Rocking Through History: Gary Dranow's Epic "Hadrian's Wall"
Searing through the fabric of musical time, Gary Dranow and The Manic Emotions’ latest single “Hadrian’s Wall,” off their forthcoming album “Never Give Up,” stands as a monumental testament to storytelling in rock. As much a historical expedition as it is an emotional odyssey, the track hurls you back to 122 AD Britain with all the fury and contemplation of a Roman soldier stationed at the divisive barricade.
The band—Dranow joined by the virtuosic Chris Zoupa, steady-handed Jason Jones, multifaceted Roman Burda, brooding Klim Apalkov, and impassioned Roman Kuznetsov—launches into a sonic assault that deftly fuses rock’s rawness with blues’ soulfulness and metal’s high-octane energy. Each pluck of string or strike of drum beat carves out sounds reminiscent of Hendrix’s audacious flair, Vaughn’s deep south appeal, blended with Metallica’s impenetrable armor.
At its core “Hadrian’s Wall” isn’t just mere musing about antiquity; it throbs with today—a kaleidoscope spinning themes of searing love against icy heartbreak while skirmishing through modern social issues like fierce Pictish warriors. It straddles two worlds that echo each other: one ancient under relentless gray skies upon bleak yet stoic stoneworks; another contemporary within our own mental landscapes marked by similar fights for love amid personal battles.
Rocking Through History: Gary Dranow’s Epic “Hadrian’s Wall”
Gary Dranow serves both as bard and raconteur here—”Hadrian´s Wall” delivers more than just sound waves reverberating off battered shields but resonates deeply on waves crashing onto shores dismissive ears can no longer ignore. One feels not only privy to historical insights woven throughout but also impelled towards self-reflection—the myriad struggles that piece together life’s mosaic tableau evident in every guitar note bleeding persistence.
With this offering culled from eras apart yet bound by human strife are countless journeys—from Hadrian’s harsh frontiers relegated now to tourist footpaths—to paths we tread daily where every decision etches itself into hard-fought stories compelling enough to sing aloud. Yes listeners take heed: whether rocking mightily through labyrinths inside or stone walls without—you are armed capably against trials ahead so long as “Never Give Up” echoes in your fervent chorus.
“Hadrian´s Wall” is less a song than an animate scroll unfurling before earnest eyes—a declaration punctuated not solely by chords struck hot but hearts charged resolutely unto dawn breaking over rowdy campsites or quiet bedrooms alike where wars rage silently beneath skin still wondering what dreams may come once they brave stepping forth beyond those barriers which confine them so tautly wrought.
Bromsen's Sonic Odyssey: Unmasking the Depth Behind 'Someone'
In the ever-oscillating world of music, where nostalgia often collides with futurism, “Someone” by Bromsen emerges as a beacon—exquisitely demonstrating that intersection. From their Berlin-based enclave, Richard and Karlo Bromsen channel both indie rock’s raw grit and synth-pop’s polished rhythms to craft a sound distinctly their own.
With “Someone,” a track from the forthcoming album “Brothers in Mind,” set to drop like musical manna on February 16th, 2024, Bromsen offers an auditory odyssey through the terra incognita of self. The track is less about discovery and more about revelation—a confession underscored by digitized beats that somehow feel entirely human.
Throughout this electrifying single, there echoes the spirit of Luka Bloom—an artist celebrated for his unalloyed authenticity—a thematic guiding star for our beleaguered protagonists. It’s an invocation to embrace one’s full spectrum truth just as Bloom reinvented himself from Barry Moore into Luka Bloom.
Cue in the pulsing rhythm section overlaid with ethereal synthesizers that pay homage to ’80s power anthems while managing not be enslaved by them. Throughout “Someone,” you can detect echoes of electronica-infused acts like MGMT mingling comfortably alongside shades reminiscent of The Killers’ vibrant energy or even Phoenix’s slick melodic lines.
The vocals oscillate between introspective whisperings and emphatic declarations; they’re fervent without begging sympathy—a balanced emotional tenor that evokes Hozier if he traded his haunting forests for urban neon lights. Through it all runs the current of conviction—the courage required not only to seek oneself but also to stand unmoved when found.
Bromsen’s Sonic Odyssey: Unmasking the Depth Behind ‘Someone’
Lyrically poignant without courting pretense, every verse serves as a testimonial against facades alike those shed by Mr. Bloom himself—from moody verses brimming with wanderlust right up until its rousing chorus demanding existential liberation—it begs repeated listens purely out of respect for its depth disguised in simplicity.
Bromsen marries yesteryear charm with contemporary resonance in such a feat that it feels neither derivative nor fleeting—it sits within time yet speaks directly across epochs like vinyl crackle made digital; recognition wrapped within innovation.
Despite having formed nearly two decades ago under another name before wearing today’s mantle proudly upon reuniting—they demonstrate no evidence here but urgent freshness heavy with experience—”Someone” assures us: we are witnessing not just talent reborn but refined; promising indeed what might lie ahead on their upcoming album release—the journey down vibrant corridors leading confidently into perhaps sharpest clarity yet.
In essence? If you savour your tunes richly textured—imbued simultaneously with heartache and euphoria—consider “Someone” by Bromsen your new canticle which declares boldly: To be oneself is perhaps life’s grandest adventure after all.
Michelle Lockey's Vulnerable Dive: “Why Don't They Choose Me?”
In the textured tapestry of indie folk, Michelle Lockey’s latest single, “Why Don’t They Choose Me?” is a raw and tender stitch that pulls at the heartstrings. A lonesome acoustic resonance sets the stage for Lockey’s crystalline vocals—the kind that sneaks through your defenses and finds a way to nestle deep within.
There’s an understated magic conjured by Stephen Joseph Antonelli who, as a one-man orchestra behind Lockey’s pensive poetry, weaves layers of instrumentation into an emotive backdrop. With each pluck of the guitar string and hush of the cymbal sweep, he caresses out lingering nuances from her vocal cadence—turning what could merely be notes into palpable sentiments. Every element reflects profound craftsmanship; it’s mixed and mastered not just with technical precision but palpable empathy for Locky’s haunting tales.
Narrating achingly personal struggles wrought from childhood trauma, our protagonist confronts them head-on in “Why Don’t They Choose Me?”, seeking solace in self-acceptance rather than external validation. It’s an anthem for those weathered by early storms yet offers a gentle reminder: sometimes choosing oneself is where true healing begins.
Michelle Lockey’s Vulnerable Dive: “Why Don’t They Choose Me?”
Lockey isn’t new to this rodeo—with six albums under her belt—and it shows. Her confidence in storytelling through melody has blossomed further here while maintaining intimacy reminiscent of counterparts like Iron & Wine or earlier Joni Mitchell confessions over coffeehouse acoustics.
Lyrically poignant and sonically soothing despite its sorrowful core message, this track belongs to both moments of reflection on lazy afternoons and introspective nights beneath starry skies—an easy-listening companion when solitude seeks understanding company.
As part of her upcoming album “Dig Deeper,” which promises to dive into life regrets and revelations alike, “Why Don’t They Choose Me?” feels emblematic—a brave plunge into cool introspective waters before inevitably coming up for air amidst personal discovery.
Listeners will find themselves returning like waves to the shore—ensnared by Michelle Lockey’s melodic musings on such depths often left unexplored but undeniably resonant inside many yearning souls.
BUKVE's "Alive": An Ode to Existential Musings and Inner Odyssey
In the fabric of today’s music scene, where anthems often eclipse introspection, BUKVE stitches a thread of contemplative resonance with his latest single “Alive.” The Norwegian troubadour weaves a rich tapestry of existential musings that mirror many a modern soul’s unvoiced yearnings. Not merely alive but pulsating with the undercurrents of an inner odyssey, this guitar-based alternative indie pop/rock offering is as much a deft stroke on canvas as it is an auditory feast.
With “Alive,” BUKVE takes the helm like an old friend steering us through foggy seas, melancholically questioning life’s tepid waters in search for purpose and passion. Each strum and chorus echoes against the backdrop of our own echo chambers—have we truly tried? Are we simply existing or living fully? His candid, male vocals become both confessor and confidante; they don’t just drip into your ears but seep into your thoughts long after the last note fades.
Stamos Koliousis captures lightning in a bottle at Black Valley Studios with production that doesn’t overshadow but accents every intangible nuance BUKVE lays bare. This isn’t studio alchemy to gawk at; it’s craftsmanship honoring raw honesty over engineered perfection.
This composition might remind some avid listeners of Radiohead’s thought-provoking lyricism meshed with Jeff Buckley’s haunting vulnerability. Yet within these familiar threads lies originality—a voice not echoing peers but acknowledging them while carving out its secretive caverns in Oslo’s musicscape.
BUKVE’s “Alive”: An Ode to Existential Musings and Inner Odyssey
“Alive” strikes chords reminiscent of gray Scandinavian skies breaking at dawn; there’s something quintessentially European about its essence yet universally relatable in spirit. It dances around self-imposed limitations and brushes past you like cobblestone whispers reminding passersby—life awaits outside routines’ iron grip.
And perhaps most tantalizingly for fans new and seasoned alike is what “Alive” heralds—the nascent inklings ushering forth from what promises to be a crescendo culminating in Spring 2024: A full album waiting beneath surface ripples this stirring single has sent skittering across our anticipatory ponds.
Untie yourself from cautionary moorings then, dear listener—for when music beckons such honest reflection amidst melodies crafting warmth even out of wistfulness—it deserves more than passive hearing; it commands sentient feeling. With shoulders squared against the squall ahead, sail forth into BUKVE’s stormy heart—one would wager you emerge all the more ‘alive’ from having braved such soulful tempests.
Winter Tale Unveiled: Claudia Balla's 'White Bird' Takes Flight
In the poetic tapestry of Claudia Balla’s latest offering, “White Bird,” from her enchanting album “Winter Tale,” we are invited into a melodious introspection on the fragility and wildness of love. The Swiss songstress, known for weaving ethereal piano ballads with indie folk charm, cradles us in a slow-burning musical embrace that’s at once comforting and compelling.
Balla’s ability to sculpt emotions into sound is nowhere more evident than in this single. She compares love to an ephemeral white bird—a motif layered with tenderness and tumultuous potential—both fragile enough to shatter hearts yet vital as the centerpiece of peace. As the imagery suggests: just like dove against stormclouds, love pulses through turmoil – unpredictable but foundational.
With its indie-folk heartbeat shadowed by richly woven female vocals, “White Bird” encapsulates that deeply relaxing ambiance apt for echoing across rainy afternoons or crystalline snowy evenings alike. Breath-taking choral backing lifts Balla’s delicate voice high above whispered guitar strums—the wings upon which this ivory symbol takes flight.
Winter Tale Unveiled: Claudia Balla’s ‘White Bird’ Takes Flight
Engaging listeners with storytelling prowess akin to Florence Welch meeting Joni Mitchell beneath a moonlit sky, Claudia wraps vulnerability around strength without forfeiting one over the other; it breaks even as it heals. This hypnotic carousel dances around themes of release and captivity within emotionally charged lyrics against sparse instrumentation that is anything but simple—it’s raw sophistication personified.
Despite its soothing tempo, there runs an undercurrent of energy throughout “White Bird,” pulsating quietly as if mandating introspection from those who truly listen—an invitation granted sparingly except through nuanced artistry such as this.
Claudia Balla grants us a winter tale not merely told but felt—a little shard-of-glass heartache beautifully bound up in reassurances soft as down feathers left behind by our fleeting titular visitor. In ingesting the story embedded within “White Bird,” expect your own soul-seeking journey marked by notes so tender they radiate long after silence has had its say.
Proklaim's 'Permission': A Rhythmic Revolution in Hip-Hop
I have paid keen attention to the sounds of Proklaim, and I can beat my chest and say he is one of the hardworking musicians out there, he does this with every song he releases. But this time he has taken a turn from the usuals with his latest track, “Permission“.
“Permission” is more of a journey that sets the room ablaze with fire beats and rap charisma. This Namibian artist, at the tender age of 19, needs no permission to infiltrate your playlist, and he solidifies this with each quality track he drops. “Permission” is no exception, and Proklaim lives up to his own legacy with this one.
Right from the start, Proklaim hits you with Afro beats, giving a nod to his regional roots. But here’s the magic – he seamlessly weaves it into the global pop landscape, creating a track that’s both familiar and innovative. The lyrics focus on loyalty and respect, making it an anthem that could light up any dance floor, be it a buzzing club or a laid-back house party.
The fusion of Afro beats with Amapiano brings a cultural richness that’s hard to resist. Influenced by rap legends like Nas and Tupac, Proklaim’s lyrical prowess shines through with clarity and precision.
What makes “Permission” stand out isn’t just its infectious beats but also its fearless genre fusion. Proklaim takes a bold leap, mixing Afro beats with Amapiano to redefine rap. It’s a rhythmic masterpiece that invites you to nod your head, feel the vibes, and get lost in the charismatic delivery.
But it’s not just about the beats. this is a statement, a testament to Proklaim’s commitment to pushing boundaries in hip-hop. It’s not just a track; it’s an experience that showcases Proklaim’s dedication to evolving the genre while staying true to its roots.
“Permission” is a rhythmic journey that breaks barriers and redefines what hip-hop can be. So, give yourself the permission to dive into this track, let the beats guide you, and experience the evolution of Proklaim’s unique sound.
Billie Skye's Musical Diary: Insights into 'Amorous Mirage
Billie Skye is an Aussie chica from Byron Bay, releasing her first EP “Amorous Mirage” at the age of nineteen. This four-track ride is like a music journey connecting R&B with little pop, blues and funk. Billie’s singing and subtle tone in songs like “lover boy” evoke a feeling that grips you, refusing to let go.
In our interview with Billie, she lets the cat out of the bag on how he was brought up in a musical family through which songs linked off everyone. Being the daughter of a musician, Billie has been writing poetry since childhood; it was just natural to add guitar chords and melodies.
The music of Billie is about being genuine. R&B drums but pop anthems- what sets her apart is the authentic mood. She is inspired by artists like Raveena and Sade, who have their style in which you immediately recognize it.
“Amorous Mirage” is not merely songs but the heart and truth of Billie. In our conversation, she discusses why chose that title talking about desire and the difficult aspects of relationships.
Going forward Billie wants to perform on a stage and in the future she would love more collab. For her audiences, she is super grateful for the love and affection they offer in every step of her music career.
The EP Amorous Mirage has four songs on it, all the songs are unique and interesting. Now lean back and chill with us in this Billie Skye conversation. It is all about her first EP, real talk, and the kind of music that cuts into your soul. Just prepare to dive into the sounds of “Amorous Mirage” and see why Billie’s music is so irresistible.
Is there a story behind your stage name? – There isn’t a good story behind my stage name apart from me just resonating more with Skye then my last name.
Where do you find inspiration – inspiration is everywhere, my outer and inner worlds are always tangled together to create connections and deep understandings. My relationships both platonic and romantic have always been the biggest source though.
What was the role of music in the early years of your life?
– music was a way to connect in my younger years. It bought community and family together where words would sometimes fall short. It seemed to be the best way for intimate connection without having to get overly vulnerable.
Are you from a musical or artistic family? – yes, both. Creativity seamlessly weaves itself through my family in different ways with my papa being a musician and my Mum just this expansive creative. I have writers, ceramicists, photographers and my siblings have an openness to explore all different creative avenues.
Who inspired you to be a part of the music industry? – I believe I would have always been apart of some creative industry but my papa definitely inspired me to choose music.
I believe I would have always been apart of some creative industry
How did you learn to sing/write/to play? – I was always writing, I had books filled of poetry and random lyrics since i can remember. I have always been attracted to lyricism it it’s rawness so I guess it only made sense to pair it with a guitar and some Melodies.
What was the first concert that you ever went to and who did you see perform? – I grew up watching my papa at locals pubs and bigger festivals, but the first concert I really remember seeing was Kendrick Lamar at our local blues festival in 2016, I had just turned 12 and got to go with friends. It was truly special.
How could you describe your music? – My music could be described as R&B beats with pop melodies. I hope what really sets my music apart though is its authenticity and rawness. Every lyric and melody in ‘Amorous Mirage’ is a genuine reflection of my heart and truth.
Describe your creative process.
– As I briefly explained above my love of lyricism was definitely a driving force into music, so that usually starts my creative process. So I’m either in the studio or with my guitar freestyle melodies with my poems in hand. The verses always come to me before the chorus, maybe it because I enjoy telling a story, I’m to to sure.
What is your main inspiration? – Like I said before, just my connections with people and places.
What musician do you admire most and why? – I have a lot of musicians I admire; Raveena, Orion Sun, Eloise, Sade, ASAP Rocky, Amy Whinehouse, Armani Caesar + more. They all carry such an original flare that translates throughout all there work. It’s this idea that you can be recognised just by your sound and the way you own your craft.
Did your style evolve since the beginning of your career? – my style is constantly evolving as I grow and change. I hope one day to have a really defined sound though.
Who do you see as your main competitor? – I have never thought about it. I hope my music becomes authentic and original enough it’s in its own lane entirely.
What are your interests outside of music? – I love reading, surfing, film photography and seeing different parts of the world.
If it wasn’t a music career, what would you be doing? – I am particularly drawn to the art of event curation, where creativity meets strategic planning. The concept of crafting unique event experiences, from initial ideation to execution, fascinates me.
What is the biggest problem you have encountered in the journey of music? – I’m not entirely sure, maybe not being in safe spaces when co-writing or finding the right people to play with.
If you could change one thing in the music industry, what would it be? – I worry about the impact artificial intelligence will have on the industry.
Why did you choose this as the title of this project? – Amorous Mirage captures the delicate balance of sexual desire and the longing for intimacy, harmonizing with the illusionary aspects of mirage, representing the smoke and mirrors of reality. The name challenges the notion of reducing a relationship to mere lust, emphasizing the realization that viewing it solely through that lens does injustice to the depth within
What are your plans for the coming months? – hopefully playing live music and writing more.
Do you have any artistic collaboration plans – nothing set in stone but I love co-writing, so hopefully more of that in my future.
What message would you like to give to your fans?
– Anyone who has listened to my music and enjoyed it or felt something. Thank you. Your support means the world to me.
GET AWAY and Beyond: A Chat with Jack Austin on Music and More
I think you would side with me when I say Jack Austin is not just any musician, let me tell you why, let us use his latest single to ‘Get Away’ to explain. This single stands unique “GET AWAY” isn’t just a song; it’s like a mixtape of life’s ups and downs.
Jack Austin was born and raised in Battle Creek, MI, Jack’s music is a blend of pop, rock, indie, alternative, and folk. It is interesting how he is able to blend all this genres and produce something extra ordinary out of it. Well, if you’re wondering who Jack is, he’s not just a singer, but a total package – actor, performer, recording artist – you name it.
With ‘GET AWAY,’ is like a musical sunset train, with electric guitar strums, thumping bass, and drums racing at full speed. Jack’s voice is the glue that holds it all together, hitting high notes and low tones like a boss.
We got the chance to have an interview with Jack Austin and also talk about his latest single “GET AWAY”. In this chat with Jack, we’re digging into his roots, finding out how music shaped his life from his early choir days to rocking out in high school. Jack spills the beans on his inspirations, struggles with writer’s block, and how he keeps it real in an industry that sometimes expects you to be something you’re not.
So, grab a seat and join us for a chat with Jack Austin – the guy who’s turning music into a journey you’ll want to take over and over again.
Where do you find inspiration? I find inspiration in listening to all types of genres of music to pull from when writing my own songs. I find inspiration in versatile songwriters who find ways to tell stories with many different sounds and emotions.
What was the role of music in the early years of your life? Music has always had a huge role in my life. I’ve been singing my whole life but I really started to sing when I joined choir in the fifth grade. Since then, my love for music has only grown as I continued to pursue singing, songwriting, acting, and a life in the performing arts. Music and songwriting have played a huge part in shaping me into the person and performer I am today.
Are you from a musical or artistic family? I am not.
Who inspired you to be a part of the music industry? I’ve always had dreams of pursuing music from a young age. I loved the idea of providing a sense of belonging to others through music. To share emotions, thoughts, and wonders through song. I grew up listening to songs that had lasting effects on me and made me feel seen, and I wanted to be able to give that back through my own music.
How did you learn to sing/write/to play? I first remember writing songs for the first time in the shower when I was super young. I thought it was so fun to play around with melodies. They weren’t anything special at that stage in my life and I could not recall how any of them went today, but it was my introduction to songwriting.
Then in middle school, I started to dabble in production software and loops and making songs on that software. But, in high school, it all started to piece together. I would write on the guitar, which is my favorite instrument to start writing on, and was finally putting together full cohesive songs.
I first remember writing songs for the first time in the shower when I was super young.
How could you describe your music? I would describe my music as versatile. You’ll never know what my next release might sound like. I write what I feel in my heart and sometimes that means I’m pushing out pop songs, singer-songwriter, rock, folk, etc. You just never know what it might sound like, but it is always authentic to what I am feeling.
Describe your creative process. I am almost never able to sit down and say “Okay, I’m going to write a song”. It just never works. I have to find a reason to write. From there I am usually able to write out a whole song, if not a majority of it. If the songwriting flows out of me naturally, I know that song is a keeper.
What is your main inspiration? My main inspirations are my parents who endlessly love and support me. I owe all my success to them as they have always supported me and my musical endeavors.
Did your style evolve since the beginning of your career? My musical style is always evolving. My genre is always changing. One day I’m writing a pop folk song and the next I’m writing a rock ballad. I think that’s a good thing.
If it wasn’t a music career, what would you be doing? I’ll always be performing. Whether it be singing or acting I will always be performing. I would also love to educate other young performers as well. I was truly shaped into the performer I am today by the amazing educators I had along the way and I would love to return that favor in some form someday.
What is the biggest problem you have encountered in the journey of music? I’d say the biggest problem in my journey of music so far has been writer’s block. Trying to force music and storytelling out of myself when it’s just not there in that current moment. I’ve learned to let it come naturally.
If you could change one thing in the music industry, what would it be? I would change the expectations. I would like to see a music industry where you don’t have to conform to anything, anyone, or any sound. I think the industry would flourish on authenticity.
Why did you choose this as the title of this project? I chose “GET AWAY” as the title of this project because I love the idea of push-and-pull storytelling in this song. And I thought “GET AWAY” summed that up perfectly. I couldn’t see it as any other title.
What are your plans for the coming months? I’ve been writing a ton of music recently. The next song I release is going to be much different than “GET AWAY”, but still have a familiar sound. I am also excited to be on an upcoming cast album of the new musical, Boy on Billboard, and also be a part of the show’s New York City debut. So many things to look forward to!
What message would you like to give to your fans? My message is to be kind always. Kindness always wins and will get you so far in life.
Michael Ellery's "Save Me": Inner Strength and Healing
In an era where music is often a click away, lost in the ether of digital banality, there arises from the depths of innovation a song that doesn’t just demand attention—it commands it. Michael Ellery’s “Save Me,” delivered through the nurturing embrace of EVEN.biz’s artist-centric platform, does precisely this. It emerges not as merely another track but as an auditory experience waiting to be unfurled like a map to emotional liberation.
Released on January 12th exclusively on EVEN.biz—a contemporary oasis for music lovers and creators alike—“Save Me” offers listeners more than ephemeral entertainment; it extends its hand as an invitation into community. With options to acquire the instrumental, an alternate version, and even stems alongside the single itself, it thrives as both symphony and syllabus for those eager to learn its intricate notes.
Michael Ellery’s “Save Me”: Inner Strength and Healing
The triad formed by Ty Avery’s rap alchemy from Louisiana, Jessica Turner’s Utah-bred jazz-tones, and Michael Ellery’s cinematic/pop production brilliance elevates “Save Me” beyond genre-confinements. Classified intriguingly as cinematic/hip-hop/soul pop—the sonic equivalent of global fusion cuisine—it tantalizes with rhythms that resonate with our collective pulse whilst lyrics hold up mirrors reflecting generational echoes.
The trio finds harmonic symmetry within their musical diversity; Ty Avery weaves verses dense with personal narratives over a score that breathes life back into elements inherently familiar yet daringly rearranged. Meanwhile, Jessica Turner infuses soul directly into each note—her voice crafting melodies which undulate between comfort and challenge—and all at once encapsulates sorrowful elegy and defiant anthem rooted in kinetic hopefulness.
Michael Ellery’s “Save Me”: Inner Strength and Healing
As you traverse “Save Me,” each beat becomes steeped in texture akin to urban streets under golden hour light—an atmosphere combining grittiness with transcendental beauty reminiscent of conscious hip-hop titans meeting poetic jazz crooners serenading atop Mount Olympus itself.
Ellery positions us face-to-face with generational trauma—not through somber ballads—but via battle cries imploring inner strength against inherited adversities festering within our bloodlines; his message crafts swords from scars meant for cutting ties binding us undeservingly to cycles needing cessation.
Once January 26th rolls around, heralding the widespread release across popular streaming giants—visually less quaint than EVEN.biz but no less grand in their reach—”Save Me” will find fertile ground anew. It will grow rampant through countless speakers worldwide, transforming casual listeners into ardent disciples. These beats are designed not just for feet or whimsy but with a deliberate purpose: to propel us forward, to elevate heartbeats toward the untapped potential lying dormant among generations—past, present, and future—forever interwoven in an impossibly complex, simply orchestral, and priceless tapestry. “Save me,” indeed. If only every listen could heal wounds across the world… if only.
Since 2015, Xavier Diaz and Nathan Tamburro joined forces to perform under the moniker “Sweet Arrow”, and they are making waves in Australia with their latest release “Hold On,” reflecting on the young artists’ development. The voice of Xavier is emotional and strong; it immediately engages a listener, while layers from Nathan’s guitar add the sharp progressive sound impact. Production ensures its long-term sound effect.
However, Hold On extends beyond the mere melody and ventures into exploring Sweet Arrow’s growth as musicians. The band has described the lyrics as intelligent, one with which listeners can easily associate themselves and simultaneously provides a somewhat upbeat feel with pleasant guitar riffs. “Hold On” one draws attention to their flexibility which combines rock with alternative, pop and funk without a hitch.
In a recent interview with Mister Styx of Musicarenagh , Sweet Arrow reveals their name and apparently they want to surprise the listeners with something pleasant, like by shooting an arrow. Riding on the inspiration from life, their creative enterprise involves Nathan providing music backlog that cues melodies and lyrics development by Xavier.
Apart from music, Xavier enjoys mountain biking and hiking can point out to a deep-rooted sense of nature. Although not working as musicians, their motivation comes from passion rather than earning.
‘Hold On’ means way more than its title indicates, sending a much greater message of power and endurance. In the future, for 2024 Sweet Arrow has plans to release additional singles; “Taking My Girl” is scheduled in March for release.
In appreciation of the continued support from their fans, sweet Arrow thank them for looking forward to what is coming up.
Listen to Hold On below
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Is there a story behind your stage name? We believe that our music will speak to certain people and inspire them. So we are making music specifically targeting those people, whoever they may be. We are targeting them like an arrow, with the intention of hitting them with something good. Hence the name Sweet Arrow.
Where do you find inspiration? Inspiration is the music. I am very fortunate to work with a composer whose music inspires my lyrics.
What was the role of music in the early years of your life? I always loved music. I always loved singing from an early age.
Are you from a musical or artistic family? Music was always enjoyed in my family. My parents were music lovers, so I grew up listening to their favourite artists.
Who inspired you to be a part of the music industry? Jamming with my mates led to the inspiration to take musical ideas and fashion them into completed recorded songs.
How did you learn to sing/write/to play? Self taught.
What was the first concert that you ever went to and who did you see perform? I went to a Midnight Oil concert with my father when I was 11. I was blown away by their energy and the atmosphere in that theatre can only be described as electric.
How could you describe your music? We play various genres from Rock, Alternative, Pop and Funk.
Describe your creative process. Nathan the composer brings his music to the table and there are certain chord progressions that just speak to me. They inspire a melody within me. Then I put words to that melody and off we go.
What is your main inspiration? Life itself.
What musician do you admire most and why? I admire all musicians who are dedicated to their craft. It’s a beautiful thing to speak the language of your soul and share it with the world.
Did your style evolve since the beginning of your career?
Yes, it’s constantly evolving.
Who do you see as your main competitor? I believe the only competitor one has is themselves and their own doubts, insecurities, and fears.
What are your interests outside of music? I like mountain bike riding and hiking. I live not too far from some great national parks where I like to spend my free time re-energizing in nature.
If it wasn’t a music career, what would you be doing? I have a career outside of music which is great because it means that the music we create, is not for money but for love.
What is the biggest problem you have encountered in the journey of music? Collaborating with other artists can be challenging. It requires patience, humility and good listening skills. When you get it right though, it is so rewarding because you get to be part of something so much bigger than what you could ever create on your own. Which means that you get to share your victories with those who were in the battle with you.
If you could change one thing in the music industry, what would it be? The removal of those entities who look to take advantage of artists for their own personal gain.
Why did you choose this as the title of this project? The title Hold On was chosen because that is the main lyric in the chorus and it fits with the theme of the song. Which is to never give up on life, irrespective of the challenges one is facing.
What are your plans for the coming months? We are looking forward to releasing more singles throughout 2024. Our next single – Taking My Girl is in the final stages of mixing and should be released around March some time.
Do you have any artistic collaboration plans. I look forward to continuing working with a very talented composer, Nathan Tamburro. Who just does not stop creating infectious riffs and contagious rhythms.
What message would you like to give to your fans? Thank you for your support. We really appreciate it!
Smooth Sailing: Klein & Jamison's Emotional Odyssey in 'Sailing Symphony
Let me introduce you the music of Klein & Ian Jamison, this dynamic duo, have been cooking up tunes together since 2018. Their latest body of work with is an EP has four songs on it, and I can say this, this Ep is more than just musics. It’s a heartfelt shout-out to Waddy Garrett, a buddy of Klein’s and a sailor at heart.
Now let us talk about the songs.
I Sailaway
The opening track, “I. Sailaway,” is like the first chapter of a great book. It kicks off with a mix of synths, saxophones, and some top-notch piano skills. The first track, “Sailaway,” hits you with a powerful Double Bass, taking you on a ride through waves. The wind instruments add a soft texture, like you’re moving from the water to the desert in your mind. It’s a 15-and-a-half-minute journey that sticks with you, creating images and scenarios in your head.
he first track, “Sailaway,” hits you with a powerful Double Bass, taking you on a ride through waves.
What’s cool about it? Well, it’s got moments that make you feel all sorts of things – from sadness to thinking deep, and then, boom! At 3:34, it hits this powerful pause that leaves you hanging. It’s like they’re playing with your emotions, and it’s awesome.
II Doldrums:
“Doldrums” brings a different vibe, soaring with layers and dramatic tones. It’s like being suspended, waiting for something to happen. The next track, “III. Storm,” starts dreamy and peaceful, then BAM! It hits you with intense strings, like you’re caught in a storm. It’s all about building tension before unleashing the drama.
IV Ahoy
Now, “IV. Ahoy” is like the grand finale of a fireworks show. It’s all about bouncing back from tough times and celebrating victory. The piano and violin take center stage, creating this mix of joy and relief. It’s like they’re telling you, “Hey, storms happen, but we made it through, and it’s time to party.”
Closing with “IV. Ahoy,” it’s like a business finale. It means business and wraps up the EP with a bitter-sweetness. The track adds textures to the drama, leaving you with the image of someone standing at the end of a film.
There’s something magical about “Sailing Symphony.” Klein & Ian Jamison not only knows how to make music; they end up creating an experience that stays with you. The songs on the EP tug at your heartstrings and wrap you in a world of drama and textures, I wouldn’t like to escape.
The songs on the EP tug at your heartstrings and wrap you in a world of drama and textures, I wouldn’t like to escape.
“Sailing Symphony” is more than just an EP; it’s a shout-out and a musical journey that captures the spirit of sailing and friendship. With its catchy tunes and storytelling, this EP promises a touching experience. Don’t miss the chance to set sail with Klein & Jamison – it’s not just about the notes; it’s about the feels.
Straight-Up Rock Vibes: Livid.'s 'Downtown' Packs a Punch
Livid. Was created in South Florida back in 2020 with Gabriel Castrillo on vocals and guitar, Franklin Roca on bass and Victor Wong on drums. These fellows manufacture the old-fashioned rock and roll flavor, drawing inspiration from legends like Led Zeppelin, Lynyrd Skynyrd, ZZ Top, and Aerosmith.
This jam, “Downtown,” is a groover that has great bass licks and deadly high gain riffs. It has a kind of ‘80s feel yet with new vocals that somehow make you resemble bands like The Stone Roses. And of course, it’s got that cool-ass attitude you would expect from the genre.
These Livid. Men have been ripping it all around Broward County, working towards the release of their upcoming EP.. Personally, I am excited to see what kind of a dish this gourmet trio has prepared in their musical kitchen – tanned and brittle. Can’t wait for more Livid. rock vibes!
This Ep By Chris Rozik Is Definitely The 'Sure Thing' Check It Out
Chris Rozik is a fast rising music artist who is on a quest to share his feelings with the rest of the world, and there is no better way to do this, than to share it through his music. His latest Ep “Sure Thing” is a culmination of his heartfelt emotions and thoughts.
With years of musical experience up his belt you can be rest assured the songs on the Ep are going to have a different feel to it. His musical journey begun at 14 years, and he still continues this journey at 32 years old, you can sense his passion for music through his songs.
“Sure thing” has 3 songs on it, personally I would want more of this, the songs are way to nice, the emotions they carry can be felt in each song, each song has a special feel to it. Chris makes his own music, giving him the opportunity to experiment and be sure he produces the best songs.
The 3 songs on “Sure Thing” according to Chris was inspired by “getting married and thinking about familial dynamics during the marriage process.it also explores themes of identity and lack of absolutes in life.
Hop and enjoy some authentic music, something refreshing and emotive.
Lauren Eve Scheff's Debut: A Symphony of Emotions in "Nothing To Prove
Lauren Eve Scheff’s debut single shows that she has not only persevered but also is a gifted artist, able to break free from an art block introduced by the trauma. In “Nothing to Prove” the narrator not only converts ghost of heartbreak into mature awareness but also focuses on growth and self-acceptance using attractive yet enigmatic sonic pallet.
This composition is her testimony that artist Scheff was born in Nashville and could transform a character’s personal grief into a musical masterpiece showing enormous talent evolution.
The lyrics of the song is touching and carries much weight that sticks with the listener, there is a certain kind of nervousness that develops from the manipulation between synthesizers and guitars, which reveals this psycho aspects thereafter being heartbroken. The movements in the sound structure of this song are one which appeal to those who enjoy being drugged into a trance-like state similar to how someone so emotionally unstable can be.
She works together with her uncle Lauren James Scheff and a talented group including Jackson Price on acoustic guitar, Jake Bishop on electric guitar alongside the awesome mixing by Pete Eddins to highlight that music is also an element of inheritance within Scheffs blood.
HellRaizer's 'The Battle Within': A Fearless Journey Through the Psyche
In a furious but cathartic outpouring of gritty narrative, HellRaizer’s latest odyssey “The Battle Within” traverses the jagged terrain of human existence. This 12-track manifesto is not just an exploration; it’s a hard-fought war waged in lyric and beat where rapper Jeremy Moore, who has been honing his craft since Y2K fears were palpable, takes listeners on the most intimate tour yet through his psyche.
Crafted within the confinements of his own home studio—a space that feels simultaneously reminiscent of hip hop’s raw underground genesis and a shrine to personal pilgrimage—each track throbs with authenticity. The DIY ethos doesn’t hinder the quality but adds a layer of unfiltered realism as if each syllable reverberates directly off HellRaizer’s walls into our ears.
From life’s mundane pressures to its profound dilemmas, no stone is left unturned across “The Battle Within”. His lyrics are like graffiti on the soul; they’re colorful lamentations about family woes, money struggles, fleeting relationships and chasing peace while parenting in chiaroscuro shades between transitions from laborious days to restless nights.
HellRaizer’s ‘The Battle Within’: A Fearless Journey Through the Psyche
Yet despite this being HellRaizer’s eighth endeavor into discography, there is nothing stale or repetitious here. We get something akin to Kendrick Lamar’s introspective grit met with J Cole’s storytelling finesse – all delivered with an energy that harkens back to early Eminem angst without ever feeling derivative. Each song captures a chapter from Moore’s epic struggle for equilibrium – true musical bildungsromans set against contemporary beats that pulse with survivalist intensity.
“The Battle Within” isn’t merely listened to; it assays your emotional reserves much like reading Hemingway asks readers not only for attention but ‘to feel,’ albeit via modern synths replacing typewriters clacking away at human spirit narratives.
Through unapologetic authenticity and lyrical vulnerability married impeccably with the self-produced soundscape beneath them — these songs pierce commonality —beckoning us closer towards understanding others’ cacophonous journeys through stillness amidst chaos within ourselves. It may be called “The Battle Within,” but rest assured HellRaizer emerges triumphant throughout this commanding saga interpreted both specifically personal yet universally relatable in its sonic fightback against life’s ebbs and flows.
Jazz, Rock, and Hip-Hop Collide: The Intricate Harmony of Sound Liberation
Sound Liberation & Di. J. Quartet’s latest album is a blend of eclectic sounds and fearless experimentation that takes you through the musical journey toward myriad feelings like colors in a kaleidoscope, with each new song being completely different from others. The album starts off with a playful fanfare in the opening notes of “The Overtures” that soon turns into an electric guitar accompanied by horns and electronic samples, giving it orchestrated sound.
“Density Intensities” is similar in this regard: moody and ambient, coupled with an irresistibly groovy beat. With the inclusion of glitchy vocals that border on being rapped this stands out as a stylish piece. ManChartra is darker, with a cosmic feel and compelling trumpet lines that will pull the listener into an eerie odyssey—a standout.
“MMM” presents soulful 20th century blues vocals in a nostalgically beautiful setting. “Illusions Yet Again” blends ethereal tones with lo-fi hip-hop percussion, demonstrating the ability of this band to merge contrasting elements seamlessly. The peak of the album is reached with “Deep Time 2,” a folk-jazz song that has a glowing and tropical trace.
Sound Liberation & Di. Quartets are very commendable for their ability to break the boundaries of music while maintaining accessibility. Gene Pritsker and his quartet have created a sort of album that can not be categorized, using rock’s energy with the improvisation feel like in jazz music as well as hip-hop rhythm. ‘Each track serves as a proof of their musical talent , with an interesting aroma of surprise that accompanies the listener throughout.
The album has a total of 6 songs on it and spans over 42 mins and 46 secs, the first song on the album “The Overtures” is the lengthiest, but surprisingly the sound doesn’t bore you and before you realize the song has ended. I like the fact most of the songs on the album are long enough to enable the listener really soak into the soak.
This album isn’t simply another collection of songs; it is a sonic expedition that appreciates the charm of the enigmatic. Sound Liberation calls on you to enter the universe of energetic and dynamic music they create, every track holds a finished product waiting for exploration. If, however, you intend this year to branch out musically speaking – look no further because this album is a genius of experimental greatness.
Life Beyond the Mic: Natalia Quest's Passions and Pursuits
Allow me to introduce Natalia Quest. She is the Russian singer-songwriter who’s currently causing waves in LA. Her stage name, a fusion of her innate sense of adventure and the word ‘Quest,’ reflects a deliberate choice to encapsulate the essence of her journey through life and music.
“Inversion” delves into the depths of societal discord, wielding orchestral arrangements, gritty guitars, and haunting vocals to mirror the stark realities of our contemporary world. The song serves as both a commentary and a call to action, challenging listeners to confront the unsettling truths woven into the fabric of our existence.
But Natalia is not only about music; her dedication to human beings transcends studio boundaries. For instance, she recalls parting ways with her closest creative collegue, because she suddenly realized he was creating an Inversion for her on a personal level—sabotaging and inverting some of her most sincere creative expressions. If Natalia hadn’t exposed the Inversion in her personal microcosm, the song might never have been released. Therefore, shedding light on both personal and collective shadow aspects is her special gift.
Join us as we delve deeper into the life of this multi-talented musician.
When I recorded my first song several years ago, I also had to choose a name for my project. I asked myself, ‘What pseudonym or word could succinctly and metaphorically encapsulate the quintessence of my personality, experiences, and ever-evolving consciousness?’ And within a few days, the word ‘Quest’ confidently came to me.
Where do you find inspiration?
I don’t actively seek it… Inspiration comes spontaneously. Often, as a form of therapy during intense moments in my life, I gravitate towards listening to intense songs that help process my feelings, or I create ones like that myself. While pain can certainly serve as a major source of inspiration, I can also draw inspiration from very positive and uplifting aspects of life, as well as from some artists and writers, and their masterpieces that touch my soul.
What was the role of music in the early years of your life?
I graduated from a music school and a music college in my hometown in Russia. Although my school years were not the most pleasant and easy for me due to various reasons, I believe that my academic background still helps me incorporate classical elements into my compositions and feel more comfortable experimenting with musical harmonies. During my teenage years, I was a huge fan of Queen. They became my role models for their unique approach to mainstream, playful freedom of artistic expressions, sophisticated self-ironical rebelliousness, and their bold blend of various genres, etc
Life Beyond the Mic: Natalia Quest’s Passions and Pursuits
Are you from a musical or artistic family?
Partially. My father and my uncle possess great creative and musical talents.
Who inspired you to be a part of the music industry?
The music industry itself is not very inspiring, and I’ve encountered a lot of resistance in pursuing this path. However, lyrics and music keep coming to me. I once came across the wisdom that hoarding one’s artistic expressions in private constitutes a form of ‘transgression.’ Therefore, I am more inspired by the idea of sharing my songs with those willing to listen, rather than by being a part of the music industry per se.
How did you learn to sing/write/to play?
I am not very fond of playing various instruments, and when it comes to singing, I underwent a complex and unconventional journey that required me to figure out how to ‘unlearn’ certain things and imprints to simply unleash my natural voice and my true essence through vocals. I have always written poetry, and my first mature songs were recorded in 2014. I don’t use formulas or algorithms in composition; I want to give the song the freedom to be what it wants to be. And yes, I am constantly learning and will continue to learn; I cannot claim that I have fully mastered anything by this point.
What was the first concert that you ever went to, and who did you see perform?
I think it was the Russian rock singer Vladimir Kuzmin, and I was around 5 years old. )
How could you describe your music?
It’s a form of magic to me. It’s a form of a spell. Most of my lyrics have a tendency to manifest itself over time—it’s fascinating, and this observation imposes a certain responsibility on me, as well as presents me with some interesting dilemmas.
Describe your creative process.
There’s nothing linear in there. It’s about observing how chaos and raw emotion gradually take shape, flowing through time and your entire being. Each song is a separate world to me, with its own history.
What is your main inspiration?
The idea that my craft can help someone navigate through difficult times and/or realize something important for themselves, consequently changing their life for the better, inspires me the most.
Who do you see as your main competitor?
I do not compete in art… everyone is a unique expression of the Source, you can only compete with your past self
What are your interests outside of music?
I have a degree in psychology, and I am continuing my education in this field. Additionally, I have studied astrology, which remains both my hobby and an addiction, in a way) I also like exploring the hidden and taboo aspects of reality and society, which helps me better understand the bigger picture.
If it wasn’t a music career, what would you be doing?
I would work as a therapist, conduct honest and transparent charitable acts, which, in fact, I have always wanted to do, regardless of music. I would also like to help address environmental issues in the future when my more basic needs are further fulfilled and secured.
If you could change one thing in the music industry, what would it be?
I would cultivate a more complex and profound approach to composition in the mainstream. The simplification and algorithmic soullessness of much of today’s mainstream music can truly upset me. I would also stop glorifying consumption in one form or another. We are much deeper and far more interesting beings to primarily cultivate and celebrate our animalistic urges.
Do you have any artistic collaboration plans?
Yes, I’m open to collaborating with like-minded professionals. The right chemistry is rare but can perform miracles when combining the right skill set along with it.
What message would you like to give to your fans?
Be very honest, first and foremost, with yourself. Then with others. Treat yourself with kindness and compassion. The world will reflect ,)
20 and Bold: Joyce Tratnyek's Debut Album 'Solastalgia
20-year-old Joyce Tratnyek, a singer/songwriter and producer hailing from the busy life in New York City. Solastalgia her first album following a decade of writing lyrics and five previous single releases was released on January 7th,
At the age of 10, Joyce began her musical journey fueled by a passion for composing songs and investigated how sound could evoke emotion. Joyce was raised Portland Oregon, where she absorbed a cocktail of grunge, shoegaze, pop-rock and more. At 20 she is a singer, composer and producer all set to release her first album for the world.
Solastalgia is a testament to years spent perfecting her craft, where every note and lyric bears the weight of real emotion. Join Joyce Tratnyek in her musical tale about waves of nostalgia, traces of angst and bright colors that mark the beginning of something huge.
The album has a total of 18 unique songs, the transition between each song proves her prowess, the entire album spans 1 hour and 10 mins, this is enough time to soak into the realm on Solastalgia.
In this interview, Joyce dishes the dirt on her journey, influences and what they were that made “Solastalgia” keep ticking from climate change to mental health. Let’s plunge into the artistic space of Joyce Tratnyek and discover a unique musical world.
What is your stage name
My stage name is Joyce Tratnyek, same as my real name.
Is there a story behind your stage name?
My parents wanted to give me a “literary” name, and so my name was inspired by James Joyce and Joyce Carol Oates. They said it was also because I brought them joy as a child.
Where do you find inspiration?
I try to find it everywhere, although I think you have to be in a certain mindset to do that. Like sometimes I’ll be bored sitting on the subway, so I’ll challenge myself to notice interesting things around me that could potentially turn into lyrics. It’s like I have to manually switch my brain into CREATIVITY: ON mode, which gets really exhausting after a while. Sometimes you just need to stare into space and let your mind rest and wander a bit instead.
What was the role of music in the early years of your life?
I always loved music, even as a child, certain melodies would make me happy and excited. I was drawn to melody, but also to words, and I loved writing from a young age. However, it wouldn’t be until I was 9 years old that I finally put the two together and started songwriting.
Are you from a musical or artistic family?
Not really! Neither of my parents are particularly artistic, although my mom played piano in her younger years. My twin sister has a really unique talent for drawing though, but she’d never admit it.
Who inspired you to be a part of the music industry?
In third grade, a friend gave me Taylor Swift’s debut album CD for my birthday. I quickly became obsessed with it, and swore that I would write songs like her.
How did you learn to sing/write/to play?
I took piano lessons as a young child, but wasn’t very invested. When I decided I wanted to start writing songs, I would just sing melodies out loud and write the lyrics on random scraps of paper. My babysitter at the time let me borrow her guitar for a few weeks and taught me some basic chords. I remember I was so tiny at the time, and the guitar was huge compared to my 9 year old body, and it also had this gecko sticker on it that would change colors when you rubbed it.
Over time, I went back to the piano, re-teaching myself some things, and making up melodies and chords that I thought sounded good. I can read music thanks to my early childhood piano lessons, but these days I mostly experiment until I find chords I like, often making them up as I go.
What was the first concert that you ever went to and who did you see perform?
When I was a child, my dad took me to one of the big concert halls in downtown Portland, Oregon (where I grew up) on New Year’s Eve to see Esperanza Spalding perform. He had always been a huge fan of her music, and also loved the fact that she was born and raised in Portland like my sister and I, so I think it was only natural that she would be my first concert. I remember getting dressed up fancier than I ever had in my life up until then, and waiting for her to come on stage.
My father and I had the nosebloodiest of nosebleed seats, we were at the literal back left corner of the highest balcony, so that if I leaned back just a little bit, my head would touch two walls. But she was the kind of performer who makes you forget all that—I remember being electrified as I heard her sing the songs I grew up hearing, like “Cinnamon Tree” and “City of Roses.” She seemed to radiate joy, like a small sun.
Even when she made a mistake or her electric bass suddenly popped out of tune, she was so graceful and elegant that I couldn’t help but fall in love with her a little bit. That wasn’t the performance that inspired me to become a performer myself, but it’s a night I’ll always remember with passion.
My father and I had the nosebloodiest of nosebleed seats, we were at the literal back left corner of the highest balcony, so that if I leaned back just a little bit, my head would touch two walls
How could you describe your music?
I would call my music gritty yet pretty, with the sonics of grunge and shoegaze, but the melodies of pop, the dynamics of Nirvana, and the lyrics of Suzanne Vega.
Describe your creative process.
My creative process is such a mess that I barely remember what it looks like when I’m not actively doing it, ha.
What is your main inspiration?
My main inspiration is the hope that someone out there will enjoy listening to my music, and it will make them feel a bit happier, or at least understood.
What musician do you admire most and why?
I love Dave Grohl. He seems so badass, kind, and welcoming all at the same time. I admire his journey as a musician, from a self-taught drummer who dropped out of high school to tour, then the drummer for Nirvana, then the mastermind behind the Foo Fighters, one of my favorite bands ever.
He’s overcome so many things and continues to make music that’s real and authentic. He’s definitely my idol, and I would love to try his barbecue cooking and jam with him someday! Hey, stranger things have happened!
Did your style evolve since the beginning of your career?
Yes, so much! When I first started writing music, I pretty much only listened to Taylor Swift, and the music I was writing reflected that obsession, it was pretty bare-bones guitar-based pop-folk. Over time I started to diversify my music tastes, going through Bob Dylan, Twenty One Pilots, Nirvana, and K-pop phases. All of these bands still influence me. Also, learning how to produce my own music was a game changer. Suddenly, I had more options than just singing and strumming my acoustic guitar, I could make my music sound like anything I wanted.
Over time I started to lean towards louder, harsher sounds. I just think there’s something cathartic in a wall of noise. When I first heard the song “Modern Girl” by Sleater-Kinney, it felt like my entire world shifted a little bit. The way that song sounded made me feel things no other song had before—it was so gritty, grungy, and harsh, but so soft and beautiful at the same time. That’s the vibe that inspires me the most today, although I like to experiment with other styles too.
Who do you see as your main competitor?
I am my only real competitor. Even my friends here in the NYC music scene all support each other, and besides, our styles are so different from each other, that it would make no sense to compare amongst ourselves. I do get jealous of some big-name artists who are around my age, but I try to remind myself that just because I didn’t become famous at 16 or whatever, that doesn’t mean that I will never be successful, since no one’s journey is the same.
What are your interests outside of music?
Outside of music, I love animals, the environment, reading, fashion, and graphic design.
If it wasn’t a music career, what would you be doing?
I would be doing graphic design, for sure! That’s my other passion aside from music, and it’s actually my major in college right now. I got into it by designing my album art as a teenager, and now I design all my own visuals, including album covers, CD packaging, and merch. I go to Parsons School of Design in New York. It’s so exciting for me to explore all the ways that music and design intertwine with each other.
What is the biggest problem you have encountered in the journey of music?
I think getting people to listen to your music is really hard, there are so many independent artists releasing new stuff these days, and lots of it doesn’t get heard, or at least not by people who will truly appreciate it. A lot of people just like to listen to familiar music, which I understand, making room for new artists in your heart is hard. It’s one thing to just get in front of new people and let them know you make music, but it’s even harder to get them to actually listen to it—I think listening to new music is a leap of faith, and it can even get overwhelming sometimes. I think of music as sort of an unspoken bond between the artist and the listener.
I honestly love being born in this generation, because I think I was born to be a DIY artist,
If you could change one thing in the music industry, what would it be?
I honestly love being born in this generation, because I think I was born to be a DIY artist, and there’s no better time to do that, with the accessibility of resources and technology. But there are definitely things that still need to change. One thing I believe is that we should have more female producers, and women should learn to produce their own music. When I did, it was literally a game changer, it finally felt like my music was my own.
I’m not saying all female artists need to produce all their own releases and never get help from other, likely male, producers or engineers, just that it’s amazingly empowering and helpful to meet those people at their level and speak to them in their language in the studio. I’ve been talked over by male producers as a child recording my first songs, and I still remember the way it stung. Now, making music has never felt more freeing.
Why did you choose this as the title of this project?
Solastalgia is a word I came across while reading an article about how climate change can affect mental health, especially for Gen Zers such as myself. It’s a recently-coined word, referring to the distress people feel due to environmental change around them. “Hopeless” is the thematic heart of the album, as I wrote it about how thinking about climate change gives me suicidal thoughts.
However, the rest of the album looks at the title in a more abstract way, not necessarily related to physical environment, although I have a habit of using weather, nature, or seasonal metaphors in my songs. In the context of most of the album, solastalgia is basically referring to a complicated blend of emotional pain: nostalgia, fear, depression, loneliness, boredom, anger, and longing for things I can never have.
What are your plans for the coming months?
I’ll be busy with many artistic projects! Most likely I’ll release a single or two to follow Solastalgia, and try to get into playing shows more often in NYC. I would love to do a tour for Solastalgia, I’m hoping maybe in a few years. I also want to experiment with making more of my own music videos, producing songs for other artists, and co-writing more often.
Do you have any artistic collaboration plans?
Not right now!
What message would you like to give to your fans?
I appreciate each and every one of you, even if we’ve never met. I hope we can someday, and I hope my music can be there for you when you feel most alone, the way my favorite artists are there for me. You can always dm me on instagram if you want to talk 🙂
A conversation between Rick and my husband is what brought Rick and me together as co-songwriters.
Meet Sometimes Julie, is a San Diego dynamic duo who ended 2023 with a musical bang by releasing their album “Seven Wishes” on New Year’s night. Sometimes Julie is made up of powerhouse vocalist Monica Sorenson and musical wizard Rick Walker.
Monica’s earthy voice, as a guiding light, adds life to the fear of universal time slipping away while Rick creates sonic terrain that resembles Fleetwood Mac by adding rock touches.
Their fifth album, “Seven Wishes”, opens in pop, country and blues to express seven raw desires. Julie’s music is often so magnetic and compelling that it makes listeners want to realize their desires and grasp the moment.
Monica reveals in our chat how she got the name of her stage persona, Julie – a personality oozing mega confidence onstage. Acting motivated by love and personal lives, their creative path starts from a word to integrated gems with Rick.
Monica’s musical beginnings in a multicultural family influenced her youthful years and how they changed from simple songs to risky compositions express the uniqueness of their sound.
Sometimes Julie celebrates the reawakening of rock and roll with nods to U2 and Brandi Carlile. Apart from music, Monica enjoys nature and a little silliness. The future has a lot in stock for them, from live performances, solo projects and collaborations.
To fans, Sometimes Julie’s message is clear: help local musicians, enjoy live music celebrations and partake in the hope journey of love play. Take a plunge into the universe of Sometimes Julie and make their music vibrate in your heart.
What is your stage name? Our band name is Sometimes Julie. My real name is actually Monica, but when I am onstage people call me Julie most of the time, so I guess that’s what I go with for a stage name.
Is there a story behind your stage name? Julie is my performance name. When I first started singing, at open mics mostly, I thought it was important to use a stage name so I could maintain separation between my performance life and personal and professional lives.
With this separation, I could allow myself to be authentic on stage and perform freely, without having to worry about being tagged in potentially embarrassing videos posted to social media. So in short, Monica is a little self-conscious, while Julie is confident and free. So I’m gonna be Julie whenever I can.
Where do you find inspiration?
I find my inspiration in my relationships, feelings, and personal history as well as in dreams and imagined stories. I hear songs in my head when I am walking or hiking. Being in nature really lets me tune in. Melodies come to me as the stories develop.
When I return home from a hike, I will sit at the piano or with my guitar and work out a little bit of the song at a time. Then Rick and I will get together to fully develop the song. Rick’s collaboration often sends a song in a direction I didn’t anticipate, and I find that to be very exciting. So Rick is a big inspiration to me as well.
What was the role of music in the early years of your life?
Music was really important in the early years of my life. Many people in my family are musicians. Music was always playing in my house, whether it was classical or country or a little bit of jazz, standards, rock and roll, or pop. We didn’t have a lot of money but we had good stereo systems, a great collection of records, and instruments in our house – pianos, drums, and guitars.
Music was always there in the background of my childhood. I remember singing quite a bit to myself as a small child and loving learning songs.
Are you from a musical or artistic family?
My family is full of musicians. My grandparents were professional musicians and played in symphony orchestras, had radio shows, and regularly played in nightclubs. My father, who unfortunately I never met, was a professional musician in the Edmonton Symphony Orchestra. My mother also played piano quite well. My little brother is a professional guitar player and vocalist in Phoenix, Arizona.
Who inspired you to be a part of the music industry?
Rick inspired me to be a part of the music industry. A conversation between Rick and my husband is what brought Rick and me together as co-songwriters.
A conversation between Rick and my husband is what brought Rick and me together as co-songwriters.
How did you learn to sing/write/to play? As a child, I resisted my family’s efforts to teach me to play an instrument. And I was shy at school and did not join in with singing (fortunately, I eventually got over that). When I was a little older, I wrote quite a bit of poetry and actually pursued a master’s degree in English creative writing for a while. Writing poetry and writing lyrics draw from pretty much the same skill set. Also around the same time, I took a piano class for a semester as an elective. I loved it, but I didn’t pursue piano further until recently.
Although I have now been singing for several years, most of my development as an instrumentalist occurred only during the last few. After forming Sometimes Julie, I realized that in order to grow into the songwriter I wanted to be, I needed a better understanding of music and music theory. The piano is the perfect instrument for learning those things, and I am always eager to learn more.
What was the first concert that you ever went to and who did you see perform?
The first concert I went to was Elton John. I know I also went to see Chicago at about the same time. Elton John was amazing, he was very energetic, and Chicago’s sophisticated musical arrangements were inspirational. I began going to concerts after I got a job and could afford to buy my own tickets!
How could you describe your music?
Our music is original Indie Alt Rock, influenced by blues, pop, and a little bit of country. Our sound is entirely our sound, and while our music is relatable, it’s difficult to categorize us in a particular genre. What matters the most about our music is that it’s melodic and it’s a fully authentic experience that captures and conveys the moment and the feeling of the song.
Describe your creative process.
Usually, the words come first. A phrase, an idea comes along and then it is suddenly married to a tune that spins around in my head. I sing it into my phone and then I work it out on my piano. Some songs are all composed at once, while others have gone through revisions over a period as long as 10 years. Rick comes in to collaborate and helps me turn it into a song with all of the instrumental parts. A handful of times, Rick has composed a complete musical piece, to which I apply lyrics and melody.
Once the music and lyrics are essentially complete, we produce a demo in our home studio, and then take the completed demo to our band to develop the song further. After the band has played it out a few times, we go to a professional recording studio (Pacific Records, Pacific Beat Recording, and/or Bigrock Studios) for additional polishing and then release to the public!
What is your main inspiration?
Love, hope, pain, loss, hope. I’ve been thinking about love, and falling in love, and how to best describe love, my whole life. I think if people are honest they will say they are thinking about it almost all the time. I have had some very big losses in my life, as we all do. When I lost my son, in 2013, the pain was unimaginable. Writing songs to him and about him has been a saving grace. He too was incredibly creative and musical. I often imagine that he is inspiring me each step of the way. I also often write about a need to feel more freedom to express myself, so that is another recurring theme in my lyrics.
What musician do you admire most and why?
I most admire musicians who continue to evolve and get better and try new things. I also admire musicians who use their incredible talent and their energy to make the world a better place and give back. At the moment the artist that most comes to mind is the band U2 and Bono. We’re going to go and see them at The Sphere in Las Vegas.
But we’ve seen them many times before. They’re the reason I met my husband. I’ve created a lot of relationships with people listening to their music so I have to say they’re pretty influential for me. They use their tremendous influence to create Project Red which brings life saving opportunities to others.
Another person who I really admire is Brandi Carlile because she is so talented. Her music moves me. As an up and coming artist she was able to create while being a very authentic person. She was able to come out in 2002 and marry her wife in 2012. She uses her position of influence to create the Looking Out Foundation which helps fund a number of different things that I really believe in from conservation to supporting people in areas of conflict and Doctors Without Borders, a number of really important causes. Interesting connection: I recently found out that she learned to play piano and guitar after hearing Elton John.
Has your style evolved since the beginning of your career?
So much. We started out with what I would call safe little songs and we have developed into risk-taking songwriters. We try new things, bring in amazing collaborators, and create very original songs. I have grown as a musician, as both a singer and now an instrumentalist, with a better understanding of music theory and production.
Who do you see as your main competitor?
Time. You can’t trust it. It always steals the show.
What are your interests outside of music?
Hiking, glamping, being in nature, and being silly and childish.
If it wasn’t a music career, what would you be doing?
Painting and writing something other than songs. I also like working with animals.
What is the biggest problem you have encountered in the journey of music? Self-doubt.
If you could change one thing in the music industry, what would it be?
The rightful return of rock and roll as the dominant genre in popular culture. In my opinion, there is no other music genre with as much variety, and authenticity, than rock and roll.
Why did you choose this as the title of this project?
I am always wishing, hoping, and wishing some more, to have time with people I love and seeing people I have lost one more time. That is really what this is about.
What are your plans for the coming months?
Play! Play! Play! And work on my solo-ish project – which will be largely acoustic and piano oriented. Rick will be right there with me, so it’s only kind of a solo project.
Do you have any artistic collaboration plans?
I may be writing with a few friends, Linda Berry and Pat Pickslay to name a couple. I hope to put together some cool shows with all female-fronted bands.
What message would you like to give to your fans?
Please listen to and support local musicians and live music whenever you can! Hope, love, play! We appreciate your support and hope you will let us know what you think of our new album.
The Heart of Indie Music: Sambox's Candid Conversation on 'Imagination'
Sambox is back with his latest record “Imagination” this is an intriguing fusion of techno and classic sounds, this masterpiece was created in collaboration with cellist Anita Barbereau. Buckle up and get ready for a musical trip! It’s a dance of keys and cello, presenting one vivid performance in your mind.
Sambox is a musician with roots going back a lot in the 1980’s and early 1990 who are passionate about electronic music giving timelessness and easy listening quality to your tunes.
In a recent interview with Sambox he made some disclosures and delved into his personal life, he stated he is inspired by the melancholic and nostalgic sides of life, using music as a powerful conductor for emotions.
Recognizing the monetary difficulties that indie artists face, Sambox supports fair streaming payments by highlighting the importance of proper crediting.
Sambox announces some interesting future collaborations with cellist Anita Barbereau and hails the fans for listening to real heartfelt music.
Now click those links if you haven’t yet and let Sambox’s tunes take your imagination on a real feel-good adventure. It is more than music; it’s a rhythm that vibrates with the heart, making you dance and feel every pulse.
Is there a story behind your stage name ? There’s no real story behind my artist name
Where do you find inspiration ? Like many artists, my inspiration comes from everyday life, but the melancholy and nostalgic side is a real source of inspiration for me.
It’s in this melancholy that I’m able to express my artistic ideas.
What was the role of music in the early years of your life ? music has played an important role since I was very young, allowing me to discover different musical worlds and to blossom.
Are you from a musical or artistic family ? Yes, I come from a family of musicians, so we’re all artistically inclined, but in different musical worlds.
Who inspired you to be a part of the music industry ?
Clearly, when I discovered electronic music in the late 80s and early 90s, I said to myself, this musical universe speaks to me and this is where I belong.
How did you learn to sing/write/to play ? I trained in classical music and this has helped me a lot in the construction and realization of my compositions.
Nevertheless, I’m still a pure autodidact when it comes to mastering the various software and mixing techniques. It took me many hours, even years, of work to master certain phases, and I’m still learning every day, like many artists.
Cellist Anita Barbereau
What was the first concert that you ever went to and who did you see perform ? sincerely, I don’t know anymore
How could you describe your music? I would describe my music as pleasant to listen to and timeless.
Describe your creative process. My creative process is often the same: I stand in front of my piano and play completely imporvised until I find a chord progression or a beautiful melody that sounds good.
From then on, I set to work in my home studio to embroider this idea.
What is your main inspiration ? Although I’m not sad by nature, I really like melancholy and nostalgic things, because they’re often situations and things in life that touch you, and by definition music is a transmitter of emotions.
What musician do you admire most and why ? Difficult questions, I’d say that when a musician succeeds in moving you with his creations, he inevitably arouses admiration.
Did your style evolve since the beginning of your career? Yes and no. Basically, my artistic touch remains the same, but I’m experimenting with other sound textures and I like to mix acoustic instruments with electronic music.
Who do you see as your main competitor ? I don’t think there are any competitors in the art world of independent artists, but rather friends or even role models.
What are your interests outside of music ?
I really like the contact with water, in this case the wellness areas.
If it wasn’t a music career, what would you be doing ? hard to imagine, in fact, like many music fans, many will tell you they couldn’t see themselves doing anything else.
What is the biggest problem you have encountered in the journey of music ? As in any business, money is the key, and when you’re a self-producer like me, it’s hard to make big plans and invest in new equipment.
If you could change one thing in the music industry, what would it be ? The best thing would be a fair payment on streaming, and for that we need a complete overhaul of the artist remuneration system.
I don’t know a single artist who’s happy with his or her royalties. You have to live decently, and all work deserves decent remuneration.
Maybe one day there won’t be any human creators left, especially if you want to make music with a real soul.
Why did you choose this as the title of this project ? my latest single “Imagination” is above all a place for dreams and hope in this difficult world
What are your plans for the coming months? For a year I have been working in close collaboration with cellist Anita Barbereau, we exchange a lot and we still have many projects to realize for 2024
Do you have any artistic collaboration plans No other collaborations to come.
What message would you like to give to your fans ? listen, listen, again and again to my music, or if you prefer to buy it that’s good too because that’s what allows me to offer those who follow me or discover me authentic music that comes from the depths of heart.
A Symbol Of Hope In The Face Of Adversities - When Stars Collide
What do you do when everything seems to go bad? Do you fold back into your shell or face it like Ian Dencker? Ian Dencker is a musical artist who pours his heart out into every production; he has made it sole purpose to empower the world with his music
His latest single “When Stars Collide,” is that one song that can be enjoyed by people from all walks of life regardless of age. Ian is a solo artist who plays the guitar and keyboard, and atop that, he sings as well.
In a recent interview with Mister Styx of Musicarenagh, Ian Decker went deep into his personal life and share some bits of him. When asked about the main inspiration behind “When Stars Collide” this is what he had to say :
“The song is about awakenings, new beginnings and new realisations trying to capture that feeling in song”
Now join us as we get dig deeper into the life of Ian Decker and his latest single “When Stars Collide”
Ian Dencker
Is there a story behind your stage name?
No, it’s just my real name
Where do you find inspiration?
Everywhere, life, dreams, you just have to listen
What was the role of music in the early years of your life?
It offered hope and escape from a very poor upbringing
Are you from a musical or artistic family?
Nah
Who inspired you to be a part of the music industry?
I naturally was drawn to music as a young boy and would torment my family on the old piano
How did you learn to sing/write/to play?
I’m self taught
What was the first concert that you ever went to and who did you see perform?
I recall seeing Neil Youg and Crazy Horse
How could you describe your music?
Heart felt
Describe your creative process.
Sometimes I will dream a song and when I wake I record the words and music
What is your main inspiration?
A mixture really but the human condition prevails
What musician do you admire most and why?
I really like Thom Yorke as he is so gifted technically and creates a scenery like no one else
Did your style evolve since the beginning of your career?
Yes I think so and still evolving
Who do you see as your main competitor?
I would like to be as good as Green Day or Radiohead
What are your interests outside of music?
Martial arts and the good side of humanity
If it wasn’t a music career, what would you be doing?
I’d be a farmer or race car driver or a sailor
What is the biggest problem you have encountered in the journey of music?
being understood and getting my ideas across tp production
If you could change one thing in the music industry, what would it be?
more inclusive to all
Why did you choose this as the title of this project?
I was watching the Milky Way with my 9yo son whilst camping
What are your plans for the coming months?
To Promote When Stars Collide and perform it live
Do you have any artistic collaboration plans
Not at this stage but always open to offers 🙂
What message would you like to give to your fans?
I hope you like my new song, this one was very hard to write and I had to dig very deep as my life was undergoing drastic changes
Strings and Stories: Alexander Nantschev's Musical Tapestry
Lets talk about Alexander Nantschev the musician guy with a story as diverse as his tunes. His musical journey involves walking on a tight rope between classical melodies and experimental loops on a balcony that links his brother’s studio to his father’s classical music haven.
Like him, there is a little bit of everything in his latest album, “Selves.” Each song is an alternative side of him; like having multiple alter egos. For this reason, he does not believe in one self only, he argues that it does not work for such world as ours where we are forced to be stuck with one identity only.
In the midst of the buzz created by music and arts in his family, Alexander derives pleasure from mundane things – deep conversations, strolls in nature or teaching kids how to play violins. His process of making music? More like playing around and seeing what sticks.
In a recent interview with Mister Styx of Musicarenagh, he was asked if his music style evolve since the beginning of your career and his response was an interesting one, this is what he had to say:
“I strive not to regress, maintaining a dreamlike state that reflects a unique magic while learning life’s lessons.”
In this conversation we explore how he entered into music, who influenced his jamz and how he juggles the whole artist-manager thing. From being an avid Pink Floyd fanboy to finding his own sound, Alexander gives us all the stats about the music he loves creating without any fancy lingo at all.
Is there a story behind your stage name? Certainly, it’s simply my official name.
Where do you find inspiration? I draw inspiration from deep conversations with friends, visits to galleries, concerts, nature walks, reading, and engaging with other artists. My work teaching kids the violin is a constant wellspring of creativity due to its playful nature.
What was the role of music in the early years of your life? Music permeated my upbringing, with a father as a violinist, a ballerina mother, a conductor-composer uncle, and a music-producing brother. Our home was a hub for musicians, painters, and artists.
Are you from a musical or artistic family? Yes, my family is deeply rooted in music and the arts.
Who inspired you to be a part of the music industry? The early influence of The Beatles and Pink Floyd sparked my interest in the music industry.
How did you learn to sing/write/to play? My father initiated my violin training at age 3, followed by piano lessons at 9 and guitar at 15. My uncle enriched my knowledge in counterpoint, harmony, theory, music history, and solfeggio. I further studied violin and piano at the Music University in Vienna.
What was the first concert that you ever went to and who did you see perform?
While I can’t recall the first concert, seeing Pink Floyd at 13 in the front row left a lasting impression.
seeing Pink Floyd at 13 in the front row left a lasting impression.
How could you describe your music? Some label it as progressive, but I prefer to describe it as psychedelic. Influenced by classical music, my focus centers on melody and its arrangement.
Describe your creative process. My approach is playful, often starting with improvisation. I then refine by cutting out favored parts. Dance has been a significant influence, connecting various art forms like choreography, video projection, music, and stage design.
What is your main inspiration? A good sleep is crucial. While exhaustion hinders creativity, there are exceptions, like compositions born from high fever and sickness. Exceptional performances by other musicians also serve as inspiration.
What musician do you admire most and why? I admire Glenn Gould for his unique and individualistic approach to music, unswayed by external judgments.
Did your style evolve since the beginning of your career? I strive not to regress, maintaining a dreamlike state that reflects a unique magic while learning life’s lessons.
Who do you see as your main competitor? As Bela Bartok said, competitions are for horses.
What are your interests outside of music? I enjoy art, movies, books, philosophy, nature walks, and deep conversations with friends.
If it wasn’t a music career, what would you be doing? Probably a diplomat.
What is the biggest problem you have encountered in the journey of music? Confronting self-criticism and balancing the roles of artist and manager can be challenging.
If you could change one thing in the music industry, what would it be? I believe the public needs to value music more, akin to other forms of entertainment.
Why did you choose this as the title of this project? The album “Selves” represents different facets of me, each song embodying a distinct self – the Romantic, the classical, the hippie, the astronaut, the guru self.
What are your plans for the coming months? I’ve formed a new band, and rehearsals are underway. Additionally, I’m planning classical violin concerts.
Do you have any artistic collaboration plans? I’m always open to collaborating with inspiring individuals.
What message would you like to give to your fans? Believe in what you excel at. If someone inspires you, great. If a concert leaves you feeling down, it may have been more about ego than art.
Connie Lansberg's “Seconds and Circles”: A Fable of Timeless Jazz
In the oblong flow of jazz, timing is everything, and Connie Lansberg’s “Seconds and Circles” spins a fable with every tick tock of its musical hands. This bewitching number from Australia’s most streamed jazz virtuoso isn’t just a song; it’s an odyssey across time’s infinite dance floor.
With Mark Fitzgibbon’s adept fingers coaxing stories out of each piano key, we’re engrossed into Lansberg’s universe—one that glitters beyond conventional jazz confines. Here, standards don’t apply unless they’re recast in fresh outlines by these maestros’ hands. Like skilled alchemists turning melody to gold, Lansberg and Fitzgibbon fuse classic sensibilities with innovative gusto.
Lansberg’s vocal tone—a cultivated fusion redolent of the smoke-tinged spectres like Billie Holiday—casts spells embedded not just in the present moment but reminiscent of bygone times. Her ability to convey profound narratives within the ligaments of song fuses new listeners’ interest while seducing seasoned aficionados with her authentic touch. It’s enchantment spun through octave and tone.
Connie Lansberg’s “Seconds and Circles”: A Fable of Timeless Jazz
The artful arrangement thrusts us through temporal waves as intuitive drumming complements bass lines that anchor without constraining freedom flights quite fittingly enclosed within “Seconds and Circles.” What starts as mere vibrations in air transforms under their stewardship into raw emotion palpable enough to rouse souls long after final notes fade away.
Connie Lansberg has indeed exceeded barriers—with storytelling finesse entwined elegantly amongst the sophistication only acquired over expansive careers dedicated wholly to craft-reshaping definitions about what it means ‘to jazz.’
If this track signals what awaits on her sonic horizon, brace for heartbeats syncing up with rhythm; expect minds swirling along metaphysical staves where “seconds” aren’t plainly seconds—they’re eternal possibilities encircling moments grasped between breaths felt profoundly within our visceral tapestry.
Ingravity “Move It Up”: A Funk-Fueled Soulful Adventure
In the galaxy of neo-soul and buoyant pop, fresh constellations are problematic to arrive—but ‘Move It Up’ by Ingravity illuminates like a supernova in the heart of Berlin’s busy soundscape. At the wheel is Benedict Goebel, whose vision for this large-scale soul-pop blend has been fastidiously made since 2014 and now emanates through their debut album.
From opening chords that accept you like an old friend’s smile to rhythms that prod at inactive dance instincts, ‘Move It Up’ is less an invitation and more a compelling push towards joyous abandonment. The eleven-track adventure conjures up a generous portion of Stevie Wonder-esque enchantment with touches of classic Motown polish that never feels overdone.
Ingravity wields instruments with natural delight—the funk-fueled basslines grip your feet while brass arrangements lift melodies into an elevated stratosphere of groove. Tracks flirt effortlessly between easy listening bistro vibes and Friday-night fever; they dare listeners not to nod heads or tap feet as they’re wrapped in waves of warmth courtesy of layered harmonies fit for contemporary choirs.
Ingravity “Move It Up”: A Funk-Fueled Soulful Adventure
Yet beyond energetic hooks and refined production lies Ingravity’s unspoken prowess: passion laced within details—a percussion fill here, an off-center chord there—creating emotive landscapes often lost in over-produced records.
‘Move it Up,’ true to its title, is about elevation—lifting spirits amid adversity through collective musical prowess. Goebel doesn’t merely want you nodding along—he pulls you into a dynamic synergy where each song serves as both sanctuary and celebration.
Whisking us on this diverse voyage cemented with fun-filled artistry, Ingravity seems positioned not only to soundtrack summer barbecues but also claim stake within personal catharses during quieter moments when one needs simply…to move up.
Ace Pariston’s “Saints Row”: A Rap EP for the Soul
Ace Pariston’s “Saints Row” is a haunting tapestry woven with threads of despair and hope, setting it apart in today’s hip-hop mixtape landscape that often favors bravado over vulnerability. As the inaugural mixtape from the Swedish artist/rapper/producer, these ten tracks are not just a collection but a pulsating narrative of emotional resurrection. Through melancholic introspection bound by beats and rhymes, Pariston crafts an EP that reads like poetry for the soul cast against the urban sprawl.
Firstly, one must acknowledge this Swedish artist’s dexterity—not only does Pariston command the microphone with his verses, but he also sculpts the soundscape as its producer. To hear “Saints Row” is to witness a craftsman piecing together his own monument.
The street-paved melodies carry anthemic hooks that burrow deep within your consciousness, demanding residency long after the final note has decayed into silence. It beckons comparisons to The Weeknd’s darker early opuses or J Cole’s candid confessions—each word uttered by Pariston resonates like graffiti on soul’s bare walls.
But what makes “Saints Row” a riveting first Hip-Hop Mixtape for Pariston isn’t solely its thematic achievements; it’s also how he stitches classic rap storytelling with contemporary sensibilities—a revivalist yet fresh sound eager both to nod at tradition and push beyond existing boundaries.
Ace Pariston’s “Saints Row”: A Rap EP for the Soul
As much as it embodies personal resurrection through music—an audible come-up story—the collection could serve as an anthem for all navigating their tribulations towards self-actualization. In these compositions lies both curse and cure: an unflinching gaze at life’s inherent messiness alongside harmonious prospects for tomorrow.
To listen to “Saints Row” is indeed more than ingestion—it is immersion into Ace Pariston’s psyche holding out hope amidst torrents of emotions—and perhaps there lies its most powerful act: transforming pain into sonic gold—each track alchemizing sadness into something bordering sublimity.
Ace Pariston invites listeners across diverse spectrums—to not merely observe his ascent but feel every stride in verse-charged cadences leading upwards—a truly universal tale spun atop hip-hop threads, offering solace throughout Saint Rows’ cathartic crusade against desolation. And so ensues Ace Pariston’s love letter engraved in rhythm and rhyme—a genuine dedication worth replaying until every word feels like homecoming.
Liza Jane's "Man Or The Monster" a Puzzle Wrapped in Synth Layers
“Man Or The Monster”—Liza Jane’s latest solitary—is etching an enduring groove in the electronic dance floors of TikTok and Instagram, where beat-seekers inhale life into #dancechallenges that quake virtual and physical worlds alike. In this forceful path, listeners are dunked into the gloomy waters of affection gone astray—a style as timeless as Shakespeare but spun with the contemporary strum of pulsating pop.
Directed by Joseph Spence, the song video is a chiaroscuro maze reflecting those same dark undertones transported within Liza’s haunting songs—infidelity twisting through its arteries like poison oak on an old-fashioned wall, while self-reclamation stands elevated at its core, defiant and unmovable.
Liza Jane’s “Man Or The Monster” a Puzzle Wrapped in Synth Layers
While her tune hinges on grief and betrayal reminiscent of Gotham’s most heartbreaking figure Two-Face—the lines blur between heroics and villainy; correct or incorrect. Such is “Man Or The Monster,” a puzzle wrapped in synth layers produced deftly by Shayon Daniels. Experiencing it feels like observing coin mid-flip; every listener betting on which side lands face up—love or loss?
The sonic personality cannot be restricted to one gendered voice but echoes general sentiment that transcends labels—an anthem for anyone who has stared across the war zone at someone they no longer identify. It speaks quantities about Liza Jane, Key West’s native daughter whose vocal dreams bloomed before she could even fully express them.
In this meticulously made narrative soundscape, our Floridian mermaid bends genre just as much as she does prospect—the seductive allure ensnaring us amid deep basslines intertwined with electronic passion. Listen closely: is that desire or anxiety echoing back from your orators? With each listen comes another layer revealed—a different shade perceived from either ‘man’ or ‘monster’.
Behold Liza Jane—as enchanting and meaningful in artistry as an oceanic sunset off her coastal roots—carving out a heritage not just in pop civilization lexicon but also within the tattered edges of our own exquisitely flawed humanity. “Man Or The Monster” reaches tendrils out past song into psyche—and isn’t that what all truly magnificent music should do?
Moontwin's "Symbols" is a Lullaby for Adults and an Ode for Reflective Spirits
In a transcendent fusion of acoustic intimacy and indie-folk sensibilities, Moontwin’s latest contribution “Symbols” lays bare the intricacies of human emotion beneath the moonlit canvas of night. The single is not merely a tune; it’s an evocative expedition through the psyche, courtesy of Maple Bee’s haunting vocals and Zac Kuzmanov’s instrumental alchemy.
The narrative behind Moontwin is as enrapturing as their music—bound by companionship and artistry despite physical disconnection, with Kuzmanov orchestrating from his Bulgarian home while Garside weaves lyrical sorcery in Cornwall. This distance seems only to add depth to “Symbols,” a track born out of nocturnal revelations that gleam like constellations across landscapes vast and personal.
Moontwin’s “Symbols” is a Lullaby for Adults and an Ode for Reflective Spirits
One might say “Symbols” serenades listeners with melodies dipped in the inkwell of dreams—a potent sonic elixir brewed within those fragile hours where reality softens, allowing thoughts to swell into ripples upon consciousness’ still waters. It echoes artists like Nick Drake or Vashti Bunyan yet walks its own road—one illuminated by fireflies’ dance rather than spotlight glare.
Garside’s female vocals ripple through each verse with ethereal grace, at times reminiscent of Joni Mitchell or Sandy Denny. She navigates us through our subconscious fears, wishes entwined intricately as if braided by nymphs hidden just beyond view. Each refrain feels closer to chant than chorus—an invocation for minds caught dangling precariously between wakefulness and slumber.
Kuzmanov conjures an organic blanket under which these musings can nestle—acoustic strums ebbing and flowing against the gentle rhythm heartbeat-esque percussion; there is both warmth and melancholy here—comfort amidst longing. Their virtual teamwork defies miles, proving once more that true creativity knows no limits but rides borderless on digital currents.
“Symbols” may have arrived stealthily into our world under cloak of darkness but illuminates indefatigably bright now discovered. In this track lies proof that even in solitude — maybe especially so — music remains an indefatigable channel connecting souls across any divide.
As much a lullaby for adults as it is an ode for reflective spirits steering themselves towards dawn after long nights wrestling inner turbulence – “Symbols” glimmers delicately poised atop Moontwin’s growing discography – each listen etching enigmatic emblems deeper within memory’s halls.
Evol Walks’ acoustic interpretation of the Ramones’ macabre anthem “Pet Sematary” spirals into our awareness with an eerie new life. This is not merely a remake; it’s a revival that haunts with gentleness and resonates with unexpected emotion, created from the creative cradle of Leah Martin-Brown—the Australian enchantress spinning her ethereal silk spiderwebs across rock’s exalted tomb.
With Evol Walks’ latest release, there’s an immediate atmospheric shift—one that tugs listeners away from punk’s frantic crypt and lays them delicately atop celestial clouds of longing. Martin-Brown manipulates the tempo as if decelerating time itself to exhume every subtlety previously buried within frenzied guitar riffs. She infuses soulful female vocals like golden incense in holy spaces, sharply contrasted against her band’s past hard-rock pursuits.
Jasmine Crowe’s mournful violin melodies intertwine through this musical ritual—shivers down your spine manifest as notes on a staff. Every pluck, every hum carries more significance than just music; it enfolds you in the stories and ghosts once enshrined in two-minute punk ballads now drawn out into something exquisitely radiant—a gothic shroud gently draped over pop skeletons.
The magnificence lies in emancipation; you sense Evol Walks has broken free from genre constraints. Their decision to peel back layers reveals so much more than “a different side” to venerable punk rockers The Ramones—it uncovers mortality’s tender vulnerabilities versus its raucous revolt.
Evol Walks Impresses With “Pet Sematary”
Listeners may find themselves pilgrimaging along familiar melodic paths only to be escorted onto gloomy trails where recollection mingles with melody—a somber contemplation transforms what was once passionate into a quiet veneration for alley-cat anthems turned prayerful sanctuaries.
This second single heralds their forthcoming Acoustic EP not merely as another mark on discography belt but signals an expansiveness we eagerly await—an exploration both tremendously profound and sublimely spirited that casts renewed perspectives upon timeless refrains.
As much as “Pet Sematary” conveys sepulchral tones ripe for midnight performances beneath pale moonlight, above all else it resonates significantly deeper amidst tranquility rather than noise—with each listen uncovering nuanced whispers worthy of both thoughtful solitude and communal reverence among followers old and new.
Beyond the Lyrics: A Heart-to-Heart with NazTheMoon
Meet NazThe Moon, is an indie artist from Memphis, TN. She is a cool artist who shares her mental health struggles through her music while doing it all from her bedroom. Listen to her latest track “Local Freak Act” where live guitar meets post-hardcore rock.
Naz tells us how she got her stage name and talks about her musical journey. From jamming with post-hardcore and rock bands like Dream State to using music as an escape from mental health battles, Naz holds nothing back.
Discover how she comes up with her songs, what influences her and how the sound has changed over time. She’s honest about the struggles especially the constant comparison game in the music industry. Also, she has a message for fans –
“a big thank you for the love and support – She says. She’s doing it all for you and hopes to make you proud. Much love folks! ❤️
What is your stage name? My stage name as of right now is NazTheMoon or just Naz! It may change to Naz in the future, but right now, NazTheMoon is my brand.
Is there a story behind your stage name? It’s quite funny actually, I got inspiration from the song Nazareth by Sleep Token. I had made NazTheMoon my username on Twitter and it just stuck, it became my brand unintentionally.
Where do you find inspiration? I find inspiration in many different musicians as well as my personal life experiences. My sound is heavily inspired by post-hardcore, rock, & metal bands such as Dream State or Glass Heart. I write all of my songs about my personal life experiences and struggles and draw inspiration lyrically from the bands mentioned previously.
What was the role of music in the early years of your life? Music has always been something that has helped me feel alone in my struggles with mental health. I grew up listening to music as an escape and decided that when I started pursuing this career I would give back what I was given from music. I want people to feel less alone in their struggles and I hope I can do that with my music.
Are you from a musical or artistic family? My family isn’t super musical, although my parents did play instruments/sing in their youth. I’m the youngest of my six siblings, and I just so happened to be the odd one out! I’m the only one who thought, “Man, music is the one thing that truly makes me happy. Guess that’ll be my career now!”
Who inspired you to be a part of the music industry? In all honesty, my friends were 100% of the reason why I wanted to get into this industry. I used to never be confident in my voice, and then one day I decided to share my cover of a Sleep Token song with a few close friends who pushed me to write and release music.
I’m not friends with a couple of these people anymore, but I believe they’ll always be the people who made such a big impact on my career.
How did you learn to sing/write/to play? I grew up playing any instrument I could find. I learned to play guitar by searching YouTube tutorials and then self-taught myself from there. I learned how to improve my singing & songwriting at a local place called The Song Shack. The Song Shack taught me to push my limits and my teacher, Ashton, really helped me gain confidence both as a writer and a singer.
What was the first concert that you ever went to and who did you see perform? The first concert I ever went to was Twenty One Pilots back in 2018 or 2019, right after their album Trench was released. I was incredibly hyper-fixated on Twenty One Pilots back then, and even though I could barely see (because I didn’t have glasses), it was still the best experience of my life.
How could you describe your music? I describe my music as a mix of some post-hardcore & rock. My songs have deep lyrics that truly delve deep into struggles with mental health and learning to love yourself, combined with live instrumentals to truly create a unique experience for my fans.
Describe your creative process. A lot of my creative process is done in my room, on my bed, with nothing but a guitar and a notebook. I sit for hours, and the songwriting process can sometimes take days on end. I’ll listen to musicians who inspire me, analyze their songwriting or chord progressions, and draw inspiration from there.
From then on, I just play chords and sing along. If a lyric comes to me, I write it down and workshop it later. When a song is done writing, I bring it to my producer and we work on recording and touching up any empty spots. This process can take a few days to months! It truly just depends on how inspired I am to sit down and finish a song.
What is your main inspiration? My main inspiration is probably my own life experiences & mental health. Mental health struggles are something that has affected me for a long time, and writing about it truly helps me understand my feelings and create songs that are beautiful and unique to me.
What musician do you admire most and why? Jessie Powell of Dream State. Easy question. Jessie has truly inspired me with her lyricism as well as her story as a musician. The fact that she almost quit music and now she is in a band as successful as Dream State has truly inspired me to continue pursuing my dream and she’s taught me it is never too late to do what you love.
Did your style evolve since the beginning of your career? Very much so. In the beginning, my sound was more folk-pop or even jazzy sounding. I later learned that those sounds were just… Not my thing. I enjoy myself the most when there are hard instrumentals and find it easier to write a rock song than I do with any other genre. My clothing style has seemed to have shifted as well, which is a little odd to me. But is it me if I’m not changing aesthetics monthly?
Who do you see as your main competitor? Honestly, I don’t see anyone as my competitor. I do music for others to hear and think, “Man, she understands me.” If someone likes my music and is a fan, then great! I’m doing exactly what I set out to do.
What are your interests outside of music? I love photography and I’m doing it as a hobby on the side! Concert photography is always something I’ve loved and I decided to pursue it for fun. Other than that, I also enjoy gaming every so often. Baldur’s Gate 3 has truly distracted me from writing music.
If it wasn’t a music career, what would you be doing? I couldn’t tell you. I’ve always struggled to know what I wanted to do in life until I realized that music is what I have to pursue. If I wasn’t a musician, I’d likely still be in the music industry somewhere. I’ve considered being a tour manager at times. No matter the situation, I think I’d always be in the music industry.
What is the biggest problem you have encountered in the journey of music? Comparing myself to others, that’s the biggest thing. Going into the music industry and releasing my first single, I’ve constantly been comparing myself to others. I’ll see their engagement and wonder if I’m not doing enough. I’ve caught myself doing that and trying to teach myself that I’m doing good where I am and that things will get better.
If you could change one thing in the music industry, what would it be? I would likely change the lack of support for small/independent musicians. It can be very hard to come across venues or blogs that truly wish to support small musicians, and I’d like to change that. Many of us are looking to make a true career from this, but the lack of support can be very discouraging at times. That first step into the door of the music industry is always the hardest.
Why did you choose this as the title of this project? Local Freak Act is truly representative of what the song is supposed to be about. This song is supposed to represent me changing my name and truly focusing on my artist self. Some people may think of it as running away and joining the circus.
Getting that support to pursue what you love isn’t easy, and at times it can feel like you’re nothing but a clown to other people. I wanted to represent that in my title and cover art.
What are your plans for the coming months? I’m in the process of writing and recording my first EP currently, and I have another single coming out within the next couple of months (no spoilers for the exact date yet, I gotta leave some things a surprise)! I’m also working on writing an album that’ll hopefully come out late in the year.
Do you have any artistic collaboration plans? At the moment, I don’t have any collaboration plans. I’d love to work with artists like Jessie from Dream State or Princess Liv, but right now I’m focusing on my career and getting my foot into the door first.
What message would you like to give to your fans? Thank you so much for the overwhelming love and support, I never would’ve thought I’d be getting so many DMs and love. Thank you for being fans, and I hope to make you all so proud. You’re the reason I’m doing this, I love you <3
Kelvyn Boy Captivates Audience With Stellar Performance At Duku Festival
Renowned Ghanaian artist Kelvyn Boy took center stage and captivated attendees with an electrifying performance at the highly anticipated Duku Festival held on 7th January, 2024 the festival witnessed a blend of music, culture, and vibrant energy, with Kelvyn Boy’s set emerging as a standout moment of the event.
Known for his dynamic stage presence and chart-topping hits, Kelvyn Boy did not disappoint. He delivered a performance that resonated with fans and newcomers alike, showcasing his versatility, passion, and undeniable talent. From soulful melodies to high-energy tracks, Kelvyn Boy’s repertoire kept the audience engaged and enthralled throughout his set.
The Duku Festival, celebrated for its commitment to promoting music and cultural exchange, provided the perfect platform for Kelvyn Boy to connect with his audience on a deeper level. His ability to command the stage, interact with fans, and deliver flawless vocals reaffirmed his status as a leading artist in the music industry.
“We are thrilled to have had Kelvyn Boy grace the Duku Festival stage. His performance was nothing short of spectacular, and it truly elevated the overall experience for attendees,” said by Usher. “His energy, talent, and genuine connection with the audience encapsulate what the Duku Festival aims to celebrate.”
Kelvyn Boy expressed gratitude to the people of Tema New Town for their overwhelming support and promised to continue delivering memorable performances for his fans worldwide. As the Duku Festival concludes, organizers, artists, and attendees alike reflect on another successful event, eagerly anticipating future editions and collaborations.
