Electric Joy: CATDADDY Strikes Again with 'SUPERPOWER'
In “SUPERPOWER,” CATDADDY erupts from the speakers like a glittering supernova, leaving stardust in its wake as it marries disco funk-pop mastery with an irresistibly liberating message. Frontmen Aidan Paul and Leonardo Bacan serve more than just uncanny swagger—they are maestros of groove laying down tracks that dare you to confront your fears with the most powerful weapon: dance.
Like lightning in a bottle, this self-produced single captures the electric joy synonymous with their fan-favorite “DISCO LOVE”, yet sparks new life into the mix—the percussive brilliance of Armando Baeza. His beats aren’t mere rhythms; they’re heartbeats syncing listeners across the globe to a shared pulse of boldness and soul.
True to form, CATDADDY doesn’t shy away from coloring outside genre lines—blending electronic elements into pop-funk foundations, adding an extra kick to what might otherwise be a nostalgic homage. With “SUPERPOWER,” imagine Parliament-Funkadelic’s mothership landing on Studio 54’s dance floor—an amalgamation quirky enough for George Clinton to nod in approval but polished up for today’s shiny standards.
Electric Joy: CATDADDY Strikes Again with ‘SUPERPOWER’
From start to finish, the pace is unrelenting—a foot-stomping smackdown against anything resembling stillness or silence. Yet amidst all this vivacity lies emotional profundity—the anthemic lyrics don’t just suggest empowerment; they insist on it, urging every listener within earshot: strap on those boots made for boogieing and stomp out whatever dread lurks beneath them!
As ears eagerly await “CATDADDY EP,” one can only speculate if these architects of rhythm will continue building upon this fortress of funk or carve new grooves entirely. But at this snapshot moment—with shimmering chords fading out as “SUPERPOWER” reaches its apotheosis—it becomes clear; CATDADDY isn’t merely making music. They’re sculpting courage—one electrifying beat at a time.
Teté Unveils "Wherever You Go": A Global Tapestry of Soul
In the rich tapestry of modern music, “Wherever You Go” emerges as a sublime stitch, binding together the continents under Teté’s deft musical craftsmanship. The Toronto-based songstress weaves threads from Brazil’s sun-drenched beaches, England’s rainy cobblestones, and Mexico’s vibrant plazas to tailor a resplendent soul cocktail that warms as significantly as it enchants.
Released on March 15th, 2024, this single bubbles with an intimacy often sought but rarely captured. As hauntingly familiar neo-soul harmonies blend smoothly with the playful cadence of Latin rhythm and acoustic goodness—think Sade meets Rosalía in a smoky jazz lounge—the track pulsates with life’s untamed rhythm. Yet amid its complexity simmers Teté’s own brand of pop: tender yet powerful.
The thematic heart of “Wherever You Go” is less about love than it is about devotion; an ode not only to affection but also to recognition—the ability to see and treasure one another wholly. It’s here that Teté excels further still; her lyrics aren’t simply heard—they’re felt. Vocals soar and dip with raw honesty as they navigate through the multi-faceted journey love carves out for us all.
Teté Unveils “Wherever You Go”: A Global Tapestry of Soul
When you listen—and I implore you do so posthaste—you’ll be enveloped by an energy palpitating between invigorating zest and soothing serenade. This isn’t merely listening; it’s traveling without moving—an odyssey across emotional landscapes via sound waves alone.
Taking in “Wherever You Go,” one realizes how Teté doesn’t just perform music; she communicates it fluently across lingual barriers made irrelevant under her unifying banner of rhythm and rhyme. Her work simultaneously embraces nostalgia while pioneering into novel terrains—a timeless experience indeed, lighting up pathways where words might fail but pure emotion triumphantly persists.
So if your soul yearns for a voyage laced with authenticity or your playlist craves a masterclass in heartfelt fusion—let yourself drift along on Tete’s melodic journey “Wherever You Go”. And there you will stay—bewitched by every beat, enraptured till reprise begs play once more.
Olya Sonica's "I Only Dream When I'm Awake": A Sonic Revelation
In the luminous single “I Only Dream When I’m Awake,” Olya Sonica crafts a kaleidoscopic anthem that rallies the dreamers to unfurl their sails in the winds of reality. This rock odyssey enchants with its blend of classic rock marrow and modern mystique, harking back to echoes of Fleetwood Mac engaging in a cosmic dance with Florence + The Machine.
The song emerges from sonic slumber with resonating guitar strings that feel like dawn’s first light breaking upon a world asleep. As if awakening dormant giants within us, Olya’s voice marches at the helm—a clarion call for self-empowerment amidst society’s all-too-sleepy expectations.
Olya Sonica’s “I Only Dream When I’m Awake”: A Sonic Revelation
The track brims with an electrifying vibe; verses rise and weave like incantations, spiraling into choruses as epic as they are enchanting. The duality of soft rock whispers and eruptive vocal firepower crystallizes into a poignant narrative—challenge conformity with unabashed boldness.
Produced by Ben Rice, whose alchemical touch behind “Alchemy” promises more magic yet to come, this song shakes ground beneath feet too accustomed to treading softly on dreams deferred. Supporting Olya Sonica under Fan Girl Records’ banner signals not just new talent but prophetic voices shaping music’s future landscape.
At its heart—and perhaps most intoxicating—is the message carried aloft by those anthemic waves: inner strength is yours to claim when you choose creation over complacency. In “I Only Dream When I’m Awake,” we find not idle fantasy but an audacious wake-up call urging us towards our own alchemy—the transformation of dreams from ether into earth-stomping triumphs.
With one single stroke, Olya shocks us awake—to dream bolder, live louder and carve realities once etched only in imagination’s wildest realms.
“Pure & Grey,” the inaugural whisper from CAVN’s soul-stirring symphony, arrives like a gentle storm breaking over an ocean of human emotion. With Stefan Kelk lending his vocals—a vessel laden with deep-sea truths and tales of heartache—it’s vividly evident this track is layered with more than just notes; it’s weaved with threads of visceral experiences.
In a haunting melange that feels as though Hans Zimmer stumbled into an underground electronic show, “Pure & Grey” defies genre boxes, flirting shamelessly between cinematic grandeur and sharply crafted electronic beats reminiscent of M83’s midnight anthems. The classical roots are not merely influences but ancestors calling across time—their wisdom pulsating through beats and strings.
CAVN dawns her role seamlessly as both composer and emotional architect. Her debut offering doesn’t just scratch at the surface but claws deeply into the struggle for reconciliation after love has expired into echoing memories. The acoustics swell in harmony with our own chests—each orchestral rise another breath drawn against life’s most intimate sorrows.
CAVN’s ‘Pure & Grey’: A Soul-Stirring Debut
Kelk brings authenticity that might remind one eerily of Antony Hegarty—if Antony fed their fairy-like timbre through a walkie-talkie made from discarded cello parts. Under this partnership, layers converge to become something all too rare: genuinely touching music composed in high-definition clarity while embracing technology’s raw edge.
Mixed by Josh Allmark—who evidently knows how to let subtlety steer—and mastered to perfection by Robin Barte, “Pure & Grey” doesn’t simply speak; it confesses shades of feelings that often find no words—a soundtrack not for merely a moment in film but for snapshots stapled within personal histories.
For those who’ve ever felt loss tangle itself around their bones or have danced alone remembering hands once held close—one listen will confirm that CAVN doesn’t just create songs but instead sculpts solace out of silence.
Groove, Soul, and Social Commentary: The Zaramutas Shine in 'Censored'
Without a doubt, “Censored” Album is the best work of the Zaramutas so far! Having their homeland in London, England, they are guitarists and vocalists who together has created a musical product to be absorbed by the listeners from the beginning to the end.
From the beginning to the end it is a straight drive where you find yourself tapping to the catchy beats and dancing to the energetic guitar licks. The album starts with the laid back and soulful “Overdue” which introduces us to all the highs and lows we are about to experience on this incredible journey.
Songs such as “Go!” and “The World of Friend Shame” creatively and passionately raise the critical social issues of the day, maintaining the same catchy melodies that will have you roaring them out of the rooftops.
However, the song goes beyond the music;
However, the song goes beyond the music; this is a statement challenging the authorities to listen and take action for social justice and change. For every song, The Zaramutas invite listeners to become part of the revolution of ridding the world of its unjust status and accepting that music can also play a role in changing the world for the better.
In today’s world when the audience is demanding true and new experience, the Zaramutas have done no less than becoming true inventors, challenging boundaries of musical composition using rock, R&B, fusion and other styles. Reach your earphones, make the volume soar, and enjoy! “Censored”- an album that begs to be listened to.
Taking a Trip Down Memory Lane: Power Rob's 'Restless Summer'
Okay, so the next one is what I think is pretty cool. It’s “Restless Summer” by Power Rob and it makes me think of all things synthwave, that feeling of retro and modern at the same time. What’s more, I can assure you that you will experience a true delight for the ears.
I heard it on New Retrowave, and gosh, it instantly pulled attention to me. Production is of highest quality that and the hooks? They’re so good that you can sing them long after the song is over. Not only that, Rob’s voice is pretty magical. You can discern that he really took his time and put a lot of effort in creating this song.
Now, Rob teamed up with Miami Nights 1984 for this one, and they conjured something unexpected but amazing. The whole idea behind “Restless Summer” is, that it is relatable—it’s all about that intense connection with someone even when they are far away. In addition, it’s common for anyone.
The whole idea behind “Restless Summer” is, that it is relatable.
Rob used some iconic performers from heavy metal for example, Halford and Mercury as role models when he composed the song. However, his pop idols are Michael Jackson and Stevie Wonder, who are clearly his influencers when you listen to his music.
What I like most is that he put in all of the love and passion in every note of this song. He invested a lot of time perfecting those vocal nuances and melodies until they were exactly right. I have to tell you, it was worth it.
Consequently, if you are looking for relaxing and melodic sound, you should definitely try out “Restless Summer”. It’s that ideal music for every time of the year without a doubt. Trust me, that won’t disappoint you at all.
Sonic Revolution: RZN8R's "VXN" Remixes Break Boundaries
In the pulsating heart of the electronic music jungle, RZN8R’s “VXN: Remix Album” emerges as a kaleidoscopic manifesto of women’s empowerment—a bass-laden odyssey that bridges continents and shatters expectations with each beat. It is less an album, more a rhythmic pilgrimage where soul house merges seamlessly into baile funk, afro beats in arm with garage house.
From track to vivid track, RZN8R doesn’t merely remix; he reinvents—plucking familiar tunes from their roots and dressing them in worldly fabrics. There’s reverence in reimagining here; every sample feels like a homage rather than appropriation, be it a nod to Brazilian Carnival or the complex footwork of Jersey Club scenes.
The silence between tracks? It’s not emptiness but whispered conversation—the spaces we breathe in before diving back into this global fête. To listen to “VXN” is to sync your heartbeat with its rhythm: powerful yet grounding—a bass-heavy call for self-expression.
Sonic Revolution: RZN8R’s “VXN” Remixes Break Boundaries
Imagine if Moby’s electronica had an intense session at Fela Kuti’s shrine; stir in some St Germain-styled nuances against Kaytranada’s edgy grooves—that’s “VXN”. Through headphones or across dance floors, RZN8R ensures movement isn’t just physical—it’s emotional liberation set on fire by syncopated percussion and deepened textures.
As melodies are threaded from one culture to another and feminine prowess cut through male-dominated samples—with silent nods towards musical matriarchs—“VXN: Remix Album” acts both as tribute and battle cry.
“VXN: Remix Album” doesn’t end; it reverberates beyond last notes—to challenge us all: How will you move when the world becomes your dance floor?
Twitch4EVA Makes Triumphant Return With Soul Stirring Single Dubbed “Suffer Get”
After a notable hiatus, Ghanaian Afro-fusion artist Prince Andor, professionally known as Twitch4EVA, emerges from the shadows with a compelling new track titled “Suffer Get”. This highly anticipated release delves into Andor’s personal struggles and delivers a universal message of resilience and perseverance.
“Suffer Get” is a poignant reflection of Twitch 4EVA’s journey, encapsulating his past challenges and the profound realization that adversity does not define one’s destiny. With raw lyricism and captivating melodies, the track invites listeners to confront their own hardships and find strength in pushing forward.
Produced by the acclaimed Ghanaian music producer Hylander, “Suffer Get” boasts a rich sonic landscape that seamlessly merges traditional Afro-fusion elements with contemporary production techniques. Hylander, known for his collaborations with industry heavyweights such as King Promise, Killbeatz, and DarkoVibes, brings his signature touch to the track, elevating Twitch4EVA’s poignant storytelling to new heights.
Speaking about the inspiration behind “Suffer Get”, Twitch4EVA shares, “This song is a reflection of my personal journey and the hurdles I’ve overcome along the way. It’s a reminder that no matter the obstacles we face, we have the power to rise above them and create our own path to success.”
With its soul-stirring lyrics and infectious groove, “Suffer Get” promises to resonate deeply with audiences worldwide. As Twitch4EVA makes his triumphant return to the music scene, fans can expect an authentic and evocative musical experience that transcends boundaries.
Ghanaian Rising Star Nyarko Sets Minds Free With New Single
Rising Ghanaian artist Praises Nyarko Asante Nyamekye stage name Nyarko has recently dropped her latest single, “Free My Mind.” With its infectious beats and insightful lyrics, this track showcases Nyarko’s unique blend of Ghanaian and Dutch influences, creating a vibrant and distinctive Afro sound.
“Free My Mind” begins with captivating lyrics that exude confidence and determination, “See I be dogging all the bogges that be coming my way cause I don’t want ’em. Mindset focused on money, I need to stack ’em.” Nyarko’s dynamic flow and powerful delivery set the tone for the empowering message she conveys throughout the song.
The chorus of “Free My Mind” emphasizes the importance of mental liberation, as Nyarko sings, “My mind, I want to free my mind, I got to free my mind, I need to free my mind.” The song’s energetic production and infectious melodies make it an anthem for breaking free from limitations and embracing personal growth.
Nyarko’s rise in the Dutch urban music scene began in 2020 when a freestyle she shared on Instagram went viral, garnering widespread attention. Since then, she has solidified her place in the industry with successful singles such as “Bang!”, “You” and “MOOD,” along with her 7-track EP titled ‘VIBES.’
Combining her Ghanaian roots with her Dutch upbringing, Nyarko’s music reflects a fusion of cultures and languages, resulting in a vibrant and distinctive Afrofusion sound. Growing up in a musical household, where her father was a skilled instrumentalist in guitar and piano, Nyarko’s upbringing greatly influenced her musical journey.
Nyarko’s songs are celebrated for their catchy beats, insightful lyrics, and contagious energy, establishing her as one of the most promising talents in the Dutch music scene today. She has wowed audiences at major events such as Bevrijdingsfestival, Zomer Carnival, Parels v/d Stad, and ADE Beats (Vice). Notable accomplishments include being chosen as FunX Radio’s Artist of the Month, being a finalist in the FUNX Afro Talent competition, making waves in Ghana, and making her acting debut in the black women empowerment movie “White Berry.”
Breaking Free: The Emotional Depth of 'Thought I Was Your Sidekick' by IN Kelly
With the poignant pluck of a forlorn guitar string, IN Kelly (aka Kjetil Rønningen) introspectively strides into the indie pop-rock arena with “Thought I Was Your Sidekick.” Rønningen’s musical tapestry weaves intense emotional heft with shimmering sonic textures—a heartrending reflection on artistic overshadow in an industry too cramped for unsung heroes.
The track is more than just an audible confessional booth; it’s the first note in a symphony of growing pains and eye-opening realizations. Riding high off his tenure with Bravo Papa, IN Kelly embarks on a solo odyssey that dares to question creative alliances and shines under scrutiny like raw silver hit by merciless spotlights.
“Thought I Was Your Sidekick” marries lush melodies to lyrics sharp as shattered glass—we hear a creator stifle beneath another glory-seeker’s shadow until frustration crescendos into rebellion. From verses laced with vulnerability followed by an anthemic chorus that champions self-worth—every chord change feels like stepping from monochrome into Technicolor independence.
Breaking Free: The Emotional Depth of ‘Thought I Was Your Sidekick’ by IN Kelly
We sense ghosts of The Shins’ whimsy waltzing with Coldplay’s early brooding charm, all while confronting twenty-first-century disillusionment akin to St. Vincent’s biting critique. It resonates like an echo down Fleetwood Mac’s halls of complex partnership dynamics; yet this single remains uniquely definitive of Rønningen himself — personal growth fueled by synthesized beats behind folk-strummed authenticity.
Anticipation swirls for what promises to be an understated powerhouse album; if this sample suggests anything, it is set to mull over themes both eternal and contemporary within nine subsequent tracks crafted amid seven prolific months after Bravo Papa echoed its last roar.
Touching upon universal plight without spilling over into cliché proves “Thought I Was Your Sidekick” not just revelatory but refreshingly human—an intimate whisper in our ear reminding us that navigating between inspiration and imitation can still yield triumphant results when one finds their true voice amidst cacophonous demands for ratified artistry.
A Sonic Journey: 'Underneath' by 20 Year Short Break Unveiled
In the latest offering from 20 Year Short Break, “Underneath” delves into the recesses of raw emotion with a candidness that’s as refreshing as it is intense. Each strum by Dan Wright pulls at heartstrings while Rob Miller’s vocal sincerity pounds against the chest like a confession laid bare.
Dusty and deep-rooted in rock n’ roll soil, “Underneath” sprouts metallic edges alongside bluesy undertones—a cross pollination befitting of their diversified lineage. Andi Kaiser’s drumming thunders across this emotional terrain, propelling listeners headfirst through its intimate storm, while Stefan Endisch’s bass lines groove deep within one’s core, reverberating long after silence returns.
A Sonic Journey: ‘Underneath’ by 20 Year Short Break Unveiled
Alex Kugler on lead guitar sculpts air into sculpture; his riffs are not just head but by virtue of their depth—soul-banging too. In line with their debut single “Old Dusty Road,” there is an evident maturation—the band interlaces life’s ebb and flow into melodies that navigate between despair and hope without losing any momentum.
The track feels like an open road under a twilight sky; it drives you forward with reflective lyrics riding shotgun. It echoes familiarity—but not of another artist or genre—rather that internal dialogue we all conduct when exploring our own human experience deeply ‘underneath’.
Check out the full EP:
Forging ahead from where they took their first shared steps post-hiatus, 20 Year Short Break has graduated from synergy to synthesis in this powerful release. They’ve commandeered music as both map and vehicle on life’s circuitous journey—and invite us to ride along through every crescendo and decrescendo. Overlaying passion atop precision, “Underneath” positions itself as more than a mere song—it’s a sonic odyssey worth buckling up for time and again.
The Magic of Melina Hazewood in “Dear Boy”: A Journey of Love
In the gossamer-woven single “Dear Boy,” Melina Hazewood casts a spell that would tug at even the most steadfast heartstrings. Her tale of tender love laced with the strong pursuit of authenticity emerges from an echoing well of female empowerment and self-awareness.
Hazewood, no stranger to laurels, having charmed The Golden Voices International Singing Contest in Cannes with her siren’s charm, brings forth a pop-ballad that is both vulnerable and assertive. “Dear Boy” cradles within its notes not just young love but an impassioned plea for genuineness over illusion—an anthem for girls transforming into their own heroes rather than fitting into someone else’s storyline.
Her vocal prowess soars gently over poignant piano chords in a crescendo reminiscent of Norah Jones meeting Florence Welch—a symphony warmly familiar yet distinctly fresh. Each verse pensively trods on the fine line between yearning and independence, crafting an intimate narrative dance where listeners find themselves reflexively swaying along.
The Magic of Melina Hazewood in “Dear Boy”: A Journey of Love
As if reaching through time itself to pluck inspiration from troubadours untold, Hazewood’s heartfelt lyrics weave together ancient truths within modern melodies. It’s as though she has distilled her award-winning talents—those same ones that resonated profoundly enough to reach UKSC semi-finals glory—and focused them like sunlight through a magnifying glass onto this delicate piece of storytelling.
The record radiates warmth despite its crisp structure; it’s like basking in winter sunshine when you’re bracing for chill winds—it defies expectation with soothing rays when you’re poised against colder musings. Rising star? More aptly put: Hazewood is ascending above cloudbanks trimmed with golden light.
“Dear Boy,” then speaks not only to romantics or dreamers but also to every soul ever misconstrued by another’s gaze—the message universalized by melody. This track wraps up emotion and tosses it skyward where it shimmers doubtlessly amongst constellations of timeless musical narratives high overhead—in short, it begs reprise long after faded echoes cease vibrating against one’s chest wall.
Stepping into the lyrical embrace of “In Daddy’s Arms Again,” listeners are transported across a musical canvas splashed with hues of roots rock and spiritual fervor. It’s as if Vili V has distilled the essence of resilience, hope, and healing into an auditory elixir that we didn’t know we needed.
Vili V taps deep into the soulful well that once fed legends like Johnny Cash and Elvis Presley, marrying rockabilly rhythms with evocative gospel undertones in a celebration of sound reminiscent yet daringly fresh. The album swings from stirring confessions to foot-tapping anthems – each track a chapter in this harmonious declaration against life’s tempests.
Previous listeners will recognize echoes of his 2003 debut “Indigo Blue,” taking comfort in melodies which have evolved rather than reinvented; they’re matured like fine wine – richer, deeper, more full-bodied. In “Garden of Comfort,” one could feel familial bonds holding tight through strife; here those themes continue but extend upwards to celestial hopes declared in “Constellation High.”
The featured song “Constellation High” reaches out tenderly—half prayer, half lullaby—as it tackles weighty matters under its soothing canopy. Love intertwines with mental health discourses as naturally as folk syncs with rock in this earnest composition.
Across ten songs—which curiously mirrors completeness or divine order—we’re embraced by tales encompassing despairing nights and spirited dawns, plucking heartstrings alongside guitar strings until every emotion feels known, validated.
This is not just music; it’s alchemy—a transmutation where pain dissolves into peace while chords rise up like incense smoke drifting towards heaven. To listen is to participate in collective catharsis powered by faith-incarnate notes that somehow manage to catch you when falling seems all there is left.
“In Daddy’s Arms Again” doesn’t seek revolutionary beats or disrupt genres radically—it honors them sensuously together with genuine narratives waiting for everyone willing enough to lean close…and just listen.
Unleashing the Wild Heart: b.d. Gottfried's “Live, Fight & Die”
In the sonic arena where conformity often reigns, b.d. Gottfried throws a defiant curveball with his latest single “Live, Fight & Die.” Extracted from his prophetic 10th solo album “GHOSTS & GIRLS,” this track is more than mere sound—it’s an odyssey through youthful exuberance.
“Live, Fight & Die” clicks its teeth at genres; it’s unchainable—a chimera of decades past yet pulsating with modern vigor. Its notes weave the tapestry of wild-hearted ‘Rats,’ those brazen symbols of living not just on-the-edge but over it, without casting so much as a fleeting glance at the abyss below.
Unleashing the Wild Heart: b.d. Gottfried’s “Live, Fight & Die”
From the first electrified chord, you’re hitching a ride on an untamed stallion galloping through earthen tones and astral experiments akin to Bowie’s bravery or Prince’s pioneering edge. There’s something inherently nostalgic in Gottfried’s approach—the warmth of ‘70s rock synths blending with new-age anxieties—and fresh blood that carries us like river rapids towards contemporary soundscapes.
What catches your spirit is not just rebellion distilled into melody but rather a celebration: An anthem for those dances we do alone when no one watches and together under strobe lights in basements turned sanctuaries for self-expression. It beats for every heart-stopping leap now etched forever in time—those moments fought and lived fully before our inevitable curtain call.
As spring welcomes “GHOSTS & GIRLS,” anticipate gardens blooming strange fruits—the likes only b.d. can nurture—with “Live, Fight & Die” promising an album teeming with ferocity and freedom. Drenched in neon hopefulness despite singing life’s temporality straight from rowdy throats, this record doesn’t just capture youth’s essence; it bottles the lightning therein.
So let go—spin round mid-thrumming air heavy with Gottfried magic—and remember how to live loud before you echo soft into stillness.
Sophia Stephens' 'Fervor': A Tale of Passion and Peril
In Sophia Stephens’ latest single “Fervor,” she captures the tempestuous affair between passion and peril, encapsulating a dark wisdom far beyond her tender years. At just 17, this prodigious artist delivers an anthemic cautionary tale set against a backdrop of brooding pop-rock that’s as intoxicating as the ill-fated love it warns about.
Stephens’ “Fervor” is not just a song but an experience—a maelstrom of guitar and voice swaddled in producer Trey Vittetoe’s sonic expanse. The track wrestles with intensity; each chord strummed on the guitar feels like a heartbeat racing from excitement or fear—perhaps both.
Her sound—intricately woven threads of melancholic rock-pop—is reminiscent of early Florence + The Machine strapped to shadows even darker than Lorde’s debut musings. Yet, in “Fervor,” Sophia brings originality to the forefront with unapologetic honesty embedded within her compelling lyrics.
“Fervor” thrums with palpable energy; there’s an alchemy here between raw singer/songwriter ethos and polished production values that champions Sophia’s strengths—a husky voice spilling over with urgency contrasts gorgeously with what feels like an encroaching thunderstorm brewed by Vittetoe.
Sophia Stephens’ ‘Fervor’: A Tale of Passion and Peril
While the theme serves as a harbinger for unchained passions becoming one’s undoing, it never weighs down its listener. Instead, there is liberation in acknowledging such intensity—the empowerment stemming from self-awareness glints through Stephens’ artful delivery making metaphors tangible and fears disarmingly beautiful.
This expansive single sets high expectations for her forthcoming summer album. With “Fervor,” Stephens doesn’t just step into the music scene—she leaps daringly into its arms, showcasing talent ready to spar with experienced artisans: fearless in lyricism and matured in melody.
Hers isn’t just any other teenage rebellion anthem—it is narrative-laced musicianship deserving to be listened at full volume while straddling that fine line where darkness meets light: at once exhilaratingly haunting yet suggestive that beneath every wild affection lies profound truths worthy of our fervency.
Tenderhooks Sheds More Light on Self And Latest Single 'Palace Pier'
Hi guys, fasten your seatbelts for an exciting trip into the world of Tenderhooks, that rock/pop group, who originated from Brighton, UK. They’re breaking new grounds once again with their brand-new jam named “Palace Pier’ and you should take this chance to indulge in their originality and high power of music.
“Palace Pier” – is a great example of a typical summer love story filmed at the marvelous place that Brighton Palace Pier. See you on that trip with love and deportation in your hearts – that’s exactly what this track is about. Under the leadership of Markus, Charl, Mike, and Andy, Tenderhooks has created a sound that is new yet manages to blend rock, pop, ska, and other styles together.
In this chitchat, we’re analyzing every part of Tenderhooks’ world from roots to their artistic process and everything in between. These guys are telling their tales during the process, giving their struggles and tips on how they overcome them. Through jam sessions to recording sessions, this is how they’re making magic behind the scenes.
Therefore, settle in and be ready to entertain with us Tenderhooks. We’ll share tips on inspiration, obstacles, and what is ahead next. It is going to be a great experience, so sit back and just enjoy the ride! Buckle up and get ready for the Tenderhooks ride – the music is sizzling hot, the vibe is always cool, and anything can happen.Let’s do this!
Is there a story behind your stage name? I wrote a screen play about a band called Tenderhooks. A play on tenterhooks.
The band never got signed in the film and the film never got made.
Where do you find inspiration? Everything around me. The way we are destroying our planet, wars that are raging, our lack of success and love. Plenty of ammo there.
What was the role of music in the early years of your life? Mum started me on piano. In school I played clarinet. In New York I bought an alto sax. Now I busk with a Hagstrom acoustic guitar.
Are you from a musical or artistic family? Mum played great piano. Great sight reader which I am not!
Who inspired you to be a part of the music industry? I’m an actor so being on stage and performing was never an issue. Getting good songs together started in my early 40s.
How did you learn to sing/write/to play? Writing came late, playing was always there, singing wasn’t and still isn’t that great. Now we have Charl singing the newer material.
Writing came late, playing was always there,
What was the first concert that you ever went to and who did you see perform? The Clash. Hastings Pier
How could you describe your music? Eclectic. Uplifting and entertaining. Something there for everyone
Describe your creative process. Sometimes a lyric but mostly and chord progression. I write on piano and guitar.
What is your main inspiration? Trying to be a success.
What musician do you admire most and why? David Bowie. His varied writing styles and great look.
Did your style evolve since the beginning of your career? Not really. We still play in tiny venues to very few people so how can we evlove.
Who do you see as your main competitor? AI
What are your interests outside of music? Golf
If it wasn’t a music career, what would you be doing? I’m retired so, kicking back and playing a bit more golf.
What is the biggest problem you have encountered in the journey of music? Everything is a problem if you don’t have success.
If you could change one thing in the music industry, what would it be? Stop cover bands and tribute acts
Why did you choose this as the title of this project? We live in Brighton and it’s a love story set on the Palace Pier in Brighton
What are your plans for the coming months? Try and get a gig.
Do you have any artistic collaboration plans I work with Charl who is now in the band. Great producer/singer/guitarist
What message would you like to give to your fans? What fans?
Innovative and Captivating: Reviewing Polyvoda's 'Queens' EP
The first EP of Polyvoda, “Queens,” is an amazing musical trip through various genres of modern music. Imprinted with Western traditions but having a peculiar Ukrainian touch, Polyvoda skillfully puts together pieces of jazz, R&B, hip-hop and soul creating an enveloping soundscape. From the hypnotic groove of “Dunken Road” to the soulful depth of “Queens,” each track on this four-song EP obviously bring something special to the table.
each track on this four-song EP obviously bring something special to the table.
The EP starts with “Queens”, the hard and inspiring song for women that stuns the listener by its rich melodies and absorbing context. As the introduction, it perfectly gets the listener to the right mood for the upcoming. After that, “Drunken Road” also shows its groovy and funky nature, putting anyone who has it on in a trance.
“Bonfire” and “Homeless” complete the EP, with their stunning soundscapes and compelling beats. These tracks let us see the expertise of Polyvoda’s music and prove that they are the band of the future in modern music.
they are the band of the future in modern music.
In brief, “Queens” is an extraterrestrial audio journey that carries the listeners to another dimension where genres intersect and imagination has no limits. This EP has a rich mix of various musical styles and great artistry, so anyone who loves music won’t be disappointed. Don’t give a chance and start streaming “Queens” by Polyvoda on your favorite platform today!
'Colin Stauber Live At Coke Studio' Is Certain To Elevate Your Mood
Get ready for a musical adventure with Colin Stauber’s latest live album, “Colin Stauber Live at Coke Studio”! Recorded at the iconic Coke Studio venue in Los Angeles, this album is all about embracing the power of simplicity.
Stauber’s stripped-down sound, featuring just his soulful vocals and acoustic guitar, creates an intimate atmosphere that draws you in from the first note. Tracks like “I’ll Be There” and “Horizon” hit you right in the feels with their heartfelt lyrics and catchy melodies.
What makes this album so special is its ability to keep things fresh and engaging without all the bells and whistles.
What makes this album so special is its ability to keep things fresh and engaging without all the bells and whistles. Stauber’s raw talent shines through, capturing the essence of live music in its purest form.
Teaming up with Coke Studio adds an extra layer of excitement to the mix, setting the stage for future collaborations and pushing the boundaries of music production.
So, if you’re craving some good vibes and a dose of musical magic, look no further than “Colin Stauber Live at Coke Studio”! It’s the perfect soundtrack for your next adventure – whether you’re chilling at home or hitting the open road.
From Marrakech to Your Ears: Chatting with gingerjamesfair about "The Hobbyist"
Today’s interview is all about music with the artist, James Fair or better known as gingerjamesfair. This is definitely exciting for us, to have him here and talk about his latest album, “The Hobbyist”. 17 tracks breeze us through different hobbies and pastimes, recorded during all that energy we feel in Marakech when everything was going bad.
James vindicates many different sources of inspiration, such as the sun-kissed harmonies of The Beach Boys and the inner-conscious of Sufjan Stevens. In ” The Hobbyist, ” he creates an astonishing mix of lyricism and storytelling with a touch of insightfulness and true intimacy.
The album is the embodiment of Gingerjamesfair/s late father who was a true hobbyist, and it explores the topics of death, introspection and the feeling of joy from pursuing a dream. Every track focuses on a particular interest, be it from fishing to skydiving, while it alludes to life’s many different routines and the memories they evoke.
As one listens to “Murmuration” with its multiple layers, to the thoughtful words of “We Can Save for A Telescope Sometime” he invites us to walk through the beauty of the simplicity of daily pleasures.
Through the years, Gingerjamesfair’s has stayed true to his shonky-sound shoengma and continues to leave his audiences mesmerized with his raw explicitness and catchy sounds. As for today, we’ll get to his creative process, his music influences and his next output. Therefore, come with us, be comfortable, and see with us how art magic happens in “The Hobbyist” and the creative part of gingerjamesfair.
My music goes under a moniker of gingerjamesfair. It’s not really a stage name as such, as I don’t really go on stage!
Is there a story behind your stage name?
It’s literal. My actual name is James Fair, and I am a ginger. The idea of sticking it all together in lower case came from the early days of email. Then it’s kind of stuck. I’m going bald now, but it’s too much of a faff to be called gingerbeardjamesfair, so the old name stays.
Where do you find inspiration?
I find inspiration in loads of stuff. Books, films, people watching. I am constantly jealous of musicians like The Benja Men, KateGoes, The Sound of Bailey, and their work inspires me.
What was the role of music in the early years of your life? My teenage years were the height of Britpop, which was a great time musically. Before that was my parents’ record collection, which was eclectic. Stuff like James Last, Enya and Captain Beaky sat beside Moody Blues, Beach Boys and Queen via Stravinsky, Abba and Santana. Anything and everything basically.
Are you from a musical or artistic family?
Not in a traditional sense. My family weren’t musicians but everyone loved music. They weren’t artists but they had creative outlets. My mum is a master cakemaker and my dad was a miniature railway fanatic. Both creative, but neither would consider themselves artists.
Who inspired you to be a part of the music industry?
I got into it because Blur put chords of their songs into their CD sleeves. That was the way in. Been hooked ever since.
How did you learn to sing/write/to play?
I was self taught from those CD inlays. Then I just took it from there. I’m still learning, always looking to get better at it.
I was self taught from those CD inlays. Then I just took it from there.
What was the first concert that you ever went to and who did you see perform?
I think it was probably Space and Catatonia at the old Astoria, but around that time was also U2’s Popmart Tour at Wembley. I think I was sent to a Suzanne Vega gig before that in Hemel Hempstead as part of work experience at a local paper, but I’m not sure that counts.
How could you describe your music?
I never know what genres I am supposed to pick when classifying it. It’s technically ‘singer/songwriter’, but if I had to describe it outside of that, I’d call it shonky-sound-storytelling. That seems about right.
Describe your creative process.
There’s no fixed process between albums, but on a project I’ll normally take a singular approach for consistency. On ‘The Hobbyist’ I went from demos recorded on Quicktime video (so I could remember how to play it), then lyrics, then Garageband recording with as much stuff that I could put in to it, then mixing/mastering. But I’ve done it different ways on different projects, so I’m not fussed. Changing the process is the process itself.
What is your main inspiration?
It changes. I can’t think of a singular inspiration beyond the desire to create things. That’s the uniform connection that links all the stuff together. I think I find that process inspiring, especially if it results in an output that I can remember it by. I think Jimi Hendrix said writing music was like writing a diary. I can identify with that as an inspiration.
What musician do you admire most and why?
Probably Damon Albarn or Sufjan Stevens, because of their ability to transcend genres. And I love their prolific outputs.
Did your style evolve since the beginning of your career?
I think that’s natural as you mature. I swear less in songs now, because I hate seeing the explicit label next to my earlier music. I try to improve technically as I get older, but with limited success.
Who do you see as your main competitor?
Cliché answer but I don’t consider myself in competition with anyone other than myself. I try to improve on the previous project in small increments. Truth is that I am in competition with everybody else for the attention and ears of an audience. In that sense my main competitor is Taylor Swift and Ed Sheeran!
What are your interests outside of music? I love reading and watching movies. I love spending time with my wife doing goofy stuff.
If it wasn’t a music career, what would you be doing?
Ha ha ha. Musical career. Does that exist anymore? I’m a lecturer in a university in ‘real life’, teaching cinema. That’s enough awesomeness for me.
What is the biggest problem you have encountered in the journey of music?
Honestly, getting through to an audience that may like my stuff. There’s so much music now and I’m only adding to the noise, literally. I think there’s a huge role to be played in curation, helping audiences navigate this abundance of stuff. I’d appreciate that as a consumer as much as a creator.
If you could change one thing in the music industry, what would it be?
Meh, there are people way more qualified than me to discuss this. If I had to get on the soapbox and give my ill-informed opinion, I’d want audiences to recognise the value of music as a cultural pursuit rather than a commodity of content, which has little/no value beyond its economic value.
Steps to achieving that? Stop calling it an ‘industry’ when it probably isn’t in the economic sense of the word. There are plenty of industrious people working hard, but it isn’t a sustainable business model. Can someone else take the mic now please!?
Why did you choose this as the title of this project?
It seemed appropriate given it is a concept album around the theme of hobbies!
What are your plans for the coming months?
Musically, take some time to get better at my instruments and think of what may come next.
Do you have any artistic collaboration plans?
Nothing planned. Always open to offers. An old friend wanted me to do some mastering of their project. That could be fun.
What message would you like to give to your fans?
I think someone like Bertrand Russell said ‘It’s not a waste of time if you enjoy the time you waste’ or something like that. I think that’s a good message to give.
Trish Discord’s new song, “Ever So Holy,” is quite the musical journey. Coming from Queens, New York, she mixes indie acoustic vibes with heavy metal energy, making a sound that really grabs you.
Right from the start, those dark synths pull you in, setting a powerful tone. Then, when the rock section kicks in, it’s like a shot of adrenaline. The way the song moves between these different sounds is smooth and keeps you hooked.
Trish’s voice is really something else – it’s mesmerizing and fits perfectly with the electronic and rock parts of the song. Teaming up with Devon Aviles, they’ve made a track that’s both hauntingly beautiful and gritty at the same time.
The mix of electronic and rock elements adds layers to the song, and you can tell there’s a real connection between Trish and Devon in their music. Fans of alternative rock will definitely vibe with this track – it’s got that edgy feel but also feels fresh and new.
Overall, “Ever So Holy” is a track you don’t want to miss. It’s got catchy tunes, great vocals, and a vibe that’s all its own. Give it a listen – you won’t be disappointed.
Welcome to today’s chat with Jeremy Lloyd-Styles, a Brooklyn-based indie rocker who’s just dropped a sweet new album straight out of his home studio. He made it as a gift for his wife, celebrating a decade of marriage—a real touching gesture.
Jeremy’s tunes have this dreamy vibe, kinda like they’re speaking to your soul. He’s been soaking up inspiration from all over, from his days singing in church to jam sessions with family.
Growing up, Jeremy got hooked on music from watching MTV and flipping through music mags. It all felt so cool, you know? And that noise from his first concert, it blew his mind—he wanted to make that kind of noise too.
Nowadays, Jeremy’s not just about music. He’s into VFX and writing scripts, all while being a family guy. But it hasn’t all been smooth sailing. He’s faced his fair share of hurdles in the music biz, dealing with stuff like racism and sexism.
But despite the challenges, Jeremy’s staying true to himself. He’s got big plans ahead, from writing more tunes to keeping his kid alive (which is always a priority!).
So, grab a seat and join us as we dive into Jeremy Lloyd-Styles’ world—his music, his struggles, and his hopes for the future. It’s gonna be a real chat, no fancy stuff—just two folks shooting the breeze about life, music, and everything in between.
Is there a story behind your stage name? Just my government name
Where do you find inspiration? Anywhere, really. Mostly from sounds outside.
What was the role of music in the early years of your life? I mostly heard music at church or in the car with my mom. I was encouraged to sing solos, or join choirs in school.
Are you from a musical or artistic family? My mom and her sisters would sing harmonies, old church hymns, etc around the piano at family gatherings.
Who inspired you to be a part of the music industry? Probably watching MTV got me jazzed for making music. Seeing that and all of the music magazines made everything look so cool.
How did you learn to sing/write/to play? I was encouraged to play guitar. My cousin, who I thought was the coolest person played drums. He would hype up music to me and that pushed me. Then a friend of mine started getting better at guitar than me and that just wouldn’t do, so I started practicing, getting better and I loved writing songs. So basically my apparent childish need to be better than others spurred me on you get better.
My cousin, who I thought was the coolest person played drums.
What was the first concert that you ever went to and who did you see perform? I saw the Winans (a gospel group from the 90s) play. The concert was so loud. I couldn’t believe humans could make that much noise. That people were ok with how loud it was. I wanted to be that loud.
How could you describe your music? I’ve written all kinds of music. Since I’m not trying to market myself or fit into anything particular I’m just allowing myself to make what feels good. This particular exercise I wanted to just make a straight forward 90s kind of rock thing. So the EP sounds like it does from my love of 90s rock.
Describe your creative process. I hear the cacophony of noises around me and for some reason I pick up melodies. I’m really driven by rhythm and whatever particular vibrations means me feel pleased.
What is your main inspiration? Not sure! Whatever music I’m listening to.
What musician do you admire most and why? Maybe Daryl Palumbo and Justin Beck of the band Glassjaw. They just keep trucking. They don’t care about timelines, they just want to make cool music. It was some interview with Daryl where he said just keep going. Just keep playing and two things will happen, you’ll get better and the people who started off with you and who aren’t in it for that long haul will drop off.
Did your style evolve since the beginning of your career? I’ve tried aping so many different styles. I think I’ve pretty much made peace with the fact with what I make will always be a bastardized version of what I’m trying to copy. And I’m ok with that.
Who do you see as your main competitor? The only person I want to be better than now is me yesterday.
What are your interests outside of music? I work in VFX. I love film, writing scripts, eating and drinking with friends and spending time with my wife and kid.
If it wasn’t a music career, what would you be doing? I’m doing it. I’m working in VFX and I guess would try and make some films.
What is the biggest problem you have encountered in the journey of music? So many problems. But I’d say the racism, sexism, and age-ism. I could go on.
Why did you choose this as the title of this project? It’s a gift for my wife and has a meaning to celebrate our 10 year anniversary.
What are your plans for the coming months? To keep working on the musical I was commissioned to write, make a new EP, write more scripts and keep my kid alive!
Do you have any artistic collaboration plans The one I am working on with my friend Jocelyn. That above mentioned musical.
What message would you like to give to your fans? Be patient. Make what you like. If you like it, you are a demographic and someone out there will like it. It may be a lot of people or very few, but it doesn’t mean it shouldn’t be out there. Someone needs it, even if it’s just you.
Jump Onto The dancefloor Of Vendetta el Disco And Shake It Off
Hey everyone, get ready to groove with Robert Vendetta’s newest album, “Vendetta Del Disco”! It’s all about life’s ups and downs, told through catchy tunes and soulful stories.
Picture this: a guy stuck in the rat race, trying to impress his boss and losing himself along the way. But then, bam! His boss gives him a break, and he lands at Vendetta Del Disco. Suddenly, he’s dancing, living life, and realizing what truly matters.
The album’s got everything—retro-pop vibes, funky beats, and lyrics that hit you right in the feels. From the upbeat “Main Man” to the mellow “Here and Now,” each track tells a piece of the story.
Robert’s been making music since forever, drawing inspiration from his dad’s old country tunes and his love for Bowie. His creative process? Just him and his instrument, jamming out until the magic happens.
And hey, if it wasn’t for music, Robert might’ve been helping out young talent or chilling with a good book. But lucky for us, he’s here, sharing his tunes and spreading good vibes.
So, to all you fans out there, Robert’s got one message: thanks for sticking around. Without you, none of this would be possible. So turn up the volume, hit the dance floor, and let “Vendetta Del Disco” take you on a ride you won’t forget!
What is your stage name My stage name is Robert Vendetta.
Is there a story behind your stage name? Yes there is. In like 2005-2006 I was looking for a new stage name instead of Robby Starbus. Yes, I was and am a Bowie fan… And I had this book of fancy flash websites. And one was called “Vendetta Del Disco.” So I went, there you have it!
Where do you find inspiration? In many places. Like in life, experience, seeing what other people go through, things I read about…
What was the role of music in the early years of your life? Our house was full of music. My dad was a country-singer, and a really good one. I wish he had his breakthrough. So instead of listening to children’s music, I grew up on Elvis, Jerry Lee Lewis and the Highwaymen. And I was how my dad would play country on his old Yamaha 68 guitar. A guitar I know, own and love!
Are you from a musical or artistic family? My dad was very musical, my mom could dance. Like to the point of embarrassing good!
Who inspired you to be a part of the music industry? For me it was artists. I wanted to make music and dance on stage. To put on a good show and make great videos. I was very determined as a kid.
How did you learn to sing/write/to play? At school and at church really. And just by heart. Like the beatles. I would listen to a James Brown track and try to make my own song out of it.
What was the first concert that you ever went to and who did you see perform? I don’t remember my first one, but I remember my first big one. When I was about twelve years old my dad took me and my brother to see Willie Nelson. I was mesmerized!
How could you describe your music? That’s a tough one. It’s retropop, modern old. People tend to think it’s like Rockabilly but it’s really a blend of modern and old. I always say somewhere between Elvis and Ariana Grande. Or at least that’s what I’m trying to do.
People tend to think it’s like Rockabilly but it’s really a blend of modern and old.
Describe your creative process. Well, I need an instrument. I’ll just start playing, trying to come with new ideas. That’s the hardest bit – to create the foundation. I’ll write the music alongside finding words and sounds for the lyrics. It’s gotten harder to get there over the years. The next part is just adjusting, rewriting the lyrics, getting the shape of the songs. I find that easier. And when I work as a producer for other artist I often get that part, adding those final touches to the songs. Once a song is finished I can hear the arrangements in my head. So often I make a preproduction out of what I hear in my head.
What is your main inspiration? Like I said, life in general. But of course working with other artists as well. I worked a lot with young talents, they inspire me a lot. And artists that think totally different from me, I’ve learned a lot form them.
What musician do you admire most and why? Oh, what musician… Maybe Paul McCartney because he is both a musician and an awesome songwriter. He knows all instruments so he finds the perfect places and what to play in songs. And he’s one heck of a bassplayer. And since I’m a bassplayer too…
Did your style evolve since the beginning of your career? Oh, absolutely. If you go way back it was James Brown and the Doors that was the thing. And then it was Bowie. And then more 70s sounding stuff. But when recording my first solo-album I discovered my sound. Much thanks to my producer on my first album, Eliot James.
Who do you see as your main competitor? I tend not to think too much about that. Besides, I’m different from what’s going on in the mainstream.
What are your interests outside of music? I love to read books. That gives me such peace of mind. And to watch movies and theatre plays. And I really love to dance!
If it wasn’t a music career, what would you be doing? Maybe what I’m doing to make money. Give young people a chance and a place to be.
What is the biggest problem you have encountered in the journey of music? Getting people to answer my emails. I once had a gig, everything was planned. Two weeks before the gig I tried to call the owner of the place just to get last minute details. But he never answered. So finally I found his wife’s number, called her and said “if the gig’s off, at least let me know that.”
If you could change one thing in the music industry, what would it be? Oh, that’s a big question. I wish there was more room for new artists. Like on tv it’s all these reality shows with the same artists over and over again. I’d love it if they made a tv-show about new, exciting artists. Unkown once.
Why did you choose this as the title of this project? It came from the origin of my name, that flash-book.
What are your plans for the coming months? Well, now we’re in release mode. So the album will be out March 5th alongside the promosingle. And then the music video will be out the week after. And then I’ll hopefully do some shows with my amazing band.
Do you have any artistic collaboration plans I’m working with another exciting artist and there will be a single released in May. But I’m the producer and songwriter for that one. So it’s her that is the focus point.
What message would you like to give to your fans? Thank you so much for being there. I wouldn’t be here if it wasn’t for you guys!
Wordplaii Serves You With A Brand New One Titled 'Distractions'
“Distractions” by Wordplaii is like a deep dive into today’s world of constant social media and digital overload. It’s a song that speaks to how we let all these things mess with our heads, making us feel like we’re never good enough, always comparing ourselves to others, and chasing stuff we don’t even need. But hey, it’s also a song of hope, a reminder that life’s too short to be stuck in that negative loop.
Wordplaii, coming from Roswell, NM, but now cooking up tunes in Tampa, FL, is all about keeping it real. He’s not just rapping or singing; he’s putting his heart and soul into every beat. “Distractions” is like a mirror reflecting our struggles with self-doubt and the pressure to measure up in a world where everyone’s putting their best foot forward on social media.
The song’s got this cool mix of hip-hop vibes and soulful melodies that make you nod your head and think at the same time. It’s like Wordplaii is saying, “Hey, let’s break free from all this comparison nonsense and live our lives authentically.” And you know what? That message hits home for a lot of us.
So, next time you’re feeling overwhelmed by all the distractions, throw on Wordplaii’s track, vibe to the beat, and remember to keep it real. That’s what it’s all about.
Kamakshi Khanna: Getting Real with "Love Is Not A F*cking Game"
I would start talking about Kamakshi Khanna, a singer/songwriter based in Mumbai who is making waves in India’s indie music scene. When it comes to her music, she really likes to combine pop, r&b, and folk genres with her powerful voice and deep lyrics. Her new music, “Love Is Not A Fucking Game,” centers around the divorce between modern romance and reality.
The song starts with the chill vibe of a guitar tone and then Kamakshi’s soothing vocals follow. It’s got a mellow rhythm that just makes you want to join in.And the lyrics? They are direct and thereby tackle real life relationships with the truth and force.
The production is point as well in which the artist’s voice mixed with the beat just sound fine to my ears. It’s the kind of cozy, comforting sound you can’t get enough of.
“Love is Not a Fucking Game” is the first single of Kamakshi’s EP and it will definitely leave the right impression of the entire record. She gives it all, making us go unfiltered and real about love and its complexities.
Hence, if you’re into songs with a soulful touch infused with a little bit of edge, give a shot to Kamakshi Khanna. “Love Is Not A Fucking Game” is an awesome heartbreaker but at the end of the day, you’ll definitely be craving for more!
Allie Jean's 'Pretty on the Outside': A Soulful Journey Through Indie Country
Just like you would when you open a window to the fresh air, Allie Jean’s brand new indie country song, “Pretty on the Outside,”is a perfect escape from the trend on the charts. In a world with so many people striving to be unique, her music provides an exceptional opportunity to radiate better feelings and relay sane messages.
It is evidently that through “Pretty on the Outside,” Allie use of the retro touch to make sure her temporary also has a cool, vintage feel. She is doing it like she was taking us back to the glorious olden days of country music but with a modern twist that keeps things so interesting.
To paint the picture, let me just say the song itself is already a smooth ride, Allie is just running the whole thing with the lead vocals over gentle guitars and moving drums. The ambiance of the song just makes you want to ease into it and let it melt your mind into a laid-back state.
What makes Allie’s music so amazing is that it’s not just a group of hooks, but also, each lyrics has deep meaning. “Pretty on the Outside” describes the aftermath of the making of a kind of choices that look so right in the eye but at the stop turn out to be not such a great accomplishment. It’s an experience which we all have shared before, so the song is that much more in touch.
Allie’s coming album, “This Drink is For the Hard Times,” is promising to be totally unique, and no one is going to be disappointed by listening to it. Offering an interesting fusion of country, pop, and rock genres, she isn’t just another piece of a big musical pie. She is creating her own path and I can’t wait to see where this journey leads her next.
Sweet Unrest: Spilling the Beans on "Peace Of Mind"
A standout track for the Sweet Unrest of the forthcoming album titled “Peace Of Mind” is the single which solidifies the band’s place as the alternative rock experts which we have come to know them as. Since they are a British band originated in London, Sweet Unrest integrates rock classics into pop music, which results in the creation of an attractive soundtrack that listeners want to repeat again.
“Peace Of Mind” starts with a bluesy guitar riff, in a way that is melodious and harmonizes with the new pop-rock rhythm and energetic drumming. The saturated guitar lines and distorted progressions overflow the song with moods, producing a sonic environment that superimposes on our imagination. The song is full of various ingredients, and our perception of it is a constant work in progress.
The band’ journey, which is told mainly from the perspective of the guitar player and lyricist, Jack, symbolizes a transformative period on a personal level, with sobriety and self-knowledge as the prime features. The trio’s dynamic is on display on “Peace Of Mind” as they create a wave of raw emotion and artistic sound that perfectly captures the journey through the song.
he trio’s dynamic is on display on “Peace Of Mind” as they create a wave of raw emotion and artistic sound that perfectly captures the journey through the song.
Moved to adopt under the influence of music as a therapeutic tool, the song reveals the true essence of finding peace and kinship when difficult life comes. The grabbing-for-the-neck riff, being the result of a pure experiment and a mutual work, is really the driving force, pushing the emotional tempo.
In “Peace Of Mind”, the author expresses the great desire to people live their life in a way that it is filled with connection and the inner understanding of their derivation and otherness, in other words, the general human longing for meaningfulness. Though just one single, Sweet Unrest’s latest offering, describes not only their personal vision, but also a significant part of their being.
Kickin' it with Canning: The Lowdown on Their Latest Tune
Today we are getting into the amazing Canning band that is a three person band and are located in Chicago. Their last single, “Collide,” is not just the song, it’s the whole story, which is packed with tasty beats and game-changing lyrics.
Imagine the king of groovy guitar chords, drums that would make you nod along, and lyrics that would make you think about man’s existence. “Collide” isn’t just a song about music, but a battle between dreams and realty, or a tango between confidence and scepticism.
Canning’s music, on the other hand, is about being authentic, genuine and true to themselves. They’re not playing tunes only; they’re living a tiny part of their soul with every strum and strike.
Also, the “Collide” is a song that you listen to, but an experience that you go through. It has to do with discovering yourself, matching up with your own thoughts, and being victorious at the end.
So, don’t wait, tune in to Canning and their latest track, “Collide”. Feel the music carry you beyond, and take you in a journey you won’t forget!
RC) Well, one day Tom simply said let’s just call the band Canning. It was RCB at the time…definitely an improvement in terms of everything…haha…
Where do you find inspiration?
RC) Within moods and traveling…traveling creates an energy.
FA) Different sounds and sonic textures; from random melodies and lines in my head.
TM) Whatever catches my attention and sparks creativity
What was the role of music in the early years of your life?
RC) Absolutely loved music as a kid, so I’d put together little concerts with pots and pans for the fam. Must’ve been tough sitting through all that clatter but smiles were found.
FA) Music has always been for inspiration, pleasure, and unexpected gifts.
TM) Fun and purpose
Are you from a musical or artistic family?
RC) My sister Sally was a skilled pianist…then there’s a bit of history dating back to the early 1910s/20s. An act that went by ‘Canning Family Orchestra’, my Grandfather Claude being the drummer, toured around the country with between seven to ten musicians per tour during those times.
FA) Yes, musical.
TM) Yes, there are artists and musicians throughout my family. My mom played cello.
Who inspired you to be a part of the music industry?
RC) Jimmy Page inspired the want to be a guitarist. Peter Grant inspired the dive in and just do.
FA) My father, I suppose. I was in studios often with him. I saw and heard some epic stuff earlyon. He did a ton of jingle and voiceover work in the late 70s & 80s among other things; many times, there were groups in studio A when he was working in studio B or C at in a facility…
TM) Prince
How did you learn to sing/write/to play?
RC) I started to play guitar in fifth grade then picked it back up with serious intent while being a sophomore in high school. Since then it’s been a loving passion of continual learning and experiences. Writing was always present since the beginning. There’s always something floating around within the skull mater. As a child sitting at a piano banging out notes, ideas presented themselves. As for singing, which has been a by for more difficult path, there was a want to express more than just melody in a context of sonic notes…the need to vocalize ideas, emotions and connections was evident.
FA) I learned to sing in Children’s Choir. My writing is still a process of improvising and then deciding what works best for the song; if I don’t get another shot at it- I just go for it. I’m kind of limited to that since I don’t read music. However, I’ve developed a pretty good ear for pitches and intervals… I can read some charts well enough… I’m still learning to play every day.
TM) I taught myself until I took lessons from Dwayne Thamm. He developed a sticking style and was The Bozo Show drummer years ago.
Kickin’ it with Canning: The Lowdown on Their Latest Tune
What was the first concert that you ever went to and who did you see perform?
RC) That was the Peter Gabriel ‘So’ Tour…
FA) First rock show was Huey Lewis and the News in probably 1984.
TM) Def Leppard
How could you describe your music?
RC) Our music is definitely not for the timid or the easy listener. It’ll get under your skin at times then gently caress your hair all within a few moments. All the emotions portrayed within the songs are representations of our lives which, as with many, is a dynamic rollercoaster. All we can say is… ‘Hold on…we goin’ for a ride!’
FA) Still working on that… Maybe prog guitar-rock with some twists?
TM) Our brand of modern 90’s psychedelic rock
Describe your creative process.
RC) Not really much of a creative process but a life process. In life, it’s being a songwriter for me. The ideas can start anywhere but primarily the elements are discovered when lounging around with the acoustic in hand and playing with no direction…just playing music and allowing the fingers to roam free.
FA) Listen to the song or idea. Try to fill out the idea/song with a part. Do not meddle too much. Do not overplay. Think of how my part best serves the music. Do my best to accomplish the goal. Revisit/assess the part if need be and change it. Stick with those changes if they work better.
TM) Refer to Fritz’ response, but I hear busy sometimes and it might only make sense to me what I play.
What is your main inspiration?
RC) Waking up every day, experiencing what will become of the now. Always the hardest being in the present sometimes…
FA) To live another day of possibilities and keep making music!
TM) Bitcoin
To live another day of possibilities and keep making music!
What musician do you admire most and why?
RC) Definitely admire many musicians across the vast musical landscape of time…here are two:
Franz Liszt
– While studying music, I truly admired Liszt breaking and pushing the boundaries of what was considered acceptable music at the time…especially during intense periods of secular and non-secular music.
Bjork
– She is simply soooo amazing. Existing in her own realm, dimension and thought creating the new. There is no other. Hardest thing to acquire in this world of music is to find your own voice, sound and style that doesn’t pile upon others. We all have influences, including osmosis since birth but to be a completely unique individual sonically takes a level of self-realization, self-dislike and self-love that are a continual journey for all. Thinking she’s the furthest along in regards to musical individuality.
FA) Herbie Hancock. Just a colossal talent from the get-go and so smart, musically, and otherwise. He is one of the greatest American composer/performers of all-time.
TM) Jerry Garcia because he loved playing music more than being an icon.
Did your style evolve since the beginning of your career?
RC) Style has evolved parallel to the path of life. Might take a bit to realize sometimes but always continually moving forward.
FA) Yes, I hope it evolves incrementally every day.
Who do you see as your main competitor?
RC) We do we so I guess that would be us.
FA) A bassist with more/better skills than I, if they also have great feel, sense of time, and a better understanding of music within the context.
TM) I don’t look at music in terms of competition.
What are your interests outside of music?
RC) Hanging with Escher (Pointer mix…he’s a sweetheart), having two slim boards attached to the feet pointed in a downhill direction…hopefully there’s no grass spots ahead. Making loud.
FA) Old cars and hot rods. Audio in general, recording.
TM) Art and woodworking currently
If it wasn’t a music career, what would you be doing?
RC) Being somewhere on a mountain…instructor/patrol/technician…something related, but then playing après ski…music would always somehow be involved someway.
FA) Probably fixing or selling old cars & hot rods or working in the recording industry in some capacity.
TM) Putzing around.
What is the biggest problem you have encountered in the journey of music?
RC) Academia…it’s amazing to see today’s youth having a universal acceptance for the want to create and learn music. Years back the only acceptable path was classical studies by many. Today a child can join the School of Rock then be playing as an opening act, outside on a stage at their local festival with friends and piers all while it being okay. Reverse that and it becomes being an outlaw if ya just wanted to create, explore and groove on some beats/chords with friends. Being outlaws didn’t matter to us…we thrived on it. That was definitely the biggest hurdle, being accepted as an equal in terms of academia.
FA) Finding the niche or the niche finding you – just doing your own thing.
TM) Sheisters
If you could change one thing in the music industry, what would it be?
RC) Artists as a whole, would benefit from access to better support systems and career compensation for what they’re providing the world with. Government needs to realize this and equal out the playing field so all career minded artists can survive. Will this ever happen, probably not anytime soon. There are pockets that need to be continually overfed. This world would be a rather dull place if everything was gray in color and all we heard was monotone.
FA) The industry valuing artists more appropriately in compensation for both live performance and recordings.
TM) Centralized power
Why did you choose this as the title of this project?
RC) We write the emotional story, especially when it comes to lyrics. We like there to be a connection that the listener can find within their lives. Their own emotional story that relates to what we’re portraying in the song from ours. In the case of ‘Collide’, dreams can be a happiness in reality if pursued diligently. Within the daily monotony, that dream can be opposed, hence wondering if happiness is attainable. When that dream and life finally meet, colliding…life will become a happier and better place.
What are your plans for the coming months?
RC) We are currently working on and finishing up a bunch of new songs over the next sevenmonths. Looking so forward to releasing these tracks into the world starting about late Spring of 2024. This set of songs are gonna be rather dynamic!
TM) A tour?
Do you have any artistic collaboration plans?
RC) Not currently…would be fun but CANNING keeps me rather occupied.
FA) Most likely to have my lovely sister-in-law play more cello on Canning material. It would also be nice to find a way to cross-pollenate with musicians from my other group. Besides those possibilities, play more drums in my side-side project.
TM) Home studio song writing
What message would you like to give to your fans?
RC) Wake up every day and dive cannonball style into the new day.
FA) Just keep on rocking!
TM) Lose yourself in music while the world is ablaze/
The Ethereal and the Earthly: Dying Habit Unveils “Celestial”
Dying Habit’s latest single “Celestial” is a sonic voyage, plunging into the nebulous realms where dreams amalgamate with raw reality. The quartet – led by Nathan Jones’ hauntingly resonant vocals – navigates the turbulence of human consciousness against a backdrop that’s both tempestuous and serene.
Opening akin to an overture for twilight, Alan Hart’s guitar work weaves ethereal tapestries before Mark Jones’ drums descend like rolling thunderheads on the horizon. This prelude draws listeners into a suspended reverie—a space swirling between sleep and wakefulness—before Daniel Garner’s bass injects gravity into this weightless world.
As if mirroring our own nocturnal narratives, “Celestial” confronts ‘the Chaos of Silence’ through its lyrics; here silence doesn’t signify peace but a tumultuous psyche wrestling with shades drawn from nightmares. In pivoting between delicate melodies and assertive rhythms, Dying Habit steers clear of traditional alternative rock tropes—instead opting for an alchemy that marries groove-laden riffs with introspective harmonies.
The Ethereal and the Earthly: Dying Habit Unveils “Celestial”
Listeners detecting echoes of Deftones in their pulsating beats or A Perfect Circle in their ambient crescendos would not be mistaken—yet there’s no denying Dying Habit has chiseled out an auricular identity uniquely theirs. It’s a piece intricate as it is intense; where beauty isn’t just juxtaposed but intertwined with brutality.
Hints at growth are undeniable—”Celestial” holds promises cast like constellations guiding toward ‘The Chaos of Silence,’ slated to stir souls come 2024. Until then, let us ruminate inside this brief respite they’ve offered—an avant-garde meditation on mundanity and metaphysics alike.
Whether translating studio finesse from North Wales to electric fury onstage remains seen; however, for fans old and new awaiting those immersive live renditions—and given this foretaste—one can only anticipate kinetic magic soon unfurling under Dying Habit’s expanding night sky.
In the ethereal dreamscape of modern music, few tracks shimmer quite like “Perfect Machine” by Saasz. Within its opening chords lies a tranquility that belies the turbulent undercurrents of existential yearning and emotional dissonance.
Saasz navigates a chillingly beautiful odyssey with her lilting harmonics, reminiscent of genre pioneers like Cocteau Twins interlaced with the contemporary whispers of Beach House. Her tender yet potent female vocals carve through layers of dream pop haze, creating an intimate dialogue between machine precision and human fragility.
Each verse in “Perfect Machine” is a brushstroke on canvas—painting portraits of lives etched with emptiness, longing for an escape into apathy. Yet there’s no cold metal to be found in Saasz’s voice; it harbors warmth that blankets even as lyrics conjure chills reminding us what it means to feel against all odds.
Saasz’s “Perfect Machine”: Imperfection’s Beauty
The DIY ethic resonates profoundly here; knowing every note is crafted solely by this independent artist amplifies her message about authenticity amid automation: you can hear autonomy ring out in self-harmonized choruses—a one-woman symphony defying solitude itself.
But don’t mistake ‘relaxing’ for ‘sedate.’ Each synth wave crashes with restrained strength while beats pulse at restful intervals—mirroring our own heartbeat adjusting to match its serene rhythm before racing at acutely emotional crescendos.
“Perfect Machine” isn’t just a song—it’s Saasz’s siren call from across vast digital seas begging us not only to listen but also to reflect on what perfection we chase after when perhaps imperfection leaves more room for solace in poetry amidst pain. The track lingers long after silence falls, inviting us back again into its haunting embrace—an addictive melancholy forged not from steel but soul.
Mery's Key Debuts with “Step By Step”: A Melodic Journey of Resilience
In their debut offering, “Step By Step”, Mery’s Key doesn’t just walk into the landscape of pop; they strut with purpose. With Mery Bertòs lending her crystalline vocals and Kevin Reginald Cooke’s bass pulsing like a heartbeat beneath, it’s clear this isn’t your run-of-the-mill synth-laden number—it’s a mellifluous march to the beat of perseverance.
If music was canvas, “Step By Step” would be awash in vibrant hues—each lyric painting strokes of resilience amidst life’s grayscale labyrinth. The song dances around the grappling hooks of impatience and self-doubt but lands its feet firmly on solid ground: progress is not instant gratification but a deliberate journey.
Mery’s Key Debuts with “Step By Step”: A Melodic Journey of Resilience
Imagine if Sting took Sia under his wing—the blend evokes this very harmony between grounded yet soaring melodies. There is an unmistakable ‘80s imprint in the DNA here; think hair less teased but equally as bold. The uncluttered arrangement allows for an authenticity akin to bare-bones indie pop but grooves enough for mainstream courtside swings.
But forgive them if you feel ensnared by simplicity—as every pluck from Cooke resonates with intention while Bertòs’ vocal earworm insists that yes, indeed, everyday uphill battles can ascend into anthemic victories in time.
For aficionados seeking depth or those cruising for spirited background resonance alike—”Step By Step” promises that steady ascent through life’s unpredictable scroll does not just resonate—it reverberates with gusto throughout our collective ribs. It isn’t mere listening; it’s mobilizing—a harmonious foot forward we all need when looking up at mountains saying calmly, step by humble step.
