Embark on a melodic odyssey with Agyenim’s latest release, “Me Alone,” a collaborative masterpiece with acclaimed Ghanaian producer Vacs. This track dives into the depths of solitude and self-reflection, capturing Agyenim’s raw emotions and signature style that seamlessly blends introspection with irresistible rhythms.
As “Me Alone” explores the complexities of solitude and the peace it unveils, the co-production by Agyenim and Vacs crafts a sonic journey with compelling verses and energetic beats, immersing listeners in a captivating experience.
The song unfolds with an evocative chant, setting the stage for a narrative voyage into Agyenim’s psyche. Woven with verses in local dialects and English, the track resonates universally, addressing themes of loneliness, self-discovery, and the pursuit of inner peace.
In collaboration with the renowned Vacs, celebrated for his distinctive sound and innovative production, “Me Alone” seamlessly combines compelling storytelling with captivating musical arrangements. This collaboration promises an enthralling auditory experience for fans and music enthusiasts alike.
Agyenim shares, “‘Me Alone’ is more than just a song; it’s a personal journey laid bare. Working with Vacs has been an incredible experience, and I can’t wait for listeners to connect with the emotions and energy we’ve poured into this track.” Get ready to be captivated by the synergy of emotions and musical prowess in “Me Alone.”
Paapa Versa Unveils 'Brand New' To Kickstart An Electrifying 2024
After serving fans with the Versa Villa album in 2023, Paapa Versa returns to the music scene with “Brand New.” The chill and optimistic track, released on January 5, marks the first single from his “24 Songs in 2024” project. This will see the Ghanaian Afro-Soul artist release a song every two weeks.
The self-produced and written song came to Paapa Versa when he was trying to figure out his next step in life. In his words, “I was feeling crippled by mistakes from the past, but a breakthrough conversation with a loved one gave me the spark to start a new chapter in my life.” “Brand New” touches on themes such as new beginnings, optimism, and hope in the people and passions in one’s life.
Paapa Versa’s artistry shines in “Brand New,” which blends soul with retro and highlife vibes. “I wrote and scrapped three songs while trying to find the right sound and vibe to start off my 2024 challenge,” he revealed. After days of hopelessness, Paapa constantly reminded himself that he needed a “brand new song” with a “brand new feeling.” That marked the start of the song’s lyrics. “Once it clicked, I wrote, produced, and recorded the whole song myself in two days,” he added.
“Brand New” is the first of the 24 songs Paapa Versa will release in 2024. In a video message, the artist asked for topics for his upcoming releases and received suggestions from fans and artists, including Koo Kusi, Worlasi, and Carter Ace.
Listen to “Brand New” on your preferred streaming platform.
Born Edwin Paapa hMensa, Paapa Versa is a versatile Ghanaian producer, singer-songwriter, rapper, and podcaster. He has received much attention and respect for his empathetic and broad musical style since his debut. The lead single, “Write for Me,” off his sophomore album Songs for Kukua, received massive airplay and critical acclaim, locally and internationally. In 2021, he changed his stage name from Paapa to Paapa Versa, with the Versa as an abbreviation of versatile.
As a gifted multi-instrumentalist, Paapa can play most instruments but is well-versed in the piano, drum kit, ukulele, bass, electric guitars, and percussion instruments. His genre-bending music is often labeled as eclectic, insightful, uplifting, and more. Paapa’s greatest wish is to inspire people everywhere to utilize their gifts and follow their dreams.
Emotional Currents: Diana Omar's "CAUTIOUS" EP Unveiled
In the swirling galaxy of contemporary music, it’s not rare for artists to grasp at the fibers of history, weaving them into modern narratives fixed firmly within our Spotify playlists. With “Sentimentalist in Chaos,” Diana Omar reaches from her desk in a Yale composing class to clasp hands with an unnamed historical figure, drawing forth a spectral muse that breathes life into her latest single.
Omar bathes us in an evocative soundscape that defies the monochrome of mundane modernity; she urges listeners to embrace vibrant splashes of humanity within a society where pulsing circuits often threaten to overwhelm whispering heartbeats. This theme rings clear as cathedral chimes throughout this defiantly introspective piece—a bold yet fragile tirade against robotic synchronicity.
The track unfurls like silk ribbons on a windy day—Omar’s voice is both anchor and sail. Elements of pop provide buoyancy while indie undertones weave complexity beneath, crafting an auditory experience that invites you to drift alongside existential quandaries rather than sink beneath them. Those familiar female vocals resonate as both balm and battle cry—an incantation spellbinding one moment and propelling you forward the next.
There is duality here: structure coupling with impulse—the way Omar oscillates between symphonic cadence and raw emotive power is stark evidence of masterful artistry reminiscent of Florence Welch’s bewitching command over melody and meaning. You’ll hear echoes too, perhaps unintentional but certainly welcome, nodding towards Adele or even Regina Spektor when they dare tread off beaten paths onto grander lyrical landscapes.
Diana Omar
“Sentimentalist in Chaos” bridges emotional alienation with collective understanding by exploring those felt but often unspoken emotions bubbling under society’s stoic surface. In discarding pretense for authenticity—one might say Omar grants permission for individual chaos to be acknowledged amidst societal silence—and therein lies relief wrapped in resonance.
This song isn’t just heard; it reverberates within cavernous spaces we’re conditioned to neglect—dusting cobwebs off sentimentality itself until it gleams anew against soulless steel beams of expected indifference. So rare is such synergy that transitions seamlessly from headphone seclusion into conversations sparked over coffee cups about how hauntingly beautiful acknowledgement can be.
Whether cloaked in academia or laid bare upon poetry canvases stretched out across airwave studios—”Sentimentalist in Chaos” stands testament not merely as another tract on tripping fantastic down sonic trails—it serves more so as profound reflection upon our collective human endeavor affectionately cradled amid disarrayed chords dancing deftly toward hopeful horizons.
Diana Omar may well have penned perchance unknowingly—a hymn dedicated less to past shadows than future illuminations; “Sentimentalist” becomes synonymous not with mawkish malady but instead emerges anthemic—an ode rejoicing textured terrains traversed deep inside every feeling trodden terrain within us all.
The Unsuals Showcases Their Showmanship With Single 'Pressure'
THE UNUSUALS, are two talented people from the Pacific Northwest who are making waves in hip-hop music. “Pressure” isn’t just a normal song; it is going deep into life’s good and bad sides. Ninjaface and Xperience put a lot of themselves into this one. They look at the hard decisions we all have to make between good or bad.
This team is made up of Ninjaface and Xperience. They worked with Theory Hazit to make beats, Tim Carpenter for an amazing music video in it also have some “Mandalorian” fight scenes added.
In a recent interview with the duo, they revealed information about their new album. They have put their heart and soul into every song, trying to do better than before with each step. They’ve taken ideas from the old hip-hop time but put their own new touch.
THE UNUSUALS aren’t just about music; they are also about a message. They want their music to emotionally affect you, making you think about the fights between good and bad inside everyone.
Looking ahead, they have more music in the works. But, they also want to find songs that touch the soul and talk about real life problems. These guys want to use their stage for encouragement and motivation. They believe the music world needs more of this kind, according to them.
An In-Depth Conversation With The Cumberland River Project On 'Your Man'
Today, we will talk about “Your Man” by The Cumberland River Project. This song is fun and makes us think of rock music with a touch of blues from Hagen in Germany where Frank Renfordt made it along with his skilled team.
Frank is the main person in a program. He works with Simon on drums, Dennis plays guitar and Jenny sings backup vocals as well Dima adds horn sounds too. They’ve made a song based on old stories like Joe Cocker and Tina Turner. It sounds sweet with ’70s and ’80s blues-rock feel in it.
“Your Man” is a story about a guy who wants to impress country girl. It mixes old blues style with new fashion.
So, let’s relax and talk to Frank about his music journey. We will discuss what makes him creative and the story behind this fantastic song.
What is your stage name The Cumberland River Project
Is there a story behind your stage name? Nashville ‚Music City‘ is located on the banks of the Cumberland River and it’s my favorite town beside of my hometown ‚Hohenlimburg‘ in Germany. Most of my songs are more in the style of American Country music or Americana music and the home of this kind of music is in those Cumberland area in Kentucky and Tennessee.
Where do you find inspiration? From life! You can write a song about everything and sometimes it is like a therapy. and all my life I have listened to many different kinds of music, so there is a long playlist in my mind.
What was the role of music in the early years of your life?
I liked to listen to my brother’s tapes. He was seven years ahead of me and he heard all the cool stuff of the sixties like The Beatles, The Stones, The Bee Gees and so on and I think it had an influence. I tried to sing along despite I couldn’t understand anything.
Are you from a musical or artistic family?
Not really, my mother was a very creative person. I think she could have been an artist in other circumstances. She liked to sing in the choir at church.
Who inspired you to be a part of the music industry?
First who inspired me was my older brother who started to play bass guitar in a rock band in the age of seventeen and that was a very cool thing and I wanted to be like him.
How did you learn to sing/write/to play?
I got a guitar from my parents when I was ten years old and they organized guitar lessons. As soon as I had learned to play some chords I started to write somw crappy songs. I learned to write better songs many years later with the help of experienced songwriters from the Nashville area which was only possible because of the internet.
I guess I’ve also read every book about songwriting and in addition I have attended a couple of songwriting retreats and seminars in the US and in UK. I also started to take vocal lessons some years ago, so I plan to sing my songs more and more by myself.
What was the first concert that you ever went to and who did you see perform?
The first big concert was a Genesis concert, it was in the late seventies. It was very impressive and I was a big fan of that kind of music in those years.
How could you describe your music?
I love to hear guitars playing, I like organic music, real instruments and vocal harmonies and this leads to my style of music, which is a mix of country, rock, pop & folk music, very organic and most of the time with meaningful lyrics.
I love to hear guitars playing, I like organic music, real instruments and vocal harmonies and this leads to my style of music
Describe your creative process.
There is no fixed process. In the case of ‚Your Man‘ it all started with the bass line and I hummed some words to it and it all built up quite naturally. But sometimes I write the lyrics first, or I have a catchy chorus in mind and built the song around it. Once the song structure is finished I consider the arrangement and look for the right people to help me to bring my song and my ideas to life.
What is your main inspiration?
Life.
What musician do you admire most and why?
I cannot answer with only one name. There are so many I admire for different reasons. Since ever I love The Eagles because of their catchy songs and vocal harmonies, I love Chris Stapelton because of his unique singing capabilities, as a songwriter I admire Lori McKenna and I have to confess I’m a ‚Swiftie‘, I love everthing about Taylor Swift.
Did your style evolve since the beginning of your career?
I started to write songs which I thought could fit into the Country Billboard Charts, I wanted to write something with commercial potential. But it is rather difficult to make it in the country community when you are not living in Nashville. Today I don’t care so much about this. My style is less genre specific anymore, but still very country related, because I love that kind of music.
Who do you see as your main competitor?
Making music and writing songs is neither a business nor a competition for me. So there are no competitors, only likeminded people, friends and colleagues – a great community.
What are your interests outside of music?
No 1 of course is my family. I like to read a good book, doing some sports, gardening … not enough time for everything.
If it wasn’t a music career, what would you be doing?
I’m an independent artist and actually I can’t make a living from my music, so I still have my job as a purchasing manager. But if it wouldn’t be music, I would try to write a book, I think I need to be creative.
What is the biggest problem you have encountered in the journey of music?
To find the people who like my music. I know they are out there, but without a big promotion budget its hard to break through the noise and get heard by the people who are into the kind of music I make.
If you could change one thing in the music industry, what would it be?
I think there is not such a thing as ‚the music industry‘, today the market for music is really diversified. It was never easier to release music and it was never more difficult to gain attention. But there’s nothing to complain about this, there’s no way back. You don’t really need the music industry anymore, you just need to be outstanding, which is as difficult as it ever was.
What are your plans for the coming months?
I’m gonna release an other single end of January and then – probably in March – an EP with six new Country/Americana songs which I will sing by myself. It’s nearly finished and I’m really excited about it, because these songs are more personal than what I wrote before and I love each of them like a baby.
Do you have any artistic collaboration plans
Not really, but I’m open to collaborate with everyone if we are on the same page.
What message would you like to give to your fans?
Chase your dreams and enjoy the journey AND stay tuned and look forward to some very nice songs to be released soon.
Unveiling the Depths of Paul Marotto's 'Anthem for the Forgotten'
Let me introduce you Paul Marotto’s latest song “Anthem for the Forgotten” truth be told this is a song that really gets to you, the song speaks directly to you and has the power to alter your emotions. It’s personal, you know? With those heavy piano tunes, his heartfelt singing, and a sound that really makes you stop and think.
Anthem for the Forgotten begins with some deep piano notes, and this sets the mood right for some in-depth conversation, setting the scene for some serious self-reflection. What makes the song exceptional is Marotto’s singing, it’s like he’s pouring his heart out, telling his own story about battling opioid addiction. He’s keeping it real, and you can feel the rawness in his lyrics.
Unveiling the Depths of Paul Marotto’s ‘Anthem for the Forgotten’
Then the drums kick in, giving the tune this urgency and drive. The synchronization of the vocals and instrumentation blend perfectly creating a dreamy vibe taking you on a journey.
The theme behind the song is such a powerful one when asked about the it this is what Marotto had to say:
“….. to show these people that even a person battling mental illness and drug addiction can create something meaningful from their experiences.”
Anthem for the Forgotten is more of a memoir a song, he really poured out his heart into the song. It’s about his struggles with addiction and depression, laying bare the pain and the ongoing fight to get back on track. Inspired by the impact of OxyContin on his generation, he’s hoping this song shines a light on the shattered lives and ongoing battles so many face.
An Animated Rock Odyssey: Reviewing Dirty Power's 'Said And Done
Dirty Power, the international rock trio presents chapter two,” Said and done”, of their three-part musical saga inherent in its forthcoming EP entitled “Gravitas”. Whereas ‘I Did My Time’ raised enough momentum to propel this band onto new heights, here it strays into an edgy rootsy unplugged territory developing what might be termed
Begun in light of Rodrigo y Gabriela’s guitar rhythms and the solid ‘industry-coustic” beats placed by Rammstein’s “Los,”Said And Done centers on buddies coming up for each other. The stage is set amid life’s trials, it is the collective support that defines our journeys.
The EP “Gravitas” is scheduled to be released between late 2023 and early This new approach diverges significantly from their previous aggressive EP, “Notions” , as a reaction to the personal and collective crises lived through during the Covid pandemic; they offer an introspective musical journey reminiscent of albums that transformative like Nirvana’s with Unplugged In New York or Metallica in S&M.
Reclaiming roots and finding solace in the midst of chaos, “Gravitas” is a live recording carried out within Ireland’s southwest coast ancestral castle for the frontman. Managed by talented engineers from the sensational Ireland’s band, “The Scratch,” audio production along with live filming of the EP expresses a lifetime opportunity.
As the EP travels through its own tracks and ends on two thunderous covers, it doesn’t just revel in Irish musical legacy but also creates a hard-rock tribute of sorts as befittingly respectful in creating this dynamic after-party to mark what was essentially an incredible musical odyssey.
When you hear the name Peppermint Moon, let me tell you what to expect from him as an artist, infact let me use his new Ep “Pocket Dial Tears” to tell you more about him. Colin Schlitt, the brains behind Peppermint Moon from sunny San Francisco, California.
He’s the guy doing it all—writing, performing, and producing Peppermint Moon’s tunes. So, Colin just dropped a new EP under Peppermint Moon called “Pocket Dial Tears.” It’s a sweet mix of power-pop and psychedelia that’s got this catchy vibe going on.
The EP’s title? Colin says it’s about the trouble a butt-dial can land you in—talk about unexpected inspiration, right?
The EP kicks off with “I Thought I Knew,” and it’s a rock-pop banger that hooks you right from the start. The electric guitar riffs and beats are retro-cool, and the synths add a nice touch. Colin’s vocals bring the fun, and the song’s got this groovy flow that’s hard not to vibe with.
“Above Clouds” is all about that warm, sunny feeling breaking through on a cloudy day. It’s a happy-go-lucky track with cheerful keys, dreamy guitars, and drum beats that just make you smile. The vocals and chorus? They’re like the cherry on top—pure art.
Then there’s “Like Like Me.” It’s a slow, reflective piece diving into complicated relationships, where people act friendly but really can’t stand each other. It starts slow and contemplative, then shifts gears into a psychedelic rock vibe—a real musical gem.
“Day To Day” sets a mysterious tone, inspired by some favorite TV shows. Strings lift the song to another level, giving it this magical feel that’s hard to resist. It’s a laid-back piece that really gets you thinking.
“Foxy Friends” takes on Fox News and how news stations twist things up to keep us arguing. It’s a wild ride with epic guitar solos, heavy drums, and vocals that fit right into that psychedelic groove. The production here is top-notch.
Closing it out, we’ve got “He She They,” inspired by someone close to Colin on a journey of self-discovery. It’s a bit like The Kinks’ “Lola,” diving into the confusion of discovering one’s identity. The song builds beautifully, painting a heartfelt story through its words and music.
Listening to the songs on the album, you can tell a lot has really gone into the EP, from the song writing, to the production and recording. Each of the six tracks brings authenticity, both in the music and the lyrics.
Dancing Among Stars: The Loopstationist's 'Interstellar Dance' Review
Giulio De Marco otherwise referred to as The Loopstationist is a multi talented musician who uses music to express his heartfelt feelings. Born in Salento, Italy, he started his musical career with the help of his sister who is a pianist and took lessons on several instruments.
His latest single, Interstellar Dance comes in so soft and gentle as a mother’s goodnight kiss. Delicate piano notes create a warm atmosphere, gradually taking the listener to dream world where he tampers magic of free space picturesque silence pale radiance and hidden mysteries.
the nonverbal communication of piano resonates profoundly, sends shivers down one’s spine and sounds like gentle tears trickling , you just cant help but be moved by its brilliant softness. The song gets more dramatic, sci-fi and new wave sounds to it but remain danceable like groovy It’s warm.
The Loopstationist’s Interstellar Dance tracks smoothly grooves between piano-driven emotions and melodic beauty.
The harmonious structures of this composition evoke a magnificent dance in our minds, make us feel and imagine endless possibilities. It’s an engagement of our senses, a beckoning toward satisfaction and orientation in every encounter.
The faraway lights revive in us irretrievable tastes, remaking our fantasies, reigniting a longing for life’s finest and most innocent moments—those ordinary yet dreamlike nights of serenity and satisfaction.
It’s almost as warm, full of energy and a belief in life being what it is – filled with its own mysterious path to elevation and happiness.”
Since the time I came across this Gary Dranow, in fact from now to eternity he continually provides his fans reasons why they should stick around with him and so let me introduce you to one of His latest freshest productions it’s entitled “Im A Man”. It’s a hard-hitting song that has plenty of blues inflections along with contemporary sounds. Feeling the influence of bands such as Counting Crows, The Verve and Oasis is possible but Gary bring his own flavor that makes it feel fresh and exciting.
‘I’m A Man’ included in his upcoming album titled “Never Give Up,” and it really shines. There are no taboos about the blues feeling for Gary, especially with that harmonica – it envelops this song from the very beginning in its powerful and plaintive aura. And that man his voice is fantastic. You can feel all those emotions he’s putting into it, when telling the story of growing up and getting a better person.
One interesting thing in Gary’s music is the way he creates such bright images with his lyrics and tunes. “I’m A Man” is no different – it feels like you are watching a movie while listening. This song is about this dude who has had a rough ride but manages to turn things around for the better. It’s a happy ending that makes you cheer for the fellow.
Gary has had a hard life with conditions such as bipolar disorder and recovering from strokes. But music has been his means of dealing and sharing the story. The mixture of classic rock and new vibes is really clicking with his band, Gary Dranow & the Manic Emotions.
As a whole, this song is indicative of the fact that Gary Dranow knows how to combine old school blues with something new and appealing. It’s a tune that will stay in your ear, telling the story of rising up and deliverance.
Happy Duke’s “Merry Christmas”: A Song for the Season of Giving
In a period where the globe still lingers under the gossamer veil of yuletide festivity, Happy Duke emerges as both commander and companion with his latest single, “Merry Christmas.” A piece conceived amidst political skirmishes, financial upheavals, and lingering viral shadows, it is designed to be a heartwarming anthem perfect for cultivating an atmosphere of unity.
Happy Duke – Artist, Music Composer and Producer extraordinaire – strings together infectious melodies in this musical tapestry that not only captures but emanates the essence of holiday cheer. With male vocals that carry warmth like a roaring hearth on winter solstice night intertwines unapologetically with funk-infused reverberations to get even the most stubborn Scrooge tapping their feet.
Beyond its groove-laced melodies lines and shimmering chords lies a thoughtful intent: the track beseeches listeners worldwide to spread love infinitely and hold dear every precious moment with family and friends. Lyrics soaked in optimism give wings to sentiment without descending into saccharine cliché; indeed, levity meets depth as “Merry Christmas” becomes more than just another seasonal tune—it’s an invitation extended by Happy Duke himself to reflect joyously on shared humanity.
Happy Duke’s “Merry Christmas”: A Song for the Season of Giving
This ditty does not merely lean back onto tradition but updates the playbook using 21st-century sonics—a soundscape diverse enough for universal appeal yet singularly magnetic. Picture vibrant splashes of brass meeting playful synth zaps; they adorn what could easily settle within any era’s celebratory playlist.
Whether you’re adorned in ugly sweaters or swapping gifts by Zoom calls this year again—whatever your festive ritual—”Merry Christmas” claims its rightful space within your soundtrack. Like evergreen boughs festooned across mantlepieces worldwide or strings of twinkling lights seen from snowy streets afar—the track is super catchy while championing collective resilience during times when division runs rampant through societies fragmenting at their seams.
Happy Duke’s “Merry Christmas”: A Song for the Season of Giving
From start to finish, mix-master expertise ensures each note under Happy Duke’s directive delivers precision-calibrated joy—and let’s face it—that’s exactly what we crave during these pervasive cycles around sunsets shortening against evening skies soon sparkling aglow again with renewing hope each December returns us home anew.
Spirit lifting? Check.
Groove-inducing? You bet.
A song celebrating love over conflict wrapped up neatly with a bow?
It seems “Merry Christmas” has delivered right on time.
Space Owl Takes You on a Musical Journey with "Flask"
Step beyond the threshold of expectation with Space Owl’s latest single, “Flask,” a genre-bending odyssey that serves not merely as a song but as an alchemical transformation of sound. Navigating through the celestial confluences of prog rock, jazz fusion, and classical music, this track shapeshifts from audial stardust to solid ground beneath your feet.
“Flask” begins with the whisper of strings plucked by virtuoso guitarist Ari Joshua; each note is like a spark in the quiet darkness before dawn. As dawn breaks, John Ewing’s drums beat out rhythms reminiscent at once of heartbeats and distant thunder—utterly organic yet commanding in their precision. Bob Lovelace’s bass undercurrent runs deep and strong: it’s both anchor and compass for this intricate vessel captained by melody.
Then there’s David Appelbaum on keyboards—a sorcerer summoning harmonious storms within clouds shaped like grand pianos. Sometimes he is Steve Winwood driving through Spencer Davis Group-era traffic; at others, he channels Rick Wakeman taking Yes to unexplored galaxies.
As “Flask” weaves its enchanting melodies throughout shifting time signatures and key changes, listeners are invited onto an undulating carpet ride where complexity feels effortless—almost improvised despite its obvious craftsmanship. The record moves you through halls decked with Escher-like tessellations made audible; twists around Charybdis’ swirling syncopation without succumbing to her depths.
Space Owl’s members become architechts engaged in constructing an intricately detailed sonic landscape—breathtakingly expansive no matter which direction you turn your ear. You find yourself awash in lush orchestrations that bow respectfully to Mogwai or Mahavishnu Orchestra inspired crescendos while also borrowing whispers from Chopin nocturnes when tenderness takes center stage during contemplative interludes.
Space Owl Takes You on a Musical Journey with “Flask”
What remains consistent across “Flask”’s dynamic range is an undercurrent vibe—an energy born not merely from sound but also from silence waiting patiently between notes. This pause lends gravity to every return as trains of rhythm reengage after wandering playful diversions into melodic wilderness.
To listen here is not just hearing—it’s experiencing something unique yet universally intuitive: evolution captured in audio form where past tradition meets future potential amid present expressionist painting contours drawn by four artists showing us what they see behind closed eyes used for looking inward rather than outward.
Far more than merely another catchy tune cluttering airwaves already over-populated by fleeting trills posing as anthems—the ingenuity displayed within “Flask” promises staying power among playlists harboring desires for journeys both vast in imagined distance traversed and rich with returns paid handsomely upon arrival back home at song’s end
In short, Space Owl doesn’t soar—they transcend—with a flight path charted straight into adventurous hearts open wide enough to welcome merging worlds knit together seamlessly via threads pulled lovingly from genres less stirred about classification tags preferring rather simply being called exhilarating experiences designed delightfully for ears too often tempted settle down instead soaring skyward alongside owls daring explore space nestled deeply inside music endlessly revealing hidden treasures secured safely within flask crafted carefully composed cosmic wonder.
Jack Simpson Releases New Single "Crucifix of San Damiano"
Jack Simpson’s latest single, “Crucifix of San Damiano,” is a stirring musical homage to a relic steeped in mystery and divine whispers. Acting as both a historian and bard, Simpson reverently navigates through the waters of alt folk with male vocals that glimmer with the sincerity of stained glass stories.
The track opens up like dawn over Assisi—gentle guitar strings pluck the serene silence before giving way to Simpson’s earnest voice. There’s an intimate fragility here that augments the spiritual gravity one would expect from such subject matter. His vocals carry weight—a certain gravitas yet remain as accessible as prayer—inviting listeners into contemplation alongside him.
As we voyage further into this auditory pilgrimage, it becomes apparent how profoundly rooted “Crucifix of San Damiano” is within its Christian ethos. Yet, fear not secular sojourners; for all are welcome under this expansive sonic canopy. The melodies craft bridges across belief systems—an interfaith dialogue written in chord progressions and lyrical confessions.
Jack Simpson Releases New Single “Crucifix of San Damiano”
What captivates about the song isn’t just its historical curiosity or sacred theme but precisely how seamlessly it fuses these elements together through evocative storytelling woven directly into its soundscape. It resonates silently behind lyrics woven tight with lore—the anonymity of an object inspiring devotion morphing into vibrato-filled verses suggesting origins shrouded in time’s embrace.
Though modern audiences may find themselves more familiar with high velocity streaming tracks where message often plays second fiddle to beats per minute, “Crucifix of San Damiano” slows us down—it asks us to consider legacy and legend on a deeply personal level. The alt-folk genre breathes well on this terrain; just ask disciples like Bon Iver or Fleet Foxes whose hymnals have long combined nature’s mysticism with human yearning.
But make no mistake: while Jack doesn’t shy away from comparisons to his indie contemporaries—with traces echoing Sufjan Stevens’ tender extrapolations—he ultimately crafts his own niche altar among them: one part troubadour-poet straddling eras passed by candlelight nuances, another prophet singing past truths into today’s ever-shifting tides.
In essence: To listen to “Crucifix of San Damiano” is less about unearthing definitive answers regarding its titular artifact and more about accepting music as sacrament—a vessel carrying echoes old enough they might have once swept softly through St Francis himself had he been prone beneath ancient stars pondering crosses amidst uncertain skies laden heavy not just with rain but potentiality too undreamt by mere mortals without tunes like these to guide them home…or inward at very least.
Hannah Johnson's "Slow Motion" is a Funky, Synth-Heavy Ode to Love
Hannah Johnson’s debut single “Slow Motion” is not just an aural delight—it’s the sonic embodiment of an artist ready to redefine modern Pop with retro soul. The track unfurls around a groove that sinks its claws deep—the kind of funk-laden bassline that commands your hips to sway as if they’ve been bewitched by rhythm itself.
As earworm synth patterns spiral through the soundscape, one can’t help but be transported to the neon-soaked ’80s nightscape only to find it seamlessly merged with laser-sharp contemporary production. It’s as if Daft Punk decided to have a rendezvous in Prince’s iconic Paisley Park studio—a homage both timeless and audaciously new.
Hannah Johnson’s “Slow Motion” is a Funky, Synth-Heavy Ode to Love
But what makes “Slow Motion” sparkle like sunlight on a rippling sea is Hannah Johnson’s earnest message enveloped within her catchy lyrics and melodies—real love moves us all at its own destined pace, rewarding those patient enough with experiences beyond their wildest dreams. Her voice cascades over each verse with passion tinged by experience, imbuing every word about love’s tangible joy with authenticity; it feels less like listening and more like remembering.
Moreover, this fusion anthem basks in genuine feeling and solidifies Johnson’s position as not just another flash-in-the-pan songwriter but rather someone who has honed her craft for nearly ten years—an artisan whose tools are hooks that snag you softly yet profoundly.
Invariably, “Slow Motion” is not merely another addition to today’s pop vernacular; it is Poetry-in-Motion personified—a slow dance promised at life’s grand ballroom where we all yearn for songs exactly like this: eternal, evocative, enrapturing. Hannah Johnson is clearly here not just to join the pantheon but perhaps even reinvent it—measure by stirring measure.
No Terror in the Bang: The Dark Muse of "Lulled by the Waves"
With the hauntingly swelling “Lulled by the Waves,” No Terror in the Bang enticingly invites listeners into a swirling sea of emotion, where despair’s murky depths are met with an eerily tranquil state of being. This second single from their impending album “HEAL” washes over you, a cresting wave of cinematic metal that urges one to immerse within its pervasive undertow.
Poignantly capturing humanity’s darkest musings, the lyrics coil imaginatively around your consciousness like cold oceanic depths longing for surrender. The notion of death as both menace and sanctuary is rendered exquisitely through richly textured female vocals that rise and fall with a spectral charm; here lies an evocative siren call weaving creatively between sorrow’s dirge and liberation’s last breath.
No Terror in the Bang distills progressive metal down to its most poignant aspects—allowing explosively complex moments to live alongside those as delicate as sea foam spray on marbled skin. Their latest offering alternates deftly between frenzied turbulence and somnolent dreamscape—a chiaroscuro soundscape inviting reflection on life’s inherent tempests.
No Terror in the Bang: The Dark Muse of “Lulled by the Waves”
The music itself is an imaginative labyrinth; guitars ebb and flow around percussive breakers while orchestral flourishes soften sharp edges of pained introspection. It feels akin to witnessing a dazzling aurora borealis across indigo night skies—an undulation between eternal sleep under starlit sanctity or waking struggle against merciless tides.
“Lulled by the Waves” does not simply suggest darkness but immerses you within it, ensuring each listener emerges baptized by emotional authenticity—the blurring line between pain’s disdainful caress and yearned-for oblivion becomes startlingly clear under No Terror in the Bang’s spellbinding artistry.
Anticipating “HEAL” transforms now into bated breath; if this track serves as any portent, we should prepare for odysseys uncharted yet deeply known within soul-recess realms. Herein promises more than just songs: they’re woven narratives—with thread spun from anguish—that resonate long after final notes dissolve into silence…or perhaps beginning anew somewhere among unfathomable celestial waves.
Kete Bowers' "Holy Night" is a Festive Folk-Pop Gem
In the quietude of the festive twilight, Kete Bowers brings a gift wrapped in acoustic warmth with his latest single, “Holy Night.” Delicate as the descending snowflakes but steady in its emotive gait, this tune is where folk-pop encounters the festive spirit in an easy-listening embrace.
Bowers’ soft baritone voice serves as a beacon guiding us through winter’s reminiscence, illumination drawn from inside his narrative lyrics and treasured memories. The song depicts a landscape calm and hopeful; you can nearly hear the crackling firewood accompanying every gentle pluck of guitar strings—such is its atmospheric allure.
“Holy Night,” steeped not just in harmonic elegance but also ripe with poetic imagery, lays bare before us like markings on untouched snow—each imprint denoted by reflections that shimmer below festive lighting.
Kete Bowers’ “Holy Night” is a Festive Folk-Pop Gem
Very much like sitting with James Taylor for warm spiced cider or exchanging tales beside Paul Simon beneath mistletoe-festooned rafters, there’s an authenticity here that resonates past mere seasonal sentimentality. For those who crave solace amidst December’s hustle or seek consolation-clad melodies at year-end gatherings – Bowers proves himself once more a troubadour for restful souls looking for a moment of zen.
This tune floats through your consciousness like echoes of carolers beyond frosted windowsills—a calming voyage well worth taking on any Peaceful night when you need to unwind.
Perry Ripley's "Sinner": A Gothic Tale of Temptation and Vice
In the brooding depths of Perry Ripley’s latest release, “Sinner,” there lies a provocative exploration of temptation and vice. Hailing from Brighton, this independent singer-songwriter has crafted not just an auditory journey but a visual chronicle that teases the senses with its gothic nuance.
Much like witnessing Caravaggio channelling brush strokes into darkness whilst hints of light battle their way through, “Sinner” intertwines ethereal melodies with haunting lyricism to paint its somber tale. Its mood is redolent of Depeche Mode’s shadowy romance: profound yet laden with accessible despair.
Perry Ripley’s “Sinner”: A Gothic Tale of Temptation and Vice
The self-produced music video serves as a conduit between ancient scriptural warnings and modern-day malaise; it artfully personifies the seven deadly sins within a tale featuring Ripley as our fallen angel—a protagonist caught in the seductive lattice of sin’s embrace. This piece is cinematic storytelling folded seamlessly into musical form—Ripley doesn’t simply sing tales; he ensnares us within them.
As we traverse the harmonic landscape, one can’t help but applaud Perry’s triple threat maneuver—as creator, producer, and editor—an emblem of true indie spirit that promises even more intrigue in future instalments. So much accomplished here resonates beyond mere melody or lyrics—it elicits reflection on our own fragilities against temptation’s lure.
“Sinner” asks listeners not only to hear but witness—a sensuous testament to both our innate flaws and capacities for redemption wrapped in chilling cords echoing long after final notes dissolve into silence. A siren song for those entwined by personal demons or simply enamored with deep-toned meticulous artistry flowering from forbidden grounds.
Jeff H. Ulrich - “Love Might Not Wait”: A Tender Ballad of Divine Persistence
In the soundscape of contemporary Christian music, Jeff H. Ulrich’s latest single “Love Might Not Wait” emerges not just as a mere wave in calm waters, but rather like a sincere admission set amidst a storm of tenderness and necessity. As lone songwriter, main performer, and craftsman behind its production material, Ulrich weaves an close narrative swathed in holy resonance.
Upon pressing play, one is greeted with an ambiance that straddles both pop effervescence and easy listening grace—a synergy reflective of life’s intricate harmony between joyous celebration and contemplative peacefulness. Here is where vocal dynamism shines; it becomes instantly apparent why the balance between male and female voices are not merely duets but dialogues—each interwoven thread strengthening the tapestry that unfolds the story of celestial love.
Jeff H. Ulrich – “Love Might Not Wait”: A Tender Ballad of Divine Persistence
Vocals on this tune suggests robust confidence yet cradles vulnerability within each note—an illustrative duality capturing faith’s bold step out into uncertainty guided only by trust. Conversely, offsetting this masculine energy is a feminine presence dispensing soothing assurance that drifts through ears to nestle securely within hearts yearning for solace. This musical masterpiece features a guitar solo by an award-winning musician JL Fulks during the bridge.
Infused throughout “Love Might Not Wait” is an undercurrent ‘the ticking clock,’ an admonition of love’s inherent impatience: urging listeners toward redemption before time renders opportunity lost. Similar to how God presents his ultimatum of eternal grace through His Son’s sacrifice -insistent yet gentle- so does Ulrich beckon his audience with melodic persuasion toward forgiveness’ embracing arms.
With ears tuned attentively to spiritual echoes resounding off secular alcoves, fans might find reminiscent notes echoing works akin to Switchfoot or Casting Crowns here—but make no mistake; Jeff H. Ulrich has carved out his own voice; raw honesty entangled beautifully with divine reassurance in a song sure to resonate deeply among believers across boarders esoteric or geographical.
And long after the track quiets down—the haunting question remains reverberating within: will you let unconditional love wait? In answering such calls promptly lies hidden wisdom so elegantly laid bare by Jeff H. Ulrich—the beauty found squarely at crossroads where human hesitation meets divine persistence.
Super Saiyan Jay's Holiday EP "GC Presents An Unplanned Christmas"
In the kingdom of Yuletide rap, Super Saiyan Jay’s “GC Presents An Unplanned Christmas” EP materializes like an unexpected present wrapped in beats and bars. With just a duo of tracks, the conciseness of this holiday offering echoes the fleeting essence of December’s festive spirit—yet its impact is as enduring as any classic carol.
From the outset, “Deck The Halls” crowns itself as a reveler’s anthem—a fusion of thumping bass lines with merry mischief that could likely ignite dance floors even beyond Santa’s realm. Its party-focused vibe conjures images of tinsel-decorated turntables, a modern-day sonic sleigh ride tailor-made for hip hop heads eager to rock their ugly Christmas sweaters.
Swaying to another rhythm is “Wish List,” serving up warm rhythmic hot chocolate topped with sentimental rhymes. This track harks back to old-school hip hop cheer while charmingly weaving tales not just of lavish desires but also heartfelt wishes—to care deeply for someone amidst the glitz can resonate powerfully when authentically spun by Super Saiyan Jay.
Super Saiyan Jay’s Holiday EP “GC Presents An Unplanned Christmas”
Recorded at Palm Beach studio under Oscar’s technical mastery, there’s raw authenticity in each cut—a testament to an unplanned project that feels fortuitous rather than manufactured. One might think combining rap and festive tunes would yield garland-covered gimmicks; instead, it delivers astonishing subtleties—an urban soundscape decorated with sincerity and swaggering seasonal joy.
While only covering a couple of songs may leave some listeners craving more winter chronicles from this dynamic artist, Super Saiyan Jay masters distillation—the artful compactness evokes greater appreciation for each mesmerizing hook and clever lyric composed amid jingle-bell jubilation. Cheers to fresh Noel narratives where “GC Presents An Unplanned Christmas” is not just observed but celebrated—with flair.
Songwriting Secrets and Inspirations: Inside the Mind of Tom Minor
Today I had the pleasure of interviewing Tom Minor who is a London based musician, a musician with many talents. When we say talents I mean the talent to create elaborative tunes and lyrics that ponder important questions, Tom’s music is fascinating, he blends blues, rock , indie , and his sounds are so appealing that it can be enjoyed by people from all walks of life.
The title of his latest single, “Where Do You See Yourself In Five Years?” is one that steals your attention, I mean that was what really spiked my interest, and I wasn’t disappointed, he actually nailed it on the head. Tom travels on a juke journey via blues-rock rhythms about the intricacies of growth and fear.
In a recent interview with Mister Styx of Musicarenagh, we get into Tom Minor’s creative world, where he tells us how he is inspired and how his musical style evolved. Come with us as we reveal the heart of Tom’s craft, his thoughts on the music business and upcoming works including his much anticipated first album – “Eleven Easy Pieces by Anger & Disappointment.”
Prepare yourself to take a deep dive into the thoughts and tunes of Tom Minor as he reveals his ideas, tales, and undying love for making music that touches people’s hearts.
Listen to Where Do You See Yourself In Five Years below
Well, I was born Thomas Miner, and I’ve always been called Tom, so I guess that’s as far as my imagination went.
Where do you find inspiration?
I’d say my musical tastes are quite eclectic and I tend to follow all things indie more or less, often the quirkier the better. I also have an affinity for rootsier stuff, be it blues, country, folk, vintage soul, punk, new wave or even pure classic rock, as long as the song in question strikes a chord in me.
What was the role of music in the early years of your life?
I’ve been into music as long as I can remember really. My parents had a great record collection, and I always loved good old rock tunes as well as all the catchy pop melodies of the day they used to play when I was a kid.
Are you from a musical or artistic family?
Not particularly. I did inherit a great deal of love and appreciation for all art forms from my childhood family though. There was always music playing in our home. And although my parents didn’t really play any instruments, they used to sing a lot together along to the radio or records, especially at weekends and house parties.
Who inspired you to be a part of the music industry?
It must have been the slightly older kids in the neighbourhood who seemed to have all the best records. They started learning instruments and eventually formed bands, looked cool and sounded great whenever I had the chance to see and hear them play.
How did you learn to sing/write/to play?
I’m pretty much self-taught. Very few actual lessons, but a lot of listening, reading, trial & error and rehearsing on my own and with others.
What was the first concert that you ever went to and who did you see perform?
One of the earliest that I recall was this huge free concert in Victoria Park, London, where I went with my school mates. There was this local Brit pop band, whose name I can’t even remember now. I don’t think they ever recorded, but they totally blew our minds, and I’m sure we wanted to follow in their footsteps right there and then. Sometime later we went to see The Libertines, Arctic Monkeys and the like many times over.
How could you describe your music? What is your main inspiration?
I call it classic indie rock, broadly speaking and for lack of a more precise term. Musically, I’d say any piece of music that I happen to enjoy for whatever reason can be inspirational, and I do take a lot of influence from here and there. Lyrically, I guess I’m most often inspired by ordinary everyday things, be it human relationships or more universal issues.
Describe your creative process.
My songwriting process often starts with the title and some kind of basic idea for a viewpoint. Once I’ve come up with a promising candidate for a song title, I’ll let it work in my subconscious for a while, and if it still seems valid enough after a couple of days, I start writing down ideas around it.
Usually the musical embryo of the song begins to take shape at the same time, and the music and the lyrics often write each other hand in hand. When it comes to the recording part of the process, I like the song to be as finished as possible before I start fiddling with the recording gear.
What musician do you admire most and why?
If I could mention only one, I’d say composer Arnold Schoenberg. He pretty much single-handedly changed the course of (art) music by inventing the famous twelve-tone technique in the 1920’s.
Besides him though, I’d name David Bowie. He was obviously a great inventor as well and has had a huge impact on modern music.
Did your style evolve since the beginning of your career?
I guess so. My earlier stuff was more straight-forward, and a certain number of nuances and layers both musically and lyrically has no doubt crept in since.
Who do you see as your main competitor?
I don’t really see competitors when it comes to other musicians. We’re all sowing the same field, more or less, and the more good music there is in the world, the richer the culture will get. I guess the real competitors for all musos are other activities like games and social media these days.
What are your interests outside of music? If it wasn’t a music career, what would you be doing?
This is a tough one. Well, I’ve always been keen on reading, from poetry to prose, science and even journalism, so I guess I’d try my hand at writing something myself.
What is the biggest problem you have encountered in the journey of music?
Finding my own voice and style of writing was never hard for me. But it’s always a challenge for a beginning musician to get heard. I’ve been no exception.
If you could change one thing in the music industry, what would it be?
This one is easy: artists get paid way too little by digital platforms.
Why did you choose this as the title of this project?
Referring to my currently single “Where Do You See Yourself in Five Years?”, I always found that classic job interview question fascinating in some disturbing way. So I guess it was just a matter of time before that song wrote itself.
What are your plans for the coming months?
We’re currently mixing my debut album Eleven Easy Pieces on Anger & Disappointment, and it’s due out sometime in April or May.
Do you have any artistic collaboration plans?
Hopefully more so in the future. This much I can tell you now: I’m looking to deepen our collaboration with my producer Teaboy Palmer, who’s also a respected roots artist in his own right.
What message would you like to give to your fans?
A humble thank you to each and everyone for following me. And: hang on, there’s loads of nice stuff in the pipeline for the next few weeks and months!
Unleashing the Soundscape: A Conversation with Genre-Defying Musician Parham Gharavaisi
Welcome, let us dive into the world of multitalented Parham Gharavaisi, a musician who makes sounds like he blends colors – strong, surprising and completely his own, this man mixes types of music just as a crazy scientist does in an audio workshop.
Parham is not like most people in the music industry. He doesn’t like trends or want to be well-known. He just creates music for himself, where he pours his heart and spirit into every note. He does this even if it means being alone in a world that likes to put things into boxes. He’s like a rebel with guitar, finding his own way in the music world.
This might come as a surpise, but when it comes to production, Praham producedand recorded “Mirror’s Gaze” with close to zero musical instruments, but not much equipment, making his own recording and trying to understand the puzzles of music world comes with some problems he meets.
Parham Gharavaisi’s songs are puzzles waiting to be solved. It’s a window into his thoughts, where video game sounds mix with metal shouts and everything in between.
In a recent interview with Mister Styx of Musicarenagh, Parham made lots of disclosures and we’ll talk about where he gets his ideas, how he makes music and the big hopes that come with every song.
When asked about his plans this is what he said
“Additionally, I have two upcoming metal albums scheduled for the next two years, both professionally produced by other studios for the first time. The first album, titled Ghosts of Nations, is set for release on October 14, 2024.
It’s a rather grim album that addresses sensitive subjects such as societal collapse, domestic abuse, suicide, and mass shootings, among others. I hope to approach these topics in a tasteful manner. The second album, Infect the Clouds, is a concept album featuring a villain protagonist who is a disgruntled misanthrope seeking revenge on humanity. This album is scheduled for release on October 14, 2025.”
Mirror’s Gaze’ is expected to be released on 24th January so stay closed to have an experience of this. Here is a link to the official YouTube video which will go live on release day.
I had to choose my full name because it was the only option still available. Every possible combination of letters from the dictionary has already been taken fifty times over by other bands. You wouldn’t believe it, but even made-up words and misspelled words are already used as band names. So, the only reasonable option for me was to go with my own name, I guess.
Where do you find inspiration?
Mostly video games; I guess I’m a huge nerd since it’s pretty much my only hobby. Growing up, I played games on the Sega Genesis, which made me fall in love with the sound of its 8-bit music. Even now, it’s pretty much the same. In fact, some of my all-time favorite records are actually video game soundtracks. What was the role of music in the early years of your life?
What was the role of music in the early years of your life?
Well, my initial exposure to music was through video game soundtracks, which I grew up listening to. Later on, I was introduced to the metal genre, and it was an instant connection. I fell in love with the intensity, complexity, and emotional depth of metal music. This transition from the melodic and often atmospheric tunes of video games to the powerful and expressive world of metal has been a major influence in my own musical journey.
Are you from a musical or artistic family?
Not really, I don’t think so.
Who inspired you to be a part of the music industry?
No one specifically inspired me; I just thought that if I’m going to make music, why not also share it on the Internet? You know, what’s the harm, right? So, I just decided to put it out there.
How did you learn to sing/write/to play?
You could say I’m a self-trained musician since I never really took any formal classes or lessons. I vaguely remember some piano lessons as a little kid, but I don’t remember much from them, and I don’t really play the piano now.
My instruments are the electric guitar, electric bass, and classical guitar. Vocally, I do both clean singing and metal screams. This self-training extends to recording and production as well. In fact, I feel I’ve only recently begun to scratch the surface in achieving professional-sounding audio quality on my own.
My single Mirror’s Gaze marks a significant step up in production quality. The violin is one of my favorite instruments, and I aspire to learn how to play it one day.
What was the first concert that you ever went to and who did you see perform?
Actually, I’ve never attended any concerts or other kinds of live events. Social gatherings don’t interest me at all, and I tend to avoid them unless absolutely necessary.
How could you describe your music?
I believe diverse is the best word to describe my music, as it spans across many different genres and subgenres. This can be both a blessing and a curse, though in my case, it’s been more of the latter. It’s kind of too heavy for the pop crowd, yet too soft for the metalheads, if you see what I mean. In any case, this is the sound I like the most, so I’m going to stick with it, hoping to find my niche.
Describe your creative process.
Here’s my process for creating new songs: First, I start by composing riffs and/or chord progressions on the classical guitar, as it’s more convenient for me. Once I’m happy with the results, I transpose them into whatever key sounds or plays best on the electric guitar. After finalizing the song structure, I begin the recording process, starting with the electric guitar, followed by the electric bass. Once the guitars are recorded, I add in the drums. Next, I write the lyrics and vocal melodies simultaneously and then record the vocals. The final step involves adding synth elements and atmosphere to the song.
What is your main inspiration?
I wholeheartedly adore the sound of old-school melodic death metal as well as gothic/doom records. To me, metal is all about authenticity and catharsis; it’s about releasing a sound that truly embodies who you are, without any compromise or doubt. Ever since I was introduced to the metal genre as a young child, I’ve been deeply fascinated by both its aesthetics and philosophy. I knew from early on that this was the path I wanted to pursue in my own music-making. In a sense, I aspire to stand on the shoulders of the giants who have shaped this genre. With that being said, I do hope that I may contribute something new of my own as well.
What musician do you admire most and why?
Oh, choosing between Olivier Deriviere and Akira Yamaoka would be incredibly difficult! I absolutely adore every piece of music they’ve composed, so much so that picking a favorite seems impossible. While they primarily compose music for video games, and as I’ve mentioned, I’m a huge nerd, I’d rather talk about my favorite work from each composer.
Starting with Akira Yamaoka, there’s something magical about his song ‘Cradle of the Forest’ from the Silent Hill 4 soundtrack that’s hard to articulate. It has the most haunting atmosphere I’ve ever encountered in music, hands down. Everything about it perfectly harmonizes with the game’s themes. When you listen to this song, you can visualize the game; it’s beyond impressive.
The same can be said about Olivier Deriviere’s ‘An End for a Prelude’ from the Alone in the Dark (2008) soundtrack. The Bulgarian choir vocals are spine-tingling, and the orchestral background is simply out of this world.
However, if I had to choose my all-time favorite soundtrack, it would be Hideyuki Fukasawa’s work on the Chaos Legion Soundtrack.
Did your style evolve since the beginning of your career?
Absolutely! My debut was an instrumental post-rock album, featuring no drums or vocals. The albums that followed were a mix of rock and metal. It wasn’t until my 5th full-length album that I fully transitioned into metal. As for the subgenres, that’s a long story for another day.
Who do you see as your main competitor?
I’m not particularly well-versed in the music industry or other artists, so I can’t say for sure. However, if I were to hazard a guess, I’d say it would likely be another artist who experiments with blending various genres and subgenres together.
What are your interests outside of music?
Video games are undoubtedly my biggest, if not my only, hobby. These days, I’m mostly into competitive first-person shooters, and I take my ranking on the leaderboards very seriously, always striving to compete against the best. Mobile games have significantly evolved, so I spend a lot of my gaming time on mobile shooters, though I was primarily a PC gamer in the past. For instance, I’ve been playing Counter-Strike 1.6 since its early days. However, when it comes to story-driven games, I’m a huge fan of Action RPGs, particularly the soulslike genre, as I love overcoming meaningful challenges.
If it wasn’t a music career, what would you be doing?
My alternative interest would be either video game development, which I have some experience in, or writing. Speaking of which, I recently authored my first anthology book. It’s a collection of my older short stories, poems, and previously unreleased lyrics. You can find it on Google Books.
What is the biggest problem you have encountered in the journey of music?
Right, I can actually think of a couple of examples off the top of my head! As you might know, I operate from what you could technically call a home studio, but in reality, it’s quite basic. My only physical instruments are an electric bass and an electric guitar, which I used to plug directly into my PC’s motherboard line-in jack with an adapter. It’s only recently that I’ve acquired an audio interface to use with my new microphone. Frankly, I was quite surprised to realize that it didn’t make much of a difference, if any, in terms of instrument signal quality. However, I needed it to connect my dynamic mic, so there’s that. The point is, I have practically no physical gear, and everything you hear is the result of computer software magic. The fact that it’s now possible to make this kind of music without going to an actual studio filled with tons of colossal gear is a testament to how far technology has advanced. Impressive, isn’t it? One can only imagine where technology might go in the future. Honestly, it’s kind of frightening, I guess. The fear of the unknown and all, but I digress.
If you could change one thing in the music industry, what would it be?
I’m not sure, maybe add more kittens to the music industry or something, because I love animals. Like I said, I’m not deeply involved with the music industry, nor do I know much about it. So, it’s really hard for me to say what I’d change when I’m not fully aware of all the ins and outs. You see what I mean?
Why did you choose this as the title of this project?
I’ve always been fascinated by mirror metaphors in literature, so it felt natural to incorporate what I like into my work. The primary reason I chose Mirror’s Gaze as the title for this single was because I couldn’t find any other artist using this exact title, at least not from what I could find on search engines.
What are your plans for the coming months?
My ongoing plan is to release a new song every first Friday of each month. Additionally, I have two upcoming metal albums scheduled for the next two years, both professionally produced by other studios for the first time. The first album, titled Ghosts of Nations, is set for release on October 14, 2024.
It’s a rather grim album that addresses sensitive subjects such as societal collapse, domestic abuse, suicide, and mass shootings, among others. I hope to approach these topics in a tasteful manner. The second album, Infect the Clouds, is a concept album featuring a villain protagonist who is a disgruntled misanthrope seeking revenge on humanity. This album is scheduled for release on October 14, 2025. The tracklisting and lyrics for both albums are available online now.
Do you have any artistic collaboration plans”
I don’t have any specific collaboration plans of my own, unless it involves working with my friends and associates. However, I am open to receiving collaboration offers and will consider each proposal on a case-by-case basis.
What message would you like to give to your fans?
Be kind to animals. Peace!- What was the role of music in the early years of your life?
Well, my initial exposure to music was through video game soundtracks, which I grew up listening to. Later on, I was introduced to the metal genre, and it was an instant connection. I fell in love with the intensity, complexity, and emotional depth of metal music. This transition from the melodic and often atmospheric tunes of video games to the powerful and expressive world of metal has been a major influence in my own musical journey.- Are you from a musical or artistic family?
Embracing Holiday Spirit: Alison Wahl & Brian Berggoetz's Heartfelt Tune
“Christmas is the Right Time for Us” by Alison Wahl and Brian Berggoetz is a great song in Christmas music. This duo took a step back from the normal norm and have produced a breathtaking single that pulls at your heartstring.
For starters Brian Berggoetz is an accomplished guitarist who taught himself how to play and thanks to that he has many successes under his belt, shows off his special way of playing. His guitar skills, learned from playing at SXSW Festival and with well-known singers, make the song feel real and happy.
Alison Wahl, is also famous for her great singing and songwriting skills, and she shows off how good she is through complex finger strumming patterns and creative words. Her great soprano sound brings color, sharing an uplifting message with depth and thought.
Alison Wahl, is also famous for her great singing and songwriting skills,
The synergy between this duo is something that can be felt throughout the song. The best words in the song say, “When love is enough for us to share, Christmas is right time”. These phrase summarizes the theme of the song– celebrating our feelings above everything else. That’s a big lesson of this music too!
This holiday song is not just any ordinary one. It shows a secret chat between two people in love, hoping the magic of Christmas will push them to do something about their affection for each other.
Starting with Brian’s happy guitar playing and Alison’s light singing, the song shows a story of hopeful love. It tells a story we can relate to, saying that love is more important than getting things during holiday time.
“Christmas Is The Right Time For Us” is special because it’s full of joy and happiness. Alison’s singing, like a sweet snow fall, goes well with Brian’s soft voice. This makes it feel close and loving.
Listen to Christmas Is The Right Time For Us below
DT Unveils: The Evolution Behind 'Only a Matter of Time 2'
Welcome to DT‘s world. Here, music keeps changing and growing like living things! He’s the person behind “Only a Matter of Time 2,” which is his second project. He believes that success will eventually arrive as it did before in “Time Part 1”.
DT’s stage name came from his initials, but they were not picked by him. It stuck when folks began calling him that, and he accepted it. His ideas come easily. They are fired up by his love for music and respecting artists such as Larry June and Baby Face Ray, like a spark does naturally in the open air without help or support from anything else outside of itself (i.e., something not needed).
His music, as he explains it, is simple and natural, it makes you move your head to the tune while listening. He enjoys playing basketball, gaming and exploring places apart from music. He’s getting into basketball again after an injury. It is another thing he loves to do now.
He is getting ready to put out new music, videos, joint works and another big idea beginning 2024. DT wants his fans to understand he’s always there for them and is very grateful for their backing.
“Only a Matter of Time 2” isn’t just an album, it’s DT believing in his inevitable success. For him, it’s not simply a job; instead, he sees chance at tomorrow.
It’s my initial’s I actually didn’t even give myself the nickname name but I liked it once people start calling me that, so I start going by that.
Where do you find inspiration?
it’s natural to me . Always been a passion of mine. I’m also inspired by other artist like Larry June, baby face ray. It’s a few more but those are my main two
What was the role of music in the early years of your life? I enjoyed it it always helped my mood I prob had headphones on most of the time as teen.
Are you from a musical or artistic family?
Somewhat my mom likes to sing but she never got into recording . Couple only cousins do music too.
Who inspired you to be a part of the music industry?
It’s really just me . I like my music honestly . It motivates me to make more I get tired of hearing the same songs or waiting in my favorite artist to drop music so It push me to make more .
It’s really just me . I like my music honestly . It motivates me
How did you learn to sing/write/to play?
Naturally it’s just something I can do I use to write raps in middle school I had a blue book I kept in my back pocket .
What was the first concert that you ever went to and who did you see perform?
I think it was young jeezy.
How could you describe your music?
It’s raw it’s organic but it makes you bob your head . I love my sound .
Describe
Describe your creative process.
I honestly write random I could be out shopping and and lyrics just start coming to my head . I use to didn’t write them now but now I write everything
Down I think that’s why music better .
What is your main inspiration?
just hearing my music .
What musician do you admire most and why?
Larry June . We kinda move the same in my eyes and people say our music kinds give the same vibes when I be on my smooth tip .
Did your style evolve since the beginning of your career? Yes it definitely did I can probably rap on any beat now days .
Who do you see as your main competitor?Me its always me vs me because I’m the only person who can slow me down .
What are your interests outside of music?
Basketball , video games relaxing &
Traveling
If it wasn’t a music career, what would you be doing?
Basketball is my other career . I’m getting back into that as we speak I was hurt so I took a break from it.
What is the biggest problem you have encountered in the journey of music? The people you deal with and trying to get where I need it be with my music.
If you could change one thing in the music industry, what would it be?
Why did you choose this as the title of this project?
The meaning is literal it’s only a matter of time before I blow up. That’s how I see it . I feel it .
What are your plans for the coming months?
Drop some singles a couple videos , another tape for my brother vinnie LLV2 coming early 2024 . I have a few other tapes in the works sitting on 3 collab taps so they all coming soon .
Do you have any artistic collaboration plans
I have a few .
What message would you like to give to your fans?
Don’t be afraid to reach out to me , I appreciate every stream . Who ever a fan of me I love you , I love all my fans I appreciate the support .
Yvngerror's "Spyglass" is a Feel-Good Summer Anthem for the Ages
Slipping into the sonic vessel of “Spyglass,” Yvngerror, otherwise known as Mitchell Young, beckons us to journey with him on a boisterous ode to the elation of companionship. This single pulses through your speakers like a heartbeat fueled by pure rock ‘n’ roll adrenaline – scratchy guitars, rollicking drums from the masterful sticksman James Guercio (whose rhythms once escorted Elvis Presley himself), and male vocals that crackle with sincerity and youthfulness.
There’s no denying that “Spyglass” is imbued with an irresistible energy; it’s music meant for sun-soaked drives down memory lane or spontaneous dance parties in living room forts. Not just content to make you move, however—the track has depth too: Yvngerror writes with an ear for classic rock hooks while breathing fresh life into them under Alan Charles Smith’s deft production hand.
Yvngerror’s “Spyglass” – Mitchell Young
The song stitches together threads from different musical tapestries—there are nods to timeless legends, yet this is not mere pastiche. Instead, “Spyglass” cunningly weaves these influences into something current; imagine Tom Petty jamming with The Killers at a beach bonfire. It’s vintage heart worn on modern sleeves—a soundtrack for looking back fondly without ever slowing down.
Yvngerror’s “Spyglass” – James Guercio
“Sypglass” achieves what every great single should aspire toward—it instantly colors your surroundings brighter, leaves you richer in spirit and more connected to those around you. It invites listeners not merely as passive recipients but active participants—to clap along and be present in their joy amongst friends real or soon-to-be-met.
What Yvngerror delivers here is three minutes out of time—a chance encounter where everything clicks perfectly into place—and oh does it hum beautifully! Raise your glasses high; “Spyglass” compels us all to celebrate the alchemy of music uniting souls under its gaze.
Julo, is a pop musician who learnt how to play the piano during the early stages of his life and he has released a new tune named “Gone Already“. After his previous famous hit ‘Over Again,’ he’s back with a special treat for his listeners, one that is sure to catch your attention.
Well, the theme behind this song is quite obvious and relatable this song is all about Julo getting out of a bad relationship. It uses enjoyable electronic noises along with Julo’s voice is strong and has the power to alter your feelings. The music is easy, with a sound that makes his voice prominent.
Julo, who’s from Brooklyn, worked together with a producer called Dan Salazar to create this song. They took an idea Julo had on the piano and made it into a fun pop song. Julo’s voice reaches high tones and sounds very nice, showing he has skills with this kind of tune.
In “Already Gone,” Julo wants to say it’s okay when we have a relationship that isn’t good for us and moving on is the right thing to do. He wants us to know how valuable we are and not stay in relationships that make us feel down.
The music uses the sounds of indie pop and rock pop to create calm or high energy. It’s a song that makes us feel like we are in the sky, leaving all the bad stuff behind.
Julo’s “Already Gone” feels like having someone to cheer for us when we need to let go of bad things and start new journeys in life. It’s a tune that raises us up and gives us cheer to go ahead.
Immerse In Allen Kai-Lang Yu's Debut Album 'Winds of Change'
Allen Kai-Lang Yu, a musician releasing his first-ever album called “Winds of Change” he has poured years of his feelings and musical talent into this album. Working together with pianist Victor Hugo Morales, Allen has created a set of piano songs that go beyond regular music styles, touching deep emotions with their beautiful melodies.
The album starts softly with a song named “Whispers of the Wind.” It feels gentle and thoughtful, perfect for focusing or thinking about yourself. Then there’s “Tango Fantasia,” which combines lively tango and classical music in a catchy way.
“Peoples and Traditions” begins softly but grows stronger with different notes. It’s like listening to someone’s thoughts in music, showing both happy and sad feelings.
“A Fairy’s Tale” feels like a magical journey, changing between high and low notes beautifully. “Cityscapes” gives a classy New York jazz vibe, as if you’re sitting in a fancy piano bar.
Each song in “Winds of Change” tells its own story. “Pastoral River” makes you think about new beginnings, while “A Joyful Ride” feels playful and happy. “A Mother’s Voice” is like a soothing lullaby, comforting and strong.
“Foggy Bay” feels urgent yet calming, going from worry to acceptance. “Leaves in the Wind” is a bit sad but also brings a feeling of finishing something.
The main song, “One Shared Destiny,” is different from Allen’s usual style. It’s a pop song with a message of peace and togetherness. Along with his earlier songs “Mountain Mist” and “Habanera,” it shows how good Allen is at different kinds of music. Allen wants his music to bring comfort and happiness to others, sharing his private feelings with everyone.
Born in Taiwan and living in Southern California, Allen’s album is like a story of his life in music. “Winds of Change” invites us into a world where music and feelings come together, making it a special experience for anyone who listens.
Adrian Sutherland's song 'Precious' Is A nice look at culture and music."
Adrian Sutherland, who hails from Canada’s Far North, talks about his new album “Precious Diamonds”. He gives a tasty taste of it through the song “Precious” that shows what kind music he plays.
Working again with Grammy-winning producer Colin Linden in Nashville, Sutherland’s songs show his powerful singing skills and deep cultural connections. “Precious” is a powerful song that gets its inspiration from the soulful Black music coming out of America’s southern areas.
Linked to the problems of minority groups, it honors the ongoing worldwide battle for rights and freedoms. Sutherland’s voice shows strong feelings like the Black Keys, with singing from powwow and a big ending. This sounds similar to his music heroes he admires so much.
Made with fun tunes and delicate music, the song shows how good Sutherland’s voice is. It feels like modern blues and has unique sounds of accordion while playing B3 organ parts at the same time.
Sutherland’s music mixes rock, roots, folk and blues with his life tied to the Cree culture making a deep connection. His dedication to his culture is clear not only in his music but also by promoting important problems like dirty water and mental health.
“Precious Diamonds” is a big part of Sutherland’s music story. It shows not only his voice skills but also that he cares about culture too. These single songs, a great mix of old and new sounds, show how good Sutherland is at putting many types together. They make people excited to find out the interesting stories in his album. Adrian Sutherland makes lovely music and shows respect for his heritage. This will give you a wonderful hearing experience.
Country Charms: Unveiling the Warmth of 'Cinnamon' by Michael Louis Austin"
Michael Louis Austin, a country singer from Salt Lake City, is back with his new single “Cinnamon.” He became famous in 2020 for the album he made called “Radio”. His newest song tells about finding unexpected deep love.
The country music group called “Cinnamon” has a traditional sound full of strong guitar playing, powerful bass and loud drum hits. Austin’s nice singing, made for his love, easily shows how much he cares. This lets people on listen feel like they are also part of the feeling in the song.
This song creates a pleasant and happy feeling, telling a story of hope and relief through easy-to-remember tunes. The “Cinnamon” story may be simple in its design, but it is full of personality and has been carefully built. Written by the good Michael Louis Austin, this song’s fun pop-rock feeling means a lot. It is made better with pretty guitars and strong drum sounds that make it more likable for many people to listen to.
Austin’s voice is expressive and makes you want to listen. It tells a story about love and connecting with the soul, which nobody else can do better. As he candidly shares his personal experience, Austin’s sincerity shines through: Discovering surprising love after a broken heart, accepting it and later marrying his perfect match.
Taking ideas from great bands like Creedence Clearwater Revival, Counting Crows and The Wallflowers “Cinnamon” uses guitar sounds with drum beats. It also has emotional singing in it. The song’s exciting beginning and love-filled feelings, along with the strong feeling it gives off while singing, make a very connecting music experience.
Michael Louis Austin’s real song, “Cinnamon,” shows his love and thanks for his partner. The true words in the songs and how they are played give a nice hearing that may make you want someone special to hear it with.
Karen Conner's 'Pieces That Make Me' Is A Song That Really Gets You Thinking
Conner’s latest song, “Pieces That Make Me,” tells how life experiences help us make to know who we are. The story in the song is such a touching one. The song is a sweet reminder to love our whole life – the happy moments and sad times, joyful days as well as sorrowful ones.
What makes Conner different is her skill to go beyond normal. She adds realness into her music and it stays on the listener’s heart for a long time. “Pieces That Make Me” isn’t just a song, it is journey of feelings that softly opens up deep parts our hearts we forget.
Conner’s music is very strong, it easily tells a story that everyone can feel with it’s relatable lyrics. Her voice, which is full of feeling and depth, makes you feel things even after the last sound fades.
Karen Conner gives us music that is deep and easy for everyone to connect with it. “Pieces That Make Me” is a calling for us to accept our weaknesses and rejoice in the assortment of events that make up who we are. By doing this one song, Conner proves that she can become a new big singer who will make lasting changes in the music world.
Velcrocranes: "What If I Die" is a Tempest of Sound
Velcrocranes’ latest offering, “What If I Die,” hits the ears like a tempest of sound: it’s an existential scream into the void set to music. This 9-track magnum opus is layered with deep dread and raw energy that pulls you through life’s spiraling uncertainty—a symphony of reflections on mortality cast against a backdrop of human grit.
From the gritty growl of opening riffs, we launch into this visceral experience crafted by Velcrocranes—their unique blend of influences excavates new ground in every track. Each song unfurls its own contemplative narrative, weaving tales between textures; the piercing clarity in Efim’s vocals soars over Nikita’s thunderous rhythms while Alex and Liza draft intricate melodic tapestries buoyed by Bogdan’s bass lines—an anchor amid tumultuous sonic seas.
Laced within these melodies are moments reminiscent of past jazz greats—notes that speak eloquently before hurtling headlong back into frenetic electronic progressions and prog-rock declarations. It’s as though Velcrocranes has distilled vast musical eras to underscore life’s evanescence.
Velcrocranes: “What If I Die” is a Tempest of Sound
Yet, amid all this vibrancy lies profound introspection. Tracks simmer with disquiet about mortality yet defy silence with anthemic reverb. There’re palpable tension balances that lure you across a tightrope; heartbeats synchronize with beats per minute as one contemplates meaning amidst gyrating lights or under star-speckled solitude.
While revered for their distinct genre alchemy, Velcrocranes goes beyond mere soundscape architects—they are philosophers sculpting waves into audible form. Echoing whispers challenge orthodoxy just as resolute chords champion compassion over discrimination—each note proudly asserting identity against narratives imposed externally.
“What If I Die” isn’t just heard but felt—a cerebral journey danced through bodily realms. For anyone who craves music both grandiose and intimate—a soundtrack not just to ponder life but to live it boldly—this album compels attention until its final decrescendo imprints your core.
