Love's Slow Rain: Mi'Kael Chalyce Finds Her Sun in "Faded Love"
Sometimes healing sounds less like a whisper and more like a storm—a sonic reckoning that blows through the debris of old wounds, scattering the ashes of what no longer belongs. Mi’Kael Chalyce’s “Faded Love” is that storm, a swirling force of fiery assertion and raw self-honesty, blossoming from agony into liberation. Let me say it plainly: if resilience had a sound, it might just be her voice.
The single lands like a confession channeled through a cathedral, her vocals vast and soaring—the kind of power that could knock over a weak-willed heart in the front pew and leave it questioning its moral alignments. Mi’Kael sings of breaking free not with bitterness but with clarity, stretching these guttural truths into pockets of melody that pulse and sigh as though the track itself is exhaling relief.
Dorrell Smith and Beats by Dre take up dual roles as custodians of this sonic sanctuary, layering velvety production and a subtly sinister beat that slithers like an unwelcome memory but eventually fades into golden harmonies. You can practically see the door slamming behind her as the climactic swell relinquishes its grip. Every note feels measured, evidentiary—proof of messy survival baked into snare hits and synth slides.
Credit: David Easton & The Lions Den
There’s an undeniable intimacy to her narrative, but don’t flatten her text to the tone of a personal tragedy. This is rebuilding. Some chapters in life burn because they’re kindling for the bigger fire—that’s how it hit me. “Faded Love” thrums with generational scars flipping their script, and in an era where self-empowerment narratives often radiate colder tenacity, this is lush, visceral stuff.
Mi’Kael Chalyce has positioned herself as an oracle in progress—wounded but steady, reshaping not just a career but a template for how R&B can woo, weep, combust, and still make space to heal.
From Pac-Man to Pop Culture: "Rok" and the Art of Emotional Synth
If the Pac-Man arcade cabinet at the corner of a musty Scottish pub could talk, it might recount something akin to Rok’s self-titled odyssey. Nigel Dunn, the one-man conductor behind this electrified locomotive, paints in phosphorescent streaks of emotion while clutching an aesthetic pulled straight from the neon abyss of ’84. Yet, “Rok” isn’t content with cosplay. No, this album doesn’t merely wear the past like a gimmicky badge of honor. It interrogates life’s collective ache—love’s jagged edges, regrets burning cigarette-like holes in our lungs, and the gaudy comfort we find in pop culture relics.
Themes of life, love, and regret snake through this 11-track surge of modern electronica. You can almost hear Dunn wrestling with an unwieldy spectrum of human feels (if emotions had a BPM, he’d chart every one). This isn’t background music; it demands you see its layers. If love is the chorus—a relentless, echoing declaration—then regret slithers in as silent tension, barely masked by those glittering synth leads.
From Pac-Man to Pop Culture: “Rok” and the Art of Emotional Synth
The album’s marriage of nostalgia and innovation flirts with contradiction—and oh, what a flirt it is. Pop choruses hook like errant sweet wrappers glued to a gust of Glaswegian wind, while Dunn’s production ensures no one confuses “Rok” for a Spotify-era algorithm babysitter. He manages to craft something suspiciously intimate and personal under the guise of stadium energy, a difficult trick made deceptively simple.
“Rok” feels like going time-traveling not to fix mistakes, but to boil them down—and find meaning amid the wreckage. Think of it like audio-social realism, except chiseled in shimmering synth and bound tight by staccato euphoria. By the end of it all, you’re left wondering: is the past really the past, or does it pulse just beneath our present, as alive and neon-bright as we are willing to let it be?
Authenticity and Evolution: Inside the World of Drew and Badger
So I just got the scoop on this new surf rock EP *Splash Royale* by “Fly Janet” (Drew and Badger), and honestly? It’s kind of awesome. These guys are doing something totally different from their previous stuff – it’s like they’ve decided to just have fun and not overthink everything.
The whole EP basically came from this totally random inspiration. Drew’s apparently a huge Sauce Walka fan, and they just decided to create something that feels good, no deep hidden meanings required. And yeah, that makes the music feel super authentic.
Some of the tracks are really personal. Like, “Pipe Dream” was written right after Drew’s niece was born, which is just such a cool backstory. And then they’ve got these wild instrumental tracks that basically throw genre rules out the window.
What I’m loving is how they’re just doing their thing. No trying to fit into what people expect from a surf rock band, just pure creativity. The track “Head of Cow” even has this whole visual tribute planned that sounds pretty intriguing.
If you’re into music that feels fresh and doesn’t take itself too seriously, *Splash Royale* is definitely worth a listen. It’s the kind of EP that just feels like two musicians having a blast and inviting you along for the ride.
“Congratulations on your EP! Can you tell us about the inspiration behind Splash Royale? -Thanks so much! A lot of surf rock albums these days have a horror movie and rockabilly vibes. That isn’t our thing. We don’t actively seek any type of sound. These songs are a natural progression in our song writing.
The title Splash Royale is intriguing. What’s the story behind the name? – We had been listening to a lot of Sauce Walka. Drew came up with the name. We loved the title. Didn’t want to overthink it.
How does this EP differ from your previous work in terms of style and themes? – It has a brighter happier sound compared to anything we’ve done before. We have been very happy with how much fun it has been to write and play in this band. The vibe came through on the recordings.
– It has a brighter happier sound compared to anything we’ve done before.
Did you collaborate with any other artists or producers for this project? If so, how did those collaborations influence the final sound?
– We had 0 collaborations on this ep. This album is just Drew and me. Not that we are opposed to working with anyone. It just didn’t happen this time.
Is there a specific track on the EP that you feel is particularly personal or meaningful to you? Why? – Drew wrote pipe dream after the birth of his niece. It was special to see it finally make it on an album.
Your fans love your unique sound. How do you balance staying true to your signature style while exploring new musical directions? – We don’t think about them at all. We write music that we want to write, and that is how we stay true to ourselves. Authenticity is what our “fans” like to see/hear. If they don’t enjoy it, that’s fine, but we try to stay away from the thought of what would our fans like to hear.
What themes or messages are you exploring in Splash Royale? – M.O.E. Money over everything. Nah lol, I’m just fucking with you. There is no message. We just wanted an album that sounded different, and sonically had the same vibe.
Are there any music videos or visual content planned for tracks from Splash Royale? – Our first music video is going to be head of cow. Right before we announced the release date of “Splash Royale” (Chris) Badger’s mom passed away unexpectedly. The music video is going to be old 8mm home video footage of his mom from when she was a kid.
She grew up all over the world in places like Vietnam. The video is going to be a memorial to her life. She was an amazing woman who always supported her sons music endeavors. Badger’s sister is an amazing artist and photographer. She did our album cover, and she is doing the music video as well.
Looking back on the journey of creating Splash Royale, what’s the biggest lesson you’ve learned? -Don’t be afraid to be yourself, and just try new shit. These songs sound like nothing we would have written in the past. We are proud of it even if everyone ends up hating it.
Is there anything else you’d like your fans to know about Splash Royale or your creative journey? -Fucking life is short dude. Don’t be afraid to be yourself and do the shit you wanna do. We don’t take life for granted. So while we have the time and ability to make music we are gonna have fun and take advantage of our time here on earth.
Where can people find your music and keep up with your latest updates? – Spotify, Apple Music, all those sites. Our IG is where we tend to post all our latest updates. TikTok for all our thirst trap videos.
Ava Valianti Captures the Bittersweetness of Time in "Wishing Well"
I just have heard about this young and talented artiste called Ava Valianti. Wow. She is insanely talented 15 year old who has just dropped her single *Wishing Well* and honestly? I’m literally blown away by the fact that someone so young could come up with something so great.
It’s basically about that weird nostalgic feeling of missing out on childhood: you want to grow up and then you want to hold onto that lost magical kid moment. Her vocals are really good. She has a little bit of Billie Eilish to her mixed with Olivia Rodrigo but with her own little twist.
It’s so super soft and so gentle, just her voice and some acoustic guitar and then it builds into this like this powerful anthem, you know, basically embodies every complicated feeling about growing up. The bridge is especially killer – her voice just really soars and it just gives me total chills.
It’s so super soft and so gentle, just her voice and some acoustic guitar and then it builds into this like this powerful anthem,
It’s that one line: Can days be that bright again? that just hits different. She’s like she’s perfectly captured that moment when you knew you can never get back those years.
Get this – she’s already been nominated for a New England Music Award. At 15! Coming out early next year her debut EP is out and I am telling you that she is an artist to watch. *Wishing Well* is not just a song, it’s basically a promise for the greatness music to come.
A Celestial Symphony: Karen Salicath Jamali’s Dreams of Angels"
Have you heard Karen Salicath Jamali’s latest album *Dreams of Angels*? That’s serious. It was really cool how she can get that almost supernatural vibe, all with an old Steinway grand piano.
The whole album feels like driving through a dreamy, peaceful Landscape! There are beautiful melancholic tracks like “Archangel Metatron” you can really feel the emotion rolling through the entire note. Other songs follow suit, like “Angel Gabriel’s Heart” that has a nice, hopeful rhythm that just makes you feel good.
It’s cool and very intentional, and that’s how every single sound feels. Jamali isn’t just playing music,
It’s cool and very intentional, and that’s how every single sound feels. Jamali isn’t just playing music, it’s a story about angels and spiritual experiences. The way she uses these soft, flowing arpeggios makes you think she’s playing something much more profound than another piano album.
If you are into music that helps you zone out, meditate, escape reality for a bit, this is your album. It’s not just background noise, it’s an experience. Each track is a whispered secret, equally delicate and powerful.
Put on some good headphones, close your eyes, and just soak up *Dreams of Angels* seriously. Trust me, this is pretty magical.
Truth Giants: 777BLIKA’s NXTE Inspires and Uplifts
NXTE, 777BLIKA’s latest single, is a heartfelt anthem for anyone trying to make it through life’s challenges. On the track, collaborator 7GXNG and I blend introspective lyrics with polished production to create a song that’s both reflective and empowering, something we created alongside in our personal studio.
NXTE is the duo’s journey from 9-to-5 workers to inspirational artists that comes through in every bar. It’s not music; it’s a guide to life’s journey of self discovery and resilience. Some of the lines of the song represent the central theme of the song that is “Fighting with truth Giants carrying out natural gifts.”
NXTE is musically a blend of modern hip hop and trap with ambient rhythms and raw emotive vocals. 777BLIKA and 7GXNG have chemistry that’s seamless and a sound that’s at once familiar but new. The beats flow perfectly, bites you to head bop and introspection.
In the end, NXTE is more than a song, it’s proof that persistence and faith pay off, BLIKA’s organic storytelling and impeccable artistry make them already rising stars in the music game. If you are looking for some inspiration or clarity, this track is a must listen.
Mick J. Clark’s ‘It’s Getting Near Christmas’ is a welcome fresh take on the season, in a world where most of us have our holiday music overdressed and overly commercialized. The track already boasts over 85,650 Spotify streams and proves that authentic holiday spirit never goes out of style.
Clark captures the subtleties of the holiday season with a remarkable precision. It’s not another Christmas song… it’s a musical time capsule of the rush, the rush, and the joy that come with the celebrations. The song feels like a conversation with an old friend and also includes the challenges of last minute gift shopping and the warmth of decorating the tree.
The track is relatable. Clark’s voice is cozy and inviting and draws listeners right in. The melody is catchy as hell, and it’s not as if it’s just cheesy holiday cheer, it’s genuine warmth.
Even as an artist who has already generated quite a bit of noise (with 54 tracks enjoying regular play and multiple chart entries), Clark proves that he can make music that actually speaks to people. More than a seasonal track, this is a musical reminder to stop and smell the roses, if you will, of the magical moment.
Ty Wood’s 'Livin’ It Up' Sparks Joy and Resilience
Ty Wood’s debut single “Livin’ It Up” arrives like a breath of fresh air in a music scene that often feels overcrowded and formulaic. This isn’t just another feel-good track—it’s a robust exploration of personal resilience wrapped in an infectious musical package.
From the first notes, Wood commands attention. His vocals cut through the mix with a raw confidence that speaks to years of musical experience, despite being a newcomer. The track brilliantly balances rock energy with country soul, creating a sound that feels both familiar and refreshingly original.
The track brilliantly balances rock energy with country soul, creating a sound th
The song’s strength lies in its authenticity. Inspired by Wood’s personal journey, including his involvement with the Write Across America project, “Livin’ It Up” transcends typical motivational anthems. It’s a nuanced reflection on overcoming challenges, punctuated by driving guitars and soulful harmonies that invite listeners to embrace their own strength.
A standout female vocal adds unexpected depth, creating harmonies that elevate the track beyond a simple debut single. The result is a song that’s equally at home on a road trip playlist or as a moment of personal motivation.
Ty Wood has delivered more than just a first single—he’s made a statement about resilience, hope, and the transformative power of music.
Seizing the Moment:: The Harbours' Explosive 'Live It Up'
The Harbours come in a music landscape that is often drowned in cynicism and they bring with them a pure, unapologetic burst of joy. Their latest single ‘Live It Up’ is much more than a track – it’s a declaration of youthful rebellion and unadulterated enthusiasm.
Born from the strange crucible of university lockdowns, Ollie Drakard and Will Massarella-Tyler have made their pandemic era jam sessions into a musical bunch to be reckoned with. The essence of their journey is captured on ‘Live It Up’, a perfect combination of infectious indie pop and genuine story telling.
The musical architecture of the track is a masterclass.
The musical architecture of the track is a masterclass. The standout guitar riff sets the pace and builds with a captivating bridge that makes for almost cinematic anticipation. It’s the kind of song that becomes something that makes you wanna move, feel, and celebrate.
The Harbours are able to take musical sophistication and add a pinch of unfiltered, pure fun. It’s no surprise this is a ‘Track of the Week’ on BBC Introducing, a band that knows just how to craft a song that’s both thoughtful and irresistibly danceable.
The song ‘Live It Up’ is not just a song, it’s an invitation to live life’s moments, dance, connect, and just be there in the joy of the now.
From São Paulo to the Dance Floor: Child of SP With ‘Halo’
Child of SP is one of the very few artists who can coax raw emotion and dance floor energy, whilst also sounding cool at the same time. His latest single “Halo” is a beautiful hybrid between atmospheric R&B, Jersey Club pulsations, and some of the most introspective storytelling you’ll find in trap.
Child of SP is from São Paulo and South Florida shaped him, giving us a truly unique perspective on his music. From having his early days of social media covers to getting signed to a major European label in 2021, he’s been steadily building himself a reputation for innovative sound. It’s a ‘halo’ track, the end of the journey in which genre defied expectations.
The song begins with ghostly synth textures, which lead into a brutal beat that is equally intimate and expansive. He goes back and forth between breathy melodies and razor sharp rap flows, speaking on the themes of vulnerability, temptation and self reflection.
The difference about “Halo” is that it takes a nuanced approach to club music. It’s more than a track to manipulate bodies, but a track that makes you think. Child of SP has already broken Luxembourg’s digital charts and beaten out global artists, making him more than another newcomer, he’s a thorn in the side.
Siblings of Noise: Loki's Folly Reimagine Christmas
You probably don’t think of punk rock when you think of “Rudolph the Red-Nosed Reindeer.” Loki’s Folly is ready to take on your favorite holiday music.
Annie (21), Nissa (16) and Oskar (11), this Minneapolis based sibling band takes the classic Christmas tune and bends it into a high octane punk statement that is equally nostalgic and rebellious. That isn’t just a cover though, it’s a complete sonic reinvention of their version, which you’ll find on the forthcoming A Punk Rock Christmas compilation.
That isn’t just a cover though, it’s a complete sonic reinvention of their version,
It’s not that they are young or related, though, that makes Loki’s Folly special, it’s their extraordinary musical chemistry. Inspired by bands like Sleater Kinney, they have fashioned a sound that is greatly innovative yet deeply authentic, incorporating unexpected elements like Swedish kulning.
Their street credibility speaks volumes: No small feat for a young band is catching the attention of legendary producer Steve Albini and getting a spot on a compilation on Hygh Tension Records/Virgin Music Group.
It’s not just a holiday novelty track — this is an act of bravery from a group of musicians who are reimagining what punk can be. Musical rebellion has no age limit, and sometimes the most interesting art is found where it is least expected: in Loki’s Folly.
ELEVEN: A Passionate Revival of Storytelling Through Sound"
But Andrea Cecchi’s ELEVEN isn’t just an album, it’s a visceral offering, an invitation for listeners to take their place in a life lived, this is a story well told, of raw emotion, masterfully told. Cecchi’s debut album is a love letter to the art of music, spanning eleven tracks, a love letter to the time when albums were treasured and played on repeat to find every nuance.
ELEVEN is rooted in a fusion rock, jazz and bossa nova. Each is a richly produced, stylishly arranged vignette, a series of eleven states of mind, each song drafted with lyrics as poignant as they are sophisticated, joined by the warmth of real instruments. So while the album will definitely make you feel nostalgic, it’s also refreshing in that he chose to pick authentic, organic sound over all the modern production trends.
Highlights mostly involve the layering of melodies that expose something new upon each listen, the thing stuck to the back of an old favorite record. The soundscape is personal, but at the same time it seems universally recognisable, and the influences, ranging from Pink Floyd to Jobim, are clear.
ELEVEN isn’t music — it’s a cue to slow, listen, and then reimplant the sonic soul in your music. It’s an enduring classic and one of Andrea Cecchi’s debut that deserves every moment of your attention.
Unmasking Pain with Humor: The Story Behind Io Sto Bene
Francesca Pichierri is a voice you won’t forget—her melodies traverse the ancient olive groves of her native Apulia, Italy, while her soundscapes burst with global and genre-defying creativity. As an independent artist and vocal coach, Pichierri is carving out a distinct space in alternative and indie pop. With a vocal style that echoes the quirky genius of Regina Spektor and the audacity of Nina Hagen, she blends humor, introspection, and avant-garde experimentation to craft music that feels as raw as it is profound.
Her latest single, Io Sto Bene—released on November 29, 2024—is a testament to her ability to turn personal pain into a deeply resonant piece of art. Inspired by her mother’s battle with cancer, the track dares to pair emotional gravity with playful irony, exploring the facades we create during times of profound struggle. Composed with Italian producer Stefano Iuso, it’s a bold, genre-bending exploration of resilience and vulnerability.
In this interview, we delve into Pichierri’s creative process, the deeply personal story behind Io Sto Bene, and how she is redefining vocal expression. Join us as we uncover the layers of an artist who proves that authenticity is the ultimate form of empowerment.
What inspired you to write “Io Sto Bene”? Is there a personal story or experience behind the song? “Io Sto Bene” was inspired by a bittersweet memory of my mom. After her first surgery, just before starting cancer treatment, she video-called me from the hospital, still groggy from anesthesia, to tell me she was fine. I could see the exhaustion in her eyes and hear it in her voice—she was far from fine—but her effort to reassure and protect us was so brave and so typical of her.
That contrast between strength and fragility became the heart of the song. It speaks to the universal experience of masking pain to comfort others or telling ourselves “I’m fine” as a way to push through difficult moments.
The title translates to “I’m Fine.” How does this phrase tie into the song’s themes and emotions? The phrase “I’m Fine” works on multiple levels—it’s a declaration, a defense mechanism, and sometimes a white lie. It embodies the paradox of putting on a brave face while struggling.
Through the way I sing it, I wanted to peel back the layers of that phrase, revealing the vulnerability and complexity hidden beneath those seemingly simple words.
Io Sto Bene seems to convey a strong emotional message. What feelings or ideas did you want to express through the song?
Life often throws us into extremely difficult situations: navigating those moments, especially when they’re life-threatening, is anything but straightforward. So, the song is about leaning into those messy moments and finding strength not in having it all together but in embracing our humanity and vulnerability.
Would you say the track reflects a moment of empowerment, resilience, or something else entirely? I’d describe it as a moment of truth—an honest, real-life moment where different emotions came to the surface. The song captures the rawness of existing through uncertainty, reflecting the messy, unfiltered experiences we face in life. It’s less about finding clarity and more about embracing the messiness of the experience.
How did the songwriting process for “Io Sto Bene” unfold? Did it come naturally, or was it a journey of discovery? It was definitely a journey of discovery. It all began with me singing “Io Sto Bene” on repeat, using a hammer vibrato—a vocal effect that, for me, captured the tension of saying those words without truly meaning them. From there, I sat at the piano, following the melody in my head. At first, I sang in a sort of “fake English,” but certain words kept surfacing. It felt like the song was speaking to me, revealing its story piece by piece.
As I asked myself where I was, an image came to mind—my mom, alone in a stark white hospital room, a window facing the sea. Suddenly, I understood what I was trying to say. Scenes began playing out in my mind, and the feelings they brought—confusion, fear, and the weight of being thrust into something much bigger than us—guided the song’s direction.
I felt her struggle, her pain, and her determination to protect us and push through no matter what. Those emotions shaped the music, dictating the textures and layers I needed to express the story.
I composed and recorded the song in my old bedroom—the one I grew up in at my parents’ house. Later, I collaborated with producer and musician Stefano Iuso, working both remotely and in person at World Music Studio & Live near Milan and Ciabot Music Production near Turin to bring the arrangement and production to life.
What does “Io Sto Bene” mean to you personally, and what message do you hope listeners take away from it?
To me, “Io Sto Bene” is a hymn to us humans—how messy, unjust and chaotic life can be, how hard it is to navigate, yet we keep going. It’s about how, despite the disorientation, challenges, and the overwhelming absurdities we face, we fight, we adapt, and we find ways to survive. The song captures that raw, imperfect spirit—the beauty in trying to make it through, no matter what.
“Io Sto Bene” is also a humorous odyssey. In my family, we have this way of facing life’s challenges with deep commitment but also with a touch of humor. It’s our way of making even the heaviest moments feel lighter, building emotional resilience, and finding the silver lining in difficult situations. The song reflects that spirit—it’s about how sometimes, leaning into the absurdity of life with humor and irony can help to confront its darkest moments.
Have you had any memorable reactions or feedback from fans about the song so far? Yes, and I’m so happy about it! Many people have connected with the song and shared how it resonated with their own experiences. I’ve been deeply moved by messages from listeners who said it made them feel seen and understood, but also that it lifted their spirits and brightened their mood. Hearing that is incredibly rewarding.
One of my favorite reactions is how people now reply to me when I ask them how they are doing, with vocal messages saying, “Tutto bene, io sto bene, io sto bene, io sto bene,” mimicking the way I sing it. It’s so heartwarming and fun to see how the song has become a little inside joke with my audience.
Singing in Italian adds a beautiful layer of authenticity to your music. How does your language influence the way you approach songwriting? Writing and singing in Italian makes me feel more vulnerable, but it also allows me to connect more deeply with my emotions and my audience. There’s a unique intimacy in using my mother tongue—it feels raw and honest, inviting listeners to step into my world in a way that’s unfiltered and deeply personal.
Italian also brings a sense of seriousness and solemnity sometimes. Because I understand all its nuances, I find myself carefully selecting each word, knowing the weight and depth it carries.
At the same time, I love writing and singing in English because it gives me a sense of freedom. It’s a language I can easily play with, especially when I’m improvising or singing in “fake English.” That freedom lets me tap into a more playful and experimental side of my creativity. Each language brings something unique to my music: Italian provides emotional depth and authenticity, while English opens the door to exploration and spontaneity.
Italian provides emotional depth and authenticity, while English opens the door to exploration and spontaneity.
How does “Io Sto Bene” reflect your growth as an artist? What does it reveal about where you are in your career right now? “Io Sto Bene” marks a pivotal moment in my artistic journey. It reflects my willingness to take creative risks—both sonically and thematically—and highlights the duality that defines me as an artist: introspective yet playful, emotionally raw yet experimental, intellectual yet eccentric.
It shows that I’m unafraid to push boundaries and embrace new challenges in my music, while delving into complexity and crafting music that resonates on multiple levels—emotionally, socially, and artistically.
As an artist and storyteller, I see my work as a journey into the depths of the human experience. Through my words, sound, and the instrument of my voice, I strive to capture and articulate the turbulence of our emotional worlds, offering a space for reflection, connection, and understanding.
What can we look forward to next? Are there more songs, videos, or live performances in the pipeline? “Io Sto Bene” is part of my upcoming concept album “Cellule Stronze” (“Bitchy Cells” in English), set for release in 2025. With its deliberately provocative title, the album delves into the physical and psychological challenges of cancer, as well as the social dynamics it creates. “Io Sto Bene” is the third track I’ve released so far, and there’s much more to come in the new year—new songs, captivating visuals, and live performances that will bring the album’s themes vividly to life.
For updates and for being part of the journey in real time, people can follow me on social media, especially Instagram, where I’m visually narrating this journey with videos, photos, and behind-the-scenes moments.
How has your audience inspired or supported you in creating this song? My audience has been a profound source of support lately, especially those who have shared their own personal journeys with me. Their stories remind me of the universal power of music to connect, and their openness inspires me to keep creating and sharing my work.
As an independent artist, it’s not always easy to keep going, but knowing that my music resonates with others and makes them feel seen or uplifted gives me the energy to push forward. Their encouragement means the world to me, and it’s a reminder of why I do what I do.
If you could describe “Io Sto Bene” in three words, what would they be?
Quirky, Brave, Human.
For emerging artists in the ever changing world of hip hop, creating their own space is their goal. Kache Monet (pronounced Cash Monday) is a rapper who is determined, independent, and raw musical passion. Monet’s journey was born of Cash Money Records influences, with an inspiration from Nipsey Hussle and Kendrick Lamar to navigate through the many steps of her artistic evolution and self belief.
Making beats in 2001 and switching to rapping in 2004, Monet has gone from a backpack rapper with the moniker The Veritable Prophet to a more mainstream artist with a strong message. His latest project isn’t an album it’s a manifesto of personal empowerment, telling listeners to ‘get you own money’ and to take control of their own destinies.
A product of musical family traditions, and a passion that won’t let itself be shackled by industry boundaries, Kache Monet is a new generation of independent artists remaking the formula for success in song by song.
What is your stage name Kache Monet (pronounced Cash Monday)
Is there a story behind your stage name? My brother created my stage name in 2008, since we both were fans of cash money records growing up.
Where do you find inspiration? I find inspiration from listening to artists like Nipsey Hussle, The Game, Little Brother, Kendrick Lamar, etc.
What was the role of music in the early years of your life? The role of music to me was watching MTV and BET and learning the structures of rapping and beat making, along with listening to the radio.
Who inspired you to be a part of the music industry? My mother was part of the church choir, and I always loved music. My brother had a band briefly and it promoted and inspired me to make music myself.
How did you learn to sing/write/to play? I learned to write basically by ear, and make beats. I started making beats in 2001, and 3 years later in 2004, I started rapping. Doing everything myself , I had a lot of errors, but learned a long the journey.
Did your style evolve since the beginning of your career? My style has definitely evolved. I used to be a backpack rapper by the name of The Veritable Prophet, until I changed more into a mainstream style in 2008.
Who do you see as your main competitor? I don’t really have competition. Since I always did my own thing. But artists like J Cole, who does all of his own production, inspired me to be more independent.
If it wasn’t a music career, what would you be doing? My interests outside of music is working out, going to church, enjoying time with my new wife, family, etc.
I would be doing more working out, fitness goals, if I didn’t do music. Fitness is a big deal to me. And traveling more.
What is the biggest problem you have encountered in the journey of music? My biggest issue is that musicians don’t really network well enough. I want to take my career to the next level, but it’s about making a hit song and finding the right people to take it to the next level. I pray this opens those doors.
If you could change one thing in the music industry, what would it be? I would change how the industry is now to what it used to be. Where a label would scout you out and give you a chance instead of having to rely heavily on social media. It’s harder to be discovered with how saturated the music industry is. But the advantage is, we as musicians control our success. But again, you have to find the right people to get your music heard to get to the next level in your career.
Why did you choose this as the title of this project? Because Racks or money encourages people
to go and get it, and not rely on others to put your destiny in others hands. In other words, get your own money and live in your own time and means.
I chose this title because money is a huge motivatior for everyone, as we all need money to survive.
Do you have any artistic collaboration plans My plan is to make more motivating songs to inspire others and hopefully collaborate with major artists like The Game, Tommy Richman, etc when I reach that next level in my music career.
What message would you like to give to your fans?
Never give up on your dreams. Don’t let anyone determine your destiny. And never stop trying, no matter how many times you fail. Eventually, you’ll succeed.
BrianKing's First EP ‘DOMINION’ Takes the Music Scene by Storm
BrianKing’s debut EP “Dominion” is a reflection of his journey through sound and emotion. Each track tells a story, inviting listeners to experience the highs and lows of his musical adventure. Get ready to be captivated by the unique vibes and heartfelt lyrics that define BrianKing’s sound.
“Dominion” is an EP that encapsulates the journey of taking control over oneself as a spiritual being and asserting influence over the world. The term “dominion” signifies power, authority, and the right to govern, which reflects BrianKing’s intent to harness his inner strength and navigate life’s challenges with confidence.
Created in just a week, this EP is a raw expression of true confidence, vulnerability, and authenticity. Each track delves into the complexities of self-discovery, inviting listeners to embrace their emotions and recognize their own power. BrianKing’s commitment to being genuine resonates throughout this project, making it not just a collection of songs but a heartfelt declaration of self-empowerment and resilience. “Dominion” serves as a reminder that we all have the ability to take charge of our lives and express our true selves in a world that often demands conformity.
Wrestling with Resilience: The Report's "Everything Life Throws" EP
A toddler clutching a kaleidoscope probably doesn’t fathom the full extent of the beauty whirling inside it. That’s a bit like encountering The Report’s latest EP, “Everything Life Throws”. Just when you think you’ve pieced together what’s happening, you shift it slightly, and new patterns emerge, forcing you to sit with its intentions a little longer. Hugo Allen and Jo Rogers didn’t craft an EP meant to wash over you passively; this is an invitation to wrestle with both the grand design of resilience and life’s shadowy detours.
At its core, the EP from The Report feels like a hug you didn’t know you needed, albeit from someone wearing a concert T-shirt older than you are. Hugo’s raw-edged vocals drape warmly over Jo’s striking and delicate keys, weaving contrasts as natural as mismatched but loving siblings might. Together, they’re not just telling stories—they’re probing the spaces between them: moments overlooked, feelings erased, histories repeated.
Thematically, “Everything Life Throws” meanders gracefully through resilience as though resilience was less a muscle and more an old diary. Loss doesn’t burst forth in flames here; it trudges in unexpectedly, same as hope sneaks back in when you’re busy doing dishes. These songs speak to old wounds you forgot you were hiding. It’s eerily meditative yet always human.
Wrestling with Resilience: The Report’s “Everything Life Throws” EP
Harmonically, the intersecting vocals possess a frailty that feels somehow stronger than bravado. Call it melodic rock, call it hopeful alt-fragility, but somewhere during a listen, you half expect Charles Dickens’ London to chime in, observing its resonance and grief.
Here’s the takeaway: When the fleshiness of existence overwhelms, “Everything Life Throws” reminds us not everything thrown in your direction is only meant to break you. With perspective, you can build mosaics from those shattered bits.
Jackson Mathod's "Mandible": A Hurricane of Melodies and Whispers
You ever think about the architecture of a saxophone solo? That mad swirl of motion, deliberate but unrestrained, occupying both the ground floor and the penthouse at once? That’s the mindset Jackson Mathod drags into the room with “Mandible,” though the instrument in his hands isn’t a sax, but his ever-faithful trumpet. And trust me, it bites. Hard.
“Mandible” isn’t interested in predictable elegance; no, it chews right through the gums of tradition. At its core, the theme is as vivid as graffiti on a rain-soaked brick wall: the trumpet, bold and reflective, dabbling in mad conversations with fuzzy electric keys. It questions the edges of sound, poking at the idea of how elastic a melody can be before it snaps—or before it delights. Mathod seems more like an artistic mechanic here, dismantling our expectations of what a trumpet should confine itself to. Are you prepared for an eruption? You should be.
Jackson Mathod’s “Mandible”: A Hurricane of Melodies and Whispers
The improvisation on display here feels almost narrative—like an argument flaring up during dinner between two equally fascinating but wildly different aunts. One moment, cacophony grips you; the next, everything dips into something intimate and surreal, as if someone turned the raging heater off just to hear whispers in the room we never noticed before. There’s defiance in this juxtaposition, a refusal to choose simplicity, to be merely palatable. Instead, Mathod confronts us: How uniquely can something fuse old-world genre staples with digital-era ambition?
Not jazzy enough to background, not electronic enough to numb, “Mandible” trickles and explodes, then trickles some more—an artwork in three-act rhythms stitched to a hurricane’s pulse. I’d say it’s surgery-through-earbuds, less music and more anthropological storytelling from bones unknown. Teeth meet teeth. Don’t look away while they grind.
Following the success of his single RIRI, featuring Kwesi Amewuga, Ghanaian artist Yhaw Hero returns with a solo song.
Titled “Brand New Sh*t”, the song capture’s Yhaw’s energy of reinventing himself amidst challenges and sets back. Drawing from his own life experiences, Yhaw Hero pairs raw, relatable storytelling with hard-hitting drill beats.
The result is a track that’s as motivational as it is fun—perfect for those looking to hype up their playlist and their mindset.
Brand New Sht* is the sound of a rising star staking his claim on the scene. Whether you’re already a fan or just discovering his music.
Breaking the Mold: Shaun Lewis Cranks Up the Volume on SL EP2
In a musical landscape often cluttered with predictable singer-songwriter fare, Shaun Lewis emerges as a refreshing maverick, gleefully shattering expectations with his latest release, SL EP2. This EP is less a collection of songs and more a bold statement about the limitless potential of musical expression.
Lewis refuses to be confined by the typically delicate boundaries of the singer-songwriter genre. Instead, he weaponizes his musical versatility, transforming what could have been gentle acoustic compositions into sonic hurricanes that blend Brit-pop swagger, hard rock intensity, and an unapologetic punk attitude.
The EP’s opening track, “Holding Up the World,” sets the tone immediately. It’s a rambunctious assault of electric guitar and pulsating percussion that grabs listeners by the collar and demands their attention. The track masterfully balances nostalgic punk energy with modern rock sensibilities, creating a sound that feels both familiar and excitingly new.
“Dillinger” takes the intensity even further, delivering an apocalyptic blues-metal groove that sounds like it could soundtrack the end of the world. “She Was On The Stairs” offers a different flavor, with its shimmering staccato blasts existing in a fascinating liminal space between pop and something harder, more complex.
The track masterfully balances nostalgic punk energy with modern rock sensibilities, creating a sound that feels both familiar and excitingly new.
As a delightful counterpoint, the acoustic demo of “Girl” provides a glimpse of Lewis’s underlying songwriting prowess. It’s a gentle reminder that beneath the walls of noise and driving energy, there’s a nuanced songwriter crafting these sonic experiences.
What sets Lewis apart is his refusal to be pigeonholed. He understands that a great song isn’t about maintaining a specific aesthetic, but about pushing boundaries and challenging listener expectations. SL EP2 is less an EP and more a manifesto – a declaration that music should be wild, unpredictable, and unapologetically passionate.
For fans of the underground English rock scene, Shaun Lewis represents something extraordinary: an artist who sees musical genres not as rigid structures, but as playgrounds for creative exploration.
River Fury's Electrifying New Single 'Uncomfortable Numb'
In the vast landscape of indie rock, where countless bands fade into obscurity, River Fury emerges with a defiant roar that demands attention. Their latest single “Uncomfortably Numb” is a testament to the band’s evolution and unwavering commitment to their craft.
What began as a chance encounter between Dan Howe and Patric Nutton at the Haverstock Arms in 2009 has transformed into a musical journey that refuses to be derailed by time, distance, or life’s responsibilities. Joined by Callum Hayes and Andrew Gallop, River Fury has crafted a sound that pays homage to their influences—Foo Fighters, Fontaines DC, and Queens of the Stone Age—while carving out a distinctly personal sonic territory.
“Uncomfortably Numb” is a departure from their previous work, signaling a more aggressive, high-octane approach. The band describes it as a deliberate shift from the softer elements of their earlier album “Five Year Plan” towards a more distortion-laden, fast-paced rock sound. It’s as if the constraints of their bedroom studios have only amplified their raw energy rather than contained it.
The track pulses with an intensity that reflects the band’s live performance ethos. Layers of fuzzy guitar work intertwine with driving percussion, creating a soundscape that feels both familiar and refreshingly urgent. Despite being scattered across different parts of the country and navigating the challenges of fatherhood, River Fury sounds more unified and passionate than ever.
Their release strategy—dropping tracks individually over the next few years—is unconventional but intriguing. It’s a bold move from a band that has never quite played by the traditional industry rules, yet has maintained a small but fiercely loyal fan base.
“Uncomfortably Numb” isn’t just a single; it’s a statement. It declares that River Fury is a band that refuses to be swept aside, continuing to create music that is as unpredictable and dynamic as the rivers that inspired their name.
Second Best to First Rate: The Sleepy Haunts Unfiltered
The Sleepy Haunts aren’t just another indie band – they’re a revelation. Their latest single “Bloodsucker” is proof that magic happens when raw emotion meets killer musicianship.
What started as a cheeky nod to ‘The Vampire Diaries’ has transformed into something far more profound. Gillian McMahon’s vocals are the real vampire here – they’ll sink their teeth into you and refuse to let go. Floating between soft vulnerability and powerful assertion, her voice turns what could have been just another breakup song into a nuanced exploration of feeling like you’re always second best.
The Seattle quartet has crafted a track that’s simultaneously nostalgic and absolutely current. Those grungy guitar tones? Pure Pacific Northwest, and the infectious pop hooks? Straight out of today’s playlist. It’s like they’ve bottled the essence of teenage complexity and set it to an irresistible beat.
It’s like they’ve bottled the essence of teenage complexity and set it to an irresistible beat.
Musically, “Bloodsucker” is a masterclass in indie rock dynamics. Softly twanging guitars dance with mellow drums, creating a soundscape that’s both intimate and expansive. The chorus hits like a sugar rush – catchy enough to get stuck in your head, but with enough depth to keep you coming back.
What sets The Sleepy Haunts apart is their ability to turn personal pain into universal art. Drawing from influences like Beabadoobee and Alanis Morissette, they’ve created a sound that’s distinctly their own – what they’re calling “bubble grunge” might just be the next big thing in indie music.
This isn’t just a song. It’s a mood, a moment, a feeling captured in three and a half minutes of musical perfection. From their Spotify-generated band name to their playful approach to serious themes, The Sleepy Haunts are proving that you can be both deeply serious and wonderfully fun
Jean-Philippe Ruelle’s “Callpeax” isn’t just a song – it’s a profound musical statement that proves electronic music can be both intellectually complex and emotionally revolutionary.
Released on September 27th, this track is a mesmerizing journey through sound that feels like eavesdropping on a secret transmission of hope. Inspired by the mysterious world of number stations, Ruelle transforms electronic music into a subtle act of global resistance.
From the first moment, “Callpeax” pulls you into an immersive soundscape that’s part cinematic experience, part coded message of peace. Swirling synth waves create an atmosphere of suspense, while muffled vocal whispers and intricate beats suggest something urgent is happening just beneath the surface.
What sets this track apart is its ingenious concept. Ruelle has embedded a message – “Dare to peace” – using a simple numerical code that translates across languages. It’s not just music; it’s a multilingual plea for human connection that transcends borders.
When asked about the inspiration behind the song this is what he had to say
“”CALLPEAX” is a musical composition inspired by mysterious number stations, delivering the message “Dare to peace” encoded into numbers (A=1, B=2…) and translated into various languages. These sequences of numbers blend harmoniously with warm synth layers, deep brass, and downtempo electro rhythms”
Drawing inspiration from electronic pioneers like Vangelis and Jean-Michel Jarre, Ruelle crafts something uniquely his own. Warm brass tones weave through sharp, downtempo beats, creating a meditative groove that compels you to stop, listen, and reflect.
The track is born from a place of genuine frustration with global violence. As Ruelle himself notes, he refused to “sit idly by” in the face of constant bad news. “*Callpeax*” becomes an artistic act of resistance – a reminder that creativity can be a powerful tool for raising awareness.
For those who love electronic music that tells a story, that challenges you to think beyond the immediate sound, “*Callpeax*” is essential listening. It’s a track that proves music can be both a personal expression and a universal call for understanding.
Lab Rat's "Drunk" Is A Brutally Honest Anthem of Survival
You guys remember “Lab Rat”? We recently had the opportunity to listen to “Exit Path”, but you know? Lab Rat isn’t here to make you comfortable, he’s here to make you feel something real. His latest single “Drunk” takes us for a ride through the ashes of a toxic relationship, with the ferocity of someone willing to say they survived and lived to tell the tale.
Lab Rat’s “Drunk” is not your normal breakup track. It’s an alt rock grit-meets unflinching rap storytelling sonic explosion. From the very first haunting guitar strum a sweeping tide washes you away into the ethos of late night phone calls, messy emotions and the desperate dance of a misdirected relationship that lord its destructive glory plus magnetic pull.
Dylan James (aka Lab Rat) isn’t just making music, he is exorcising demons. The track was born of a bassline conceived six years ago and brought into focus in the wake of a troubled relationship, and it sounds like a personal confession, accompanied by a thunderous soundtrack. His delivery is a job of walking on a razor thin line between rap’s rhythmic punch and grunge’s emotional rawness.
The production is beautifully unpolished, just as the track’s thematic core. The song itself is about that crazy relationship, so it’s about the same amount of controlled chaos. Guitar riffs feel like catching echoes of memories that never quite get resolved, and the rhythm section pounds out like a heartbeat, urgent and relentless.
Its authenticity is what makes “Drunk” stand out. Lab Rat did not manufacture emotion – it is the honest exploration of trauma and depression on the road to self discovery. The chorus sounds like a rallying cry for anybody who’s ever been stuck in a bad cycle they know is wrong, but can’t easily get out of.
With each note lab rat’s journey – from addiction to his sound – is infused with meaning. He’s not just making music, he is building a lifeline for listeners who are taking the journey to their own emotional landscape.
For those who appreciate music that refuses to be comfortable, that challenges and confronts, “Drunk” is essential listening. Lab Rat is proving he’s not just an artist to watch – he’s an artist that demands to be heard.
Kristian Phillip Valentino Turning Pain Into Art With 'The Sun is Setting'
Deeply moving and a personal struggle based EP right from the heart, is what “The Sun Is Setting” by is Kristian Phillip Valentino’s latest EP is about. This is absolutely an EP you need to hear if you’re a fan of raw, introspective storytelling in the Justin Townes Earle vein.
This time Kristian isn’t holding anything back. The EP is ‘a darker sound’ than what he’s done before, he tells us. This is a four track journey through some seriously heavy emotional terrain – generations of trauma, loss and some extreme self reflection.
The standout track is for sure “Still Your Boy,” a gut punch of a song about his relationship with his late father. The songs are stripped back, with no place to hide, just Kristian’s raw lyrics and a haunting melody that will stay with you long after the song has finished. The kind of track you want to call your own family, and sort out any unresolved stuff.
The EP is like a heavily personal memoir, with each song feeling like a chapter unto itself. ‘Convince You’ sets the melancholic tone on the opener, which contrasts with the metaphor rich ‘Evil of This World’ and the more philosophical ‘Naked’ which take listeners through the journey of pain, healing and self discovery that led to Kristian.
The thing about this EP is that Kristian takes something deeply personal, and transforms it into something universal. Vulnerable, acoustic Americana: music that doesn’t just tell a story, but feels like you’re living it.
Congratulations on the release of *The Sun is Setting*! What inspired the title and overall theme of the EP? Thank you so much! This project is a darker sound/direction than previous releases. I found myself facing personal demons that I’ve been experiencing for a long time now. After finding some space for healing, therapy and self love these 4 songs came out of that place.
The title comes from some of the lyrics in the song, “Evil of this World”
Can you share the creative journey behind this project? How long has it been in the making? The creative journey for this record was not what I expected it to be, honestly. This album was originally a 12 song LP that detailed a dark story about a family that endured a lot of trauma and betrayal. My brother and I came up with a concept for what was originally going to be a graphic novel but it later became an album.
Unfortunately, after sharing the LP with some friends and peers I kept getting back the same response, “This is too dark” or “The story is hard to follow unless you are actively listening” and “How did you come up with this, is it real”? and from that reaction I decided to ask them what songs did resonate and these 4 kept coming up. So I scrapped the 12 song LP concept record and went with these songs instead.
Each song on an EP usually tells a story. Are there particular themes or messages that tie the tracks together? Yes, the themes mostly touch on hard times, desperation, capitalism and family trauma. It is a sad song EP but the lyrics really paint a picture to find healing despite the daunting realism
Yes, the themes mostly touch on hard times, desperation, capitalism and family trauma.
Is there a track on *The Sun is Setting* that holds a special place in your heart? Why? “Still Your Boy” is a deeply personal exploration of a complex father-son relationship. My dad died 13 years ago before we had a chance to restore our broken relationship, I really feel like it took me 13 years to finally have the courage to write this song. I hope it inspires those in strained familial relationships to learn how to forgive and find restoration.
How does *The Sun is Setting* reflect where you are right now as an artist and as a person? For many years, this project mostly dove into love/breakup songs. Now I’m finding my voice by truly vulnerable writing and a more direct, alt country sound that I’ve been searching for. Most of my past records had a lot of production and a more indie folk/pop sound but these stripped down, acoustic yearning records are what I’m craving at this time.
What was the most rewarding part of creating this EP? Were there any challenges along the way? I finally made a record that was recorded live after 1 or 2 takes. I think the most challenging was sharing 12 songs with friends and peers and getting a negative reaction back. I’m grateful for these 4 songs though and how they were able to shine through despite the dense concept record it originally was intended to be.
How did you approach songwriting for this project? Was it different from your previous work? Very different from previous work! The songwriting in this record was much more vulnerable than other projects. I focused on just acoustic guitar, heart breaking lyrics, yearning vocals and some harmonica for that high, lonesome sound.
Were there any unexpected influences or inspirations that shaped the sound or lyrics of the EP? I became obsessed with Townes Van Zandt and John Moreland records/songwriting during the writing of this album. Since this was originally a concept record I was really trying to become a better story teller during this project.
How does *The Sun is Setting* compare to your earlier music? Do you feel your style has evolved? Very different! This is a darker/alt country sound where my past projects were very heavily produced and more indie folk leaning.
How does your personal life or experiences influence the music you create? Most of my lyrics/songs come from personal experiences but I always try to keep the listener in mind so it doesn’t sound like a journal entry. It’s always serving the song at the end of the day. for me.
How do you hope listeners will connect with *The Sun is Setting* on an emotional level? Grab the tissues because this one is a punch to the gut! Lately my live shows have been people being deeply affected emotionally and tearing up or even walking out to gain their composure again. After the set is over I typically get flooded by people sharing very personal stories and how my music/stories affected them, which I’m deeply humbled by.
What’s next for you after this release? Are you already working on new material? Yes I am, i already have the songs ready for the next EP and I’m hoping to head to the studio next fall 2025. Also, i’m working on a spring/summer tour for the Southeast.
If you could sum up *The Sun is Setting* in one sentence for someone who hasn’t heard it yet, what would it be? Heart on your sleeve acoustic album that will hit you in all the feels. For fans of John Moreland, Justin Townes Earle, and Townes Van Zandt
KARMA's Kiss: "The Mistletoe" Brings Holiday Magic
It starts with an invisible tug—something in the air that feels both nostalgic and electrically new. That’s the spark KARMA has captured in “The Mistletoe,” the kind of song that could coax even the most steadfast holiday grinch to step onto an evergreen-draped dance floor. It’s a glittering sphere of sound, blending silky R&B with a playful dose of festive fervor, where harmonies and heels click in tandem.
On the surface, “The Mistletoe” is about what it claims to be—a kiss, a gathering, a moment suspended beneath a symbolic branch. But sink further, and you realize KARMA isn’t whispering under anybody’s breath here; they’re celebrating connection like it’s an open fire crackling in stereo. What makes this track uniquely powerful, though, is not the romance of a single kiss but the warmth implied by the crowd gathered around to witness it. Beneath the sleek production and the ear-catching hip-hop rhythms, they’re asking: When life dims a little sooner in the day, who still stands beside you?
You can hear the ghosts of Destiny’s Child and TLC in the room, not as shadows of influence but as relatives—familiar yet unmistakably refreshed. There’s a sisterhood threaded in KARMA’s vocals, something confident in how the verses glide without competition but instead collaboration. It’s collaborative joy, layered upon themes far too big to be summed up on a greeting card.
KARMA’s Kiss: “The Mistletoe” Brings Holiday Magic
Strangely, I’d almost compare “The Mistletoe” to a patchwork quilt rather than a montage. Each piece—verse, chorus, layered ad-libs—stands out, crafted differently, yet together they maintain this aura of accidental unity, much like a photo taken during a family laugh. This track doesn’t just point to one kiss but asks us why those laughs and loves are often fleeting. To hear it—but really hear it—is to realize it’s an ode to brief seconds stretched infinitely in memory.
Turns out, KARMA doesn’t just hang oil paintings on tradition—they tag them with neon graffiti. Find that branch. Perhaps you won’t see the magic—you’ll feel it.
Shawn Brown Ignites: 'Into the Furious Light' Review
Shawn Brown’s EP, “Into the Furious Light,” doesn’t slip quietly into the stream of modern indie-folk releases; it instead cups its hands around your soul like you’re a candle in danger of flickering out. The Portland troubadour crafts songs that feel like fragments of conversations—maybe ones you walked in on too late or letters unsent to someone dear but no longer near. You’re never only a listener; you’re some odd, uninvited participant, and it’s hauntingly beautiful in a way that makes you repeatedly reach for the replay button.
Grief and loss often come packaged in art, but how often are they laced with Brown’s particular brand of stubborn hopefulness? “Into the Furious Light” traverses the fragile terrains of human heaviness with resilience as its handmade compass. Longing dances hand-in-hand with nostalgia, creating an emotional collage that’s as much about sitting with pain as it is about daring to grab hope by the throat when it feels insubstantial. You can’t help but think of Kintsugi pottery—the act of celebrating cracks instead of masking them. But instead of golden seams, here, Shawn builds his strange mosaics from steady acoustic anchoring and voicework that unflinchingly wrestles the abstractions of loneliness and fading love.
Shawn Brown Ignites: ‘Into the Furious Light’ Review
What’s especially captivating is how the sonic landscapes tease adventure but retreat into intimacy, catching echoes of wandering roots musicians who forgot the trail home on purpose. It strikes me that Brown’s songs don’t just ask us what grief costs but who we share the debt with—they collide moments of fragility with a stubborn invitation to persist.
Listening is less like descending into the darkness of isolation and more like standing in a pre-dawn glow, waiting for its smack of light. Resilience meets restlessness. Hope rooms with heaviness. There’s comfort stitched alongside jaggedness.
Can a winding river be hopeful? By its very nature, it doesn’t know where it might encounter calm, rapids, or an abrupt tumble into the abyss of a waterfall. Yet, as I pressed play on Jacre’s latest offering, “Just Hold On”, I’m reminded of rivers with their relentless journey—steady but vibrant, deliberate yet turbulent, all flowing toward eventual peace. This single pulses with that same paradox: movement tied closely to tension, pushing every listener gently toward an emotional apex where resilience isn’t a hushed secret but the centerpiece.
Jacre’s hushed tones carry conviction, but the delicacy doesn’t dilute the strength in the song. There’s air between every note, every lyric, as though the song itself is creating space for you to think, to feel, to dig a little deeper. And digging feels essential. As the strings flirt with melancholy or perhaps restorative optimism—who’s to say without tenuous guessing?—one finds themselves caught in that fine thread connecting the now to the yet-to-be: hope. The chorus breathes reassurance, not with grandeur but with insistence. It’s a quiet reminder you discover when you’re wandering alone on days steeped in faded light and meaning (the kind of meaning you’re still rediscovering after everything fell apart last year, maybe just for you… maybe for the whole world somehow).
Jacre’s Grip: Holding On to ‘Just Hold On’
Strangely, the song feels like an ambient conversation with a Virginia Woolf passage—flowing with words disguised as soft breezes and yet leaving imprints sharper than you’d admit. Resilience hurts, Jacre is telling us—like leaning forward in a wild storm knowing you’ll eventually find calm, if you just hold on. And for that, the solace offered here lands in the chest slowly, like a feather stalled in its fall.
Will this single rewrite the genre? Hardly. But what it probably seeks isn’t tectonic shifts—it’s one quiet listener deciding against giving up today. A small impact can still be seismic. Does that count enough? All rivers wake the ocean, eventually.
Eli Annina Captures 'Lightning In The Bottle' with Sparkling Melodies
Resilience doesn’t sound like thunder – it crackles like dry leaves underfoot or hums over wires in the dead of night, waiting. In “Lightning In A Bottle,” Eli Annina reaches out to this elusive voltage, siphoning its essence into three minutes and some change of atmospheric perfection. The Finnish-born, UK-based songwriter doesn’t plead or break; she breathes, swims, and leaps, turning a migration into motion itself.
The track pulses with dance-pop’s staple insistence, yet there’s a floatiness at play, a trickling shimmer that peeks behind the veil of club euphoria. Annina’s voice moves like sea-glass, worn yet radiant, smoothing out sharp edges over time. At one moment, she channels the cinematic hunger of Lana del Rey swallowed in synth fog; at another, a playful curtness akin to Dua Lipa stalking neon corridors—but it always, unequivocally, feels hers.
But beneath its obvious magnetism, what strikes most is the thematic core. Resilience isn’t framed as defiance here, nor is it an empty fist-pump slogan. Instead, it carries a deep-rooted gratitude to oneself, the will to weave dreams from chaotic threads—a Helsinki snowdrift here; a dim-lit London street there. It’s survival not as survivalism but as an embrace of living while plotting.
Eli Annina Captures ‘Lightning In The Bottle’ with Sparkling Melodies
Strangely, this reminded me of Édouard Manet’s bandaged bullfighter paintings from the late 1800s—not in style, but resonance. Strength mingles with vulnerability, a silent pact with fear acknowledged but not capitulated to. Annina, similarly, dances closer to fractures without shattering.
Some songs turn walls to soap bubbles; “Lightning In A Bottle” reverses this alchemy, rendering volatility concrete. But it never forgets that life’s magic comes from its fragility. The resilience here isn’t a conquest—it’s a quiet cathedral, built on hope’s paradoxical volatility.
“Sunshine” and Hope: A Conversation with Gospel Star Nia Allen
Guys, come together. we need talk about Nia Allen? She recently dropped “*Sunshine*” and I mean, is it what we all need right now?! This absolute gem is already climbing the Billboard Gospel Airplay Chart, and for good reason, teaming up with Jor’Dan Armstrong.
This isn’t just some other gospel track. It’s just the friend who stops by when you’ve had a rough day and somehow makes you feel a little bit lighter. Nia’s got this amazing voice like a warm embrace and, when she says they did the song to ‘put a smile on each other’s faces’, she literally means it.
Armstrong co-wrote the track with her and, along with Kortez Harris, produced it, and it’s already a total fan fave. It’s their go to workout tune and they’re calling it musical coffee – a shot of espresso that is pure energy and positivity.
If you are familiar with Nia’s previous hits such as “*Wait*” and “*I’m In Love*”, you know that Nia is not new to making music that makes you feel right inside. She’s played some large scale events like the Stellar Awards, and she’s this incredible ability to bring music to pure hope.
Sunshine does not feel like a regular song. Sometimes, it is a reminder that even on the hardest of days, something good is on your doorstep. And honestly? Right now, we all could all use a bit of that.
Congratulations on the release of *Sunshine*! What inspired the creation of this track? “Sunshine” was created to uplift the hearts and spirits of all who hear it. It’s an urban inspirational track meant to draw the ear of the listener with its infectious beat while bringing joy and a smile to one’s face as they’re listening.
How did the collaboration with Jor’dan Armstrong come about, and what was it like working with him? Jor’Dan and I have the same management, Kortez Harris (Lewis Kortez Group), and Kortez sent me the track expressing that this collaboration of us writing the song together could be amazing! He was right. Jor’Dan produced an amazing track and we wrote the lyrics together. Working with Jor’Dan was a great experience. I was able to explore the R&B style both vocally and musically and merge it with an uplifting message. The final product is what you hear today!!!
The title *Sunshine* feels uplifting. What message or emotions are you hoping to convey through the song? The heart behind “Sunshine” is to uplift the hearts and spirits of all who hear it. It’s meant to bring a sense of HOPE to those who may need it. “Sunshine” is a reminder that no matter how hard life may be right now, there’s hope and joy on the other side.
The heart behind “Sunshine” is to uplift the hearts and spirits of all who hear it.
Can you describe the creative process behind writing and recording *Sunshine*? I received the track for “Sunshine” while I was singing on a cruise ship. I wrote the lyrics to “Sunshine” in the middle of the Atlantic Ocean. Once I got back, Jor’Dan and I got in the studio in Atlanta, Georgia and we put it all together.
What does *Sunshine* mean to you personally? Is there a special story or memory tied to its creation? I love that “Sunshine” is bringing HOPE and a smile to people’s faces when they hear it. That was the heart of the song when we created it, and that’s what it’s doing right now. Since we’ve released the song, the response has been “It’s my wake-up song” “It’s a song that helps me to get my day started and get through the day.”
I think the most rewarding thing I’ve heard so far is a response from a counseling center where people are struggling with addiction, they said they play “Sunshine” every morning to help set the tone for their day. For me, at the end of the day, that’s what it’s all about. It’s about inspiring and encouraging others. That’s why “Sunshine” was created and it’s doing exactly what we hoped it would do. So, that makes me happy!
What was the most memorable moment of collaborating on *Sunshine*? The most memorable moment for me was creating a video for “Sunshine.” It was my first time doing an official video for one of my songs, and that was a memorable experience. It was so much fun having people on set, dancers, family, and friends conveying “Joy and Sunshine” in the video.
Kortez Harris (Lewis Kortez Group) made sure we worked with the best of the best. From the top directors (CreedLife – who’s directed videos for Drake and many others), to the professional dancers, to the drop-top convertible seen throughout the video. And then seeing the vision come to life as it premiered on BET Soul and BET Gospel, was certainly a moment I will never forget!
How does *Sunshine* reflect your growth or evolution as an artist? Are there any particular genres, artists, or life experiences that influenced the sound or lyrics of this track? I believe most people know “Nia Allen” as a worship leader and worship artist. “Sunshine” represents an extension and another layer of who I am as an artist. I grew up listening to Brandy, Whitney Houston, LaLah Hathaway and many other artists outside the genre of gospel music. Sunshine is a demonstration of my diverse musical upbringing and influence and provides another facet of what Nia Allen has to offer to the world. Sunshine is using the urban R&B inspirational sound to convey an uplifting message.
How does *Sunshine* fit into your broader catalog of music? Sunshine fits into my broader catalog of music in that the heart of the song is to inspire and encourage others. My name “Nia” means purpose, and my sole purpose in life is to bring inspiration, hope and encouragement to others (through music, speaking or daily interaction). So, “Sunshine” will fit with my current catalog and music that is still yet to come!!
What do you hope listeners will take away from *Sunshine*? I sincerely hope that people’s hearts will be uplifted, and a smile will come to their faces when they hear “Sunshine.” I hope it will bring encouragement and HOPE to those who need it. I pray that “Sunshine” will serve as a reminder to others that “Trouble won’t last forever” and a brighter day is coming.
Is *Sunshine* part of a larger project or album we can look forward to? Yes, Sunshine is a single that will be on my full-length (12-track album) entitled “Hope is Rising.” I’m super excited about this new project! It’s set to release at the top of the year.
Are there any other collaborations or surprises in the pipeline that you can share with us? Yes, on this upcoming album, I collaborated with recording artist MAJOR. We wrote and sang the song together. It’s an Americana/Gospel feel. I believe it’s gonna be special. I recorded a Spanish version of my #1 Billboard song “Wait” with Gospel Recording Artist Joann Rosario. I’m singing the song in English and Spanish. I’m super excited about that. Last but not least, I collaborated and wrote a song with producer Aaron Lindsey (known for his work with Marvin Sapp “Never would’ve Made It,” and many classics) and I believe that will be the next single set to release early next year!
If you could describe *Sunshine* in three words, what would they be and why? If I could describe “Sunshine” in three words it would be Hope, Joy, and Smile.
“Sunshine” is meant to bring Hope and a sense of expectation to all who hear it.
“Sunshine” was created to offer Joy to the hearts of every listener and lift their spirits.
“Sunshine” is meant to encourage and bring a smile to one’s face and remind them that they are loved and seen by a faithful God, who is with them right where they are!
Laughing Cats Are Purring with Potential on ‘Jerk’”
Have you heard about Laughing Cats yet? Trust me, they’re about to be your new obsession. Their debut single “*Jerk*” is basically everything you didn’t know you needed – part nostalgic throwback, part totally fresh sound.
So here’s the deal – Tony Fredianelli, who used to play with Third Eye Blind (yeah, that Third Eye Blind), and Lauren Schiff have teamed up to create something seriously cool. Tony brings these killer production chops, and Lauren? Her vocals are just insane. They’re like the musical equivalent of a perfect cocktail – different ingredients that somehow blend into something magical.
“*Jerk*” is more than just a catchy tune. It’s basically an apology anthem – you know that moment when you realize you’ve been… well, kind of a jerk? The song is basically saying, “Hey, own your mistakes.” But don’t think it’s all serious – it’s got these awesome 80s synths and 90s beats that make you want to dance while you’re having your personal growth moment.
Lauren’s voice floats through the track like it’s nothing, and Tony’s production makes sure every single note hits exactly right. It’s the first taste of their upcoming album *Funny Money*, and if this is just the starter, I can’t wait to hear the main course.
These two are definitely ones to watch. They’re not just rehashing old sounds – they’re taking everything great about past decades and making something totally new. Definitely add “*Jerk*” to your playlist. Trust me on this one.
