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Emotion Unleashed: “You Will…” by Pete Coppard

Emotion Unleashed: “You Will…” by Pete Coppard
Emotion Unleashed: “You Will…” by Pete Coppard

In the deliberately understated, heartfelt single, “You Will…”, Pete Coppard offers a compelling testament of unrequited love, wrapped in an effortless blend of soft rock and dream pop.

The wistful melody is as simple as they come, serving as the perfect backdrop to the heartfelt confessionals that mark the track. Strong in its simplicity, the instrumentation is restrained, allowing Coppard’s deeply expressive vocals to take center stage. The lush combination of soft rock with dream pop sensibilities heroically supports the emotional weight of the track, rather than detracting or distracting from it.

Without a doubt, the standout element of “You Will…” is Coppard’s vocals. Sounding both vulnerable and earnest, he underscores the stark honesty and raw emotion of unreturned affection. There’s a tangible sense of longing, desire, and melancholy that powers his resonating baritone, pulled like the tide by the moon towards an empathetic, emotional shore.

Emotion Unleashed: “You Will…” by Pete Coppard
Emotion Unleashed: “You Will…” by Pete Coppard

Lyrically, Coppard chose simplicity over sophistication, honesty over artifice. The lyrics are candid, unassuming, and manage to skillfully navigate the delicate balance between the universal and the personal. The result is a love song that is relatable yet deeply intimate, a silk thread of connection drawn taut between the listener and the artist.

Easing us into an audible daydream of emotional resonance, the ambient production of the track casts a dreamy, ethereal shadow over the instrumental underpinning. This dream pop influence illuminates the larger corners of the song, without losing sight of the raw emotion at its core. The production is careful and diligent, displaying a sense of subtle genius that only serves to highlight Coppard’s raw and honest artistry.

“You Will…” fits comfortably in the realm of easy listening, but it’s far from being background noise. One cannot help but feel drawn by its frank depiction of the nuances of unfulfilled love, and the poignant honesty that Coppard imparts in his performance. One might say it walks a similar path as legendary stars of soft rock like Eric Clapton or Phil Collins, delivering emotions through authenticity rather than grandeur.

For those who have ever waltzed with the heartache of unrequited love, or dance in the delicate echoes of reminiscence, “You Will…” offers a tender, cathartic balm. It’s a song that bravely braves the tumultuous seas of human emotions, dropping its anchor deep within our hearts, leaving us yearning and touched, haunted by its lingering melody.

Pairing poignant lyrics with a compellingly earnest vocal performance, Pete Coppard has created a ballad that beautifully encapsulates the bittersweet tug of unrequited love. In “You Will…”, listeners aren’t just presented with a song—they’re given an experience, a shared connection, an emotional journey to embark upon. So sit back, let the music wash over you, and let Coppard’s authentic storytelling take you on a voyage of the heart.

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Caught in the Luminescent Charm of Glowstate’s “Catch Me”

Caught in the Luminescent Charm of Glowstate’s “Catch Me”
Caught in the Luminescent Charm of Glowstate’s “Catch Me”

As the world gears up for the sun-soaked months, indie pop duo Glowstate beckons us to the dance floor with their sunlit anthem, “Catch Me”. This track is an evocative blend of male and female vocals that swoon and sway in a dance of desire, capable of converting even the most steadfast of skeptics into starry-eyed romantics.

“Catch Me” is a scalene gem in indie pop, cut at angles where synth pop blips nestle perfectly beside intimate lyrics and endearing vocal harmonies. The male vocals ground the track with a robust resonance, while the female vocals infuse the melody with an ethereal sweetness reminiscent of a warm summer breeze.

Caught in the Luminescent Charm of Glowstate’s “Catch Me”
Caught in the Luminescent Charm of Glowstate’s “Catch Me”

What sets this piece apart is its ability to swing effortlessly between two polarities. On the one hand, the celebrated synth-pop influences, nostalgic and irresistible, transport us back to the 80s — think Depeche Mode meets The Human League, laced with a modern Ed Sheeran-esque poetic sensibility. On the other hand, the intimate lyrics carry an emotional depth that tugs at heartstrings, painting a vivid portrait of irresistible attraction towards someone we know is bad for us.

The narrative spun across evocative lyricism is stunningly resonant. It captures a universally experienced tug-of-war within the heart — a heady mix of ambivalence, desire, resistance, and surrender. Set against the backdrop of buoyant synth beats, infectious rhythms, and lush choruses, the lyrical content might be melancholy-tinged, yet the overall message glows with a defiance that’s refreshingly empowering.

“Under the Lights”: A Dazzling Night of Nostalgia By The Heidi Incident

Glowstate has truly hit their stride with “Catch Me”. Its infectious rhythm, combined with a highly relatable narrative, makes it the quintessential summer anthem. It’s for those languid afternoons by the lake, the sunset parties, the road trips with the windows down — it’s a testament to love’s eternal pursuit, ringing out from every car radio, beach speaker, and poolside playlist.

“Catch Me” is an addictive slice of indie pop — irresistibly toe-tapping and unflinchingly honest, it’s a triumph in showing us the beauty that comes with surrender. Put simply, it’s a song for the sumptuous sunsets of summer and the tantalizing tales of love they tell. But warning: with its hook-laden choruses and captivating charm, Glowstate’s “Catch Me” may just catch you unawares. You might find yourself irresistibly drawn to it, despite knowing it’s so bad (read: addictive) for you. So listeners, proceed with caution, and enjoy — you’ve been caught in Glowstate’s radiant glow.

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“Under the Lights”: A Dazzling Night of Nostalgia By The Heidi Incident

"Under the Lights”: A Dazzling Night of Nostalgia By The Heidi Incident
"Under the Lights”: A Dazzling Night of Nostalgia By The Heidi Incident

Striding forward from the bright neon-playground of Reno, Nevada, The Heidi Incident brings us their debut single, “Under The Lights”, taking its listeners on a groove-laden journey back to the glittering dancefloors of the 80s.

Encased within the glitzy shell of synth-driven pop, the sparkle of nostalgia pervades the track, beginning with its overtly synth-heavy intro that sets the tone of magnetic allure. The synth pop arrangement is a homage to retro aesthetics, yet smartly tailored with contemporary production quality that avoids it from being just another relic from yesteryears.

Vocals are handled with an appreciable finesse, capable of igniting sentiments that are all too familiar and coveted by anyone who’s been under the spell of an intense romantic affection. The vocalist provides a velvety overlay to the pulsating ’80s inspired instrumentation, solidifying the richness of the experience.

"Under the Lights”: A Dazzling Night of Nostalgia By The Heidi Incident
“Under the Lights”: A Dazzling Night of Nostalgia By The Heidi Incident

The playful interplay between pulsating beats and provocative lyrics provides an irresistible momentum to the song. The lyrics, inspired by personal experiences, bring a deep sense of relatability. It’s a lyrical sculpture chiseled by Matt Vaughan, mirrored from his romantic encounters.

While the instrumentation channels Kavinsky’s neon-glazed vibes, the groove patterns remind the listener of the warm, dance-inducing charm of acts like INXS or Duran Duran. The track is underpinned by a groove that resonates with a certain Depeche Mode-like earnestness, setting your feet into motion even before you realize it.

“Mamma”: A Soulful Symphony of Vulnerability and Resilience By Meghan Pulles

The crafting of the song gives it a chameleon-like quality, fitting seamlessly into a low-lit romantic evening or a high-octane dance party. The overall energy throughout the record maintains just the right mix of sensitivity and relatability, coupled with a positivity that leaves listeners eager to move their bodies.

“Under The Lights” can be best described as a lustrous blend of old school charm fused with modern sophistication. Beneath the surface-level danceability lies a narrative, woven from the threads of shared human emotion that makes the music deeply engaging and relatable.

As a whole, The Heidi Incident’s debut single “Under The Lights”, proves to be an alluring dance track, serving not just nostalgia on a silver platter but stirring in a potent dose of exhilarating, newfound vigor. It shimmers both under the lights and within the shadows – just like an incandescent star breaking through the dark canvas of a distant past, yet managing to burn brightly in the contemporary music sphere.

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“Mamma”: A Soulful Symphony of Vulnerability and Resilience By Meghan Pulles

"Mamma": A Soulful Symphony of Vulnerability and Resilience By Meghan Pulles

In the ethereal world of Indie-Americana music, Meghan Pulles, a Nashville-based songstress, paints vibrant emotional landscapes with the poignant strokes of her words and melodies. Her new single, “Mamma”, reverberates with the heartrending, yet triumphant ode to the complexities of familial relationships and self-discovery.

Listening to “Mamma” is akin to a therapeutic process of traversing one’s psychological alleys. Meghan’s voice, a rustic charm intertwining strength and softness, resounds with an honest vulnerability that’s all too relatable for many of her listeners. The song seeks to capture the essence of nostalgia, disappointment, and the resilient hope of a child reaching out for love, even in the face of emotional abandonment.

"Mamma": A Soulful Symphony of Vulnerability and Resilience By Meghan Pulles
“Mamma”: A Soulful Symphony of Vulnerability and Resilience By Meghan Pulles

Instrumentally, the track possesses a quiet, meditative energy, allowing Meghan’s vocal prowess to take center stage. It’s simple, yet very mature in terms of composition. There is a classy elegance to the orchestration, reminiscent of the rootsy, authentic grittiness of classic Americana—donned with an indie reverence that makes it refreshing for contemporary audiences.

“Mamma” serves as an exemplary representation of concept music, contextualizing human emotions within the song’s sonic framework quite beautifully. It carries a consummate fusion of profound lyrics, enchanting vocals, and an authentic undertone that both fans of the Indie-Americana genre and new explorers would appreciate.

Chasing the “Nights”: A Nocturnal Dance with Night Talks

Meghan’s approach concretizes her upcoming album, “Ear Baby”, as a must-await project for those yearning to connect with music that’s not afraid to look life straight in the eyes. It is a promising harbinger of the emotional depth and sonic diversity the album seeks to encompass.

In essence, “Mamma” offers a melodic refuge for those who’ve felt unseen or unheard- an embracing anthem of resilience for anyone who’s grappled with emotional estrangement. Meghan Pulles, through her midas touch in musical storytelling, invites us to put on our headphones, turn on “Mamma”, and lose ourselves within the strings of her heartfelt serenade.

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PolSky’s “Executive Functions” is a Genre-Bending Masterpiece

DRUM N BASS , JUNGLE ,INDIE POP ,DREAM POP ,Guitar Dreamy Mellow Vibes, ALT ROCK POP ,SOFT ROCK ,ROCK POP ,DANCE ,ANTHEMIC ,SUPER EDGY ,SUPER CATCHY ,WORK OUT ,UK BASED, LP, EXECUTIVE FUNCTIONS LP, EXECUTIVE FUNCTIONS LP BY POLSKY , POLSY EXECUTIVE FUNCTIONS LP, EXECUTIVE FUNCTIONS , EXECUTIVE FUNCTIONS LATEST, LP EXECUTIVE FUNCTIONS
PolSky's "Executive Functions" is a Genre-Bending Masterpiece

PolSky is a band that has always defied expectations. Their music is a genre-bending mix of indie, pop, rock, and electro influences. Their latest LP, “Executive Functions”, is no exception. The album is a masterpiece that seamlessly blends these different genres into something entirely new.

The album opens with the urgent dancefloor banger “Switchboard operator”. The song is a perfect introduction to PolSky’s sound, with its catchy melody, driving beat, and socially conscious lyrics. The album continues with a string of other standout tracks, including the anthemic “100 Million Ways To Die”, the caustic social commentary of “Apocalypse now – (Ode to Cracky)”, and the introspective ballad “In Love At The Cinema”.

Each song on “Executive Functions” is a unique and well-crafted piece of music. The album is full of surprises, from the unexpected ska influences in “Rainbow Road” to the lush orchestral arrangements of “Nimbus Cumulus”.

The album is a perfect blend of old and new. PolSky draws inspiration from a wide range of musical genres, from classic rock to modern electronica. The result is an album that sounds both fresh and familiar. The album is full of catchy melodies and driving beats. PolSky knows how to write a song that will get stuck in your head.

Polsky Shares The Fear Of The Unknown In New Single ‘Song For The Silver Surfer’

The production on the album is top-notch. The sound is crisp and clear, and the instruments are all mixed perfectly. The lyrics are clever and thought-provoking. PolSky tackles a wide range of topics on the album, from social issues to personal relationships. The vocals are strong and emotive. The band members all have great voices, and they use them to great effect on the album.

Overall, “Executive Functions” is a fantastic album. It is a genre-bending masterpiece that is sure to appeal to fans of a wide range of music. I highly recommend it.

The album is thought-provoking and introspective. PolSky doesn’t shy away from tackling difficult topics, but they do so in a way that is both engaging and accessible.

I highly recommend “Executive Functions” to anyone who enjoys music that is both challenging and rewarding. It is an album that will stay with you long after you finish listening to it.

Listen to Executive Functions below

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Embracing Life’s Melodies: A Review of Elina’s “I Should’ve Danced More”

Elina Stridh, a Swedish singer/songwriter hailing from Stockholm, has carved her niche in the music industry over the years, earning a
Embracing Life's Melodies: A Review of Elina's "I Should've Danced More"

Elina Stridh, a Swedish singer/songwriter hailing from Stockholm, has carved her niche in the music industry over the years, earning acclaim as the co-writer of chart-toppers like “Sexual” for NEIKED and songs for renowned artists such as Maroon 5, Zara Larsson, and Hilary Duff. In 2018, Elina embarked on her solo journey with the release of “Wild Enough,” captivating listeners with her ethereal lyrics and soulful vocals.

Her latest release, “I Should’ve Danced More,” carries a profound message that resonates with listeners on a deeply existential level. With gentle acoustic soundscapes as its backdrop, the song reminds us of life’s fleeting nature and the importance of cherishing each moment. Elina’s enchanting voice transports us to a realm of hope and gratitude, where we find the courage to face our fears and embrace the present.

Born and raised in the picturesque landscapes of Sweden, Elina effortlessly weaves her surroundings into the fabric of her music, giving it a sense of tranquil authenticity. Her songs serve as a vessel for her introspective musings and familiar tales of the human heart. “I Should’ve Danced More” champions the beauty of simplicity and encourages us to confront the barriers that hold us back from living life to the fullest.

The song’s poignant lyric, “am I living or alive,” encapsulates its profound essence—spurring listeners to reflect on their own lives and choices. Through this melodious journey, Elina beckons us to seize the day and savor the little joys that make life meaningful.

As a seasoned songwriter, Elina’s prowess shines through her poignant storytelling. Her experiences collaborating with illustrious artists like SZA, Maroon 5, and Zara Larson have honed her craft, resulting in an Ivor Novello nomination and solidifying her status as a Swedish songwriting treasure.

“I Should’ve Danced More” effortlessly captures the essence of the human experience, leaving an indelible mark on the hearts of its listeners. It serves as a gentle yet powerful reminder to embrace life’s melodies, cherish the present, and fearlessly dance to the rhythm of our hearts. Elina’s personal connection to the song shines through, making it a standout track in her discography.

With her inspiring message and soul-stirring vocals, Elina continues to create music that transcends boundaries and touches the very core of our being. “I Should’ve Danced More” stands as a testament to her artistry, leaving us eagerly anticipating the next enchanting chapter in her musical journey.

Watch I Should’ve Danced More below

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Bird Machine Release new Grunge single, “Hellos and Frowns

ALT ROCK, POP ,ALTERNATIVE ROCK ,INDIE ,MELODIC POP ROCK, INDIE ROCK ,ROCK POP ,ROCK ,FEMALE VOCALS ,SUPER CATCHY ,ANTHEMIC, BIRD MACHINE, BIRD MACHINE LATEST SINGLE, BIRD MACHINE NEW SONG, BIRD MACHINE HELLOS AND FROWNS, HELLOS AND FROWNS BY BIRD MACHINE
"Hellos and Frowns": A Song That Celebrates the Unique Gifts of People with Autism

Bird Machine’s latest track, “Hellos and Frowns,” is a great song that I’ve been listening to a lot lately. It blends elements of early 90s alt-rock, dream pop, and folk. The song delves into the depths of emotions, leaving me captivated from the very first note, and I cant wait to share it with you.

The song opens with a driving guitar riff that sets the tone for the track while Jenna lays her vocals on the song. Jenna’s vocal delivery is passionate and carries so much emotions, she sings with a sense of urgency that draws me in. The lyrics of “Hellos and Frowns” are relatable and thought-provoking, and they explore the themes of confusion, uncertainty, and self-doubt.

The track, inspired by the perspective of their autistic son, The song serves as a viewpoint to a world as seen through the eyes of their young son. I really like the way the song builds up, with the instrumentation becoming more and more complex as the song progresses.

The drums are especially impressive, and they really help to drive the song forward. The production is also top-notch, with each instrument clearly audible in the mix. All their work is written, performed, recorded, and produced in their home studio

Overall, “Hellos and Frowns” is a powerful and emotional track that resonates deeply with me. It’s a great example of Bird Machine’s unique musical approach, and it’s sure to be a hit with fans of the band and new listeners alike.

I hope you enjoy the song as much as I do!

Listen to Hellos and Frowns below

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Getting to Know the UK’s Rising Dance Music Star Sam Dickinson

COMMERCIAL POP, COMMERCIAL ,VOCAL DANCE ,EDM ,BRITISH BASED ,DANCE , MALE VOCALS ,NORTH ENGLAND BASED ,UK BASED ,WORK OUT ,VOCAL DANCE, EDM POP, SAM DICKINSON, SAM DICKINSON, SAM DICKINSON LATEST SINGLE, FALLING BY SAM DICKINSON, FALLING , FALLING SINGLE
Getting to Know the UK's Rising Dance Music Star Sam Dickinson

Sam Dickinson is a singer-songwriter from the UK who has been making music for over 10 years. His new single, Falling, is a dance-fuelled club anthem that is sure to get you moving. In this interview, Sam talks about his inspiration for the song, his creative process, and his plans for the future.

Sam grew up listening to 90s soul and pop music, and he cites artists like Everything But the Girl, Lisa Stansfield, and M People as some of his biggest influences. He started writing songs when he was 16 years old, and he released his debut album, The Stories That Occurred, in 2013.

Falling is the first single from Sam’s upcoming album, Collection: The Stories. The song is about the constant struggle to find happiness in relationships. Sam says that he wanted to write a song that would capture the feeling of being “stuck in a cycle” of unhealthy relationships.

The creative process for Falling was a collaborative effort. Sam worked with a team of writers and producers to create the song, and he says that the process was “really organic.” He is excited to share Falling with his fans, and he hopes that the song will resonate with them.

In addition to his solo work, Sam has also written songs for other artists, including RuPaul’s Drag Race queens Manila Luzon and Choriza May. He has also opened for The Feeling and Louise Redknapp, and he has toured the UK.

Sam is excited to continue making music, and he has plans to release more singles and an album in the coming months. He is also hoping to collaborate with more artists, and he is open to working in different genres.

Get the full story below while you enjoy Falling

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What is your stage name. Is there a story behind your stage name?
I perform under my own name of Sam Dickinson

Where do you find inspiration?
I find my inspiration through life and my experiences, they create the best songs after all, don’t they?

What was the role of music in the early years of your life?
I used to listen to music in my Mum’s car on the way to school. She’d have her cassettes full of 90s soul and pop. Artists like Everything But the Girl, Lisa Stansfield, M People. All those artists shaped my taste in music.

Are you from a musical or artistic family?
No, I’m from a family who love music and I think that’s just as important.

Who inspired you to be a part of the music industry?
Artists such as Anastacia and Paloma Faith really inspired me. They went against the narrative and were signed in their 30’s. They really helped change record labels perception of what artists over the age of 21 could offer.

How did you learn to sing/write/to play?
I learnt to sing through singing lessons, I was taught classically. I think it helped give me a really strong basis and strength to my vocals.

COMMERCIAL POP, COMMERCIAL ,VOCAL DANCE ,EDM ,BRITISH BASED ,DANCE , MALE VOCALS ,NORTH ENGLAND BASED ,UK BASED ,WORK OUT ,VOCAL DANCE, EDM POP, SAM DICKINSON, SAM DICKINSON, SAM DICKINSON LATEST SINGLE, FALLING BY SAM DICKINSON, FALLING , FALLING SINGLE
I learnt to sing through singing lessons

What was the first concert that you ever went to and who did you see perform?
I’m sure my Mum said she went to see David Bowie when she was pregnant with me, does that count?!

How could you describe your music?
It’s pop music, it’s soulful, it’s dance driven.

Describe your creative process.
It really changes for each and every song. I love collaborating with other writers and find every writer brings something out of you that you didn’t expect.

What is your main inspiration?
Just experiences in my life, when I write I want it to be real.

What musician do you admire most and why?
So many different artists but I don’t think artists like myself would have a place if it wasn’t for George Michael and Boy George.

Did your style evolve since the beginning of your career?
Yes! My first album was a brass and horn driven and soul affair. My new music is more dance orientated. Funnily enough, my new single ‘Falling’ is released 10 years to the day since my debut album ‘The Stories That Occurred’.

Who do you see as your main competitor?
I don’t. We’re all trying to make the best music we can and that should be celebrated.

What are your interests outside of music?
Perhaps it’s a bit grim but I do love a good Netflix serial killer documentary!

If it wasn’t a music career, what would you be doing?
Well music isn’t my full-time job, unfortunately! My career is in HR, not quite as glamourous!

What is the biggest problem you have encountered in the journey of music?
Getting people to be able to hear your music, it’s so competitive and promotion and radio opportunities are so limited, you really have to try and maximise what comes your way.

If you could change one thing in the music industry, what would it be?
Better and more appropriate royalties for streaming.

Why did you choose this as the title of this project?
It’s about that constant struggle to find happiness in your relationships.

What are your plans for the coming months?
I have more new music coming this year along with an album called ‘Collection: The Stories’ to celebrate 10 years in the industry.

Do you have any artistic collaboration plans
I’m keeping tight lipped on that!

What message would you like to give to your fans?
Thank you for sticking by me after all these years. It means everything to me.

Nadia Features Jordan Adetunji On Dance Hit ‘Love Victim’

Nadia Features Jordan Adetunji On Dance Hit 'Love Victim'

NADIA’s latest single, “Love Victim (feat. Jordan Adetunji),” is a tour de force of songwriting and production, leaving listeners utterly captivated. The song boasts effortlessly catchy melodies, climactic rhythmic integrity, and a vibrant vocal performance that makes it an instant dance hit. From the anthemic chorus to the dreamy sound design, ‘Love Victim’ offers an exhilarating musical experience with something for everyone to enjoy.

From the very first note, ‘Love Victim’ unfolds like a resplendent tapestry of emotions, luring listeners into its irresistible allure. NADIA’s soul-stirring vocals intertwine seamlessly with dance-infused rhythms, creating a mesmerizing sonic fusion. The vibrant instrumentation serves as a backdrop, akin to cascading waves crashing against the shores of vulnerability, giving life to NADIA’s heartfelt storytelling.

Through her ethereal vocals, NADIA delves deep into the realm of heartache, unveiling a kaleidoscope of emotions that linger long after the song’s final moments. The collaboration with Jordan Adetunji elevates ‘Love Victim’ to new heights, showcasing the exceptional artistic synergy between these two talents. The harmonies resonate with a dramatic and poignant flair, leaving listeners craving to experience the melody once more.

The song’s dynamic journey begins with an echoing, mallet-like synth and evocative vocal samples, inviting listeners into its magnetic world. NADIA’s sultry tone delivers poignant lines, setting the stage for the infectious EDM build. The drums intensify, propelling us into the captivating hook, where NADIA exclaims, “I’m a love victim.” Glorious harmonies soar in the background, adding to the drama and excitement, making the chorus an absolute masterpiece.

‘Love Victim’ marks NADIA’s transformation into a luminary, captivating the world with her ethereal magnetism and profound lyricism. With this single, she establishes herself as a fearless artist, fearlessly delving into the complexities of personal emotions. NADIA’s artistic evolution shines brightly through ‘Love Victim,’ making it an absolute must-listen for anyone seeking a mesmerizing and emotionally charged dance hit.

Listen to Love Victim

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Frayed: A Powerful and Moving Anthem of Hope and Resilience

ALT-FOLK ,AMERICANA ,FOLK ROCK ,INDIE FOLK ,ACOUSTIC ROCK ,SINGER, SONGWRITER ,Band ,Full Band Sound, FEMALE VOCALS ,NOSTALGIC ,WELSH BASED ,SOFT ROCK ,CLASSIC ROCK ,ROCK ,ROCK POP, JANE ALLISON, JANE ALLISON LATEST SINGLE, JANE ALLISON SINGLE, JANE ALLISON FRAYED , FRAYED BY JANE ALLISON
Frayed: A Powerful and Moving Anthem of Hope and Resilience

Jane Allison‘s “Frayed” is a powerful and moving song that is a perfect blend of past and present. The song’s 60s vibe is evident in the folk-rock instrumentation and Allison’s soaring vocals, but the song also has a modern edge that makes it feel fresh and relevant.

The lyrics of “Frayed” are a call to action for anyone who has ever felt like they’ve been beaten down. Allison sings about triumphing over duplicity, deception, betrayal, and treason, and her message is one of hope and resilience. The song is full of magical imagery, such as dragons slaying, fires, and castles, but there is also a sunny and hopeful tone that never wavers.

Allison’s vocals are the star of the show on “Frayed.” Her voice is powerful and soulful, and she delivers the lyrics with passion and conviction. The instrumentation is also excellent, with a driving beat and lush harmonies that perfectly complement Allison’s vocals.

The song begins with a simple acoustic guitar riff, which quickly builds into a full-blown folk rock anthem. Allison’s vocals soar over the instrumentation, and her lyrics are both powerful and poetic. The song is full of imagery that evokes a sense of hope and resilience, even in the face of adversity.

The song’s chorus is a powerful call to action:

“And Iʼm not allowed to reap the regard the reward the wish
And Iʼm not allowed to not play the game

But I never vowed to forever take my aim and miss

And Iʼm not your shame
Iʼm not your blame”

This message of hope and resilience is one that is sure to resonate with anyone who has ever felt like they’ve been beaten down.

“Frayed” is a standout track from Allison’s latest album, Like Magdalene. It is a powerful and moving song that is sure to leave a lasting impression. I highly recommend checking it out. “Frayed” is a powerful and moving song that is sure to leave a lasting impression.

Watch Frayed below

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Blueburst’s “Senseless” Is A Captivating Revival of Sonic Brilliance

80'S ROCK, 90'S ROCK ,ALTERNATIVE ROCK ,CLASSIC ROCK ,NEW WAVE ,Think The Smiths, ROCK ,MALE VOCALS ,US BASED ,AOR , Adult Orientated Rock ,ROCK POP ,CLASSIC SOUND ,ANTHEMIC ,SINGER SONGWRITER Band ,Full Band Sound, INDIE ROCK ,EASY LISTENING, BLUEBURST, BLUEBURST SINGLE, BLUEBURST SENSELESS, SENSELESS BY BLUEBURST, BLUEBURST SENSELESS
Blueburst's "Senseless" Is A Captivating Revival of Sonic Brilliance

Blueburst, the brainchild of Craig Douglas Miller, a seasoned guitarist and vocalist from Atlanta, makes a captivating comeback with a sound that draws from his diverse musical career. After facing setbacks with his previous band, The Reach, and battling personal challenges, Miller’s encounter with guitarist Marty Willson-Piper proved to be the catalyst for his resurgence. Blueburst’s music blends lush, guitar-based alternative rock with hints of 80s and post-punk, creating a mesmerizing and immersive sonic landscape.

Their latest single, “Senseless,” opens gracefully with a waltzing beat, adding fragility to its powerful sound. Miller’s fondness for this beat, inspired by Radiohead’s “Nice Dream,” is evident in the delicate touch he brings to the composition. Throughout “Senseless,” contemplative melodies seamlessly merge with Miller’s raw and heartfelt vocals.

The song’s dreamy soundscape, featuring softly twanging guitars, delicate piano notes, dynamic drum rhythms, and ethereal backing vocals, showcases Miller’s songwriting prowess. His inviting vocals soar above the arrangement, weaving stunning melodic lines that captivate listeners. Thematically, “Senseless” explores the complexities of the human condition, delving into emotions of regret, joy, and sorrow with cathartic lyrics and poignant musical atmospheres. Miller’s meaningful songwriting encourages listeners to connect with their own emotions and vulnerabilities.

Blueburst’s sonic journey is further enriched by collaborations with talented musicians like drummers Michael Jerome and Brian Platt, bassist Ryan Kelly, and vocalist Riley Schatz. The distinctive and creative guitar work of Marty Willson-Piper adds depth and color to the overall sound, enhancing the band’s sonic landscape.

Blueburst Releases The ‘Supernova’

As a tantalizing preview of their forthcoming full-length album, “Significance,” “Senseless” promises an invigorating and immersive experience. Blueburst’s enchanting pop-infused rock music transcends boundaries, resonating with a timeless appeal. Their stunning sound and compelling songwriting establish Blueburst as a force to be reckoned with in the realm of alternative rock.

Miller’s raw and honest vocals, reminiscent of Cocteau Twins-style guitars, evoke admiration for the bands that have influenced him. “Senseless” captures the highs and lows of life’s unpredictable journey, revealing its secrets only after careful consideration. Yet, the song also offers immediate gratification, with melodies that embed themselves deeply in the listener’s mind.

Blueburst’s “Senseless” showcases the power of resilience, as Miller’s revived creativity shines through with every note. Their music serves as a testament to embracing opportunities and leaving a lasting impact through emotive storytelling and incisive musical atmospheres. As anticipation builds for their debut album, Blueburst’s allure and enchanting sound promise an unforgettable musical experience.

Listen to Senseless

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Chasing the “Nights”: A Nocturnal Dance with Night Talks

Chasing the "Nights": A Nocturnal Dance with Night Talks
Chasing the "Nights": A Nocturnal Dance with Night Talks

Under the cloak of darkness, music often resonates in profound ways, twisting melodies around unsaid secrets and hidden desires. In their new single, “Nights,” Night Talks, an LA-based trio consisting of Soraya Sebghati, Jacob Butler, and Josh Arteaga, explores this nocturnal world stealthily, concocting an addictively melodious alt-rock pop anthem that dances with insomnia.

Feasting upon the scintillating guitar riffs and synth-laden backdrop, the band serves up wave after wave of tuneful delight. The vibrant vocal melody, punctuated throughout by Sebghati’s robust delivery, lends an unusual air of yearning and anticipation to the song; an audible tiptoe through the sleepless nights.

Chasing the "Nights": A Nocturnal Dance with Night Talks
Chasing the “Nights”: A Nocturnal Dance with Night Talks

Recognizable is the band’s translucent prowess in harnessing the potential of layered harmonics. The effortlessly interwoven vocals with the guitar and synth add a rich sonic depth to “Nights,” making each experience feel like a deep dive into an enchantingly fluorescent ocean of sound. It’s “catchy” in its best form—a lure pulling listeners in, and you are the willing prey.

Lyrically, “Nights” is a contemplation on insomnia, a personal probe into the confounding mind-games that stem from this nocturnal nemesis. Written amidst the global lockdown of 2020, the song’s narrative is laced with a relatable sense of restlessness—reflecting universal emotions stirred up in that strange, suspended period of time. Its anthemic, rebellious spirit seems to rise like a defiant phoenix from those ashes of anxiety, challenging the endless nights with compelling bursts of energetic rock.

Anthony J Milan’s “Hell 1” – A Groovy Journey Through the Underworld

Drawing parallels, the creative spirit of Night Talks resonates with renowned bands like Yeah Yeah Yeahs and Paramore. Still, they confidently imbue their music with their own lifeblood—an intoxicating elixir of childhood friendships, LA sensibilities, and a shared passion for music.

While the melody of “Nights” leaves you spellbound and foot-tapping, the contemplative undercurrents tug at your intellect. It’s beguiling, it’s vibrant, it’s a little unsettling but mostly, it’s a beautiful paradox worth exploring. This is Night Talks telling us that music, like the night, can play tricks on our minds, and perhaps, make us fall in love in unexpected ways. I, for one, am looking forward to more evenings with this dynamic trio.

Follow Night Talks on Website, Facebook, Twitter, YouTube and Instagram.

Anthony J Milan’s “Hell 1” – A Groovy Journey Through the Underworld

Anthony J Milan's "Hell 1" - A Groovy Journey Through the Underworld
Anthony J Milan's "Hell 1" - A Groovy Journey Through the Underworld

Anthony J Milan’s latest single “Hell 1” is a strikingly nuanced tale cloaked under the enveloping coat of jazz music. It comes as the impressive third entry from his forthcoming album, a work that dares to stretch its release over the leisurely course of two years. This is a song that begs to be savoured, invoking the sensuous and dimly lit world of a smoky bar stationed ’round the corner from hell’s gate.

Much like a page out of Dante Alighieri’s infernal narrative, Milan takes us through a less-traveled road, serenading us as we navigate the depths of hell, searching for an avenue towards redemption. His voice, a signature blend of smoothness and grit, becomes the listener’s guide through the otherworldly terrain he crafts sonically. It’s an intimate narrative, underscored by soothingly haunting male vocals and notable lyricism, woven with a sense of human struggle and yearning.

The song is fittingly described as “groovy”. Beneath the cool pose Milan affects with ease, his musical canvas is one brushed with hues of rhythm & blues, splatterings of soul and large strokes of jazz. His tonal mastery harkens back to the soulful crooners of the past while the edgy lyrics hint at contemporary insights. The amount of groove tucked into each verse and chorus is intoxicating, making “Hell 1” an enthralling listening experience.

Anthony J Milan's "Hell 1" - A Groovy Journey Through the Underworld
Anthony J Milan’s “Hell 1” – A Groovy Journey Through the Underworld

What sets this single apart from the rote mainstream offerings is its commitment to storytelling. Here we are, transported to the brink of the abyss, wrapped in music that feels as though we’re trading verses with the artists in a cozy, hazy jazz bar. It is relaxing, yet subtly invigorating. Anthony J Milan’s unique approach to unfolding this narrative places shards of hope amidst the smokiness and despair, providing a distinctive counterpoint to the infernal thematics.

Raw Emotion Meets Melodic Purity in Etham’s “Guilty”

The impression created by this track is one of profound enjoyment and anticipation. With Milan’s gradual unveiling of his album, one can only look forward to the surprises his musical treasure chest holds. Milan manages to hold our attention, igniting curiosity about what the subsequent depths (or perhaps heights) of his sonic world have to offer.

“Hell 1” is indeed a refreshing blend of old-school charisma and modern sensibilities, with Anthony J Milan employing the evocative power of jazz to conjure a narrative that is at once absorbing and thought-provoking. Milan offers a fresh take on infernal exchanges, resulting in an intimate tune that is ripe with introspective highs and inevitable plunges into shadowy melancholy. This makes “Hell 1” a compelling listen and an upbeat, jazzy ride through an unexpected underworld.

Follow Anthony J Milan on Website, Facebook, Twitter, YouTube and Instagram.

Raw Emotion Meets Melodic Purity in Etham’s “Guilty”

Raw Emotion Meets Melodic Purity in Etham's “Guity”
Etham photographed by Tom Oxley

“Guilty” by Reading-based singer-songwriter Etham, is a masterstroke that bridges the gaps of pop, exploring new territories with an acoustic intimacy and serene simplicity. Tucked gracefully within the larger framework of his latest EP, this song stands as a testament to Etham’s textured talent and refined musical acuity.

The inviting strums of a guitar greet us as “Guilty” begins, framing Etham’s velvet-soft vocals, that embody an impressive range, from whispered confessions to throaty crescendos. The buoyant finger-picked guitar style creates a pulsating rhythm, the song’s heart rhythm. They display an artistic maturity that transcends the often overly-produced tracks that populate the pop landscape. The almost zen-like calm this song provides is an antidote to the excess of today’s music scene, setting it apart as a shining beacon of easy listening.

Raw Emotion Meets Melodic Purity in Etham's “Guity”
Etham photographed by Tom Oxley

The lyrics of “Guilty” delve into the not-so-routinely explored avenues of post-breakup conversations. The song is bathed in a kind of radiant melancholy, a heartfelt narrative that suggests, remarkably, not all breakups need be heart-wrenching affairs, that there can be an invigorating liberation in the process.

Harnessing the Heavens: A Review of Daniel Bohn’s “Emotions of the Sky”

The simple, acoustic instrumentation keeps the spotlight conjointly on Etham’s vocals and the song’s storyline. Each chord, each note resonates through the ache in his voice, creating a resounding emotional impact. Etham’s skill at vocal storytelling brings to mind the likes of Ed Sheeran or Lewis Capaldi- artists who have similarly used their music as a platform for intimate communication.

Overall, “Guilty” is a fascinating single that subtly veers off the beaten path of generic pop music. With it, Etham confirms his place amongst a new breed of artists unafraid to let authentic emotion and sincere lyrics take center stage. An entrancing song that echoes long after the final note, “Guilty” gives voice to the unguarded heart, a guided meditation on love and loss, a soothing soliloquy of a song. A guilt-free pleasure, indeed.

Follow Etham on Facebook, Twitter, YouTube and Instagram.

Bodiless Joins Forces With Kobe Tresh and D. Foli In ‘All Graced Up’

Bodiless Joins Forces With Kobe Tresh and D. Foli In 'All Graced Up'
Bodiless Joins Forces With Kobe Tresh and D. Foli In 'All Graced Up'

Bodiless, The Morning Song singer, has stayed true to his word by delivering brand new music. On Friday, June 14th, he released his third single of the year titled “All Graced Up,” featuring his fellow brothers in Christ, Kobe Tresh and D. Foli.

Following the overwhelming reception of his 5th iRap verse, Bodiless decided to shower his fans with something melodic yet undeniably groovy. In crafting this song, his intention was for listeners to raise their hands in worship while still feeling the irresistible urge to dance along.

Bodiless expressed his sincere appreciation to Tresh and D. Foli for elevating the song to its current form with their remarkable talents, and he eagerly anticipates more collaborations with these gifted individuals.

When asked about his aspirations for the song, Bodiless passionately expressed, “I want it to resonate with people around the globe, transforming lives along the way. I envision individuals waking up to its empowering message and embracing it as the soundtrack of their lives because we are all graced up.” So, next time someone asks how you’re doing, simply reply, “Graced up.”

“All Graced Up” is now available on all major music platforms. Click here to listen and experience the uplifting vibes firsthand. Let the journey begin!

Connect With Bodiless

Twitter: @Bodiless_rje

Instagram: @Bodiless_rje

Facebook” @Bodiless.rje.7

“Tea Eater’s “Double”: A Nostalgic Blend of Harmonies and Unbridled Energy”

ALTERNATIVE ROCK, GARAGE ROCK ,INDIE ROCK ,ROCK ,HARD ROCK ,FEMALE VOCALS ,ANTHEMIC ,TEA EATER, TEA EATER LATEST SONG, TEA EATER DOUBLE, DOUBLE BY TEA EATER, DOUBLE TEA EATER, TEA EATER INTERVIEW, MISTER STYX, STYX, MR STYX
"Tea Eater's "Double": A Nostalgic Blend of Harmonies and Unbridled Energy"

In this exclusive interview, we have the privilege of delving into Tea Eater‘s creative process, inspirations, and aspirations. From her stage name, which carries a whimsical story of its own, to her eclectic influences ranging from movies and conversations to the vibrant music community, Tea Eater’s artistic journey is a fascinating exploration of self-expression and musical discovery.

Tea Eater’s debut single, “Double,” is a mesmerizing fusion of nostalgic influences and infectious energy. Reminiscent of the vibrant sounds of Veruca Salt and the enchanting harmonies of the Pipettes, the track takes listeners on a delightful journey through time. With a perfect balance of 90s-inspired chord progressions and the sweetness of girl group vocals, Tea Eater delivers a captivating musical experience that leaves an indelible impression.

“Double” is a testament to Tea Eater’s musical prowess and her ability to blend genres seamlessly. The song exudes an unbridled sense of nostalgia, evoking feelings of youthful exuberance while infusing it with a contemporary charm. The infectious melodies and vibrant instrumentals create an irresistible atmosphere, making it impossible not to sway along with the music.

Throughout the interview, Tea Eater shares insights into her early encounters with music, the role it played in her formative years, and the inspiration behind her decision to pursue a career in the industry. We get a glimpse into her creative process, from writing lyrics to crafting melodies, as well as the evolution of her musical style.

Tea Eater’s vocal performance on “Double” is nothing short of remarkable. Her voice possesses a unique blend of raw power and vulnerability, showcasing a remarkable range and emotional depth. With each word she sings, Tea Eater effortlessly captivates listeners, drawing them into her world and leaving them craving more.

As Tea Eater’s star continues to rise, her plans for the future are nothing short of exciting. With upcoming single release parties, captivating music videos, and an ambitious tour schedule, Tea Eater is poised to take her unique blend of nostalgia-infused melodies and unbridled energy to audiences around the world.

Prepare to be enthralled as we embark on this captivating interview with Tea Eater, a talented artist whose passion for music and unwavering dedication shines through in every note she sings. Get ready to discover the stories behind the music, the creative process, and the profound influence Tea Eater is destined to have on the music industry.

Watch to Double below

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What is your stage name?

Tea Eater

Is there a story behind your stage name?

Yes, my last name is Thiessen. My high school ballroom dance teacher told me my last name literally translated from German to English as “Tea Eater.” But I recently did some digging and learned my last name is actually Dutch. Oh well!

Where do you find inspiration?

I find inspiration from old movies, conversations I have with friends/conversations I overhear walking around NYC, transcendental meditation, the gateway tapes, the Twitch community, podcasts, and too many bands to name here.

What was the role of music in the early years of your life?

I was your typical angsty teen so for me music has always been a means to escape from reality and find the other weirdos.

Are you from a musical or artistic family?

My mom always loved watching music videos on VH1. When I asked if I could play the flute in the school band in elementary school, my mom said no and instead wanted me to play guitar and start a band when I got into middle school. Thanks mom!

Who inspired you to be a part of the music industry?

Seeing The White Stripes play on the VMAs in 2001.

How did you learn to sing/write/to play?

My mom got me guitar lessons when I was 11, but I didn’t start singing until I was 19. I always kept journals since I was 12 so songwriting was the next logical step for me.

ALTERNATIVE ROCK, GARAGE ROCK ,INDIE ROCK ,ROCK ,HARD ROCK ,FEMALE VOCALS ,ANTHEMIC ,TEA EATER, TEA EATER LATEST SONG, TEA EATER DOUBLE, DOUBLE BY TEA EATER, DOUBLE TEA EATER, TEA EATER INTERVIEW, MISTER STYX, STYX, MR STYX
My mom got me guitar lessons when I was 11

What was the first concert that you ever went to and who did you see perform?

Ringo Starr at PNC Bank Arts Center when I was 7 or 8.

How could you describe your music?

Surreal Punk Cher

Describe your creative process.

Sometimes I’ll write a bass line and write a song around that, other times I’ll be walking around and record a melody that popped in my head, or I’ll find a random royalty free drum loops online and write guitar riffs to them.

What is your main inspiration?

Drinking coffee

What musician do you admire most and why?

Prince, because he was everything + purple.

Did your style evolve since the beginning of your career?

Definitely! I used to only write angry breakup songs or sci-fi love story songs for my old bands. Now I write angry songs about hating the DMV or slightly more existential songs about being reincarnated as a little white dog in a gated community.

Who do you see as your main competitor?

Myself

What are your interests outside of music?

Reading books, making art and hula hooping.

If it wasn’t a music career, what would you be doing?

Maybe I’d be a truck driver?

What is the biggest problem you have encountered in the journey of music?

I wouldn’t say it’s the biggest problem, but the biggest area of growth in my journey so far is learning to communicate clearly and listen to my bandmates, collaborators and other people we have close working relationships with.

If you could change one thing in the music industry, what would it be?

The financial barrier to entry. It costs a lot to make records and go on tour, and in the US funding for the arts is pretty minimal.

Why did you choose this as the title of this project?

It’s a name that wasn’t taken by anyone  else yet, and it’s a translation of my last name so it can be seen as a solo project, but also has space to develop into a collaborative project.

What are your plans for the coming months?

We’ll be playing a few single release parties in NYC, releasing a bunch of music videos, touring the US, UK & Europe. All dates will be announced soon!

Do you have any artistic collaboration plans?

In the fall we’ll be releasing a split 7” with our friends Waltzer from Chicago. (https://wltzr.bandcamp.com/album/time-traveler)

What message would you like to give to your fans?

We love rock n roll! Don’t take yourself too seriously. It’s never too late to start a new band.

Mortal Prophets Put a Sleek, Gothic Spin on “Down on Me”

ALTERNATIVE ROCK, ART ROCK ,BLUES ,INDIE ROCK ,POP-PUNK ,ELECTRO ,ELECTRONIC ,EXPERIMENTAL , CINEMATIC ,MALE VOCALS ,ALT ROCK ,POP SYNTH, INDIE ROCK ,INDUSTRIAL ,LEFTFIELD ,DANCE , SUPER CATCHY ,US BASED, MORTAL PROPHETS, MORTAL PROPHETS LATEST SINGLE, DOWN ON ME BY MORTAL PROPHETS
Mortal Prophets Put a Sleek, Gothic Spin on "Down on Me"

John Beckmann of The Mortal Prophets has a knack for taking classic blues songs and giving them a modern twist. His latest single, “Down on Me,” is a prime example of this. The song is a cover of a traditional freedom song that was first recorded in the 1920s. Beckmann and his band have transformed it into a sleek, gothic electro-blues song that sounds like it could have been released in the mid-1980s.

The song opens with a buzzing synth line that creates an eerie and intriguing atmosphere. The thumping kick drum enters, accompanied by fluttering tones, setting the stage for what’s to come. Beckmann’s vocals hover above the dark electronica soundscape, delivering the rousing lyrics with power and conviction. The relentless punch of the kick and snare provides a marching rhythm, while gritty guitar tones add an extra edge to the arrangement.

The result is a riveting anthem for the modern day. The track captures the raw essence of the original while injecting it with Mortal Prophets’ distinct sound. If you’re a fan of blues, electronica, or anything in between, then you need to check out “Down on Me.”

Listen to Down on Me below

 

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Polemica’s …and now…: A Musical Rollercoaster of Hope and Despair – Album Preview

ALTERNATIVE ROCK, INDIE ROCK ,PUNK ,POST-PUNK ,ROCK ,ART ROCK ,EUROPE BASED ,FEMALE VOCALS ,MALE VOCALS ,POLEMICA, POLEMICA POLEMICA ALBUM, AND NOW BY POLEMICA,
Polemica's ...and now...: A Musical Rollercoaster of Hope and Despair

Polemica’s upcoming album, …and now…, bursts into life with the electrifying track “Paranoia.” The band wastes no time in immersing listeners in a hard-hitting rock sound that captivates from the very first note. The instrumentations on “Paranoia” and throughout the album are meticulously crafted, showcasing the band’s skill in creating alternating yet cohesive arrangements that keep the listener on their toes.

Leading the charge is Hilary, whose vocal prowess shines on every track. With a knack for singing, she effortlessly navigates the diverse range of songs, complementing each one with her dynamic delivery. Whether she rises to the occasion or conveys a poignant message with a softer touch, Hilary’s vocals are a force to be reckoned with.

In a recent interview with Mister Styx of Musicarenagh, Hilary and Vik provided glimpses into their personal lives, adding an extra layer of intimacy to the album. With 10 original songs, …and now… takes listeners on a rollercoaster ride of emotions, never allowing a dull moment to seep in. It’s a violation of conventions, an exploration of purity, and an affirmation of a yet-to-be-defined identity. Each track stands out as a testament to the band’s ability to seamlessly blend elements of rock, experimental vitality, and noisy hymns.

Set to release on September 30, 2023, …and now… serves as a musical reflection of both hope and despair. The pulsating grooves, sonic reflections, and undeniable presence within the music cut through the incessant social noise, offering a respite and encouraging independent thinking. This album is a testament to the power of independent music and deserves to be played loud and shared widely.

The album’s artwork, crafted by British artists Paul Brennan and Dionne Swift, adds a visually striking dimension to Polemica’s message. Pop, symbolic, and powerful, the artwork perfectly complements the band and the essence of the album itself.

With 10 energetic tracks that embrace their varied musical personalities, Polemica presents …and now… as their vibrant embodiment of thinkrock. From punk to funk to noise, this album is an invitation to embrace a new wave of musical expression. Brace yourself for the journey that begins where it ends, and be ready to embrace the unstoppable force that is Polemica. Support independent music, get your hands on this album, and prepare to be moved.

 

Tracklist

Paranoia

The vote

Bad habit

Roe V wade

Good riddance

Its our time

Isolation

Winter whisper

War is anachronistic

Tranny me

The album would be released on September 30th, check out their catalogue while you wait

 

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Write a short intro for an interview

 

 

What is your stage name?

Hilary- Polemica

Is there a story behind your stage name?

Hilary – We wanted to have a band name that reflected the idea that music can create change and present radical idea in a non-threatening manner. We also wanted to have a name that would be easily recognizable in Italian and English, as the band is based in Italy, but we have an American singer.

Where do you find inspiration?

Hilary – For the music, we are inspired by each other – our varied musical backgrounds, ages and experience. For the lyrics, suffice it to say the inspiration is the continuing injustices plaguing ourselves and our environment.

What was the role of music in the early years of your life?

Hilary – Music has always been a communication tool. only one of us has been classically trained on their instrument (the drummer), but we all have been playing music since we were very young.

Are you from a musical or artistic family?

Hilary – Not really, though some of us have siblings and parents who can play, though not as more than a hobby.
Vik – No. My father plays the accordion, but just for fun.


Who inspired you to be a part of the music industry?

Hilary – The goal has never been to be part of the music industry, rather to show that music can’t be controlled by the few for the many. That said, I personally have been encouraged and inspired by many musicians in the punk scene.

How did you learn to sing/write/to play?

Hilary – Although, as mentioned earlier, only one of us has classical training on their instrument, some of us classically studied other instruments, which we don’t use in the group, like piano, violin, and contrabass.

Vik – Only later did I improve everything by starting to take lessons and study it thoroughly.

What was the first concert that you ever went to and who did you see perform? I don’t Hilary – know about the others, but my first live concert (aside from symphony concerts), was the group Bread in 1977.

How could you describe your music?

Hilary – We call it “thinkrock.” From our socials description; POLEMICA is the international 4-piece thinkrock band based in Italy. With their new album …and now…(2023), POLEMICA continues to assault social injustices and provoke critical questions.

Describe your creative process.

Hilary – In general, we jam first and then choose passages to arrange. occasionally, I have brough lyrics with a melody and developed it with the rest of the group.

What is your main inspiration?

Hilary – Injustice, inequality, prejudice and authoritarian control.

What musician do you admire most and why?

Hilary – It is difficult to pinpoint one musician as inspiration, but I admire all musicians who keep control of their creative ideas and strive to encourage others to do the same😊

Did your style evolve since the beginning of your career?

Hilary – Of course. The more one plays, records, tours and composes, the easier it is to translate thoughts into music.

Who do you see as your main competitor?

Hilary – Commercial music and cover bands

Vik – Competitor? Music is not a competition

What are your interests outside of music?

Hilary – Organizing events, travel, cooking, learning

Vik – Skateboarding, understanding yourself better, helping to make the world a better place

If it wasn’t a music career, what would you be doing?

Hilary – All of us still work jobs to support being able to play music, record, tour and, of course, maintain our instruments. This is the plight of many independent musicians.

Vik – A carpenter!

What is the biggest problem you have encountered in the journey of music?

Hilary – Besides not being able to live from making music, I personally have faced challenges as a woman in the rock music milieu. I have been playing drums for over 30 years, and even though I don’t play drums in polemica, I still fight for equality.

If you could change one thing in the music industry, what would it be?

Hilary – You can’t put a bandaid on an amputation. At the core, the idea of a “music industry” inherently excludes people. Support for decentralization and autonomy is critical.

Vik – That until enough money is earned to find someone to do it for you, you have to work hard for the entrepreneurial part of your songs, often having no more time to create music. A real paradox!

Why did you choose this as the title of this project?

Hilary – The title of our record, ..and now…, embodies the idea that the music on this record is both new AND a continuation of our collective musical journey.

What are your plans for the coming months?

Hilary – Publicity through pre-release campaigns, release the record, and tour to support it!

Do you have any artistic collaboration plans?

Hilary – Back in 2020, we released a conceptual collaborative project entitled “Herstory in 3 parts: Repeat, Remove, Create.” We worked with 7 musicians from around the world to create “a musical reflection on the repetition, removal and creation of herstory using music as the tool for the discourse and collaboration as the method to expand the reflection. We all know the music industry is dominated by the patriarchy.

We choose to block or subvert this imbalance wherever and however we can, not just for herstory, but for all *stories not created by dominance and abuse of power.” Currently we are working with various video artists to produce visuals to accompany the songs on the record. We cherish the opportunity to collaborate and share in the creative process.

What message would you like to give to your fans?

#stayindie

“We Call It Junk” is a Bold and Brash Declaration of Musical Independence

HIP-HOP, RAP ,CLASSICAL ,US RAP ,CONTEMPORARY , MALE VOCALS ,US BASED, JUNK, JUNK LATEST SINGLE, JUNK SONG, JUNK GENRE, JUNK MUSIC, WE CALL IT JUNK , WE CALL IT JUNK BY JUNK, JUNK WE CALL IT JUNK,
"We Call It Junk" is a Bold and Brash Declaration of Musical Independence

“Junk” is a three-piece band from Long Island, New York, who have been making waves in the music scene with their unique blend of genres. Their latest single, “We Call It Junk,” is a bold and brash declaration of their musical independence.

The song starts off with a funky bassline that quickly gives way to a driving beat. The saxophone comes in with a wailing solo that is both melodic and aggressive. The vocals are raw and passionate, and the lyrics are a call to arms for anyone who has ever felt like an outsider.

The song is a celebration of creativity and individuality. It’s a reminder that there are no rules when it comes to making music, and that the best art is often born out of experimentation. “We Call It Junk” is a challenge to the status quo, and it’s a reminder that music is meant to be enjoyed, not categorized.

The song has been met with mixed reviews. Some critics have praised the band’s originality, while others have dismissed them as a gimmick. However, the band is undeterred. They know that their music is not for everyone, but they are confident that there is an audience out there who will appreciate their unique sound.

“We Call It Junk” is a statement of intent from a band who are not afraid to be themselves. It’s a song that will resonate with anyone who has ever felt like they didn’t fit in. It’s a song about freedom of expression, and it’s a song about the power of music to change the world.

I highly recommend checking out “We Call It Junk” if you’re looking for a unique and refreshing take on music.

Listen to We Call It Junk below

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FLEANGER’s “FUME” is a Lush and Dreamy Odyssey

ELECTRONIC, DOWNTEMPO ,ELECTRONIC POP ,ALTERNATIVE POP ,POP ,MALE VOCALS ,CHILLOUT ,RELAXING ,EUROPE BASED, FLEANGER, FLEANGER LATEST SINGLE, FLEANGER, FUME, FUME FLEANGER,
FLEANGER's "FUME" is a Lush and Dreamy Odyssey

FLEANGER is a young musician and producer from Israel who is quickly making a name for himself in the electronic music scene. His latest single, “FUME,” is a lush and dreamy odyssey that takes the listener on a journey through his soundscape.

The song begins with a gentle synth arpeggio that sets the tone for the track. Splice’s vocals enter, and he sings with a vulnerability and authenticity that is immediately captivating. The lyrics are simple but effective, and they perfectly capture the feeling of being lost in thought.

As the song progresses, the instrumentation builds, and the atmosphere becomes more and more immersive. The synths become more lush, and the drums become more driving. Splice’s vocals soar over the top, and he delivers a truly mesmerizing performance.

The song is not overloaded with lyrics, which allows the listener to feel the emotions of the song without being overwhelmed by words. This is a great choice for a song that is meant to be a relaxing and meditative experience.

splice’s vocal range is surprising as he hits the high and low notes effortlessly. He makes music easy and fun to do, and it is clear that he is passionate about his work. The song is catchy and will stay with you long after you listen to it.

One distinctive thing about the song is its length. At over 8 minutes, it is a long song by today’s standards. However, the length of the song is not a problem. The song is so immersive that you will not even notice how long it is. The song is long, but it never feels like it drags.

“FUME” is a special track that is sure to leave a lasting impression. It is a song that you can listen to over and over again, and you will always find something new to enjoy.

If you are a fan of electronic music, then you need to check out “FUME” by FLEANGER. It is a truly special track that is sure to become a favorite.

I also want to add that I think the song title is very clever. “FUME” is a word that can mean both smoke and vapor. In the context of the song, it can be interpreted as both a literal and figurative reference to the atmosphere that FLEANGER creates with his music. The song is like a cloud of smoke that you can get lost in, and it’s sure to leave you feeling relaxed and inspired.

I hope you enjoy the song!

Listen to Fume below

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Bad Bubble’s “Clover Mess” is a Hauntingly Beautiful Exploration of Loss and Grief

NEW WAVE ,Think The Smiths , AVANT-GARDE , ELECTRONIC, DREAM POP ,Electronic ,Pop , ELECTRO ,ELECTRONIC POP ,EXPERIMENTAL ,ELECTRONIC, SYNTH POP ,ART POP , ART ROCK ,LEFTFIELD ,DREAM POP ,Guitar Washed-out, Shoegaze Style, MALE VOCALS ,EUPHORIC ,US BASED, BAD BUBBLE, BAD BUBBLE CLOVER MESS, CLOVER MESS BY BAD BUBBLE, BAD BUBBLE LATEST SINGLE,
Bad Bubble's "Clover Mess" is a Hauntingly Beautiful Exploration of Loss and Grief

Bad Bubble is a solo artist who plays guitar, keyboards, synthesizers, bass, vocals, and recording engineer. He is captivating fans with his genre-blending fusion of electronic, synth-pop, and indie rock. His latest single, “Clover Mess,” is a hauntingly beautiful exploration of loss and grief.

The song is about the death of Bad Bubble’s daughter and wife. He was training with the US Army when he got the news, and he has been living in seclusion ever since. “Clover Mess” is his way of processing his grief and trying to find some sense of normalcy in a world that has been turned upside down.

The song starts off with a slow, acoustic guitar riff. Bad Bubble’s vocals are soft and pained, and he sings about how he feels like he is “lost in a clover mess.” The lyrics are raw and unfiltered, and they perfectly capture the artist’s emotional state.

As the song progresses, the instrumentation becomes more complex. The electronic beats build up, and the guitars become more distorted. The song reaches a crescendo of emotion, and Bad Bubble’s vocals become more powerful. He sings about how he is “trying to find the light” in the darkness, and he begs for “for a normal life.”

The song ends with a hauntingly beautiful melody. Bad Bubble’s vocals are soft and vulnerable, and he sings about how he is “still searching” for normalcy. The song leaves the listener with a sense of hope, even though it is about a very difficult subject matter.

“Clover Mess” is a powerful and moving song. It is a raw and unfiltered expression of grief, but it is also a hopeful song about finding light in the darkness. Bad Bubble’s vocals are stunning, and the instrumentation is beautiful and haunting. If you are looking for a song that will move you, then “Clover Mess” is the one for you.

I highly recommend checking out “Clover Mess” if you are looking for a new song to move you. This is the perfect song for all the broken.

I also want to add that I think the song title is very clever. “Clover Mess” is a metaphor for the artist’s grief. He is feeling lost and confused, like he is in a mess. But the word “clover” also has a positive connotation. It is a symbol of hope and new beginnings. So, even though the song is about grief, it also has a sense of hope.

I think this is a very powerful song, and I am glad that Bad Bubble shared it with the world. It is a reminder that we are not alone in our grief, and that there is always hope for the future.

Listen to Clover Mess below

 

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Harnessing the Heavens: A Review of Daniel Bohn’s “Emotions of the Sky”

Harnessing the Heavens: A Review of Daniel Bohn's “Emotions of the Sky”
Harnessing the Heavens: A Review of Daniel Bohn's “Emotions of the Sky”

Encompassing raw power and audacious creativity, Daniel Bohn’s “Emotions of the Sky” delivers an audial experience akin to a celestial lightening storm, releasing an electrifying charge that both shocks and invigorates. This US-based artist’s maiden voyage with Sliptrick Records sees him explore new heights, pushing the boundaries of conventional heavy metal with a fresh, avant-garde approach.

Bohn’s album is a cathedral of sound, celebrating the grandeur of anthemic metal while infusing it with a distinctly progressive twist. The corpus of this ambitious project consists of eight tracks, each more powerful and intense than the last, creating a sonic odyssey that is as diverse in its offerings as it is loyal to its core identity.

Emotions of the Sky is not merely an album; it’s a transcendent concept project. Bohn masterfully constructs a melody-driven narrative centered around themes of divine intervention, revenge, and destruction. This divine concept crucially anchors the musical experimentation, allowing the album to remain grounded while reaching for the stars.

Harnessing the Heavens: A Review of Daniel Bohn's “Emotions of the Sky”
Harnessing the Heavens: A Review of Daniel Bohn’s “Emotions of the Sky”

Bohn’s vocals are raw and resonant, echoing the emotional turmoil echoed in the album’s lyrics. Meanwhile, the instrumentation is energetic, nearly frenetic, effectively communicating both the elation and torment associated with the celestial struggles presented. Emphasizing powerful guitar riffs and thunderous drums, the production quality maintains the raw metal energy while adding layers of progressive depths that set the album apart from its counterparts.

The album’s unique blend channels the spirits of both Iron Maiden’s lyrical sagas and Dream Theater’s progressive explorations. However, it refrains from becoming a derivative work, thanks to Bohn’s edgy individuality that radiates throughout the songs.

Harnessing Diverse Sonic Landscapes: “Two Handed Engine”

The aggressiveness inherent in the genre is certainly present in “Emotions of the Sky,” but there’s a certain vulnerableness that humanizes the celestial theme. One can’t help but be drawn to the raw despair and subsequent catharsis that thrums within the chords, invoking an empathetic resonance that connects the listener directly to Bohn’s creative ether.

In closing, “Emotions of the Sky” is a groundbreaking work, reflecting the boundless potentials within the realm of heavy metal. Daniel Bohn has created something truly impressive; it’s a turbulent, melodic odyssey that demands your attention. Audacious yet enigmatic, raw yet intricately layered, “Emotions of the Sky” demonstrates that this artist is not just a musician, but a celestial storyteller. This record is less a collection of songs, and more a journey through the heavens. Prepare to take flight and lose yourself in its vast, star-studded expanse.

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Stacey Jackson’s ‘Soldier’: A Timeless Anthem of Liberation and Empowerment

DANCE, COMMERCIAL POP ,COMMERCIAL ,VOCAL ,DANCE ,ELECTRONIC POP ,POP ,80's VIBES ,FEMALE VOCALS ,ANTHEMIC ,UK BASED, STACEY JACKSON, STACEY JACKSON LATEST SINGLE , STACEY JACKSON SOLDIER, SOLDIER BY STACEY JACKSON
Stacey Jackson's 'Soldier': A Timeless Anthem of Liberation and Empowerment

Stacey Jackson once again proves her prowess as a visionary artist, an iconic figure in the music industry, who effortlessly brings back the essence of the ’80s sound, infusing it with a contemporary twist that solidifies her position at the forefront of the dance music scene with her latest release, ‘Soldier,’

Co-written with Ramzi Sleiman, her collaborator on the chart-topping hit ‘Flipside,’ ‘Soldier’ not only channels the nostalgic vibes of the ’80s but also unveils a piece of Jackson’s personal history. She skillfully incorporates elements from her teenage rock band, Cold Front, which dates back to 1985, adding an extra layer of depth to the track.

Drawing inspiration from the real-life experiences of her close friends who embraced their true selves later in life, Jackson’s ‘Soldier’ serves as a rallying cry for emotional liberation and the unapologetic ownership of one’s truth.

In essence, ‘Soldier’ encourages listeners to become their own soldiers in the battle for happiness and truth. Stacey Jackson’s ability to weave a tale of liberation through her music is nothing short of remarkable. Her talent for crafting catchy melodies and thought-provoking lyrics is what truly sets her apart, and ‘Soldier’ stands as a timeless anthem that will undoubtedly inspire and uplift countless souls.

Stacey Jackson’s ‘Soldier’ is not just a song; it’s a testament to the indomitable spirit within us all, reminding us that we have the power to choose our own path and embrace our authentic selves. Her powerful lyrics resonate with authenticity, as she sings, “There comes a time for change, the power to be free, in this game of life, we’ve gotta choose what’s it gonna be.”

As the dance beats take hold and the empowering lyrics resonate, it becomes clear that Stacey Jackson’s music is a force to be reckoned with, empowering us all to march forward as soldiers of our own truth.

Listen to Soldier below

 

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Sconzy Unleashes His Fury In Explosive New Single ‘Loss of Innocence (No Love)’

Sconzy Unleashes His Fury In Explosive New Single ‘Loss of Innocence (No Love)’
Sconzy Unleashes His Fury In Explosive New Single ‘Loss of Innocence (No Love)’

Sconzy is in to set the record straight on his new track, ‘Loss of Innocence (No Love),’ as he spits fire at the snakes who dare cross him. Stream or download ‘Loss of Innocence (No Love)’ across all major digital platforms here

Having charmed Dancehall lovers with the Empress Afi-assisted ‘Bad Gyal’ and later cementing himself with last year’s ‘Mama,’ it’s fair to say Sconzy is no longer a stranger to audiences. The promising artist has been a force to reckon with and his latest release – a blazing manual on how to deal with snakes, highlights why he is unstoppable. 

If its cover art didn’t give you chills, its no-fussing tone will. ‘Loss of Innocence (No Love)’ is a scathing rebuke to anyone who dares crosses Sconzy’s path, with lyrics like “Sow what you wanna reap” and “You do me I do you (2x)/You fool me, I fool you too,” laying it all out. Sconzy trades his sweetness for a ruggedness more akin to Dancehall. A terrific production also matches the fiery delivery of the artist to make listeners feel his anger and pain.

A protégé of Stonebwoy, Sconzy is on a mission to take over the Dancehall scene. And as a young artist en route to reach his full potential, the sky is the limit. The talented artist might only have his third commercial title out. But with no misses yet in sight, Dancehall’s newest champion could already be among us. Don’t miss out on his fiery new song!

NYA’s EP “Euphoria – Vol. III : Noir Tales” Marks An Emotional Climax To The Euphoria Trilogy

NYA's EP "Euphoria - Vol. III : Noir Tales" Marks An Emotional Climax To The Euphoria Trilogy
NYA's EP "Euphoria - Vol. III : Noir Tales" Marks An Emotional Climax To The Euphoria Trilogy

NYA, the rising star known for her soulful sound and powerful storytelling, captivates music lovers worldwide with her latest musical creation, “Euphoria – Vol. III: Noir Tales.” This finale features four standout tracks, including the lead single “Good Days,” along with “Ride,” “Devil (ROA),” and “Survival.”

“Good Days,” the EP’s first release, is a remarkable fusion of Afro rhythms and R&B soul melodies into an uplifting and authentic vibe. With heartfelt lyrics, NYA shares her personal triumph over adversity, inspiring listeners to persevere through life’s challenges and embrace the promise of brighter days.

“Ride” is a befitting soundtrack to her liberation, and is nicely done over a seamless mix of Afrobeat, Afrofusion, Alte, and R&B. The song reflects NYA’s own journey of self-discovery and growth, touching on the concept of facing inner demons and breaking through limitations.

With “Devi(ROA)” and “Survival,” NYA explores darker and introspective themes over smooth and spacious instrumentals, detailing the turmoil she healed from and what caused it in the first place. 

The EP’s tracks collectively create an enchanting and musical experience that invites listeners to connect on a deeper level as she channels a renewed vulnerability into all four songs. NYA’s artistry shines throughout Vol.III with her infectious aura, exceptional musicality, and genuine bond with her audience. This EP is a testament to NYA’s growth as an artist and her dedication to delivering authentic and charming sounds.

“Euphoria – Vol. III: Noir Tales” available now on all digital stores here

 

 

Anoush Captivates Listeners With Her Latin-Infused Summer Jam ‘Cantina’

ELECTRONIC POP, COMMERCIAL POP ,POP ,COMMERCIAL ,VOCAL DANCE ,VOCAL DANCE, EDM ,WORLD ,AVANT-GARDE ,General,  CONTEMPORARY DANCE ,FEMALE VOCALS ,US BASED, CATINA , ANOUSH, CATINA BY ANOUSH, ANOUSH LATEST SINGLE,

Anoush is a classically trained musician, pianist, lyricist, recording artist, and producer. Originally from California, she has traveled extensively across the world and ended up in Idaho, where she records from her home studio. Her latest single, “Cantina,” is a Latin-infused pop track that is sure to get you moving.

The song starts with a casual and enticing intro that has a sensual feel to it. Anoush’s vocals are sultry and soulful, and they perfectly complement the upbeat instrumentation. The lyrics are catchy and easy to sing along to, and the overall vibe of the song is one of pure joy.

The Latin-inspired instrumentation in “Cantina” is fresh and exciting. The drums are driving and the guitars are funky, and they create a perfect foundation for Anoush’s vocals to soar. The song also features some beautiful piano work, which adds a touch of elegance to the track.

Anoush’s vocals are stunning and soulful. She has a beautiful range, and she uses it to great effect in “Cantina.” She sings with passion and emotion, and she brings the song to life. The lyrics are catchy and easy to sing along to, and they perfectly capture the carefree spirit of the song. The song has a great sense of rhythm and groove.

The overall vibe of “Cantina” is one of pure joy. The song is about letting loose and having fun, and it’s sure to put a smile on your face. The lyrics are clever and witty. If you’re looking for a song that will transport you to a tropical paradise, then “Cantina” is the one for you.

If you’re looking for a new summer jam I highly recommend checking out “Cantina”. It’s sure to get you moving and put a smile on your face.

Listen to Catina below

 

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Harnessing Diverse Sonic Landscapes: “Two Handed Engine”

Harnessing Diverse Sonic Landscapes: “Two Handed Engine”
Harnessing Diverse Sonic Landscapes: “Two Handed Engine”

The album “Two Handed Engine” by the eponymous band Two Handed Engine, is the kind of music that immerses you in its unique blend of Americana and indie-folk. It’s a sensory experience, a drive down heartbreak highway and a wander in the wild woods of love, wrapped into a canvas of ragged, freewheeling charm.

Made up of Tim Moran on guitar and vocals, Joe Goodwill on bass and vocals, and Tom Mlcoch on drums, the band’s lineup may seem traditional, but the sonic landscape they create is anything but. Their sound dances between the intersections of soft rock and rootsy, indie-folk, creating a compelling juxtaposition that unfolds like a series of wistful vignettes.

From anthems to ballads, the band takes listeners on a cross-country journey through American landscapes both starkly real and mythical. Seamlessly pulled together by the raw vocals from Moran and Goodwill, the varying rhythms and temperatures provoke a spectrum of feelings and experiences as expansive as the vistas they describe.

Harnessing Diverse Sonic Landscapes: “Two Handed Engine”
Harnessing Diverse Sonic Landscapes: “Two Handed Engine”

The album’s lyrics illuminate the band’s profound ability to amalgamate surrealism, romantic trials, and post-industrial malaise. They paint an existential picture of human life in tough times, with songs like a platitude-free John Steinbeck novel set to music. It’s an ode to the displaced and downhearted, echoing sentiments of struggle and resilience.

Two Handed Engine’s namesake album is a testament to the power of indie-folk music to communicate robustly, with all the vehemence of raw Americana. It captures the heat and dust of rural life, the steely chill of urban existence, the grit of living in an uneven world. It blends rustic balladeer traditions with contemporary inspirations for a sound that’s both nostalgic and fresh.

Diving Into the “Deep End” With Alison Cohen

In essence, “Two Handed Engine” is a vessel full of melodies and lyrics that meld, clash, and ultimately harmonize to reflect the multifaceted realities of modern life. It’s a musical statement of mood and moment, imbued with a distinct rustic charm. A beautiful concoction of emotions, it is sure to resonate personally with audiences, making it a must-listen for fans of indie-folk and Americana alike.

Unquestionably, “Two Handed Engine” is a grand exploration into the challenges and pleasures of human existence, expertly delivered through the band’s passionate performance. Emboldened by the power of music, the album encourages listeners to roam freely across the uncharted terrain of their own sentiments, one melody at a time.

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Diving Into the “Deep End” With Alison Cohen

Diving Into the “Deep End” With Alison Cohen
Diving Into the “Deep End” With Alison Cohen

In her latest single “Deep End”, Los Angeles-based singer, songwriter, and producer Alison Cohen invites us into a realm where ethereal sonic landscapes meet nostalgic 80’s vibes. Marrying elements of dream pop, synth-pop, and easy listening, Cohen leads us on an evocative journey that transfixes from the onset.

The track opens with a gently pulsating rhythm, gradually enveloping listeners in a tapestry of intricate synth melodies and basslines. Cohen’s mastery of production shines through here, each layer of sound introduced with a subtlety that further enhances the overall chilling atmosphere of the track.

Cohen’s delicate vocals whisper through “Deep End” like a soft breeze through an abandoned city. These ethereal tones recall dream-pop trailblazers like the Cocteau Twins, imbued with a subversively modern touch. The lyrics, while poetic and elusive, provide a warm blanket of familiarity, further contributing to the intoxicatingly nostalgic ambience.

Diving Into the “Deep End” With Alison Cohen
Diving Into the “Deep End” With Alison Cohen

The magic of “Deep End” lies in its cohesive energy, striking an exquisite balance between introverted reflection and sublime ecstasy. This is not just a song, but a feeling personified – a pull that draws listeners into Cohen’s hauntingly beautiful sonic universe and keeps them there, transfixed.

As an artist, Cohen’s spotlight shines brightly with “Deep End”, signalling her phenomenal potential in the music landscape. Her multi-faceted talent resonates in not just her enchanting vocals and lyric craftsmanship, but also in her adept hand at production. This listenable single, while providing a comfortable auditory experience, simultaneously engages listeners cognitively and emotionally, evincing Cohen’s commanding presence.

Arliston: Skyward Strumming to the Heights of “How in Heaven”

On diving into the soothing waters of “Deep End”, it’s hard not to acknowledge the allure of Cohen’s entrancing vocals and immersive music. It’s a song that lingers, echoing long after its last note, showcasing Cohen’s ability to create a musical journey that is both temporally transient yet emotionally enduring.

In essence, “Deep End” strikes a chord with its soulful, evocative narrative and musical depth. It beacons an escape, a respite from reality into the comforting arms of Alison Cohen’s subtly layered, chill sound. Anchoring its position as a memorable synth-pop anthem, “Deep End” not only unveils Cohen’s raw talent but also tantalizes with the promise of her potential musical offerings on the horizon.

Follow Alison on Website, Facebook, YouTube and Instagram.

Arliston: Skyward Strumming to the Heights of “How in Heaven”

Arliston: Skyward Strumming to the Heights of "How in Heaven"
Arliston: Skyward Strumming to the Heights of "How in Heaven"

Radically raw and strikingly sincere, Arliston’s alt-folk EP ‘How in Heaven’ gifts the listener with an intimate understanding of their artistry, unfolding like a poet’s cherished journal, tenderly strummed over a pensive acoustic backdrop.

In this five-track offering, London-based duo Jack and George harness a stripped-down power to transport listeners into a melancholic crooning of narratives teeming with social anxieties and dreaming wonders. It’s like Simon & Garfunkel and Mumford & Sons teamed up to tackle modern life’s harshness through nostalgic pop.

Throughout the EP, the earnest, soulful male vocals piece our collective hearts together, tackling subjects that inherently quake our societal perception.

Arliston: Skyward Strumming to the Heights of "How in Heaven"
Arliston: Skyward Strumming to the Heights of “How in Heaven”

Each track showcases a distinct personality within the indie pop universe, thanks to the duo’s remarkable ability in curating their musical aesthetic. Their thoughtful arrangements and fine-tuned production invoke the billowing mists of the British countryside, adding an ethereal atmosphere to the heartfelt lyrics and subtle harmonies.

Rhythmic warmth emanates from “451“, where it incorporate jazz melodies over crescendos of stirring harmonies – a testament to the duo’s versatile instrumental prowess. The key to understanding this EP, however, lies not exclusively in the melancholic narratives; it’s also in the spaces between the chords where a collective, silent expression can be heard – a whisper of sadness, a sigh of weariness, a gasp of surprise.

“Me And My Demons”: A Rock Odyssey By Jay Luke

“Backwards” is also a key song in the EP, presenting us with Arliston’s canvas of complex human emotions with sheer humility and spine-chilling honesty. Their music breaks down our emotional defences and draws us into a shared, intimate space – compelling us to dig into our interior landscapes, reflecting on our anxieties, dreams, and the tender nuances that make us human.

Arliston has created not just an EP, but an empathetic echo chamber for those seeking solace and connection; a haunted and beautiful refuge sympathetic to our shared vulnerabilities. As we are led deeper into the labyrinth of ‘How in Heaven’, Arliston generously lights the way, showing us we are not alone in the dark. This atmospheric, London-born gem is but a primer to their ambitious musical journey – a duo we should watch with eyes trained skyward for where they’ll guide us next.

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Crispen Launches Banging Party Song “Happiness” Under Sky Entertainment

Crispen Launches Banging Party Song “Happiness” Under Sky Entertainment
Crispen Launches Banging Party Song “Happiness” Under Sky Entertainment

Sky Entertainment GH proudly introduces Crispen, an exceptional Afrobeat artiste, set to ignite the music scene with his highly anticipated single, “Happiness.” Produced by the dynamic duo of Kuami Eugene and MOGBeatz, this track promises to be a game-changer, captivating audiences with its infectious rhythms and captivating lyrics.

Crispen, a rising star under the Sky Entertainment GH label, has been making waves in the Ghanaian music industry. Known for his distinctive vocal prowess and electrifying performances, Crispen seamlessly combines his Afrobeat roots with contemporary influences, crafting a sound that is uniquely his own.

“Happiness,” his latest offering, showcases Crispen’s unparalleled artistry and his ability to create music that resonates with listeners on a deep and emotional level. Produced by the renowned hitmakers Kuami Eugene and MOGBeatz, the single boasts a captivating fusion of infectious beats, enchanting melodies, and thought-provoking lyrics. The collaboration between Crispen and these acclaimed producers promises to deliver an unforgettable musical experience.

Commenting on the upcoming release, Crispen expressed his enthusiasm, saying, “I’m incredibly excited to share ‘Happiness’ with the world. It’s a song that reflects my journey and the joy I feel in pursuing my passion. Working with Kuami Eugene and MOGBeatz has been an absolute privilege, and I believe our combined efforts have resulted in something truly special. I can’t wait for my fans and music lovers to hear it.”

“Happiness” is available for streaming and download on all major digital platforms, including Spotify, Apple Music, and YouTube. The single will be accompanied by a visually stunning video, further enhancing the immersive experience of the song. Listen here