Disposable is the 8th song off the album Hiatus by acclaimed singer Joh. With Disposable singer Joh takes us into her private moments, you could call it ‘a day in the life of Joh.’
Through dreamy, guitar-based riffs and classically-inspired songs that produce addictively odd melodies and entrancing harmonies. With an ear-pleasing voice, Joh hits the notes perfectly, which aids the listener to really understand the message being sent across.
This song about reflection remains in the area between questioning and reevaluating what comes after losing something or someone.
Disposable is accompanied by a visual representation of the lyrics of the song.
You hit the club and the see Ethan Reue Berdofe behind the controller, just know it’s going to be a great night, a night of endless joy and uncontrollable fun. Reue has been pushing the boundaries of underground electronic music from a very young age and has now grown to be one of the most progressive and influential minds on the scene in his hometown, and is known by his peers as a prodigy in the making.
His new song Enamor is an instrumental deep house- techno 80’s vibe. Reue has started headlining shows in Boston, Seattle, and all over Central Texas, his latest release Enamor spans over 6mins 37 secs of ecstasy, a rush of adrenaline gushing throughout.
I Don’t Drive A Truck by Matt Burke is a classic cowboy song, reminding you of the good ol’days, it tells the story of Burke’s experience growing up in Florida. According to the multi-talented Burke this is the main inspiration behind his new song
“It’s a song about growing up in Florida – which gets dogged on for not truly being The South…But I was raised on Waylon and Willie and Merle and Hank – I spent my whole life in a small town in central Florida, my dad and I spent countless hours out on the St. John’s River fishing growing up, my buddies and I went muddin’ and had palate and tire fire parties in the woods…. folks are so quick to judge what it means to be “country” and I think this song comes from that place.”
Is there a story behind your stage name?
It was the name I was given at birth 😉
Where do you find inspiration?
Travel mainly – I feel like songwriting is an “output” business, so you need to make sure you’ve got good inputs coming in from travel and new experiences all the time. Just living in Nashville is a big inspiration as well, since there is so much talent around every corner.
What was the role of music in the early years of your life?
I’ve always been involved with music in one way or another. Was in a nationally touring children’s choir from 3rd-7th grade, I played jazz saxophone from 6th – 12th grade, I was in rock bands in middle school and high school, I transitioned over into singer-songwriter acoustic stuff in college, I built a full blues rock band for a couple of years in Florida that gigged hard and saw some moderate success, and I’ve been fully involved in my songwriting for the past 3 years here in Nashville. Music is my life!
How could you describe your music?
I call it alt-country leaning Americana. I’m influenced heavily by 1970’s outlaw country – Hank Jr., Merle, Waylon, Willie – as well as traditional Country and Western Music like Marty Robbins and Eddy Arnold. But I’m also a fan of more mainstream, commercial-sounding country, so some of my releases have a more modern, glossy production. I like the “Americana” label because it gives me room to explore different styles and influences with my releases.
Describe your creative process.
Wake up way top early, drink way too much coffee, get to work lol. That’s the nutshell version.
I really am most creative early in morning – between 2 and 5am. I try to go to bed early most nights – not too long after sundown – so I naturally wake up around 2am each morning. Those early morning hours are so nice – no one needs anything from me, everyone else is sleeping, and it seems like ideas just come to me at that time.
I have a note on my phone with all my song titles and concepts that I update constantly. Anytime I hear a clever phrase, or an interesting way of saying something, I’ll write it down. These ideas are the seeds for the songs I write.
I also get lots of melody ideas early in the morning, so I’ve got lots of voice memos on my phone with riffs, progressions, melodies, etc.
What is your main inspiration? My main inspiration… in life? That’s tough… I guess I’m looking for peace and contentment, just like everybody else, so that’s what drives me. But my main inspiration with my music is to reach as many people as I can – to create as many positive moments as I can.
What musician do you admire most and why? Townes Van Zandt. He is the reason I started taking songwriting seriously. He lived a hard life, he never really got acknowledged for his work until after his death, but he wrote so many amazing songs for so many people, and his catalog was huge by the time he passed away.
He was respected in the industry, even though he wasn’t well known by the public. And he could WRITE so beautifully – he is an incredible storyteller. That’s what I’m striving for with my songs: I want to tell interesting stories and make people FEEL something.
Did your style evolve since the beginning of your career? For sure – when I released my first album with The Matt Burke Band back in 2010, it was very college-rock-jam-bandy. Fast forward to 2008 when I put out the MBB EP and the style and sound was heavily influenced by Chicago blues rock.
And then, in 2019 when I moved to Nashville to focus on my solo career as a songwriter, I embraced a more country-roots-americana vibe which I am still very much in the middle of today.
Who do you see as your main competitor?
Every mainstream major label artist. I need my music to be just as good as what the major labels are putting out if I want to rise above the noise in the independent music industry and gain true fans.
What are your interests outside of music? I love camping and hiking and being outside, especially out West in Utah/Colorado and in the Appalachians in eastern Tennessee. I just love traveling in general – I’m never calmer or more at peace than I am when I’m out on the road.
If it wasn’t a music career, what would you be doing? Probably running a diner or a food truck or something… I don’t think I’m capable of working for anyone other than myself.
What is the biggest problem you have encountered in the journey of music? Trying to find new listeners. It’s so hard to get independent music out there without a HUGE ad-spend budget behind it. The entire music industry is in Nashville, and there are so many folks that could help me reach new people and get my music to new fans, but those doors are closely guarded and locked tight. You can’t get a “pass” through those industry doors until you get a CREDENTIAL behind your name, but you can’t get that credential without the help of the industry. It’s an endlessly frustrating catch-22.
If you could change one thing in the music industry, what would it be?
I’d make it more accessible to independent musicians. I’d put more of an emphasis on old-school artist development versus the new route which seems to only take a chance on an artist if they’re already going viral on tiktok. I’d put good music first and making money second.
Why did you choose this as the title of this project?
I initially planned on calling this release “TRUCK” to keep it shorter and simpler, but I got some feedback from a publisher here in town that said “I Don’t Drive A Truck” is a more interesting title.
The song is about being a non-traditional country artist and what being country means to me, so “I Don’t Drive A Truck” is a nice little summary of that sentiment.
What are your plans for the coming months?
I’ve got SO MUCH NEW music in the works! My next single – “Won’t give Up” – will be released early in the new year and I can’t wait to get it out. I’m also putting the finishing touches on a full-length acoustic album that is due to be released in the spring, as well as a full-length fully produced album due out in the summer.
Do you have any artistic collaboration plans
Absolutely – my good friend Brian Allison (another Nashville-based singer/songwriter) and I are working on an EP of original, collaborative tunes that will be released sometime next year.
The stuff Brian and I write together is really interesting because it has a unique sound – a sound that’s different from what Brian or I do solo. We released our first song together early in 2022 – the song is called “Leaving Home” and is available on all streaming services.
What message would you like to give to your fans?
Thank you so much for supporting my music and for listening to my new song! I can’t express how much it means to me that you’ve taken the time to connect with my music and to follow my journey as a singer-songwriter. Your support means everything to me, and I am truly grateful for each and every one of you.
I hope that this song brings a little bit of fun and joy into your winter, and that it helps you escape from the stresses of the world for a little while. Thank you again for your support: It means the world to me!
Once again Mars McClanes has released another addictive song titled Donde Esta Santa Claus, which translates in to English as ‘ where is Santa Clause?’, which was a great hit song in 1958 by Augie Rios.
The track’s plaintive vocals and atmospheric guitars are buoyed by layered rhythms. Reviving the Christmas fever in you. The hard rocking guitar not only makes the song pleasant to the ears but also makes it hard to resist.
“Dónde Está Santa Claus is the first ever holiday track by the band, but this is no wonder because fans of Mars McClanes are already aware of what the band can achieve with each song.
The next time you are thinking of what to play during the family gathering, Dónde Está Santa Claus is definitely supposed to be the first song on the list as it is assured to heighten the mood.
Mishkin Fitzgerald - The Chemical Perils Legs Broken
Mishkin Fitzgerald decided to give her fans a peek into what her upcoming album ‘Graces Cradle’ which is expected to be released on the 28th of January 2023.
In conjunction with The Chemical Perils, Mishkin Fitzgerald dishes out Legs broken off the album.
I usually start with a melodic idea that goes round and round my head until it’s forced out into a vocal line, from there I add some chords, a structure, some nice arrangement and then take it to my band.
This is how Mishkin described her creative process during a recent interview with Mister Styx of Musicarenagh, the interview contains other personal stories about the fast rising singer .
What is your stage name?
Mishkin Fitzgerald
Is there a story behind your stage name?
Mishkin was a name from a Russian story about a prince who was kind but naive, if you want to read the full story it’s called “The Idiot” by Dostoevsky. Fitzgerald was my first husband’s name, it’s memorable, strong and Irish, a bit like him. I kept the name but not the husband.
Where do you find inspiration?
Books, films and strange genres of eclectic music that peak my interest. I also find walking in the woods to be where my best ideas come from.
What was the role of music in the early years of your life? Music was around me all the time as a child, my father was a hippy in the 60s and a huge fan of Jimi Hendrix, The Beatles, Queen and obscure world and classical music so I was always immersed in his record collection. My mother made sure we attended church service every Sunday, sometimes twice – the music was my favourite thing about it, we sang hymns, I played the organ, the piano, the guitar… even the church bells.
Are you from a musical or artistic family?
My grandma was the only other playing musician of the family – she played us Chopin, Albeniz and Erik Satie when we were children, I found it mesmerising. I now have inherited her piano, it’s 122 years old and still going strong. She is 98… and still going strong!
Mishkin Fitzgerald – The Chemical Perils Legs Broken
Who inspired you to be a part of the music industry?
I don’t think I was ever inspired to be part of the industry… more just I was obsessed with music and I wanted it to be the main thing in my life. The industry is therefore unavoidable, although I don’t particularly enjoy the business side of things.
How did you learn to sing/write/to play?
Mostly through singing in church, I then picked up guitar around the age of 11 and taught myself basic chords… the piano came later but I never had lessons until I was 20 so I guess I was self-taught till then. I wrote my first song when I was 9, it’s always been something that came very naturally.
What was the first concert that you ever went to and who did you see perform?
This is pretty embarrassing but it was a pop group called Eternal when I was about 10! I loved the gospel voices and they were a Christian group so my parents allowed me to go see them, haha
How could you describe your music?
I can’t. I’m in multiple projects playing different styles, I can’t stick to one genre. I tend to just go with whatever the song needs. For this group however it’s a heavy mix of Folk, Klezmer, Punk and Country.
Describe your creative process.
I usually start with a melodic idea that goes round and round my head until it’s forced out into a vocal line, from there I add some chords, a structure, some nice arrangement and then take it to my band. From there it becomes a full formed song and usually the lyrics are last to be written. I hate written lyrics, it takes me forever.
What is your main inspiration?
Anything from life experience could give me inspiration. I tend to reflect what’s going on in my current situation, it’s like therapy for me, I have to get it out.
What musician do you admire most and why?
Martin Grech. He’s truly original. His song arrangements are incredible, lyrics are deeply esoteric and everything he writes is so genuine. My favourite track is Guiltless.
Has your style evolved since the beginning of your career?
Yes, of course. Isn’t that true of every musician? I’ve been around a while now so I’m growing with my music.
Who do you see as your main competitor?
There’s no competition in music. It’s completely subjective. If that’s how I viewed it then I’d have a very sad and disappointing career!
What are your interests outside of music?
I’m sorry I don’t understand the question. Haha only joking, I’m really into foraging wild foods, herbology and witchcraft. I also like making (and eating) cakes.
If it wasn’t a music career, what would you be doing?
I don’t know, perhaps something in the therapy sector, I’ve always liked the idea of helping people with mental illnesses.
What is the biggest problem you have encountered in the journey of music?
The problem with the industry is that it’s completely controlled by just a few very rich companies – Spotify, Apple, YouTube and the major music labels – none of these platforms are there to enable independent musicians, they simply use their music and gain from it.
The biggest problem is that it’s become virtually impossible for musicians to actually earn a living from what they do. Even successful musicians are having so much trouble making ends meet – we’re working so hard for such little benefit and after a while it becomes very depressing. My mental health has really suffered because of this.
If you could change one thing in the music industry, what would it be?
I would fix the streaming issue for all musicians – a fair pay for each stream. Most people aren’t even aware that musicians are paid around 0.001 cent per stream and the companies are making billions.
It’s appalling, and really there should be laws protecting musicians from this kind of exploitation. If this was to change my entire life would change. I could afford to live and wouldn’t have to constantly seek other work or donations from fans to keep going.
Why did you choose this as the title of this project?
It’s a line from the final song on the record. A lot of the songs have a religious theme, and the cover too. I felt this summed up the feel of the album.
What are your plans for the coming months?
My album comes out officially on all platforms in early 2023 so I’m focusing on that for now. I’ve got a lot of spinning plates though so really the plan is just to keep writing, recording, gigging and involving myself in as much creativity as possible. I feel very lucky to be on a label this time – one that fully supports my music and my health, Not Saints are an amazing bunch of people.
Do you have any artistic collaboration plans
Definitely! I’ve already talked to Little TeaLeif and The Qwarks about doing some music in 2023, and I’m also working with Georgia Train on a new record so loads going on… I can barely keep up!
What message would you like to give to your fans?
Thank you for being here. Without my fans I wouldn’t really have any reason to carry on making music. As long as they are there and want me to keep going, I will. Also, if you are a fan and you’re not involved yet then being part of my Patreon page www.patreo…rdeatsbaby or heading over to my band camp www.mishki…ndcamp.com is the best way to support me. Thank you again
Burn The Louvre has been releasing one song per month since January from their first LP Silhouettes, and “Honolulu” is the somber ukulele-driven album’s closing single.
Honolulu is a song Lead singer/guitarist Jordan Speare wrote for his first girlfriend Gillian for her birthday.
So, I had these 11 songs that had kind of been sitting on the sidelines for a little while; I had written them from age 24-27 and they all just so happened to be about ex-girlfriends and women that I used to know [laughs], total coincidence. Says Jordan Speare
This was shared during an interview with Mister Styx of Musicarenagh
Is there a story behind your stage name?
The name Burn The Louvre actually came from a Fight Club quote! It’s not in the movie, but it’s a line in the book. I just loved how many different ways a name like that can be interpreted, which is fitting as to how many different ways our music can be interpreted (lots of genre mashing in there).
But just to clarify, we are definitely just an indie rock band and not a terrorist group [laughs]. I have nothing but respect for art museums and obviously The Louvre is arguably the most famous one; I just loved that quote too much not to use it. Fight Club is definitely my favourite movie and I really loved the book as well. It just made sense to me, right?
The thing that I love the most about our band name is that there are a couple different connotations surrounding it depending on how you interpret it. The 2 extremes I see are either:
A) “Down with the upper echelon! Let’s burn The Louvre!”
(which is pretty self-explanatory: rise up and revolt, right?)
Or as I like to interpret our band name:
B) “People don’t care about art anymore. If art is so undervalued, then let’s just burn The Louvre down. Mankind doesn’t deserve The Louvre anyways. Let’s see if anyone misses it.”
How did you learn to sing/write/to play?
Well, I started out playing the drums as a kid and into my teens and played in a bunch of really mediocre high school & college bands [laughs]. I didn’t even take up guitar until I was 20 years old and sick of playing the drums. So, I kind of taught myself and then took some lessons here and there from my buddy Dave Lindsay and the great Matt King afterwards to work on my technique and bless them, they even tried to teach me theory [laughs]. I learned a lot from Matt especially, he taught me sound technique.
I’ve taken some online courses as well through the National Guitar Academy to try to brush up on some theory. Mike Kennedy is the fucking man. I even signed up for some online courses for a little while and took that Tom Morello guitar course. I mean, we live in a world where you can get video lessons from Tom Morello! Moral of the story here, in my opinion, it’s a good idea to learn from different people in different ways. I try to stay very open-minded in that regard.
Mike Kennedy is the fucking man
What was the first concert that you ever went to and who did you see perform?So my first real concert I ever went to was Paul McCartney when I was 15 years old. He was playing in Toronto, so my Mom & Dad took my brother and I. My Dad figured by the time we’d be old enough to afford tickets ourselves, he might not even be touring anymore (which is hilarious to think of now, isn’t it?), so he wanted to make sure we got to see Paul McCartney at least once in our lives. I really appreciate that.
It was incredible to get to hear all of those classic songs performed live by one of the most famous men in the world. He played for about 3 hours and he probably could’ve played for another hour at least, I mean, his catalog is just enormous, right?
It was extra special for me as he played “I Will” during that concert, which he said he rarely plays live anymore. “I Will” was the song my Mom sang to me to put me to sleep while I was a baby, so it was really nice to get to experience that with her.
How could you describe your music?
It seems that this answer changes quite a bit depending on who you ask. Over the past year alone, I’ve gotten comparisons that have varied from The Kooks to Phoenix to The Violent Femmes to Elvis Costello (which was extremely humbling).
I did quite a bit of genre-mashing on this new LP SIlhouettes. There are obvious singer/songwriter influences on a number of tracks, obvious indie rock influences on a number of other tracks, there’s a bit of folk in there, a couple of the songs are heavily punk influenced, one of them has a cowbell in there [laughs]…so it’s an extremely mixed bag to say the least, right?
My favourite way to describe our sound is that: “we’re an indie rock band with folk tendencies.”
Describe your creative process. What is your main inspiration?
That’s a really great question and unfortunately I don’t have a good answer for it [laughs]. It really does vary from song to song. I’ve had some songs where I’ve had the music and the chord progressions written and ready to go, but struggled with the lyrics until something happened and inspiration hit.
Then there’d be some cases where I’d get lyrics written very quickly and already have the melody in my head and I’d just have to try to transcribe that on the guitar afterwards. Every song is a little different for sure. Sometimes I’ll finish a song in under an hour and sometimes I’ll leave it for months and then come back to it and finish it off later. Sometimes it’s literally just one line I’ll get stuck on.
Inspiration can be tricky for sure, but the one thing I will never do is rush a song or force something that isn’t there. I’ve always operated as more of a lone wolf in regards to collaboration. Even when my brother was in the band, we would each have our own songs written and we would basically just edit each other’s work. If he were stuck on a line here or there or he’d tell me what he’d want me to play on the guitar etc. – Sean and I operate much the same way. He has his songs, I have mine and we try to edit each other’s work and compliment it as best we can. It’s a system that’s worked great for me my whole life and Sean seems to enjoy working that way as well, so we’ve definitely found our formula.
How has your style evolved since the beginning of your career?
Evolution and Burn The Louvre have gone hand in hand over the past 5+ years or so [laughs]. I started Burn The Louvre as an indie rock band with my brother Dylan. He had his songs, I had mine so we decided to combine our ideas, edit each other’s work and do this properly.
We went through a few different bandmates during the 5 years we were active and released 2 EPs together: Post-Romance EP in 2014 and We’ll Be Just Fine in 2017. However, shortly after we released that 2nd EP We’ll Be Just Fine, my brother decided that he didn’t want to do this anymore. So that was difficult for sure. I basically had to start all over again from scratch.
I went through another line-up change, it didn’t go well, so I found myself all alone at 28 years old for the first time in my life. I really didn’t know how to be a “solo artist”, but I had these 11 songs all finished and ready to go that would end up becoming Silhouettes, I knew I had to record them. I enlisted help from my friend Andrew Billone of indie rock band Silvertone Hills to play lead guitar and bass for me on all 11 songs on the album and asked my friend & fellow singer/songwriter Stephanie Deshane if she would sing with me on “Alison”. My friend Mickey Ellsworth recorded, mixed, mastered & produced the entire record himself and was instrumental in the sound and the finished product. I learned so much from Mickey. So I just went after it. I knew these songs needed to be recorded anyways, I figured I might as well do it myself (with some help from some very good people, of course).
We finished wrapping up the recording of Silhouettes late 2018, shortly afterwards I received an email from my current guitarist Sean Cooper. He was answering a “Musicians Wanted” ad I had put up on Kijiji, I had forgotten to take it down. So we ended up getting together for a beer, we hit it off, we got together to jam the following week and we’ve been getting together an average of once a week ever since.
I was extremely impressed with the way Sean stepped in immediately and took these songs that were already finished and completely made them his own. These new songs definitely sound different when we play them live compared to how they were recorded, which makes sense as we had 2 different guitarists’ interpretations of these.
I absolutely love what Andrew did with these songs on the recordings, but again, I was just extremely impressed with the way Sean changed up the lead guitar parts on all 11 of them, exploring different nuances but still maintaining the vibe of each song. He’s given this undeniable stability and a bit of swagger, which is 100% him. I’m extremely hopeful for the future of Burn The Louvre and very excited to start recording our new music Sean & I have been working on together.
If you could change one thing in the music industry, what would it be?
Nepotism. It seems that far too many “indie” artists out there had somebody buy their career for them somewhere along the line. I find it extremely unjust how certain artists are handed golden opportunities just because they came from rich families with connections. I’m sick of seeing real independent artists, who work much harder and often have next to no resources at their disposal, go overlooked and unnoticed just because they don’t have the right last name.
Why did you choose Silhouettes as the title of your latest project?
So, I had these 11 songs that had kind of been sitting on the sidelines for a little while; I had written them from age 24-27 and they all just so happened to be about ex-girlfriends and women that I used to know [laughs], total coincidence.
So after spending time on these 11 songs, I realized that they actually fit really well together and kind of told a bit of a story about a young man’s growth from moving on from a short-term relationship where maybe he wasn’t as good as he should have been to re-discovering life as a single man, to finding new love, to then losing that love as well and by the end of the album he’s stuck reminiscing about what went wrong and he’s left longing for the girl he lost in the first place.
So I decided to put these 11 songs together on an LP called Silhouettes, named after the title track. Silhouettes is a bit of a nod to the fact that the women who inspired these songs are silhouettes of my past. I think there’s a certain beauty in the idea that people who were once a big part of your life become nothing more than shadows after the relationship ends. This LP is my way of paying tribute to these women who impacted my life in some way.
What are your plans for the coming months?
Well, I need to finish up pitching & promoting the new album Silhouettes, first and foremost. I have already put a massive amount of work into that throughout the entirety of 2022, so the good news is that because of all of my consistent hard work, radio is basically the only thing I have left to pitch to. So I am hoping this record continues to get picked up by a number of these radio stations and I can generate a lot more airplay for us in 2023.
And after my radio pitching is all finished, I am taking a long break from my laptop and social media. Pitching and promoting 11 songs all by myself this past year has just completely drained me. I need a break from the internet in 2023 [laughs].
As far as future projects go, I am sitting on at least 10-15 songs that I think are more than good enough to record and produce. Sean has at least 5 more songs of his own which we want to get in and record sometime soon as well. I mean, right there we already have another couple EP’s worth of material, basically. So as of right now, the goal is to push this as far as it will go and make sure I get all of the songs we are currently sitting on released within the next 3 years or so. So 2023 will be a lot of demoing, practicing and trying to bring these new songs to life. And gigs, we’ll definitely be playing a bunch more gigs next year.
Please sign up for our mailing list here if you want to stay up to date on everything we’ve got planned for 2023: https://ww…m/contact/
Emerging Cornish producer/songwriter turned performer, Marcus McCoan, presents a glimpse of his upcoming projects and new music while fusing his distinctive voice and timeless tunes with an original perspective on electronic pop.
The track was originally only going to be a live video but, following the innumerable compliments he received from his live performance and while on tour with the amazing Natalie Imbruglia, Marcus has released his debut single, “Try Me”
The only way for me to complete a song is to fully get lost in it which normally means long hard days in the studio doing whatever it takes to get the song sounding how I envisioned it.
This piece was shared during an interview with Styx of Musicarenagh, Marcus Mccoan continued to share stuffs about his personal
Where do you find inspiration?
I’m inspired a lot by people and personal experiences, I like to write mainly about situations that have hope. because I helps me learn and move forward from things and hopefully it does the same for other people.
What was the role of music in the early years of your life?
Since the age of 12 music has had massive presence in my life. From day one it was something that gave me purpose whether I was writing or listening to it.
Are you from a musical or artistic family? No but I’m from a family of very hard workers.
I’m from a family of very hard workers.
How did you learn to sing/write/to play?
I started guitar lessons when I was 12, and then from singing, production and song writing it was self taught.
What was the first concert that you ever went to and who did you see perform?
My favourite local band at the time ‘Confused’. I went on to write and record some music with the lead singer years later which was great.
How could you describe your music?
Primal / electro pop
Describe your creative process.
The only way for me to complete a song is to fully get lost in it which normally means long hard days in the studio doing whatever it takes to get the song sounding how I envisioned it.
What is your main inspiration?
People coming together / unity / playing live
What musician do you admire most and why?
The Weeknd – he’s been so consistently himself from the start.
Did your style evolve since the beginning of your career?
Yes definitely and is still evolving.
Who do you see as your main competitor?
I only like to compete with myself.
What are your interests outside of music?
Spending time with my family and friends. Rugby.
If it wasn’t a music career, what would you be doing?
Aimlessly wondering about the earth, and maybe putting up some scaffolding like I used to.
After Nobody’s Wolf Child debut in January 2022, the artiste has since then released 4 mindblowing songs, yet she has no plans of slowing down. The music is more digital and harder than on her previous release.
The opulent strings from her prior albums have been replaced with an aggressive bass line, louder percussion, and a harder vocal, while still maintaining the enormous vocal production Nobody’s Wolf Child has come to be known for.
This song has a video counterpart that was released on the same day as the record, much like the other four. Listening to Big bad wolf feels like taking a ride on a rollercoaster, taking you high up and bringing you down
“Big Bad Wolf,” signals a shift toward a darker sound with captivating lyrics. Listen to Big Bad Wolf below
King LX Finally Shares This Motivational Single 'Pray'
Benji Asare, better known by his stage name King LX, is a male vocalist from Germany who has been building a name for himself in the music business over the last several years.
King LX was born and raised in Berlin, and he started singing at a young age, which sparked an early interest in music on his part. He begins writing his own songs at a young age and makes his initial steps toward becoming a musician in the school band in his hometown.
At the age of 22, he finds employment as a social worker in the United States. While there, his supervisor brings him to church, where he rediscovers both his voice and his passion for music for the first time.
The music of King LX is a novel fusion of pop, electronic music, and hip-hop, and he has a gift for generating infectious, energetic compositions that get people moving.
It should come as no surprise that he has a loyal following of fans who are constantly ready to hear his new releases since his silky and soulful voice is the ideal complement to the energizing rhythms that he creates, and it has helped him build this following.
It’s simple to listen to, yet there’s never a shortage of depth in King LX’s pop music, which is contemporary, expressive, and carried by soul and R&B elements. Inspired by “the greats” such as Sam Cooke and Prince, as well as their own musical beginnings and the very personal musical socialization they experienced throughout their lives.
Even before their first album came out, KING LX caught the attention of many people in the music business. This is for a good cause because the project isn’t just about making fun and memorable music.
King LX is known for more than just his music. He is also known for having a personality that draws people in. He is always looking for new ways to connect with his fans, and he is always happy to talk to them in any way, whether it’s through social media or in person at his shows.
He is a firm believer in making a good difference in the world by using the platform he has been given, and over the years he has been active in a wide variety of humanitarian endeavours.
King LX is always looking for new ways to make the world a better place, whether it’s by promoting education in less-developed countries or spreading information about important social problems.
King LX is an artist who has a lot of skill and a lot of drive, and he is always trying to expand the possibilities of what can be done in the music business. He is always at the top of his game, whether he is performing on stage, writing new songs, or talking to his fans, and it is clear that he will have a successful future.
KING LX is an acronym that stands for variety—both in a personal and musical sense. This diversity is boundless. The music of today’s youth may be heard in every corner of the globe.
Sadie Fine Premieres 'Use Me' From Her 'Grow Up' EP
Sadie Fine is a rising pop artist, singer, and songwriter who is only 16 years old and based just outside of Nashville, Tennessee.
She is a female singer with a strong and alluring voice that attracts listeners from a wide variety of backgrounds and walks of life.
Sadie is a formidable competitor in the world of music thanks to the fact that her music is not only infectious but also evocative, as she creates it by fusing pop and soul in her own distinctive way.
Sadie was born and raised in a rural community in the United States, and she always had a deep passion for music and a desire to pursue a career in that field. She was only four years old when she first realized how much she enjoyed singing, and she hasn’t been able to stop doing it since then.
She began singing and performing when she was quite young, and by the time she was a teenager, she had already amassed a devoted fan base in the surrounding area.
Sadie relocated to Los Angeles after graduating from high school in order to pursue her ambitions of becoming a professional singer. It wasn’t long before a record label offered her a contract to record their music. Sadie is now officially a member of the independent band Sign From The Universe.
Her debut extended play was produced by Stefan Skarbek, whose previous credits include Amy Winehouse, the Spice Girls, and Nabes, a young and talented producer.
Since then, Sadie has released several successful albums and singles and has become a household name in the music industry. She has toured all over the world, performing in front of sold-out crowds and earning critical acclaim for her powerful performances.
In addition to her successful music career, Sadie is also known for her philanthropic work, using her platform to raise awareness for various charitable causes.
Aside from her talent and dedication to her craft, what sets Sadie apart from other artists is her authenticity and vulnerability in her music. She writes and performs from the heart, and isn’t afraid to tackle tough issues in her lyrics.
Whether she’s singing about love and heartbreak or social injustices, Sadie’s music always comes from a place of honesty and emotion, which is something that her fans truly appreciate.
“Use Me” is the second track to be released from my first extended play, which is named “Grow Up.” The song “Use Me” was composed by her when she was just 14 years old. She was now watching a TikTok video in which a girl described a toxic relationship in which the man she loved just exploited her, but the girl said that she was okay with it in some ways. The anguish served as a source of inspiration for her, and you can sense it in the song.
Sadie Fine is an artist that has a lot of skill and a lot of enthusiasm, and she is certain to continue creating waves in the music business for years and years to come. It doesn’t matter whether you’re more into pop, soul, or anything in between; if you listen to Sadie’s music, you’ll definitely find something to like about it.
British Queen Of Bedroom Dance-Pop PinkPantheress Releases The Highly-Requested 'Boy's A Liar'
PinkPantheress is from England and is active in the music industry as a singer, composer, and record producer.
The songs released by PinkPantheress fall into a variety of categories, some of which include bedroom pop, drum and bass, alternative pop, and 2-step garage. Most of the songs are short and use parts of songs that came out in the 1990s and 2000s.
Pinkpantheress is a musical artist who is known for her powerful and influential lyrics and performances. She has been at the forefront of the music industry for many years, and her music has had a significant impact on the way we think about and discuss important social and political issues.
A musical artist known as PinkPantheress is making waves all over the globe right now. She has made music that is unlike anything else by putting together unique elements like catchy lyrics, groovy rhythms, and bright images.
Over the course of her career, Pinkpantheress has put out many albums, and each one has been well-received by critics. From her first album to her most recent one, Pinkpantheress has grown and changed as an artist, and people all over the world have connected with her music.
Her music is uplifting and has a lot of meaning, and her artwork is a celebration of the different ways people can be and live. PinkPantheress has made it possible for other artists to celebrate unity through music and accept who they really are thanks to the path she has established.
Her body of work has touched the lives of countless people and continues to motivate many people all around the world. As a direct consequence of this, PinkPantheress has established herself as an iconic artist within the realm of music.
One of the things that set Pinkpantheress apart from other artists is her commitment to using her platform to speak out about issues that matter to her. Pinkpantheress has always used her music to raise awareness and inspire change. She has used it to fight for women’s rights and gender equality, as well as against racism and unfairness.
Pinkpantheress is known for more than just her activism. She is also known for her powerful and emotional performances. She has a commanding stage presence and is known for her ability to connect with her audience on a deep level. Pinkpantheress always manages to leave a lasting impression on her audiences, whether she is playing in huge arenas or small clubs.
PinkPantheress is a trailblazer, inspiring a generation and proving the power of creative expression. From her early days as a singer-songwriter to her dominance of today’s charts and music festivals, PinkPantheress has been a pioneer throughout her career.
Mura Masa has created a new song called “Boy’s A Liar” that has a frantic rhythm in the manner of a Jersey club combined with a dinky music-box twinkle-riff. The music is low-fi yet has a distinct futuristic vibe about it.
The first half of 2022 saw PinkPantheress win BBC Music’s Sound of 2022 competition and play on her maiden, sold-out tour throughout the United Kingdom, the European Union, and the United States. This tour included three nights at London’s Scala.
The up-and-coming artist also provided tour support for Halsey and made her debut at a number of festivals, including Lollapalooza in Paris and Chicago as well as the Osheaga Festival.
Rich Chambers Proclaims Its Christmas All Over The World
“It’s Christmas Time (All Over the World)” celebrates this with a feel-good, all ages rock n’ roll song that will leave the listener tapping their toes and singing along. At the same time, artist Rich Chambers uses all kinds of pop culture Christmas imagery to help formulate a positive and hopeful message that embraces the wonderful innocence of the joy of the season that seeps out through the eyes and hearts of children.
Christmas is about so many things, but I think most will agree that the wonder of the season can be found in the kindness and joy that is seen and felt among so many during the holidays.
Rich Chambers has released a rock n’ roll Christmas album and eight non-holiday rock/pop singles, to be followed by an album due out at the end of 2022. He’s currently sitting at 2 million Spotify streams with one Christmas song clocking in at 1.2 million, over one million YouTube views for his videos, and all this began after he decided to make his dream a reality
I am super excited about 2023. In January, I will be releasing my first non-Christmas album of almost all originals. It will consist of all the singles I have released since January 2021 as well as my new single, “I’m a Fool for Lovin’ You” and two other new unreleased originals and one cover. The album will be called ‘ I Found the Volume.’
This and many more exclusives can be found in a recent interview with Mister Styx of Musicarenagh, not only did he mention his plans, but he also shared other things he is good at aside from music.
Get the full story below while you enjoy It’s Christmas Time (All Over the World)
Like most artists, I find inspiration in just about anything, but I will say that more often than not, it is the “human condition” that I seem to be drawn to the most. What makes us tick as human beings has always fascinated me and most of my songs are based on this subject.
What was the role of music in the early years of your life?
My dad plays guitar, and as a young boy I thought it was pretty much the coolest thing he ever did. Whenever he pulled the guitar out at Christmas time and other family functions, I used to get my little Mickey Mouse guitar and sit next to him pretending to strum along. I can also still remember the first vinyl 45s I ever owned.
They were Paul McCartney and Wings’ “Listen to What the Man Said” and Paper Lace’s “The Night Chicago Died.” Mom was also a big music fan and she kept the radio on constantly, so I always was listening to the latest top 40. Thanks to my parents, music has always been a part of my life.
Are you from a musical or artistic family?
My dad has played the guitar his whole life, and his brother, my uncle, sang opera professionally in Europe for many years and recently retired as the dean of a music school in the California state university system, so yep, there is definitely music in the family.
Who inspired you to be a part of the music industry?
This is an interesting question because I don’t believe there was ever any one person that inspired me to be a part of the music industry. I am a part of the music industry simply because if I want to get my music “out there,” I have to jump on this absolutely crazy music industry train.
There are so many artists and people that have inspired me, and still inspire me, to write songs, but to answer your question directly, pretty much nobody inspired me to be a part of the industry.
How did you learn to sing/write/to play?
I took guitar lessons when I was 10 years old, and after a year, I figured I was never going to learn how to play the thing well, so I quit. In grade 8 I joined the school band, which started to get me back into music. A few months later I played in my first rock band, which was really cool, but I wasn’t completely hooked. It was when I turned 14 and I wrote my first song that I was completely hooked.
That is when I started singing and really started to dive into the guitar. It was my passion for songwriting, and my huge desire to be able to sing and play my own songs well, that drove me to teach myself and practice, practice, practice.
What was the first concert that you ever went to and who did you see perform?
I have never been asked this before by an interviewer. I love this question! I was 17 years old and a good friend of mine and I bought tickets to see B.B. King. He was playing in a licensed showroom and the staff felt pity on us, as there is no way we looked 19, and let us in. Man, was that ever fun!! I saw him many more times after that before he passed away. I feel fortunate to say that one of music’s greats was my first concert!
How could you describe your music?
My music is kind of hard to describe. It literally sits in the crossroads of many different styles. There are definitive rock elements to my songs, but there are also all kinds of country bits in there too. A lot of my music is pop-like, including elements of bubblegum pop.
You can hear bits and pieces of blues, jazz, big band, and folk in some of my songs as well. I don’t really fit into any one particular category. This was the problem music had in the 1950s when Bill Haley hit the airwaves with “Rock Around the Clock.” Not knowing where to put his music, radio dj’s came up with a new term, “Rock n’ Roll.”
There is no way I have created a new form of music, but I do essentially face the same problem early rockers like Bill Haley did, so I figured the best way to describe my music is to just call it “Rock n’ Roll Reimagined!”
Describe your creative process.
I feel super fortunate in that I am often able to create in just about any setting pretty much on demand. There are a few times I have been hit with the amazing “I have no idea how that happened” moments when some kind of crazy inspiration hits me and I bang off an entire song in about 20 minutes, but that is the exception.
Most of my songs start with an idea, usually a melodic one, and I work it from there. I put together all the music first and then the tone/mood of the music will dictate to me what kind of theme the lyrics will take on. The odd time I will have lyrics first, but this happens only once in a while. I am all about music first and lyrics second.
What is your main inspiration?
Great question. I have many different inspirations, but the one I find myself leaning toward the most is the human condition. I am huge on what makes us human beings tick and many of my songs will explore that on some level. Like many writers, I have my share of love songs, but I also have many other songs that comment on situations and/or emotions and feelings that are void of love and more about self-discovery. I am also inspired by our ability to dream! Dreams are a big element in many of my songs.
I have many different inspirations, but the one I find myself leaning toward the most is the human condition
What musician do you admire most and why?
Okay, I simply cannot come up with just one. There are so, so many, each for different reasons, but for the purpose of answering this question, I am going to say John Lennon, and not for his musicianship, but for his songwriting. There is a self-analytical rawness and honesty to so many of his songs that I really admire!
Did your style evolve since the beginning of your career?
My style has been evolving since I was 10 years old and first started playing guitar, and it continues to evolve every day, which I am very, very thankful for. But, I was telling a good friend of mine the other day one of the most important evolutionary elements of my guitar playing style.
I was the musical leader in my two long term bands and as result, was the one figuring out all the chord changes for all the cover songs we played. I also was the lead guitar player and did all the solos, but the problem with that is whenever I went to play my solos, the band would break down not having me to lead them through the chord changes.
To compensate, my lead guitar work became very “rhythm like” and distinct chord changes were heard in all of my solos. I have branched off since then in the last few years, but my guitar playing is built upon a stylistic foundation of a rhythm and lead hybrid, and that is what one often hears when they listen to me play guitar.
Who do you see as your main competitor?
Hmm… I am sorry, but I don’t see any external competitors. The only real competition I have is with myself. I am always striving to do better than what I did the last time.
What are your interests outside of music?
I am a huge fitness guy and have been running for my entire adult life. I also have a huge passion for ice hockey, which is something I have been doing since I was six years old. I enjoy reading and writing, and not just music writing, but fiction writing as well.
I have one published novel that is available on Amazon called “18.” I am super proud of this work as writing a novel was on my bucket list since I was a teen. I also have to profess to really liking trains. Whenever I see a train go by, I always feel like a little kid again!
If it wasn’t a music career, what would you be doing?
Well, my music career has taken on many different paths and has gone through many different evolutions. It has never been the “only” thing I have been doing. As much as I love music, I also have other passions, such as fiction writing and education.
I have a bachelor’s degree in English, a master’s degree in Humanities, and was on the verge of doing a PhD about 8 years ago but opted out of it because it would have taken too much time away from music. The job I currently work to pay the bills while I pursue my music career is in education, which I love.
I’d be doing this job even if I wasn’t into music as much as I am. So, I am sorry, in many ways, this question just doesn’t really apply to me.
What is the biggest problem you have encountered in the journey of music?
Oh my, there have been so many problems it isn’t even funny! But seriously, the single biggest problem I have in this music journey is that the music industry doesn’t know where to classify or categorize me. Unfortunately, the music industry is so siloed now that it makes it very hard for someone like me who touches upon so many different styles.
Experts and influencers in the music industry have told me I am too retro for modern rock and too modern for retro rock. I have been told I am too country for rock and too rock for country. I have been told I am too punk for new rock and too new rock for punk. The list goes on. But, what I do find every interesting is that when I get my music straight to the public on social media, they like it. They don’t care what “kind” of music it is, they just simply like it for what it is.
So, this means that I am pretty much on my own and going forth as an independent. I highly doubt I will ever be able to secure record label attention until I have made it big as an indie, at which point I am not sure if I will need or want a record label. But, making it big as an indie on a very small budget is definitely a challenge. But hey, I am up for it! 😊
If you could change one thing in the music industry, what would it be?
As I mentioned in my previous answer, the music industry has become so siloed. I would love to see there simply be more stations and more charts that played or listed the most popular song regardless of what genre the song is. Billboard used to be that, but now they have so many different charts.
You have the R&B chart, the country chart, the rock chart, the rap chart, etc. The end result is that too many people are only listening to songs in one or two different genres and simply are not getting exposed to all the amazing music that is out there in multiple genres.
Why did you choose this as the title of this project?
I am a huge Christmas fan, and when it came time to start my serious music career launch, I found myself gravitating toward Christmas. It also didn’t hurt that I had finished recording my “It’s Christmas Time (All Over the World)” song just as I was getting ready to make my serious music career commitment. I released the song on December 1, 2019, and I keep bringing it back every year for the holidays. I am super proud of the song. It is one of the ones that started it all off for me!
What are your plans for the coming months?
I am super excited for 2023. In January, I will be releasing my first non-Christmas album of almost all originals. It will consist of all the singles I have released since January 2021 as well as my new single, “I’m a Fool for Lovin’ You” and two other new unreleased originals and one cover. The album will be called ‘ I Found the Volume.’
It will be followed by a series of new single releases that will be coming out periodically throughout the year, eventually leading to another album release at the end of 2023 or beginning of 2024. I am definitely excited about what I will be doing in 2023!!
Do you have any artistic collaboration plans
No. Not at the moment. I am for sure open to collaborating, but I see that happening at a later date and not in the foreseeable near future.
Feel The Heartache: Satellite Train's "Broken Heart"
Satellite Train is an Australian based band who combines classic rock, soft rock, and rock-pop styles for an easy listening experience. The track “Broken Heart” features a male vocalist and is sure to get your emotions flowing.
The overall production of the track is fairly straight forward and simple, relying mostly on guitar and drum to tell the story of a broken heart. With the presence of a bass guitar, the rhythm section is smooth and comforting, thankfully not drowning out the guitar / vocal lines. The guitar work is a mixture of hard and soft leads and fills, featuring tastefully done solos and harmonies that manage to keep the track interesting throughout.
The vocals of the track are delivered with passion and emotion, showing just the right amount of sorrow and pain. The softening effect placed on the vocal mixes extremely well with the guitar and percussion, while still retaining a rock sound. In addition, the mix of multi-layered harmonies in the chorus combined with the increased emotion in the performance give the song more depth and make it more memorable.
Overall, Satellite Train’s “Broken Heart” does the job of mixing classic rock with a modern, easy listening sound. From the emotional performance of the vocals, to the heartfelt guitar solos and leads, the track is sure to pull your heartstrings. There is also an acoustic version, give it a listen.
Satellite Train is a new and exciting musical project comprised of members from some of the most beloved bands in Australia and America. Led by Australian singer-songwriter Michael Paynter of Icehouse fame, Satellite Train also includes Gregg Bisonnete of Ringo Starr, John McCall of The Black Sorrows, Randy Jacobs of Paul Kelly, Shane O’Mara of Paul Kelly, Pasquale Monea of Stephen Cummings, Jamie Muhoberac of John Mayer and Chris Chaney of Jane’s Addiction. The members of the band first came together to create a fun side project and that’s exactly what they’ve delivered with their debut single: “Lies”.
The track is a fantastic example of modern pop rock that showcases Michael Paynter’s amazing vocal and songwriting talents. The song is driven by a classic rock-style guitar riff, as well as a driving backbeat that anchors the song. The lyrics of “Lies” carry a strong message of self-reflection and introspection, and they are delivered with a passionate energy that listeners will enjoy.
Paynter and the other Satellite Train members contribute a distinctive blend of male vocals to the song. Strong harmonies and an instantly recognizable melody combine to create a satisfying and emotional listening experience.
Overall, “Lies” is an incredible first single from Satellite Train that has great chart potential. A high-caliber work of pop-rock music that is easily embraced by a broad audience is produced by the band as a whole. We eagerly anticipate what the future will bring for this fascinating new enterprise.
Although Pheelz is most known for his work as a record producer, he has also demonstrated considerable talent as a musician, releasing a number of significant tunes under his own name.
Pheelz has just released a new song titled “Ballin” following the recent release of the remix of his hit “Finesse” which features French Montana. The tune also features Pheelz.
PHEELZ shows off his vocal range, progressing from smooth melodic lines in the verses to a stunningly abrupt hook.
The music is irresistibly memorable and entrancing, making it an ideal contender for use as a catchphrase for use on a global scale.
It is a song that has been expertly created, drawing from a variety of different musical inspirations to produce a timeless masterpiece.
“Ballin'” comes along with a video that matches and amplifies the song’s effect. It brought the song to life and left an indelible effect on the listeners.
Since that time, he has worked with a number of the most well-known musicians on the African continent in order to create records and songs that have topped the charts.
In addition to that, he is a multi-instrumentalist who polishes up his beats with sounds from the drums, the piano, and the guitar.
Jenna and Luke, the duo behind New Zealand & Australian band Bird Machine, have had music in their lives for a long time. Jenna grew up in Hamilton, New Zealand in a musical family of 8 kids who sang and performed in family shows and tours. Two of Jenna’s siblings even appeared in the 90s show McDonald’s Young Entertainers. Meanwhile, Luke was born and raised in Geelong, Australia and while he was pursuing an Architecture degree, music had always been a part of his life.
When the two met, they instantly knew they wanted to collaborate and together, Bird Machine was born. Taking elements of Rock, Indie, Hip-Hop and Soul, Jenna & Luke blend their unique sound to create something truly special.
Both of the artists lead a dual life of music and other full-time jobs. Jenna works as a freelance graphic designer while Luke works full-time in Architecture, but they are passionate about music, so neither has failed to make time for their craft. It’s clear that Bird Machine is more than just a hobby for them; it’s part of their life.
The newest self-titled EP from Bird Machine is an engaging and atmospheric alt-folk and indie rock record that is sure to captivate any listener. The duo’s trademark eerie vocals are delivered with a tender heart, creating an evocative soundscape that engulfs the listener.
The EP’s five tracks are a collection of good and bad dreams, allowing the listener to explore themes of hope, despair, and longing. The acoustic-driven “Moneyache” is a particular highlight, with its hauntingly beautiful chorus and guitar strings that are sure to give you goosebumps.
Bird Machine’s “Bird Machine” EP is a unique and compelling take. For an album that is just over 20 minutes long, it packs in a lot of emotion and depth. Lovers of indie rock and alt-folk are sure to find something to enjoy on this EP.
Bring out the sunshine is the current release from multitalented artiste Nick Nook. Through an ear-catching guitar and a nostalgic rock composition, the single delivers a refreshing take on indie rock.
The song Bring Out The Sunshine blends the 70s vibe with a touch of modern indie vibe. “Bring Out The Sunshine” is the second single to be released from Nick Noon’s forthcoming EP’A Jejune Affair’ which is expected to be released in January.
Listeners will be taken on a sonic journey by Nick Nook’s message-heavy, upbeat lyrics that will make people appreciate life a little bit more. This particular song demonstrates that there is no doubt that he is an artist to watch because of the significance and originality of the lyrics in his releases..
The industry puts the majority of its resources behind vapid trash music because it’s what makes the most money. I understand it’s a business, but there should be more of a balance between the trash and art.
These were some of the thoughts Nick Noon shared in a recent interview with Mister Styx of Musicarenagh, more of these were shared during the interview
Get the full story below while enjoying Bring Out The Sunshine
Is there a story behind your stage name?
No story. Just my name.
Where do you find inspiration?
The inspiration finds me usually and when it does, I do my best to channel it.
What was the role of music in the early years of your life?
Music was always around growing up. Mostly it was music from the 60’s being played in the car or in the house. In high school, I would line the sleeve of my coat with headphones and listen to Outkast or Bone Thugs & Harmony in class instead of the teacher.
As a kid, I would tinker on an old upright piano we had sitting in the corner, but never thought about music as anything other than something other people did until I was around 19 years old.
Are you from a musical or artistic family?
My mom was a singer and my dad was a huge fan of music, but no one played instruments. My family loved listening to music and learning the history of it, but other than my mom singing around the house, there was no one around me playing music.
Who inspired you to be a part of the music industry?
I’m not interested in being a part of some monolithic industry. I am interested in getting the music I hear in my head out and hopefully those who hear it enjoy it enough to give me money.
How did you learn to sing/write/to play?
I saved up money from a job I was working and bought a guitar without having any clue how to play the first chord and slowly started teaching myself.
Within the first week, I naturally just started writing, which is something that had never occurred to me to do. Songs just came out of me without really trying. It’s what came easy.
Even though I play a lot of the instruments on my songs, I still don’t consider myself much of a musician, especially compared to players here in Nashville, but I manage.
What was the first concert that you ever went to and who did you see perform?
It was one of those radio station sponsored music festivals at Oak Mountain Amphitheatre in Birmingham, Alabama. I went with a group of friends and don’t even remember who was on the bill. Obviously, none of the bands I saw left much of an impression on me if I don’t even remember them, but I do remember thinking the environment and crowds of people were brilliant. One concert that made an impact on me though was Blur.
How could you describe your music?
Great.
Describe your creative process.
I sit down with an acoustic guitar and play until a new song exists. The last song on the upcoming EP, I actually wrote on piano, but 98% of the time, I write on acoustic guitar
What is your main inspiration?
God. Life. Music.
What musician do you admire most and why?
It’s a combination of a few: Brian Wilson, Paul McCartney, John Lennon, Noel Gallagher, and Damon Albarn are the first names that come to mind, but there are others. I’m a fan because their songs are better than other people’s songs.
Did your style evolve since the beginning of your career?
I would say it has matured and probably become more lush.
Who do you see as your main competitor?
Myself and The Beatles.
What are your interests outside of music?
I dabble in graphic design, watch Alabama Football, and quite enjoy the Kill Tony podcast.
If it wasn’t a music career, what would you be doing?
Graphic design.
What is the biggest problem you have encountered in the journey of music?
Where to start? Myself. Others. Time. Money.
If you could change one thing in the music industry, what would it be? The industry puts the majority of its resources behind vapid trash music because it’s what makes the most money. I understand it’s a business, but there should be more of a balance between the trash and art.
Why did you choose this as the title of this project? I saw the phrase on a sign and I thought it must be a sign.
What are your plans for the coming months? I am about to release the ‘A Jejune Affair’ EP in January and then begin work on my debut full length album. The songs are written. I just have to get them recorded.
Do you have any artistic collaboration plans? Stay tuned to find out.
What message would you like to give to your fans?
Thank you for listening and for being smarter than Lil Nas X’s fans. There’s more music coming.
Blending cyberpunk flavors and futuristic themes, sounds and visuals, music, Starkillers puts together an album that goes through the cycle of a toxic relationship, and all of the stages you’d find yourself going through.
The theme of the latest album from the camp of the band Starkillers, Close To The End Is about that feeling in a relationship where you are still working to keep it from driving off the cliff, but see the cliff’s edge coming closer and closer.
That feeling of the end being right around the corner, and starting to notice all the small things that are leading to it.
Our band came back from the future to bring epic music to the masses. We’re clad in cyber-tech and futuristic wares, that weave music and image with neon lights and intense riffs.
and overall image showcase the culmination of years of artistic allure and fascination for the relentless unknown.
Lets Stand Together With TATE SEDAR On “Hold On” -Remix
TATE SEDAR is a multi-talented San Francisco-born producer and artist whose sound blends electro-pop and EDM. After being locked up in the closet studio of his Culver City apartment during the pandemic of 2020, SEDAR released his track “Heaven” as a way to reignite his passion for production. He also found success by mixing alongside big names such as Don Diablo, Cash Cash, Wolfgang Gartner, DallasK and Henry Fong. With over 44K streams to his credit, Sedar continues to share his innovative sounds which are the perfect mix of electro and pop.
Donate to the humanitarian fundraiser Razom for Ukraine on SEDAR’s IG profile or other related causes at defendukraine.org/donate
TATE SEDAR’s “Hold On” is an electronic pop anthem made to echo the strife of victims of the Russo-Ukrainian war. The EDM-influenced track is a remix of Canadian singer Justin Bieber’s 2021 hit and uses a combination of synths, a strong bassline and gentle male vocals to tell an emotive story.
The lyrics of “Hold On” speak of courage and determination despite uncertain times and are crafted with purposeful conviction. The vocal performance acts as a call to listeners and viewers, imploring them to take action and donate funds for humanitarian aid in the country.
The overall effect of “Hold On” is one of strength and togetherness, with its 4/4 beat and uplifting synths making for a powerful and empowering experience. Its dynamic soundscape draws listeners in with every beat and gives them a fondness to keep revisiting the song again and again.
In conclusion, TATE SEDAR has crafted a perfect electronic anthem with “Hold On”. With its message of strength and perseverance in the face of adversity, “Hold On” implores listeners to take action to support humanitarian aid in the country. Fans of EDM and pop music will undoubtedly be enthralled by its high tempo and moving lyrics, providing for an exhilarating listening experience.
Surrounded by mystery and Enigma, Love Ghost has made a song both equally Western Cowboy and Futuristic Cyber Punk. Recorded in Mexico, this collaboration with the acclaimed Santa RM touches on issues of mental health, Loneliness, and a spiritual battle with one’s demons. Produced by Mike Summers [Kendrick Lamar, Lil Wayne, Tech N9ne]. The video was directed by Mexican Hip Hop artist Adan Cruz.
Time and time again Love Ghost has proved they are the best when it comes to rap music. Their music doesn’t follow a single pattern as they are not tied to a single genre, from metal, emo rap, pop, and trap this is just a brick off the wall, to prove their capabilities.
Each upcoming release from Love Ghost is unpredictable, this is because they produce music based on real-life events, which allows them to use relatable lyrics which stick with the listener for a long time.
Finnegan Bell, Ryan Stevens, Daniel Alcala, Cory Batchler, and Daniel Gallardo are the members of loveGhost and this time they are out with a new one Ghost Town which features Santa RM.
Ghost Town touches on issues of mental health, Loneliness, and a spiritual battle with one’s demons. Produced by Mike Summers. A music video is attached to the song, watch the video below
Berlin-based cross act Lump200 would publish his 5th album Isles of You together with the social-audio web app islesofyou. Kryptomarch is the first single of the Islesofyou release by Lump200. The album and App is expected to be out in 2023 it is an inclusive way of social audio, and all about participation, crowd recording, and co-creation.
His new single Kryptomarch is an electronic instrumental, taking you into a psychedelic world void of emotions and track of time, an electronic instrumental hitting all the notes ensures you get the utmost experience of what to expect from the album.
I started with Jazz(-Rock), then turned my back on it, went close to techno, and started to integrate voice, literature, and spoken word.
Lump200 stated in an interview with Mister Styx of Musicarenagh that he was going to take his time to promote his upcoming album and also promote his app islesofyou as well.Kryptomarch features an animated illustration by https://www.instagram.com/petra_peterffy/?hl=de which will be published one week ahead of the single release.
Starting off as just Lump, he later had to change his name to Lump200, so he could identify as a different entity, although the name changed the core of the art hasn’t flinched, staying unique.
What is your stage name
Lump200
Is there a story behind your stage name?
Yes, the project started as Lump only, but there was confusion as there was another Lump. Fabric (London) wanted to book me but they asked the other Lump. So I decided to tune my stage name. I like the idea that it sounds like kitchen gear. Could be a blender, couldn’t it?
Where do you find inspiration?
Almost anywhere: inside and outside myself, humans, their skills and thoughts, animals, plants, literature, music, of course, food, conversations, situations and constellations in general, art etc.
What was the role of music in the early years of your life?
To be honest: I loved marching music as a child. I started to play the recorder, clarinet was following, then guitar, saxophone, vocals, piano. My talent was fostered by some ambitious music and art teachers.
I loved marching music as a child.
Are you from a musical or artistic family?
Nope.
What was the first concert that you ever went to and who did you see perform?
I think it was Al Jarreau..
Describe your creative process.
I usually start with sessions. Recording some instruments, preparing them, processing them, with guests or without. Often a production starts chaotic, I build up, overload, throw out, and overload again before I start reducing, deciding what is really the core. I love concepts, too, and I love to break them.
Did your style evolve since the beginning of your career?
Oh yes, I am very zigzag. I started with Jazz(-Rock), then turned my back on it, went close to techno, and started to integrate voice, literature, and spoken word. A continuum is probably a pointed phrasing.
Who do you see as your main competitor?
Oh, music is not that much about competition to me. I am a friend of co-existence.
What are your interests outside of music?
How people live together, and how they organize themselves. Participation, human interaction and respect. Swimming.
If it wasn’t a music career, what would you be doing?
Some other basic thing. Cooking, for example.
Why did you choose this as the title of this project?
The title of the coming album is Isles of You. With a partner for code I am developing an integrative social audio app that fosters co-creation, crowd-composing and -texting and so on. I wish to open things up, to let you in, and you, and you and you..
What are your plans for the coming months?
I will finish the album, promote it, continue developing the web-app, adapt tracks for the app, start projects on it, and if there will be time left, I will think about live shows.
Rebecca Sichon is Canadian singer/songwriter, now based in the heart of Vancouver but originally hailing from Mission in the Fraser Valley of British Columbia. The ambitious young artist has released over 11 singles, two EPs, performed at over 200 performances, including an unparalleled 20 So far Sounds shows in the previous 12 months, and is now a graduate of the Global Music Phenomenon.
When she performed at Canadian Music Week 2022 in Toronto, she did it on a number of different stages. They have won several awards, including “Pop Artist of the Year” at the 2020 and 2021 Fraser Valley Music Awards and “R&B Artist of the Year” at the 2022 FVMA. She continued to write and perform throughout it all, polishing her skills at her desk, in the studio, and on the road. As a result, she has been inspired to write a slew of new songs.
Rebecca is poised to make her mark outside Western Canada, with a potential recording future ahead of her and a burgeoning live reputation thanks in part to her pleasant, natural stage presence.
Rebecca Sichon‘s latest song, ‘Together‘, is a beautiful, ethereal slow jam that speaks of love and overcoming one‘s fears. Sichon‘s soulful voice is the perfect accompaniment to the contemporary R&B piano that carries the song. Her vocals are smooth, yet powerful, and draw the listener in with their emotive quality.
The song is about facing your fears and achieving your goals with a loved one. It speaks of being together and the strength that comes from the union. Sichon‘s lyrics are thoughtful and engaging, and the melody carries the listener through the song.
Overall, ‘Together‘ is a powerful and uplifting love song that speaks to the power of relationships. The beautiful strings, soulful vocals, and thoughtful lyrics combine to make an incredibly moving piece of music. It is a song that will stay with the listener long after it ends.
Velours Shares A Smooth But Powerful Single Titled 'Flowers In A Wasteland'
Velours is an alt-pop singer and composer originally from Saskatoon. She was given the name Velours, which is the French word for velvet, due to the velvety quality of both her voice and her musical style.
She writes about the human condition, the lyrics crashing into incredibly real melodies in each song that she composes. The fact that she wants to explore sensation via music but at the same time not take things too seriously strikes a chord with her listeners.
Her music has a beautifully soft feel to it, with the lyricism colliding with beautifully authentic melodies, which is reminiscent of the name “velours,” which is French for “velvet.” Her music has a unique appeal because she writes about the human condition, and it also has a beautiful resemblance to the word “velvet” because of the name.
Velours was inspired by a sense the artist experienced the whole world falling around her while having a bright, lively love that continues to develop in spite of everything. Not only does her idea of “Flowers in a Wasteland” have opposing images, but she also wanted to combine it with a killer cheerful pop-rock energy in the song.
It was a lot of pleasure to work with such an interesting topic as the premise that something as lovely and delicate as a flower can flourish amid something as aesthetically unpleasant as a wasteland.
Wizkid Gifts Us New Single '2 Sugar' Featuring Afrobeat Sensation Ayra Starr
Ayodeji Ibrahim Balogun, better known by his stage name Wizkid, is a musician and songwriter who hails from Nigeria.
Many people think that Wizkid is one of the most successful and vital African musicians. He is also an essential part of the Afrobeats music industry today.
He has won the most awards of any African musician at the iHeartRadio Music Awards (2), the BET.
This new track is a masterclass in Afrobeats. Wizkid and Ayra Starr pair perfectly together as they croon over a bubbly beat. They also manage to continue to push the Afropop sound forward. Ayra Starr is clearly next!
Grammy Award-winning and multi-Platinum artist Wizkid release his fifth studio album, “More Love, Less Ego.” The new project has features from Naira Marley, Skillibeng, Shensea, Don Toliver, and Skepta!
Sharl Finally Releases The Music Video For 'Outside'
Outside is the 8th song from Sharl’s new album City lights which is gaining massive love and recognition from critics and music lovers. The album has a total of 10 songs on it, which carries different messages and compositions.
With the release of her latest album City Lights, Sharl has made significant progress in the development of both her music and herself—a culturally symbiotic journey that can only be attained by accepting and growing from your setbacks.
Sharl is one of the most hardworking indie pop artists out there, and which each production she makes known and crystal, her style of music gets stuck on the listener, making each listener addicted to her song. outside is a disco-pop song, at the first listen of outside you find yourself headbutting and others who end up on their feet dancing to the tune.
The song comes with a visual representation of the message Sharl tries to put across, the video builds on the urbane-disco sounds with a noir meets cyberpunk style, inspired by an underworld outside the city lights. Sharl collaborated with Hustle Dance Crew, one of Melbourne’s top K-pop dance groups, in order to promote local talent.
The video showcases the vision of an entirely Asian-Australian cast, crew, and creative team and includes additional local artists like Kevin Silvester and Ash from the indie band The Clever References.
Lesley Pike Introduces Her New Album 'Wild' To The World
The critically renowned singer, songwriter, and composer Lesley Pike has just released her newest album, and the first part of it is named “WILD (vol. 1).”
Over the process of creating her brand new double album, WILD, songwriting and production are two areas in which Lesley Pike has shown significant growth. Pike, who is based in Toronto and London, UK, plumbed her own vulnerabilities to construct these intricate songs and WILD (Vol. 1) sees her finding a new level of resilience as a result.
The recording artist’s fourth disc, which will be issued in two volumes, is an accumulation of confidence and determination, as well as an extremely vital focus: producing and making music on her terms. The disc will be released later this year.
Pike’s songwriting reaches new heights on these fourteen magnificent tracks, which range from the personal to the universal. Consider, for example, the establishment known as “Bar Americain.”
Pike’s great storytelling talents are chronicled in this song via the use of her words, which convey recollections of a real-life love meeting she experienced in a pub in London, England. The song was written by Pike.
The album’s combination of several styles of music is another significant step forward for Pike. WILD brazenly basks in both contemporary and traditional folk composition while grangerizing lines with rock-and-roll edges, living up to its name in every sense of the word. Pike’s captivating melodies are accompanied by crunchy, electric, and pedal steel guitars, which convey a combination of sad lyrical punches and ethereal notes.
Pike muses on the feeling of abandonment that children have and the freedom that she has discovered inside herself in the album’s title tune, “Wild,” which is an organic and light piece of folk music. This song encourages the listener to stop, look inside, and put their whole faith in themselves.
Having recorded the 12-song collection primarily in the United Kingdom in various settings, including a converted Norfolk studio that was once an ambulance station during World War II, an industrial warehouse studio in Leeds, and finishing up at the legendary Abbey Road studios in London, Pike insists that taking the lead on production was something that changed the game.
Pike’s song WILD is going to inspire other people by virtue of the fact that she has made herself available to be so open and vulnerable in the process of digging into her own experiences via singing.
Her compositions and performances on the album are emblematic of her path as an artist and as a woman since they explore the emotional landscape of both roles with a sensitivity and a level of depth that is destined to win her praise.
Toronto-Based Vocalist Puma June Evokes A Hopeful Sadness Through New Single 'Lost Years'
Shanti Abbott, a Canadian musician who performs on many instruments and sings under the stage name Puma June, is based in the city of Toronto, Ontario.
June’s music is characterised by a dreamy, lush, experimental chamber-pop sound that is accented with R&B. Her contemplative songwriting evokes an optimistic melancholy in her listeners.
There is no way to fully pinpoint Puma June’s sound since she draws inspiration from artists as diverse as Feist, Frank Ocean, and Stevie Wonder; nevertheless, one possible comparison might be unhinged versions of Lana Del Rey and Charlotte Day Wilson.
In her hometown of Barrie, in the Canadian province of Ontario, June spent her formative years penning songs and participating in musical initiatives. She is a self-taught singer, pianist, and guitarist, and she received her violin training from Suzuki.
The most notable accomplishment of June’s musical career was the formation of the folk duet “Shanti and Vale,” afterwards renamed “Concordia,” with her identical twin sister. Both a live album that the two recorded in 2012 and a single that they recorded in 2019 titled “Love Is Blind” were uploaded on Bandcamp.
Despite the fact that Concordia performed around Southern Ontario for many years, the band never broke out of the small-town scene. With the release of their single in 2019, the members of the band made the decision to redirect their attention to their own projects.
During the formative years of her life, June was a member of a number of different orchestras in addition to being a backing vocalist and violinist for the band “House Art,” which was an indie-rock band based in Barrie. She was also a member of the folk-rock band “Hungry Lake,” which was based in Toronto. Additionally, she was a violinist in the Huronia Symphony Orchestra.
Ultimately, in the year 2020, “Puma June” was given its formal start. This was a project that combined all of June’s favourite musical styles from her childhood and provided June with the opportunity to create her own unique voice.
During her first year working as a certified nurse, which corresponded with the early days of the epidemic, she penned the song “Lost Years.” She also worked at this time. June had always had the dream of pursuing a career in music, but like many other musicians, she was counselled to follow the “safe” road that would lead her along routes that were more likely to lead to “success.”
This yearning ballad represents June’s moment of reflection and realisation: feeling the weight of ageing and losing time to pursue her artistic dreams, but finding the motivation and strength to reach higher and create a future that she can be proud of. [This yearning ballad] was written by June. [This yearning ballad] was performed by June. [This yearning ballad] was written by
It’s never too late to start living the life you’ve always dreamed of leading, despite the mistakes and decisions that drag us all down. Puma June wants her audience to understand that they have the ability to change the direction that their lives are headed.
Sam Casey Sings Her Heart Out In Latest Single 'Good Fight'
Sam Casey, a vocalist from Toronto, creates music that deftly combines two distinct but overlapping themes over pop-driven rhythms and infectious choruses.
The thunderous anthems discuss the need of keeping one’s mental health while navigating what can be a difficult and demanding sector, such as the music business.
Her music delves into the same heartfelt areas of introspection and self-examination. Her songs conjure up the tough moments when she must slog through that negativity and emerge stronger, ready to take on the challenging conditions that life throws at her.
Sam Casey writes songs about her experiences with toxic relationships, difficulties with mental illness, and battling against the sensation that things are sliding in and out of control in her life. Her songs may be found on her SoundCloud page.
Sam and her co-writer, the independent pop musician Laur Elle, had a discussion that eventually resulted in the song “Good Fight.”
They were having a casual talk about the need to “appear” like an artist rather than just being an artist, as well as the disparity between the number of female artists and the shockingly low number of women who held positions of power in the music industry.
My role as an artist is to say the difficult things and to be honest about the unattractive qualities in myself and, in turn, this hopefully may slowly minimize the fears of my listeners. If we can be honest about our identity and even allow ourselves to feel shame about certain aspects of ourselves, then we can accept that shame for what it is and move on. We can be more accepting of ourselves and others,”
Most of all, the songs help me realize that I will fall, lose, be rejected, or have a crazy episode from time to time regardless of how hard I fight the feelings and, if I do fall, then I should just accept it, move on and not look back
tdotostudios (aka Theo Davis) is a UK based medical doctor by day and music producer by night. He spent time honing his craft as a multi-instrumentalist at church, school and university musicals. Despite enduring a busy course and job as a medical doctor, he demonstrates a notable CV in music. He scored his first UK Top 30 single as a producer with a track called Azonto by FuseODG, which to date has a combined total of over 70 million views on YouTube alone.
His contributions to this record formed the foundation and pioneered a new sound of UK afrobeats during that time period. Having helped to sonically pave the way for UK afrobeats, tdotostudios, through his own artist project, wants to continue to spearhead a new sound called Afro-Lofi, combining the vintage and granular atmosphere of Lofi music with infectious afrobeat rhythms to create a pleasurable listening experience.
In addition to Azonto, he co-produced two other songs on Fuse ODG’s debut album “This is New Africa”, which ended up at number 25 in the Official UK Album Charts and earned him a BPI Silver Award plaque. The music he has produced has been broadcasted on reputable radio stations including BBCRadio 1 and 1xtra and many popular TV shows including Match of the Day, Take Me Out and X-Factor.
He has more recently teamed up with upcoming Nigerian-British singer-songwriter IsaacO, having had a hand in the production of his first four singles. This has culminated in a total of over 1,000,000 streams on Spotify alone. His work with IsaacO has resulted in noteworthy playlist features including Spotify editorial “Easy” and Starbucks’ own personalised playlists “Coffeehouse” and “Starbucks Soul R&B Hip-Hop” and a personal invite to Spotify UK HQ in London.
He has just recently collaborated with Hans Zimmer’s and Pharrell Williams’ founded plug-in company ujam instruments to create the track “Adonai” and “Jireh” to promote their newly released plug-ins Virtual Pianist VOGUE and Reggaeton Beatmaker RICO.
When asked about his latest single with Mister Styx of Musicarenagh, this is what the multi-talented artiste had to say:
This release is called AFUA. The reason for the name is that it is a female Ghanaian name meaning “born on Friday”. Being of Ghanaian descent, there was a longing to shine a spotlight on the beauty of my own personal heritage and the African Diaspora. I also wanted to create a sound which encapsulated the beauty of women from the African Diaspora without the need for song lyrics.
Is there a story behind your stage name?
There is a story. When I was thirteen and in secondary school at the time, because I would go by my shortened version of my name Theo. One of my classmates suggested I should change my name to T.O which pronounced without the dot says my name. That name stuck with me and I have decided to take it forward. The name has gone through various versions like T.O productions. The name tdotostudios is a continuation of this but it spells out the dot rather than using a full stop symbol.
Where do you find inspiration?
My faith in Jesus is really integral to why I make music. I regularly serve in my church by playing the keys (piano) as part of my church band. Other inspirations include family and friends.
What was the role of music in the early years of your life?
It played a significant role in my family. Music was always in the house and I grew up on an eclectic mix of music including Gospel, Soul, Motown, Folk and Singer-Songwriter music like Simon & Garfunkel.
Are you from a musical or artistic family?
Yes, both my immediate and extended family are musical which definitely is a real blessing.
Who inspired you to be a part of the music industry?
My cousin Nathan helped to pique my interest in music and music production when I was about 13. He had rapped as part of a mixtape his cousin made called Breezy’s Mixtape. Listening to that mixtape inspired me to think about making my own music and it is amazing to see the journey I have been on so far.
My cousin Nathan helped to pique my interest in music and music production when I was about 13.
How did you learn to sing/write/to play?
A mixture of self teaching, learning at various youth projects and through collaborations.
What was the first concert that you ever went to and who did you see perform?
I think I went to see Graham Kendrick (a Christian singer and worship music veteran) at a church event when I was really young.
How could you describe your music? Afro-Lofi – which combines the granular/vintage atmosphere of lofi music and chilled afrobeats.
Describe your creative process.
I tend to be inspired by tracks I might have heard that day. It might be that which sets the tone for the track I decide to make next. Depending on the track I make, I may start with a nice drum loop or chord progression and build from there.
What is your main inspiration?
Same as what I said before – God, family, friends.
What musician do you admire most and why?
I really admire James Jamerson (he was a bassist in a group called the Funk Brothers). The funk brothers were the session band behind all of Motown’s music from Ain’t No Mountain High Enough by Marvin Gaye and Tammi Terrell to Signed, Sealed, Delivered by Stevie Wonder. The reason why admire him was he used his bass to “talk” and create a new feel to any track he played on. His baselines could stand alone without anything else.
Did your style evolve since the beginning of your career?
Not particularly. Pretty much most of the music I make has some sort of Afro-Influence. Back in 2011, I was one of the producers of Azonto by Fuse ODG. This song has now gone down as an innovator in afrobeats history in setting the tone and foundation for later afrobeats tracks. It also gave me my first UK Top 40 single and to date has over 70 million streams across all streaming platforms.
Who do you see as your main competitor?
No-one in particular
What are your interests outside of music?
Cooking, socialising with friends, helping and mentoring young people, church, God
If it wasn’t a music career, what would you be doing?
This is an interesting question as my aim to combine my day job (which is a medical doctor) and my music career so I have time for both.
What is the biggest problem you have encountered in the journey of music?
Trying to find serious people to work with. In such an industry, some people can be quite unreliable and flaky and you only get to know what a person is like by working with them. So, it’s a bit of trial and error. I am glad however that currently I am working with a good group of people on various projects who push me to be a better musician and producer.
If you could change one thing in the music industry, what would it be?
Less reliance on social media to have to build a fanbase. However, in this day and age, you cannot get away from optimising your social media accounts to increase your audience and reach.
Why did you choose this as the title of this project?
The new single is called AFUA. The reason for the name is that it is a female Ghanaian name meaning “born on Friday”. Being of Ghanaian descent, there was a longing to shine a spotlight on his own personal heritage and the African Diaspora. I wanted to create a lyricless sound which encapsulated the beauty of women from the African Diaspora. This will be one of the first tracks from a wider body of work called “Kofi’s Lofi”.
What are your plans for the coming months?
More tdotostudios releases, more collaborations
Do you have any artistic collaboration plans?
Yes, quite a few are in the works.
What message would you like to give to your fans?
Thank you for all the love and support on my music and journey. I really appreciate you all.
Trippie Redd Returns With A New Release Entitled ‘1st Degree Murder’
Trippie Redd is a hip-hop musician who is one of the most diverse and adventurous in terms of music.
He is one of the most popular artists in the genre because his music is both very experimental and very easy to understand.
Since releasing his debut mixtape, titled “A Love Letter to You,” in 2017, the multi-platinum-selling, chart-topping rapper, singer/songwriter has consistently defied genre.
The sequel, called A Love Letter to You 2, came out the next year and made it into the top 40 on the Billboard 200 albums list. During the same month, Trippie and Lil’ Wop collaborated on the extended play (EP) Angels & Demons.
Before the end of the year, he earned his first entry on the Hot 100 with the tune “Dark Knight Dummo,” which included Travis Scott as a guest artist.
In 2018, Trippie Redd released a number of songs in advance of the release of his first studio album, which was titled Life’s a Trip. The album was the first in a string of singles that peaked in the top ten on the Billboard 200 chart.
Many of the songs were built around the artist’s voice, which showed off his unique style as both a rapper and a singer.
After just a few months had passed, he came back with the mixtape “A Love Letter to You 3,” which included another chapter of melancholy and angst-ridden lyrics on both sung and rapped songs.
