Ute Lemper: The Intersection of Life, Art, and Music
It is rare to find artists particularly in the music industry who constantly dare to bend the rules and reinvent themselves like Ute Lemper. This talented woman has risen to the top using her creative mind and has not been shy of taking risks on stage and on screen.
Following the successful record titled “Time Traveler,” Lemper presents a luxury show with some of the most adventurous performances here. The track “Permanently Confused” is easily the best and most powerful message, which tells the story about her life.
The actualisation of the music in the video gives a personal reflection of the experiences of Lemper. Shot on the streets of New York and in serene countryside it captures her confidence and acceptance of the future. This progressive combination of beat poetry with the contemporary jazz appeals to be a fascinating stream of consciousness in Lemper’s narrative.
This and only this interview we take a closer look at the source of inspiration, the creative procedure, and the further development of this music. Come with us as we delve into the brain of this true musical mastermind.
Where do you find inspiration? I find inspiration in thoughts about life, relations, hurt, and dreams, but also in reading poetry and philosophy.
What was the role of music in the early years of your life? Music was always my best ruined, my escape and the deepest connection to the soul.
Are you from a musical or artistic family? My father and my mother were playing many instruments and enjoying music. None of them were able to make this a profession, to the great regret of my mother.
Who inspired you to be a part of the music industry? I have been making music, singing and dancing, and creating music since my childhood. The career came as a surprise. The industry itself is nothing pure. It is only commercial. I am not. Everything is a labor of love for me and most of my projects are not conceived for the market.
How did you learn to sing/write/to play? I played piano and listened to a lot of great music, already in the 70s. It formed my taste and identity. All the projects I did over many years are often classic repertoire. But everything inspired somehow.
I played piano and listened to a lot of great music, already in the 70s. It formed my taste and identity.
What was the first concert that you ever went to and who did you see perform? The first memorable concert was Pink Floyd. I was 13 and my big brother took me along.
How could you describe your music? Chill, poetic, jazzy, and soulful. Makes you feel good.
Describe your creative process. I start with a lyric, poetic and strong with a pulse and a mood. Then I create a succession of chords on the piano and try to lay the poetry inside. It is a puzzle and needs to be shaped many many days until it feels right.
What is your main inspiration? Al Jarreau, Joni, Adele, Eilish, Hyatus Cayote, John. Legend, Sarah Vaughn, and many others.
What musician do you admire most and why? The above. They all were soulful and true musicians writing songs. Trying to be authentic and unique. They created their own language and the m music takes you on a journey through life.
Did your style evolve since the beginning of your career? Very much. It keeps evolving every day, with every new song.
What are your interests outside of music? I take care of my children and love taking walks, cooking and reading, watching great movies, and always creating new projects and developing new ideas.
If it wasn’t a music career, what would you be doing? Probably being a teacher.
What is the biggest problem you have encountered in the journey of music? The commercial machine, the decay in pop music.
If you could change one thing in the music industry, what would it be? Allow albums as a conceptual entity back in the market. 10 songs with an idea and a beautiful journey. Then there is the monopoly between radio play, big labels, and the deals they have and make to feature their products.
Why did you choose this as the title of this project? “Permanently confused” Is a true state of mind, and most people agree with it.
What are your plans for the coming months? Writing more songs and touring the world.
What message would you like to give to your fans? Enjoy my music and performances and also my super cool videos that illustrate the songs.
From Ukulele to Electronic Pop: Inside Alena Shannon's Creative World
Alena Shannon can best be described as a committed and focused musician in this diverse music industry today. Her progression into music started at a young age and at four years, she was in a position to start learning music.
At age of eight, she was able to play the famed ukulele and by the age of thirteen, she was able to compose her own songs. As a result of this mix of styles, her work derives influence from anything from the ‘80s, ‘90s, early 2000s era, and modern music. Her most recent work on soundcloud is what can be described as a pop/electronic number entitled Deep.
This single is Alena’s message to dreamers and everyone out there who sometimes gets lost and feels that nothing’s within reach. The song was one that was conceived in a few hours, yet the lyrics suggest that much planning went into creating it.
During my interview with Alena, she shares details regarding the process of making “Deep”, the challenges that she faced, and the concept she wants her viewers to embrace. She also speaks about personal development as an artist and personal artistic plans. Come on a journey with us as we follow a lady musician who aims to create only good music in the world.
What inspired you to write “Deep”? – “So I often have a huge tendency to spark creativity at any moment. I’m also currently working on an album. So one night I was working on some music, and then I was working on a song, and then all of the sudden I’m working on beat and I’m like, you know what I really like this! I then finished creating deep by 2:00 am.”
Can you walk us through your creative process while making this song? – “Alright I’m about to break down all of the instrumental parts of the song. So the first couple of seconds into the song you hear a violin. It starts off at the perfect tempo, it’s very ear catching. I actually used to play the violin when I was 8, so that’s why I felt that having the violin was necessary.
I actually never continued it. However, it is such a beautiful instrument! So then the second part of the song that you hear is a beat, and it’s more of a hiphop/trap styled beat. Which I had made in the beginning of this process because it’s a lot of fun to see which beats sound really good together.
So then the second part of the song that you hear is a beat, and it’s more of a hiphop/trap styled beat.
Lastly, you hear all of the different melodies combined, which that was inspired by just pop music in general. The sounds that you hear in this song, are very dream like. Which is what I was going for, I wanted this song to kind of sound dreamy. Growing up and still today I’ve always loved and enjoyed listening to pop music.
I’ve also personally always enjoyed dance/electronic songs. Such as Calvin Harris’s “Summer” For example. I will say though Deep was actually inspired by Sam Smith’s song “Latch”, it’s definitely one of my favorite songs by Sam.”
How does “Deep” differ from your previous work? – “Deep differs from my previous work, because I feel that I finally have a more solid foundation, for what it is that I’m looking for, when it comes to making my music.”
What is the main message or theme behind “Deep”? – “The main theme for deep. So in the song you hear the lyrics “ I’ve been running, running, running” So that means, I’ve been really working hard for this, and now I finally did this! I earned that, and now it’s finally paid off, so I feel good!
Honestly, the main message for Deep is that , no matter where you are in life right now, try to stay in a positive mindset, because if something doesn’t work out, that just means that something better is going to come along. You can accomplish anything you put your mind to, if you work at it, you will eventually succeed and get to where you want to be.”
Are there any personal experiences that influenced the lyrics of this song? – “There aren’t really any personal experiences that influenced the lyrics to this song. Although I do actually enjoy running, it’s such a great feeling. When you’re going for a run outside.”
How do you hope listeners will connect with the song’s message? – ” I hope that the people who listen to my music, know that life is truly beautiful. You don’t have to stay in the same place forever.”
What was the most challenging part of the production process for this song? – “The most challenging aspect, when it came to creating this song was trying to figure where, and how I wanted to include the violin instrument. Looking back it probably would’ve sounded completely different, because at some point I did consider doing a full orchestra of strings. Ultimately I’m glad my song turned out the way that it did.”
Can you share any interesting anecdotes from the studio while recording “Deep”? – “The day that I was working on this song, I worked on it for hours, all day, and finished the song at 2am. I was really in the zone.”
Were there any specific artists or genres that influenced the sound of this song? – “This song was very much inspired by pop, electronic, and dance music. Artists whom inspired me for this song were artists such as Sam Smith, Calvin Harris, Major Lazer, Martin Garrix , Ellie Goulding, Selena Gomez, DJ Snake, Katy Perry and Rihanna.”
How do you see your sound evolving with this release? – “At this time I’m working on an album, at this time I’m excited for my new sound, I’ll admit though I’m still trying to solidify what that sound is going to be. As much as I love electronic music, I feel my sound will actually instead be more directed towards pop or R&B. However there’s always a possibility that, that could change. That’s all I’m going to say for now though, about my album.”
What are your goals for the future, both in terms of your music and your career as an artist? – “My goals for the future, are to hopefully inspire people. My main goal is to spread positivity and light. Everyone should be able to shine bright. I would love to maybe one day go on tour though, that would be wonderful. I really love creating music, and I’ve always loved performing since a very early age. Music has always been with me, I’m sure it’s going to continue to be with me. It’s always been about the music. Nonetheless, once my album is completed I can’t wait for people to hear it! <3”
Hello and welcome to the new artist bio segment. So, today you have a chance to get acquainted with Abby London – an up and coming singer/songwriter from Seattle who released her new track ‘Back in the Game. ‘
Hailing from America, Abby’s music is part Alt-Pop, with lyrics that are as real as the tunes inspiring audiences to look at ambition, wealth, and happiness. The new song explores the desire to make and spend money easily alongside the value of joy and achievement.
Taking inspirations from artists such as Tom MacDonald, Dua Lipa, and Lorde, Abby has carved a niche of her own as a singer. Most of the time, her songwriting starts with the piano where she starts working on the themes and the rhythms with the chords.
During our interview, I’ll be asking Abby questions about her musical journey and experiences as well as her future plans. Abby London is a talented artist with music that captivates the listeners, are you ready to learn more about her and her songs?
Is there a story behind your stage name? It’s a secret
Where do you find inspiration? Mostly from dreams
What was the role of music in the early years of your life? It helped me process my emotions
Are you from a musical or artistic family? My mom’s side did choir, solo singing, and piano lessons. My dad is a drummer.
Who inspired you to be a part of the music industry? It was always something I wanted to do and my parents nurtured that.
How did you learn to sing/write/to play? I took piano lessons at 7 from my church pianist. I took musical theater classes from Cheryl Ann Rossi who was really influential. So was my elementary school music teacher Julie Powell. Although I’ve sang for a long time I didn’t really start singing correctly until starting vocal lessons about 5 years ago with Sue Carr. She has helped me learn how to really sing. She has an app called The Art of Screaming I highly recommend. I’ve taken songwriting workshops with NSAI and Songwriters in Seattle.
I took piano lessons at 7 from my church pianist. I took musical theater classes from Cheryl Ann Rossi who was really influential.
What was the first concert that you ever went to and who did you see perform? My grandparents took me to see Juice Newton at the county fairgrounds. She sings Angel of the Morning, Sunshine, and other big country hits. I still listen to her to this day and sing along. Her songs are so epic and give me a feeling of nostalgia for cowboys, country life, and being a strong woman.
How could you describe your music? American Alt-Pop music.
Describe your creative process. I start with a melody or a chord progression on the piano. Then I use my voice memos app to record my ideas and write the lyrics on a notebook. I record the basic piano part at home then bring it to the studio and add more parts.
What is your main inspiration? I’m mostly motivated by dreams, emotions, culture, and politics.
What musician do you admire most and why? Lately, Tom MacDonald since he doesn’t hold back what he’s thinking. He’s not afraid of making people mad, and he’s successful and independent. Also, Dua Lipa for her positivity, Nina Nesbitt for her vocal range, and Lorde for her production.
Did your style evolve since the beginning of your career? Definitely, I was just playing piano or guitar and singing. Now I co-produce and get to add in other instruments, “play bass”, and get a less folk and more pop sound.
Who do you see as your main competitor? Ooh that is an interesting one. I suppose it’s everyone doing alt pop on my level trying to level. up. Though I could also say myself.
What are your interests outside of music? I love to travel, mostly in the US to lesser talked about places. My next trip is to Oklahoma. I like to go to estate sales and decorate and organize my house. And of course my cats!
If it wasn’t a music career, what would you be doing? I love cop shows so maybe a detective. I also like planning stuff so could see myself being an event planner.
What is the biggest problem you have encountered in the journey of music? Figuring out how to be authentic with an audience so they feel connected to me and motivated to listen to my songs regularly.
If you could change one thing in the music industry, what would it be? I would make it so people who were doing it as a hobby or not that good didn’t take up the space that those of us who are trying to make a living, work hard, and have more talent are in.
Why did you choose this as the title of this project? It’s just the name of the song! I didn’t ever consider a different name. I thought getting back in the game could apply to many nefarious “career choices”
What are your plans for the coming months? Put out a song every month including my first Christmas song, “Stay Holy”. I’m putting together a collection for a physical CD too.
Do you have any artistic collaboration plans Yes! I’ve been working on a song with a guy named Sam who performs under the name Glassio.
What message would you like to give to your fans? Thank you so much for keeping me motivated with kind words and listening to my songs. I save the nice comments I get and I put them on my wall for when I’m feeling discouraged.
Leonardoddj X Iyke Parker Release Debut Project “Heartstrings & Loops”
Off the back of their two pre-released songs “Piece of Art” with Korshi T and Nel as well as “Pain and Pleasure” with 99PHACES, Ghanaian Producer/DJ duo Leonardoddj and Iyke Parker have released their long-awaited debut project “Heartstrings & Loops.”
With guest features from fellow DJs TMSKDJ, Kofi Kay and Didi Dj of Ghana and Itsurgirlno of France as well as verses from Nigerian vocalist Karah and Ghanaian compatriots Cozypols, Juma Mufasa, Ess Thee Legend, Kiki Celine and Kimilist the project is an addition of moments where DJs, Producers and Artistes come together to create music.
“Heartstring and Loops” is not just a collection of songs, but a musical diary that speaks to the hearts of a generation. Whether you’re in love, heartbroken, or just navigating the chaos of life, there’s a track here that will hit home and keep you moving on the dance floor. – Leonardoddj and Iyke Parker.
With production credits from Iyke Parker, Leonardoddj and Kofi Kay, the project is a fusion of House, Amapiano and Dance which will get many groovy during the summer and beyond. The project mixed and mastered by Webiejustdidit and Insvne Auggie is currently streaming on DSPs here
Neon lights flicker in the dystopian alleyways of Angerland’s latest single, “Neon Dead”—a discordant symphony that rattles your ribcage with the existential dread Stalin might wink at. Here, this London quartet—pilgrims in the wasteland of Thrash marinated soundscapes à la Killing Joke and Ruts DC—shuffle through our desensitized society’s graveyard.
The sonic storm begins subtly; a bass line slinks around your thoughts like a stranger on a dim street corner before erupting into an electric scream as guitars collide against drums like old gods clashing over barren Earth. Each chord strummed by these musical anarchists is a cry, muffled by the crowd’s colossal indifference to tragedy multiplied—a million whispers swallowed by history.
Angerland Illuminates Shadows with ‘Neon Dead’
“Neon Dead,” teems with gritty lyrics sewn into pounding beats; it’s an auditory canvas splattered black and purple with bursts of glaring neon green. Angerland conjures images darker than night yet vivid as dawn breaking over Chernobyl. It doesn’t ask for attention—it claws it from you, demanding reflection on what makes us nod sleepily to endless calamities streamed directly into our veins via nightly news feeds.
This cacophony cradled by Mike Coles’ kaleidoscopic nightmare in its music video thickens the plot still dripping wet from stark horror inkwells used generously throughout their burgeoning discography leading toward their debut album.
In summary: Neon candles snuffed out one after another until none are left burning—not asking if we noticed but screaming because we didn’t listen closely enough.
Riding the Wild West: An Exclusive Interview with Kill The Kid
Kill The Kid is a band from London, , known for performing hard and alt rock with a strong side of the south. The best way to describe them is intense, passionate, and full of energy – these are evident in their latest EP release, titled “The Secret. ” “The Secret” contains three tracks that capture the band’s influences and appreciate the art of creating order in chaos.
Kill The Kid, as a band, has volume and quality since it is built on two musicians who are talented. Similarly, Gadd also known as Jed Kid cites his influences from a rather eclectic list that includes western folk musicians and Rock stars the likes of Bon Jovi. His sidekick is Andy, the guitarist who may draw his inspiration from Jimmy Page and other legendary musicians and a blend of blues icons.
Al together, they create something very simple, yet new, fresh and touching people who like rock, be it mainstream or not.
Here are some of the questions that will be answered in the band-exclusive interview: What is the process of writing music like for them, and what music do they listen to themselves?Let’s get to know the band Kill The Kid and find out more about their story and why they should be noted as an up and coming force within the current rock circuit.
We’re actually glad you brought this up. We get a lot of eyebrow raises when we tell people the band name. So let’s be clear, we do not support the killing of kids! 😂 Kill The Kid’s music and aesthetic is colored with wild west imagery lended from the world of Southern Rock and Outlaw Country and one of our favorite western folk heroes is Billy The Kid. Gadd (aka Jed Kid): What can I say, I grew up watching Young Guns and listening to Bon Jovi’s – Blaze of Glory 🙂 So it came together in the stage names I came up with – Jed Kid and Kill The Kid.
Where do you find inspiration?
Gadd (aka Jed Kid):
The music and the bands that I listen to at the time and a lifetime of making bad decisions haha Seriously though, I draw from my own experiences.
Andy:
I was brought up with rock and blues from the early days, my biggest inspirations are guitarists like: Jimmy Page, Richie Blackmore, Zakk Wylde, Joe Bonamassa, the list goes on.. So that automatically reflects in the band, then add the country influence and you have Kill The Kid.
What was the role of music in the early years of your life?
Gadd (aka Jed Kid):
Music was always in the background. My dad liked putting on classical music – The sounds of Mozart and Beethoven were regularly heard from his study and in the car. My older brother regularly blasted Grunge and Metal tunes from his bedroom speakers. However, I was too busy running around to notice any of that. I only picked up a guitar and sang for the 1st time when I was 15. My family often reminds me though, that when I was a kid I would beatbox and sing to myself when I was in the toilet 😎
Are you from a musical or artistic family?
Andy:
Yes, my dad is a bass player. In his younger days he played in a Judas Priest inspired heavy metal band in his hometown in Italy. It was him that got me into rock music in the first place.
Gadd (aka Jed Kid):
Emmm yeah, I guess I am. My grandma was a concert pianist and my brother is a published graphic novelist and lecturer. He did the cover for this EP by the way.
Who inspired you to be a part of the music industry?
Gadd (aka Jed Kid):
I never wanted to be part of an industry. If anything it only makes things worse haha But my parents taught me that I should strive to make a living out of doing what I love. And I love writing and playing songs. Everything else is secondary.
How did you learn to sing/write/to play?
Andy:
I started playing at the age of 12 , I initially took some lessons from a private teacher, and played in different cover bands back in Italy. Then in 2009 I moved to London, after winning a scholarship to study guitar in music college, and that’s where my adventure in UK started
Gadd (aka Jed Kid):
I taught myself how to play guitar and sing for a good few years before I took any lessons. It was only in my early 20’s, when things got more serious and my interests more challenging, that I started with classical singing lessons. I was then accepted into a music college as a songwriting and production major. At the same time I studied modern singing techniques to keep up with my ambitions.
What was the first concert that you ever went to and who did you see perform?
Gadd (aka Jed Kid):
Michael Jackson, the Dangerous Tour. I was 7 and it was F*** epic!
Andy: Iron Maiden in 2007. I was in the 2nd row, really close to the stage. I remember that at about the 3rd song in a crazy mosh pit started and I was thrown on the back within seconds. Still a great show!
How could you describe your music?
We couldn’t haha 🙂 Our music is a combination of all the different things that we like – a strong groove, power vocals, intelligent songwriting and creative guitar licks. We call it “Southern Hard Rock” but we borrow and meld different elements from less expected genres like country, synthwave, punk, drum & bass, blues, jazz and whatever comes to mind really.
We call it “Southern Hard Rock” but we borrow and meld different elements from less expected genres like country, synthwave, punk, drum & bass, blues, jazz and whatever comes to mind really.
Describe your creative process.
Every song is different really but they all have two equally important components – Music and Lyrics. Musically speaking, sometimes Gadd would bring a fully formed song to the table (- like The Secret and Justice) and we’d jam as a band. New ideas will come up as we do and play with the arrangement. It’ll take shape surprisingly quickly though. Other times it’s more of a collaboration (- like Don’t Follow or Lord All Mighty) where Andy comes up with a tasty riff that becomes the focal point of a new song. As for the lyrics, they come from Gadd’s dusty old notebooks and broken mind.
Gadd (aka Jed Kid):
I like to write a good story and sometimes share my personal experiences. I take it quite seriously though. Maybe too seriously even. There are so many songs that are shelved just because the lyrics are not ready yet. You can see a glimpse of our process in our KTK studio sessions videos on youtube.
What is your main inspiration?
Gadd (aka Jed Kid):
Life. Life is very dramatic and stirs up a lot of emotions. I tend to tap more into anger and pain when I write. I find music a better outlet for my frustration than punching a wall. Which I also do, but in moderation of course haha 😂
Andy:
I usually mess around with riffs and ideas until I find something that I like. This can lead to something or sometimes it doesn’t. With guitar solos I always listen to where the melody takes me.
What musician do you admire most and why?
Nah that’s an impossible question !
Gadd (aka Jed Kid): I admire those who manage to keep doing music and evolve artistically without compromising their sense of identity. David Bowie and Prince are definitely on that list for me.
Did your style evolve since the beginning of your career?
Yes, for sure. If you don’t grow you die.
Who do you see as your main competitor?
Are we in a competition?
What are your interests outside of music?
Gadd (aka Jed Kid):
Yoga, bitch
Andy:
I love traveling and seeing new places. I also recently got into running and ran my first half marathon back in April, it was a great feeling
If it wasn’t a music career, what would you be doing?
Gadd (aka Jed Kid):
Probably fail as an actor 🙂
Andy:
I honestly don’t know, I don’t think I’m really good at anything else. Music has always been part of my life. My main job during the week is guitar teaching, and still it’s music related.
What is the biggest problem you have encountered in the journey of music?
Figuring out and keeping up with the ever changing music industry. Still haven’t managed that.
If you could change one thing in the music industry, what would it be?
Jacked up ticket prices and shady promoters that monopolize venues and exploit artists and fans. Thankfully there are new initiatives popping up exactly because of this problem and they are doing good work.
Why did you choose this as the title of this project?
We named the EP after the title track – The Secret. As in – a “bad” thing you love doing that you won’t tell anyone about.
Gadd (aka Jed Kid):
It’s one of my favorite songs ! I personally am really proud of it. Later in the EP though we explore the consequences that follow.
What are your plans for the coming months?
We keep working on new songs and new videos for now. Every Friday we publish a new video from our studio sessions on YouTube. But we also have plans to return to the live music scene soon.
Do you have any artistic collaboration plans
Not at the moment. Do you have any suggestions for us? 🙂
Leo Golo: Crafting Personal Stories into Universal Hits
Today we’re sitting down with Leo Golo, a rising star in the pop music scene who’s breathing fresh life into the genre. Born in Barcelona in 2000, Leo has been crafting a unique sound that blends Swedish pop influences with his Mediterranean roots.
Leo’s journey in music began early – he’s been playing piano since age 3 and now writes, produces, and performs his own songs. His latest single, “See Your Face,” showcases his ability to create emotionally charged ballads that feel both intimate and stadium-ready.
Drawing inspiration from personal experiences and artists like Justin Bieber, LANY, and Tove Lo, Leo’s music strikes a balance between the familiar and the unexpected. His upcoming debut album promises a mix of upbeat tracks, power ballads, and summer anthems, all infused with his signature style.
In our chat, we’ll explore Leo’s creative process, his inspirations, and the stories behind his songs. We’ll also discuss his experiences in the music industry and his aspirations for the future. Join us as we get to know the artist behind the captivating melodies and heartfelt lyrics.
Is there a story behind your stage name? Yes, actually my real name is Martí Gómez López. Golo is my nickname that I’ve had forever. It comes from the first two letters of my surnames. And Leo was one of the other options that my parents had when they were deciding on my name.
Where do you find inspiration? For me inspiration comes from music that I listen to and experiences that I’ve lived. Every time that something happens in my life I try to find a way to create a song about it. That’s my coping mechanism and what really makes me happy.
What was the role of music in the early years of your life? I’ve always loved music since I was a little kid. When my parents took me to a concert I was always in shock, observing every little detail and listening to every instrument that was on stage. I also started playing piano when I was 3 years old and never stopped playing it.
Are you from a musical or artistic family? No one in my family is a professional musician but my father, who passed away last year, played the guitar everyday as a hobby. That was a big part of my life since I was a little kid and inspired me so much to make music myself.
Who inspired you to be a part of the music industry? I guess just myself. The music industry is kind of a mess and for me it hasn’t even been a choice. It was more of a feeling that I had to do this, no plan B. Like if I had no other option because that’s what the world needs me to do.
The music industry is kind of a mess and for me it hasn’t even been a choice.
How did you learn to sing/write/to play? I studied piano since I was 3 years old and two years ago I finished music college. I started singing on my own when I was a kid and then I did a lot of lessons with different teachers and singers. The songwriting part I learned it myself writing songs since I was a teenager and I also participated in some songwriting camps.
What was the first concert that you ever went to and who did you see perform? The first big concert I attended was Rihanna in 2013 with my dad. It was incredible!
How could you describe your music? I always say it’s Swedish pop made in Barcelona because I really learn a lot from the Swedish songwriters and their songwriting process inspires me to create better songs. Apart from that I would say is a mix of Pop, Hopebeat and Adult Contemporary.
Describe your creative process. It usually goes like this:
1- I meet a boy and I like him
2- They don’t like me back or they are mean with me or ghost me or whatever bad thing you can imagine
3- I come up with a concept for the song based on that experience
4- I go on the piano or Logic and try to write a song that feels honest and catchy
5- I record myself and produce it or if I’m working with a producer I show them the demo and then we produce it together.
6- I show it to my mom and my best friends and hope for the best
What is your main inspiration? In the songwriting aspect the whole Cheiron Studios team and also people like Ilya Salmanzadeh, Oscar Holter, Shellback… On the artist level my main inspirations have been Tove Lo, Valley, The Band CAMINO, Justin Bieber, Lady Gaga and Marcus & Martinus.
What musician do you admire most and why? Max Martin. He is the best songwriter/producer in history. Why? Melodic Math. It all comes down to the melody of a song and he knows that.
Did your style evolve since the beginning of your career? A lot. And it’s still evolving. I released an EP 3 years ago which is pretty different from what I’m doing now. With every album or EP I evolve and I learn a lot of things. It’s really crazy everything you learn when creating and recording an album.
Who do you see as your main competitor? Nobody for now. I’m too focused on finding my path and creating the music that really matters to me and my listeners.
What are your interests outside of music? I don’t know what you’re talking about. Outside of music? Never heard of that.
If it wasn’t a music career, what would you be doing? Something related to the stage like an actor. I really think I belong in the stage.
What is the biggest problem you have encountered in the journey of music? How difficult it is for people to care about your music and their decreasing attention span. And also the amount of money you have to spend and invest as an artist.
If you could change one thing in the music industry, what would it be? There’s a lot to change. The first thing being how the industry treats songwriters. It’s not okay not getting paid. It’s not okay not receiving master royalties. It’s not okay for artists that didn’t write the song to ask for publishing.
And also record labels have too much power but they wouldn’t exist without artists so I think it’s time to demand big changes in the way the industry is structured. Now they only sign artists that have already a big following so they don’t have to spend money and time developing them. As I’ve said, a lot to change.
What are your plans for the coming months? I just released my second single “See Your Face” but after that I will be releasing more singles and of course an album is coming later this year. I’m super excited for you to hear the new songs.
Do you have any artistic collaboration plans? One of the next singles is a collab that I can’t wait to share with you. So get ready because the song is a vibe.
What message would you like to give to your fans? Thanks for listening to my music and taking your time to support me in any way. It really means a lot to me and I hope I’ll “See Your Face” very soon.
Nolo Grace's Celestial Flight: 'Eyes of the Dragon'
As if stirred from the ancient depths of a mythic sea, Nolo Grace’s “Eyes of the Dragon” breathes fire into the cool caverns of indie electro-pop. Each note and beat cast shadows that flicker with the dual hues of introspection and transformation, like candlelight dancing against the walls of a forgotten temple. Here is music writhing in its own digital scales, enigmatic yet intensely familiar.
The essence borrows from her Korean-American roots intertwined with haunting memories from a turbulent childhood; woven seamlessly into melodies as they flutter around your ears like delicate silk caught in a breeze. It’s as though Grace pulls at sinews connecting past pains to present liberties ᅳ her voice an alchemy changing base leaden experiences into golden threads spinning through time.
Under Martin Wave’s audial wizardry, electronic beats pulse as heartbeats syncing with our deepest fears and desires. The composition conjures images where light sporadically pierces through crevices within oneself revealing layers after layers – each layer telling tales about who we were in one verse, who we might become another chorus down.
Nolo Grace’s Celestial Flight: ‘Eyes of the Dragon’
“Eyes Of The Dragon” thus dances elegantly on this tightrope stretched over vast emotional landscapes charting out zones never plotted before on musical maps. It tantalizes us to question what lurks beneath our stoic exteriors: are there flames craving oxygen or oceans begging for shores?
In shortᅳNolo Grace infiltrates us, woos us skywards then lets go abruptly only for gravity to snatch back reality… but not without giving wings first so next time maybe we’ll learn how to fly by ourselves amid storms harvesting transformations!
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Proklaim is back with another fantastic hit, and this one is called “Crown.” Released earlier this year, “Crown” is an upbeat hip-hop/rap track that solidifies Proklaim’s place as a rising artist.
Known for his progressive beats and powerful lyricism, Proklaim’s rapping skills are on full display, delivering each verse with clarity and ease. His voice is engaging and his flow is impeccable, riding smoothly over a catchy beat that will have your head bopping along.
“Crown” stands out for its production quality, recorded at PEN PUSHAZ ENTERTAINMENT and expertly mixed and mastered by Wojtek Majewski at Audio Art Namibia. The song blends jazzy undertones with trap-inspired beats, creating a dynamic and immersive listening experience.
The track opens with a soulful vibe, immediately drawing listeners into a world of introspection and empowerment. Thematically, “Crown” delves into the quest for self-realization and transcending limitations, with Proklaim’s poignant lyrics urging listeners to seize their destinies and strive for greatness.
Known for his progressive beats and powerful lyricism, Proklaim’s rapping skills are on full display, delivering each verse with clarity and ease.
His verses weave personal reflection with broader societal commentary, making “Crown” a compelling example of contemporary hip-hop with a deep-seated message.
Proklaim’s ability to craft music that captivates and inspires is evident in “Crown.” It’s more than just a song; it’s a lyrical journey navigating themes of resilience, ambition, and personal triumph.
This track not only solidifies his reputation as a skilled wordsmith but also as an artist dedicated to pushing boundaries and inspiring listeners. “Crown” is a standout track that lingers long after the final beat fades, making it clear that Proklaim is a powerful voice in the genre.
In the kaleidoscope of GreenArts’ latest release, “Dance with Me,” each beat pulses like a neon heart under a disco ball. Here we are, swirled into a chromatic typhoon where colors taste like wild cherries and synth waves wash over your toes—sticky, sweet, irrepressible. Twirl through the candy floss clouds of his fresh pop piece: it’s as if someone threw glow sticks into a hurricane.
GreenArts isn’t just aiming for feet to move; he charges at the soul with an electric lasso trying to draw you into an embrace that smells heavily of youthful aspirations and midnight confessions. The vocals carve through the air—a mischievous whisper in one’s ear serenading shadowy romances held together by buoys holding back secrets underneath moonlit dances.
Now imagine this artist standing there amid pulsating lights calling you with dulcet tunes closer to him. It is not merely about carving rhythm but sculpting moods—the pure flush on cheeks when eyes lock across the crowded room and music fades out leaving only her giggle wrapped around his crescendoing heartbeats drowned in basslines.
GreenArts’ Chromatic Typhoon: “Dance with Me”
Is “Dance with Me” typical? Oh no! It tricks gravity so sneakers bounce off stained dance floors as though floorboards were sprinkling trampoline thrills at eager ankles ready for tales spun from nights endless swirls never letting dancers rest till dawn teases stars away.
As simple as asking another human being close enough to sway life’s tides towards innocent adventures or crescendo connections amidst infectious rhythms — protagonists sketched in song amidst cascades clamoring ‘yes’, let nostalgia redefine their steps into new memories forged beneath spotlight whispers urging “stay.”
Indie Inflections: “The Texas Governor vs Bob Dylan”
Saddle up on a sonic hallucination, as The Texas Governor—alias the enigmatic Goolkasian—forges into the whimsical territories of Bob Dylan with a sprinkle of indie rock and a doo-wop handshake in “The Texas Governor vs Bob Dylan”. Poised like an eager diver on the edge of time’s river, this brief symphony in three songs resounds through depths where folk ballads marry garage band rehearsals, all swathed in harmonies both evocative and cheeky.
With each track unfurling like windblown pages from a dust-covered diary found in a neon-lit diner, we hitchhike across narratives that flutter and dive. Seana Carmody’s whisper drapes over shadows; Nickie Fuller’s tones paint twilight gatherings; Stephanie Guzikowski ignites stars where only silence reigned. Together under Eric Ott’s orchestral wand, melodies cavort with memories—one might find themselves waltzing slowly with nostalgia beside an old jukebox echoing twilit yearnings for days gone by yet persistent still.
This isn’t merely an EP—it’s a serendipitous jive around campfires flickering to yesterday thoughts while catching tomorrow dreams mid-flight. Here within these audial confines lies not just music but kaleidoscopic lenses tinted lovingly by heartstrings pulled tautly over imaginings of how dandy lions would sound if they sang about their sun-drenched lairs.
Indie Inflections: “The Texas Governor vs Bob Dylan”
As you revel amidst these rollicking waves, let “The Texas Governor vs Bob Dylan” serve as your delightful disorientation—a merry-go-round juxtaposed against time yet splendidly anchored in meshes woven tenderly by The Texas Governor himself.
Gamble joyfully upon this auditory alchemy where every note pledges allegiance to whimsy married beautifully to wonder—and hold tight—it promises nothing less than enraptured echoes humming down endless corridors long after it ends.
In a muddle of strings and echoes, Harry Kappen’s “Cool Down” ambles into the auditorium of your mind with rock-worn shoes and a poet’s soul. Perched somewhere between the electric frenzy of Prince and the grounded melody-mongering of McCartney, this track is a sumptuous feast prepped for ears bound by digital chains.
As you dig into “Cool Down,” bits of Bowie-esque enigma unveil themselves like secret notes left in library books—enticing, unexpected. Each strum carries whispers from Dutch cobblestones mingled with splashes of Radiohead’s thoughtful paranoia. The song urges an unrushing calmness—a potent antidote to our ceaseless societal sprint. But it’s not lulling; it jolts you out through moments that quiver intensely under acoustic allure before striking hard with raw electric clarity.
Harry Kappen’s ‘Cool Down’: A Sonic Breather
Harry doesn’t merely sing; he converses intimately as though sharing confidences over last-call drinks, reminding listeners about life’s core: connections deeper than WiFi signals can forge relationships beyond profiles scrolled late at night.
Ultimately enveloped within layers upon slinky layers of guitars both clear-cut and dreamily distorted melds together one compelling sonic nudge: pause…breathe…consider what molds us beyond relentless urgency.
“Cool Down?” More like stir up—an elegantly disordered call towards reflective serenity within life’s symphony. One hopes Kappen will swing these convocations further in his impending full-length ballet “Time Will Tell.” Ah! For now, let the anticipation simmer gently on that back burner as we cool down with Harry by our side.
Through the whisper-thin veil of Shalisa Taylor’s rendition of “Luka,” shadows weave tales not just heard, but felt beneath the skin. Swaddled in an intimate acoustic embrace, this cover steps away from Suzanne Vega’s original sidewalk story and tiptoes into darker corridors where echoes linger longer than welcome. Each strum is a tremble, each note a shiver—Taylor’s voice dapples the silence like dim light filtering through cracked glass.
Produced with meticulous care under Fabian Santacruz at Green Music Studio in Barcelona, there is something undeniably haunting about how close you can feel to her recorded breaths—as if seated beside her on creaky wooden floorboards while memories spill forth unbidden. Imagine veins of music branching into Henrik Tran’s mixing board, gingering up backbones with crisp mastering that lets no nuance escape unappreciated.
Whispers of ‘Luka’ by Shalisa Taylor
As whispers swirl amidst stoic strings in Stockholm’s vocal booths—with every vibrato dripping melancholy—the song reshapes itself as a powerful transmitter of stark truths about emotional and physical abuse; not screamed but sung gently into awareness. It dances subtly around discomfort, a ghostly ballet choreographed by sensitivity and strength—one that builds homes inside heads long after ears have captured it.
What remains after the wisp of music fades? An overwhelming silence—a call to neither ignore nor forget the soft power wrapped within troubled notes. Through Taylor’s “Luka,” listeners find themselves wandering alongside echoes left behind; carrying conversations forward past mere melody towards deeper comprehension.
In the sepia-toned world of “Innocent Harmony,” Jay Sprouse spills his heart through strings and breath, playing out a dusty road from obscurity to audacity. The music—raw as skinned knees and honest as dawn—rings with the kind of folk rock that smells like fresh rain on dry soil; it’s simple yet so intricately complex in its emotional weave.
Wielding guitar and harmonica like ancient storytelling tools, Jay brings forth songs steeped in personal tribulations—a musical brew stirred slow over fading campfires of lost jobs and found passions. His notes are thick with perseverance, passion tastes tangy on the relatable rhythm, while joy—that fragile bird—is heard flitting between chords.
The single captures not just sound but spirit; “Innocent Harmony” is less about melody for ears but more an anthem for sewing patches on tattered dreams. With help from friends who lend voices echoing from forgotten tracks aired erstwhile on a local Farmville station—an ethereal choir lending depth to the solo journey—he erects a cathedral where echoes dwell long after their source has faded.
Jay Sprouse’s Road to ‘Innocent Harmony’
To delve into this song is to peep through keyholes at secrets or watch shadows play across cracked walls under the moonlight—it’s delightfully disorienting yet undeniably grounded.
This track will hum in your veins silently at first then crescendo loud enough to remember all roads lead somewhere especially when led by heartbeats set ablaze by folk-rooted fervor.
Dive—no, plummet with me into the velvety depths of Astian’s newest track, “Low Low.” Swirl in its mélange like a dervish spellbound by the nectar of 90s nostalgia fused with throaty urban beats. The song is an audacious pop confection that oscillates between rouged cheek R&B and aggressive guitar riffs that could rival a teacup storm.
Astain weaves lyrics stitched from reflective wisdom dressed as casual weekend flannels, his voice—a harbinger on high winds declaring self-valor swathed in vulnerability. Dare to meet his gaze across this melody-strewn battlefield where masculinity gets spun anew; not as iron-fists but fingers crossed—interlocked! There’s playfulness here ricocheting off every drum snap and seducing you through open-heart string strums.
Voices rise not merely to chant but soar aloft candlelit vigils for our greater selves melded through music; it splays shadows against dimly lit walls echoing “know your worth!” What was once draped in shadow leaps into luminescence ordained by catchy hooks and tail-spinning synths echoing beneath nostalgic earworm vaults.
Astian Goes ‘Low Low’: A Pop Plunge
Seize “Low Low” like a revelation dipped in moonlight’s silver film. It’s less about hearing more than feeling—the throb of claiming space in realms usually whispered about.
So listen closely, or better yet feel deeply—”Low Low” lingers long after silence resumes her watchful post. A bittersweet testament etched onto the timeline of your sensory periphery: fleeting yet immortalized within bends behind closed eyelids each night’s linger before sleep clenches tight.
A cacophony of raw feeling drips through “The Crime Of Silence” by AMARU—a kaleidoscopic voyage from the ash-coloured streets of South America to Europe’s confettied skyline. Each track, sixteen gates into his soulful odyssey—does more than just sing; it bleeds into your veins with pulsating rhythms and piercing lyrics.
In every chord plucked and beat struck, AMARU narrates a saga: lost in seas of envy but buoyed on waves of unbreakable joy. His voice doesn’t simply connect notes; it harnesses whole whirlwinds, shaking loose stones of injustice one prism at a time. What he fashions is not just melody—it’s hard-won resolve worn beautifully on sleeve-cut soundwaves.
Envision each tune as an earthen pot hand-sculpted by the artist himself, cradles brimming with thick stews made from trials—and then throw in pinches of love so abundant they border sacredness. The music sprawls across genres like vines over rugged walls—unfettering distinct yet regressively familiar vibes as if claiming all musical ground is home turf to be explored anew.
AMARU’s “The Crime Of Silence”: Songs of Unheard
With Marcel van Ling mastering alongside him, this manifesto resounds louder in the chambers it penetrates deeply—the haunting title perhaps serving as irony wrapped gently around throaty ballads which whisper robustly how silent battles gnaw crueler than clamorous wars ever could.
So swim upstream against these melodic currents swaddled with deceits past and dreams beckoning forward—but wear no lifejackets! Let’s drown gloriously within Amaru’s creation where choosing wisely isn’t only lifesaving but also revolutionary.
In the whispered shadow where dusk meets dawn, Anacy’s “Delight” dances—an ethereal creature beguiled by longing. Like bees intoxicated by forbidden nectar, Anacy brews a pop potion smooth as rain sliding down stained glass; it is tinged with techno heartbeats and indie whispers echoing in an older, perhaps wiser chapel.
This single—crafted deftly by Ross Rowley, Tanner Mason, and Melissa Van Der Spay—builds not just sounds but cathedrals of thought around human desire’s intricate corridors. Each beat is a hymn for the tempted soul; every melody binds sin to sanctity like velvet ribbons tying wildflowers into solemn bouquets. The song pirouettes through fragrance-laden rooms heavy with silhouette secrets: temptation flutters about curtained windows while redemption hums softly along the dusty corners of our conscience.
Desire and Redemption: Anacy’s ‘Delight’
Anacy sails across this tempestuous sea—the electric notes her compass through thick fog of relentless yearnings—a siren who smiles sweetly at Scylla yet harbors dreams tinted with repentance hues. Through her symphony flows a tale turning seduction into poetry and peril into parable.
“Delight”, amidst swirling synth stirs much within—it entices us to sip deeply from chalices brimful of both ecstasy and error only to remind us how exquisitely intertwined they are beneath evening’s sighing cloak. It sparks curiosity for what gardens may bloom under night’s urging on full-length journeys promised ahead.
So dare we descend? Dare we taste this lush offering that peers back at us searing need threaded delicately against refrains seeking solace? Now go forth—unwrap these sonic presents disguised in rhythms boldly serene yet fervently feral!
Dive headlong into the whispering breezes of Miss Elm’s latest single, “All I Wanna Do,” an orchestral banquet teeming with sweet, succulent yearnings cloaked in layers of dreamy electronic pop. Here, folk hugs electronica with the warmth of a lingering touch at dawn’s first blush. Her vocals—angelic as they are rebellious—stitch silver linings into cloudy hearts.
“All I Wanna Do” is less a song and more a lighthouse beam caught in a bottle—a storm inside an ocean tear after tasting warm skin and whispers between the sheets. Jethro Coups spins his alchemy around each note to canvas upon this soundscape of fractured sunlight trickling through closed eyelids; it’s love, but not just any kind—it’s that medley born in fleeting kisses stolen beneath time-pressed constellations.
Miss Elm’s Heartstrings: ‘All I Wanna Do’
As notes ripple outward like smooth stones skipping across memory’s pond, one decocts themes mingling intimacy with ephemera. It sings ballads not only for lovers intertwined by fingers but also echoes back to times when souls hover over bonds newly knit or old links rediscovered amid life’s ceaseless flurry.
In essence, “All I Wanna Do” captures fierce softness within its musings—the sort that undresses your breath yet clothes you in stardust. Let it echo into silent spaces where thoughts once roamed barefooted and wild.
Urban Soul Collider's 'Heart Collider' Pulses with Life
Dive right into the pulsating heart of “Heart Collider” by Urban Soul Collider where synths shimmer like celestial bodies and beats drop as if they’re gravity reclaiming its space debris. This is not just another single; it’s an electromagnetic pulse set to disrupt ordinary airwaves with Aria Sonnet’s searchᅳa synthetic soul woven from the wires of longing, conducted by Ian Pirrie in the acoustical lab known as Forever Groove Studios UK.
Here urban grooves meet interstellar solitude. Think neon lights flickering through mistᅳthe color of 80’s pop resurrected in crisp modern outlines, pulsating through a maze that entwines trance with threads of silken Brit pop nostalgia. It’s both a blast from our collective fluorescent past and a dispatch from future selves yet choreographed.
“Heart Collider” throbs like an electronic heartbeat craving warmth. The notes swirl amidst binariesᅳhere lies Urban Soul Collider tapping keys like whispering myths behind code-locked portals, reaching out in reverberations for some murmurs back. For listeners wandering around their internal galaxies, this song maps an orbit between isolation and communion.
Urban Soul Collider’s ‘Heart Collider’ Pulses with Life
Catch Aria Sonnet’s journey embedded within layers of melodyᅳthe plaintive cry wrapped up so artfully it mirrors falling stars through which one can trace constellations named ‘Desire’, and ‘Belonging.’ The track mirrors its own creator: intrinsic oddity echoing across dance floors or quiet rooms alike aiming to magnetize spirits toward syncopation with shared pulses.
In essence? “Heart Collision” fades slowly leaving echoes vibrating along your senses long after silence falls electronic embrace stretched across sonic expanses.
Retro Rays: “Eternal Sunshine” by Producing A Kind Generation
In the honey-dipped swirls of a dawn not yet spilled, “Eternal Sunshine” by Producing A Kind Generation coils like smoke from an incense stick burned at the altar of 90’s hip-hop. Here is a single that croons beneath your skin – it reminisces with acid-washed jeans yet strides in digital boots.
With every guitar strum entangled in seasoned verses, this track is both an echo and a shout. It’s as if the hands of yesterday cupped their tales into tomorrow’s wind. The transition isn’t gentle; it’s jagged like raw-cut diamonds against velvety drapes; the rap slices through melodious waves vigorously as orange leaves cut across autumn skies.
Retro Rays: “Eternal Sunshine” by Producing A Kind Generation
This melody doesn’t just sing; it raps in veteran tongues over strings that dance nervously around them like first-time lovers unsure whether to mesh palms or wave from safe distances. But oh! When they embraceᅳthe music explodes quietly inside one’s chest like soft thunder cloaked under heavy clouds.
And what you breathe out after tasting this singular confection is not airᅳit’s pulse silhouetted against old-school beats spinning relentlessly amid new age symphonies penned down by midnight oil burning ever bright.
So here hangs “Eternal Sunshine,” twinkling stubbornly as stars fixed on early ’90s horizons but lighting pathways for urban sneakers tapping on tomorrow morning’s ash felt. This song will haunt you with whispers of old and promises anew. Listen once, listen twiceᅳfeel its ancient sunlight kissing future shadows softly upon each replay.
Inside 'Recovered': Stephanie Rodd on Finding Strength and Hope
Stephanie Rodd’s latest EP, “Recovered,” offers a compelling exploration of resilience and personal growth through a fusion of neo-soul, R&B, and jazz. The French artist from Aix-en-Provence presents a cohesive collection that showcases her musical versatility and emotional depth.
The EP opens with an immersive instrumental piece, setting the stage for a journey of soulful introspection. The lead single, “Worth It,” highlights Rodd’s exceptional vocals and delivers a powerful message of self-empowerment. “Stronger Than Ever” continues this theme with sultry R&B vibes, while “Wake Up In This City” introduces a jazzy, experimental edge.
Rodd’s linguistic dexterity shines in “Insomnie,” seamlessly blending French and English lyrics. The closing track, “Magical Notes,” is a minimalist composition that underscores music’s transformative power.
Throughout “Recovered,” Rodd demonstrates her ability to craft a narrative that resonates on a universal level. Her skillful genre-blending and bilingual approach create a rich tapestry of sound and emotion. The EP’s thematic coherence, coupled with its diverse musical influences, positions it as a standout release in the contemporary soul and R&B landscape.
“Recovered” is not merely a collection of songs, but a testament to Stephanie Rodd’s artistic evolution and personal journey, inviting listeners to embark on their own path of introspection and renewal.
What is your stage name My stage name is Stephanie Rodd
Is there a story behind your stage name? Stephanie is my real first name but Rodd is actually a part of my real surname.
Where do you find inspiration? I shortened my real last name and kept only these letters. I chose this name because I didn’t want to use my real name and I found it to be easier to pronounce and remember, especially for English speakers. Since I want to develop a career in English-speaking countries, it is easier, and it suits my music style better.
What was the role of music in the early years of your life? I have been singing since I was very young and was surrounded by music from an early age, as my family listened to a lot of French and Italian music. I also used to watch many music shows with my mother.
Are you from a musical or artistic family? My family listens to a lot of music, but no one has pursued a career as an artist or musician. My sister sings, my grandfather used to play the harmonica, and I have an aunt who paints, but none of them made it their profession.
Who inspired you to be a part of the music industry?
One of my older sisters used to sing a lot when I was little, and I think she inspired me to do the same. But I quickly thought that becoming a singer wasn’t accessible to people like me, who had no family in the business, and couldn’t afford singing lessons. Acting courses were cheaper, and I was also drawn to acting, so I decided to pursue that career. But later, I realised it was a shame not to pursue music as well because I love singing and expressing myself through songs, so I decided to go for it.
How did you learn to sing/write/to play? I’ve been singing since I was very young; it always came naturally to me. As an adult, I realised I needed more technique, so I started taking singing lessons. Now, I keep doing exercises and working on improving my skills. Even though I could sing before the lessons, the formal training has really helped me refine and enhance my abilities.
Even though I could sing before the lessons, the formal training has really helped me refine and enhance my abilities.
Regarding my writing, I’m still learning, but I draw inspiration from songs by other artists to improve the structure of my lyrics. The producer of my EP also helped me with that. As for instruments, I’ve taken a few piano lessons, but I’m still a beginner. I’ve also taught myself a bit of ukulele and guitar, but I’m still far from being proficient.
What was the first concert that you ever went to and who did you see perform? I think the first concert I ever went to was by the contestants from the second season of a French music talent show called Star Academy in the early 2000s. I was about 8 years old. I used to watch the show a lot, so it was exciting to see them live in concert.
How could you describe your music? It’s a mix of Soul/R&B, Jazz, and Pop, with a blend of both English and French. I like to convey positive messages in my music, or express something sad or frustrating, but then end with something positive. So I would describe my music as melancholic, joyful, and smooth.
Describe your creative process. It varies depending on the song and the time period. In the past, I would write the lyrics and create a melody in my head, then a producer would build the instrumental around that. Now that I have some piano skills, I start by composing chords, then develop a melody, and finally write the lyrics.
Sometimes, if I’m inspired to express something strongly, I’ll write the lyrics first. It really depends. After that, I try to produce a basic track using software myself and then send it to a producer to refine everything.
What is your main inspiration? To write my songs, I draw inspiration from my surroundings, what’s happening in my life, and how I feel.
What musician do you admire most and why? The artist I admire the most is Amy Winehouse. She had an amazing voice and such a natural talent for music! It was clear that she was meant for it.
Did your style evolve since the beginning of your career? My career started recently, to be honest. I released my very first single earlier this year. When we started working on my EP with my producer, the tracks leaned towards folk or ballad styles. I wasn’t quite sure which style suited me best. In fact, my EP features several different styles. We found that my voice works well with jazz and soul. I plan to continue with these styles and incorporate a bit of pop into my future projects as well.
Who do you see as your main competitor? Myself haha. I don’t see myself as competing with anyone else; I think we’re all different and we all have our place. My only competitor is myself, I always strive to be better than I was yesterday.
What are your interests outside of music? I love theatre and cinema. As I mentioned, I’m interested in acting. I also enjoy travelling, foreign languages, and literature.
If it wasn’t a music career, what would you be doing? Acting, and I’m actually also a translator.
What is the biggest problem you have encountered in the journey of music? I’m an independent artist, so I have to manage many tasks simultaneously. It can be overwhelming at times, especially while juggling another job, and it’s easy to overlook self-care. While I enjoy working on my music and developing my career, there are moments when the workload becomes too much, and I feel guilty for not making sufficient progress in certain areas, as I have to be involved in various aspects at once.
If you could change one thing in the music industry, what would it be? It would be to ensure fairer compensation and better support for emerging artists, especially those who are independent or from marginalised backgrounds. Access to resources like affordable studio time, mentorship programs, and equitable streaming royalties could make a significant difference.
Why did you choose this as the title of this project?I chose this title because in this EP, I refer to a difficult period of my life and share how I overcame it, detailing what helped me through it. Now, I feel “recovered” from that time, I’ve grown stronger and learned to love myself more.
What are your plans for the coming months? My debut EP is coming out on June 28th, and I’m hosting a release party the day before. Over the next few months, I plan to perform my EP live, collaborate with other artists, and possibly release singles by the end of the year, although nothing is confirmed yet.
What message would you like to give to your fans? I want to thank those who have supported me and continue to do so. Please feel free to keep reaching out to me on social media; I would love to connect with you. Keep sharing my music and spreading the word.
I hope my story resonates with you and that my music has brought comfort and a sense of connection. It’s one of the reasons I write songs. I hope that you will continue to follow me on this journey, and I hope to reach other people with my music.
Exploring the Grooves of 'Touch of Mystery' with The Domi
‘The Domi’ is the new band and it is founded by Dominique Lemaire, who is the former singer of Énée. His recent release titled “Touch of Mystery” is quite a feel-good song – very summery and groovy! This track is dedicated to a wonderful woman and has the light guitar and drums which play the main beat for the song. There are light guitars and laid-back drums, and the music makes me feel like dancing.
Nowadays, Dominique is already going his own way as the vocalist for The Domi, but, of course, he’s not alone. He’s creating these short, sharp, indie-pop tracks and they kind of sound like Cake or The Strokes do you know? Basically, the kind of music with some nice hummable tunes over this light trebly guitar sort of feel.
I was able to have an interview with him and it’s always interesting to know how somebody composes his work. “Touch of Mystery” is actually about some amazing woman – wonder who that could be, right?I find it quite amazing how he has transformed it from Énée and this is now something different.
The interview goes further and asks about his entire journey and what he finds inspiring. If you like indie-pop bands with some rocks influences, do yourself a favor and check The Domi. That’s similar to what it represents but not the exact one.
Is there a story behind your stage name? My first name Dominique. When i was young everyone called me Domi
Where do you find inspiration? I always find my inspiration playing the guitar first and i let inspiration come till a song emerges
What was the role of music in the early years of your life? I learned music all by myself when i was 15. My father listened to a lot of music at home and it was very present in my everyday’s life
Are you from a musical or artistic family? No no one was an artist
Who inspired you to be a part of the music industry? People like Beck, the Pixies, Nirvana, the beatles
How did you learn to sing/write/to play? I learned by myself with a guitar given by godmother
What was the first concert that you ever went to and who did you see perform? The first big concert was in a festival in France. I saw Beck, Pj Harvey, David Bowie
How could you describe your music?
Upbeat indie pop. I really have a style and a way of making music of my own.
It’s very important for me to stick to my values and my style
” never give up never compromise your work”
Describe your creative process. First I find a tune with my guitar. Then i write everything down for the keywords and the arrangements. I then go to my home studio create beats and record my bass, my guitars, my voices. I mix and master my songs as well.
What is your main inspiration? My emotions and the things I live in my everyday’s life
What musician do you admire most and why? Paul Mac Cartney because he’s ” the reference ” for me as a composer and music writer.
Did your style evolve since the beginning of your career? Yes first i was really into indie rock and now indie pop, synth pop, disco sometimes
What are your interests outside of music? I really like tibetain bowls and meditation
If it wasn’t a music career, what would you be doing? I don’t love by my music unfortunately. So it’s a job to make a living
What is the biggest problem you have encountered in the journey of music? Broken promises by record label, managers
If you could change one thing in the music industry, what would it be? Honesty and I don’t like when people have huge ego in the music industry
What are your plans for the coming months? I’d like to go on stage again cause it’s been sometimes now
Do you have any artistic collaboration plans Yes I’d like to work with DJ’s and Electronic composers
What message would you like to give to your fans Never give up on your dreams
Behind My Eyelids: Micki XO Talks Mental Health and Musical Inspiration
Portland’s own Micki XO has captivated listeners with her introspective and hauntingly beautiful music. She’s this Portland singer who’s been blowing up lately. Her new song “Behind My Eyelids” is intense – all about mental health struggles and finding peace. It’s got this haunting vibe with synths and drums that really gets under your skin.
Micki’s been around since 2020, always talking about real stuff like mental health and relationships. You can tell she’s inspired by artists like Halsey and Tate McRae – her lyrics are super raw and honest.
I was reading this interview with her, and it’s wild how she turns her pain into music. It’s like, you feel less alone listening to her, you know? she brings a raw honesty to her lyrics that resonates deeply with her audience. She’s definitely making waves in the dreamy electronic pop world.
The interview digs into how she writes songs and what inspired “Behind My Eyelids.” It’s cool to see an artist tackle the tough parts of life but make it sound beautiful at the same time. Definitely worth checking out if you’re into that kind of music.
What is your stage name My stage name is Micki XO.
Is there a story behind your stage name? It was originally just going to be “Micki”, but it turns out that name was already taken. Micki is my childhood nickname that my dad gave me, and the XO drumkit is my favorite plugin that my producer uses (I’m a sucker. for some dirty bass and drums), so I combined them to come up with the name “Micki XO”.
Where do you find inspiration? I find inspiration in almost anything, but I’d say most of my music is inspired by mental health. I’m bipolar, and I was misdiagnosed for 11 years. While I was misdiagnosed, I never felt like anyone understood what I was going through, always brushed off my symptoms, and I felt incredibly alone in the world.
I always wished I had music or something I could connect with to help get me through it. I may have been diagnosed correctly sooner if I had. I want to be that person for someone, so I write based off of my own experiences, as well as the stories of others that I hear on the topic of mental health/being bipolar in most of my music.
What was the role of music in the early years of your life? In the early years of my life, I wasn’t a musician yet, but music always got me through tough times. It would give me an escape I desperately craved, and it helped me connect to peeple when I wasn’t sure how to connect with them. I have strong memories of my sisters and I taking road trips, growing up together, and burning CD’s to some of our favorite songs. Back in the day, it was our form of communication with each other, essentially.
Are you from a musical or artistic family? I don’t, actually! My family all works in healthcare and tech, for the most part. I’ve always been the black sheep in that sense, but I’ve never been able to see myself going down those paths myself. Art is and has always been my life.
Who inspired you to be a part of the music industry? It actually was a community of people who inspired me. I had just gotten out of an abusive relationship, and didn’t know what to do with myself, didn’t know who I was, and felt like I was completely broken. I was driving one night and saw a sign for karaoke at a local bar. I decided to go in and sing, because I have always loved singing in the car and shower, and just felt like I had nothing to lose by trying it.
Turns out, I had everything to gain! I sang, and felt more like myself that I maybe ever had. I kept going back there, and after a few months, I started making a group of friends. One of them introduced me to their friend who does production, and I decided to start writing music with him. 4 years later, and we are an unstoppable force!
It actually was a community of people who inspired me. I had just gotten out of an abusive relationship, and didn’t know what to do with myself
How did you learn to sing/write/to play? I am actually almost completely self-taught. I started taking voice lessons and piano lessons about a year ago with an incredibly talented friend of mine to get better, but before that, I didn’t really know what I was doing. Just kind of let my soul take me where I needed to go. I just use my instincts to help me feel out what I want the song to convey and go from there.
What was the first concert that you ever went to and who did you see perform? My first ever concert was a free concert at the local mall. Our local radio station put on a show with Avril Lavigne, and I went and saw her. I caught a radio station sticker that they rained down on the audience from the top level and kept that sticker for over 10 years because of the memory. How could you describe your music?
My music is pop that meets industrial srangeness. I don’t like to define myself in one genre usually, but that’s the best way I could describe all the different parts of it. I just write and make what I’m feeling. I don’t like to put myself in a certain box, becuase that’s who I am. A woman of many parts all thrown together into one interesteing human. My music is similar. I’ve done styles from acoustic pop all the way to songs that have EDM sounds. I think every song is like a person, it’s different and demands its own respect and identity.
What musician do you admire most and why? If I had to narrow it down to one, I honestly couldn’t. I’m inspired by so many different musicians, but I would say my top three are Halsey, Billie Eilish, and Phantogram. Halsey because I love her music and because she pours her soul into every track so honestly. She was the first person to make me feel like I wasn’t alone.
Billie Eilish because she takes musical risks, isn’t afraid to be herself, and like me, doesn’t fit in any one box. She’s a pioneer for so many musicians and the industry as a whole, all at such a young age! And Phantogram, because their music speaks to my soul. They are also a pioneer of music, combining rock sounds with pop with EDM sounds. It’s inspired and I’ve never heard anything like them.
Did your style evolve since the beginning of your career? Yes, a lot! I started out with a song I wrote in 10 minutes. I had never written music, and I had never learned any rules of songwriting. It made the song unique and original, and I still love it with all my heart, but now that I’ve learned the rules a bit more, I have kept that uniquness and originality, and crafted it in a more refined way.
I’ve gone from inspirations that everyone knows, to being inspired by artist my friends have never heard of. I’ve stopped caring what people think of my music and started writing for ME. That has been the best part of my evolution of music.
Who do you see as your main competitor? I don’t like seeing other musicians as compeitors, honestly. I like being inspired by them, learning from them, and if I get the chance to, working with them. We are all chasing our dreams at high costs, and I think it’s important to support one another.
What are your interests outside of music? My other interests actually became my day job! I’m a Graphic Designer and Photographer, and art direct all my cover art. As I said before, I’ve never known a life where art wasn’t my main focus, even if it’s in different forms.
If it wasn’t a music career, what would you be doing? I would say I’d be a Graphic Designer and Photographer, but honestly, I’ve never felt more of a rush, more of a satisfaction, and more of a purpose than I have with music. I can’t see myself doing anything else.
What is the biggest problem you have encountered in the journey of music? I think it’s a problem that most people I know have encountered and what holds them back: the costs. Music is exremely expensive and time consuming. If you have those resources, it makes a huge difference. I wouldn’t say I don’t have them, but I also wouldn’t say I have a plethora of them either. It’s a tough line to walk without them.
If you could change one thing in the music industry, what would it be? One word: greed. There is so much greed from people. The labels that want to give you a “loan”, the people profiting of of your artwork who did not help build it, and the greed that some people have to not support others in the industry. There are definitely good people in the business, but it can be tough having to watch your back all the time to not get taken advantage of.
Why did you choose this as the title of this project? I chose it because the pain I feel is largely in my head, thoughts, and introspectiveness. It’s not on the outside. It’s behind my eyelids, where people can’t see it, but it still exists and screams at me.
What are your plans for the coming months? I don’t want to give anything away, so I’ll just say some very big things are in store, and I can’t wait to share them with you all!
Do you have any artistic collaboration plans? I do! I’m currently working on a song with the very talented Zane Thomas, as well as an artist I just started chattiing with named Jayme Graves. They’re both amazing people and artist and I can’t wait to work with them! Stay on the lookout for our relaeases!
What message would you like to give to your fans? I would like to leave you all with two things. The first being how grateful I am of all your support. I would be nothing without the people who help bring my art to life, whether that’s my producers, my social media team, my label, or each and every person who likes, comments, or comes to shows.
You all are the reason I write music, and you are all people that I am eternally grateful are a part of my journey. The other thing is that don’t let anyone tell you that you are just one thing. I am more than my mental illness, just like you are more than just your struggles, your looks, or your status. People are all capable of being their best self and achieving your dreams. You just have to work hard, and most importantly, never give up!
Reviving Hope: Alan Chapell's 'When the Music Plays Again'
In modern times it is rare to find such a fine musician as Alan Chapell, from time to time he has proven to music lovers why he is a better artist and ahead of his game. Have you listened to Alan Chapell’s new single? It’s called “When the Music Plays Again” and it’s seriously good. This guy’s not just a musician, he’s got a background in privacy and human rights, which really comes through in his songwriting.
The song’s got this beautiful melody with guitars and violins that just make you feel things, you know? It’s uplifting but also hits you right in the feels. Perfect for when you need a pick-me-up.
Chapell’s got an interesting story too.
Chapell’s got an interesting story too. He started as a music whiz kid in Connecticut, then worked with some big names, even traveled to India with a band. Now he’s a lawyer in NYC dealing with tech privacy stuff. Talk about a mixed bag!
This single’s part of his new album dropping in mid-July. It’s all about hope and getting back to those awesome live music experiences we’ve all been missing. If you’re into music that’s got depth and makes you think, definitely give Chapell a listen. He’s bringing something fresh to the table.
Hey, do you know Sugar Scars?They are this cool group of musicians from the Juarez-El Paso border region. Their music, for that matter, is so entirely different from one another – it is as if they have combined all the cultural trends from both cultures and created something different!
These guys are all about providing those special moments on the dance floors you might be looking for, right?Just when people are all dancing about and grooving to the beat. Their songs touched me too, they sing about love and all those things that people get emotional about.
They recently released a new single titled “Miss U” in the last week of June. It is a track which will be included in the album ‘Rhythmic Body Reflexes. ’ That song is just impressive; it has raw beat, distorted synth strings, and eerie vocals. Another lovely aspect of Sugar Scars is how they mix various styles. The thing is that it is not only in one genre ,it is like they have their own thing going on.
For our next interview let us get a chance for you to be familiar with Sugar Scars as we engage them in a discussion on inspirations, creative work and the process that led to their unique music taste.
Is there a story behind your stage name? Mmm.. Well to us, there’s always been this beauty between pain followed by cathartic realization. Kind of like a relief or epiphany that brings some happiness to your heart. So sugar is something sweet that comes from a scar which is bodily evidence of pain hence the name, Sugar Scars
Where do you find inspiration? Wow, from the most random places .. all I know is that when we feel inspired,we quickly take advantage and hit the studio. It’s kind of like inspiration finds us rather than the other way around
What was the role of music in the early years of your life? It’s weird because no one in our families were musicians, So it didn’t really play a role in our preteen years, but everything changed in the teens ..I guess cause that age is when you think you know everything and you are conflicted about who you are as a person and that is where art comes in because it’s a reaction in expressing your reality.
Are you from a musical or artistic family? Not me.. I think Luis is.
Who inspired you to be a part of the music industry? I think shity lives and feeling hopeless inspired us… lol.. but as far as the word industry goes.. that’s a word we don’t like. When I think of industry, I think of child labor, slave labor, environmental destruction. We just see it as a necessary evil.
How did you learn to sing/write/to play? By having inspiration and desire. That gave me the motivation to teach and push myself to learn chords and to progress. After that you must be brave and show what you have.. without caring how other people see it.
What was the first concert that you ever went to and who did you see perform? My family and I went to this waterpark during Memorial Day. They had live bands there. I saw a local cover band, followed by Steppenwolf.
How could you describe your music? Damn, that’s hard to answer. It’s basically a mix of any sound we like in any genre by any artist. From there,we make the song our own. Because at the end,what is music?? It’s just 12 notes that you use differently to produce the sound that makes you happy
It’s basically a mix of any sound we like in any genre by any artist.
Describe your creative process. Well we show each other parts that we wrote wile being inspired. Then we add to to it till it’s done. We each add our own flavor then we both have to agree on what we wrote for it to be recorded.
What is your main inspiration? Anything that will make us get off our ass and find an instrument to create. It could be a sound or phrase. Sometimes I just play my guitar to distract me from my restless mind and something comes out that is inspiring. It just kinda happens. The point is, that there is not only one thing that can inspire. It’s actually all over the place.
What musician do you admire most and why? Wow.. mmm.. probably the founding fathers like Little Richard, Robert Johnson, Chuck Berry. They basically created something that changed everything. I credit them with discovering Rock n Roll . They had an idea that revolutionized the world.
Did your style evolve since the beginning of your career? Absolutely. if you ain’t growing, then you’re shrinking.
Who do you see as your main competitor? Wow, let me see it could be ourselves not reaching our own potential.. depression not allowing us to be inspired… other musicians trying to make a competition out of art. There is a lot of competing entities
What are your interests outside of music? Breathing and eating. Just kidding. Mmm Drawing, buying records,reading … Having OCD and organizing my clothes by color and alphabetizing my medication lol
If it wasn’t a music career, what would you be doing? Damn we’d be dead , Addicted to drugs and homeless.. I don’t know really.. that’s a big plot twist. I guess every human being could have a surprising explanation. It wouldn’t be reality unless it really happened so that’s a tough one. Who knows how we would react to certain realistic pressures.
What is the biggest problem you have encountered in the journey of music? Being very hard on yourself for not producing the right musical idea.. the apathy of some people, Close-mindedness.. being sabotaged by other artists .. having secret haters.. It’s a long list.
If you could change one thing in the music industry, what would it be? Do not allow businessman to run the industry, but instead unbiased artists. It just seems like everything that corporations and stock owners put their hands on becomes corrupted and motivated by only profit.
Why did you choose this as the title of this project? I guess the title , “ Rhythmic Body Reflexes”refers to just dancing ( moving) naturally as a-response to music. That’s like the most natural reaction of expression to something that moves you. It’s kinda magical.
What are your plans for the coming months? Playing more shows and continue writing for our next project
Do you have any artistic collaboration plans This whole project is based on artistic collaboration. It’s very difficult to find someone that understands music the way you do and that complements you artistically. So we’re keeping it just between us.
What message would you like to give to your fans The one that Poet wrestler John Cena gave..
“ Hustle Loyalty and Respect”
Ethereal Collaboration: Holy Høly and NUN's Mesmerizing 'From The Ashes'
Hello, have you heard this new song “From The Ashes”?It is a project by NUN’s Olaf Karbowiak and Ewa Baran, who performs as Holy Høly. Yeah it’s quite awesome, something like Portishead i suppose.
It is ethereal, it levitates above the music. She’s also on some Rhodes keys as well which makes things even more romantic. This was an extra layer that Olaf’s production brought that just seemed to finish everything off.
There is also a music video for this song with some cool shots of cyclists against stunning natural backgrounds, captured by drones. It complements the lyrics of the song well – gives me the impression that I am on a voyage or something.
It is a project by NUN’s Olaf Karbowiak and Ewa Baran, who performs as Holy Høly.
This is actually just a track preview for the NUN album called ‘Escape From The Forest. ’ I heard there may be an overhead single disc release on vinyl or something, which would be cool. Ewa actually has a brand new solo album in the works too, called #262626.
It’s going to be like downtempo electronica with jazzy elements. She is very diverse – she does acid jazz to trip-hop. This is a chilling, thought-provoking song and if you like this kind of music you should really listen to “From The Ashes”. I remember it as one of those songs that make a deep impression.
Electrifying Debut: Kosi Captivates with 'Tension'
Born and raised in the lively city of Lagos, Nigeria now located in Atlanta, the world is ready to welcome Kosi O with her debut single “Tension. ” She released this amazing tune on May 30th 2024
“Tension” is an infectious dance-pop tune that captures the excitement of new love. Kosi’s got this cool background – she’s from Lagos but now she’s doing her thing in Atlanta. Her sound is like this perfect blend of R&B and Afrobeat.
“Tension” is all about that brand-new relationship feeling, right?It has this humor that makes you want to dance, though the words of the song are rather profound. Well, she was singing in the church back in Lagos and she got a breakthrough when she was still in high school.
She is now based in Atlanta, but her Nigerian influence still comes out in her songs. She into Nao, Tems, and Jorja Smith, you can kinda hear it. As far as I know, Kosi is writing more songs and planning to perform some concerts. If you like R&B or Afrobeat, I would recommend you to listen to this song called “Tension”. I believe that we are yet to see much more from her in the near future.
Wexford’s 'Moving On': A Poignant Prelude to 'Silent Key'
The last single from the Sandusky-based band Wexford is released and it is called “Moving On. ” The band’s full album entitled “Silent Key” will be out by late summer. As one of the most prominent bands of the punk, post-hardcore, and alternative genres, the Wexford captures the message of this track in its deeply emotional style.
The meanings of the piece ‘Moving On’ encompass new change, strength and the processes that are involved in transition after overcoming challenges. The introspective topic and tempo of the track lets listeners consider their own processes of overcoming obstacles and obtaining growth from hardships. Being a ballad, “Moving On” brings out the best in lyrics and music so relevant to Wexford’s culture.
The band composed of Dave Mueller, the vocalist and guitarist, Andy Kohlmann the vocalist and guitarist, bass guitarist, Shawn Daley and Jeff Vandebussche on drums, gives a great performance. They have energetic rhythmic base, intricate guitar and powerful vocals with strong emotion behind them. The single is by Shawn Patrick Thomas Daley and it is recorded in The Mohawk Studio in Sandusky OH and mastered by Brian Lucey the engineer of Black Keys, Green Day.
Wexford has this vintage appeal, but its sound is new and unique
The official video for “Moving On” which was recorded and directed by Brad Walton of Cineres Creative Productions supplements the storyline depicted in the song with visual accompaniment. The artwork of the single is emblematic, designed by Sean Carrol of Sandusky Bay Poster Works in an effective manner to support the themes of the song.
Some of the rock and punk bands that have inspired Wexford include Hot Water Music, Fugazi, Hum, Rival Schools, Quicksand, and Dinosaur Jr. Consequently, Wexford has this vintage appeal, but its sound is new and unique. Considering that “Moving On” immediately precedes “Silent Key,” it can only foreshadow that the rest of the album will offer meaningful and inspiring compositions. Stream “Moving On” now on every digital platform possible.
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Yo, have you checked out Akram Shata’s new track “Amricany”? It’s his first release in like four years and it’s pretty fire.
Shata’s got this crazy interesting background – born in Alexandria, Egypt, but then ended up in Brooklyn. His music is like a mix of all those experiences, you know? This new song really shows that off.
“Amricany” isn’t just another hip-hop track. It’s like Shata’s whole life story packed into a song. He raps about trying to fit into two different worlds and all the stuff he’s been through. The beat is wild too – it’s got bits of jazz, reggae, even some classical vibes in there.
What I really dig about Shata is how he tells stories in his music. He’s not just spitting rhymes, he’s painting pictures with his words. And the way he mixes up different styles of music is pretty unique.
I heard he’s dropping more singles soon and working on his first EP. Definitely an artist to keep an eye on if you’re into hip-hop that’s a bit different and has something to say. Shata’s bringing a fresh perspective to the game, mixing up cultures in a way that really hits home.
Soulful Revival: d'Z and Sandra St. Victor on 'Freedom!'
Hey, do you get to know that d’Z is out with a new song. It is a song from the well-known artist George Michael, titled Freedom and I think it is quite great. He collaborated with Sandra St. Victor, a soulful singer who has been nominated for the Grammy Awards twice.
So, it is quite nice to see that d’Z has provided vocals for the tenth time this time, which is quite unique for a drummer. They have also collaborated in the past on the song titled ‘CONNECTED’ and one can tell that they are good friends and understand each other’s muses well.
This radio edit of “Freedom” seems so new but at the same time, it gives me some certain feeling that I remember listening to in the past and that I like. Right from the first note this song has some energy which seems to pull you in. The drumming is on point as from the previous album of d’Z and they have incorporated this smooth fender rhodes sound that gives the music to the perfect feel.
The drumming is on point as from the previous album of d’Z and they have incorporated this smooth fender rhodes sound that gives the music to the perfect feel.
Especially if she comes in singing those deep, powerful notes, it just brings the whole thing to another level. One thing that really stands out is that they have fully fleshed out the music with some funky horns, locked in rhythms, and even a Hammond organ. All of it culminates into this big finish where the trumpet and sax really lay it in extra.
What I like about it is that they are starting from scratch but at the same time they have found a way to pay tribute to the original. It has this perfect fusion of funk and soul which I knew both d’Z and Sandra lovers are going to enjoy.
Also, it is just a very nice way to pay homage to George Michael’s career and work. In case you like some soulful covers or just simple good music – this one is worth listening. It is the sort of recording that does not easily fade from memory.
