to keep people around from front to end. It also has a lot of attention paid to how it sounds, aiming for lively and happy.
Although “Truck Stop Dangerous” is something of an ode to American music, in plain language it serves as a love letter. It’s cute, lively. You don’t want to hear anything else on Trickshooter Social Club.
Ethereal Vibes and Dreamy Melodies: Exploring RHEIN's 'Moe'
A band out of the Netherlands, RHEIN just put it a brand new track titled Moe. It’s sorta more groovy than their previous hits ‘Open dak‘ and ‘Allemaal alleen‘. They take indie rock pop elements and create an emotionally beautiful song all its own. Compared with their previous work, it’s calmer and more dreamlike.
You can hear that the music is more relaxed when you begin to listen. They used guitars and drums in a different way so you feel like there are floating. The singer’s voice is just right there truly this makes the song peaceful and deep.
The song goes on, becoming more interesting, more guitars and keyboards come in. The music reaches a particularly intense point, with lots of instruments going at the same time. It’s kind of a big, dramatic moment in the song.
Sung in Dutch, but Nonetheless you can still feel the feelings of these songs. At the end, when it becomes a cool little instrumental part with no singing. It’s like a musical odyssey through fairyland.
Thus, the song Moe by RHEIN is really a unique piece of music that takes you on musical journey. It seems different from other songs. A number of sounds are used in it very coolly put together.
Uncovering the Melodic Narratives of I Panic With 'Laughing, Talking. Loving'
Jump into the realm of Dutch artist I Panic, in which we enter a fascinating story from his recent single Laughing, Talking and Loving. With a style as natural and unadorned as its title–Laughing, Talking, Loving–the composition of the piece itself appears to be an intimate conversation between two lovers who have grown apart.
It describes the pain of separation in such loving yet alluring language, that finally even your heart needs your head to protect it from falling dangerously within earshot or sightline range.
The track begins with an emotionally charged melodic piano progression, groovy basslines and intricate guitar motifs seamlessly intertwined. All are working in concert to further the emotive journey that the song takes from beginning until end.
This melodic effort testifies to I Panic’s musical versatility. It is full of fine details, warm stories and a sure ear for the artistry of sound. Here he takes listeners on a journey into an emotional world in which love breeds distance, and passion recalls faded memories.
I Panic, whose real name is Marcel van Tetering, traces his musical history back to the source of it all–the record shop he grew up in. His musical style itself–Alternative Theatrical Rock can best be described as such a magpie like accumulation of various elements.
My name is Marcel van Tetering, a Dutch singer and multi-instrumentalist.
I started I Panic back in 1987, together with two lifelong friends, as band to play our own, original songs,
Is there a story behind your stage name?
I started I Panic back in 1987, together with two lifelong friends, as band to play our own, original songs, next to the cover bands we were also playing in. And even though as band we existed for about a year, I retained the name I Panic as a solo project, to write, record and release my songs.
After years of songwriting and recording my music as home demos, besides playing piano, guitar, and singing in various bands, because Corona I gave up the idea of reviving, I Panic as a “real” band but adapted the concept of being a one-man-band and turned the home demo’s in proper productions.
Are you from a musical or artistic family?
Because I grew up in my grandmother’s record store, I have many diverse musical influences, and this make my songs sometimes difficult to categorize. As self-taught composer and performer, I was able to explore several different styles, but my music is best described as Alternative Rock with a touch of theatre. Or in short: Alternative Theatrical Rock.
Who inspired you to be a part of the music industry?
Musically I find inspiration in some of the great composers and storytellers, ranging from Tom Waits, Cole Porter, Randy Newman, and Jacques Brel to David Bowie, Joe Jackson, Echo & the Bunnymen, Elvis Costello, Fischer-Z, and R.E.M.
Where do you find inspiration? Typically I find inspiration in day-to-day life. Sometimes relates to my own experiences, but also in things I hear or see – and in the stories that pop up in my mind because of that.
What was the role of music in the early years of your life? As I grew up in a record store, music was always around me. And at a very young age I started making sounds & recordings as well, which later evolved into using instruments and creating songs.
As I grew up in a record store, music was always around me.
How did you learn to sing/write/to play? I am a self-thought pianist and guitarist (since 40 years now) and I play various other instruments with either keys or strings. However, to master singing I took lessons (which is much fun to do as well).
Writing songs is what I have been doing even before I could play an instument. And actually, a lot of what I learned on piano or guitar, came out of writing songs I wasn’t able to play at the time of writing.
What was the first concert that you ever went to and who did you see perform? The first concert I ever visited was Elvis Costello, in a solo concert in one of the bigger theaters in the Netherlands. I think I was 15 at the time – and I was blown away!
How could you describe your music? As I blend many styles (even when it always has a 80’s/90’s vibe) I call it Alternative Theatrical Rock
Describe your creative process. I don’t have a fixed way. Sometimes a song just comes to me (for example while driving), sometimes it starts with just some improvisation on the piano and sometimes it’s based on a line or quote I heard. However, I tend to start recording a song very early. And often I end up writing and finishing a song while recording it.
Why did you choose this as the title of this project? Laughing, Talking, Loving started with a the first line of the verse and two chords on the piano. And while playing, the rest of the song arose almost by itself.
After I finished the lyrics and basic music, I decided to use this title – even when I first called it Simple Things, but that felt too obvious to me 🙂
What are your plans for the coming months? In January a next new single will be released (called “Never Be My Wife”) and in february I will release an EP with 5 new recordings of previously released songs (and one yet unrelreased song as well). This EP is called “Growing Up in Public”.
What message would you like to give to your fans? Thank you so much for listning & playing my music! It means a lot to me and I would love hear what you think of it.
Embracing Solitude in the Rhythm: Agyenim Set to Drop New Hip-Hop Single "Me Alone"
Independent artist Agyenim is set to drop their latest single, “Me Alone,” on December 29, 2023.
This eagerly awaited hip-hop track promises a unique blend of poignant lyrics and captivating arrangements, showcasing the artist’s distinctive style and creative prowess.
Produced in collaboration with acclaimed Ghanaian producer Vacs, “Me Alone” is a melodic journey that delves into the depths of solitude and self-reflection. The song encapsulates the raw emotions and unfiltered expressions synonymous with Agyenim’s signature style, merging introspection with irresistible rhythms.
“Me Alone” navigates the complexities of solitude and the peace found within it. The track, co-produced by the artist himself and the talented Vacs, features a blend of compelling verses and energetic beats, creating an immersive experience for listeners.
The song opens with an evocative chant that sets the tone for a narrative journey into the artist’s psyche. With verses intricately woven in local dialects and English, the song resonates with universal themes of loneliness, self-discovery, and the quest for inner peace.
Collaboration with Vacs Renowned for his distinctive sound and innovative production, Vacs brings his unique touch to “Me Alone.” His collaboration with Agyenim has resulted in a track that harmoniously blends compelling storytelling with captivating musical arrangements, promising an enthralling auditory experience for fans and music enthusiasts alike.
“‘Me Alone’ is more than just a song; it’s a personal journey laid bare. Working with Vacs has been an incredible experience, and I can’t wait for listeners to connect with the emotions and energy we’ve poured into this track.” – Agyenim said
Upcoming Release Scheduled for release on December 29th, 2023, “Me Alone” promises to captivate audiences worldwide. The track will be available on major streaming platforms, including Spotify, Apple Music, and more.
Agyenim’s “Me Alone” is a testament to the artist’s creative evolution and commitment to delivering music that resonates with authenticity and emotion. I encourage you to pre-save “Me Alone” on your preferred music platform here
About Agyenim Agyenim stands at the forefront of Ghana’s dynamic hip-hop scene, known for his ability to craft thought-provoking lyrics combined with infectious rhythms. With previous successful releases under his belt, Agyenim continues to push artistic boundaries and connect with audiences through his music.
Courtney Nord's dual renditions of "Smells Like Teen Spirit" take the classic to new heights.
In an era where the reimagining of classics is both nerve-fraying and captivating, Courtney Nord’s dual rendition of “Smells Like Teen Spirit” seizes old ghosts by their flannel collars and dresses them in a velvet insurrection. With her cover, Nord has shaped a fascinating diptych – one canvas spattered with grunge rock sensibilities; the other draped in the lavish folds of symphonic arrangement.
Courtney delivers transformative performances on both versions that are as distinct as they are complementary. The female voice she lends to this once testosterone-soaked anthem not only provides freshness but also challenges our memory-distorted understandings of the original Nirvana smash hit.
The rock version thrums with raw electricity, reverberating through every chord strike – Nord transports us back to ’91, with torn jeans and head-banging abandon. It resurrects Cobain’s snarl yet refashions it; gentle yet fierce – a modern soft grunge virtuosa indeed.
Courtney Nord’s dual renditions of “Smells Like Teen Spirit” take the classic to new heights.
Meanwhile, if music were tangible art, her symphonic interpretation would be like gazing at Klimt’s ‘The Kiss’ under moonlight – gilded threads interweaving grandiosity into intimacy. Her vocals coast ethereally over orchestral swells that speak more cinematic score than mosh pit—each note rings out like crystal glasses brimming with full-bodied wine.
Rooted firmly in homage rather than mimicry, Courtney’s gift lies not merely within her delicate balance between vibrant energy and elegance but also within her ability to seamlessly fuse these elements into something altogether bewitching – a testament to her shared upbringing steeped in the seminal sounds Kurt Cobain and company etched into history.
Courtney does what many might consider impossible: retains the spirit (pun fully intended) of “Teen Spirit” while infusing it with a vitality that speaks directly—and undeniably—to today’s listener. The result? A duality steeped both in nostalgia and avant-garde reimagination—nothing short of spellbinding.
Tony Blaze Delivers a Solemn and Thought-provoking Single "Gospel"
The resurrection of Tony Blaze Lord Of Lyrics in his single “Gospel” is akin to a phoenix rising, this track heralds an undeniable rebirth after a year-long silence that left fans yearning. Within the ever-blurring lines of rap and hiphop infused with gospel vibrations, Tony emerges from hiatus not just spitting bars but preaching sermons.
Toroo’s production weaves a solemn soundscape fitting for contemplation; its polished beats are both sanctuary and battleground where inner demons meet raw truth—where confessions flow freely over minimalistic yet potent instrumentation. It is clear from the get-go that Tony hasn’t lost his touch; instead, he’s refined it like gold through fire.
As Gospel unfolds, there’s something distinctly personal about the cadence—it tugs at soul strings while dissecting an imperfect world with scalpel-sharp precision. His lyrics vocalize storms many face silently, blending spiritual motifs and street-smart realizations in equal measure—a testament to human resilience amidst chaos.
Tony Blaze Delivers a Solemn and Thought-provoking Single “Gospel”
What’s striking throughout is how seamlessly Tony pivots between vulnerability and strength, leaving listeners to navigate their own emotions as much as they bob their heads to commanding rhymes. This isn’t background music; it demands your attention—and rightly so—for each verse reads like an intimate entry ripped straight out of life’s complex diary.
“Gospel” calls back echoes from legendary hip-hop prophets who preached before him yet stands unique in its approach—Tony’s voice harbors authenticity hard-wired by experience making every line resonate deeper than doctrine: faith tested through lived realities rather than mere rhetoric.
Tony Blaze Delivers a Solemn and Thought-provoking Single “Gospel”
In conclusion, whether or not you’ve walked a similar path or just appreciate when music veers off the beaten track into territories unchartered – “Gospel” reverberates long after the last note fades. In less than four-minute run-time lies not only a song but also revival—an ode for those who find solace within breaks of harmony even when faced with discordant truths outside headphones’ sanctuary.
Jody Cooper's "Isolation" is a moving meditation on modern life.
Navigating the tumult of our current epoch is no simple feat, but Jody Cooper’s single “Isolation” does just that with unvarnished sincerity. In this commanding emotional rock repertoire, Jody’s gravelly masculine voice acts as a steadfast anchor in a roiling sea of uncertainty, echoing icons like Eddie Vedder, with a splash of Coldplay’s meditative calm.
The track crescendos from hushed veneration to inspirational lyrical summits – it’s gentle rock sculpted with pop sensibilities; unembellished yet gratifying. Guitar strings and keyboards enfold our collective heartbeats pounding the cloistered walls surrounding us these last months.
Jody Cooper’s “Isolation” is a moving meditation on modern life.
As Jody inhabits the mien of a bard in passages bittersweet and all too knowable and inward-peering, there is something about the vibrant orchestration that binds listeners in fellowship.
This isn’t just sonic tapestry – it’s a mirror held to our public aspect, inviting rumination on lives confounded by global tribulations. Toggling between desolation and aspiration, it contributes a generational reverberation directly addressing our current annals, oppressed by timeworn spines and tattered pages.
For those sequestered in creaking rooms pondering “what if,” “Isolation” offers succour: we may be solitary – and yet if music persists as a tireless polestar for depleted souls starved for ties beyond bodily strictures.
