Celebrating Unsung Heroes: Texas Panda’s New Single ‘Coach Said’
One song that stood out and which I am thrilled to recommend to you is ‘Coach Said’ by Texas Panda this song has huge appreciation, as a song that recognizes the unseen labor of Moms in sports. Paying homage to the unseen women who work tirelessly behind the scenes and supporting athletes “Coach Said” is a tribute to these women.
It is this kind of synergy that forms the basis of the single with St Louis based rock band Welcome Home which is reputed for their energetic and real stage presence.
Having been founded in 2014, ‘Welcome Home’ is an excellent addition to the project as the duo combines passion and musicality to work with the concept presented by Texas Panda.
“Coach Said” is going to be relevant to anyone who comprehends the significance of mothers in sports.
Intended for women participating in sports or over twenty-seven up to fifty years, “Coach Said” is going to be relevant to anyone who comprehends the significance of mothers in sports.
Beyond being a music producer, Texas Panda would want to look at himself as a music investor, and with this powerful message, is one that does not accept the norm. **“Coach Said”** urges listeners to open their eyes and ears and take time to appreciate the influence mothers has in the sporting fraternity.
Get Ready To Hit The Dancefloor With Wilza's - WHat You See
Wilza’s newest single “What You See” is not your typical remix – or simply put, it’s a spunky New Jack Swing song brought back to life and remixed in the Tech House style. Released under his newly-formed label, SwingBeat Records, it is the first release under Wilza’s Jack House moniker, billed as a project focused on recreating the vibe of late 80s / early 90s music.
Wilza, the DJ, has had more than twenty years behind the turntables and feels comfortable when mixing the genres. His versatility of House to being able to do R&B, Afrobeats among others has solidified his nature as a resident DJ in London especially with his 15 years stint at Market Place London.
Wilza, the DJ, has had more than twenty years behind the turntables and feels comfortable when mixing the genres.
Now, Wilza is applying that diverse background to his production work, and as “What You See” proves, he’s remarkably talented. Wilza ‘s cover maintains the catchy melody and braggadocio of the original song but overlays it with authentic house beats and synths typical for modern electronic music.
The end product is musical creation that is instantly catchy and with elements of both a times-less time and a time that is current. It can truly be said that the production is outstanding from beginning to end and is most definitely impressive.
Wilza has great groove in his bass lines, tight drums and nice horns sections and all these make one dance. The underlying synths and the colourful rhythmic and harmonic figures enrich the texture, whereas the vocals overlay it; the appeal to tradition is evident, but the modern appropriation is palpable as well.
The one thing that is quite remarkable in “What You See” is that it is so full of vitality. It has steady beats, raw sounding layered synths, and a funky bass line to ground the entire composition. It is a song that can make one dance or at least move along to the beat when it plays, regardless of the place one is.
The Pulltops just cannot disappoint with their ability to create good, memorable songs and this is evident in “Mission Control. ”It is their fifth record for this year, after the EP Sight Lines and three individual singles, and it captures exactly the sort of music they are known for: classic, alternative, indie, and pop rock.
It is crucial to highlight that “Mission Control” is quite memorable in vocal harmonies, which feature a vast variety of pitch – bass, middle, and treble. This is a chorale type of song with good backup and sing-along vocals that adds another dimension to the song.
The rhythm and lead guitars are well integrated and produce a full sound, with interesting riffs and chords supported by elaborate leads and harmonies. Supported by the steady rhythm section comprising of warm bass lines and strong drumming the track has a sound foundation and groove.
Synths and keys layer and enhance the song to turn “Mission Control” into a multi-dimensional rock treasure. In terms of topic, the song is a mix of hope, reflection, and desire for consistency, making for an engaging narrative. In “Mission Control,” The Pulltops demonstrate beyond a shadow of a doubt that their music is other-worldly.
Is there a story behind your stage name? We were about to play our first show, and we didn’t have a name. So we came up with one as fast as we could out of necessity. lol The Pulltops is a throw-back to the old soda cans from the 70’s that had the tab you would pull off, instead of the tabs they have now. We wanted something with a retro vibe to it.
Where do you find inspiration? We’re huge music fans, so we find a lot of inspiration in listening to music. But also sounds in general are inspiring. A new guitar effect, or a synth patch, maybe a new drum sound. Those kinds of things always give you new ideas.
What was the role of music in the early years of your life? Lots of listening to music at an early age. I had an older brother that had a great record collection I could listen too, and swipe a records from. But there was also music in school, the school band, etc. I also learned as many songs as I could on guitar from the radio.
Are you from a musical or artistic family? Actually, not at all. My sister plays piano, and still does. But my parents never played anything, and neither did my brother. So I have no idea where my sister and I got it from!
Who inspired you to be a part of the music industry? I was inspired a lot by my guitar heroes, David Gilmour, Eddie Van Halen, Brian May, etc. But also by the fact that music is such a big part of who I am, and I want to always be surrounded by it, that it just made sense to be part of the industry.
How did you learn to sing/write/to play? Songwriting early on started with learning how to play other peoples songs. You get a good sense of song structure, lyric writing, and story telling, from analyzing songs. And then there is a lot of trial and error. Writing a lot of bad songs! As far as playing, I did have some formal training. Piano was first, and then some band instruments in school. Guitar was a mixture of taking lessons, but also learning a lot on my own, just trying to figure things out by ear.
What was the first concert that you ever went to and who did you see perform? I saw Boston at Alpine Valley Music Theatre in Wisconsin years ago. I am a big classic rock fan, so there have been a lot of classic rock concerts over the years. But I do remember just being blown away by the shear volume of that first concert. Feeling the kick drum at that volume for the first time was impressive.
How could you describe your music? There are a lot of influences. So even though we stick to the rock, or the alternative lane, there are a lot of other styles that work their way into what we do. So one song might lean a little more towards 80’s synth, but the next might have more of a country influence. It’s nothing really planned. It just comes from listening to so much eclectic music growing up.
Describe your creative process. The music always comes first. Some kind of riff, or drum pattern, or synth or piano chord. Something that sets the mood or gives off some kind of emotion. Once you can lock into a feeling, you get inspired and build from there.
Something that sets the mood or gives off some kind of emotion.
What is your main inspiration? Guitar is my main instrument, so there is a lot of inspiration that comes from noodling around and coming up with riffs or ideas. I’m also a night person. I stay up late and write a lot after every else has gone to bed. Something about the night has always been inspiring, the lighting of it all, the mood at night.
What musician do you admire most and why? I’m a huge Pink Floyd fan. There were a lot of strong personalities in that band, and the music is very non-commercial, which is odd since they are a massive commercial success. But hardly any of their songs follow a regular song structure. Most don’t even have a chorus! They didn’t follow any rules.
Did your style evolve since the beginning of your career? It’s always evolving. It’s hard to settle firmly into one way of doing things when there are so many great styles of music out there.
Who do you see as your main competitor? I’ve never viewed any artists as a competitor. Everyone has their own style, and it’s all so subjective. Most of it is inspiring more than anything. Hopefully AI doesn’t become one. I’d like to see it become just another tool and not a replacement. I’m sure that will be the case.
What are your interests outside of music? I love dogs. We have 3 border collies right now. We’ve fostered dogs in the past, and we would like to do that again when we have more room in the house.
If it wasn’t a music career, what would you be doing? I was into computers more when I was younger. I still am when it comes to music creation. But if it wasn’t music, I would probably find something else creative to do on a computer.
What is the biggest problem you have encountered in the journey of music? Lack of time. That’s the biggest problem with anything. There is a finite amount of time. So you will never get everything done that you want to while you are here. That sounds so bleak, but it’s true! lol
If you could change one thing in the music industry, what would it be? I’d love to spend more time creating music. It’s a business, so you need to do the business things, promotion, etc. Sure, you could just create music for yourself, but that wouldn’t be the music industry then, would it?
Why did you choose this as the title of this project? “Mission Control” came up early on lyrically, and the song was inspired by that phrase, and the idea of calling out for help. It was a nice metaphor for the feeling we were going for.
What are your plans for the coming months? We have a lot of songs in the works. We have list of what we want to finish first, and we’re going to keep working through the list until we run out of songs. And hopefully we don’t run out!
Do you have any artistic collaboration plans We do have a lot of friends we want to work with. But that might night end up under The Pulltops umbrella.
What message would you like to give to your fans Life is full of a lot of struggles. A lot of what we write about is dealing with struggles on a personal level. We try to be encouraging, for others, and for ourselves. Just know that we are all going through this together. Hopefully the songs can help guide you through it all.
In My Eyes: Wolfgang Hildebrandt’s Vision of Love and Positivity
Wolfgang Hildebrandt, who is equally famous as a musical performer and record producer in Germany and across the globe, is also a celebrated actor and a philanthropist. He started his musical education at an early age when he learned to play the piano and the guitar when he was six years old, following his father’s instructions in Euskirchen, Germany.
Promoting world peace through music Wagner had another great opportunity in his early career as lead singer of a German Military Band. However, in 1997 he went for EMI Records where he started a brilliant Carrier where he has worked with different artists and performed for different personalities including Pope John Paul II and Nelson Mandela among others.
Wolfgang’s virtuous cause of employing music as a form of positive influence is seen in his piece “Let’s Build A House of Peace” that he created in the aftermath of 9/11. His new release “In My Eyes’ yet again proves that he has not lost the flame and has gone up another level. This fun song using elements of easy listening music, country, and pop was composed alongside Swedish songwriter India Perez.
May perhaps be due to its catchy lyrics, which promotes love, positivity, and hope, Wilkoszki has developed an engaging and creative music video with the help of AI to create cartoon-like wonder. Welcome to the show where we’ll immerse ourselves in Wolfgang’s success story, learn more about his music production and discover the stories behind the tracks.
Where do you find inspiration? I believe in God and I love to process everyday situations in my songs.
What was the role of music in the early years of your life? At a very young age, I was inspired by Dr. Martin Luther King’s speech. Every person, regardless of their origin or race, should have the right to live their dream. That was a great motivation for me to give my music the appropriate lyrics. Faith in Jesus Christ has always accompanied me and has always been a part of my musical work.
Are you from a musical or artistic family? My father was a businessman but singing and guitar was his hobby. He taught me everything and later I was in the church choir in the Protestant church and I learned a lot there. I felt at a young age that God had given me the talent to sing.
Who inspired you to be a part of the music industry? I was inspired by the music of 8-time Grammy winner and owner of a star on the Hollywood Walk of Fame, gospel singer, composer and pastor Andrae Crouch. Later we met several times in Los Angeles and became close friends and worked together on music.
How did you learn to sing/write/to play? My father taught me the basic chords on the guitar, but I eventually developed it myself. I always had a voice and received this talent from God and I am still very grateful for it today.
What was the first concert that you ever went to and who did you see perform? The first concert I attended was by Sir Cliff Richard.
How could you describe your music? Music that comes from the heart, is very melodic, is then processed to match the lyrics and thus I draw the listener into my spell
Describe your creative process. I usually take my guitar or sit at the piano and work on a topic that concerns me. These are usually topics that have been on my mind for a long time. But it is important to me that I try to spread a positive message at the end of the song, usually in the chorus.
These are usually topics that have been on my mind for a long time.
What is your main inspiration? Despite all the problems you have, you still have to convey something positive. For me, the basis for this was Dr. Martin Luther King’s speech “I have a dream.”
What musician do you admire most and why? As a Christian, I was very enthusiastic about Andrae Crouch. But I always loved country music as well as gospel music. First and foremost, of course, was Johnny Cash.
Did your style evolve since the beginning of your career? Of course, my musical style and of course my singing have continued to develop. I went to Andrae Crouch’s church in Los Angeles a lot and the singing of the colored community there always inspired me. I once sang along to Andrae Crouch for fun. God made a mistake with me, I would have preferred to have dark skin.
Who do you see as your main competitor? I have no main competitors or rivals. I am a very tolerant person and we can only learn from each other. I have absolutely no competitive spirit.
What are your interests outside of music? What I really enjoy doing, and have done so many times, is giving speeches about peace. I was very proud that I was able to give several peace speeches at the Brandenburg Gate in Berlin and I am also the official ambassador for World Peace Day in Berlin.
If it wasn’t a music career, what would you be doing? Either a lawyer or a priest
What is the biggest problem you have encountered in the journey of music? I have never actually encountered any problems, but I have had interesting experiences. For example, I love Africa and have performed there several times. It was always a special experience. I have already performed for the Nelson Mandela Foundation in Johannesburg and for Archbishop Desmond Tutu in Cape Town, South Africa, I gave a private concert.
I also gave several concerts in Windhoek, Namibia. Connecting people and building a future together taught me a lot in Africa, and I also incorporated that into music. Later, I also sent my electric piano to a church in Namibia and gave it to them. I love African music.
If you could change one thing in the music industry, what would it be? I wish Spotify didn’t have such power. Artists should earn much more from their songs and not just be fobbed off with percentages.
Why did you choose this as the title of this project? I wanted to write a love song that everyone could identify with. The song IN MY EYES is also reflected in the video. “In My Eyes” is more than just a musical creative effort; it’s a vibrant celebration of love, joy, and escapism. Crafted by Wolfgang Hildebrandt, an artist who understands the power of music to uplift and transport, this infectious track is designed to ignite a sense of excitement and elation in its listeners.
With pulsating beats and catchy melodies, it invites you to let loose and lose yourself in its rhythm. Behind the scenes, the collaborative effort shines through, with the artist joining forces with songwriter India Perez (actress & model) to craft lyrics that resonate universally. Rooted in the desire to create a love song that transcends boundaries, “In My Eyes” effortlessly bridges cultural divides, reminding us that music is a universal language that knows no barriers.
The accompanying “In My Eyes” music video, a labor of love and AI creativity, amplifies the song’s message of positivity and hope. Through innovative comic-style visuals featuring characters and musicians with luminous, oversized eyes, it captures the essence of joy and inspiration. Actress Rosemary Rittner’s presence adds an extra layer of charm, bringing the song’s lyrics to life.
It’s fabulous eye candy for a song that speaks to the power of love, and gives voice to the voiceless in a world where music serves as the salve, a prescription to help those yearning for human connection.
What are your plans for the coming months? I hope that my song IN MY EYES touches people, that they have fun and dance. I’m only concentrating on this song right now.
Do you have any artistic collaboration plans Yes, there could be a very interesting duet in January 2025, but I can’t say anything about that yet.
What message would you like to give to your fans I wish you all good health and a life worth living and if you enjoy my song IN MY EYES, then click on the YouTube video, Instagram or TikTok and share it. I would be very happy about it. Today is the day, not tomorrow not next week, today is the day to make a difference.
Two Minutes to Mosh: The Relentless Sound of Immolated"
Immolated arrived on the metal scene shortly after the guitarist’s first picking up of a guitar, and quickly involving themselves in music production. His stage name pretty portrays his music style, which is a mix of late 80s thrash and 90s death metal.
Taking inspiration of day to day struggle and the transience of life, Immolated then reflects the brutal part of the daily life into his music. What was once a one-man standpoint has metamorphosed into something with friends collaborating under the Immolated moniker.
Together, they are trying to bring headbanging feeling to people along with the main message of life’s cruel reality. I sat down for an intense discussion with Immolated to talk about everything about the band – including how he got started, how he taught himself to play, and what he has planned for the band and its music.
Listen to Two Minutes To Mosh (Feat. Forlorn) below
I kind of just thought what setting oneself on fire would feel like, you know, to immolate yourself.
Where do you find inspiration?
Day to day life. I find something crude and brutal about it. The thought that we’re dying a little more every day, selling our lifetime away in order to experience life. The challenges one faces daily when getting up to work, the diseases and illnesses that come from stress and such. The thought that every time you cross the street you could be ran over but you never really consider that. That sort of things, I find life overall crude, brutal and disturbing.
What was the role of music in the early years of your life?
Music was always an interest of mine, for example when seeing my brother play bass when I was little, or listening to Amerika by Rammstein and being amazed by the energy. It wasn’t until my teenage years that I found myself listening to music constantly, to deal with stress or depression.
Are you from a musical or artistic family?
Well… yeah. My father used to be a musician, from a band called ‘Los Grillos’ if I recall correctly. It was Chilean folklore music, which at the time was quite left-wing. Every time he talked about it he seemed happy yet sad. I understood that being a musician was something that really made him happy.
It was later in my life, nearly into adulthood, that I found out that when the coup happend in my country during the early 70’s, my father had just finished recording his first album. Due to the fact that a right-winged dictatorship had taken over he and his band burned all the records of their album, then split forever, never to see each other again.
My father passed away little more than two years ago, a few months after I picked up a guitar. To this day I wonder what he would’ve thought of what I’m doing now. I’m no believer, but somehow I hope he’s happy and proud.
Who inspired you to be a part of the music industry?
Nobody really, I just kinda bought a cheap guitar and a toy amp with my first salary and things took off from there.
How did you learn to sing/write/to play?
By myself, in my room alone. Sometimes I’d look at youtube videos, study a bit of music theory, but it’s mostly been me playing guitar to entertain and express myself nearly every day since I picked the hobby up.
What was the first concert that you ever went to and who did you see perform?
I went to see a friend’s uncle perform, who plays the bass like a madman. They’re called Arkonte, a local Chilean modern heavy metal band that mixed elements from classic rock, melodic metal, metalcore, amongst others. It was pretty fun, though I was quite tired for an entire week after all that. We’d been partying for two days by that point, so quite taxing to me at least but nevertheless very fun.
I went to see a friend’s uncle perform, who plays the bass like a madman. They’re called Arkonte, a local Chilean modern heavy metal
How could you describe your music?
This is a strange question to me. Heavy, I suppose? I’ve got a lot of inspiration from late 80’s and early 90’s thrash and 90’s death metal, so I guess you could describe it as a mix of them.
Describe your creative process.
I pick up the guitar and start playing, start arranging riffs and gluing ideas together until I’ve got something I consider solid.
What is your main inspiration?
Dying slowly and living my life away into existence, and what that means when applied to what I do in my daily, regular life.
What musician do you admire most and why?
Buckethead, because he’s an amazing guitar playing who’s found his way to breach his anxieties and other problems in order to breach into music.
Did your style evolve since the beginning of your career?
Well it’s just beginning, so no not at all I think.
Who do you see as your main competitor?
Nobody, I don’t see this as a competition at all.
What are your interests outside of music?
Videogames, sci-fi, mechanics, electricity, literature, among a few other things.
If it wasn’t a music career, what would you be doing?
Well I don’t really have a music ‘career’ per se. I have a normal, regular job in the IT industry and I just become Immolated in my free time.
What is the biggest problem you have encountered in the journey of music?
Being consistent, not giving up, and not succumbing to the feeling of not being good enough.
If you could change one thing in the music industry, what would it be?
I’d make it less about ego and vanity than it currently is.
Why did you choose this as the title of this project?
Sometimes I feel like waking up and getting out of bed is like being in a mosh kind of, and life goes pretty fast nowadays, like you’ve got two minutes to do everything, and it’s never enough.
What are your plans for the coming months?
Keep releasing music, get my own place so I can scream into a microphone and start adding vocals to my songs.
Do you have any artistic collaboration plans
Well yeah, I wanna make music with my friends. Forlorn is actually one of my very best and closest friends, and I’m pretty happy to be making music with him.
What message would you like to give to your fans
Life is like a mosh pit, you just get hit in different places and get sore in different ways. Keep at it, keep moshing.
Xenia’s newest song “Only With You” is a lofi/chill pop single that is perfect for couples and anyone else who wants some quiet music. Soft rhythmical beats and harmonic flows set the mood of the track, which may perfectly complement, for example, a cup of coffee with someone you like or a Sunday spent together.
The unique timbre of the vocals combined with the subtle backing music establishes a warm and loving tone. “I wanted to capture those less cliché, special moments we spend with the people we care about,” she says. This idea raises its head throughout the track, in the minimalist arrangement, in the layers of sound that seem to suggest a kind of calm, meditative droning.
The unique timbre of the vocals combined with the subtle backing music establishes a warm and loving tone.
Each and every aspect that surrounds “Only With You” gives off a sleepy sort of vibe. The soothing tempo and amorous mood make it appropriate for quiet nights, intimate parties, or any other event when you just want to spend an entertaining time. The emotions that Xenia puts while narrating the episodes make it more intimate and personal to listen to.
What Xenia has created here is more than just a song – it is a warm hug, cherishing all that moments of life has to offer. In “Only With You” the audience gets to see her bring out the capability to make musically heartfelt tunes, which sets her apart in the current pop music landscape.
The Magic of Melody: Centric on 'Do Time' and Future Projects
Centric is a music composer and record producer and has joined forces for the first time with Grenadan singer-songwriter CJae on the new track “Do Time. ” This track fuses Afrobeat and R&B, giving the audiences a chance to see the compatibility between the two artists.
The electronic production is in amazing synergy along with the soulful R&B touch for the song where the additional high pitch catchy hook is perfectly sung by CJae.
“As for inspiration, yes music can come from anywhere but when I get inspiration to create, what I do is I map out basically the architecture of it in my head and then build it from there we had an interview with CJae and he is pretty much so talented when it comes to songwriting, he wrote the record he usually gets where I take the melody emotionally we just have good synergy.
Thus, “Do Time” gives listeners the first sneak peek of the upcoming joint album, *Redlight*, combining Afrobeat and R&B in unique ways. In this interesting interview, I focused in understanding his creativity, his journey in music and what his fans should expect from him in the near future.
Embracing the Magic of the Moment: An Interview with Wilcken
Meet Wilcken, one of the best musicians out there, who is releasing his solo project EP called ‘Stereo’. At 24, after eight years in the industry, Wilcken has gone to his own small studio to produce music that many consider personal.
He is one of the universe’s biggest advocates for remaining organic. No autotune, no comping – just a live talent at its best, and it was fun seeing it in that raw form. All the songs in *Stereo* are from specific years and the state of mind – and they were all recorded here in this studio. As promised, we got to the heart of the matter by interviewing none other than Wilcken about *Stereo*.
The EP is divided into four songs, and it is as if the band took each song and sequenced it, recording it until it became perfect, yet they still gave the recording an organic, live feel. Wilcken has to be eager about this one and he is quite explicit about who needs to take the credit.
For this, he enlisted Philipp Buck to come and put some drums on ‘Round Midnight’ to beef up the sound of the track. From its name borrowed from ‘Seasons’ all the way to the sultry ‘Past Midnight’ and the soothing ‘Inhale’, *Stereo* is set to be quite the ride.
Next up: we will be following his creative process – his motivations, dreams, and inspirations. Therefore seated, let us introduce you to the man behind the music and the story of *Stereo*.
**Is there a story behind your stage name?** I used a long fake name for my first solo shows (Jeminem Demingway). It got stuck when I played bass in a power pop band. A friend asked me why I used a fake name. I thought about it, and WILCKEN, my last name, became my stage name.
**Where do you find inspiration?** Everywhere. I worked contractually for a long time, so I can take inspiration from almost any topic. You just have to look close enough. For my solo work, a lot of inspiration comes from improvisation.
**What was the role of music in the early years of your life?** Music was, and always has been, around me. I was a very musical child and tried to learn a few instruments. When I was 13, I got more serious and wanted to become a guitar player. However, I had a motorcycle accident when I was 19 and broke my hand, so that was off the table.
Music was, and always has been, around me. I was a very musical child and tried to learn a few instruments.
**Are you from a musical or artistic family?** My parents play instruments, but there wasn’t anyone I could learn from about making a career in music. I’m the first in my family to take that path.
**Who inspired you to be a part of the music industry?** It’s difficult to say who. There are so many great artists. I would rather say what inspired me. The feeling of making music and playing live is something I have not encountered in other parts of my life. This feeling always drags me back to music.
**How did you learn to sing/write/play?** I learned a few instruments, but mostly it was curiosity. Music and writing lyrics gave me a way to express certain feelings and draw people’s attention to topics that are important to me. Later on, I studied classical singing and composing because I wanted to dive deep into the technical and theoretical realms of music.
**What was the first concert you ever went to, and who did you see perform?** I honestly don’t know. My parents took me to a few concerts as a child. But the first concert for which I bought a ticket was Eric Clapton in Dortmund when I was 13. That was a blast.
**How would you describe your music?** My solo project, WILCKEN, is driven by an emotional approach. I want people to feel emotions through music. For me, it feels like writing a soundtrack for different emotional states of mind, and I bring everything I can offer to the table.
**Describe your creative process.** I usually have a melody or words that evolve spontaneously in my head, or I improvise or practice guitar, and something catches my attention. Then I try to create an environment where this idea can unfold into a song.
**What is your main inspiration?** Everything and everyone around me.
**What musician do you admire most and why?** I have to pass on that question. Right now, I admire Julian Lage a lot. I love his style lately. He just plays the right amount of notes, and I never feel like he plays to impress.
**Has your style evolved since the beginning of your career?** Yes, and I hope it always will.
**Who do you see as your main competitor?** I don’t believe in competition; I believe in community. I feel that is the only thing that can save this planet if we stop competing and unite by agreeing on certain things.
**What are your interests outside of music?** I have a lot: literature, fine arts, theater, sports, audio technology, cooking. I’m basically a nerd for everything that can be repaired or fixed.
**If it wasn’t a music career, what would you be doing?** Having a bistro or working full time with guitars and audio gear.
**What is the biggest problem you have encountered on your music journey?** The devaluation of recorded music. It’s something you can’t really make money from, but it costs a lot of money and time. Also, if you consider yourself a live musician, you can’t avoid it.
**If you could change one thing in the music industry, what would it be?** Either prohibit all streaming platforms or pay everybody who has uploaded an album on one of the platforms a monthly grant of $1,500 for two years or until the next album.
**Why did you choose this as the title of this project?** “Stereo” is the title of the second single. I like the concept of the idea that you have to listen to two channels to get the full picture.
**What are your plans for the coming months?**
At the end of August, I’m releasing a new single with my duo MONOHAZE. My other duo, OMG Schubert, also has something coming up. My new single will come out at the beginning of October, followed by my second EP. So, a lot of music.
**Do you have any artistic collaboration plans?** Yes, with OMG Schubert and MONOHAZE, but I’m always open to new ones. So, fellow musicians, if you read this and dig my music, get in touch.
**What message would you like to give to your fans?** Be kind and grateful.
Lifted By Chandra Is The Most Wholesome Thing you would watch Today
I recently stumbled upon this cool band from Bristol – do you know Chandra? They released a song recently titled ‘Lifted’ which curiously has been in my head all this week. Well, I first got to speak to the band’s frontman, Chandra Nair, and he is one of the humblest people you would ever come across.
From the concept of how they thought of “Lifted” to questions about what goes on in their minds as performers we covered it all. These guys have been busy lately, a lot of good stuff. Besides the jam called “Lifted”, they had a couple of other tracks that can be considered bangers, such as “Pretty” and “Smile
(No Fox Gibbon)”, despite the funny name of the song it is dope.
What strikes me about Chandra is it blends various styles of decoration and furniture pieces. Somehow they took alt-rock, added a pinch of pop-rock, a dash of indie, and it is something magic all together. Well, it’s one of those songs that gives you a good moral feeling, you understand.
Anyway, Chandra, the band in question, had some rock-solid things to say about their music and their direction. If you enjoy discovering new British artists or if you have the idealistic vision of musicians with sunny disposition, then you should probably watch our interview. I tell you, these fellows are heading straight for the stars!
Is there a story behind your stage name? It’s my name! I went through many different phases of names… tried names based on clever marketing etc etc but in the end my songwriting centred on writing about things that I’d experienced myself so it made sense to just use my own name.
Where do you find inspiration? Everyday struggles and breakthroughs. I used to think that the things I’ve been through and overcome in life were unique to me and nobody else would understand or be interested. But it turns out that us humans generally all go through very similar things and being able to sing about the light at the end of the tunnel is a universally understood and welcomed topic.
So I very simply write about my journeys safe in the knowledge that many people have experienced, are experiencing or will experience the same things.
What was the role of music in the early years of your life? I think being surrounded my great melodies was really important for me. Carpenters and The Beatles were always playing… my mum was always singing… I was in the choir from a very young age. I remember I was really young when I got my first Casio keyboard that had the keys light up in order so you could learn to play along to songs such as Greensleeves and Rainy Days And Mondays by The Carpenters.
Are you from a musical or artistic family? Not at all. Neither of my parents are artists or play musical instruments. Sometimes it’s just there I guess!
What was the first concert that you ever went to and who did you see perform? R.E.M. 1995 Monster Tour at Milton Keynes Bowl. First gig I ever saw. Changed my life. I was always into music but it had never crossed my mind that you could do it for a living. But that gig changed my life and the next day and woke up and knew that all I wanted to do was be in a band.
How did you learn to sing/write/to play? I could always sing… from as early as I can remember. So I’ve never learned to sing properly (and that’s probably why I’m not a brilliant technical singer) and I think I get through on the passion that’s in my vocals. Guitar… self-taught, starting the day after the R.E.M. gig. Luckily I’ve always had this ability to hear a melody, notes or chords and be able to replicate them.
I could always sing… from as early as I can remember. So I’ve never learned to sing properly (and that’s probably why I’m not a brilliant technical singer)
How could you describe your music? Let’s be honest; we write pop music that just happens to be written on guitars and played by a rock band. I come from an indie-rock teenage background so I will always have a rock edge at the forefront but cut me open and I bleed pop.
Describe your creative process. Genuinely, there isn’t one. In go to sleep, I dream of a melody. It wakes me up. I just out of bed and record it on my phone (otherwise it will be gone by the time I wake up). I wake up and listen to it and the whole song is just there. Done. The lyrics take longer. I take a long time to hone lyrics because while I know what I want to say, it’s really important to me that the lyrics are perfect.
What is your main inspiration? I picture people having an awesome time at a gig. The music is rocking their world but they go home with a really important, positive message in their head that makes them want to go away and have a brilliant week. That image is constantly at the forefront of my mind and if a song doesn’t do that it’s in the bin.
Did your style evolve since the beginning of your career? Yes, massively. When I was a teenager I was massively influenced by Britpop: Suede, Radiohead, Mansun, Muse, Elastica etc etc. And so in my first band we basically sounded like Muse. And that was all good and well but over the years I decided that what I really wanted to do was write music that inspires people to be better… to be the best version of themselves.
So I’m writing music now that I wouldn’t have the balls to put out before. Young me would’ve been embarrassed to put out uplifting music. Older me doesn’t give a f**k about perception.
What are your interests outside of music? I’m a big Gamer. Always have been. Always will be. I’m a big Nintendo fan. Legend of Zelda, Metroid Prime. That’s me all over.
If it wasn’t a music career, what would you be doing? Video editing and special effects. I do a lot of that and it comes in really useful as we make most of our own video content!
What is the biggest problem you have encountered in the journey of music? The music industry machine.
If you could change one thing in the music industry, what would it be? Well, it’s the same in any industry these days but the pressure of needing to hit quarterly budgets and get an immediately return on investments means that there’s practically zero opportunity for the industry to discover something great anymore. I wasn’t born in tyat era but I think of the industry in the 60s and 70s as this hallowed era where discovery was everything. in 2024 it is the opposite I think. Beyoncé write a country song so all the music industry is interested in is country music. It’s just lazy. Music lovers deserve better than to be treated like robots.
Why did you choose this as the title of this project? It’s really simple; the whole song is designed to lift you up and make you feel your best. The music, the lyrics, the video… it’s all written to help you have the best day.
What are your plans for the coming months? Well we have lots of gigs coming up but the most exciting thing is that we’ll be releasing our debut EP REALLY soon. All the singles we’ve released so far as well as one new song. I really hope that the EP is like a tonic… 25 minutes of music that lifts and inspires you, and make you want to dance the day away and send good vibes out into the world.
And then we have a Christmas single coming! I love Christmas… if you listen to our most recent single…. Smile (No Fox Gibbon), Pretty, I’ll Be There, Lifted… I reckon you can get an idea of what a Christmas single might sound like!
What message would you like to give to your fans? Just remember that we all have good days and we all have bad days. But whatever you’re going through, remember that you’re not alone and other opeople will have gone through it to. The fact that they are still standing shows that there is light at the end of the tunnel, even if you can’y see it. I’m not very good at talking to people but I think I’m better at writing songs that talk directly to people. So please listen to our music and I guarantee it will lift you up.
Exploring Rhythm And Soul With Dorian On Reconnected
Prepare yourself for an exclusive interview with Dorian, the revolutionary musician who makes his own rules in the industry. It is always refreshing to see musicians that produce just music but incorporate several emotions into their song. Dorian has proven beyond doubts he is an artist to look out for and his new track “Reconnected” is going to change your life.
I don’t think you could say that Dorian is simply an artist. His tracks are hard to describe and categorize, but once you hear them, you’ll never be able to forget them. A soulful singer whose words directly touch our heart, he composes song that linger in the minds of his listeners.
This is a great advantage for Dorian because it gives a new dimension to the word ‘reconnected. ’It is an upbeat pop song, more precisely a dance track which lyrics are about a person who is trying to get back to another person he knows.
I kid you not, you are going to hear this song on the radio and at every beach party this summer. For all the romantic souls out there who have felt the pangs of an absence, this song is the perfect one. Dorian’s been on a roll and has not looked back since he first came to prominence in 2019.
He’s released five killer tracks, and every single one of them by dropping boundaries of what music can be. Another track was ‘Reign Love’ that received more than 500 thousand plays; he has more than 2 million plays in total. The year before that, he even managed to take away “Artist of the Year” from ‘EnJOY The Mic’.
So Join us as we ask him everything from what goes on behind the scenes of his magic to how he gets his inspiration and what he is envisioning for the future. So make sure to put your headphones in, and let’s go behind the scenes to meet the man behind the music that everyone’s been buzzing about.
What is your stage name? It’s simply my name, Dorian.
Is there a story behind your stage name? It was given to me at birth by my Mother! Lol
Where do you find inspiration? From my life, life happening around me, in my loved ones’ lives. I draw inspiration from it all.
What was the role of music in the early years of your life? Music was always a safe space for me. Discovering so many artists and songs that I loved, I remember recording songs onto tape off of the radio, and making my own little mixes. I always enjoyed being creative in music. I sang in the children’s choir at my church as well. So music was always a deep part of my life.
Are you from a musical or artistic family? There are quite a few artistic individuals in my family! Artists, writers, and a few of us who love singing. I grew up watching my Dad sing many lead songs in church and admired him in many ways.
Who inspired you to be a part of the music industry? I’ve always dreamt of it as a child. I think fear held me back from realizing it was possible for me for so long.
How did you learn to sing/write/play? I guess self-taught as far as singing; and also learning the basics of harmony, blending, things like that in my church’s children’s choir. Writing always came to me naturally, as does expressing myself, which is a blessing.
What was the first concert that you ever went to and who did you see perform? My Aunt took me around my 15th birthday to see my favorite singer Monica. I was so excited because I spent years loving her and her music!
How would you describe your music? It is personal, inspirational, heartfelt, authentic, soulful, and passionate! I think sonically it pulls inspiration from so many sounds and genres. But overall, it is rooted in Rhythm and Soul.
Describe your creative process. I like to browse online and listen to beats to get inspired. I love checking out new talented producers who are dreamers like myself. So I first look for inspiration. But I have to be honest, I think my best songs are written when the inspiration comes to me. Sometimes it’s best to just let life happen!
What is your main inspiration? Love. God’s Love.
What musician do you admire most and why? Michael Jackson. He is simply the greatest. He personifies what it means to be an entertainer, a trailblazer, a humanitarian, and an inspirational icon. He touched millions of lives by being a vessel in music. I aspire to be that kind of artist.
Did your style evolve since the beginning of your career? Most definitely. As I previously mentioned, I draw inspiration from my personal life. And my life has evolved and changed so much since I first started. I’ve grown and changed as a person and artist so much. I think my new album and single will be very reflective of that evolution.
Who do you see as your main competitor? Myself. I can get in my own way. And I am praying to get better at dealing with my inner saboteurs!
What are your interests outside of music? I love, love, love video games. One day I’d love to merge the two passions. I want to make music for video games one day.
If it wasn’t a music career, what would you be doing? Acting, maybe another go at modeling, and some form of modern-day content creation. Lol
What is the biggest problem you have encountered in the journey of music? I think the music industry from a systemic standpoint could most definitely use a complete overhaul. The creatives in the industry deserve so much more—equality in opportunities, fairness in pay and compensation, honesty in business dealings, boost in morale & morality, etc.
If you could change one thing in the music industry, what would it be? Bring back the 90s vibes! Lol, that was a special time in music and life for me. I just wish we could go back to a time where musically, artistically, the bar was set so high. But, I do love that the TikTok generation is discovering the all-time classics and bringing them back into the algorithm, that’s so cool!
Why did you choose this as the title of this project? “Reconnected” is the title of my single and album because it exemplifies all things me right now. Reconnecting with my purpose, fans, friends, family, myself, so many things! I ruptured my Achilles last year, so even my tendons have reconnected—lol. After taking some time off to heal and unplug, “Reconnected” is just so fitting.
What are your plans for the coming months? Check out my music video for “Reconnected”, releasing 8/4. My album will be out later this year! I will be all throughout the DC, Maryland, and Virginia area promoting my music and performing. My podcast with Jeriel Harvey “Embracing Your Love Marks” is in its 2nd season, check that out! Check out my Linktree for all my socials, for more music, visuals, and creator content!
Do you have any artistic collaboration plans? Check out the up-and-coming Wyte Off Da Come Up’s new summer sexy song “Early In The Morning” featuring me! It’s vibey.
What message would you like to give to your fans? Thank you for the support! I love you and thank you. So much more in store!
Max Norton Shines with Emotive Rock in 'Nothing In This World'
I recently listened to Max Norton’s latest single entitled “Nothing in This World,” and it is a standout when it comes to the forthcoming London-based artist. As a love song, this track comes as the last from the “Each One Is A Movie” EP and the catchy tune delivers promises and admiration like a breath of fresh air. It is evident that Norton did well in transition from a drummer to a frontman. His aptness to write songs that are personal but can be understood by anyone is seen in this piece.
In short, “Nothing In This World” is not just any ordinary love song – it is a love song for the ages, coated with indie rockness that is irresistible. It is this concern for detail which makes this track stand out from the rest, thanks to Norton. which he played all the instruments for, has given him lush backing and a warm register befitting his honest lyrics.
The visual presentation is clean but natural at the same time, adding to the rawness of the song, something that is very rare nowadays due to excessive auto-tuning. The lyrics of the chorus – ‘All my life, I’ve been searching for you’ can be interpreted as the experience of discovering something that was not sought for a long time.
This is the kind of message that can easily find an echo in most people regardless of their station in life. The song ‘Nothing In This World’ on the EP serves as the last song and complements the rest of the songs perfectly. It reflects the message of hope and change in the song “Each One Is A Movie” making audiences feel fulfilled and wanting to play the song again.
In a music scene that can often feel oversaturated, Max Norton’s “Nothing In This World” stands out as a reminder of why we fell in love with indie rock in the first place. It’s honest, it’s heartfelt, and it’s the kind of song that sticks with you long after the last note fades. Whether you’re a die-hard indie fan or just someone who appreciates good music, this track is definitely worth adding to your playlist.
From 'Social Paralysis' to 'See Ur High': Sarah O’Moore's Musical Journey
Did you know that there is a person in America called Sarah O’Moore?This girl has been getting really popular recently, and for a very good reason. Sarah really has a voice, and the way she narrates her experiences through her music?Oh, boy, does it ever tug at the heartstrings.
Just this year, Sarah released her first EP titled “Social Paralysis” in May, and now she releases a new song that has left fans stunned. It’s called “See Ur High”, and as you already know it is not something that you would easily forget.
It actually describes the awful situation many people get into – you know, that state where you are in love with a person despite the fact that he/she is no good for you. The way Sarah entices the audience with her lyrics and that eerie tune, it feels as if she is speaking directly to you.
I understand why individuals are getting fixated on her music now. It is so amazing of her to always capture those emotions that we sometimes cannot fully express.
Geez! We can’t wait to catch up with Sarah and ask her how she even comes up with this stuff. Where do the ideas come from?Tell me the backgrounds of these killer tracks?I am sure you wouldn’t want to switch off the TV at this time.**Interview Titles:**
What is your stage name I don’t have a stage name it’s just my name which is Sarah O’Moore
Where do you find inspiration
When it comes to inspiration for my music, I draw ideas from a wide array of sources, making creative process both exciting and unpredictable.
Reading is a significant source of inspiration for me. Additionally, i find inspiration in the world around me, even in everyday conversations. Ultimately, inspiration can come from anything that resonates with me emotionally. its about being open and receptive.
What was the role of music in the early years of ur life? yes it was more than just a sound in the background, it was a source of comfort and joy. music had a way of lifting my spirits and made me feel grounded in my surrounding.
yes it was more than just a sound in the background, it was a source of comfort and joy.
Are you from a musical or artistic family? While my family isn’t musical in the sense of playing instruments, they are passionate music lovers and keen listeners. Growing up, music was always a signifcant part of our lives. my parents encouraged me to engage in the arts. This sort of shaped my appreciate and understanding from an early age
From the Vault: Ari Joshua’s Post-9/11 Tribute 'Tagine'
Ari Joshua’s latest release, “Tagine,” catapults me back to the era of self- and societal brainstorming in the early 2000s. This is an unheard previously track that was cut at Wombat Studios, Brooklyn, with guest appearances from Marco Benevento on the organ and Joe Russo on the drums. Combined, they produce a mood that is somber and foggy, yet expressive of something profound and truly powerful.
The name ‘Tagine’ is derived from a Moroccan restaurant in New York city in which Benevento started weekly sessions attracting talented players. You can see what close friends are like in the trio; they grasped the experience of those intense sessions. Joshua’s guitar is dark yet complex and perfectly synchronized with Benevento’s organ notes and Russo’s stomping on drums.
It goes beyond a simple musical creation as a record of emotions that New York felt in the years following the September 11 tragedy. Joshua tells me the harrowing experience of having to drive across the Brooklyn Bridge with gears and burdened by sad news to Tagine under more security than usual. It brings an additional layer of meaning to the track – a sense that enriches the experience of listening.
It goes beyond a simple musical creation as a record of emotions that New York felt in the years following the September 11 tragedy.
The name ‘Tagine’ is a reference to an African cooking pot, but the music it contains is progressive and psychedelic fusion with touches of Coltrane and Davis. The ideas of the band are experimented here, but at the same time, make the song timeless yet new.
It is the way in which one can tell where they are and what a specific time period is all about simply by listening. The song “Tagine” is one that fans of Ari Joshua, a jazz fusion artist, ought to listen to. It depicts the young budding talent and the nascent works of Joshua, Benevento and Russo who later on became critically acclaimed artists.
Given that this one is the first song to appear from this particular session, there is hope for more discoveries from Joshua’s collection of songs. Having a good listen is within everyone’s reach since “Tagine” is available on all streaming platforms out there.
Inside 'A Soul in Time': James Morgan's Tribute and Journey
We are pleased to present an interview with James Morgan, the esteemed guitarist and composer, who performs under the moniker “Morgan|Husband|Feraud” to talk about his latest musical endeavor”A Soul in Time”. This record was recorded in 2024, this EP is a jazz rock fusion album, with the incredible performance of Gary Husband in drums, synthesizer and piano and Hadrien Feraud in bass along with the extraordinary guitar work by Morgan.
There are special guests on this project – Eric Marienthal who plays the saxophone on some of the tracks and Joey De Leon on percussion. It is rare to find a product that takes its listeners on an upscale trip through soundscapes that have been composed and produced to the finest detail to bring out the style of 1970s jazz fusion.
This is an album that not only musically is inventive but is at the same time dedicated and expresses affection towards Dean Brown, who was co-writer and arranger of the project. In this section, we is going to look at how Morgan composed this great work, where he got the ideas from and the storyof this interesting album.
Drift Away with Wes Carroll Confabulation's 'Helium'
“Helium” by Wes Carroll Confabulation floats in the air like that carnival balloon, lost to the winds of change. The entire album dances at the threshold of reality, navigating the ethereal plane through neo-soul, jazz, and hip-hop flair. It’s akin to watching a kaleidoscope in slow motionᅳever-shifting and never quite predictable.
From haunting vibraphones to ambient slide guitar, “Helium” is a record that sonically houses an exploration of the labyrinth of contemporary life. Class and expensive living, fluid masculinity, and the quirky nature of love are wrestled with. Carroll’s clever wordplay keeps you tethered on the ground with deep grooves, even while the essence of the album solicits you to drift away.
Drift Away with Wes Carroll Confabulation’s ‘Helium’
Something playful, absurd is at work here: sexual humor bleeds into personal reflection, weaves a tapestry that’s both poignant and whimsical. The dynamic horn lines courtesy of Owen Chow and Rowan Farintosh cut through Dakota Hoeppner’s keyboard landscapes with an incisive richness in texture.
“Helium” is a dare to slow down, to grieve, to laugh, and to ponder precisely those very distractions which shape our existence. It’s an album that’s as much about the spaces between the notes as the notes themselves. Funhouse mirror reflection that asks which one of the versions of reality is the real one.
A Carnival of Sound: Jorden Albright's 'Pretty Party' EP
Within the pop galaxy, Jorden Albright‘s “Pretty Party” EP whirls as a nebula of sound, spinning to the gravity of a whimsical carnival ride. That is to say, Knoxville’s own synth-sorceress brews up a potion that’s part electropop sparkle, part R&B groove, and a dash of indie rock grit.
Imagine that in a room, amidst drizzle and fairy lights, with neon dreams—the heart-to-heart would be all self-appreciation serenades by Jorden, and then some intimate whispers in a crowded club to every note. A petal would be floating on a breeze of ambient vocals with catchy beats. Her songs don’t just play. They flirt, laugh, cry—each track a different vibe on a playlist of moods.
A Carnival of Sound: Jorden Albright’s ‘Pretty Party’ EP
“Pretty Party” is the fun pack variety for your soul’s craving—the heady fizz of a pop anthem here, a bedroom jam’s introspective pull there. One minute you’re dancing under strobe lights; the next, you’re enclosed within a sonic hug. It’s as if one is flipping through some sort of emotional scrapbook, each page more vibrant and immersive than the last.
The studio magic of Albright is the entrance into her secret garden of soundscapes. It proves that, with the end of this EP, one is still contemplating that fine line of boldness and vulnerability and reminding oneself that very often the most colorful parties personally stay very personal.
Icarus Phoenix's "Doctor! Doctor!": A Sonic Lifeline
Wonder if a breakup could ever sound like an afternoon sun shower with a dash of sorrow? Step into this mysterious land as Icarus Phoenix describes it with their “Doctor! Doctor!”, soft rock crashed into personal epiphany. Drew Danburry’s voice flows dripping, sleepless nights reminisce to conversations dancing in between reality and hallucination. This is far from just another soft rock track; it’s a diary entry set to melodies.
The band relates this tale of post-divorce despondency against a tapestry of guitar whispers and synth sighs in the background. Eli Sims’ drums are that steady heartbeat of the man in chaos, trying to regain a rhythm. Brendan Russell’s bass lines sound like a lifeline flung across the chasm of self-doubts. The synth layers by Leena Rhodes sheathe raw emotions with sonic elegance, acting like the glue between them all.
The theme? Raw, unbridled tête-à-tête with one’s own psyche. Ever felt like screaming into the void and wishing the echo returns your purpose? “Doctor! Doctor!” captures that existential yell. It’s an introspective odyssey; think Odysseus but in therapy, wrestling not with mythological beasts but invisible inner demons.
Icarus Phoenix’s “Doctor! Doctor!”: A Sonic Lifeline
It is an odd delight, and the song’s reflective nature parallels Van Gogh’s struggle to find meaning post-ear incident. A search for purpose in the form of a soft indie veneer, yet it is stronger than one may think.
In a world slipping seemingly out of control, Icarus Phoenix offers the soundtrack to our collective search for meaning. In a word, “Doctor! Doctor!” isn’t just a song—it’s a mirror reflecting our deepest vulnerabilities.
Chris Cachia's "The 27th Letter": A Sonic Labyrinth of the Mind
For Chris Cachia, getting out of that void which was obsessive-compulsive disorder is not a triumphant fanfare; it is a whispered confession in a crowded room. “The 27th Letter” is a sonic labyrinth of shadows wrestling with light for dominance. This isn’t just hip-hop—it’s cathartic exorcism, an atlas of navigation through the raging seas of the mind.
Cachia’s flow is like a surgeon’s scalpel, cutting brutally honest into the complexities of existence. His lyrics are fragments of dreams and nightmares pieced together like a mosaic, with every word tincturing his inner turmoil. Charlie McEvoy’s production is the perfect counterpoint: brooding canvas upon which Cachia’s verses dance like flickering flames. To the boom-bap beats, which are more than rhythm; they anchor the storm, holding onto the listener like an anchor to the ground amidst the lyrical maelstrom.
Songs like “Good and Evil” and “Inside and Outside” are existential chess games in which he is playing both black and white, victor and vanquished. It’s as though we have been invited into the battleground that was his mind, where demons and angels wrestle over his soul at fragile truce. There is something isolating and enormous in the cinematic soundscapes of this music, as if it is the music going through an artist’s mind with all his innermost thoughts and fears.
Chris Cachia’s “The 27th Letter”: A Sonic Labyrinth of the Mind
“The 27th Letter” is so much more than an EP; it’s a testament to the human spirit that can bounce back when life gets in the way. In this, Cachia has given many a beacon to hold onto: a shining example that, no matter how dark things get, there is always a glimmer of light waiting to guide us through. This is not music for casual listeners; it’s a call to arms for the weary, an ostinato of soul odyssey through treacherous landscapes of the mind.
Among a sea of disposability in tunes and shallow lyricism, “The 27th Letter” is an act of creation in defiance. It is music one could hear time and again, and with every new spin, new dimensions of meaning and emotion unfold. Cachia and McEvoy have composed a piece that challenges at the same time as it rewards—a tapestry of pain, perseverance, and redemption formed through the weft and warp of sound.
“Gospel Music Limits Me” - Lynx Signee Kasar Explains Switch To Secular Music
One of Ghana’s leading male vocalists, Kasar, revealed in an interview on TV3’s “The Afternoon Show” the reason behind his switch from Gospel Music.
The former contestant of the Voice Factory, who has released gospel music in past, made the switch and since released multiple singles.
Signed to Lynx Entertainment, the singer shared how, in his pursuit of music, he did not want to be limited in what he could sing about. As a lover of music, he would prefer to expand his discography to cover diverse themes.
“I love music in general, and it doesn’t matter if it’s country music, reggae, or any type of music as long as it’s good music. I would love to write love songs, songs about the economy, sometimes lifestyle or some of the things people are going through.” – @kasarmusic.
Rising Ghanaian musician Jo-El Sii has recently unveiled his highly anticipated new single titled “Waiting.” This captivating love anthem, written by Jo-El Sii himself, showcases his exceptional songwriting skills and vocal ability. With its soulful melodies and heartfelt lyrics, “Waiting” is set to captivate audiences and solidify Jo-El Sii’s position as a rising star in the Afrobeat and Highlife music scene.
Jo-El Sii, born Joel Fofie, has always had a deep passion for music since his early childhood days. From singing in church to participating in musical contests, he has honed his musical skills and developed into an Afrobeat and Highlife sensation. Inspired by legendary artists such as Daasebre Dwamena and Kojo Antwi, as well as contemporary Afrobeat musicians worldwide, Jo-El Sii aspires to carve a niche for his sound and create an identity distinct from his idols.
“Waiting” showcases Jo-El Sii’s growth as an artist and his ability to create captivating music that resonates with listeners. The song combines infectious beats, melodic hooks, and heartfelt lyrics, showcasing Jo-El Sii’s unique musical style. With his soulful vocals, he effortlessly brings the emotions of the song to life, captivating listeners with every note.
As an emerging talent in the Afrobeat and Highlife genres, Jo-El Sii has been making waves with his infectious energy and undeniable talent. His previous releases have garnered attention and praise from fans and industry insiders alike. Now, with the release of “Waiting,” Jo-El Sii is poised to make an even greater impact on the music scene.
“Waiting” is now available on all major music platforms here, allowing fans and music enthusiasts to immerse themselves in Jo-El Sii’s captivating sound. With his unique blend of Afrobeat and Highlife, Jo-El Sii brings a fresh perspective to the genre, captivating audiences with his infectious energy and undeniable talent.
Connect With Joel SII on IG – Joel_sii, X – joelsii_
Mortal Prophets: Prophets of a 'New Breed' of Sound
It feels at times almost primordial, yet extraterrestrial, in that the aural entity John Beckmann and the Mortal Prophets have conjured up seems to transcend time itself. “New Breed” is not an ordinary song; it’s a shamanic invocation on top of a rebellious cry against the mundane. Just imagine some sort of futuristic shaman, armed with nothing but his guitar and drum machine, crash-landing into some long-abandoned Mayan temple, and you’ll begin to get a feel for this track.
It’s a discordant ballet of beautiful chaos. Jagged edges of post-punk meet glacial rage, black metal, and the bleeding heart of indie rock that pulsates throughout. The sonic chimera is almost testament to Beckmann’s audacious brilliance. The vocals, mesmerizing chant-like in delivery, are atavistic and prophetic in call to arms against a generation adrift in the digital wasteland.
Mortal Prophets: Prophets of a ‘New Breed’ of Sound
“New Breed” is a declaration, a defiant stance against all acts of generalization and categorization. It holds the resonance of culture in riot, of society hanging from a cliff, staring into the yawning void of an abyss. A hallucinogenic tapestry of ancient ruins and otherworldly visitors, its video counterpart matched the unearthly atmosphere of the track.
This is not music for the faint of heart. It takes one’s full attention and demands surrender. It is sonic exorcism, cathartic purification for the soul. The music may not suit all, but it is undoubtedly very raw in power through its originality. Beckmann has just given birth to a masterpiece with his Mortal Prophets—art that is undoubtedly going to leave its mark on all who experience it indelibly.
Under Delusion's "Music Is My Drug": A Sonic Elixir for the Soul
It’s in the saying: music is a drug. Under Delusion, a trio of sonic alchemists, internalized this notion right into their veins, brewing an exact, powerful, intoxicating single called “Music Is My Drug.” At once an exhilarating, winding rollercoaster of sound and a fever dream sewn from synths and guitars, it feels familiar yet jarringly alien.
It’s an entrapping track, like a call of the sirens, with its smooth production that embeds the modern into the crossbred sounds of Bring Me The Horizon and Royal Blood. There is, however, something otherworldly about this—something that remains vague, like a sort of dream haze that singularly sets them apart. The female vocals provide an exquisite counterpoint to the heavy instrumentation, much like a whisper in the hurricane. It’s a little like watching ballet performed by fighter jets: that strange, beautiful juxtaposition.
Under Delusion’s “Music Is My Drug”: A Sonic Elixir for the Soul
It’s a human condition in sound form: a perfect emotional rollercoaster with polished exteriors but raw vulnerability underneath. Still, its deep yearning to connect with others reverberates right to its very core. It is both a cry for help and, at the same time, a love letter to the void—a requiem for our digital age. Under Delusion captures the zeitgeist in an audio elixir promising healing and destruction.
“Music Is My Drug” goes beyond music—it is a manifesto, nothing less. It’s an outgoing war against the ordinary and flatly rejects any relation with conformity. Neon-lit, shining like an oasis of miracles in a desert wasteland called life, it may not be the cure for cancer or world hunger, but it surely does stand for very precious moments of getting out, regardless of life’s unending grind.
Sonic Tapestry: Robert Jordan's “Vincent and Theo”
Robert Jordan‘s “Vincent and Theo” is more than an album; it is a sonic pilgrimage. This veteran troubadour from Boulder has put together a tapestry of sound that is as intricate as a Van Gogh masterpiece and as brooding as a Nietzscheenean soliloquy. All of that lies just in the labyrinths of personal trials and societal observations that Jordan’s voiceᅳweathered with soul-deep timbreᅳguides the listener through.
The music is raw, unfiltered, like staring into an abyss and finding an entire universe. The record flows incredibly well, going from the jubilation of “Song for Bob” into the somberness of “Purgatory.” It’s like it was Dylan but had been instilled with The Doors’ spirit, now matured into its own Zen-like wisdom.
With producers Gray and Snider, each song feels like that strong vessel through which Jordan gets to exploreᅳfamiliar yet alienᅳlike reuniting with an old friend who has just discovered quantum physics. Christian Teele’s drumming lays down beats as solid as a lighthouse beam, while Rebecca Abraxas’ backing vocals are ethereal beauty on top of ethereal beauty.
Sonic Tapestry: Robert Jordan’s “Vincent and Theo”
An already beautiful song, “In Heaven,” becomes one bitter ballad of noir-tinged smoky jazz clubs and lost souls, hanging a moment in timeᅳthe jasmine fragrances of warm summer nights. “Over for Good” stomps out the shoes; it is utterly a passionate release. Then you have “Purgatory”ᅳscathing social commentary on institutional religion, timely and timelessᅳdemanding to be heard like sermons for disillusioned hearts.
Jordan’s lyrics are written-in-stone poetryᅳvulnerable yet defiant; more storyteller at times, he’s painting vivid pictures with his words against melodies that are his inner world soundtrack. “Vincent and Theo” goes beyond merely being an album; it allows us to step right into Jordan’s profound journey through self-discoveryᅳan experience surely fascinating to travel through.
Toby TomTom's "23": A Sonic Transmission from Beyond
Toby TomTom is a sonic alchemist, turning base emotion into gold. “23” rises above the level of song; it’s a telepathic transmission from a far-off star, pleading for understanding. This thing is a cosmic lullaby, digital dirge, and exorcism on a dance floor all wrapped up in one mesmerizing package.
The track comes across like a funhouse mirror reflecting our fractured psyche, some sort of convoluted maze of sound. TomTom’s vocal performance becomes a raw, unfiltered scream into the void for paternal love. Here, what has been perceived is like an injured angel trying to communicate with the use of only rhythm and melody in Morse code.
Toby TomTom’s “23”: A Sonic Transmission from Beyond
The aural topography is as much alien as familiar, much like discovering some ancient relic doubling for tomorrow’s prophecy, with the seamless fusion of electronic undercurrents and avant-garde flourishes. Shake Dizzy’s contribution gives jolts of adrenaline that bracket his chaotic energy with the most wonderful contrast to the kinds of introspective lyricism projected by TomTom.
“23” delivers much more than just music; it’s a gateway to a different dimension—one in which sorrow and joy sit like old friends. The track witnesses that even from the deepest pit in the darkest corner of humanity, there lights up hope—a yearning to connect with someone. Probably the answers which we seek aren’t out there in the stars; they were within us all the time.
"Numb the Pain" by Lives Lost: Therapy in Sonic Form
“Numb the Pain” from Lives Lost behaves much like a sonic sledgehammer, providing space for a cathartic scream, which is cast into the chasm of despair. It is more than just a song; it is a confessional, a truly primal scream bottled and fleshed out relentlessly onto the listener. In its wounded-animal-like need for attention, it bites and claws. The band’s powerful post-hardcore and hard rock fusion works fine with raw, unfiltered emotions.
Tanis Pellegrini’s vocals are nothing but mesmerizing—raw and vulnerable yet tinged with steely determination. It feels as if he is laying his very soul bare, giving us an open invitation to become witnesses in this first-hand struggle. Aaron Perry wields the guitar like an extension of his own turmoil: each note at one time aggressive, melodic, and inner chaos incarnated into sound. Carothers and McKinnon back it up with a rhythmic backbone at once propulsive and hypnotic, a steady heartbeat amidst this sonic maelstrom.
“Numb the Pain” by Lives Lost: Therapy in Sonic Form
“Numb the Pain” is not merely music; it’s an urgent battle cry against the insidious grip of addiction. It reminds us pointedly that self-medication is a road on which treading recklessly surely takes one to desolate wastelands. The brutal honesty refreshed and terrified as the band held up a mirror to our darkest fears. This isn’t just music; it’s therapy—a collective exorcism of demons.
So much superficial noise surrounds Lives Lost, which manages to remain as something real. It pictures human suffering but also its resilience—the powerful proof of vulnerability. “Numb the Pain” is an emotional naked masterpiece that is sonically piercing in assault and will eternally mark the soul of every one of its bold listeners.
“Tales of the Unconnected”: An Epic from The Levy Circus
Who would have thought that a professor of endocrinology could cast soundscapes with the depth and complexity of a human body? Yet, Miles Levy of The Levy Circus has done just this. It’s music straight from the doctor’s office—but a symphony, bottled and uncorked, of experiences with an intensity both intimate and epic in one sweep.
“Tales of the Unconnected” is a tapestry of sound that weaves strands of Americana and Pop into something indefinable, arresting. It is like visiting an old diary overflowing with raw emotions and poetic ramblings. Levy’s voice, like some weathered instrument with a surprisingly wide range, carries the stories with sincerity both disarming and compelling. His lyrics work like X-rays on souls, laying out fractures alongside beauty in equal share.
The guitar work of Graham Jones gives the heartbeat to the self—pulsating rhythm serving up as melodic counterpoint while exuding raw emotion all at once. There’s just a chemistry about this band, and their interplay’s really something like a dance among people who have waded through countless trenches of creativity where every member of the band adds something truly unique.
Credit: Paul Smith MainlyMono
There’s something melancholically beautiful about this record, something that speaks to an endurance of longing that reverberates in the very fabric of time itself. It’s much like finding sepia-toned photographs that captured the fleeting instances of joy juxtaposed against profound sorrow. Moments of hope flicker inside introspection, most of which nod toward resilience rather than despair, licensing oneself to feel without giving up.
Against the backdrop of a modern world that contains disposable tunes, “Tales of the Unconnected” is timeless artistry rooted in the deep power of human connection and the transformation art can effect—no ordinary album but a journey evoking solace when alone or offering soulful soundscapes in life’s many moments.
Blacklight Beat Patrol "Whispers from the Void": A Sonic Kaleidoscope
“Whispers from the Void” by Blacklight Beat Patrol is a quantum jump into an acoustic black hole. Imagine something long forgotten, left over from some future civilization, suddenly found; this album unfolds as a mind-bending labyrinth of sound. It is as though Daft Punk and Aphex Twin had birthed a progeny that subsisted on broken radios and cosmic dust.
“Whispers from the Void” is a sonic kaleidoscope, setting before the viewer a chaotic ballet of glitchy rhythms and ethereal synths. It whips listeners through nostalgia with echoes of 80s synthwave and 90s rave culture, yet it is utterly now. As an auditory Rorschach test of sorts, this album projects different images and emotions onto each listener: for some, visions of desolate post-apocalyptic wastelands; for others, visions of euphoric dance floors in the sky.
Blacklight Beat Patrol “Whispers from the Void”: A Sonic Kaleidoscope
Here, one finds a shining example of the ability the band has for creating complex soundscapes. Each layer is constructed as if it is a small jigsaw itself that fits in very well to form something larger and more extensive. It’s like looking at Jackson Pollock paintings coming to life—a maelstrom of color and texture defying any sort of categorization—but within all that turmoil lies an innate melancholy, yearning for something lost or perhaps never found.
“Whispers from the Void” is not just an album; it’s better said to be a real statement—a raised middle finger against the ordinary, representing the frontier of sound most unknown. This forms powerful evidence that music may be everything, anything, or absolutely nothing.
Natalie Clark - "A Place Called Home": A Sonic Journey of Belonging
There are those moments in everyone’s life when one sees a kite caught in the wind just before it dips and soars again—Natalie Clark’s “A Place Called Home” evokes that exact feeling. This Scottish former school teacher, thrust into stardom by none other than Sir Richard Branson himself, like a fairy tale set in the highlands, carves out her niche with this single.
Clark’s voice? Think of velvet and grit having a baby. It holds and unsettles all at once. The pop vibes are the sticky notes on your heart: they cling but somehow manage not to smother—sort of like finding confetti after the party. Her lyrics wind through the meaning of “home,” diving deep but surfacing often enough to catch one’s breath.
“A Place Called Home” is less about bricks or mortar and more about the sanctuaries we carry within us. It’s akin to a painted canvas, where every stroke sings its song but synchronizes—like a Charlie Chaplin film mixing laughter with silent screams for the touch of humanity.
Natalie Clark – “A Place Called Home”: A Sonic Journey of Belonging
The mix is great here: melodies waltzing around themes that have a nostalgic ring, evoking peaks of joy and chasms of sorrow—in a word, flirting with the boldness of avant-garde, much like Van Gogh’s dabbling his starry nights over Beethoven symphonies. Natalie’s skillful storytelling dances deftly between prosaic realities and dreamy introspections.
With the backing of DVG Records for her debut album that will drop next, be prepared for sonic adventures tinged with raw nerves that uncover personal memories. But here’s my caveat: as brilliant as Natalie shines—is there too much glitter masking potential flaws?
Ultimately, though—consider this: Does anyone ever really come home, or do we forever hunt down echoes that were tossed across hallways of time? “A Place Called Home” calls on these ponderous journeys while humming lullabies that only our hearts could fathom completely…or maybe it leaves us yearning contemplations unanswered.
Carey Clayton's 'Headless': A Sonic Exploration of Self
‘Headless’ by Carey Clayton is a sonic odyssey merging the ethereal with the earthbound. Right from the first track, it sucks one into a world where meditation and mindfulness are not mere concepts but lived, breathed, and musically articulated experiences. One would say it’s like diving into a pool of shimmering consciousness, only to find the water’s made of sound.
Lyrical explorations of self-dissolution and interconnectedness are anything but linear in this album. Songs lace lush synths with interlocking guitars, weaving a tapestry at once intimate and expansive. Intricate percussion can be likened to a heartbeat of a sentient forest; ethereal vocals hover above everything, nailing the listener down into an ever-changing audio environment.
Each song in and of itself is a meditation, with crystallizations of thoughts and feelings. Teamwork with many talented artists like Eric Derwallis, Sam Merrick, Kayla Starr, and others, contributes many textures and dimensions. It’s as if they brought an entire village into the recording studio, each bringing their own voice to the collective hum.
Carey Clayton’s ‘Headless’: A Sonic Exploration of Self
The artwork, developed with the Gonzalez brothers, is very exemplary in its approach to the themes at play. A reflective chrome helmet faces you right back, eerily smudging the divide between self and world, oneness, and the masses. It is almost as if the music and visuals are having a conversation; each reflects and diffracts off the other.
‘Headless’ is never shy of a gamble. One minute you are lost in some swirling psychedelia; the next, some hauntingly familiar guitar riff roots you. It’s an album that exacts your attention, rewards your patience, and sticks with you long after that final note fades away.
In a world where music mostly serves as background noise, ‘Headless’ seems to say that it’s precisely within those experiences which make one stop and listen, ceasing from all activities, that something much deeper is born.
Looporia's "Mothership Down": A Sonic Journey of Self-Discovery
Imagine if clouds could sing. That’s how effortlessly ethereal “Mothership Down” by Looporia floats through your consciousness, carrying you on a ride across star-strewn skies. Daniel Longoria Lopez marries his Fort Worth roots with cosmic sonics to craft this indie dream pop odyssey that is as intimate as it is interstellar.
It’s a track that whirls around themes of friendship and loyalty the way an astronaut waltzes in zero gravity. The storyline—a space rescue mission powered by bonds forged back home—feels deep within these tunes that are laden with synth lines shimmering like reflections off a spacecraft’s metallic surface. Of course, kudos must be given to producer Jordan Lawlor for weaving such pristine audio tapestries, echoing the very vastness Daniels seeks to capture.
What makes “Mothership Down” so special isn’t in its kind-of-ambitious metaphorical cruise through emotional galaxies, but in how these themes underpin every beat and lyric in crafting of songs into stories, perhaps akin to Kubrick unspooling celluloid dreams in challenging gravities of the understanding cinema itself. It’s familiar, otherworldly enough to warrant exploration without needing any extraterrestrial knowledge—no overdrive in sight.
Looporia’s “Mothership Down”: A Sonic Journey of Self-Discovery
As one wades through the layered depths of sound and sentimentality here, Lopez questions not just who we are but where we truly belong—within constellations of communities or spiraled far beyond known orbits?
Reflection after listening: Are these connections what anchor us all down, or do they just delay our own necessary drift toward ourselves? Looporia challenges listeners while soothing their spirit, a true enigma wrapped in electronica.
