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Von Krogh Drops A Therapeutic Album And Shares His Musical Journey

Von Krogh Drops A Therapeutic Album And Shares His Musical Journey

No cap, I had to repeat the first song on “Waves” because the vibe it was giving is something that is hard to find in modern day music, I am glad to have discovered this album by Von Krogh. When I first pressed play on the first track “Scales” by Von Krogh I was immediately taken into a moody world of sound. Even listening to the first song on the album gives listeners a feel of what to expect with the remaining songs on the album.

Surprisingly this is his debut album, and there is no better way to cement your name than to drop such a breathtaking project. I got the chance to interview Von Krogh, the mastermind behind the album. Waves has a total of 9 songs on it, and one thing that cannot go unsaid is the effect it leaves on you after the song ends, the vocals is just right and perfect.

I like how each song is detailed when it comes to the production and the composition of the songs, during the interview Von Krogh was asked about the main inspiration behind the album, and his responses made me understand why the song has this much power.

He said

“I chose the name “WAVES” for my debut album, because it perfectly summarized what I felt like I’d been battling through my whole life – a set of waves, initiated by the last one and continued by the next.”

Von Krogh used relatable lyrics to grasps the listener’s attention, kudos to the other amazing musicians who worked on making this song what it is with Elias von Krogh being the Lead vocalist, guitar Adrian Michelsen: guitar, Aadne Salen Sandvik: keys ,Phillip Mjaatvedt: base  and Filip Blindheim: drums/perc. By any standard I can boldly state this is a lost but masterpiece which has been lost for ages.

I recommend you listen to ‘Waves’ by Von Krogh with headset to catch the feeling, plus had more to say about himself and his album, his response was very detailed, given his listeners the chance to peep into his life, so join us as we delve deeper into te life of Von Krogh!

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Listen to Waves below


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What is your stage name
⁃ My Stage name is the same name I use on a daily basis – Elias von Krogh!

Is there a story behind your stage name?
⁃ Well, not much of a story really, a month or so before Adrian (on guitar) and I started the project, we both agreed just using my first name Elias as a stage name would be pretty lame. So we stayed clear of that one, worked with what we had left, and ended up using my last name instead.

Where do you find inspiration?
⁃ The older I get, the less I know – and that’s sort of where I get my inspiration, I guess – through frustration, not knowing what to do when refacing a situation I would have thought “easy” to handle just a couple of years ago. Life throws new ideas and perspectives from day to day, and sometimes I’m better at listening to them than at other times. I live with bipolar disorder, something I didn’t know until I was already well into my twenties.

So I find a lot of inspiration through that, the ever changing grounds I find myself standing on. A lot of old songs I’ve written give me some soothing, they remind me that I’ve already been through the worst my own mind can put me through, when I’m back there again. And judging by the last times, it always ends up feeling better if I just allow it to get there.

What was the role of music in the early years of your life?
⁃ I’ve always loved music, and I’ve been blessed with a mother and father exposing my brothers and I to many different genres growing up. I love classical music, and a lot of it has influenced the way I “think” about music, because my parents used to put on CDs of classical music (they named it “calming music”) when I was heading to sleep.

As I grew older, I found a lot of comfort in the lyrics of music I listened to. It seemed like a great way to ventilate all the emotions I had bottled up or just struggled to convey. The first couple of lyrics I wrote sucked, but still gave me enough “closure” to want to keep on doing it.

Are you from a musical or artistic family?
⁃ I’d say so! My father sings, used to play the trombone and worked as a chef, my mother sings, restores/fixes up furniture, and has all kinds of tiny creative projects keeping her busy most of the time – I recognize that last part in myself, having to constantly do SOMETHING to not “lose my mind”. Also I think there are at least five generations of musicians before me on my father’s side. I like to think that my need for creation lies in my genes!

Who inspired you to be a part of the music industry?
⁃ As a child, seeing the Norwegian band Wig Wam, from the same area as I come from, make it all the way to the Eurovision finales some twenty years ago, really set the bar for me when it came to seeing what Norwegian bands could accomplish. Later I kind of fell in love with some of the 2000s “classic” emo music – My Chemical Romance and The Used being my main “guiding stars”.

But it wasn’t really until discovering Jeff Buckley I thought “wow, here’s someone who understands what I’ve wanted to do in music for all these years – and he only released ONE album??!”. His music awakened something in me, and I’m pretty sure I would still be figuring out my sound to this day, if I hadn’t ever stumbled upon his masterpiece of an album “Grace”.

How did you learn to sing/write/to play?
⁃ When it comes to singing, I didn’t really begin singing until around the age of 8. I remember my mind as in a state of constant change around that age, singing to myself on my way home from school became something I enjoyed doing daily, it felt like a little “secret” back then. Around the age of 14 I wished for a guitar, and my parents gifted me the one I still use on stage to this day.

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When it comes to singing, I didn’t really begin singing until around the age of 8.

I learned most of my guitar playing by just noodling around until something sounded okay to me (I still do, please don’t tell me chord names cause I have no clue what you’re trying to say unless it’s major or minor). I’ve never really been interested in learning other people’s songs, so I just started writing my own stuff the day I got my guitar.

What was the first concert that you ever went to and who did you see perform?
⁃ The first BIG concert I ever went to was Green Day, here in Oslo in 2010. I lost all my friends in the queue, so I ended up watching the concert with a bunch of 18 year old strangers. Really cool experience for 14 year old me.

How could you describe your music?
⁃ I often like to use my diagnosis as a descriptor for my music – bipolar. I don’t get a lot of pleasure out of just writing sad songs or sticking to a specific mood. I want my music to be recognizable on it’s own, without having to use the same instruments, the same singing-technique or effects over and over again.

I would describe most of it as bipolar alt-rock, and some of it as bipolar pop-rock. Or if new emo sounded cool, I guess that would be a good way to describe it.

Describe your creative process.
⁃ Most of the times, it’s kind of a lack of process that brings me home. I usually just sit down with the guitar, discover some chords that resonates with something in me, and then the lyrics often just “show up”.

I’ve written quite a few songs predicting how I’d feel in a couple of weeks or even months, where I don’t realize what the song is about until I’m actually there, in the situation the song has been describing for some time already. You could say my process is laying traps for myself, until I stumble into one of them and find myself absolutely caught up in the idea.

What is your main inspiration?
⁃ As I get older, walks without music, and narcissistically through my own side projects. I have this b-project, representing the more manic side of my condition, where I write these over the top, silly songs for fun. Two of the songs on “WAVES” actually used to be humoristic songs I wrote in Norwegian. Today they are “Costs” and “Birds”.

I do this all the time, steal and interpret my own music made by the more manic side of my personality. To summarize where my main inspiration in music is: No music and my own music. The older I get, the less inspiration I find in other people’s work – unless it’s Radiohead, possibly the best band of all time.

What musician do you admire most and why?
⁃ I’ve already mentioned Jeff Buckley, MCR and The Used, but today I’d say Radiohead, norwegian musicians Thomas Dybdahl, Sondre Lerche and The late Tommy Tokyo are the one’s I look the most up to.

Out of all these, I think Radiohead takes the top spot for their ability to evolve, how they manage to change their sound while always keeping whatever makes Radiohead be Radiohead. Sondre Lerche has such a varied discography, I believe he could have been the fifth beatle if he had been born some decades earlier.

Did your style evolve since the beginning of your career?
⁃ It always has, and I hope it always will! As an 8 year old boy, my biggest dream was playing glam rock with make up on my face. Then, as a teenager, it was to play in a rock band with make up on my face. Now I play in a bipolar rock band, still working up the guts for some theatric make up. Looking at the trend, I’d say it’s certain some things will always change, but my desire for make up will remain.

Who do you see as your main competitor?
⁃ Hmm. I’m not really very competitive, but I suppose my alter ego DJ Krogh might steal the show before I do.

What are your interests outside of music?
⁃ I love making food, and 70% the time someone might be wondering what I’m doing, it’s either that, walking, music or sleep. I study sound design at the moment, and used to read the news on the radio for the Norwegian equivalent of BBC. Sounds, walking and food, those are my interests. And sometimes drawing. Or photos.

If it wasn’t a music career, what would you be doing?
⁃ I guess I would still be working in journalism, not really sure though. Feels kind of whimpy to say, but I’m pretty sure I wouldn’t be here if I wasn’t doing music. I have been blessed with a loving and caring family, great friends and experiences, but I wouldn’t be able to appreciate it all if I didn’t have music to help me vent out all the other emotions. If it wasn’t music, I’m 88% sure it would be a coffin or an urn. That turned dark, and I won’t apologize for it.

What is the biggest problem you have encountered in the journey of music?
⁃ When it comes to the industry: Flinching people who say one thing and does something completely different. In Norway we call those people “vinglepetter”. Or just morons. The whole industry is full of them. Other than that, my ability to believe in myself and my music – things I’m still working on. Hopefully it gets better, but I still hope a piece of that uncertainty will survive and live on with me. I think it gives people an edge.

If you could change one thing in the music industry, what would it be?
⁃ I wish the industry as a whole focused on diversifying music – at this point I’m pretty sure we’ve already heard most of the music releasing this year, and even next year – I wish the industry would lift more unique and exciting artists. I don’t listen to a lot of music, simply because I feel like I’ve already heard most of it.

Why did you choose this as the title of this project?
⁃ I chose the name “WAVES” for my debut album, because it perfectly summarized what I felt like I’d been battling through my whole life – a set of waves, initiated by the last one and continued by the next. Also, in the summer of 2018, three months prior to writing the first sketch of the title track, I had a strange experience. After a particularily warm day at work, I drove to the coast and ended up swimming further out in the sea than I ever had and ever have, just because of a longing for silence.

I was in the water from when the sun set, until it dawned again, and I washed ashore exhausted. I didn’t realize how formative this experience was to me until almost a year later, when I decided I wanted to make an album about the waves. So to summarize, because the title describe exactly what I wanted to convey – an ever changing landscape, with no real resting place for your feet – and because of a long swim into the ocean nearly six years ago.

What are your plans for the coming months?
⁃ Right now we are busy playing shows in several Norwegian cities, while at the same time recording a bunch of the songs that didn’t make it on to WAVES – I hope to be able to release either an extended/full version of the album, or a b-side EP with songs that drowned in the waves. And I’m already planning my next album – the next one will take place on land.

Do you have any artistic collaboration plans
⁃ At the moment, no! We have a couple of bands playing support on our concerts, but not much more going on than that. The band and I collaborate well enough already!

What message would you like to give to your fans?
⁃ Firstly – a BIG thank you to everyone who’s listened to the album! And second – none of us wish to experience pain, suffering, sadness or loss. But what I’ve come to understand, is that these can all be enrichening experiences. Peace goes, so that peace can return – and oh MY how nice life gets when it returns. To boil it down to the cliche it truly is – what doesn’t kill you CAN make you stronger.

It has certainly made me stronger, and made me a more capable and loving friend than I would have ever been without all this pain. In Norway we say “Det er ikke så ille at det ikke er godt for noe» – basically, all the bad stuff must contain something good – or at least inspire some of it. Allow yourself to feel this pain, don’t hide from it, but don’t let it take over – it DOES usually get better after a while.

Will Francis’ Retro Rock Pop: A Blast from the Past

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Will Francis’ Retro Rock Pop: A Blast from the Past

Welcome guys today let’s talk about Will Francis, the music artist from Smithfield, NC. His latest track, “Make It Right,” is like a blast from the past, taking us back to the late eighties and nineties with its rock-pop vibe.

Dolla Bill’s got a unique style—he sings with a deep voice and blends it perfectly with the instrumental, creating a sound that’s both nostalgic and fresh. And let’s not forget about the cool visualizer in the music video that matches the song’s vibe perfectly.

His music’s been all over the place—on the radio, social media, and even TV. Seems like everyone’s digging Dolla Bill’s tunes, and it’s no surprise why. He’s all about quality and being true to himself, and it definitely shows in his music.

“Make It Right” is just another example of Will Francis’ talent and creativity. It’s real, it’s smooth, and it’s got that energetic vibe that keeps us coming back for more.

So, if you’re into retro rock-pop with a modern twist, give Will Francis a listen. Trust me, you won’t be disappointed.

Watch Make It Right below

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Meet Carolee Rainey The Artist Who Shares Her Stories Through Music

Meet Carolee Rainey The Artist Who Shares Her Stories Through Music

Guys, we’ve got something special for you – a brand-new music video from singer-songwriter Carolee Rainey called “Hard Times in the Heart.” It’s like a breath of fresh air from Western Massachusetts, and you don’t want to miss it!

Ever wonder how musicians come up with their tunes? Carolee Rainey spills the beans in an exclusive chat with us on how she comes up with a song,

She said; “Oddly enough I consistently seem to get the most inspiration when I’m sleeping. I’m always awakened in the very early morning hours with the name of a new song, a new melody or a lyric” .

Carolee brought “Hard Times in the Heart” to life in a cozy studio in Hendersonville, Tennessee, where she was surrounded by top-notch musicians and a laid-back vibe, it’s the kind of place that makes magic happen.

But here’s the twist – this song isn’t a new kid on the block for Carolee. Nope, it’s the OG, the first song she ever wrote. And guess what? The lyrics ended up mirroring her own life down the road. Talk about a full-circle moment!

So, grab a seat, hit play on the video, and let Carolee Rainey take you on a musical journey. And don’t worry, we’re keeping it real – no fancy talk, just good vibes and great tunes. Get ready to feel the heartbeat of Carolee’s music, where every note tells a story.

Watch Hard Times In The Heart below

 

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What is your stage name?
My stage name is CAROLEE RAINEY

Is there a story behind your stage name?
I guess there’s a story behind everything right? So my last name Rainey was the name from my marriage. When we divorced I decided to keep the name. It has an Irish derivation and I’ve always been enamored with Irish and Gaelic culture.

Where do you find inspiration?
Oddly enough I consistently seem to get the most inspiration when I’m sleeping. I’m always awakened in the very early morning hours with the name of a new song, a new melody or a lyric. I can honestly say that I don’t always feel like writing down these ideas when they come to me, but I am conscious that this seems to be my inspiration so I do for the most part write down as much as I can.

What was the role of music in the early years of your life?
I think the role of music for me in my early years was more like a safety net and also a great friend. If I was lonely or feeling misunderstood music always seemed to calm me and make everything better.

Are you from a musical or artistic family?
My immediate family was not musical but my paternal side was very musical… all my aunts and uncles played various instruments. I loved that.

Who inspired you to be a part of the music industry?
I’m not sure anyone really inspired me to be in the music industry as much as it was just a genuine curiosity as to how everything worked and operated.
I did get a wonderful opportunity from Doug Morris to be in A&R which was a good experience.

How did you learn to sing/write/play music?
Along my journey, I’ve studied with several voice teachers. The one I’m with currently has had a huge effect on my technique. I feel so fortunate that he took me on as he’s coached many stars like Lady Gaga and Christine Aguilera.

My writing has been on its own journey of wisdom and discovery. Often I write stories that inspire me and for various reasons, I want to share them.

What was the first concert that you ever went to and who did you see perform?
Honestly, I can’t remember my very first concert but I can tell you that I did see ‘Elton John’ at Madison Square Garden and he was just amazing.

How could you describe your music?
I would describe my music as a blend of Americana, folk and rock.

Would you like to share anything with your fans?
Be grateful for every amazing person that crosses your path. Life is precious and fragile

Cheri Lyn Unveils Her Soulful Inquiry with “If There Was a God”

Cheri Lyn Unveils Her Soulful Inquiry with “If There Was a God”
Cheri Lyn Unveils Her Soulful Inquiry with “If There Was a God”

Cheri Lyn’s “If There Was a God” is a poignant and stirring gem chiseled from the bedrock of human vulnerability. As her silk thread-like vocals weave through this emotional ballad, she delves deeply into the labyrinth of grief and faith, leaving listeners to navigate their own reflections.

From the first quiver of guitar strings in symphony with Lyn’s meditative hums, you’re ushered into an acoustic cocoon. The song sways between loss’ chilling breeze and healing’s warm embrace – a pendulum forever marked by renewal. It taps on the divine door with knuckles bruised by life’s relentless tempo yet seeks answers in notes rather than words—a sacred dialogue where even silence echoes.

The thematic essence lays bare heartstrings still tender from her debut “Caught in the Blues,” while hinting at growth that transcends past collaborations like “Circle of Friends.” This track promises to be an anchor draped within the tapestry of Lyn’s evolving career; it carries whispers of potential soon to unfurl alongside Eugen Leonhardt in their Pop/Rock odyssey.

Cheri Lyn Unveils Her Soulful Inquiry with “If There Was a God”
Cheri Lyn Unveils Her Soulful Inquiry with “If There Was a God”

Each measure reveals Lyn’s 15-year tenure as nothing short silent storytelling, painting pictures that hang not on walls but in solace-seeking souls. “If There Was a God” blends existential wonderment with understated finesse, reminding us that serenity can dwell amid somber refrains.

In sum, Cheri Lyn offers up both question and sanctuary—a song for those lost at sea amidst storms of spirit—serving as proof that sometimes music isn’t just heard; it’s held close to help weather our most private tempests.

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The Auditory Odyssey of ‘Anima’: Naomi Rush’s Genre-Defying Debut

The Auditory Odyssey of 'Anima': Naomi Rush's Genre-Defying Debut
The Auditory Odyssey of 'Anima': Naomi Rush's Genre-Defying Debut

In a world where music often skirts around the deep recesses of our psyche, Naomi Rush’s debut single “Anima” boldly ventures into the labyrinth of emotional turmoil with an audacity that is both harrowing and healing. Melding vulnerable themes such as self-neglect, people-pleasing, and religious trauma with a musical palette that draws from lofi aesthetics to progressive metal’s intensity, “Anima” stands as a towering testament to the complexities of human emotion.

At its core, “Anima” is not just music—it is psychotherapy set to melody. The conversational dynamic between Naomi Rush’s adult self and her inner child resonates with a universal truth: we are all in constant negotiation with our pasts. Through this dialogue, Naomi navigates through dark waters of emotional fatigue with an honesty so raw it’s almost tangible.

The sonic landscape of this ambitious single cannot be pinned down easily—like emotions themselves; it refuses categorization. Its foundation lays on heavy guitars and drums symbolizing the weighty cloaks we wrap our traumas in while softer guitars along with synth sounds breeze through like moments of epiphany or gentle acceptances of oneself amidst chaos. These shifts conjure images reminiscent of epic battles and celestial wonders found within anime narratives or fantasy video games while grounding them firmly within the struggle against one’s demons.

What makes “Anima” particularly captivating is Naomi’s ability to crossbreed genres—weaving lofi chill beats and indie softness into progressive rock aggression seamlessly intertwined by thematic undertones drawn from metal. This synthesis does more than create melodious euphony; it crafts an auditory journey through darkness towards light—a narrative arc embodying resilience against hardship.

The Auditory Odyssey of 'Anima': Naomi Rush's Genre-Defying Debut
The Auditory Odyssey of ‘Anima’: Naomi Rush’s Genre-Defying Debut

Despite being based out of Bristol—a city known for its burgeoning music scene—Naomi Rush carves out her distinct niche effortlessly combining her background in Music Performance and Music Therapy into something far greater than mere entertainment; she creates magic imbued with profound insight about mental health and healing.

As “Anima” plays its last note boasting suspenseful silence hinting at future potentialities unbeknownst even to us—the listeners can’t help but await eagerly what else Naomi Rush might have tucked beneath her ethereal sleeves. Whether you’re here for sonorous pleasure or soul-stirring messages (or perhaps both), “Anima” promises so much more than just another listen—it offers understanding wrapped up captivatingly in echoes reaching out for connection.

Essentially, if there were ever doubts about whether heartfelt conversations could unfold musically across spectral realms contrasting sparkle-dusted fantasies with monstrous realities—”Anima”, analogous to summoning spells dispels these questioning shadows magnificently showcasing not only the versatility but also boundless power inherent within our emotions when met head-on accompanied by entrancing tunes.

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B4bonah and Zodivc Reunite In “Disaster”

B4bonah and Zodivc Reunite In “Disaster”
B4bonah and Zodivc Reunite In “Disaster”

After a three-year hiatus, B4bonah returned to the music scene in 2023 with the tracks “Gb3nz3” and “4m Against.” This year, the Ghanaian artist continues his music release spree with “Disaster.”The track was released on Spotify on January 30 and to other streaming platforms on February 16, 2024. In addition to being his first single of the year, it marks his reunion with his frequent collaborator, Zodivc. The two have worked on several songs together, including “Dear God,” “Jumping Jumping,” and “Work.” 

On this compelling fusion of Afrobeats and dancehall, B4bonah shines for over two minutes. On the groovy record, he navigates the complexities of the contemporary world. The track begins with a memorable intro featuring Spanish guitars that immediately grab attention. A prominent element in the track is the electric piano, which adds a unique touch, enhancing the emotional depth of the song. The dancehall groove further infuses an infectious energy, making “Disaster” a noteworthy addition to B4bonah’s discography.

Lyrically, “Disaster” is an authentic portrayal of the challenges in the pursuit of success and financial stability. One intriguing aspect of the song’s creation is the revelation that B4bonah recorded “Disaster” on an empty stomach after waiting in line for hours to secure prepaid electricity. This behind-the-scenes glimpse into the artist’s dedication adds an extra layer of authenticity to the narrative embedded in the music.

B4bonah thoughtfully pours his heart into every note and lyric, conveying a sense of determination and resilience for any struggling person. Serving as a window into the artist’s experiences, it touches on hard work and the pursuit of wealth. The song has the lyrics “sika s3m nti na I’m on the roads tis3 coal tar 3y3 sika naa na y3 di gu so,” which translates to Because of the pursuit of money, I am on the roads; just like coal tar, everything is about money, and we are making progress.” The lyrics express the challenges and struggles of life, emphasizing the importance of money and the desire to achieve financial success. 

“Disaster” is a pivotal addition to B4bonah’s discography marked by a fusion of genres and insightful themes. Returning after a hiatus, he maintains his signature style while adding new depth to his work. In the context of his career, “Disaster” becomes a crucial piece in the mosaic, reflecting growth, authenticity, and storytelling. With a career that began to gain prominence with hits like “Dear God” and “My Girl,” B4bonah has consistently showcased his ability to create music that delves into the intricacies of life. The artist’s partnership with producer Zodivc has been instrumental in crafting memorable tracks.Listen to “Disaster” on your preferred streaming platform. 

Exploring Ersha Island’s “Like The Other Kids”: A Relatable Journey

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Exploring Ersha Island's "Like The Other Kids": A Relatable Journey

Ersha Island, a duo of siblings hailing from Auckland, New Zealand, has recently caught my attention with their latest Pop/R&B single, “Like The Other Kids.” Joined by local talents Iris Zhang and Geoff Ong, they’ve crafted a song that delves into the familiar territory of not quite fitting in—a theme many of us can relate to.

The track, part of their debut EP ‘Back To Our Roots,’ speaks volumes about the struggles of finding one’s place, especially during those awkward childhood years. With heartfelt vocals and soulful guitar riffs by Sam Nakamura, Ersha Island captures the essence of those emotions that often accompany the journey of self-discovery.

What’s striking about “Like The Other Kids” is its ability to tackle such a weighty topic with a light touch. Despite the heaviness of its theme, the song maintains an uplifting vibe, reminiscent of carefree days spent on playgrounds—a sentiment echoed in its accompanying music video.

The video, set against the backdrop of a playground, reflects the innocence and camaraderie of childhood, all while hinting at the deeper struggles of fitting in. It’s a visual representation of the song’s message—a reminder that many of us have felt like outsiders at some point in our lives.

Featuring the soulful vocals of Iris Zhang and Geoff Ong, the song weaves together elements of R&B and Pop, creating a sound that feels both nostalgic and refreshing. The production, overseen by EDY and Edward Liu, strikes a balance between polished and raw, allowing the song’s authenticity to shine through.

In essence, “Like The Other Kids” is more than just a song—it’s a relatable journey that speaks to the human experience. With its honest lyrics, infectious melodies, and universal themes, Ersha Island has crafted a track that resonates with listeners on a profound level, leaving a lasting impression that lingers long after the music fades.

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Unveiling Gianfranco GFN: A Dive into the Melodies of “Sing The Song”

Unveiling Gianfranco GFN: A Dive into the Melodies of "Sing The Song"

Gianfranco GFN‘, is the name of the soulful R&B/SOUL songs producer, “Sing The Song,” this offers a musical voyage including different genres like jazz, blues, soul, and bossa nova merged into something amazing. It is this type of music which will never leave you, will play on in your mind long after the melody has fizzled out.

What makes “Sing the Song” unique is not just about the music, rather it is that story behind it. Gianfranco GFN, playing his heart out while infusing all notes with his own character, he comes up with music that is as unique as it is enticing. Starting from the light plucking of guitars, the music just keeps moving forward and the brass instruments are there creating a harmony of sounds you may not want to walk away from.

However, his story with “Sing The Song” didn’t start at its beginning because he has been making music since he was a child. ‘Gianfranco GFN’ is self-taught teaching himself how to play the guitar and exploring other genres as well. These passions and the music are obvious in all his songs, from the first of the compositions to the last ones, which he wrote.

With this conversation, we are given an opportunity to peep into the personality of the man who makes the tunes. We explore his sources of inspiration, his creative approach, and his positive future predictions. We figure out why he continues making the music despite struggles on the road.

So get ready to dive deep and explore the sounds of “Sing The Song” to have a glimpse into the musical world of Gianfranco. It is an experience you won’t want to miss.

Listen to Sing The Song below

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What is your stage name
– GIANFRANCO GFN

Is there a story behind your stage name?
-No, I wanted something simple.

Where do you find inspiration?
– Often it’s a noise, a rhythm, a situation in everyday life and an idea comes to me and I start composing around it!

What was the role of music in the early years of your life?
– Very important, I started playing music at the age of 7!

Are you from a musical or artistic family?
– No, but at home we listened to a lot of music, in all genres for the time.

Who inspired you to be a part of the music industry?
– -The world of Jazz and Blues, but above all a passion for creation.

How did you learn to sing/write/to play?
– I’m mainly self-taught! And I’ve always been curious, with a lot of commitment.

What was the first concert that you ever went to and who did you see perform?
– I can’t remember! But it must have been great, if music still fascinates me today!

Gianfranco GFN’s “Sunshine” Is The Warmth You Need

How could you describe your music?
– My musical world today is called R&B-SOUL, but until recently it was called ACID-JAZZ, a style that mixes Jazz, Blues, Soul, Bossa, etc…

Describe your creative process.
– I love starting the composition just with my guitar, then a first melody, but the big unwinding I love is when I’m in the studio and add all the instruments!

What is your main inspiration?
-All of them, but especially the rhythm and a first melody that could become the chorus!

What musician do you admire most and why?
– I don’t have a precise name, because I like a lot of artists, depending on the style, the way they play, etc., which is interesting and inspiring for me!

Did your style evolve since the beginning of your career?
– Yes, it’s always evolving, and that’s what makes it so interesting and exciting!

Who do you see as your main competitor?
-I don’t have any! I wouldn’t get ahead of myself! And above all, we’re artists, not competitors! We share and exchange!

What are your interests outside of music?
-Painting, cooking and good evenings out with artists and philosophical friends.

If it wasn’t a music career, what would you be doing?
– A job, but I don’t know which one! with passion!

What is the biggest problem you have encountered in the journey of music?
-There are always unforeseen circumstances, problems, etc., but the important thing is that in the end I get there and my music comes out!

If you could change one thing in the music industry, what would it be?
-More income for us artists! Digital doesn’t pay or doesn’t pay well!

Why did you choose this as the title of this project?
-It came from the composition and the lyrics, which are always in a positive Sun sense!

What are your plans for the coming months?
-To finish this 5th album, hopefully by this summer.

Do you have any artistic collaboration plans
-Not at the moment, but I’m thinking about it for a future album!

What message would you like to give to your fans?
-Just remember to support us, not just with links, but also by buying our music, thank you all.

Madeline Martin Debuts With “I-35” Listen Here

What makes "I-35" special is how real it feels, Madeline doesn't hold back—she lays it all out there for everyone to hear.
Madeline Martin Debuts With "I-35" Listen Here

Madeline Martin‘s first song, “I-35,” marks her big entrance into the music world. It’s a heartfelt tune that captures emotions and experiences we’ve all felt. With gentle guitar strums and Madeline’s sincere voice, the song draws you in right from the start.

Her lyrics tell a story of love, heartbreak, and reflection. You can feel the honesty in her words as she opens up about the ups and downs of relationships. The music builds slowly, adding layers of depth with each verse. And when it reaches its peak, the raw emotion pours out through gritty guitar riffs and powerful vocals.

What makes “I-35” special is how real it feels, Madeline doesn’t hold back—she lays it all out there for everyone to hear. It’s like she’s inviting us into her world, sharing her joys and struggles with complete sincerity.

What makes "I-35" special is how real it feels, Madeline doesn't hold back—she lays it all out there for everyone to hear.
Madeline Martin Debuts With “I-35” Listen Here

For a debut single, “I-35” is impressive. It shows Madeline’s talent and passion for music, and it leaves you wanting more. It’s the kind of song you can listen to over and over again, finding new meaning with each play.

So if you’re looking for a song that speaks to the heart, give “I-35” a listen. Madeline Martin is definitely an artist to watch, and this song is just the beginning of what promises to be an exciting journey.

Listen to I-35 below

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Rocking Out with Carousel’s Debut Single: “Your Faith And Your Nan”

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Rocking Out with Carousel's Debut Single: "Your Faith And Your Nan"

Guys think about this “Your Faith And Your Nan”, this the title of the latest single form the camp of Carousel, and surprisingly this is their debut single. “Your Faith And Your Nan” hearing this what comes to mind, join me as we delve deeper into the sound of the band.

Hailing from the streets of London, Carousel is a band that thrives in pushing things forward and shaking people up.

Carousel’s plot is like a scene from the movie. Charlie, Sam, Liam, and Paul coexist with coincidence, mixing authentic experimental sounds and classic rock vibes. Based on their influence by the bands like Joy Division or Led Zeppelin, they have created something that is both retro and modern.

“Faith and Your Nan” is one of these songs which touches you from the very beginning. It has this underlying aggression that hits you in the ears and you can’t get over it. Guitars are roaring, drums are thundering, and the voices? It’s dripping with anger and lack of harmony.

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“Faith and Your Nan” is one of these songs which touches you from the very beginning.

For me, it is the truth of this song that counts. Carousel never shies away from difficult issues, such as financial ups and downs and social unfairness. Through their music they are fighting and making their voices stronger saying what they want to tell the society.

“Your Faith And Your Nan” is not only a song but also an announcement—a mission for anyone who cannot take the current system anymore. The song is an evidence that music is a driving force of change and can bring people together on the same front.

Overall the unveiling of Carousel’s first single has elevated a much needed fresh atmosphere in the music industry. It’s peculiar, it’s unashamed and it is precisely what we should do right now. Therefore, crank up the volume and let Carousel take you to the wild attractions. Take my word, you will not later regret this.

Listen to Your Faith And Your Nan below

 

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Exploring the Quiet Beauty of ‘The Cradle’ with Jordana Delgado

Exploring the Quiet Beauty of 'The Cradle' with Jordana Delgado
Exploring the Quiet Beauty of 'The Cradle' with Jordana Delgado

Under the skilled fingertips of Jordana Delgado, “The Cradle” blossoms into a serene ode to nature’s eternal lullaby. This instrumental piano cover gently unravels the stark beauty of a world in repose and the subtle stirrings of life poised for resurgence. Evoking George Winston’s introspective tranquility and Larry Young’s compositional genius, Delgado’s version is an invitation to witness winter’s stillness with ears wide open to spring’s whispered promises.

Through minimalist strokes imbued with intentionality, every note resonates as eulogy for fallen leaves and prelude to floral anthems alike. Delgado wields tempo like a painter commands their brush—slow gestures carving silhouettes against an ivory canvas before quickening into vibrant splashes that herald renewal.

“The Cradle,” amidst its gentle melodies, presents not so much sound but rather carved spaces where imagination roams—a hibernating landscape awaiting rebirth. The piece becomes less about music you hear and more about feelings it summons; it doesn’t knock on doors but floats through cracks, finding us receptive in reverie or contemplation.

Exploring the Quiet Beauty of 'The Cradle' with Jordana Delgado
Exploring the Quiet Beauty of ‘The Cradle’ with Jordana Delgado

An early glimpse into her forthcoming EP “Seasons”, this single suggests that what awaits is a cyclical tapestry woven from familiar threads cast in newfound light—as sure as winter turns to spring, expect Jordana Delgado to redefine classical narrative one season at a time.

In today’s climate where attention flutters from beat drops to synthetic rhythms, “The Cradle” stands out by rooting itself firmly into organic textures—a kind reminder that sometimes music shines brightest when stripped down to its elemental grace.

Follow Jordana Delgado on Website, Facebook, YouTube, Instagram and TikTok.

Bloom with ‘Apple Seeds’: Charlie Bishop’s Latest Folk Anthem

Bloom with 'Apple Seeds': Charlie Bishop's Latest Folk Anthem
Bloom with 'Apple Seeds': Charlie Bishop's Latest Folk Anthem

In the latest troubadour tradition, Charlie Bishop’s “Apple Seeds” germinates with a whisper of timeless wisdom, blooming into an audacious anthem for the soul-seekers and dream-growing wanderers. With its earthy embrace, it evokes moments of hopefulness one finds in the simplicity of life’s core truths.

From first note to last echo, Bishop captures an organic atmosphere that feels like cool soil between eager fingers digging for roots—roots that belong both in bygone eras of smoke-filled coffeehouses and modern-day playlists hungering for authenticity. His fusion of traditional folk with a full-bodied experimentation mirrors great pines stretching skywards while keeping grounded in rich Americana heritage.

For those who’ve savored the raw lyrical delicacies served up in his preceding works “Charlie Bishop (EP)” and “Damned or Chosen,” this single is a tantalizing amuse-bouche heralding more substantial fare within an upcoming EP. Yet even taken alone, it suggests fields ripe for exploration; not through breakneck pace but rather by taking life slowly—a leisurely stroll instead of a frantic sprint.

Vocally, Bishop delivers great male melodies as easily as breathing out on a frost-laden morning. These vocals are no flamboyance or flourish—they’re heartfelt exhalations threading every word with intimate sincerity which hits home deep where feelings run wild yet tamed enough to be cradled gently by your day-to-day musing.

Bloom with 'Apple Seeds': Charlie Bishop's Latest Folk Anthem
Bloom with ‘Apple Seeds’: Charlie Bishop’s Latest Folk Anthem

“Apple Seeds” carries notes sung by ghosts strumming on sunset horizons—a connection bridged between listeners across generations who have ever felt grass underfoot or yearned to ascend beyond stars. It’s listening easy on surface waves but dives deep into currents strong enough to carry you away if only you let go…

With each lyric planted firmly like seeds tossed confidently onto fertile ground hoping to take root against all odds—the track is not simply heard but felt deeply beneath one’s skin down towards their very marrow.

Charlie Bishop reminds us there lies stirring beauty in stillness—where rushing leads only to aimlessly blown petals—and whispers truth laced tunes amongst music’s bountiful harvest: grow slow, grow bold, peek through dirt towards sunlit spans because from humble beginnings come majestic canopies sheltering dreams yet unspoken… until now.

Follow Charlie Bishop on Bandcamp, YouTube, Instagram and TikTok.

Getting Real with Colourshop’s “Be Yourself”: A Genuine Review

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Getting Real with Colourshop's "Be Yourself": A Genuine Review

As human beings, everybody wants to belong to a group. There is a strong need in us to fit into the society. This song captures a deep meaningfulness paired with infectious positivity and self-discovery.

Behind it all, the song was designed by Alfredo Salvati who is known as Colourshop’s mastermind. “Be Yourself” is more than a song it brings along an exciting and liberating self-reflection and power in which one stands on the pedestal of their own mind. With the nature of the tune that blends many soothing melody and the pleading lyrics, the song represents a gentle reminder not to let circumstances and also society’s expectations make one slip off the path that they have chosen for themselves.

“Be Yourself”, which was recorded at RoomTo in Barcelona and produced by both Jason Boshoff and Oscar Braga, starts out with a moderate and soothing acoustic guitar and vocals, building the basis for a musical story that begins to unfold and develop at each and every passing moment. While the song builds and flows, a chorus of intricate textures and details contribute to the overall musical landscape, which cannot be rendered into words. These details encompass the concepts of self-respect and creativity.

In her singing, Salvati shares her sincerity and vulnerability alongside the reality of each song. This allows to hear the words in a naturalized manner. It becomes a beacon of hope for the listener about the journey of self-realization. The narrator talks of the problem in an expressive manner and does it with a lot of tenderness and empathy.

The song “Be Yourself” is an instrumentally brilliant mix of acoustic folk and indie pop elements. This melody provides a strong rhythm and flow for one to be fully absorbed in. A melodic combo of a guitar and a piano are gently played. Thus, an atmosphere of a beautiful breeze emerging from the nostalgic past and reviving your positive feelings is created. As the tune evolve, the light touches of electric guitar and drums add color to the matter and give the song a little bit of character, thus increasing the richness of the composition.

Such thing as “Be Yourself” derives from the fact that it is that one single issue that those people who hear the song can feel it on the bottom of their hearts. Salvati’s verses are thought-provoking and understandable, provide a cozy feeling, and guarantee that even in the strictest of worlds one can maintain their unique true self.

Listen Be Yourself below

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Diving into the Soulful Tunes of Solwater: An Inside Look

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Diving into the Soulful Tunes of Solwater: An Inside LookDiving into the Soulful Tunes of Solwater: An Inside Look

Hi everybody, today is the time for Solwater’s debut album “Feel It All The Way” to finally set foot for the airwaves on March 1st, 2024. The music of Solwater isn’t just about having a good tune but is about mainly having those intense feelings that all of us have, right?

Lukas Anderson takes on the lead vocals and guitar for the band. They are supported by Jared May on bass, Jakob Pek on lead guitar, Salif Bamakora on Kora, and the matching voices of Aea Luz on backup vocals. The album is a real team effort. And to complete this picture of a behind-the-scenes mastermind, there’s John Alevizakis who has collaborated with several pretty famous artists.

Solwater’s music has nothing to do with only creating sounds; it’s all about narrating stories. Through his lyrics, he explores the more profound feelings such as adoration, bereavement and thankfulness.And hey, his inspiration? It follows from being in the woods and feeling the rhythm of life, but it also brings with it a reasonable quantity of what’s going on in society.

As he grew up, Solwater developed his talent on a trombone and in the process, he also learnt how to play the guitar. However, music was not just a hobby to him but it was his getaway from the rut of school and a way of expressing himself.

So, why music? Let’s face it, Solwater thinks it is about being alive and having a connection to others. Last but not least, in addition to all of that, he wants to remind us that it’s essential to slow down, get into the moment, and, above all, feel the gift of life.

To mark the beginning of Solwater’s musical journey, he plans to hail his fans and fellow musicians. You lot are the ones without whom we wouldn’t make it!

Therefore, turn on the music, crank it up, and let Solwater tunes get you to a journey. Finally, I have come to the conclusion that there is no point in not living life fully “Feel it all the way.”

Listen to Feel It All The Way below

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What is your stage name
Solwater

Is there a story behind your stage name?
water is prominent in my music – from the rippling fingerstyle way I play my guitar, to the themes I include in my lyrics. I believe humanity needs to offer more respect to the water element – and by that i mean literally – taking care of our oceans, rivers and wells and also figuratively. Grief is a theme i write about often.

It’s something we all experience and yet many of us resist it, try to bypass it, push it away. But grief is a gift. It deepens our humanity and humility and opens the heart. As one of my teachers once said, “grief unresisted is grace.” In the song ‘belonging’, which is the opening track of this album, the chorus is “Grief like a river, teaching me how to feel. In a world on fire, how are we going to heal?” Humanity seems to me to suffer from too much fire, too much anger, too much violence.

If we grieved more, and felt our feelings all the way through, I believe humanity would be less inflamed and we would see more connection and less aggression. So the name Solwater is a prayer for balance, a balance between masculine (Sol/sun) and feminine (water) within and without. Sol also comes from the root of the ancient latin word solum which means ground or foundation.

I aspire to bring through music that comes from a grounded creative source, with the hope that it supports listeners to open to a deeper sense of belonging – belonging to themselves, and belonging to the earth.

Where do you find inspiration?
I live deep in the forest at the bottom of a canyon and I draw inspiration from the stillness and wild beauty here, and I draw inspiration from the crisis of our times which has me want to dig deeper and deeper for creativity and healing.

There is so much tragedy in the mental illness of humanity and our matricidal behavior toward the earth and this inspires me to listen more and create more

What was the role of music in the early years of your life?
I was sent to a boarding school in England from the age of 7 and my family were in Hong Kong. I was there til I was 18. The school environment was very grey and disciplined, with little space or allowance for feeling and music is one of the only places i felt like i could actually express myself, my feeling, my vitality, my yearning for connection.

At the age of ten I started playing the trombone – and played it in a jazz band until i was 18. At 15 picked up the guitar and within weeks started writing my own songs. One of my favorite things to do as a teenager during school vacations was to hitch hike around the UK and busk on the streets to earn enough money to buy some food and keep on traveling. It felt like freedom to me.

Diving into the Soulful Tunes of Solwater: An Inside Look
At 15 picked up the guitar and within weeks started writing my own songs. One of my favorite things to do as a teenager during school vacations was to hitch hike around the UK and busk on the streets to earn enough money to buy some food and keep on traveling.

I busked with some of my original songs and also a lot of blues and covers from the 60s – the Doors, Hendrix, Dylan etc. I was deeply drawn to west coast California psychedelic culture even then and it’s wild to me that decades later here I am living in the foothills of the northern california sierra mountains.

Are you from a musical or artistic family?
My father used to love making up stories to me as a kid – and I feel that helped me understand that creativity comes through if we’re willing to just be in the present moment, without having a plan of what is going to happen. My uncle is an actor. And my grandfather loved to sing.

My son is a drummer. He’s 17 now and playing in several bands. He played drums on the track ‘Courage’ from this album. I’m really happy that he has a creative discipline that he is passionate about.

Who inspired you to be a part of the music industry?
I felt the longing to have music a big part of my life since as long as i can remember. But I used to compare myself to other musicians – and figured that there were so many better musicians out there than me so probably i should just play for friends and family. Then starting a little over a decade ago, things started to change. Creativity started pouring out of me and I just had to write and play music more.

My heart demanded it. It was how i made sense of the world and my human experience. And I began being asked to play music at meditation and healing retreats of various kinds and doing that became a big part of my work. Increasingly people started asking me when i was going to record an album and that inspired me to prioritize it.

I’m grateful that I waited all this time though, because I matured as a human, as a lyricist and as a musician. Now I feel I can be truly proud of the music that comes though

How did you learn to sing/write/to play?
I took trombone lessons for 8 years as a kid, and guitar lessons for a couple years at the age of 15. But mostly my guitar playing is self-taught. I sang in church too, and was vocalist in a jazz band and rock band as a teenager. I have always loved words, and have been writing poetry and songs since i was a child.

Now i play many instruments, including guitar, ngoni, flutes, percussion and handpan. I usually find that i can just pick up any instrument now and find ways to create music.

What was the first concert that you ever went to and who did you see perform?
My first concert was age of 13 I was taken by my music teacher to see a British Jazz trombonist called Chris Barber. I loved it

How could you describe your music?
I think of my music as a journey home through the landscape of the human heart, an invitation into a more soulful way of being. I’m passionate about bringing through music as medicine for the times we are living in. I believe in the power of song to remind us of the way back a humanity rooted in wisdom, respect and compassion.

Describe your creative process.
Occasionally I’ll have a song come through like a lightning bolt, but most often my creativity is more of a process. For me creativity happens when I explore my instrument in a place of simple present moment awareness, from a place of curiosity, not knowing where I’m going. If I’m playing my guitar, if I just fiddle around after a while a new fingerpicking pattern will start to emerge.

I’ll keep on exploring that pattern and developing it over some days or weeks. For the lyrics I write songs directly from my intimate experience, whether that is my feelings about a global issue, a relationship dynamic, or an existential question.

I contemplate the topic over some weeks or more, meditating with it, feeling it in my body, and then once I’ve begun to integrate what I’m experiencing in a meaningful way, I find that usually a song bubbles up from the depths. It’s kind of like a gift that comes when I’m willing to sit long enough with difficult things.

What is your main inspiration?
I’m inspired by life. I love this planet and all her amazing creatures. I love human beings, and I love myself. What is it going to take for humanity to remember how to live as though we belong here on earth? What is it going to take for us to close the gap between the love that we are and the actions that we take?

What musician do you admire most and why?
When a musician is really plugged in to an authentic creative source, it can be felt. I admire artists rooted in deep ancestral musical traditions from all over the earth and the incredible beauty that comes through those diverse channels, I admire the jazz greats, I admire the psychedelic rock pioneers, the folk revolutionaries, the soul legends and the wild funk magicians, I admire so many.

I couldn’t pick out a single individual. I bow to them all. I admire anyone who is keeping it real and finding new ways to bring beauty and express that which is beyond words. I have a particular love for middle eastern music of many kinds. Theres something about the devotional yearning that comes through that feels deeply familiar

Did your style evolve since the beginning of your career?
I feel like I finally found my own style. It took me a while, trying on different musical hats over the decades. I like where I landed. It doesn’t really seem to fit in any particular genre, which has its challenges.

But I know that there are people asking similar questions to me in this life who love my music and really seem to get it and be moved by it, and even helped by it in some way. I’m grateful for the fulfillment that brings.

Who do you see as your main competitor?
my self-doubt, ha! Really though, I don’t see music as a competition. I’m more interested in rising together than competing.

What are your interests outside of music?
I see life as an opportunity to learn, and have spent several decades as a student of various wisdom and healing traditions. I love being with my son, being with my sweetheart, and my friends. I love living in the mountains and caring for land.

I love wild creatures, swimming in the ocean and alpine lakes, discovering new hotsprings, appreciating nature in a thousand different ways, and growing food and medicinal plants in my garden.

If it wasn’t a music career, what would you be doing?
If it wasn’t music as a career, it would be music for the joy of it. And probably I’d spend more time writing poetry and prose.

What is the biggest problem you have encountered in the journey of music?
I don’t know if it’s a problem, but it certainly took me many many years til I felt like my art had ripened to the point where I could really stand behind it in a truly authentic way. I’m grateful I didn’t completely lose faith in my music along the way.

If you could change one thing in the music industry, what would it be?
Less superficial commercial sh*t pumped out just for money please. More honoring of independent art that asks us to open our eyes and ears, allow ourselves to be touched and reminded how to listen.

Why did you choose this as the title of this project?
The album is titled ‘Feel it all the way’, which is kind of what I’m all about. Feel it all the way through. Don’t stop half way through the birth canal. Feel it all the way through until we can be thankful for the pain that opens our hearts, learning never to take for granted the gift of another moment to love.

What are your plans for the coming months?
I recently did a fundraiser from fans of my music and received enough support to get right back into the studio next month to start recording album # 2. I already have several album’s worth of songs written, as the last years my creative process has been super abundant, for a few years now I’m usually writing 1 or 2 new songs a month.

Do you have any artistic collaboration plans
I’m always collaborating. It’s one of my deep joys. On this debut Solwater album I’m joined by some masterful musicians: singer-songwriter Aea Luz, Guitar player Jakob Pek, Bassist Jared May, Kora player Salif Bamakora, Cello player Shannon Lee Hayden, John Alevizakis on a variety of instruments and engineer and co-producer.

I feel so fortunate and look forward to working with them and some other dear friends who’ll be contributing to my next album.

What message would you like to give to your fans?
What do you want? More than anything, in the deepest place of your heart, what do you really want? Death comes sooner than you think. This life is a gift. Give everything you are.

Rhythms and Revelations: Inside the Mind of Sandio

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Rhythms and Revelations: Inside the Mind of Sandio

Today, we’re diving into the world of Drum and Bass with none other than Sandio,a promising multi-talented music who is steadily climbing up the ladder of being one of the best when it comes to great music. And we got the chance to listen to his latest single and bou o boy, this isn’t something you expected. His latest track, “Forever,” isn’t just a song—it’s a whole vibe that hits you right in the feels.

So, who’s Sandio? Well, that is a name his brother gave him and since he has adopted it as his stage name and performs under the moniker. No deep story there, just some sibling love, you know?

In a recent interview with Mister Styx of Musicarenagh, Sandio was asked about his creative process, he shared it is mostly from jamming out to other Drum and Bass tracks and getting inspired by stuff like horror games and movies. Talk about diverse influences!

Growing up, music was Sandio’s jam. He started tickling the ivories at age 6 and even graduated from a music school in Austria. Must’ve been some serious piano chops!

Talk about inheriting the talent, music runs in the family—his grandma was an opera singer. But how did Sandio get into the music biz? Well, after hitting up Let it Roll festival, he was like, “Yep, this is my thing.”

But it’s not all rainbows and unicorns—self-doubt creeps in sometimes. But hey, that’s the artist’s journey, right?

So, buckle up and join us as we groove to the rhythm of Sandio’s beats, where music isn’t just a sound—it’s a whole vibe.

Listen to Forever below

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What is your stage name

My Stage Name is Sandio

Is there a story behind your stage name?

Sandio is the Nickname my brother calls me by, no idea why he does it though

Where do you find inspiration?

A lot of my inspiration comes from other Drum and Bass Tracks but also from Video Games, Movies etc. Especially Horror Games and Movies inspire me lately

What was the role of music in the early years of your life?

I started taking Piano lessons from age 6 and graduated a music school in Vienna, Austria

Are you from a musical or artistic family?

My Grandmother was an Opera Singer so I would say that there is some musicality in my blood.

Who inspired you to be a part of the music industry?

Not really somebody. After visiting Let it Roll festival in 2023 I just knew “That’s what I want to do”

How did you learn to sing/write/to play?

For digital music I’m pretty much self thought. It’s a lot of playing around and pushing buttons until you find out what most things do. But it pays off.

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For digital music I’m pretty much self thought

How could you describe your music?

I’d say for this track specifically I was trying to make something that can reach a lot of people. A lot of Drum and Bass is “too hard” for some, so I tried to make this track more accessible.

Describe your creative process.

Vastly differs from Track to track. Sometimes I find a sample and mangle it a lot until I get some ideas, sometimes a melody comes to my head while im just arranging drums and I go with that.

What is your main inspiration?

At the moment I’d say Mick Gordons Doom Soundtrack

What musician do you admire most and why?

Staying true to my country I’d say Mefjus. Though there are a lot of incredible Drum and Bass artists who deserve a lot more attention than they have right now.

Did your style evolve since the beginning of your career?

I’m still at the beginning of my journey so I don’t think I can call anything “my style” just yet.

Who do you see as your main competitor?

My Ego

What are your interests outside of music?

I enjoy playing Video Games and watching Horror movies a lot!

If it wasn’t a music career, what would you be doing?

I can’t really say, I’m still just 18 after all

What is the biggest problem you have encountered in the journey of music?

Never being content with my work, talking myself down, feeling like I could never reach my goals. It’s scary

Why did you choose this as the title of this project?

It’s what the Lyrics say. I think that makes people connect the song with the title

What are your plans for the coming months?

I’m working on a bigger project that I have high hopes for. Can’t spoil anything yet

Do you have any artistic collaboration plans

I would love to collaborate with other Austrian Drum and Bass Producers like Fourward, Screamarts and Mefjus!

What message would you like to give to your fans?

I see each and every one of you. And I’m thankful for each and every one! Every like/play/follow shows me that I have impact on somebody and that is what’s driving me to go further with my music.

Janeuary’s Talks ABout Her Life And Touches On Her Latest Single ‘Everest’

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Janeuary's Talks ABout Her Life And Touches On Her Latest Single 'Everest'

Meet Janeuary, a Ukrainian multi-talented singer/songwriter. Being a real life member of the Galactic Alliance and experiencing space oddities on a day to day basis she remains positive and spreads positive energy through her songs.

Janeuary’s music grips the brain like nothing you’ve experienced before, her waves of sensations that you’re certain that you would remember for a long time. She just breaks your heart into numerous pieces. The first line of the song hits you hard. While Italians have been downright in the praise and Kenyan people have had all thing to say about it.

Now, “Everest” is the third song from Janeuary’s upcoming album.. We had a joint interview with Janeuary and discussed her way to the present day. We’ll uncover a lot of things: how she received her stage name or where she gets the ideas from, to name a few. She’s kinda like that, big on emotions and authentic

Okay, so chill out, don’t stress and let’s get to know the fantastic person behind all the nice things in life! Let’s get down with Janeuary, the real talk, good energy celebration!

Listen to Everest on

 

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What is your stage name
Janeuary

Is there a story behind your stage name?
It was my secret nickname in social media, when I was a teenager. I was too shy to share my poetry signing it with my real name. So now, when it came to this, I was driving, thinking, and suddenly understood – this is it! This has to be my stage name.

Where do you find inspiration?
In everything that touches my heart.

What was the role of music in the early years of your life?
Music has always played a crucial role in my life. My parents are musicians, so I guess, that’s a family portrait )
I remember mom playing piano, while I was falling asleep. Remember all the wonderful cd’s during our evenings. All those talks of those bohemian family friends till late night in the kitchen…

Who inspired you to be a part of the music industry?
This happened somehow naturally. As if it simply couldn’t be another way

How did you learn to sing/write/to play?
This is my way of self expression. How do people learn to express themselves?..)

What was the first concert that you ever went to and who did you see perform?
Never visit any concerts because this is stressing. Too many people. Too loud. The sound may be not the way I imagined. And I don’t like disappointments.

How could you describe your music?
As my bleeding heart, still pulsating, served to you on a plate. Take it.

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As my bleeding heart, still pulsating, served to you on a plate

Describe your creative process.
Difficult to describe. Sometimes, the lines and music simply come to me. As a vision. Like those mediums in horror movies) they just “receive” the information and pass it to people. I’m a musical medium. From “there” to you.

What is your main inspiration?
Emotions.

What musician do you admire most and why?
Jackson, Winehouse, Chopin.
You could see a piece of my soul in their music…

Did your style evolve since the beginning of your career?
I just do what I do. And never stop.

Who do you see as your main competitor?
Myself

What are your interests outside of music?
Dogs, ballet, racing, shooting, mountains, horses, cooking… “Choose your hero” as they say))

If it wasn’t a music career, what would you be doing?
No matter what I do, music would always be a part of me. It’s my way of breathing

What is the biggest problem you have encountered in the journey of music?
People

If you could change one thing in the music industry, what would it be?
I don’t know, unfortunately. If only I knew, I would.

What are your plans for the coming months?
To survive)

Do you have any artistic collaboration plans
Well, I never think about that. I love concrete offers. It’s kind of whataboutism for me.

What message would you like to give to your fans?
I love you. For no reason. And if you’d feel better, use my music as a warm blanket. Take it.

Confronting Mortality with Music: ‘Finite’ by The Formalist

Confronting Mortality with Music: 'Finite' by The Formalist
Confronting Mortality with Music: 'Finite' by The Formalist

In an era when the world stood still, The Formalist – comprised of sonic architects Stephen Krieger and Erik Laroi – carved a time capsule out of thin air with their poignant single “Finite.” As New York City’s streets echoed with uncertainty, “Finite” captured that raw heartbeat against an ambient canvas.

The track is an exploration in intimacy; whispers of guitar strings intertwine with electronic synapses as if each pluck and beat were chronicling humanity’s inner turmoil. Krieger’s production skills don’t just fashion beats—they sculpt emotions, setting a foundation upon which Laroi drapes his vocals like velvet curtains parting to reveal the dawn after a long night.

To call it ambient might undersell its experimental ferocity. Think James Blake meets late David Bowie—there’s life within these digital reverberations; encapsulated stories smolder in every synthesized queue. It’s decidedly minimalist yet delivers maximum impact as haunting synth patterns lace through the cyber textures that compel you to listen closely or risk missing the mosaic of feelings laid bare.

Confronting Mortality with Music: 'Finite' by The Formalist
Credit: David Doobinin

“Finite,” true to its name, confronts mortality itself—the fleeting nature that affixes value to our breaths—and finds beauty there. Its thematic heft doesn’t so much weigh down as it offers an anchor during tempestuous times. Memory and loss are rendered not just lyrically but also sonically; Laroi’s haunted timbre lingers like fog over gravestones in grey mornings at Greenwood Cemetery where memories – ever transient – solidify into something we can feel tangibly for four minutes and eight seconds.

It would be misleading to suggest this single isn’t challenging—it requires your ear, your heart, your patience—but what unfolds is nothing short of cathartic release experienced collectively but felt singularly deep within one’s marrow.

As finiteness becomes us all eventually, The Formalist has offered up an enduring soul cry—a testament encased in frequencies—that even amidst the deepest losses our longing for connection ties us irrevocably together across time and space. This musical piece stands as both echo and bellwether: reminding us tangible echoes can arise from intangible uncertainties—crafted exquisitely by two artists turning isolation into shared resonance.

Follow The Formalist on Facebook, YouTube, TikTok and Instagram.

Kiesza’s ‘Heaven Ain’t Calling’: A Cosmic Dance Rebellion

Kiesza's 'Heaven Ain't Calling': A Cosmic Dance Rebellion
Kiesza's 'Heaven Ain't Calling': A Cosmic Dance Rebellion

In the electrifying single “Heaven Ain’t Calling,” Kiesza stages a cosmic rebellion against the beige walls of normality, propelling listeners onto an interstellar dance floor of unapologetic self-expression. With house grooves that could awaken a comet from its celestial slumber, this track is more than just pop—it’s an anthemic surge against conformity.

To those who’ve ridden shotgun with Kiesza since her ‘Hideaway’ days or vibed to her star-studded collabs—from Diplo’s beats to Duran Duran’s timeless allure—this tune will feel like a renegade homecoming. And for new fans? Imagine catching lightning in your favorite pair of dancing shoes—that’s “Heaven Ain’t Calling.”

Kiesza voyages through each verse and hook with vocals pristine enough to cut through radio static, delivering super catchy melodies that prove she hasn’t lost an ounce of her magnetic charm. The song swings open saloon doors into unknown realms—a tease of what she promises in her upcoming album touted as a futuristic film noir.

Kiesza's 'Heaven Ain't Calling': A Cosmic Dance Rebellion
Kiesza’s ‘Heaven Ain’t Calling’: A Cosmic Dance Rebellion

In essence, “Heaven Ain’t Calling” is where euphoria crashes into existence; it’s liberation set ablaze by synthesizers and sweat: A place not traditionally considered heaven because here—with beat drops sharp as spaghetti western showdowns—you make your own paradise.

Casual listeners might trip over comparisons with contemporary chart-toppers whilst the musically devout can sense echoes from vintage dance halls meshing seamlessly into modern soundscapes. Either way, on Ellen or online feeds where Kiesza commands attention—this track heralds buzz worthy anticipation for what audio-visual escapades await us next on her musical frontier.

Get ready to let loose and defy gravity, folks — because if Heaven isn’t calling after all this revelry… who even wanted a quiet night in?

Follow Kiesza on Website, Facebook, Twitter, Instagram and YouTube.

Prince Sax Releases 4-track “Bitter Vs Sweet” EP

Prince Sax Releases 4-track “Bitter Vs Sweet” EP
Prince Sax Releases 4-track “Bitter Vs Sweet” EP

Singer and songwriter Prince Sax, also known as Prince Moyayah Sackor, has recently unveiled his new 4-track EP titled “Bitter Vs Sweet.” This release marks a significant milestone in Prince Sax’s music career, showcasing his artistic growth and versatility. Born and raised in Liberia, a country renowned for its rich cultural heritage and vibrant music scene, Prince Sax draws inspiration from musical legends like Fela Kuti, Michael Jackson, and Bob Marley, infusing his own distinct sound with African roots and contemporary influences.

Prince Sax’s musical journey began in 2021 with the release of “Welshh,” marking his entry into the music industry as a rapper. Over time, he expanded his skills and developed a more dynamic artistry, allowing him to explore different genres such as Afropop, Trap, and Afrohouse. His versatility in vocal delivery, rap, and performance has earned him the reputation of being an all-rounder in the music industry.

The “Bitter Vs Sweet” EP is a testament to Prince Sax’s evolution as an artist. With four tracks, he aims to captivate listeners with his heartfelt lyrics and infectious melodies, showcasing his unique style and musical prowess. This release serves as a reflection of Prince Sax’s dedication to his craft and his commitment to creating music that resonates with audiences.

As Prince Sax continues to make waves in the music industry, “Bitter Vs Sweet” stands as a testament to his artistic growth and his ability to craft compelling and diverse musical experiences for his listeners.

Preview “Bitter Vs Sweet” EP on Spotify below

https://open.spotify.com/album/1aeamDbNXtOTUDcqA9iYCh?

Listen to the EP on all platforms here. Connect With Prince Sax on Instagram | YouTube | Spotify

 

Revolutionary Vibes: Unpacking V of 40M’s “The Score”

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Revolutionary Vibes: Unpacking V of 40M's "The Score"

The comeback of V of 40M in his latest single “The Score” featuring 40M Tye and Hippie G backed by LABACK production has done it again as rap fans are thrilled with an old-school-inspired twist.

The story of “The Score” begins from the start when the melodies and flow of the songs catch your attention. There’s that old school hip-hop vibe, but it’s equally fresh and exciting. You can see that these fellows passionately do their business.

V has that popular revolutionary vibe in the lyrics written, which is a plus to the melody. And when 40M Tye and Hippie G get on the mic together, it’s like they have chemistry, man. There is diversity in work but they resonate as one.

The chorus is catchy as heck. Along you’ll go humming even though the song is long past. That is what that song is for. That’s the mark of a great track—it stays with you.

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Along you’ll go humming even though the song is long past.

Basically, “The Score” connotes more than just a song; it’s a statement. This goes to show that rap is not just about beats and rhymes; it’s about telling authentic stories and effecting change in the society. The intrepid V of 40M and his brave crew have discovered something amazing.

Thus, if you like a track that’s real and deep, then “The Score” is the right pick for you. It is its illustration that rap is staying alive, and V of 40M is taking the initiative. This one is for sure a keep, a real gem you won’t want to miss.

Listen to The Score below

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Diving into Innovation: Sage Suede’s “Dirty Blonde” Reviewed

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Diving into Innovation: Sage Suede's "Dirty Blonde" Reviewed

Guys wait, wait, have you heard Sage Suede‘s latest album, “Dirty Blonde”? If not, you’re in for a treat. This album isn’t your average playlist filler – it’s a whole vibe, a sonic journey that’ll have you hooked from the get-go.

Sage Suede’s music is like a blend of several genres right from electronic psychedelic to hip-hop, all in one place. Yet, round it up, it’s not just the beats but the feels. It’s more than just music that you hear in “Dirty Blonde”, it is a feeling.

Along each track, a different story is told for instance, the groovy beats of “High” and the fine tunes of “Palm Trees and Scotch” with Dazmin D’leon. Also, there’s “Itty Bitty,” an oldie that will literally force you to tap your feet and move your head in no time.

However, “Dirty Blonde” manages to ooze out a feeling all its own. It brings you just straight into a completely different world where music is better than just the soundtrack – it’s like an adventure.

Hence, if you’re up for an unexpected turn of events, a new trip, then “Dirty Blonde” shall be the album you’re looking for. SAGE SUADE isn’t merely rapping; he’s creating moments, and ‘DIRTY BLONDE’ is one you’d not wish to miss.

Listen to Dirty Blonde on
https://soundcloud.com/sagesuede/sets/dirty-blonde-clean?utm_source=clipboard&utm_campaign=wtshare&utm_medium=widget&utm_content=https%253A%252F%252Fsoundcloud.com%252Fsagesuede%252Fsets%252Fdirty-blonde-clean

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What is your stage name

SAGE SUEDE

Is there a story behind your stage name?
I’m a musician & model that is into magic. The name is meant to describe my vocal delivery in an abstracted manner through the tactile / textures. I see a sage green aura a lot while meditating and I have smoked sage for the thujone, but usually absinthe is easier.

Where do you find inspiration?
I write from the heart, so my writing is usually based on real experiences. Recently, I have had a lot of stalkers, so I wrote the single Saiko Choto, which is in Japanese and English about the crazy chick that follows me around shopping. She’s not Japanese, but I like the psycho fashion in harajuku. I’m a polyglot, so I write the way that I think and sometimes make stuff like that or in Spanglish.

What was the role of music in the early years of your life?
I was in musicals growing up and often got cast as the prince. Even in shows that I wasn’t part of like at Esther’s Follies they would just pull me on stage and do an entire number. When I got older, I started to party more and wear leather, so people saw me more as the bad boy and I was also in a musical as Flynn Rider so that’s where I got a lot of free vocal training, even though it wasn’t totally my vibe.

Are you from a musical or artistic family?
Music was always a part of my life and I used to play often for memorial services and Alzheimer’s centers with my family. When I got older, I started to book my own shows since I was the most into music.

Who inspired you to be a part of the music industry?
I always wanted to travel and experience the world, so I chose to be a musician and also a polyglot. My first albums were Music by Madonna and Deee-Lite’s Greatest Hits. I think the electropop of producer Mirwais and dance house like Towa Tei impacted the style of music that I produce today.

How did you learn to sing/write/to play?
Most of the electropop that I create is in Ableton with sampling. I’m also a multi-instrumentalist but usually I sing & dance on stage. I do my vocal arrangements and most of my beats before post-mastering, which are layered to sound otherworldly lately.

What was the first concert that you ever went to and who did you see perform?
I saw Crystal Castles live at Stubbs in high school and almost passed out. Alice Glass has a great stage presence and it felt spiritual for me.

How could you describe your music?
I’d say electropop with some punk, hip hop and reggaeton vibes. The style varies a lot with the way I’m thinking and feeling, as well as the styles that I’m enjoying in my free time. I create culture based on what I’m experiencing.

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Diving into Innovation: Sage Suede’s “Dirty Blonde” Reviewed

Describe your creative process.
I usually write the lyrics before I make the track. Sometimes I structure the track around the poem. Other times, I’ll arrange the beat before I write the lyrics and tailor the lyrics for the beat, like I do on some collabs.

What is your main inspiration?
I’m inspired by everything that I’m going through in life, as well as by other art that I experience. For example, my psychothrillers on Amazon… a lot of the inspiration comes from being stalked for the past 3 years and my next door neighbor’s divorce.

What musician do you admire most and why?
Probably someone like Shygirl or on her label because I dig the London sound. I guess I’m spearheading that electro scene in Austin, which is the London of the southwestern US. Another artist would be Uffie and I’d like to have a fashion bender too.

Did your style evolve since the beginning of your career?
Yeah, I’ve made a ton of different styles and languages. After playing The Viper Room, I feel this rockstar energy that I want to share more of. I’m not sure how I would like it to manifest most in my music yet, but I wrote Psychotic Bulgogi on the way to the venue and published a few other psychothriller novelettes later, so I might just be a little more goth.

Who do you see as your main competitor?
My only competitor is myself, because I’m only benchmarked on my own success.

What are your interests outside of music?
I like fashion and the new Robert Wun show is a favorite. I also like Versace.

If it wasn’t a music career, what would you be doing?
I like to model too and that’s a big part of my online presence. I have a photoshoot on Friday and thousands of pictures. I like to work with brands and share the influencer deals with fans on instagram.

What is the biggest problem you have encountered in the journey of music?
Stalkers. They are very annoying and they deliberately lie about everything in my life, including my name to random people offline. Online, they’ll go down my follower list and lie to people.

It is bogus and they don’t make anything, but if they spent the time on themselves then maybe they could. The stalkers in my apartment complex attacked me with a weapon and they caught a case with the municipal court, but they are still yelling lies out the window.

If you could change one thing in the music industry, what would it be?
I don’t think there is any equality at all with the corporate monopoly and federal funding is a disproportionately serving corporate slush fund for award show circle jerks, so it has never served indie artists at all that do our songwriting and arrangement. There doesn’t seem to be a pipeline from artistry to corporate wasteland anymore and most of them are buying the entire track, so it’s often a disappointment to listen to.

Why did you choose this as the title of this project?
Dirty Blonde is partially about the experience of being a carefree blonde, which also includes being stalked like on the song “Itty Bitty” which alludes to the risk of being stalked at home or a relationship gone wrong because of a possessive ex. Crime stats show the prevalence of blondes being stalked is higher and I didn’t realize this growing up but I learned later from crime shows.

I wrote Itty Bitty before moving to a new apartment complex, where I was stalked again and it was much worse with people trying to sneak inside my place at 3am on multiple occasions, so I must have foreseen this while writing the lyrics. Being blonde is fun but it can also come with additional risk of violence so you have to be careful and lock the doors.

What are your plans for the coming months?
After being stalked again, I am planning to move. I have a performance at Package Menswear on March 14th which is an underwear store so it will be sexy.

Do you have any artistic collaboration plans
Yeah, I’m still working out details and making demos. Dazmin D’leon is working with me on a few tracks. I’ve also gotten in touch with Tying Tiffany and C+C Music Factory through instagram so we will likely collab too. I listened to both of them growing up and am stoked about the possibility of us making collabs together now that they have expressed interest.

What message would you like to give to your fans?
You can make a lot of content on the cheap and do it on your own. The corporate scene has little integrity and that’s why I don’t feel like any of them are real competition in songwriting, because most can’t write. I’m dropping new books on Amazon and you can check out the channel for my latest show in Hollywood at The Viper Room and dope music vids on Youtube 

Behind the Music: Gary Dranow’s ‘Bodywise’ Explored

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Behind the Music: Gary Dranow's 'Bodywise' Explored

So, Gary Dranow and The Manic Emotions dropped another track called “Bodywise” – and man, it’s something. You know how hard it is to find good music these days, right? Well, Gary’s stuff always catches my ear, and “Bodywise” is no exception.The song tells a story about the pressures young women face – it’s real and relatable. Gary’s voice blends perfectly with the guitar, and the drums and bass keep everything in line, tight as can be.

What I like most is the lyrics. They come from Gary’s own experiences and what he sees happening around him. It’s all about breaking free from the expectations society puts on us. That’s some deep stuff right there.

A Review of Gary Dranow and The Emotions’ Latest Single ‘Mother’s Angry’

The music itself has this pop-rock vibe that’s easy to groove to. It’s like a warm hug on a chilly day – comforting and uplifting. And those guitar riffs? They’re like the icing on the cake, adding that extra flavor to the mix.

With each song, Gary keeps getting better. “Bodywise” is proof of that. It’s got heart and soul, and it’s a reminder that we’re all in this together, navigating through life’s twists and turns.

So, if you’re looking for a tune that hits you right in the feels, give “Bodywise” a listen. Gary Dranow and The Manic Emotions have crafted something special – something that speaks to the struggles we all face. And in a world full of noise, that’s something worth listening to.

Listen to Bodywise below

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Songkick

Miles East’s Sonic Love Letters: Introducing “Lucky To Be Here Tonight”

Miles East's Sonic Love Letters: Introducing “Lucky To Be Here Tonight”
Miles East's Sonic Love Letters: Introducing “Lucky To Be Here Tonight”

In a world where the scaffolding of music is often built upon layers of digital perfection, it’s refreshing to stumble across something as earnest and heartened as “Lucky To Be Here Tonight” by Miles East. Laced with the genuine spirit of soft rock that whispers tales from soulful dusks to the first light of dawn, this track stands not just as a piece but an experience, one that wraps its listeners in a warm embrace and speaks directly to the heart.

Miles East, flanked by Blake Morgan and Justin Goldner—a trio that conjures magic through strings and keys alike—delivers a performance steeped in gratitude and reflection. Their synergy isn’t just heard; it’s felt. This single precedes their upcoming album “Between Lightning and Thunder,” slated for release on June 7th, 2024, setting high expectations for what’s coming next.

From the moment “Lucky To Be Here Tonight” begins, you’re transported into a dimension where each chord strummed on East’s acoustic guitar doesn’t just resonate through space—it narrates stories. Stories woven from threads of overcoming adversity tenderly intertwine with melodies reminiscent of road-worn travelers finding solace under starlit skies.

Blake Morgan’s production does more than do justice to these compositions—it elevates them. The bass lines walk beside you like an old friend recounting memories; electric guitars courtesy of Morgan himself alongside Justin Goldner paint landscapes so vivid they could be postcards from another era; keyboards whisper secrets meant only for moonlit nights—all while backing vocals promise hope amidst hardship. Rarely does such orchestration achieve balance so effortlessly between upliftment and solemn introspection.

Miles East's Sonic Love Letters: Introducing “Lucky To Be Here Tonight”
Miles East’s Sonic Love Letters: Introducing “Lucky To Be Here Tonight”

Thematically profound yet remarkably approachable, “Lucky To Be Here Tonight” honors its title by celebrating life’s blessings against odds stacked unfavorably high sometimes—a resonating message underscored by nuanced musicianship reflective not only in their audible prowess but deep-seated emotional connectivity. It dives into love letters written to both people and places sustaining us when our spirits wane—a universal anthem echoing resilience in face of trials enveloping human experience at large.

Charting over 100k streams already date stamps its appeal among vast audiences—the collective hunger for music which transcends mere listening into feeling clearly undeniable here.A crossover hit beckoning ears accustomed to genres spanning folk-rock through indie-Americana peers gently at contemporary legends like The Lumineers or Vance Joy . Yet, the uniqueness lies untouched beneath familiar sonic landscapes offering fresh narratives ready for exploration

As we anticipate ‘Between Lightning and Thunder,’ if “Lucky To Be Here Tonight” serves as any indication—listeners are set yellow-brick roads ahead paved with tracks promising tales yearning for telling,a venture back towards sincerity surrounded modern musicscapes, incomparable journeys await initiated Miles East & equally talented accompanists.

Follow Miles East on Website, Facebook, YouTube, and Instagram.

“Dad”: A Musical Homage to Fathers by Gary Dranow

"Dad": A Musical Homage to Fathers by Gary Dranow
"Dad": A Musical Homage to Fathers by Gary Dranow

Gary Dranow and The Manic Emotions’ single “Dad” is more than a tune—it’s an emotional voyage that tugs at the heartstrings with its sincere homage to paternal bonds. Engulfed in rock sensibilities refined by an essential storytelling authenticity, this piece emanates warmth, wisdom, and the indelible marks of familial love.

Crafting this poignant narrative are Gary Dranow alongside bandmates from corners as varied as Park City (Utah), Melbourne (Australia), and Ukraine—Chris Zoupa’s electrifying guitar riffs, Jason Jones’ deep-toned bass pulses, Roman Burda’s evocative violin strokes along with Klim Apalkov and Roman Kuznetsov adding layers of intricate sonic textures. This international assembly isn’t just about showcasing their geographical diversity; it speaks volumes of their unity in creating music that resonates universally.

“Dad” draws its inspirational soul from a letter — possibly one filled with reflections on love lost and found through the eyes of a son to his father Harold. It’s this source material that imbues every chord change with raw emotiveness matched only by lyrical narratives reminiscent of legendary raconteurs like Bob Dylan or Neil Young—a story set against a backdrop where each note finds its place within the grand tapestry woven out of profound human emotions.

The strength lies not solely in impeccable musicianship but also shines brilliantly through great male vocals that serve as both narrator and confidante. They guide listeners across trails blazed by affectionate recollections and lessons inherited from years under paternal watchfulness—a voice speaking directly to our shared experiences around family ties.

"Dad": A Musical Homage to Fathers by Gary Dranow
“Dad”: A Musical Homage to Fathers by Gary Dranow

By blending rock’s inherent intensity with flourishes that hint at Eastern European melodic richness alongside good old-fashioned Australian straightforwardness, “Dad” transcends musical genres. It instead stakes its claim firmly in hearts willing to journey back home musically—and emotionally—to spaces filled by parental figures’ silhouettes cast long into adulthood realms.

In essence, Gary Dranow And The Manic Emotions have not merely composed another track; they’ve painstakingly painted auditory canvases where notes curve gently around memories like comforting embraces or echoes growing faded yet vital still amid life’s cacophonies. Their single stands testament—not simply to creative prowess—but more importantly – encapsulates those unspoken chords struck between fathers and sons everywhere, turning universal truths into symphonies felt deeply beyond mere hearing.

Indeed “Dad” goes beyond melody or harmony—it whispers tales deeper than lyrics could tell alone while imploring us all to find solace in connections timeless against temporal lulls—an endeavor irrefutably successful ensuring it reverberates long after the final note fades into silence.

Follow Gary Dranow on Website, Facebook, Twitter, Bandcamp, YouTube, Instagram and TikTok.

Guitari Debuts With A Captivating Single Elon Musk

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Guitari Debuts With A Captivating Single Elon Musk

Hey guys get ready to embark on a music journey with GUITARI, the creative genius behind “Elon’s Musk.” This collaborative masterpiece is not just another track; it’s a symphonic odyssey that blends GUITARI’s intricate guitars with iLL Gates’ mesmerizing drums.

“Elon’s Musk” isn’t your typical song; it’s a vibrant fusion of progressive and classic rock, reminiscent of Tipper’s intricate style. With over 40 sound layers, including live guitar and cellos, this track creates a multi-dimensional soundscape that takes listeners on a unique auditory adventure.

We’re diving deep into the heart of “Elon’s Musk” with Guitari himself. From the inspiration behind the track’s creation to its evolution as a spatial audio experience, Ari shares insights into his artistic process and musical influences.

Join us as we uncover the stories behind the music, from his childhood memories of music to his vision for the future of the industry. It’s a conversation filled with passion, creativity, and a whole lot of soul.

So, tune in and get ready to be inspired by the magic of “Elon’s Musk” and the artistry of Guitari. It’s time to let the music take you on a journey like never before!

 

Watch Elon’s Musk below

 

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What is your stage name?
Do you ever think about names, and who silly they are in a way. Aren’t we all connected somehow? Part of me wants to just take every name that ever was and just be one big unit, sharing art and energy. I am the oracle lol. Yes, I have gigged under a few names, for the EDM thing, I often go by Guitari, and for most other music, it’s Ari Joshua.

Is there a story behind your stage name?
Guitari was like a novelty at first, it was a nickname. My friend Carlos made a logo for me with the Atari logo and furnished a guitar neck in the middle. It was amazing! Those were those years where you really got into a lot of fun stuff.

I kept with it. I want to make a product line, I actually made my own custom guitar picks which I have been using for like 20 years that have the logo there. You can buy some at my store at www.arijoshua.com. I think slippers are the most popular item, bu there is a whole bunch of cool items to buy. Ari Joshua is my first and middle name. There isn’t a story there that I really want to go into. I think I just wanted to have a cool name that looked good on a poster. I love rock posters and poster art. Maybe some day I’ll add a few more names.

Where do you find inspiration?
I get my inspiration from the nights I spent under the stars away from the city lights, pondering how it all fits together. I get my inspiration from the pain I have from childhood pain that in some ways will never be resolved but some how that is ok.

I get my rock n roll fuck it feelings by tapping into that time period which really wasn’t my fault—divorce. I get my inspiration from seeing how much humans seem to miss the mark in society, how both we can see ii, and in so many ways we all just turn the cheek.

I get my inspiration from those that stand up and speek the truth. I get it from being heard and seen and from thinking about my dream of sharing my feelings and connecting with others. To explain it all in an interview, even with a library’s worth of words I can’t begin to finish my inspirations list. I get inspiration from sharing my ideas in interviews, and I get my inspiration from reading interviews with people that I respect, admire, love, and from finding layers of truth in their words, and wisdom in their actions. I also get it form kids, and from all the artist I grew up impacted by.

What was the role of music in the early years of your life?
I love this question. I grew up singing a lot. We had weekly get-togethers with families before the days of the internet, before cell phones, and we sang songs every week. That was from age 2 to age 10, and I have memories of banging on tables and singing. By 12,

I was obsessed with the blues, jazz, and rock n roll. I was exposed to some really amazing records, and I had a library up the street that let me check out albums. Also, I would go down to Cellophane Square and Tower Records and other stores to listen to new music that was coming out, and you know, I had an allowance for doing chores at my mom’s house. Not a lot, but enough.

A funny memory is there was a Sunday school that my family wanted me to attend, and I didn’t find anything there for me to learn about, I was a well informed pre-teen year old. I wanted to learn about music. I was 12 years old, maybe 13, and they decided to hire me to teach a class on music. I made $15 per class, and the deal was I could buy a new record each week with that money.

Music was always very special to me. Maybe not in a traditional way, like I played from a young age; it was more like an outlet and something I thought was beautiful and inspiring.It kind of blows my mind that I moreless have been the same person since I was about 11.

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I was obsessed with the blues, jazz, and rock n roll

Why did you choose this as the title of this project?
I have been working on this batch of EDM music forever. I found some seeds from this track ‘Elon’s Musk’ going back to 2010. There really are at least a few albums’ worth of seeds, but I would need to probably find a way to finance the completion.

I spent probably 100, maybe as much as 500 hours on this one, I just can’t quantify it. I was going through a phase of trying to find my voice with Ableton Live, and I wanted that progressive sound I heard from artists like Sixis, Tipper, The Glitch Mob, and Bassnectar.

I was going to Burning Man and really having some divine inspirational moments. I heard in my head a sound where I could mix the guitar and compositional ideas in there, and I knew the cats making that music often didn’t have that sensibility, so I was all in for a few years, honing a craft. I would print and reprint using guitar pedals, fx, and plugins to emulate those sounds.

There wasn’t a lot in the way of tutorials back then. I was never a tutorial person anyway, unless to solve an issue I was stuck on. It was sitting in an almost finished state forever, and I have been doing this vault thing where I am sharing new music from the vault. In 2021, I reached out to iLL Gates, who works with my bestie KJ Sawka from ASD. Don’t worry, I am bringing this home here; iLL Gates runs a mentor, coaching program for EDM producers called the producer dojo.

I immediately felt a connection to him because I have a music school as well – The Music Factory, and frankly, iLL Gates is a genius and he is full of potential and wisdom! I asked him if he could help with the process of finishing some of my EDM tracks, and he was super sweet about it. He offered to bring me into the dojo and have the dojo remix the tracks, something I still want to do!

Anyhow, iLL Gates ended up graciously mixing the song and putting his drums on there to glue it all together, and what he did was subtle and perfect. It totally made the whole thing slap harder. The song was always about space and time travel. It was always about spaceships and spacetime, but with iLL Gates in there, it had to go with the name Elon’s Musk. It was on a few drafts, and it just is perfect.

Also Elon is my South African connection club, I was there the same time he was, he was a bit older, but when I was a toddler he was probably a teen. Being born in Africa is a vibe. I wish I could articulate that but the title is great. Love it.

What are your plans for the coming months?
I have been trying to book some shows and build some systems to get the right folks to hear the music. Also, we are queuing up more releases, spending more time in the studio, getting summer camps and other school-related things in order, as well as considering a second location for the school.

I try to let the muse take me between my art with the label and The Music Factory on the education side. Also I plan to play Cuphead, my new favorite video game and spend time with my family out in the woods.

Do you have any artistic collaboration plans?
Always. Working on some affiliations for new works and also this fabulous crew of people are all over the soon-to-be-released stuff I am working on in the studio all the time. Joe Doria, Barrett Martin, The Benevento Russo Duo, Reggie Watts, Robert Glasper, ill Gates, Skerik, Russ Lawton, Ray Paczkowski, Delvon Lamarr, Marco Benevento, John Medeski, Billy Martin, Joe Russo, Jason Fraticelli, KJ Sawka, Andy Hess, Eden Ladin, John Kimock, and more. These cats are all over my hard drives, and I can promise that it’s coming, more music is coming I promise you. if I am breathing, I’m working on it.

Are you from a musical or artistic family?
My grandfather and his lineage of the family were all singers. More than singers, they were cantors, like they would lead services on holy days in the temple. It’s kind of a whole history that I need to save for another interview, but I feel that presence in my music, in my spirit, in my soul.

My maternal grandfather dreamed of being a jazz pianist, but his family and he were all fishermen. He would come visit from Cape Town and record the radio to take home with him because they didn’t have any programming like that. When he passed away, he left a suitcase of cassette tapes for me, a little bit different there, but we shared that passion in a way.

My mom and dad were not musical, but I looked at them and even at a young age, I thought about what it would be like for them if they did more music. My sister and I loved our music collections, though, and I had lots of friends that did as well. I never met my paternal grandfather but I met his little brother in France. He was a painter and I learned a good deal about the family from him.

Who inspired you to be a part of the music industry?
Chronologically Hendrix, old blues guitarists, all Seattle rock like Pearl Jam, Soundgarden, Alice in Chains, Nirvana, then jazz, then Grateful Dead, then Phish. That takes me up to about age 14 or 15. That was enough, really. There was so much other music in between, but that was the roots. Also my high school jazz teacher Scott Brown, and all the kids I made music with and all the teachers I had from ages 12 -22.

How did you learn to sing/write/to play?
I learned to make music directly from the records. I used to play along with the radio and play a game to see if I could get it by the end, or figure out if I could add a part to it. I would love when a song would come on 2x in a day or a week cause I would have a head start on it. When the music got more complex, I would dive deeper into the nature of what made it speak to me.

Songs on rock records and blues came faster as I learned to pick apart Miles Davis, Coltrane, and Thelonious Monk. I always wrote my own music. In fact, if I had more projects, I would write more. I enjoy writing a lot; that was always baked in. Basically it was 99% trial and error with lots of grey area for what was an error, and what was rock in roll, or a happy mistake. The play pause stop buttons where pretty worn out on my stereos. I had a music problem I guess you could say.

What was the first concert you ever went to, and who did you see perform?
It’s a bit foggy what was when. I mean, I saw a lot of music before I went to concerts on my own. I saw Sesame Street on Ice in MSG as a kid. I can still remember it, actually. We took a bus from Hershey, PA, and it was an adventure. I met Big Bird! But yeah, outside of that, Pearl Jam’s Drop in the Park was a big one.

Around that time, there were a lot of little shows. The Dead Milkmen at the OK Hotel was a great time, and Nirvana was great to see; we saw them a few times as kids. I did see a lot of music though! My dad took me to a Stevie Ray Vaughn show among other stuff.

How would you describe your music?
My music is coming from my heart and soul. It’s expressing how I feel in the moment, and it’s a frequency that comes from somewhere else and from inside me at the same time. The music is a mixture of all the music I have ever heard and that has impacted me. It’s part of the story of who I am and what I have lived through.

It’s a freeze frame of what it feels like to be alive in the moment that gets captured in real-time by those in the room and on recordings for future enjoyment. I think describing the art is for other folks to do. I really feel like it is just what it is because I don’t even want to start to put it in a box. If I am playing with someone that plays in a certain style, I want to have my music fit with theirs, but I want to do it in my way.

Describe your creative process.
It really depends on what day it is, what week it is, what time of day it is, and who I am working with. If I am working with someone I really admire, I want to bring out the best in what they have, and I try to focus on that sometimes. As an overview, if I have a purpose to compose for, any purpose, I sit down and start to write.

About 1 in 100 ideas will ever get out to the world. This part of the process is relatively natural but requires presence and focus and purpose. Once the ideas are there, depending on the timeline, I either record them as an idea for later, or I develop them. Then I go to play with a band or in the studio and flesh out the form and the feels.

Once that is done, we either record a basic version, and it evolves in the studio, or I hold on to it, and like I said, about 1 in 100 or maybe less than that even gets out of my personal sphere.

What is your main inspiration?
Nature.

What musician do you admire most and why?
Currently, Stone Gossard. He has taken the time and energy to share advice about my music school and the industry, and I had a year to watch how he manages things, and I was truly impressed by his essence and integrity. He has something I was able to learn from and that I would love to learn more about, that ability to keep things moving and keep growing, both as a family person and as a business person, and as a creative person.

As well as John Medeski and Billy Martin, two folks I got to work with last year who have such a prolific body of work that is just so brilliant to me. The way they really just put their art first and approach the moments. Really, between those three, that’s what’s up for me right now.

I am also just feeling blessed to have had that chance to work with all of them. I want to do more music with more people and get more people listening and playing music, and inspire kids to learn, and musicians to teach.

Did your style evolve since the beginning of your career?
My style evolved and is evolving all the time. The only thing I would say is the general public is seeing the evolution in the past tense. For example, a lot of the evolution was already complete by the time I was 25; it’s just been trying to navigate the systems.

Something like Elon’s Musk, this track with iLL Gates and Cory Cavazos that just came out, I imagine would sound totally different than almost any of the music I have shared. There are a few reasons for that, to be honest: depression, and drug use, relationships, so many things, family stuff. I mean, I had an ex-girlfriend take her life.

There have also been some amazing times and revelations and moments of spiritual clarity, times where I was really working hard at the art. I think there are a lot of dimensions to all this. I think it would be more clear if I were able to see that from a third-person perspective. I am not sure I can. My wiring is really made to be in the moment.

Who do you see as your main competitor?
I don’t see competition. Not like that. I think we are all different, and the competition is really more an internal thing. We are our own worst enemies and our own best friends and allies in a way.

I can speak to the business of education, my school, The Music Factory, that has seen competition sneak up in our vicinity in various forms that I really don’t need to mention, but it has taught me that there is more to life than comparing and more to life than being worried about competition. It’s not a good use of mind power, I would say, or rather it has not proved valuable to me to focus on. I also see Gannon from Zelda as my main competitor, Zelda is my spirit warrior.

What are your interests outside of music?
Outside of music, I am focused on education, family, relationships, business, becoming better, learning to focus thoughts, ideas, intentions, and learning how to use time more efficiently. I like to walk every day, and I like to solve problems, and to rest. I also like space I love space. Space is music, music is harmony and rhythm and harmonics and vibration.

If it wasn’t for a music career, what would you be doing?
I would hope I would be a doctor or a spiritual leader. That was always the aim before I started to play. Music seemed to be in the middle. In a way, I had a hard childhood. I had a really hard time, and if I had a better time, I would be out there doing computers, medicine, or building a community somehow. The music just kept me together and gave me a purpose and a mission, so in this lifetime, that’s it. That’s the only career.

What is the biggest problem you have encountered in the journey of music?
The biggest obstacle I have encountered is wanting to make a really special connection with other players, wanting to have a band, and having it not work out. I would say the obstacle was communication. I think I tried in most cases to be the best I could, to really be there, to be there to have the conversations, to work out any issues, and put the music first.

I really value those relationships. I think this time is a time where folks have so many options, maybe too many options, and you learn that it makes things really hard to keep going at a collaborative level. I know I am signed up for it, but I also get it. I am also pulled in many directions. So the problem is both the solution and the obstacle – potentiality.

On the one hand, I see so clearly the vision of what can happen if we all work together, and on the other hand, maybe I have tried too hard to hold on to some of those ideas, but yet on another hand, some of those notions have led to all the great amazing things that have happened as well over the last 15 years.

If you could change one thing in the music industry, what would it be?
Dang, there are 1000 things I would change. I wish I was president; I would run on an artists-first platform. A society that takes care of its visionaries and artists is a society that the rich and the poor and the middle class all appreciate much more. I would change the streaming paradigm, take big tech money and the bank loan money, and be real about how much they are undervaluing the arts.

Give artists 0% loans for the arts, and make an art tax so all artists can get medical, dental, holistic care, and make art and be able not to need a day job. I would also want to get help resonating with new audiences. The industry doesn’t make that easy unless there is some financing involved. I often see that touring acts have at least one member getting love from their families to make it work.

It should be based on the core value the art and artists bring to the world as the driving force. Also I would change mp3’s I get it is convenient but the quality is not as good as flac, or tape.

What message would you like to give to your fans?
It’s a wild world we are in here, but it may be better than we think. I think if there is a way for you to access the better moments in life, honor that way, amplify it, share it.

 

These Streetlights’ By Mercurius Would Guide You Back Home

Mercurius
These Streetlights' By Mercurius Would Guide You Back Home

Get ready to groove to the beats of love with Mercurius, the dynamic father and son duo from the UK. Their latest release, “Streetlights,” is making waves in the music scene, and we’re here to dive into its soulful vibes.

“Streetlights” isn’t just your average love song. It’s a journey illuminated by the glow of street lamps, guiding lovers home to each other’s arms. With its blend of progressive and classic rock, this track is like a warm embrace on a chilly night.

Clocking in at a whopping six minutes, “Streetlights” isn’t in a hurry to end the magic. It’s a duet between two souls yearning to reunite after a long day’s work. And guess what? They’ve got the talented Jasmine Crichton on board to add her own touch of magic to the mix.

We’re chatting with James and Paul Brown, the masterminds behind Mercurius, to uncover the inspiration behind “Streetlights” and what makes their music so darn special. From their past hits like “Make a Difference” to their latest gem, Mercurius is all about spreading warmth and meaning through their tunes.

Join us as we delve into the heart of “Streetlights” and discover why Mercurius is a name you’ll want to remember. It’s time to let the music light up your soul!

 

Listen to Streetlights below
https://open.spotify.com/track/14JG5g7gB2kXexJvWL9Cgx

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What is your stage name
Mercurius

Is there a story behind your stage name?
We wanted to distance ourselves from our original name James & Paul as we wanted to be seen to be more of a band than a duo. Mercurius is a Roman god and seemed like a cool name

Where do you find inspiration?
We take inspiration from artists who have achieved success without compromising like band such as Radiohead, Muse etc. We like to think we’re the same although you need to be careful as it’s so easy for other bands tunes and melodies to fester in your subconscious. Lyrically themes can range from current affairs, past wars, to love and family

What was the role of music in the early years of your life?
Music can be uplifting, depressing, motivational etc etc. It has always been important in our lives

Are you from a musical or artistic family?
There are some musicians in the family but no one of note. There was a grandad who used to play piano all night in pubs and would be paid in alcohol throughout the night. I always wondered what he would have sounded like by closing time!

Who inspired you to be a part of the music industry?
The attraction of doing something you love as a job (we still work so obviously haven’t achieved this yet)

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The attraction of doing something you love as a job

How did you learn to sing/write/to play?
James has had guitar lessons but Paul is self taught. James has always had a great singing voice

What was the first concert that you ever went to and who did you see perform?
James isn’t one for seeing other bands perform. Paul’s first gig was U2 and The Comsat Angels at the Mayfair in Newcastle

How could you describe your music?
Uplifting (usually), original, mass appeal. Paul’s songs are guitar driven while James’s are vocally driven

Describe your creative process.
Basically this is to mess around on the guitar until you play something and you think hold on I like this. The song just grows from there

What is your main inspiration?
The guitar, mostly originating on the acoustic

What musician do you admire most and why?
As above, we admire bands who haven’t had to compromise their music. Radiohead are the standout band in that respect

Did your style evolve since the beginning of your career?
James’s original taste in music was hard core dance so you could say he’s evolved quite a bit, although he’s always been a fan of artists with great harmonies like Simon and Garfunkel. We’ve become a lot more confident in our music since we’ve had an albeit small amount of success. We also now have a regular routine in the studio which helps

Who do you see as your main competitor?
We don’t really see other bands as competitors. We’re all in this together

What are your interests outside of music?
James runs a gym in Newcastle and so is very into his fitness. We’re both massive Newcastle United fans. Paul also keeps fit through boxing training, running etc

If it wasn’t a music career, what would you be doing?
What we’re doing now which is James in his gym and Paul in his accountancy practice

What is the biggest problem you have encountered in the journey of music?
Spotify royalties are pitiful and should be looked into but they appear to be too powerful to be questioned about this. Coming from the North East is also an obstacle for anyone wanting a music career although Sam Fender has hopefully helped with this. Neputism is also a massive problem in the music industry

If you could change one thing in the music industry, what would it be?
Grants to young kids starting out so they can afford decent guitars and amps etc

Why did you choose this as the title of this project?
Streetlights is James’s song which has a simple theme about coming home to your loved ones

What are your plans for the coming months?
We have 4 or 5 amazing tracks we want to get recorded before August then, if these have been received well, put a proper band together to do some gigs

Do you have any artistic collaboration plans
We get asked all the time but it’s really hard to fit extra projects in at the minute. James has a friend who is doing quite well in the dance scene so we’re always up for seeing what he can do with our songs

What message would you like to give to your fans?
Please support us by downloading our songs which in turn means we will be driven to go on the road where you will be able to see us perform live

Unveiling #LOFIDUKE: A Conversation with Chris ‘Big Duke’ Malloy

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Unveiling #LOFIDUKE: A Conversation with Chris Malloy"

Today we in talks with Grammy-nominated producer Chris ‘Big Duke’ Malloy and  his debut solo instrumental EP, #LOFIDUKE Vol 1, the EP heralds a new chapter in his outstanding artistic journey. #LOFIDUKE Vol 1 is headlined by ‘Original Eazy,’ which inspired The Game’s and Kanye West’s hit song ‘Eazy,’ the EP takes listeners on a musical cruise where they will be exposed to Big Duke’s immense talent.

With a decade of experience in the music industry and more than 300 million streams, Big Duke is all set to reshape the frontiers of quality production. He was born and raised in Cleveland and now based in LA. From collaborating with icons like Kanye West to The Game, 21 Savage and Diddy, his resume speaks for itself. His work on Symba’s “Results Take Time” and The Game’s “Drillmatic” proves that he is not only a talented producer, but also a visionary.

In this exclusive interview Big Duke sits with us and divulges the influences that shaped his music and the path led him to this point. Musician Big Duke begins his story in Cleveland, where he came from a humble background, and he shares with us his creative process, musical influences and goals.

Listen to #LoFiDuke Vol.1 below

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What is your stage name?
Big Duke

Is there a story behind your stage name?
The name Duke originates from my grandmother it’s actually a family name
‘ The Duke ‘

Where do you find inspiration?
Everywhere the world is a stage for inspiration. It can be something as little as a song playing on a commercial or a string section playing from a movie. Literally anything can inspire or spark an idea

What was the role of music in the early years of your life?
Music was the soundtrack to everything that was going on. Family events , car rides to school , parties etc music was everything especially growing up in the 90’s lol

Are you from a musical or artistic family?
I come from a blue collar working middle class family. Others in my family have artistic abilities but often never pursued.
The Midwest is ruff dreams are far and few but a good hourly job u can work til u retire that’s usually the goal smh. I took a different route. Far from the norm

Who inspired you to be a part of the music industry?
I wouldn’t say I was inspired to be in the industry being someone from ohio I never thought about it even being possible. Me and my friend just wanted the city to hear what we were doing. Somehow we managed to get the world to hear it.

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Duke_x_Game

How did you learn to sing/write/to play?
Early years I had choir in school. If it was any class that I payed attention in music definitely was the class. For some reason it just spoke to my soul.

What was the first concert that you ever went to and who did you see perform?
I’ve been to so many concerts in my lifetime it’s hard to remember the first lol but I can remember one of the first rap shows. It was “ Project Pat “ me and my friend and fellow artist ‘ Chip Tha Ripper ‘ waited stageside at a classic now closed cleveland venue “ The Metropolis “. He didn’t start performing til 1am we definitely weren’t old enuf to be in this place but we snuck in and boy was it worth every second. He performed all our favorite songs at the time that concert changed my life.

How could you describe your music?
Melodic , rhythmic , chest pounding drums…. I like music that instantly takes u somewhere other then where u are listening to it at. My music is a ride lol

Describe your creative process.
My creative process is different than most. It never really stops or starts its ongoing. I can wake up and it will be music on my mind that I have to get out. I can start chopping samples on my phone or saving them in notes while listening to music. I Literally can be creative anywhere

What is your main inspiration?
My inspiration is the feeling of touching the world musically. Music heals all I’m a healer
Music is my medicine and will heal the world.

What musician do you admire most and why?
Ye for blunt honesty
Jay z for his hustle and infrastructure
Pharrell for his attention to detail
Timbaland for his brain and ideas
Dr Dre for his genius

Did your style evolve since the beginning of your career?

Yeah I’m always evolving but keeping things I learned along the way

Who do you see as your main competitor?
The man in the mirror lmaooo
Although cliche I thing I’m my biggest comp. I wake up everything trying to beat the day before

What are your interests outside of music?
Cooking if I wasn’t a producer I would be a chef. I literally get the same feeling and it requires the same focus and attention to detail.

If it wasn’t a music career, what would you be doing?

A chef , or instructor of some sort I love teaching and helping lol

What is the biggest problem you have encountered in the journey of music?
Lack of care for others. Sometimes it’s a dog eat dog world when it comes to business.

Side Chain Breaks the Ice With Their Latest Single ‘Equipoise Delirium’

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Side Chain Breaks the Ice With Their Latest Single 'Equipoise Delirium'

Side Chain’s journey began in 2015 when Dustin Miller and Stephen Shatzer formed the band, later joined by John Kyzer, James Pennington, and Nathan Cameron, the rock band is making a powerful comeback with their latest track, “Equipoise Delirium,” after a five-years break. This sound is sure to tickle your nerves with its dark undertones and infectious radio-friendly vibe.

Their musical journey hasn’t been a smooth one, they’ve being through the highs and lows, marked by the tragic loss of their friend, John Kyzer, during the creation of “Subterfuge.” However, they persevered, with Mike Helmbeck stepping in to help complete the track and continue the band’s legacy.

Now, in 2024, Side Chain is back in full force, ready to rock the airwaves with their unique sound. In this exclusive interview, we sit down with Dustin, Stephen, and James, the creative minds behind Side Chain, to delve into their musical influences, creative process, and future plans.

From their humble beginnings to their musical evolution, Side Chain opens up about their inspirations, challenges, and aspirations. So, grab a seat and join us as we explore the world of Side Chain, where music is more than just a passion—it’s a way of life.

 

Watch Equipoise Delirium below

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What is your stage name?
Dustin: Don’t have one currently.
Stephen: I don’t have one.
James: Chip

Is there a story behind your stage name?
James: Years ago I met a man while I was at an airport in Ireland. We’ve remained friends to this day. His name is Chip, so I took it and it stuck.

Where do you find inspiration?
Dustin: Everyday life
Stephen: Hearing a song that moves me and inspires me to keep writing.
James: Daily Life

What was the role of music in the early years of your life?
Dustin: Parents were always listening to music ever since I was young.
Stephen: I started playing hip-hop ever since I could write. Started writing lyrics and making beats on a keyboard. I didn’t really get into rock and metal until I was in my mid to late teens.
James: Both of my parents and older sister were Into music when I was growing up. I got the full spectrum.

Are you from a musical or artistic family?
Dustin: Musical
Stephen: Not really. Grew up in a religious household so wasn’t allowed to listen to a lot of music (except for Christian music and 80’s rap). I kind of found my own calling.
James: Both.

Who inspired you to be a part of the music industry?
Dustin: My parents
Stephen: It wasn’t until I heard the first Pantera album when I figured out where I really wanted to go musically.
James: I would say probably my mother the most.

How did you learn to sing/write/to play?
Dustin: Self taught and still learning
Stephen: Self taught mostly however I did take piano and violin lessons when I was young which also taught me music theory. As far as playing drums, I had such a passion for it that I practiced for hours a day for about a year until I started getting decent at it.
James: Self taught

What was the first concert that you ever went to and who did you see perform?
Dustin: My parents took me to a Cheap Trick show when I was 6
Stephen: The earliest I can remember is seeing Rob Zombie and Korn.
James: Grand Funk Railroad

How could you describe your music?
Dustin: Mostly Dark with a hint of Party animal
Stephen: I would say dark with some melodic elements
James: Melodic with dark subject matter.

Describe your creative process.
Dustin: Jamming along to other songs gets the juices flowing.
Stephen: Hearing a guitar line and evolving the production from a simple scratch track to a full production.
James: I’ll hear something, and if it clicks , and the chemistry is the lyrics almost kind of write themselves.

What is your main inspiration?
Dustin: My son
Stephen: In life, my wife and kids. In music, creating music that people enjoy.
James: I want to reach people on a very personal level.

What musician do you admire most and why?
Dustin: Buckethead. Very versatile and you can feel all the emotions in how he plays.
Stephen: I don’t think I could pick just one. Sometimes it’s the entire band that contributes to the overall sound in my opinion, which is what I admire most. If I had to narrow it down I would say Dimebag Darrell, Vinnie Paul, Matthew McDonough, Matt Greiner, and Danny Worsnop.
James: Oh man, so many! James Hetfield, Maynard James Keenan, Pete Loefller, Chino Moreno, to name a few. Theire music has all touched me in so many ways.

Did your style evolve since the beginning of your career?
Dustin: Yes
Stephen: Absolutely
James: Yes

Who do you see as your main competitor?
Dustin: I’m not big into competition.
Stephen: I don’t believe in being competitive when it comes to music, especially local music. I believe everyone should be helping each other instead. Although friendly competition amongst friends is always fun.
James: I’m always competing with myself daily.

What are your interests outside of music?
Dustin: Traveling, fishing, watching sports, hanging out with my son and family
Stephen: Firepit nights with the wife, hiking, being out in nature.
James: Writing, hiking, nature

If it wasn’t a music career, what would you be doing?
Dustin: Playing pro baseball
Stephen: I enjoy working on movies/film production
James: Book author

What is the biggest problem you have encountered in the journey of music?
Dustin: Sometimes you go through periods of writers block.
Stephen: Balancing time to work on music
James: Finding time to get into the studio

If you could change one thing in the music industry, what would it be?
Dustin: Local radio stations should help local bands get their music out there and be more involved in the local music scene.
Stephen: An easier way to make your music heard.
James: Getting your music to more people.

Why did you choose this as the title of this project?
Dustin
: It’s cool sounding lol
Stephen: James came up with it. The song is about loss and grief and I thought the name was fitting.
James: The theme of loss and grief played a big part in it.

What are your plans for the coming months?
Dustin: Write more songs
Stephen: We have a couple new songs already in the works.
James: My goal is always to do my very best to make the next song better than the last one.

Do you have any artistic collaboration plans
Dustin: At this current point in time, not at the moment
Stephen: Not planned, but it’s possible.
James: I’m always open to the possibility.

What message would you like to give to your fans?
Dustin: Thanks for digging the music!! We love you all!!!
Stephen: Thank you for the support!
James: Never give up, no matter how hard it gets, and always stay true to your self.

 

The Josh Hicks Story: Music, Memories, and ‘Home Is Where The Heart Is’

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The Josh Hicks Story: Music, Memories, and 'Home Is Where The Heart Is'

Welcome to an awesome chat with Josh Hicks, the guy behind “Home is where the Heart is.” If you’ve been vibing with his previous hits like “Self Seeking” and “Everything About You,” you’re in for a treat with his latest track.

In this interview, we’re going to hang out with Josh and talk about what makes his music special. We would begin by getting to know where is from to his biggest form of inspiration, then jump to know the type of person he is outside music, thus, when he is not making music. Think of it like catching up with a friend over a cup of coffee, except this time, we’re getting the inside scoop on Josh’s musical journey.

From growing up in a cozy Welsh village to making waves in the music scene, Josh is all about keeping it real. We’ll hear about the stories behind his songs, the artists who light up his playlist, and what keeps him going when the going gets tough.

So join us as we dig deeper into the life of this multi-talented artist.

Listen to Home Is Where The Heart Is below

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What is your stage name?
Josh Hicks

Is there a story behind your stage name?
There’s actually 23 years’ worth of stories behind my stage name as this is the name, I was given at birth; albeit Joshua not Josh.

Where do you find inspiration?
I have grown to love song writing; it’s how I cure my boredom on a frequent basis. I try my best to write about my personal life. However, sometimes there’s nothing to write about, sometimes I will write about a character that I connected to in a movie or draw from family and friends experiences. To sum it up I actually enjoy putting myself in other people’s shoes and trying to write about it, I suppose subconsciously I find it helps me connect to someone’s situation a lot easier. On the whole, personal experience is my main focus.

What was the role of music in the early years of your life?
Where to start. Entertaining has also been something I was into from a young age I always felt like I was put on this earth to simply make people happy. I tried magic, gymnastic, dancing and finally settled on singing. My singing gradually came to the forefront of my life as I tried out all the other forms of entertaining first.

GCSE and A-Levels are where my love for music prospered. My music teachers encouraged me to my fullest. Allowing me to sing with the big band for practice but also for gigs and getting me down local pubs to sing live to build my confidence. University was a big jump for me having to sing in a room full of other talented musicians in their own right. Forcing myself out of my comfort zone is now something I quite enjoy doing.

Are you from a musical or artistic family?
Not really, my mum was into her arts and crafts when she was younger, and my dad has a good eye for manufacturing and business. My mom graduated with a degree in sports psychology which I guess has helped me write about other people’s experiences when I’ve felt like it.

Josh Hicks out with Home Is Where The Heart ,Josh Hicks releases Home Is Where The Heart ,Josh Hicks with Home Is Where The Heart ,Josh Hicks drops Home Is Where The Heart ,Home Is Where The Heart by Josh Hicks ,Home Is Where The Heart from Josh Hicks ,Josh Hicks ,Home Is Where The Heart ,Josh Hicks Home Is Where The Heart ,Home Is Where The Heart Josh Hicks
Not really, my mum was into her arts and crafts when she was younger, and my dad has a good eye for manufacturing and business.

Who inspired you to be a part of the music industry?
As cliche as it might sound my parents actually. They supported and nurtured my love for music and entertaining. I grew up listening to so much music that I believed I lived in a world where singing was just something everyone could do naturally.

I was surrounded by whoever was current at the time and also my parents’ favorites, such as; Micheal Jackson and Whitney Houston to name a small few.

How did you learn to sing/write/to play?
I’ve been singing in general, ever since I was a young kid. However, performing started just before I started uni. Going to open mic nights that my A-level music teacher set up, performing with a big band which started because I need to do something for my a-level course. I built my confidence up at my pace with the help and guidance of others (I think that’s really important!).

I started writing around 2020 as it was somewhat of a requirement for a module at uni. I’d been told multiple times by people to start writing, jot ideas in a diary. I got a lot of the shit ones out of the way and then started to feel more comfortable and confident in my writing ability!

What was the first concert that you ever went to and who did you see perform?
You know what I’ve actually been to quite a few with my friends. The one that comes to mind, straight off the bat is Jedward. I was young and it was for my twin best friend’s birthday if I remember correctly.

My parents did take me to shows and pantomimes when I was younger so it could have been one of those as well. I believe Micheal Jackson would have been my first, but he died shortly after my parents bought the tickets.

How could you describe your music?
My music is a mixture of Pop and soul at the moment. I’ve got a few songs under my belt that are more towards the R&B and Jazz which I’m super excited to release. I guess a good name for my genre which I never have identified myself as; is neo/soul.

Describe your creative process.
Normally and preferably, I liked to start on piano get the chords and build of that. Lyrics are usually the last thing I worry about. Sometimes I go to the studio where I bring a reference track and say let’s try do something like this, then we build of it like that. However, that probably is my least favorite way of writing as it doesn’t feel very organic, making it harder for me to connect to the song.

What is your main inspiration?
Truthfully, I always struggle to answer this question as there are SO many amazingly talented artists out there that inspire me everyday. However, if I was to pin point it I’d have to list; Amy Winehouse, Adele, Micheal Jackson and currently, Raye.

The Josh Hicks Story: Music, Memories, and 'Home Is Where The Heart Is'
Truthfully, I always struggle to answer this question as there are SO many amazingly talented artists out there that inspire me everyday

What musician do you admire most and why?
As I said earlier, Micheal Jackson and Whitney Houston will forever be the main reason I love music and find/found it so magical to begin with. Later finding artist like Chaka Khan, Lauryn Hill, Luther Vandross, Sade, Stevie wonder, Amy Winehouse and Queen they all broadened my horizons with music. I guess in some way I inspire to be like everyone there I mentioned.

Did your style evolve since the beginning of your career?
In some sense yes, my hair went from permed to the natural wave with blonde running through it. I’m not very adventurous when it comes to hair styles, I feel like us men lose it quicker, so we are more precious over our hair. Clothing wise I guess it’s been somewhat the same. I’ve only released music a year ago, so I guess not much has changed in that year?

Who do you see as your main competitor?
Call me naive or whatever, I try not to look at other artist as competitors as I truly love to support and help others.

What are your interests outside of music?
I don’t wanna say I’m just music oriented, however I sort of am. I do love my downtime when I can get it. In the warmer months being in the garden looking after the plants is fun for me, just not a fan of the wasps! You know I do enjoy a night out with my friends as well, especially festivals when it’s warmer!

That aside, I used to be a Ballroom and Latin dancer where I’d travel all around Wales and England competing and having lessons, was so much fun, especially the lessons!

If it wasn’t a music career, what would you be doing?
Funny I just had the conversation with my friend and bass player, Alex Hancox. I said I think I would have pursued psychology, maybe forensic or criminology. I have quite the weird fascination with all things about the brain. Whether it’s about the brain itself or understanding what makes us tick. I get this from my mum 100%! Neuroscience I guess would be an alternative?

What is the biggest problem you have encountered in the journey of music?
I think communication. It’s never easy to communicate through email/ texts. However, that seems to be the way most people operate in the music industry, or how I like to call it the business industry.

As it sometimes feels like the industry is 80% business and 20% music. Also, another bug bare is people not reading fully what you’ve sent them. I know a lot of people I email are seriously busy, but they sometimes miss the curial information I give them. For example, the release date haha. So, lesson learnt PR emails sent out 2 weeks before, radio and playlist 1 week before or after release.

If you could change one thing in the music industry, what would it be?
It would either be the pay system (streaming) for artists or how social media followers means more than good music. Infact, now I’ve said that it’s probably the later. There’re so many talented artists out there who won’t even get sniffed at by labels because their following is too low.

Meanwhile influencers who one day decide they want to release a song get snapped up because they have a big following. Unfortunately, the music industry seems to be fueled by money rather than music. They must be confused with the alliteration between money and music?

What are your plans for the coming months?
I have so many goals: some of them are realistic, others for now are unrealistic. I guess just to keep going, not to be in the same place this year as I was last year. Personal growth, I guess? I have my first gig in London, 25th March (venue is a secret until 36 hours before the event) with a company called Sofar Sounds. Folk at the Moon in Cardiff 23rd April. I do have a secret of my own coming up in early May, if you live in Cardiff keep your eyes peeled! ;))

Do you have any artistic collaboration plans
There’re a few people I’ve contacted and want to contact with collabs. However, I’m waiting for replies from some of them. This is how it tends to go with collabs from my experience. People say yes and then you never hear from them again. I used to think there was a special business that was the medium between artists to action and plan the collabs for us. However, that sadly isn’t the case to my knowledge.

What message would you like to give to your fans?
As an Independant artist my main thing is to say enjoy my music. Let me know if you connect with it. If you want to help me out, following me on literally everything from Spotify to YouTube to TikTok. Every follow helps my algorithm which intern helps boost my reach to a wider audience. This could lead to labels favoring me over another artist for example. If not just streaming my music or liking my posts helps significantly.

Helena May Lights Up the Scene with “Lifetime Supply”

Helena May Lights Up the Scene with “Lifetime Supply”
Helena May Lights Up the Scene with “Lifetime Supply”

In the effervescent single “Lifetime Supply” from Helena May, listeners are treated to a sonic journey that feels both refreshingly novel and comfortingly familiar. This trackᅳa captivating forerunner to her much-anticipated album “Puzzle Pieces”ᅳweaves an intricate tapestry of pop sensibilities with the profound grooves of funk and soul, creating an infectious soundscape that urges you onto your feet.

May’s vocal prowess is nothing short of remarkable, commanding attention with every note. Her voice serves as the perfect vessel for delivering poignant themes of self-love and individuality, set against the backdrop of an upbeat tune that belies the depth of its lyrical messages. It’s this unflinching authenticity interlaced with vibrant melodies that positions “Lifetime Supply” not just as a song but as an anthem for anyone navigating the path towards self-recognition in a world often too focused on external perceptions.

Helena May Lights Up the Scene with “Lifetime Supply”
Helena May Lights Up the Scene with “Lifetime Supply”

The influence of producer Fabian Wollner is palpable throughoutᅳhis deftness in blending genres brings forth a modern twist to classic sounds, characterized by funky bass lines from Michael Reitinger and electrifying guitar riffs courtesy of Emanuele Fusaro. Josef Hinterhölzl’s drums provide a heartbeat to this vivacious number while David Dolezel’s keys are like glimmers of sunlight through cloudsᅳbrightening and uplifting at precisely the right moments.

What further distinguishes “Lifetime Supply” is its music video; directed by Wollner himself, it offers humor as a lens through which we might examine our quest for validation. Featuring May’s live band alongside spirited actors going about exaggerated routines aimed at boosting their esteem mirrors how we all sometimes misstep in recognizing our inherent worth.

Helena May Lights Up the Scene with “Lifetime Supply”
Helena May Lights Up the Scene with “Lifetime Supply”

Comparing Helena May to giants who have tread similar paths reveals her unique offering: she channels echoes reminiscent perhaps of Chaka Khan’s rhythmical spirit or Gloria Gaynor’s anthemic empowerment yet places it firmly within today’s musical lexicon combining relatability with timeless appeal.

As part one signals towards what could be discovered in “Puzzle Pieces,” fans new and old can find solaceᅳand maybe even themselvesᅳin these beats infused with sincerity and joyous energy equipped by May & Co.’s collaboration.

Surely if “Lifetime Supply” tells us anything about what ‘s forthcoming then brace yourselves: we’re not merely waiting on an album but anticipating revelations wrapped in rhythms designed not only for listening joy but heartful introspection!

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