Discover the Dreamy Depths of 'Siren' by 59 Perlen and Ingeborg
In the sea of electronic music singles, “Siren” by 59 Perlen featuring Ingeborg emerges as a captivating beacon of sound and emotion. This collaboration between two distinct solo artists serves not just as a harmonic melding of genres but also delivers a poignant message on compassion, love, and solace in an ever-conflicted world.
“Siren” is no ordinary track; it’s an odyssey through dream pop landscapes sprinkled with dubtechno beats and ambient whispers that echo the essence of house music. The blending of electronic precision by 59 Perlen with classical influences adds depth to this immersive experience. Coupled with Ingeborg’s undeniable skill in weaving rich vocal melodies around emotive storytelling, “Siren” feels like a warm embrace in sonic form.
From the start, the song immerses you into its world – one where every beat and note carries weight yet floats light as air. The minimalist yet danceable groundwork laid down by Zurich-based German artist 59 Perlen creates a canvas for Dutch singer-songwriter Ingeborg’s dreamy voice to paint stories upon. Her contributions are nothing short of ethereal, adding layers upon layers of emotional nuance that resonate deeply within listeners’ hearts.
Discover the Dreamy Depths of ‘Siren’ by 59 Perlen and Ingeborg
The magic lies in how effortlessly these artists have brought their unique backgrounds together — from 59 Perlen’s fascination with creating storytelling through minimalist tracks to Ingeborg’s talent for stirring emotions through her melodical prowess and experimentation with soundscapes. It proves that when artists step out from their comfort zones to collaborate genuinely, something beautiful can emerge.
Listening to “Siren,” it’s easy to draw parallels with pioneers who have blurred genre lines before them – think Cocteau Twins’ dreamy vibe meets Brian Eno’s ambient mastery, all while nodding respectfully at modern club culture elements that get your foot tapping without realizing it.
Discover the Dreamy Depths of ‘Siren’ by 59 Perlen and Ingeborg
Beyond its musical excellence, “Siren” encapsulates themes crucially relevant today — urging us towards empathy amidst chaos simply through its serene delivery alone. It doesn’t scream its messages at you; instead, it invites you into its world gently but firmly—a testament to both musicians’ expertise not only as technical wizards but also emotional storytellers.
For fans across spectrums—from those who relish deep dives into layered compositions filled with intent and nuance, to casual listeners seeking solace or perhaps just an elegant tune—“Siren” offers something rare: A thoughtful reflection presented elegantly enough for anyone willing to listen closely will find immense value here—an exquisite example demonstrating why sometimes less indeed means so much more.
Even as a child, amidst the run-of-the-mill routines life, Leekayja was able to identify his passion, he made this discovery on a beach, where he LEEKAYJA out with Save me,LEEKAYJA releases Save me,LEEKAYJA with Save me,LEEKAYJA drops Save me,Save me by LEEKAYJA,Save me from LEEKAYJA,LEEKAYJA,Save me,LEEKAYJA Save me,Save me LEEKAYJAsaw a young boy playing the acoustic guitar, and since then he has been so attached that he started taking lessons on how to play the guitar.
Back in 2005 when he immersed in the Italian heavy metal and rock scene, Leekayja’s musical talent went to a whole new level due to his work ethic and passion for the craft. Bounding through the limits of the established genres, he engaged in music production and also explored areas of sound and composition which were never covered before.
In 2023 Leekayja finished his creative journey with the release of The Leekayja project, showcasing his limitless talent and innovative thinking in music. His introduction track titled “Save Me,” produced in December 2023, enthralled audiences with its striking combination of edgy electronic dance rhythms and thoughtful guitar melody, creating an atmosphere of his distinctive musical aura.
The art of music is an extraordinary journey, a world that Leekayja frequently takes us to, challenging the norm and encouraging us to discover the power of music in our daily life.
It is an anagram with the names Jay and Keela. They are the names of two virtual voices of the software EmVoiceOne that I used in may tracks
Where do you find inspiration?
In everyday life. in my personal experiences, in my dissatisfactions
What was the role of music in the early years of your life?
I learnt to play the guitar and appreciate music late, at 14 years old. , so my adolescence was all based on the idea of wanting to form a successful band
Are you from a musical or artistic family?
No
Who inspired you to be a part of the music industry?
I think one band above all, Duran Duran. I grew up with their music then moved on to rock and metal (even extreme). But Duran have always remained a reference
How did you learn to sing/write/to play?
When I was 14 there i saw a boy who played acoustic guitar on the beach. I was fascinated and so I decided that I had to learn to play the guitar. I’ve always been out of tune though….I cannot sing…in fact I use virtual singers;)
What was the first concert that you ever went to and who did you see perform?
LITFIBA ( new wave Italian band) when I was 17, then U2 and Duran
How could you describe your music?
I don’t know.. melancholy pop rock? (haha) I know that my goal is to try to combine the strength of metal rhythms with the immediacy of pop melodies. Which is what Dark Tranquility (from whom Leekayja is very very very far away) did in part, even if they sing in “growl” so it’s not easy to perceive it.
Describe your creative process…
I start by jotting down a few words or some musical ideas, then if the moment is the right one the song arises by itself like a flow, word after word, idea after idea… it doesn’t always happen though
What are your interests outside of music?
Music doesn’t give me money to live on. I am an engineer and in my free time, in addition to playing, I do sports (Kung fu and windsurfing). I love technology especially when applied to music.
What is the biggest problem you have encountered in the journey of music?
The music market is the problem. If you don’t sell, no one pushes you, if no one pushes you, no one listens to you. You must necessarily be aligned with the fashion of the moment otherwise it is very difficult to get into the business…. I would add that the masses largely only listen to what is advertised or pushed through the media,
If you could change one thing in the music industry, what would it be?
The mainstream system
Why did you choose this as the title of this project?
“Save me” is a cry for help against loneliness and emotional sterility
What are your plans for the coming months?
To record other 5 or 6 new song that are almost ready.
I've always loved music. I can recall my mom and dad playing music in the kitchen back when I was 3 or 4 years old, and I would just dance away.
Reputed for his thought-provoking lyrics, 4Seasons is a multi-talented musician who poses as a singer, songwriter, and today we had the chance to have an in-depth conversation with him.
His latest song, ‘Handle You’, delves into the complexities of breakups with a refreshing spin, dividing the narrative into two halves: the first one was about the earlier sadness and the other on the growth and the self-realization. While the music of 4Seasons is an embodiment of fortitude, it mirrors the same ideology that time conquers all.
Being exposed to the giant music personalities like Drake, Juice WRLD and Eminem at the beginning of his career has been a formative moment in his musical journey. From this stage he has been influenced by a variety of producers, such as Quadeca, SSJ Twinn, wifisfuneral and blvck sam. This conglomeration is reflected in his style and sound which is a heavy influence.
Through our journey into the core of his creative process and inspirations, we discover how he transformed and was challenged as well as envisioning his future. Witness the unveiling of the artistic and seasonal music sounds that constitute his musical scenery as we embark on this journey together.
Listen to Handle You below https://open.spotify.com/track/35Bxft3zliRzI3cam5Z3zG
Is there a story behind your stage name? There is one major inspirations for my stage name: the “4” is derived from my favourite artist “Quadeca” (Quad, 4).
Where do you find inspiration? I write a lot about past situations I’ve been in, as well as how I could envision my future being moving forward in my life
What was the role of music in the early years of your life? I’ve always loved music. I can recall my mom and dad playing music in the kitchen back when I was 3 or 4 years old, and I would just dance away. Music has such a unique way of connecting people, and that’s what’s always drawn me to it.
4Seasons Breaksdown His Recent Single ‘Handle You’ In Recent Interview
Are you from a musical or artistic family? I do not, I’m the first artist in my family. My sister is learning the guitar, but that’s about it from the family side of things.
Who inspired you to be a part of the music industry? My biggest influences were artists Quadeca and Logic. I loved how simply brilliant they’re speed and style were. I always wanted to rap fast, but over the years I’ve grown to embrace a slower, more somber style of music.
How did you learn to sing/write/to play? I never took any course or class for anything in my music career. I figured everything out on my own through sheer will and practice. For a completely independent artist I’m incredibly confident in the work I’ve been able to produce up to this point.
What was the first concert that you ever went to and who did you see perform? In 2019 (Just before COVID) I had to opportunity to watch Logic perform in Vancouver, and the show was incredible. The entire crowd was feeding into the performance, it felt as if the entire building wa shaking. Definitely an experience I won’t be forgetting anytime soon.
How could you describe your music? My music style is sort of all over the place, as I’ve made some somber tracks, some high-paced rap tracks, and many in between. I would say I don’t really have a set style, but rather I excel in many different styles (another reason why I chose the name “4Seasons” as my diversion into the difftt we ent genres would resemble the differences of the four seasons).
Describe your creative process. My creative process is quite simple, I just sit down with my notes app open and a great beat playing, and I just start writing. More often than not these tracks aren’t exactly to my liking in quality, but when I do stumble into a great idea I just run away with it, losing track of time completely.
What is your main inspiration? I would definitely say my strongest inspiration for writing music is to bond (Both myself with others, and others with others). There is no possible way to explain the effects that music has on our ability to relate to one another and unite even the largest crowds, and from a very young age I wanted to be a part of that.
What musician do you admire most and why? Quadeca will always me the musician I admire most. He creates, records, mixes, and masters all of his tracks on his own, and he’s never been afraid to make music his own way. He’s never made his music a certain way solely to appease any canvass, and I respect him and his work so much for that.
Did your style evolve since the beginning of your career? I used to rap extremely fast. I wanted to get as close to Eminem’s speed as I possibly could. However, I’ve slowly evolved to realize that a “fast rap speed” doesn’t automatically make a song any better than a slower paced song. Nowadays I very rarely dabble in that Eminem style rap.
Who do you see as your main competitor? Myself. I always want to be a better artist than the one I was yesterday. Constant improvement is the goal.
What are your interests outside of music? I played competitive basketball for 5 years, so I play recreationally all the time nowadays. I also love business, I recently started my own window washing company (I’m 18 years old) and so far I’ve seen overwhelming success.
If it wasn’t a music career, what would you be doing? Definitely something in the realm of business. I’ve always been drawn to that sector of the world, and I’m confident I would excel in any business-related position.
What is the biggest problem you have encountered in the journey of music? I dealt with a massive writing block about a year ago. For some reason my process just stopped working for about 6 months. It was grueling, but I knew I had to stay persistent and that I was bound to break through my slump at any point. I’m so glad I stuck through that time in my music career.
If you could change one thing in the music industry, what would it be? While not exactly a “feasible” change, I wish that relatively unknown artists could be judged by the value of their sound rather than the value of their name. There’s a pretty decent chance that the most talented musician alive isn’t very well known because that individual doesn’t understand how to market themselves or their music, and that definitely frustrates me from time to time.
Why did you choose this as the title of this project? In all honesty, I thought the word play in the song was really unique and I wanted to make it the focal point of the package. (Ain’t gon’ grab your Instagram, I don’t think I can Handle You, “Handle” meaning Instagram handle as well as being unable to deal with a relationship with this person).
What are your plans for the coming months? I’m working on an album as we speak. It will feature roughly 13 or so tracks, and I can’t wait to show it to my community of listeners. This project has already taken a lot out of me, and it will certainly take even more, but I’m so excited to release this project.
Do you have any artistic collaboration plans I do have a collaboration with iLOSTMARI, a song that will be featured on my upcoming album. iLOSTMARI is an incredibly talented vocalist and I’m thrilled to have an opportunity to work with him on my project.
What message would you like to give to your fans? Don’t allow yourself to fall into the hole that your environment has forced you to fit in. Be bold. Try new things until you find something you truly love, and once you’ve found it work obsessively at it. If you give your dreams your all, you will never ever be disappointed by the result. That, I can guarantee you.
Navigating Love's Cosmos: The Screaming Pope's 'Your Star'
In the constellation of electronic music, it’s rare to find an album that both dazzles with diversity and resonates with a coherent narrative. “Your Star” by The Screaming Pope is one such stellar anomaly. Within its 15-song odyssey, the listener is invited on a whimsical journey through the cosmos of love and existential longing, where each track orbits around these central themes like planets in a vast musical universe.
The Screaming Pope’s approach to electronic music in “Your Star” transcends traditional boundaries by incorporating elements from folk, hip-hop, synth-pop, and dance genres. This eclectic mixture isn’t just for show; it serves as a metaphorical palette from which to explore the myriad shades of affection and yearning. It’s akin to wandering through an art gallery where every painting depicts a different facet of human emotion yet contributes to an overarching story about love’s endurance across time and space.
Songs like “Whirlpool” submerge you into deep emotions with swirling synths and velvety vocals that suggest influences ranging from Depeche Mode’s appeal to Imogen Heap’s haunting harmonics. On the other hand, tracks such as the titular “Your Star,” stretch toward celestial aspirations with their airy beats reminiscent of M83 or Owl City but dipped in a more matured essence of cosmic wonderment rather than adolescent dreaminess.
This kaleidoscopic sound doesn’t overwhelm; instead, it engages listeners by revealing new layers upon each replay – unveiling not only The Screaming Pope’s broad musical capabilities but also intricate tales woven within lyrics that ponder over timeless queries about existence and connection.
Navigating Love’s Cosmos: The Screaming Pope’s ‘Your Star’
What sets “Your Star” apart isn’t merely its genre-bending audacity but how seamlessly it integrates these varying elements without losing sight of its conceptual backbone. Whether drifting through sonic landscapes laced with folk acoustics or pulsating dance rhythms – there lies an unwavering thread pulling us back into this universal exploration.
As much as this album could be likened to interstellar travel—charting unknown realms—it remains deeply human at core: accessible yet enigmatic; varied yet unified under a galaxy themed on affections far-reaching effects.
Listeners seeking merely background tunes might find themselves inadvertently caught in introspection or toe-tapping reminiscence—such is “Your Star”’s evocative power—a testament not only to emotive storytelling through songcraft but also The Screaming Pope’s deftness at sculpting soundscapes abundant in hues but singular in heart.
For those adventurous souls yearning for music that both elevates and explores—the journey across “Your Star” will undoubtedly prove enlightening; leaving echoes long after its cosmic tunes fade out—an experience recalling not just stars scattered across our night sky but what makes them eternally fascinating from our vantage here below.
Solitude's New Sound: Darius Christian's “Good Kind of Lonely”
Darius Christian’s “Good Kind Of Lonely” shatters the stereotypical portrayal of solitude in music, transforming it into a vibrant celebration woven with threads of gratitude and contemplation. This single is a masterpiece that skillfully combines Power Pop, Soul, Funk, and R&B into an auditory experience akin to discovering a new favorite shade within an already mesmerizing palette. From its inception, the track beckons listeners into its embrace – offering not just sounds but emotional depth and introspection through every note.
At the very core of “Good Kind Of Lonely”, lie Darius Christian’s richly textured vocals which navigate through layers of invigorating soundscapes crafted alongside notable collaborators Charles Goold and Spencer Zahn. There’s this magnificent alchemy between Christian’s expressive delivery and the meticulously arranged instrumentals that feels reminiscent of strolling through an enchanting forest — familiar yet brimming with surprises at every turn.
The theme revolving around embracing loneliness not merely as a state but almost like an old friend reflects in both the lyricism and melodies. It is this celebration that sets “Good Kind Of Lonely” apart. The message isn’t just sung; it’s felt — akin to rays breaking through after prolonged rain, urging listeners towards self-reflection and finding joy in their own company.
Solitude’s New Sound: Darius Christian’s “Good Kind of Lonely”
Genre-wise, it intricately stitches together elements reminiscent of legends from Stevie Wonder to Prince while uniquely anchoring itself in today’s sonic landscape. The production swirls around you — sometimes you’re caught up in its funk-infused basslines only to be seamlessly transitioned into tender poppy bridges followed by soulful choruses that catch your breath.
What makes “Good Kind Of Lonely” even more intriguing is its anticipation-building role ahead of Darius Christian’s highly awaited album expected this spring. Given how tours alongside global icons have polished his artistry; it shines through gloriously here—not just in vocal prowess or songwriting finesse but also imbuing fresh sounds with profound introspection.
Solitude’s New Sound: Darius Christian’s “Good Kind of Lonely”
Listening to this single draws vivid imagery: sitting back on late nights staring at twinkling stars skyward or quiet mornings wrapped under warm sunlight—instances when one finds solace within oneself amusedly realising being alone doesn’t equate to loneliness.
For veterans yearning nostalgic rhythms laced with modern twists or newcomers seeking refreshingly sincere music—that dives deep without losing sight(sounds)of playfulness—”Good Kind Of Lonely” beckons you home: A heartwarming blend where relaxing meets revelatory in Darius Chrisitan’s soul-stirring serenade encapsulating resilience within reveries inviting us all gracefully into his upcoming musical odyssey.
Rene Russell's Ethereal Quest: Unlocking “The Key”
In an era where music often chases trends rather than heartfelt expression, Rene Russell and her latest single “The Key” emerge as a refreshing departure, weaving tales of time, love, and life’s serpentine journey into an auditory tapestry that defies easy categorization. Inspired by a dream about dolphins—a motif that beautifully encapsulates the song’s ethereal quest for meaning—”The Key” stands out not just for its narrative depth but also for its sonic landscape.
At the heart of this soul-searching expedition is Russell’s signature percussive finger-picking on a Taylor 12-string guitar. This technique, marrying the grit of Americana-Rock with undertones of Blues, Bluegrass, and even a tantalizing hint of Reggae rhythmics, creates an intricate musical backdrop that feels both expansive and intimately detailed. It’s akin to finding oneself wandering in vast open fields under twilight skies — there’s a sense of infinity yet at every corner turn; personal revelations spark aflame.
Rene Russell’s Ethereal Quest: Unlocking “The Key”
Listeners familiar with Rene Russell from her days leading Rene Russell and the Bottom End will recognize her knack for fusing diverse American music traditions into something genuinely unique—a skill she hones further in “The Key.” Yet despite drawing on such rich veins of genre tradition, one cannot help but be struck by how wonderfully current—urgent even—the track feels. The thematic focus on navigating life with love as our compass speaks volumes in these tumultuous times.
“The Key,” heralding upcoming offerings from Russell—including collaborations within ‘The HiHearts’ trio featuring Bridget Gossett and Heidi Holton—promises not only more engaging narratives woven through strings but also suggests potential avenues for exploring more profound ecological themes (“Stand (for the Ocean)”). It hints at evolution while staying rooted firmly within realms easy enough to immerse oneself comfortably without feeling lost at sea.
Rene Russell’s Ethereal Quest: Unlocking “The Key”
Whether you’re drawn to it by its subtle genre-blending audacity or the hauntingly beautiful premise inspired by marine dreams doesn’t matter. In “The Key,” listeners are invited to partake in an introspective sojourn across heartstrings strummed beneath starlit musings—a journey emblematic of Rene Russell’s masterful melding of message-driven acoustic finesse with storytelling prowess.
More than merely another entry into her already eclectic catalog or a precursor to anticipated releases later this year into next—with “The HiHearts”, notably—”The Key” shapes itself as both portal and path: unlocking doors unopened within souls longing for connection amidst life’s bewildering landscapes. Easy listening it may claim to be—but safe venture far beyond those confines it does indeed; evoking deeper reflections typically reserved for those brave enough to question where truly lies ‘the key’.
The Cinematic Soundscape of Parker Kay's "The Grey"
Parker Kay’s single “The Grey” is a compelling narrative of emotional tumult wrapped in a production that hits as hard as its message. The track, emerging from the shadows of Parker’s experiences and inspirations — think Childish Gambino’s astute reflection muddled with Frank Ocean’s poignant vulnerability, seasoned with dashes reminiscent of Stevie Wonder and BROCKHAMPTON for good measure — is an evocative journey through the throes of a fraught situationship laden with toxicity, confusion, frustration, and betrayal.
Kay leverages his stint on notable platforms like *The Next Star* in Canada to demonstrate his growth not just as a performer but as an artist poised at the precipice of something groundbreaking. As “The Grey” artfully disperses heavy bass beneath smooth production nuances — reflecting the oscillation between clarity and obfuscation prevalent in modern-day connections gone sour — listeners are invited into an almost cinematic experience underscored by lyrical depth.
The Cinematic Soundscape of Parker Kay’s “The Grey”
Drawing from personal darkness along with inspiration from a friend’s deeply emotive journal entries further injects authenticity into every chord struck on this track. It is here where Parker adeptly mirrors dualities: those glossy veneers masking deeper struggles within relationships mirrored by plush melodies enveloping dissonant thematic undercurrents.
Yet despite these allusions sprinkled within Parker Kay’s approach to songwriting and production alike, what sets “The Grey” apart isn’t merely its layered complexity or even its clinical unpacking of emotional disturbances—instead—it rests affectionately atop Kay’s ability to encapsulate universal feelings so discernibly individualistic too.
The Cinematic Soundscape of Parker Kay’s “The Grey”
With an upcoming debut EP looming tantalizingly over the horizon waiting patiently partway through 2024 (an extension apparently set out by “The Grey”), it signals burgeoning anticipation stretching beyond mere auditory satisfaction towards genuine connectivity replete with visceral understanding—a kind seldom encountered yet invariably cherished once found amidst soundwaves plentiful.
What shines resolutely within this masterful ensemble thus becomes not stark revelations nor demonstrative artistic references—it triumphs conversely within profound subtlety preserved; Illuminating hopes persistently harboured regardless of bestowed tribulations unravelled tenderly via music—that ultimate tether binding disparate hearts converging solemnly upon shared catharsis.
Ramo Z's Musical Plea: 'THE HOLY LAND' Bridges Cultures with Purpose
From the very first beat, Ramo Z’s “THE HOLY LAND” emerges as a powerful cry that transcends borders, merging past and present in an unyielding flow of consciousness. In this ambitious single, Ramo skillfully navigates the complexities of identity and homeland with a deftness that both captivates and educates.
What makes “THE HOLY LAND” particularly gripping is its foundation – a blend of traditional Arabic music samples, notably from Fairuz’s iconic “Ya Zahrat al-Mada’in,” with sharp-cut modern rap production. This harmonic convergence is not merely musical; it’s an audacious homage to heritage facing the relentless pace of change. It engages listeners in a narrative rooted deeply in personal strife while echoing universal quandaries about belonging, struggle, and resilience.
Ramo Z doesn’t just perform; he implores. His verses intertwine tales of Palestinian-American life with broader themes on global empathy for Palestine’s plight. There’s a raw honesty here that resonates profoundly when framed by such complex beats and cultural depth. The song becomes less an act of entertainment than one of solidarity—an impassioned plea wrapped in exceptional artistry.
The decision to juxtapose traditional sounds against hip hop architecture could have been jarring but instead enriches both textures—infusing lifecycle into ancient chords while grounding hip-hop’s often volatile energy with solemn gravity. As much as this song stands tall on its rich lyrical content—and indeed Ramo wields words like finely honed weapons—it is elevated further by its sonic landscape: reverent yet driving forward relentlessly towards hope or perhaps defiance.
Despite encountering discouragement through social media challenges—a marked decrease in followers due to censorship—the spirit encapsulated within “THE HOLY LAND” rises supreme above any digital battlegrounds. Here lies proof that true artistry cannot be silenced; it only grows louder amidst attempts at suppression.
It would be trite to simply categorize “THE HOLY LAND” as another addition to the archives of political messages within music history or liken Ramo Z too closely to other artists who have walked similar paths (think Lowkey or Immortal Technique). Certainly, connections exist—for all stem from deep wellsprings of discontent—but what sets this offering apart is how poignantly it captures the essence of transnational identity struggles against backdrop beats fit for mainstream appeal without sacrificing message for melody.
In doing so, Ramo achieves something remarkable: creating space where roots reach back through time even as voices stretch forward demanding recognition — blending cultures not out passion project necessity but inevitable evolution driven purposeful intentionality.”
Through every verse delivered and sample curated within “THE HOLY LAND,” we are reminded powerfully—music does more than connect us across diverse landscapes; it has unequivocal strength advocating transformative justice reverberating far beyond momentary listening experiences.
Ghanaian Artiste NY Out With New Single "The Coziest"
“THE COZIEST ” invites listeners into a world of vibrant energy and confident swagger. The title suggests a sense of comfort and self-assurance, reflected in the artist’s portrayal of enjoying life’s nightlife with ease.
From fast-paced adventures to laid-back moments, the song captures the essence of living in the moment and embracing a carefree attitude.
With its catchy hooks and pulsating beats, “The Coziest” promises to transport listeners to a world of excitement and relaxation. Listen to it here
Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”
Emerging from the rich tapestry of the UK music scene, Starlight Alice debuts their single “I Swear to God (You’re Never Getting Out)”—a masterful blend of introspection and exuberance. Combining the talents of Jacob Browne and Luke Potter, both seasoned in their own rights through solo projects and songwriting for others, this dynamic duo dives into an ocean of emotions with a track that resonates deeply.
At its core, “I Swear to God…” explores the timeless struggle with inner demons—a theme as ancient as folklore yet as fresh as tomorrow’s sunrise. This anthem wraps itself around your thoughts like a vine, blending genres effortlessly. Imagine if Simon & Garfunkel took a road trip with The Lumineers, discussing personal battles over coffee; this would be playing on repeat in that car.
The folk foundation allows for storytelling depth while Americana adds texture—rustic yet refined—and pop elements inject an infectious energy that makes you want to stomp along. It becomes evident how each band member’s past endeavors have shaped this record: there’s wisdom interlaced with ambition.
Vocally, Browne and Potter harmonize not just musically but spiritually too; it’s anthemic male vocals that suggest unity against shared foes. Their melodies float above lush arrangements like autumn leaves carried by a brisk wind—analogies made all the more poignant considering both are adept at channeling emotion into lyrics.
Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”
Sonically, it starts upbeat heralding an adventure but evolves into something more profound; a reminder that our battles may rage within but conquering them requires singing out loud sometimes unapologetically so.
“I Swear to God (You’re Never Getting Out)” isn’t merely heard; it is felt—a goosebump-inducing combination of melody and message commandeered by artists firing on all cylinders making sure their listeners do indeed ‘feel’ every note.
Comparisons aside though Starlight Alice have carved distinct initials into the oak tree of modern music with this offering. Where they go from here remains unseen but one thing is certain: we’re eager travelers willing followers ready for wherever their journey takes us.
Nick Cody's 'Nobody's Baby Now': A Folk Rock Serenade
In the single “Nobody’s Baby Now” from their upcoming collection, “Covering these Tracks Volume II,” Nick Cody And The Heartache have distilled a potion of serenity and yearning that courses through the veins of folk rock with an Americana spirit. This tranquil track serves as both an introduction to the band’s unique charm and a precursor to their much-anticipated album set for release on April 26th, 2024.
The ensemble, featuring talents like Towse, Corwin Zekley, and Harry Orme, crafts a sound that is simultaneously comforting and complex. Their ability to weave calmness into brilliant melodies showcases not just technical proficiency but also deep emotional intelligence. With male vocals guiding us through each verse, there’s something hauntingly familiar yet refreshingly new about this number.
Musically speaking, “Nobody’s Baby Now” nestles comfortably in the realm of alt-folk rock and Americana, but its reach extends far beyond genre confines. It echoes whispers of Bob Dylan’s poise combined with Fleet Foxes’ melodic sophistication—yet it stands independently proud because of its unique narrative voice.
Nick Cody’s ‘Nobody’s Baby Now’: A Folk Rock Serenade
Themes explored within the song delve into feelings of loss, longing, and perhaps the complexities of relationships. Lyrics flow like poetic musings set against a backdrop so lush one can almost feel himself enveloped within its calm embrace—a testament to what modern folk-influenced music can achieve when executed flawlessly.
Featured in Rock & Reel magazine’s Un-Herd CD this January issue underscores how Nick Cody And The Heartache aren’t merely creating songs; they’re sculpting experiences meant for easy listening yet ripe with layers waiting to be peeled back by eager ears.
As we anticipate “Covering these Tracks Volume II,” it becomes clear: “Nobody’s Baby Now” isn’t just another track—it’s an earnest offering from a group unafraid to bare soul through strums and hums—a prelude whispering promises of more brilliance ahead. Whether you’re seeking solace or simply appreciate well-crafted stories set to tune this single beckons you into Nick Cody And The Heartache’s embracing sound garden where every listener feels right at home among tales spun under starlit skies.
Confessions in Melody: Prince Of Sweden's “The Elephant in the Room”
In the realm of deeply introspective and emotive music, Prince Of Sweden’s latest single, “The Elephant in the Room,” treads softly yet leaves indelible footprints on the heart. It’s a masterful blend of indie rock finesse and soft rock accessibility that invites listeners into a space of vulnerability seldom visited with such grace and care.
From its first gentle strum, the song wraps you in an intimate soundscape akin to being cloaked in twilight’s last glimmer. The guitar work is nothing short of captivating—a meticulous dance between lightness and depth, painting strokes broad enough for all to find solace within while maintaining an intricate detailing that keeps you coming back for nuances previously unnoticed.
Prince Of Sweden’s voice carries weight—the kind earned through lived experiences—turning each verse into confessions or perhaps conversations meant only for those moments when we’re truly alone with ourselves. His baritone, reminiscent at times of Eddie Vedder’s earnest crooning or David Bowie’s chameleonic storytelling, becomes a vessel for exploring themes not just sung about but felt: renewal amidst reflection; strength found within acknowledgment of one’s vulnerabilities.
“The Elephant in the Room” doesn’t shy away from making listeners feel exposed; instead, it delicately peels away layers revealing both the beauty and pain inherent in introspection. There’s something undeniably brave about how Prince Of Sweden navigates this emotional tightrope—not as a spectacle but rather as shared human condition deserving empathy rather than judgment.
Confessions in Melody: Prince Of Sweden’s “The Elephant in the Room”
Musically speaking, comparisons might draw lines toward Jeff Buckley’s ability to make his guitar speak as profoundly as his lyrics or Damien Rice’s flair for turning simplicity into euphoria. Yet what sets Prince Of Sweden apart is how effortlessly he interweaves those influences into something uniquely pertinent—a modern anthem for self-reflection hidden beneath feather-light melodies carrying heavyweight emotions.
“The Elephant in the Room” serves not merely as music but more so an invitation: To confront our own elephants lying dormant inside rooms built from avoidance or fear. Through this track’s compelling narrative wrapped around equally immersive instrumentals, Prince Of Sweden holds up sonic prisms reflecting parts of us unseen except through melody-driven clarity—a feat positively few accomplish with such genuine artistry.
This song isn’t just heard; it resounds within empty chambers we’ve all forgotten—or chosen—to ignore bringing warmth where there was once voidness. In essence “The Elephant in The Room” vibrates not just across airwaves but through very fabrics comprising humanness demanding attention yet offering comfort simultaneously – A paradox only true artists can weave together seamlessly.
Mēl Makes Artiste Debut With Single “Siren's Call”
Fast-rising producer, sound engineer, and instrumentalist Mēl just released her debut single, “Siren’s Call” on the 15th of February, 2024. It features the phenomenal Ria Boss and the sensational Darkua delivering an Afro-Soul vocal performance carrying fierce and piercing lyrics.
“Created by women and for women”, the alternative R&B song speaks on issues of abuse and oppression in a patriarchal world. At its surface, it’s about women getting their lick back from men who have done them wrong. In its entirety however, the song is a celebration of women supporting women—standing together, having each other’s backs, and taking charge of our destinies.
“Siren’s Call” is the first single off of Mēl’s upcoming tape set to be released in March in celebration of International Women’s Month. This is the first taste of amazing collaborations from women in music and arts in Ghana.
Stream “Siren’s Call” out now on all digital streaming platforms here
Aoun Unveils Heartfelt Journey in "Smoker’s Cough (Afterword)"
In an era where the lines between music genres blur more with each passing day, Aoun’s latest single “Smoker’s Cough (Afterword)” emerges as a beacon of pure, unadulterated emotion. This track is not just a song; it’s a journey through the rugged terrain of past relationships and the solitude that often follows their demise. Through its folk roots, “Smoker’s Cough (Afterword)” captures something timeless—a feeling as old as heartbreak itself but dressed in contemporary clothing.
The song relies on acoustic elements to set its tone: each strum resonating like ripples across the quiet surface of a lake at dusk. The simplicity of this arrangement ensures that nothing detracts from Aoun’s raw vocal delivery—his voice carrying both strength and fragility, much like paper lanterns floating into the night sky. It’s in this delicate balance that we find ourselves completely engulfed by his reflections on loneliness and lost love.
“Smoker’s Cough (Afterword)”, performed live without backing band support, evokes images reminiscent of dimly lit coffee shops where poets bare their souls to small crowds hungry for authenticity. This choice to go solo enhances the vulnerability and honesty of his message—a gamble that pays off beautifully by creating an intimate connection with listeners as if conversing directly with them.
As we learn this single serves as the conclusive chapter to an upcoming album structured akin to a novel or storybook—tracing a narrative arc over a year spent with a lover—the choice of wrapping up such an emotional odyssey unplugged gains even deeper significance. One can only imagine how narratively rich and musically varied this album will be if “Smoker’s Cough” serves as its epilogue.
Aoun Unveils Heartfelt Journey in “Smoker’s Cough (Afterword)”
Comparisons might be drawn to artists such as Bon Iver for the emotional depth or Nick Drake for his acute sense for folk storytelling; yet Aoun carves out his distinct niche within these influences—a storyteller not merely content retelling experiences but instead inviting us on auditory expeditions through landscapes paved with memories both bitter and sweet.
For those attuned to music’s powers—one moment serving as comfort food for our soul-eating moments while doubling art therapy next—”Smoker’s Cough (Afterword)” offers solace in knowing you’re neither alone in your feelings nor unique in your suffering. Therein lies its beauty; it binds us together under shared skies whispering confessions carried away by winds towards hopeful tomorrows.
Anticipation now builds not just for what stories lie ahead but also how they’ll be told musically when Aoun unveils his full record—an ambitious undertaking promising narratives woven seamlessly amongst melodies guaranteed captivate hearts open enough listen genuinely truly hear.
Breaking Barriers: Braska's “I Can't” Redefines Pop Resistance
In a world rife with easy beats and simpler narratives, “I Can’t” by the Italian virtuoso Braska emerges as a beacon of resilience and authenticity. This single, ripe with Braska’s wonderful female vocals that hum with the gravity of Florence Welch yet dance with the lightness of Robyn, is not just a song—it’s an anthem.
Produced by LoZar—the steady hand behind Braska’s expanding sonic universe—”I Can’t” drives forward with an undeniably pop sensibility but eschews the genre’s oft surface-level engagement for deeper waters. Herein lies its magic: merging mainstream appeal with heartfelt messages about strength amidst societal and personal injustice. The production marries sweeping synths to robust percussions, creating a soundscape vast enough for Braska’s voice to soar high on her declarations of continuous fight against adversity.
The theme rings clear—resistance in motion; it serves as both dedication and rallying cry for those who’ve ever felt their backs against the wall due to prejudice or pressure to conform. Drawing lines from her previous works featured on Rai Sport —”Tu Mi Hai Visto Così” and “Questo Mare”—it’s evident how much authenticity pulsates through everything Braska touches; these singles having laid down early markers of her commitment to unadulterated expressions. And yes, while they showed promise, “I Can’t” cements that potential into something palpable—a meteoric rise in both message delivery and musicality.
Breaking Barriers: Braska’s “I Can’t” Redefines Pop Resistance
Sitting comfortably at 25 years old, this singer-songwriter from La Spezia isn’t just making music; she’s sculpting her narrative directly into Italy’s pop culture consciousness without sacrificing integrity for mass appeal—an act itself resembling resistance. It reflects an understanding that sometimes you can’t stop—not because you lack the desire but because your convictions leave no room for retreat or silence in face of wrongs.
Drawing connections would perhaps undersell what Braska is achieving here; however fans of strong evocative voices like Sia or empowerment anthems à la Lady Gaga might find themselves right at home within “I Can’t”. Yet comparisons aside, there exists immense value in allowing “I Can’t” its distinct space—a carved niche reminding us all why stopping isn’t always an option when facing injustices.
Indeed, if this release sends any message loud and clear across the echoes of modern Pop corridors: it is that silence remains complicit—and at least according to Braska–that simply can’t continue.
Exploring Intimacy: The Velvet Tones of 'Your Body' by Ooma
In the ethereal ambiance of their latest release, “Your Body,” Ooma transports listeners to a place where genres intertwine like lovers, and melodies flow as freely as whispers between soulmates. This single acts not only as a showcase for Ooma’s uniquely blended sound but also as a love letter to the twin muses of creativity and passion.
“Your Body” is an exploration led by Tansy Greenlee’s velvet-toned vocalsᅳan intimate journey through dreamlike passages that beckon with the warmth of a lover’s embrace. The synergy between Nicolas Bauer (bass), Florian Berret (keyboards), Hélios Mikhaïl (drums), and Greenlee is palpable, crafting an experience that feels at once personal and universally relatable. Their music navigates through themes of love and intimacy with ease, evoking images of dimly lit rooms where time seems to stand still amidst soft laughter and shared secrets.
Exploring Intimacy: The Velvet Tones of ‘Your Body’ by Ooma
The track stands confidently on the crossroads of soul, jazz, and trip-hopᅳa testament to Ooma’s ability to meld these genres into something both familiar yet distinctly innovative. It echoes influences from Massive Attack’s seminal trip-hop atmospheres to Amy Winehouse’s raw emotional delivery in modern jazz while leaving its own indelible mark within this illustrious lineage.
What sets “Your Body” apart isn’t just its seamless genre-blending or even its lyrical depth; it’s the effortless improvisation that breathes life into every note. Each instrument converses fluently with one anotherᅳBauer’s bass providing sultry grooves against Berret’s keys cascading around Mikhail’s rhythmic heartbeatsᅳall serving as foundation for Greenlee’s soul-stirring performance.
Exploring Intimacy: The Velvet Tones of ‘Your Body’ by Ooma
Their reputation for emotive live shows precedes them, drawing well-earned praise across Parisian venues for energy-infused performances that captivate. Yet listening to “Your Body,” you might find yourself wrapped in such a cocoon of relaxation that it blurs lines between being audience member or partaker in this intimate musical dialog.
Ooma has carefully crafted an offering tailored not just towards fans but potential converts who believe there are no new territories left uncharted in music today. “Your Body” is proof-positive: here lies innovation nestled within comfort; familiarity dressed up anew; relaxation entwined firmly with exhilarationᅳit commands attention without raising its voice.
Engaging from beginning till endᅳ”Your Body” by Ooma redefines what we’ve grown accustomed from hybrid-genre musicianship proving once again why they’re one act whose progress deserves rapt attentiveness whether under faint stage lights or through headphones bathed in moonlight.
Diving headfirst into the acoustic embrace of “Kings & Queens” by Chelsy Kaze and her talented ensemble feels like discovering an untouched wellspring of emotive depth. This single, embellished with nuanced strings and harmonies that could only come from souls steeped in camaraderie, achieves what many seek but few find: a sonorous echo of ancient connections wrapped in the comforting cloak of folk-pop serenity.
This band’s origin story is as organic as their sound; born not out of industry machinations but from genuine friendship and shared musical journeys during quiet, introspective jams on lazy afternoons. “Kings & Queens,” a narrative rich with themes of eternal bonds and soulful reunions across lifetimes, is clearly the fruit of deeply intertwined artistic visions—Chelsy’s voice serving as both compass and beacon through this exploration.
Acoustic Alchemy: “Kings & Queens” by Chelsy Kaze
With Chelsy’s vocals articulating longing’s delicate ballet alongside Wesley Graham’s electric guitar narratives, Kaylin Cushenan’s vocal resonances providing support without overshadowing, topped with the emotional punctuation marks drawn by Peggy Lee’s cello—their collective effort crafts a soundscape where every note seems to breathe life into age-old stories waiting patiently to be told.
The essence captured within “Kings & Queens” transcends mere musical composition; it delves instead into profound meditations on love’s timelessness—the kind that inspires folklore yet remains palpably real. Here begins our journey through this auditory tapestry woven by artists who convey more than just melodies—they extend an invitation into realms where music meets myth.
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
Sis PS’s “I Am Done (Remix)” doesn’t so much arrive as it bursts through, a brilliant blaze of heart-driven pop and electrifying dance music that refuses to be ignored. From the depths of Germany’s vibrant music scene emerges a track that feels like both an arrival and a departure – a sonic pivot point for an artist who has traversed from rock band collaboration to striking out solo with undeniable confidence. This is where Sis PS stands now, solo for about 1.5 years but riding on waves shaped by diverse influences, from pop to EDM.
At first glance, one might think they know what to expect from this genre fusion – lively beats meant simply for dancing away concerns. And yet, “I Am Done (Remix)” dives deeper. It’s anthemic in every sense of the word but interwoven with messages of reinvention and resilience against life’s low tides.
With her roots previously planted in rock bands before blossoming into her current incarnation as a singer/songwriter & producer focusing on genres spanning across Pop to EDM, Sis PS illustrates her journey towards self-discovery and empowerment through compelling female vocals layered beautifully atop upbeat dance rhythms; transforming personal revelations into universal truths.
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
The song speaks volumes about breaking free from negative influences—themes that echo louder amidst its robust production quality that straddles commercial appeal without ever slipping into generic territory—a testament to Sis PS’s capabilities not just behind the mic but behind the decks too.
What sets this remix apart is how it manages to capture and convey emotions akin to looking forward after tumultuous times — all while making listeners want to move instinctively along with its beat. Its style nods subtly towards established Singer/Songwriter Pop artists while infusing elements reminiscent of mainstream Dance hits – think lush synthesized landscapes paired with poignant lyrics delivered powerfully enough to stir echos within their listener’s hearts.
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
Her transition over roughly 1.5 years from group projects back towards independence underscores “I Am Done (Remix)” not only as growth musically but personally too; hence why there remains something raw beneath its polished exterior—ensuring connectivity beyond mere auditory appreciation.
Listening through “I Am Done (Remix),” one can’t help drawing parallels between the infectious energy driving Scandinavian pop artists or even hints at EDM powerhouses’ boldness —yet neatly wrapped in Sis PS’s soul-stirring narrative; Painting vivid stories against vast electronic canvases making each listen feel intimately epic.
In essence, hearing “I Am Done (Remix)” isn’t just experiencing another single—it’s witnessing musical alchemy where heartache redirects toward hopefulness under Sis PS’s deft craftsmanship—an exhilarating peek into what lies ahead for this talented German artist.
Cristina Movileanu: Crafting Connection with “Heaven's Blend”
In the sea of 21st-century music, where sonic waves often crash into one another in a cacophony of genres and styles struggling to stand out, Cristina Movileanu’s single “Heaven’s Blend” emerges as an isle of serenity. This musical piece stands testament not just to Movileanu’s artistic prowess but also showcases the beauty that blooms from collaboration—with fans and seasoned professionals alike.
The track eloquently explores themes of solitude, faith, and celestial connection through its soulful melody—a reminder that in moments of isolation there lies a bridge to the divine. Cristina’s voice serves as this very bridge; it’s both otherworldly yet profoundly human, capable of carrying the weighty emotions encapsulated within her poetic songwriting without faltering.
From a production standpoint, Musiversal’s expertise shines brightly. The decision to incorporate Mike Fonte on mandandolin & guitar ; João Paulo Drumond on percussion; Bruno Migliari on bass crafts an intricate yet unobtrusive backdrop for Cristina’s vocals to soar. Pedro Araújo arrangement ensures each note and beat holds meaning—there are no gratuitous elements here; everything serves the greater purpose of enriching “Heaven’s Blend”.
Cristina Movileanu: Crafting Connection with “Heaven’s Blend”
The mixing and mastering by Bruce Allen alongside collaborative touches from Marjo Gómez forge an atmosphere so welcoming you’d think the music itself extends a hand invitingly towards you. And let us not forget about Cristina herself taking charge with the artwork design—a visual symbiosis with its auditory counterpart providing listeners not merely songs but experiences.
Drawing parallels isn’t straightforward when considering “Heaven’s Blend”; it exists within its sphere. Yes, aficionados might discern hints reminiscent of Tracy Chapman or perhaps Norah Jones in their more introspective works—yet comparing does little justice here. Cristina finds companionship amid echoes past and refrains familiar while walking resolutely down a path she paves herself.
This easy-listening record invites individuals across spectra—from those seeking solace after long days or anyone inclined toward ruminating under starry-night canvases about connections beyond our earthly realm.
With “Heaven’s Blend”, we’re reminded that true artistry dwells in creating spaces for listeners’ thoughts and feelings to unfurl naturally—like clouds parting after rain revealing hints at some infinite yonder—and therein lays its power: transporting us momentarily away from tumultuous seas below onto ethereal realms above matching neither geography nor time but simply existing somewhere between heartbeat skips during profound silence enveloping souls entwined through melodies binding terra firma et celestia together peacefully if only temporarily…
Danielle Bloom's “Start a Revolution”: An Anthem for Change
“Start a Revolution,” the latest thunderous offering from Danielle Bloom and her formidable band comprised of Shane Lamb wielding his guitar like a battle axe, Dan Douchette punishing the drums with righteous fury, and Tommy McDonald laying down bass lines that rattle the soul, is a roaring anthem for change that refuses to go unnoticed.
Recorded in Nashville’s “The Insanery” studio under the meticulous ear of producer Casey Wood and borne from the collective genius of Bloom, Aaron Julison, and Lamb themselves, this single erupts into existence with an electrifying blend of raw energy and polished rock prowess. It’s as if Joan Jett’s rebellious spirit was cross-pollinated with Heart’s melodic sensibilities then dipped in contemporary grit — versatile yet unmistakably rock.
What sets “Start a Revolution” apart is not just its compelling execution but its throbbing heart. Celebrating individuality while calling for empowerment paints every note Bloom belts out. Her strong female vocals do more than just soar; they dive deep into your chest, stirring a primal urge to stand up against conformity. This isn’t merely music; it’s an awakening—a clarion call wrapped in electric chords that light up shadows lingering over personal freedoms.
Danielle Bloom’s “Start a Revolution”: An Anthem for Change
Throughout this volcanic track lies skilled artistry; Shane Lamb delivers riff after searing riff that could easily be seen battling among legends in rock Valhalla. Douchette’s drum work builds tension before exploding like cannon fire while McDonald ensures each moment is grounded by pulsating rhythms you feel instead of hearing—a foundation upon which revolutions are built.
Yet amidst all its powerhouse display lies beautiful unity within diversity—each band member shines individually without overshadowing one another—much like how “Start A Revolution” calls listeners to shine their unique lights brighter together rather than apart.
Drawing parallels might be tempting—to say it reminds us faintly of when Fleetwood Mac met edge or Guns N’ Roses dared soften—but what Danielle Bloom offers here defies simple comparison. She weaves nostalgia with novelty so seamlessly you’re left reveling not solely on influences past but looking forward to where she’ll lead next on this revolutionary path she carves musically.
In essence, “Start A Revolution” doesn’t just pulse with anthemic potency or showcase technical finesse—it vibrates intensely on emotional wavelengths too often forgotten in mainstream waves—a reminder why music can sometimes be our biggest catalyst for change.
Lucid Evolution's 'Water!': A New Psychedelic Rock Anthem
“Water!” by Lucid Evolution crashes onto the music scene with an impact that ripples through your senses, marrying classic rock’s soulful legacy with the expansive realms of psychedelic soundscapes. At its core, this single is a deep dive into emotional and auditory exploration, showcasing how tranquility and power can coexist within the same sonic space.
The track unfurls with female vocals that are nothing short of captivating—a beacon guiding us through the swirling mists of sound. It’s as if these vocals have harnessed the raw energy of nature itself, channeling it into waves of melody that ebb and flow throughout the piece. This is where “Water!” distinguishes itself; in its ability to conjure vivid imagery and evoke emotions as varied and vast as the ocean.
Listeners familiar with Lucid Evolution’s body of work will recognize their signature cocktail—psychedelic nuances faithfully interwoven with a robust sonic architecture that has anchored their reputation in Richmond, VA’s dynamic music landscape. Yet, “Water!” feels like a step further into uncharted territories. Drawing from classic rock’s reservoir while infusing elements that transcend traditional genre definitions reveals not only artistic growth but also unrivaled audacity.
Where one might expect nostalgia from such an ensemble renowned for blending classical influences with contemporary flair, there exists instead innovation. The track manages to resonate on frequencies both retrograde and undiscovered—an enthralling experience akin to flipping through time-worn pages whilst penning new chapters simultaneously.
Lucid Evolution’s ‘Water!’: A New Psychedelic Rock Anthem
Instrumentally speaking, “Water!” cascades over listeners like waves crashing against rocky shores—each chord strikingly deliberate yet effortlessly fluid. The juxtaposition between celestial serenity atop tumultuous undercurrents doesn’t just speak; it sings volumes about life’s inherent contradictions—the calm before storms or strength found amid vulnerability.
Perhaps what is most impressive about “Water!” is not solely its deft synthesis of genres but rather how it embodies emotionality so wholly you can’t help but be swept away into introspective tides reminiscent yet refreshingly novel.
Comparative nods could be tipped towards legends across eras—from Jefferson Airplane to modern psychedelics explorers like MGMT—but such comparisons merely scratch at “Water!’s” surface brilliance: Its true potency lies in immersing listeners in experiential deluges where past influences ripple beneath innovative currents.
Beyond offering up another hit song ripe for critical acclaim or passionate fanbase adulation, “Water!” symbolizes Lucid Evolution’s radiant journey—they chart courses beyond mere musicality into visceral realms echoing human experiences at sea amidst soundscape expanses.
With ”Water!,” we’re reminded why venturing beneath surfaces uncovers depths otherwise unseen: Herein lays an abstracted mirror reflecting our intrinsic oscillations between peace and upheaval—musically encapsulated by a band capable not only traversing these depths but thriving within them.
From Dreams to Tunes: A Chat with IN Kelly And His Latest Single
So today, we are getting close and personal with KELLY, a mastermind of the dreamy indie pop/rock vibes you can’t get enough of.
I mean, that’s the guy whose music career is coming true, one catchy song at after the other. But how did he think of that stage name actually? A name that Norwegian people find difficult to pronounce, he chose Kelly as it is easy to say. Put a little “IN” for international touch, and there was IN Kelly.
Where does the inspiration of IN Kelly come from? Amazingly, much of it derives from those brief seconds before he drifts off to sleep. Yes, you got it correctly. His musical ideas like playing peakaboo just before he goes to bed. A creative alarm clock is to talk about!
IN Kelly has always had a big interest in music. From listening to the tunes of his older brother to getting chilled while hearing Pink Floyd’s scary sounds, he’s been going through melodies since day one. Together with a family of musicians and artists, creativity might be in his blood.
However, music is not the only thing that IN Kelly focuses on—it’s the stories he portrays through his songs. With a lot of inspiration from The Smiths, The Cure, and The Strokes, he easily spins poetic short stories that will get hold of your heart.
Ahead of his solo debut album “Sleepwalker,” K. Kelly isn’t just about creating music but making connections as well. As he plucks his guitar strings or writes songs, he is inviting you onto a voyage where dreams become reality and music soars.
Is there a story behind your stage name? Dreaming of becoming a professional musician in my youth, I thought my Norwegian name was too hard to pronounce outside of Norway. I therefore took the name Kelly, as it has the same first letter as my real name. As a lot of artists have the same name, I’m adding IN to it, as it is my International Name.
Where do you find inspiration? Mostly from dreaming and daydreaming. I often get musical ideas right before falling asleep, and I have to choose between prioritizing sleep or getting the idea in some form on a recorder.
What was the role of music in the early years of your life? Listening to music was a big part of my childhood, and I would mostly listen to what my older brother was listening to at the time. I have fond memories of my father playing Tom Waits records in the car, and I found the opening track on Pink Floyd’s Dark Side of the Moon a bit scary.
Are you from a musical or artistic family? Yes, most of my family on both my mother and father’s side play at least one instrument and are above average interested in music, and some are also into film and painting.
Who inspired you to be a part of the music industry? In my early youth, bands like Oasis made me want to live a life as a musician. But later I understood that this wasn’t the life I wanted, and I don’t consider myself to be part of the music industry. I make music that I want people to hear, but I feel free in making what I want outside of the industry part.
How did you learn to sing/write/to play? I got my first guitar for Christmas when I was thirteen years old. At the time I was a huge fan of bands like Oasis, and I discovered that I could find guitar chords for all of their songs on the internet. I taught myself to play that way, I never had a teacher. Then I started to only play and sing songs I wrote myself, sometimes discovering guitar chords I wasn’t sure were “real chords”.
I got my first guitar for Christmas when I was thirteen years old. At the time I was a huge fan of bands like Oasis
What was the first concert that you ever went to and who did you see perform? The first big concert I attended I think was Bon Jovi in Oslo in 1993 – when I was nine years old. I went with my mother and brother.
How could you describe your music? I would describe it as dreamy melodic indie pop/rock with post-punk influences.
Describe your creative process. When we make music as a band, we jam together and I add melodies and lyrics. As a solo artist, I create melodies on an acoustic guitar before writing the lyrics. Then I experiment with other instruments before I let my subconscious work for a while, letting additional ideas come spontaneously.
What is your main inspiration? Inspiration naturally comes from other bands and musicians I listen to or listened to growing up, like The Smiths, The Cure, The Strokes, Nick Cave and Patrick Duff. Influences that may not be as obvious are Sonic Youth and Pixies, and I can also be inspired by newer music like Wolf Alice and Diiv.
What musician do you admire most and why? Maybe Björk, for not being or sounding like anyone else.
Did your style evolve since the beginning of your career? I definitely hope so, as I started writing songs when I was thirteen. I like to always try new things, experiment with styles and structure. There are a lot more synth sounds on my solo album compared to the songs in my band Bravo Papa.
Who do you see as your main competitor? I don’t think I compete with anybody. I don’t know what I would compete over.
What are your interests outside of music? Psychology, watching movies, reading.
If it wasn’t a music career, what would you be doing? I would be a psychologist.
What is the biggest problem you have encountered in the journey of music? Getting the music heard.
If you could change one thing in the music industry, what would it be? I’m not sure if I understand how the music industry works today. As an example, I was suddenly notified that an old track of ours from 2014 had gained more than 60.000 streams on Tiktok. When I looked into it, someone had used our song over a picture of a father putting his “oppositional son in the trunk”, with the message “Bravo Papa” – the name of our band. If that’s in any way representative for how you can get your music heard today, I have to say I feel a bit nostalgic.
Why did you choose this as the title of this project? The “Sleepwalker” is one of the characters in the song. My partner has compared my songs to dreamy short stories, and this song is no exception. It’s about a kind of relationship one can be nostalgic about, but that could only exist at a certain point in time.
What are your plans for the coming months? ‘Sleepwalker’ is the first single from my upcoming solo album, which I am looking forward to releasing very soon.
Do you have any artistic collaboration plans Not any concrete plans, but I am looking forward to creating music with Bravo Papa again.
What message would you like to give to your fans? Enjoy the process!
Getting Real: A Chat with The Listros about 'Hands Against The Wall'
The Listros are a rock band fronted by the brothers Sean and Evan, and their latest song, “Hands Against The Wall,” has been creating quite a stir. This song came out on February 9, 2024, and people just cannot stop talking about it.
“Hands Against The Wall” is not any regular song, it’s a deep look into the muddy waters of toxic relationships. I mean, those times when want and addiction get all muddled up, then you are like drowning in a circle. Yes, this is what this song is actually about.
From a musical perspective The Listros are doing something very exciting. They’re combining rock and EDM influences to create something that’s unique and new. Sean is responsible for the vocals, guitars, synths, and programming, with Evan holding down the drumming. They are a team that has produced a song that has got many people bobbing their head and also feeling something deep.
Then how was the puzzle put together? Actually, it is Sean who wrote the song at home while being influenced by artists such as Nine Inch Nails and Linkin Park. When he had the fundamentals covered, he hired AJ Healey and Ross Hayes Citrullo to polish it off. They implemented certain changes, re-recorded parts, and mixed it all together to have the final version.
Where does this name come from? As it turns out, the story is in fact related to Sean’s own personal experiences with a rocky relationship. The song depicts the highs and lows of love, desire, and the other not-so-pretty parts.
In this The Listros interview, we’re exploring their creative process, the things that inspire them and how it feels to be part of this music environment. From jamming in their bedrooms to conquering the stage, the brothers Sean and Evan are telling us what is required for one to make it in the music business.
Mainly from listening to our favorite artists music. We initially take an idea we like from a song we’re inspired by, and then it always grows into something entirely of our own making. As for lyrics, a lot of inspiration comes from the experience of the self. The voice in our heads that fills us up with lies about who we are and what we can or cannot do. Temptations, addictions, self loathing, greed, are all examples of themes upon which we like to write about from our own personal experiences. Writing and singing about them is a form of therapy. We write for ourselves.
What was the role of music in the early years of your life?
From an early age, there was always a fascination with the arts. Sean’s first taste of music was from an early love of musicals, particularly Singing In The Rain and Moulin Rouge. Eventually, after hearing Led Zeppelin for the first time at age 9 and age 7, Sean and Evan became obsessed with rock music. Their older brother, Joe, started taking guitar lessons in which the family bought a Squier Stratocaster. One day, Sean picked it up and the rest is history. Evan’s drumming came about after discovering his drumming ability from the video game Rock Band in high school.
Are you from a musical or artistic family?
Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents. Our older brother, in particular, is the biggest lover of music. He was always discovering and showing us music from a variety of genres. His taste was, and still is, excellent. That consistent exposure to great music really helped form our musical tastes.
Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents.
Who inspired you to be a part of the music industry?
There’s a few. Initially it was just Jimmy Page, then Metallica, then Trent Reznor, and Hans Zimmer.
How did you learn to sing/write/to play?
Initially, at age 9, Sean took guitar lessons, but quickly grew to hate the weekly learning curriculum they made him endure. Learning boring songs like ‘When The Saints Go Marching In’ or ‘Hot Cross Buns’, combined with the difficulty he felt learning the instrument, made him lose interest in which he put the guitar away for 2 years. One day, when he was 11, his friend taught him how to read guitar tabs and where to find them online. This changed everything. The ability to choose the songs he wanted to learn, and the access to learn them sent Sean on a road to teaching himself.
As for writing, Sean learned from listening to a ton of music, and from writing a ton of bad songs. Eventually, with enough practice, combined with his musical tastes, songwriting began to improve.
Vocals came from singing constantly since age 15. Eventually Sean found a vocal coach which helped tremendously. Learning to sing properly without damaging the vocal chords, combined with efficient energy release, was a game changer. Sean recorded the vocal lessons, and practiced with the recording everyday for 2-3 years. These recordings we 45 minute vocal lessons which included vocal scales and techniques.
Evan learned to play drums after his experience with the video game Rock Band. For his first few years playing, he had a drum teacher who came over once a week. Between the lessons, and his consistent practice, Evan’s drum skills grew and grew. Studying the greats John Bonham, Buddy Rich, and Dave Grohl, just to name a few, Evan studied and practiced along with his favorite artists.
What was the first concert that you ever went to and who did you see perform?
First concert Sean went to was Backstreet Boys in 1998.
How Was The Song Recorded (what was the process like, who was it recorded with, how was the track create)?
Heavily influenced by Nine Inch Nails, Linkin Park, and The Vines, the song was initially written and produced by Sean at his home studio. Searching for inspiration, Sean listened to and studied his favourite artists to help inspire some ideas. Once the musical idea was formed, Sean recorded a demo using Ableton. The guitars were recorded with a Neural DSP Quad Cortex, the vocals recorded with an AT4040 mic, drums were samples, while the synths were programmed with Arturia Pigments and a ton of distortion. After finishing the track, very similar to the creative process of their first single, ‘Into The Otherside’, Sean presented it to AJ and Evan where they then got together and collaborated. The collaboration involved rearrangements, re-recordings, re-writes, and mixing that propelled the song into the next level of completion .
After preproduction finished, we re-recorded the drums, guitars, and vocals at RHC Music studio in Toronto with audio engineer Ross Hayes Citrullo (The Sheepdogs, Monster Truck, Marianas Trench).
Once we finished the final recordings, we took them back to AJ to include them into a final mix.
The final mix was then sent off to Robin Schmidt (The 1975, Sam Fender, Liam Gallagher) for mastering.
What Inspired You To Write / Create The Track?
Searching for inspiration after their debut song, Sean listened to and studied various rock artists to help inspire more ideas. Once the musical idea was formed, the song led him into writing it about the toxic on and off relationship he was experiencing at the time with his ex.
What Is The Message You Wish Listeners To Take Away From The Track?
Above all, we wanted to write a song we felt was relatable. A song about lust and a toxic relationship is something we feel people will be able to connect with. It’s fun, a little dangerous, and exciting. We want it to fill people with energy, while also making them feel a little sexy.
A Review of Gary Dranow and The Emotions' Latest Single 'Mother’s Angry'
If you’re looking for a tune that’ll grab you by the heartstrings, look no further than Gary Dranow and The Emotions’ newest release, “Mother’s Angry.” This song hit the airwaves on February 8th, 2024, and it’s already making waves on all the streaming platforms. And let me tell you, it’s not hard to see why.
The moment you press play you are greeted by an eerie guitar riffs, which is later layered by Gary Dranow’s vocals as it soar above a backdrop of gritty guitars, blending rock and blues into a sound that’s impossible to ignore. The production is top-notch, and listening to this you can tell alot of emotions went into the production.
But what really sets “Mother’s Angry” apart is the storytelling. The lyrics paint a picture of raw emotion and real-life struggles. It’s the kind of song that makes you feel something, you know? And with everything going on in the world today, that’s something we could all use a little more of.
A Review of Gary Dranow and The Emotions’ Latest Single ‘Mother’s Angry’
The overall production is on point, the drums keep the beat driving forward, while the guitars add layers of intensity that would keep you nodding before you even realize. It’s the kind of song that sounds just as good through your headphones as it does blasting out of your car speakers.
Gary Dranow and The Emotions have knocked it out of the park with this one, So if you’re in need of a pick-me-up, do yourself a favor and give “Mother’s Angry” a listen and I guarantee it’ll be stuck in your head for days to come.
Nature's Muse: Exploring Clara Cloud's Musical Journey
Hello guys join us at Musicarenagh as we leap into the world of Clara Cloud’s captivating world, a world where music weaves stories and nature’s enchantment blends with ethereal melodies. In her latest single, “Weathervane,” Clara takes us on a compelling journey through self-doubt, infusing indie-pop elements with the rich tapestry of Greek mythology. As we embark on this musical journey, Clara invites us to explore the depths of her creative process and the inspirations driving her unique sound.
Drawing from her Canadian roots, Clara incorporates elements of Celtic and folk into her indie-pop creations, crafting rhythms that are both mesmerizing and evocative.
For Clara, music is a form of magic, transporting listeners to ethereal realms. Her upcoming video album, “The Woods,” promises to be a captivating journey, where Clara’s distinctive sound and evocative lyrics come together to create an immersive experience.
Now join us as we delve into Clara Cloud’s musical world, exploring themes of nature, myth, and the human experience that resonate in her art. Clara shares the stories behind her music and the journey of this season. Let’s dive in!
Is there a story behind your stage name? My last name is MacLeod (pronouned Mac-Cloud), which I love and think also gives a really ethereal, airy vibe, but a lot of people would mispronounce. So to keep the vibe without the risk of mispronouncing, last year I changed my music to be under “Clara Cloud”
Where do you find inspiration? I find a lot of inspiration in nature and in storytelling. I always weave in some personal experience into lyrics, but my biggest inspiration has always been telling a story through music (both sonically and lyrically). I’m also a huge lover of Greek mythology, so that theme makes its way into a lot of my work too!
What was the role of music in the early years of your life? I started music classes when I was 5, but even before that it was a huge part of my life. My favourite movies were The Wizard of Oz, Sound of Music, Anastasia, and anything Disney, and my mom would make a stack of books into a “stage” for me to perform on. My whole life, music has been a constant source of joy and an outlet for me.
I started music classes when I was 5, but even before that it was a huge part of my life.
Are you from a musical or artistic family? Yes and no! My parents both work in education and don’t have any musical background, but somehow all of my siblings and I ended up loving music. I have two brothers and two sisters, and all of us are connected to music in some way (my sister is a drummer and singer, my other sister plays piano and guitar, my brother plays guitar, and my other brother plays the trumpet). My family has always been supportive of my musical endeavors and all my siblings too.
Who inspired you to be a part of the music industry? My background is originally in musical theatre, so Julie Andrews played a huge part in inspiring me to pursue music professionally. For my own identity beyond musical theatre, I was inspired by my partner Tristan, my best friend Jenna, and my family. I’ve always loved writing music and singing, but had never really shared it. During the pandemic, they encouraged me to put myself out there!
How did you learn to sing/write/to play? Writing and storytelling is something I learned from my mom. She had me reading well above grade level (perks of having a teacher as your mom!) and fostered in me a love of stories. She also endlessly encouraged me to create my own. For music, I had some amazing teachers growing up that taught me piano, guitar, and voice. I also went to university for musical theatre and continue to learn as much as I can!
What was the first concert that you ever went to and who did you see perform? I grew up in a really small town and didn’t get to see a ton of concerts growing up, but I remember I did go to see a local band, Lillix, when I was probably around 8 years old. That to me was so cool because they played pop-rock music, and most of what I’d seen live in the past had been classical or orchestra-based. It inspired me to want to do something like them one day!
How could you describe your music? Indie-dreampop-folk with some alternative and Celtic elements!
Describe your creative process. I like to try and get into a flow state where I just relax, don’t hold anything back, and let whatever words or music that want to come out of me, come out. If I’m already editing as I’m writing, or I’m thinking and analyzing the technical side as I’m creating, I know I’m not writing from an authentic place. As weird as it sounds, I find it best to sometimes zone out and allow the music to happen, then go back and adjust things later.
What is your main inspiration? Nature, mythology, and the desire to tell stories!
What musician do you admire most and why? So many! But two that always come to mind are Ingrid Michaelson and Sara Bareilles. I listened to them both A LOT in my formative years and was always swept away by their storytelling and how they conveyed emotions and stories not just with words, but with music too. The fact that they both went on to compose for musical theatre too is SO inspiring to me, as that’s a path I would love to go down as well.
Did your style evolve since the beginning of your career? It definitely did. When I first started, I was more focused on writing within the limitations of what I thought people would want to listen to, so everything was a lot more generic lyrically and musically.
I was more focused on writing within the limitations of what I thought people would want to listen to,
As I continued, I let myself explore a lot more. My roots as a person are in musical theatre and Celtic music (I grew up as a highland dancer), so I let those two elements shine through a lot more rather than suppressing them. I also let my lyrics become more specific based on the stories I wanted to tell.
Who do you see as your main competitor? I don’t think in the music industry there really needs to be a competition element! If someone is doing a similar thing to you, it’s actually a really cool thing because that means there can be some fan overlap. In my experience, fans don’t listen to two artists, pick the one they like better, and stop listening to the other. I believe in anything that my biggest competitor is myself, and I’m always trying to grow and learn as an artist.
What are your interests outside of music? I love acting and dance (particularly highland and tap!), writing stories beyond just songs, and creating new theatre works. I also love spending time outside, and spending time with my partner Tristan and puppy Pabu.
If it wasn’t a music career, what would you be doing? Teaching 100%! My parents and grandparents are all teachers and really impacted me growing up. Even while pursuing music, I still work as a music teacher.
What is the biggest problem you have encountered in the journey of music? Honestly, funding! Funding is really hard to come by especially if you’re a very small artist. This album project is one I had to fund myself because every grant I applied for turned it down. There were a lot of times it almost didn’t happen (and it still has two more things we need to finish!), but I’m endlessly grateful for all of the amazing people who came together to help me bring it to life.
If you could change one thing in the music industry, what would it be? More accessible funding for emerging artists who have not had a breakthrough of any kind yet. Many of these grants cited lack of social media following and lack of streams to the reason they wouldn’t fund this project, and I feel like that’s a tough cycle that a lot of indie artists get stuck in, and the reason so many amazing artists and songs never get to see the light of day.
Why did you choose this as the title of this project? Weathervane is all about essentially being caught in a storm of emotions. And if we think about an actual weathervane, when the wind is calm it points clearly in the direction it intends to, but when the storms pick up, its arrow swings around and loses all sense of direction.
It ties back to that idea that when times get tough, we can lose ourselves, our emotions can spiral, and we can be more easily influenced by what others are telling us.
What are your plans for the coming months? My debut visual album “The Woods”, which this single is from, is coming out in just a couple of months!
Do you have any artistic collaboration plans This album was done in collaboration with over 20 creatives from across BC. It was a project built from collaborative effort.
What message would you like to give to your fans? I genuinely see every single stream, every single view, every single action of support, and I cannot even tell you how much I appreciate it. Music can be a really discouraging industry, but knowing that someone out there is listening at the end of the day means more to me than I could ever say. Thank you <3
From Inspiration to Creation: The Journey of Dom Malin
Welcome to an exclusive interview with Dom Malin, the Birmingham-based singer-songwriter whose latest single “Surface” has captivated audiences with its blend of alternative rock sound and heartfelt lyrics. In this interview, we delve deep into Dom’s musical journey, inspirations, and creative process to uncover the essence behind his compelling music.
Dom Malin’s music resonates with honesty, raw emotion, and a sense of fun that reflects his unique approach to songwriting and performance. Drawing inspiration from personal experiences and the world around him, Dom’s music is a testament to the power of storytelling through melody and rhythm.
Join us as we explore the intricate layers of Dom Malin’s musical universe, from his early influences to his evolving style and aspirations for the future. Through candid reflections and personal anecdotes, Dom invites us into his world, sharing insights into his creative process, influences, and aspirations.
Get ready to dive deep into the heart of Dom Malin’s music as we unravel the stories behind the songs and discover the driving force behind his artistic journey. From the stage to the studio, Dom Malin’s passion for music shines through, leaving an indelible mark on all who listen.
So, without further ado, let’s embark on a journey through sound and emotion with Dom Malin, as we uncover the soulful melodies and heartfelt lyrics that define his unique musical identity.
For me, it comes from my own experiences and observations around me, in the world. A conversation with a mate or overhearing a stranger will strike inspiration and i’ll have to put Pen to paper and write the idea out.
What was the role of music in the early years of your life?
Music was always around me growing up. My parents were always playing joni mitchel, bob Dylan or neil young, and my uncle had (and still has) so many records that i loved to look Through as a kid. I started playing guitar at a young age from the encouragement of my mom and dad, and the early exposure to those previously mentioned legends played an important part in my early years.
Are you from a musical or artistic family?
In the way that my parents are appreciators of music, yes. But no one other than me plays an instrument
Who inspired you to be a part of the music industry?
The early influences of bob dylan and joni mitchell can be attributed to my career path, but also artists such as eric clapton, bruce springsteen and tom petty enhanced my love for playing guitar and songwriting. My love grew for performing and here i am.
How did you learn to sing/write/to play?
I‘ve never had any formal training i’m self-taught. My earliest memory of singing to a crowd was in school at a recital and from that moment i never looked back. I found my voice was an extension of my guitar playing and allowed me to explore the emotive structure of a song.
I‘ve never had any formal training i’m self-taught. My earliest memory of singing to a crowd was in school at a recital and from that moment i never looked back.
What was the first concert that you ever went to and who did you see perform?
Nils lofgren! He’s a multi-instrumentalist and a member of bruce springsteen’s e street band. He was playing a solo show and his professionalism and stage presence was infectious. One of the best experiences of my life.
How could you describe your music?
Honest, raw, and fun. I always try to have a cool lick in my guitar or a groovy piano melody.
Describe your creative process.
I think it changes everytime, but typically i start with a guitar or piano and once something comes together, i start to hear the arrangement in my head. I then work on the production, structure and instrumentation at home. Once i’m happy with the demo i re-track the parts in the studio.
What is your main inspiration?
Real-life stories/experiences with people who have faced adversity, rejection and loss.
What musician do you admire most and why?
Damien rice. He was one of my earliest self founded influences. His stage persona blew me away. I’ve always been captivated by how he embodies his songs live.
Did your style evolve since the beginning of your career?
It’s constantly evolving. From the musical to the themes i write about. I need to keep it interesting and mature. I’m not someone who will write the same song twice.
Who do you see as your main competitor?
Myself. I’m always setting new benchmarks and pushing boundaries.
What are your interests outside of music?
Travelling and exploring, cooking and playing tennis. I love taking on new challenges, for example, i tried skiing for the first time last winter and it was an incredible opportunity and so much fun. I also love wine, such a fun way to be a part of something creative that isn’t music.
If it wasn’t a music career, what would you be doing?
I would be a chef i think there are many similarities; discipline, and creativity.
What is the biggest problem you have encountered in the journey of music?
Without a doubt, location! It’s hugely important to position yourself where there is a scene to network and find your people.
if you could change one thing in the music industry, what would it be?
To be completely honest: it’s a hard industry to be a part of and it’s hard for a reason. You need to adapt and i do think the industry is heading in a positive direction. But if i could, I would change how artists are paid on streaming platforms.
Why did you choose this as the title of this project?
Surface has always been the title since its creation. It came to existence from a lifelong struggle of feeling like an outsider, perpetually on the fringes, trying to belong but never breaking through that barrier, that surface. This song explores the internal struggle of wanting to be a part of something, yearning to be heard, yet often feeling like a ghost—a mere whisper in the roaring crowd.
What are your plans for the coming months?
Quite a few releases! Touring in may-june through germany and the netherlands. More travel plans unrelated to music, continuing to be live on twitch (wednesdays and saturdays), live performances, and hustling.
Do you have any artistic collaboration plans?
Currently have 3 collaboration plans! And working with two other artists later this year. There’s going to be so much music coming out.
What message would you like to give to your fans?
Make yourself known! I’d love to get to know my audience.
Mesmerizing Melodies: A Deep Dive into Yannis Koser's 'Polar Aurora
Yannis Koser’s most recent creation, “Polar Aurora”, is taking a different creative path, showcasing his avant-garde influence in the contemporary composition world. This masterpiece effortlessly blends the heaviest, most deeply resonant sounds with the celestial beauty of auroras, leading the listeners on a journey that is timeless yet contemporary, through the soundscapes.
From the very start, the track “Polar Aurora” is full of cascading piano tinkles expressing visions of vast oceans as well as huge galaxies. The celestial music sends the listeners to peaceful spaces where they catch visions of endless potentialities. However, even amid the flowing light, “Polar Aurora” surprises with tight taut low rumblings which squeeze together on the listener, to then open up again into rippling light, and piano melodies.
The song “Polar Aurora” is the expression of Yannis Koser’s deep love of music, a passion formed since birth and embedded in each of his compositions. Inspired by the symphony of nature and his childhood muse, Koser channelled his imaginative mind into the creation of pictures articulating human feelings with unparalleled intimacy and sensibility.
People are looking forward to the 2024 singles and piano album by Yannis Koser, set to open up countless new horizons for the already enchanting compositions. “Polar Aurora” gives us access to Koser’s creative mind with a brief peek at the experimental works yet to be unveiled.
The avant-garde artist Yannis Koser who is based in Brussels presents his “Polar Aurora” shines with his contemporary compositions on the piano. The song is a sonic voyage with unexpected shifts and elaborate motifs meshed with a jazzy dynamism produced by improvisation. Rough changes set scenes like life, turning “Polar Aurora” into a transformative avant-garde masterpiece and an excellent modern playlist element.
"Connected Memory," further highlights Skimo's talent with its blend of prickly synth strikes and lush melodies
After being away for over a decade Skimo returns with his debut album which is worth the wait, all those years of being in hiatus have paid off, and this is proof of his musical growth and dedication to his craft, he titles this album “Connected Mind.”
Join me as we unravel the album and dig deeper. The album kicks off with “What We Could Have Been,” he sets the mood with its dreamy synth pads and the use of quirky beats, characteristic of Boards of Canada’s “evocative” style.
The title track, “Connected Memory,” further highlights Skimo’s talent with its blend of prickly synth strikes and lush melodies, drawing listeners deeper into his introspective narrative. Tracks like “Let It Fly” and “Take My Hand” feature haunting vocals and dynamic synth tones, adding layers of depth and emotion to the album’s sonic tapestry.
“Connected Memory,” further highlights Skimo’s talent with its blend of prickly synth strikes and lush melodies
Skimo’s collaboration with talented songstress Ash on tracks like “Was I Always There” adds a nuanced vocal dimension to the album, enriching its already compelling narrative.
In discussing the inspiration behind “Connected Memory,” Skimo reflects on his journey back to music production, likening it to excavating fragments of his old self while embracing newfound wisdom. This introspective approach infuses the album with a sense of authenticity and emotional depth, inviting listeners to join Skimo on his voyage of rediscovery.
The album has a total of 10 songs on it, the songs are unique and distinct. Overall, “Connected Memory” is not just an album; it’s a testament to artistic freedom and the power of creative resurgence. Skimo’s return to the music scene is marked by a bold exploration of sound and self, making this album a must-listen for electronic music enthusiasts and introspective listeners alike.
From Myth to Music: Inside Elleodin's Creative Process
Guys, Today we are jumping into a conversation with Elleodin mastermind and gifted instrumentalist who is behind the enticing Electronic tracks and her recent song, “Cadmus”.Hailing from Guildford, UK, Elleodin isn’t an ordinary songwriter. She is a storyteller, mixing dreamy sounds with gritty vibes to create music that feels like a trip.
Elleodin reveals her upbringing at the piano, fiddling and being captivated by Kate Bush and other musicians. Her music is an ode to fantasy and escape from reality, and you will see that in every note.
She shared her creative process is usually trying some stuff while flowing with the stream. And among other things, as she grows, her music grows with her, getting darker and deeper, but sticking to the core of her craft.
In our conversation, Elleodin describes her dreams—think concept albums and collaborations based on Greek myths. She is also candid about the strife like attempting to focus on one thing at a time in a world that always pulls you to different directions.
Last but not least Elleodin thanks her fans by sending a shoutout to them, she uses humour and makes it real. With her, it’s not just about making music; it’s about all of us going on a mad, stunning musical journey through sounds and the mind.
Is there a story behind your stage name? Around the time I started making electronic music, I was in the middle of reading Patrick Rothfuss’ Kingkiller Chronicles. There is a minor character in that series called “Elodin”. I really liked him as a character, and I liked how his name looked and sounded. I didn’t want to use the exact name, so I feminised it to Elleodin.
Where do you find inspiration? It’s hard to predict where inspiration might come from, however if I go looking for it, it’s reliably come from travel, or the art and media that I consume. Travel obviously isn’t often possible, so if I’m running dry I’ll search it out in books, art or media.
Though, I think even if it comes from art or travel, subconsciously, I’ve imprinted my own emotions in there somewhere, even if it’s in the guise of a character I’ve created in my head.
The best kind of inspiration is the kind that feels like a complete idea that’s been handed to you from nowhere. But even that, I assume, is some kind of amalgamation of all of the above.
What was the role of music in the early years of your life? It was a way to escape into my imagination. There were certain albums or mixtapes that my parents had which would create a movie-like experience in my head, and I would happily listen to them on repeat, trying to visualise whatever story / world my brain was coming up with.
Are you from a musical or artistic family? On the surface, no. My parents were both scientists. However, they were both into music and played instruments for fun. I think I heard my dad play the piano pretty much everyday. My mum had a lot of artistic hobbies, and I remember her singing a lot as well.
She and my grandmother taught me how to draw – that was the first skill I desperately wanted to learn as a child, long before any instruments. But visuals and music have always been intrinsically tied for me.
Who inspired you to be a part of the music industry? Kate Bush was a big part of what inspired me to write songs, and eventually enter the music industry. As a teenager I became obsessed with her discography. I loved researching the lyrics of her songs and learning about where she got her ideas from. They were unusual and inspired by a whole range of subjects and stories and at the time, I’d never heard anything like it. I wanted to be able to create something like that.
How did you learn to sing/write/to play? I didn’t have lessons as a child, but I loved spending time at the piano. I’d teach myself songs by finding the right melody note by note, which was a tedious and roundabout way of learning, but being able to find something by ear has become a useful skill now.
I didn’t have lessons as a child, but I loved spending time at the piano.
Later on, my dad taught me the basics of chords, and he showed me how to play songs by having me watch him and copy his movements.
I’ve tried having piano lessons a few times as an adult, but I find it quite difficult to override the instinct to stop looking at the sheet music and play by ear once I’ve heard what the song sounds like. Something that’s been more useful for me is studying specific styles of composition that interests me, as well music theory.
For singing and bass guitar, I had lessons as an adult and I got really lucky with my teachers. For synthesisers and music production, I’ve mostly learnt through experimentation.
What was the first concert that you ever went to and who did you see perform? I think it was an Alice Cooper show, I’ve seen him quite a few times.
How could you describe your music? Cinematic and ethereal, with elements of shoegaze and dream pop sprinkled in there as well.
Describe your creative process. It depends on the song. If I get a melody in my head, I’ll sketch it out on piano and record scratch vocals if there’s lyrics, and go from there. Otherwise, I’ll be experimenting with a particular process or piece of equipment, come across a certain sound or vibe that I like, and then build a song based around that.
I’ll try and start simple, and then experiment with what I’ve got in every way possible. Once I’ve created a layered, chaotic mess, I’ll dial it back a bit and cut what’s not needed. Even when working with electronic elements, I want them to sound organic – more like lightning rather than a machine.
Something I do every time is make sure I have a firm grasp on the visuals the song is creating in my mind, and build a mood board that roughly represents what I’m seeing. That will act as a visual guide for what direction the song needs to go.
What is your main inspiration? Fantasy and escapism.
What musician do you admire most and why? It’s a producer duo: KOAN Sound. Their sound design is insane. I’ll listen to their albums and I cannot figure out how they’ve done certain things, it sounds like magic. I’d love to see their creative process.
Did your style evolve since the beginning of your career? Definitely, I think it’s only natural. At the beginning of my career I was a part of a label which was largely lo-fi / hip-hop / trip-hop based and that influenced my music to veer more in that direction. I’d do a lot more sampling or chopping things up back then, and for a while, I didn’t really use a piano for writing.
Now that I’m independent I’ve grown to have a much better idea of what kind of sounds l like and what equipment I like to use, as well as what kind of processes suit me best – such as composing on piano first. Being the bassist of Bitchin’ Hour also influenced my style a lot, both in the way I compose and the fact I’ve grown to love darker, heavier sounds.
Who do you see as your main competitor? I don’t really view other artists as competitors. If another artist is making something similar to me, it’s more affirming than anything else.
What are your interests outside of music?
I’m learning Japanese, otherwise I like running and hiking, or gaming when I have the time.
If it wasn’t a music career, what would you be doing? After nine years of doing something or other in music industry, it’s quite hard to imagine what else I’d do or could do at this point but it would probably involve another artistic avenue in some way. Something I want to branch out into is composing for games. It’s still in the music industry I suppose, but if I decided to stop making my own music, that’s the first thing I’d try and do.
What is the biggest problem you have encountered in the journey of music? I think for me, it’s having to come to the realisation again and again that I’m a terrible multitasker. I always have the delusion that I can do multiple things at once and I have to constantly remind myself to just focus on one thing at a time, or else everything suffers.
If you could change one thing in the music industry, what would it be? More payment per stream would be a good start. And this goes for all art, but exposure doesn’t count as payment.
Why did you choose this as the title of this project? I was getting into Greek Mythology at the time for a separate project. Sometimes I like just giving songs human names, and Cadmus felt right.
What are your plans for the coming months? I’ve been working on a concept album for a while now, and that will be my main focus for the coming months.
Do you have any artistic collaboration plans Yes – a Greek Mythology inspired project.
What message would you like to give to your fans? Hi Dad
Echoes of Time: Giant Killers Unveil “Songs For The Small Places”
The recent release from Giant Killers’ “Songs For The Small Places” emerges like a time capsule unearthed from the indie-pop ethos of the 90s, offering not just nostalgia but an ensemble of tracks that are both hauntingly timeless and refreshingly sincere. Nearly three decades in waiting, this album by Jamie Wortley and Michael Brown is a triumph over adversity, a reminder that some stories demand to be told regardless of how much time has passed.
Right off the bat, it’s clear that “Songs For The Small Places” straddles worlds; on one hand embracing the swaggering confidence seen in bands like Oasis or Blur during their heyday, while on another channeling more introspective spirits akin to Elliott Smith or early Radiohead. This duality gives the album its distinct vibe: vibrant yet reflective, full-bodied yet incredibly intimate.
Lyrically gritty with universal themes at its core—love lost and found again, moments captured within mundane realities—the record offers listeners not just songs but experiences wrapped within melodic frameworks. Their voice has aged like fine wine; there’s an emotional gravity to it now which perhaps couldn’t have been achieved if this album had dropped when initially intended. The duo crafts narratives evocative enough to transport listeners to those small places where life truly unfolds.
Echoes of Time: Giant Killers Unveil “Songs For The Small Places”
A significant charm lies in how naturally ’90s influences meld into modern sensibilities without sounding out-of-date. Far from mere emulation, Giant Killers inject contemporary soul into vintage bodywork—a challenging task they execute flawlessly across all ten tracks.
Production-wise, “Songs For The Small Places” benefits immensely from its delayed genesis. It stands as evidence that good music remains timeless—untarnished by trends or temporal shifts. While polished enough for discerning ears accustomed to digital clarity, there’s also an organic rawness preserved within each chord progression and lyric line reminding us of analogue authenticity.
Echoes of Time: Giant Killers Unveil “Songs For The Small Places”
Beyond creating compelling music imbued with pathos and resonance worthy of critical acclaim itself is Giant Killer’s noble commitment towards social change—with £2 from every Bandcamp sale donated towards suicide prevention charity CAM (Campaign Against Living Miserably). It speaks volumes about who Wattley and Brown are as people beyond musicianship—a gracious touch confirming why sometimes art is destined only for poignant seasons despite when penned down.
“Songs For The Small Places” isn’t merely about bringing unexplored archives into public domain—it encapsulates journeys traveled personally by our artists and collectively via societal evolution since those recording sessions nearly three decades ago.
For anyone previously unperturbed by pop-rock dynamics or veteran enthusiasts looking for depth beyond chart-toppers’ sheen will find something intriguing here—a sonic amalgam equipped equally with tears for past reveries as smiles anticipating future reminiscences.
