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Getting Real: A Chat with The Listros about ‘Hands Against The Wall’

Getting Real: A Chat with The Listros about 'Hands Against The Wall'

The Listros are a rock band fronted by the brothers Sean and Evan, and their latest song, “Hands Against The Wall,” has been creating quite a stir. This song came out on February 9, 2024, and people just cannot stop talking about it.

“Hands Against The Wall” is not any regular song, it’s a deep look into the muddy waters of toxic relationships. I mean, those times when want and addiction get all muddled up, then you are like drowning in a circle. Yes, this is what this song is actually about.

From a musical perspective The Listros are doing something very exciting. They’re combining rock and EDM influences to create something that’s unique and new. Sean is responsible for the vocals, guitars, synths, and programming, with Evan holding down the drumming. They are a team that has produced a song that has got many people bobbing their head and also feeling something deep.

Then how was the puzzle put together? Actually, it is Sean who wrote the song at home while being influenced by artists such as Nine Inch Nails and Linkin Park. When he had the fundamentals covered, he hired AJ Healey and Ross Hayes Citrullo to polish it off. They implemented certain changes, re-recorded parts, and mixed it all together to have the final version.

Where does this name come from? As it turns out, the story is in fact related to Sean’s own personal experiences with a rocky relationship. The song depicts the highs and lows of love, desire, and the other not-so-pretty parts.

In this The Listros interview, we’re exploring their creative process, the things that inspire them and how it feels to be part of this music environment. From jamming in their bedrooms to conquering the stage, the brothers Sean and Evan are telling us what is required for one to make it in the music business.

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Listen to Hands Against The Wall below

 

What is your stage name?

The Listros

Is there a story behind your stage name?

It’s our last name.

Where do you find inspiration?

Mainly from listening to our favorite artists music. We initially take an idea we like from a song we’re inspired by, and then it always grows into something entirely of our own making. As for lyrics, a lot of inspiration comes from the experience of the self. The voice in our heads that fills us up with lies about who we are and what we can or cannot do. Temptations, addictions, self loathing, greed, are all examples of themes upon which we like to write about from our own personal experiences. Writing and singing about them is a form of therapy. We write for ourselves.

What was the role of music in the early years of your life?

From an early age, there was always a fascination with the arts. Sean’s first taste of music was from an early love of musicals, particularly Singing In The Rain and Moulin Rouge. Eventually, after hearing Led Zeppelin for the first time at age 9 and age 7, Sean and Evan became obsessed with rock music. Their older brother, Joe, started taking guitar lessons in which the family bought a Squier Stratocaster. One day, Sean picked it up and the rest is history. Evan’s drumming came about after discovering his drumming ability from the video game Rock Band in high school. 

Are you from a musical or artistic family?

Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents. Our older brother, in particular, is the biggest lover of music. He was always discovering and showing us music from a variety of genres. His taste was, and still is, excellent. That consistent exposure to great music really helped form our musical tastes.

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Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents.

Who inspired you to be a part of the music industry?

There’s a few. Initially it was just Jimmy Page, then Metallica, then Trent Reznor, and Hans Zimmer.

How did you learn to sing/write/to play?

Initially, at age 9, Sean took guitar lessons, but quickly grew to hate the weekly learning curriculum they made him endure. Learning boring songs like ‘When The Saints Go Marching In’ or ‘Hot Cross Buns’, combined with the difficulty he felt learning the instrument, made him lose interest in which he put the guitar away for 2 years. One day, when he was 11, his friend taught him how to read guitar tabs and where to find them online. This changed everything. The ability to choose the songs he wanted to learn, and the access to learn them sent Sean on a road to teaching himself.

As for writing, Sean learned from listening to a ton of music, and from writing a ton of bad songs. Eventually, with enough practice, combined with his musical tastes, songwriting began to improve.

Vocals came from singing constantly since age 15. Eventually Sean found a vocal coach which helped tremendously. Learning to sing properly without damaging the vocal chords, combined with efficient energy release, was a game changer. Sean recorded the vocal lessons, and practiced with the recording everyday for 2-3 years. These recordings we 45 minute vocal lessons which included vocal scales and techniques.

Evan learned to play drums after his experience with the video game Rock Band. For his first few years playing, he had a drum teacher who came over once a week. Between the lessons, and his consistent practice, Evan’s drum skills grew and grew. Studying the greats John Bonham, Buddy Rich, and Dave Grohl, just to name a few, Evan studied and practiced along with his favorite artists.

What was the first concert that you ever went to and who did you see perform?

First concert Sean went to was Backstreet Boys in 1998.

How Was The Song Recorded (what was the process like, who was it recorded with, how was the track create)?

Heavily influenced by Nine Inch Nails, Linkin Park, and The Vines, the song was initially written and produced by Sean at his home studio. Searching for inspiration, Sean listened to and studied his favourite artists to help inspire some ideas. Once the musical idea was formed, Sean recorded a demo using Ableton. The guitars were recorded with a Neural DSP Quad Cortex, the vocals recorded with an AT4040 mic, drums were samples, while the synths were programmed with Arturia Pigments and a ton of distortion. After finishing the track, very similar to the creative process of their first single, ‘Into The Otherside’, Sean presented it to AJ and Evan where they then got together and collaborated. The collaboration involved rearrangements, re-recordings, re-writes, and mixing that propelled the song into the next level of completion .

After preproduction finished, we re-recorded the drums, guitars, and vocals at RHC Music studio in Toronto with audio engineer Ross Hayes Citrullo (The Sheepdogs, Monster Truck, Marianas Trench).

Once we finished the final recordings, we took them back to AJ to include them into a final mix.

The final mix was then sent off to Robin Schmidt (The 1975, Sam Fender, Liam Gallagher) for mastering.

What Inspired You To Write / Create The Track?

Searching for inspiration after their debut song, Sean listened to and studied various rock artists to help inspire more ideas. Once the musical idea was formed, the song led him into writing it about the toxic on and off relationship he was experiencing at the time with his ex.

What Is The Message You Wish Listeners To Take Away From The Track?

Above all, we wanted to write a song we felt was relatable. A song about lust and a toxic relationship is something we feel people will be able to connect with. It’s fun, a little dangerous, and exciting. We want it to fill people with energy, while also making them feel a little sexy.

A Review of Gary Dranow and The Emotions’ Latest Single ‘Mother’s Angry’

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A Review of Gary Dranow and The Emotions' Latest Single 'Mother’s Angry'

If you’re looking for a tune that’ll grab you by the heartstrings, look no further than Gary Dranow and The Emotions’ newest release, “Mother’s Angry.” This song hit the airwaves on February 8th, 2024, and it’s already making waves on all the streaming platforms. And let me tell you, it’s not hard to see why.

The moment you press play you are greeted by an eerie guitar riffs, which is later layered by Gary Dranow’s vocals as it soar above a backdrop of gritty guitars, blending rock and blues into a sound that’s impossible to ignore. The production is top-notch, and listening to this you can tell alot of emotions went into the production.

But what really sets “Mother’s Angry” apart is the storytelling. The lyrics paint a picture of raw emotion and real-life struggles. It’s the kind of song that makes you feel something, you know? And with everything going on in the world today, that’s something we could all use a little more of.

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A Review of Gary Dranow and The Emotions’ Latest Single ‘Mother’s Angry’

The overall production is on point, the drums keep the beat driving forward, while the guitars add layers of intensity that would keep you nodding before you even realize. It’s the kind of song that sounds just as good through your headphones as it does blasting out of your car speakers.

Gary Dranow and The Emotions have knocked it out of the park with this one, So if you’re in need of a pick-me-up, do yourself a favor and give “Mother’s Angry” a listen and I guarantee it’ll be stuck in your head for days to come.

Listen to Mother’s Angry below

 

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Nature’s Muse: Exploring Clara Cloud’s Musical Journey

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Nature's Muse: Exploring Clara Cloud's Musical Journey

Hello guys join us at Musicarenagh as we leap into the world of Clara Cloud’s captivating world, a world where music weaves stories and nature’s enchantment blends with ethereal melodies. In her latest single, “Weathervane,” Clara takes us on a compelling journey through self-doubt, infusing indie-pop elements with the rich tapestry of Greek mythology. As we embark on this musical journey, Clara invites us to explore the depths of her creative process and the inspirations driving her unique sound.

Drawing from her Canadian roots, Clara incorporates elements of Celtic and folk into her indie-pop creations, crafting rhythms that are both mesmerizing and evocative.

For Clara, music is a form of magic, transporting listeners to ethereal realms. Her upcoming video album, “The Woods,” promises to be a captivating journey, where Clara’s distinctive sound and evocative lyrics come together to create an immersive experience.

Now join us as we delve into Clara Cloud’s musical world, exploring themes of nature, myth, and the human experience that resonate in her art. Clara shares the stories behind her music and the journey of this season. Let’s dive in!

Listen to Weathervane below

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What is your stage name?

Clara Cloud

Is there a story behind your stage name?
My last name is MacLeod (pronouned Mac-Cloud), which I love and think also gives a really ethereal, airy vibe, but a lot of people would mispronounce. So to keep the vibe without the risk of mispronouncing, last year I changed my music to be under “Clara Cloud”

Where do you find inspiration?
I find a lot of inspiration in nature and in storytelling. I always weave in some personal experience into lyrics, but my biggest inspiration has always been telling a story through music (both sonically and lyrically). I’m also a huge lover of Greek mythology, so that theme makes its way into a lot of my work too!

What was the role of music in the early years of your life?
I started music classes when I was 5, but even before that it was a huge part of my life. My favourite movies were The Wizard of Oz, Sound of Music, Anastasia, and anything Disney, and my mom would make a stack of books into a “stage” for me to perform on. My whole life, music has been a constant source of joy and an outlet for me.

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I started music classes when I was 5, but even before that it was a huge part of my life.

Are you from a musical or artistic family?
Yes and no! My parents both work in education and don’t have any musical background, but somehow all of my siblings and I ended up loving music. I have two brothers and two sisters, and all of us are connected to music in some way (my sister is a drummer and singer, my other sister plays piano and guitar, my brother plays guitar, and my other brother plays the trumpet). My family has always been supportive of my musical endeavors and all my siblings too.

Who inspired you to be a part of the music industry?
My background is originally in musical theatre, so Julie Andrews played a huge part in inspiring me to pursue music professionally. For my own identity beyond musical theatre, I was inspired by my partner Tristan, my best friend Jenna, and my family. I’ve always loved writing music and singing, but had never really shared it. During the pandemic, they encouraged me to put myself out there!

How did you learn to sing/write/to play?
Writing and storytelling is something I learned from my mom. She had me reading well above grade level (perks of having a teacher as your mom!) and fostered in me a love of stories. She also endlessly encouraged me to create my own. For music, I had some amazing teachers growing up that taught me piano, guitar, and voice. I also went to university for musical theatre and continue to learn as much as I can!

What was the first concert that you ever went to and who did you see perform?
I grew up in a really small town and didn’t get to see a ton of concerts growing up, but I remember I did go to see a local band, Lillix, when I was probably around 8 years old. That to me was so cool because they played pop-rock music, and most of what I’d seen live in the past had been classical or orchestra-based. It inspired me to want to do something like them one day!

How could you describe your music?
Indie-dreampop-folk with some alternative and Celtic elements!

Describe your creative process.
I like to try and get into a flow state where I just relax, don’t hold anything back, and let whatever words or music that want to come out of me, come out. If I’m already editing as I’m writing, or I’m thinking and analyzing the technical side as I’m creating, I know I’m not writing from an authentic place. As weird as it sounds, I find it best to sometimes zone out and allow the music to happen, then go back and adjust things later.

What is your main inspiration?
Nature, mythology, and the desire to tell stories!

What musician do you admire most and why?
So many! But two that always come to mind are Ingrid Michaelson and Sara Bareilles. I listened to them both A LOT in my formative years and was always swept away by their storytelling and how they conveyed emotions and stories not just with words, but with music too. The fact that they both went on to compose for musical theatre too is SO inspiring to me, as that’s a path I would love to go down as well.

Did your style evolve since the beginning of your career?
It definitely did. When I first started, I was more focused on writing within the limitations of what I thought people would want to listen to, so everything was a lot more generic lyrically and musically.

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I was more focused on writing within the limitations of what I thought people would want to listen to,

As I continued, I let myself explore a lot more. My roots as a person are in musical theatre and Celtic music (I grew up as a highland dancer), so I let those two elements shine through a lot more rather than suppressing them. I also let my lyrics become more specific based on the stories I wanted to tell.

Who do you see as your main competitor?
I don’t think in the music industry there really needs to be a competition element! If someone is doing a similar thing to you, it’s actually a really cool thing because that means there can be some fan overlap. In my experience, fans don’t listen to two artists, pick the one they like better, and stop listening to the other. I believe in anything that my biggest competitor is myself, and I’m always trying to grow and learn as an artist.

What are your interests outside of music?
I love acting and dance (particularly highland and tap!), writing stories beyond just songs, and creating new theatre works. I also love spending time outside, and spending time with my partner Tristan and puppy Pabu.

If it wasn’t a music career, what would you be doing?
Teaching 100%! My parents and grandparents are all teachers and really impacted me growing up. Even while pursuing music, I still work as a music teacher.

What is the biggest problem you have encountered in the journey of music?
Honestly, funding! Funding is really hard to come by especially if you’re a very small artist. This album project is one I had to fund myself because every grant I applied for turned it down. There were a lot of times it almost didn’t happen (and it still has two more things we need to finish!), but I’m endlessly grateful for all of the amazing people who came together to help me bring it to life.

If you could change one thing in the music industry, what would it be?
More accessible funding for emerging artists who have not had a breakthrough of any kind yet. Many of these grants cited lack of social media following and lack of streams to the reason they wouldn’t fund this project, and I feel like that’s a tough cycle that a lot of indie artists get stuck in, and the reason so many amazing artists and songs never get to see the light of day.

Why did you choose this as the title of this project?
Weathervane is all about essentially being caught in a storm of emotions. And if we think about an actual weathervane, when the wind is calm it points clearly in the direction it intends to, but when the storms pick up, its arrow swings around and loses all sense of direction.

It ties back to that idea that when times get tough, we can lose ourselves, our emotions can spiral, and we can be more easily influenced by what others are telling us.

What are your plans for the coming months?
My debut visual album “The Woods”, which this single is from, is coming out in just a couple of months!

Do you have any artistic collaboration plans
This album was done in collaboration with over 20 creatives from across BC. It was a project built from collaborative effort.

What message would you like to give to your fans?
I genuinely see every single stream, every single view, every single action of support, and I cannot even tell you how much I appreciate it. Music can be a really discouraging industry, but knowing that someone out there is listening at the end of the day means more to me than I could ever say. Thank you <3

From Inspiration to Creation: The Journey of Dom Malin

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From Inspiration to Creation: The Journey of Dom Malin

Welcome to an exclusive interview with Dom Malin, the Birmingham-based singer-songwriter whose latest single “Surface” has captivated audiences with its blend of alternative rock sound and heartfelt lyrics. In this interview, we delve deep into Dom’s musical journey, inspirations, and creative process to uncover the essence behind his compelling music.

Dom Malin’s music resonates with honesty, raw emotion, and a sense of fun that reflects his unique approach to songwriting and performance. Drawing inspiration from personal experiences and the world around him, Dom’s music is a testament to the power of storytelling through melody and rhythm.

Join us as we explore the intricate layers of Dom Malin’s musical universe, from his early influences to his evolving style and aspirations for the future. Through candid reflections and personal anecdotes, Dom invites us into his world, sharing insights into his creative process, influences, and aspirations.

Get ready to dive deep into the heart of Dom Malin’s music as we unravel the stories behind the songs and discover the driving force behind his artistic journey. From the stage to the studio, Dom Malin’s passion for music shines through, leaving an indelible mark on all who listen.

So, without further ado, let’s embark on a journey through sound and emotion with Dom Malin, as we uncover the soulful melodies and heartfelt lyrics that define his unique musical identity.

Listen to Surface below

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What is your stage name?

Dom malin

Where do you find inspiration?

For me, it comes from my own experiences and observations around me, in the world. A conversation with a mate or overhearing a stranger will strike inspiration and i’ll have to put Pen to paper and write the idea out.

What was the role of music in the early years of your life?

Music was always around me growing up. My parents were always playing joni mitchel, bob Dylan or neil young, and my uncle had (and still has) so many records that i loved to look Through as a kid. I started playing guitar at a young age from the encouragement of my mom and dad, and the early exposure to those previously mentioned legends played an important part in my early years.

Are you from a musical or artistic family?

In the way that my parents are appreciators of music, yes. But no one other than me plays an instrument

Who inspired you to be a part of the music industry?

The early influences of bob dylan and joni mitchell can be attributed to my career path, but also artists such as eric clapton, bruce springsteen and tom petty enhanced my love for playing guitar and songwriting. My love grew for performing and here i am.

How did you learn to sing/write/to play?

I‘ve never had any formal training i’m self-taught. My earliest memory of singing to a crowd was in school at a recital and from that moment i never looked back. I found my voice was an extension of my guitar playing and allowed me to explore the emotive structure of a song.

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I‘ve never had any formal training i’m self-taught. My earliest memory of singing to a crowd was in school at a recital and from that moment i never looked back.

What was the first concert that you ever went to and who did you see perform?

Nils lofgren! He’s a multi-instrumentalist and a member of bruce springsteen’s e street band. He was playing a solo show and his professionalism and stage presence was infectious. One of the best experiences of my life.

How could you describe your music?

Honest, raw, and fun. I always try to have a cool lick in my guitar or a groovy piano melody.

Describe your creative process.

I think it changes everytime, but typically i start with a guitar or piano and once something comes together, i start to hear the arrangement in my head. I then work on the production, structure and instrumentation at home. Once i’m happy with the demo i re-track the parts in the studio.

What is your main inspiration?

Real-life stories/experiences with people who have faced adversity, rejection and loss.

What musician do you admire most and why?

Damien rice. He was one of my earliest self founded influences. His stage persona blew me away. I’ve always been captivated by how he embodies his songs live.

Did your style evolve since the beginning of your career?

It’s constantly evolving. From the musical to the themes i write about. I need to keep it interesting and mature. I’m not someone who will write the same song twice.

Who do you see as your main competitor?

Myself. I’m always setting new benchmarks and pushing boundaries.

What are your interests outside of music?

Travelling and exploring, cooking and playing tennis. I love taking on new challenges, for example, i tried  skiing for the first time last winter and it was an incredible opportunity and so much fun. I also love wine, such a fun way to be a part of something creative that isn’t music.

If it wasn’t a music career, what would you be doing?

I would be a chef i think there are many similarities; discipline, and creativity.

What is the biggest problem you have encountered in the journey of music?

Without a doubt, location! It’s hugely important to position yourself where there is a scene to network and find your people.

if you could change one thing in the music industry, what would it be?

To be completely honest: it’s a hard industry to be a part of and it’s hard for a reason. You need to adapt and i do think the industry is heading in a positive direction. But if i could, I would change how artists are paid on streaming platforms.

Why did you choose this as the title of this project?

Surface has always been the title since its creation. It came to existence from a lifelong struggle of feeling like an outsider, perpetually on the fringes, trying to belong but never breaking through that barrier, that surface. This song explores the internal struggle of wanting to be a part of something, yearning to be heard, yet often feeling like a ghost—a mere whisper in the roaring crowd.

What are your plans for the coming months?

Quite a few releases! Touring in may-june through germany and the netherlands. More travel plans unrelated to music, continuing to be live on twitch (wednesdays and saturdays), live performances, and hustling.

Do you have any artistic collaboration plans?

Currently have 3 collaboration plans! And working with two other artists later this year. There’s going to be so much music coming out.

What message would you like to give to your fans?

Make yourself known! I’d love to get to know my audience.

Mesmerizing Melodies: A Deep Dive into Yannis Koser’s ‘Polar Aurora

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Mesmerizing Melodies: A Deep Dive into Yannis Koser's 'Polar Aurora

Yannis Koser’s most recent creation, “Polar Aurora”, is taking a different creative path, showcasing his avant-garde influence in the contemporary composition world. This masterpiece effortlessly blends the heaviest, most deeply resonant sounds with the celestial beauty of auroras, leading the listeners on a journey that is timeless yet contemporary, through the soundscapes.

From the very start, the track “Polar Aurora” is full of cascading piano tinkles expressing visions of vast oceans as well as huge galaxies. The celestial music sends the listeners to peaceful spaces where they catch visions of endless potentialities. However, even amid the flowing light, “Polar Aurora” surprises with tight taut low rumblings which squeeze together on the listener, to then open up again into rippling light, and piano melodies.

The song “Polar Aurora” is the expression of Yannis Koser’s deep love of music, a passion formed since birth and embedded in each of his compositions. Inspired by the symphony of nature and his childhood muse, Koser channelled his imaginative mind into the creation of pictures articulating human feelings with unparalleled intimacy and sensibility.

People are looking forward to the 2024 singles and piano album by Yannis Koser, set to open up countless new horizons for the already enchanting compositions. “Polar Aurora” gives us access to Koser’s creative mind with a brief peek at the experimental works yet to be unveiled.

The avant-garde artist Yannis Koser who is based in Brussels presents his “Polar Aurora” shines with his contemporary compositions on the piano. The song is a sonic voyage with unexpected shifts and elaborate motifs meshed with a jazzy dynamism produced by improvisation. Rough changes set scenes like life, turning “Polar Aurora” into a transformative avant-garde masterpiece and an excellent modern playlist element.

Listen to Polar Aurora below

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A Decade in Reflection: Skimo’s Journey Through ‘Connected Memory

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"Connected Memory," further highlights Skimo's talent with its blend of prickly synth strikes and lush melodies

After being away for over a decade Skimo returns with his debut album which is worth the wait, all those years of being in hiatus have paid off, and this is proof of his musical growth and dedication to his craft, he titles this album “Connected Mind.”

Join me as we unravel the album and dig deeper. The album kicks off with “What We Could Have Been,” he sets the mood with its dreamy synth pads and the use of quirky beats, characteristic of Boards of Canada’s “evocative” style.

The title track, “Connected Memory,” further highlights Skimo’s talent with its blend of prickly synth strikes and lush melodies, drawing listeners deeper into his introspective narrative. Tracks like “Let It Fly” and “Take My Hand” feature haunting vocals and dynamic synth tones, adding layers of depth and emotion to the album’s sonic tapestry.

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“Connected Memory,” further highlights Skimo’s talent with its blend of prickly synth strikes and lush melodies

Skimo’s collaboration with talented songstress Ash on tracks like “Was I Always There” adds a nuanced vocal dimension to the album, enriching its already compelling narrative.

In discussing the inspiration behind “Connected Memory,” Skimo reflects on his journey back to music production, likening it to excavating fragments of his old self while embracing newfound wisdom. This introspective approach infuses the album with a sense of authenticity and emotional depth, inviting listeners to join Skimo on his voyage of rediscovery.

The album has a total of 10 songs on it, the songs are unique and distinct. Overall, “Connected Memory” is not just an album; it’s a testament to artistic freedom and the power of creative resurgence. Skimo’s return to the music scene is marked by a bold exploration of sound and self, making this album a must-listen for electronic music enthusiasts and introspective listeners alike.

Listen to Connected Memory below

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From Myth to Music: Inside Elleodin’s Creative Process

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From Myth to Music: Inside Elleodin's Creative Process

Guys, Today we are jumping into a conversation with Elleodin mastermind and gifted instrumentalist who is behind the enticing Electronic tracks and her recent song, “Cadmus”.Hailing from Guildford, UK, Elleodin isn’t an ordinary songwriter. She is a storyteller, mixing dreamy sounds with gritty vibes to create music that feels like a trip.

Elleodin reveals her upbringing at the piano, fiddling and being captivated by Kate Bush and other musicians. Her music is an ode to fantasy and escape from reality, and you will see that in every note.

She shared her creative process is usually trying some stuff while flowing with the stream. And among other things, as she grows, her music grows with her, getting darker and deeper, but sticking to the core of her craft.

In our conversation, Elleodin describes her dreams—think concept albums and collaborations based on Greek myths. She is also candid about the strife like attempting to focus on one thing at a time in a world that always pulls you to different directions.

Last but not least Elleodin thanks her fans by sending a shoutout to them, she uses humour and makes it real. With her, it’s not just about making music; it’s about all of us going on a mad, stunning musical journey through sounds and the mind.

Listen to Cadmus below

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What is your stage name

Elleodin – pronounced “El-oh-din”.

Is there a story behind your stage name?
Around the time I started making electronic music, I was in the middle of reading Patrick Rothfuss’ Kingkiller Chronicles. There is a minor character in that series called “Elodin”. I really liked him as a character, and I liked how his name looked and sounded. I didn’t want to use the exact name, so I feminised it to Elleodin.

Where do you find inspiration?
It’s hard to predict where inspiration might come from, however if I go looking for it, it’s reliably come from travel, or the art and media that I consume. Travel obviously isn’t often possible, so if I’m running dry I’ll search it out in books, art or media.

Though, I think even if it comes from art or travel, subconsciously, I’ve imprinted my own emotions in there somewhere, even if it’s in the guise of a character I’ve created in my head.

The best kind of inspiration is the kind that feels like a complete idea that’s been handed to you from nowhere. But even that, I assume, is some kind of amalgamation of all of the above.

What was the role of music in the early years of your life?
It was a way to escape into my imagination. There were certain albums or mixtapes that my parents had which would create a movie-like experience in my head, and I would happily listen to them on repeat, trying to visualise whatever story / world my brain was coming up with.

Are you from a musical or artistic family?
On the surface, no. My parents were both scientists. However, they were both into music and played instruments for fun. I think I heard my dad play the piano pretty much everyday. My mum had a lot of artistic hobbies, and I remember her singing a lot as well.

She and my grandmother taught me how to draw – that was the first skill I desperately wanted to learn as a child, long before any instruments. But visuals and music have always been intrinsically tied for me.

Who inspired you to be a part of the music industry?
Kate Bush was a big part of what inspired me to write songs, and eventually enter the music industry. As a teenager I became obsessed with her discography. I loved researching the lyrics of her songs and learning about where she got her ideas from. They were unusual and inspired by a whole range of subjects and stories and at the time, I’d never heard anything like it. I wanted to be able to create something like that.

How did you learn to sing/write/to play?
I didn’t have lessons as a child, but I loved spending time at the piano. I’d teach myself songs by finding the right melody note by note, which was a tedious and roundabout way of learning, but being able to find something by ear has become a useful skill now.

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I didn’t have lessons as a child, but I loved spending time at the piano.

Later on, my dad taught me the basics of chords, and he showed me how to play songs by having me watch him and copy his movements.

I’ve tried having piano lessons a few times as an adult, but I find it quite difficult to override the instinct to stop looking at the sheet music and play by ear once I’ve heard what the song sounds like. Something that’s been more useful for me is studying specific styles of composition that interests me, as well music theory.

For singing and bass guitar, I had lessons as an adult and I got really lucky with my teachers. For synthesisers and music production, I’ve mostly learnt through experimentation.

What was the first concert that you ever went to and who did you see perform?
I think it was an Alice Cooper show, I’ve seen him quite a few times.

How could you describe your music?
Cinematic and ethereal, with elements of shoegaze and dream pop sprinkled in there as well.

Describe your creative process.
It depends on the song. If I get a melody in my head, I’ll sketch it out on piano and record scratch vocals if there’s lyrics, and go from there. Otherwise, I’ll be experimenting with a particular process or piece of equipment, come across a certain sound or vibe that I like, and then build a song based around that.

I’ll try and start simple, and then experiment with what I’ve got in every way possible. Once I’ve created a layered, chaotic mess, I’ll dial it back a bit and cut what’s not needed. Even when working with electronic elements, I want them to sound organic – more like lightning rather than a machine.

Something I do every time is make sure I have a firm grasp on the visuals the song is creating in my mind, and build a mood board that roughly represents what I’m seeing. That will act as a visual guide for what direction the song needs to go.

What is your main inspiration?
Fantasy and escapism.

What musician do you admire most and why?
It’s a producer duo: KOAN Sound. Their sound design is insane. I’ll listen to their albums and I cannot figure out how they’ve done certain things, it sounds like magic. I’d love to see their creative process.

Did your style evolve since the beginning of your career?
Definitely, I think it’s only natural. At the beginning of my career I was a part of a label which was largely lo-fi / hip-hop / trip-hop based and that influenced my music to veer more in that direction. I’d do a lot more sampling or chopping things up back then, and for a while, I didn’t really use a piano for writing.

Now that I’m independent I’ve grown to have a much better idea of what kind of sounds l like and what equipment I like to use, as well as what kind of processes suit me best – such as composing on piano first. Being the bassist of Bitchin’ Hour also influenced my style a lot, both in the way I compose and the fact I’ve grown to love darker, heavier sounds.

Who do you see as your main competitor?
I don’t really view other artists as competitors. If another artist is making something similar to me, it’s more affirming than anything else.

What are your interests outside of music?
I’m learning Japanese, otherwise I like running and hiking, or gaming when I have the time.

If it wasn’t a music career, what would you be doing?
After nine years of doing something or other in music industry, it’s quite hard to imagine what else I’d do or could do at this point but it would probably involve another artistic avenue in some way. Something I want to branch out into is composing for games. It’s still in the music industry I suppose, but if I decided to stop making my own music, that’s the first thing I’d try and do.

What is the biggest problem you have encountered in the journey of music?
I think for me, it’s having to come to the realisation again and again that I’m a terrible multitasker. I always have the delusion that I can do multiple things at once and I have to constantly remind myself to just focus on one thing at a time, or else everything suffers.

If you could change one thing in the music industry, what would it be?
More payment per stream would be a good start. And this goes for all art, but exposure doesn’t count as payment.

Why did you choose this as the title of this project?
I was getting into Greek Mythology at the time for a separate project. Sometimes I like just giving songs human names, and Cadmus felt right.

What are your plans for the coming months?
I’ve been working on a concept album for a while now, and that will be my main focus for the coming months.

Do you have any artistic collaboration plans
Yes – a Greek Mythology inspired project.

What message would you like to give to your fans?
Hi Dad

Echoes of Time: Giant Killers Unveil “Songs For The Small Places”

Echoes of Time: Giant Killers Unveil “Songs For The Small Places”
Echoes of Time: Giant Killers Unveil “Songs For The Small Places”

The recent release from Giant Killers’ “Songs For The Small Places” emerges like a time capsule unearthed from the indie-pop ethos of the 90s, offering not just nostalgia but an ensemble of tracks that are both hauntingly timeless and refreshingly sincere. Nearly three decades in waiting, this album by Jamie Wortley and Michael Brown is a triumph over adversity, a reminder that some stories demand to be told regardless of how much time has passed.

Right off the bat, it’s clear that “Songs For The Small Places” straddles worlds; on one hand embracing the swaggering confidence seen in bands like Oasis or Blur during their heyday, while on another channeling more introspective spirits akin to Elliott Smith or early Radiohead. This duality gives the album its distinct vibe: vibrant yet reflective, full-bodied yet incredibly intimate.

Lyrically gritty with universal themes at its core—love lost and found again, moments captured within mundane realities—the record offers listeners not just songs but experiences wrapped within melodic frameworks. Their voice has aged like fine wine; there’s an emotional gravity to it now which perhaps couldn’t have been achieved if this album had dropped when initially intended. The duo crafts narratives evocative enough to transport listeners to those small places where life truly unfolds.

Echoes of Time: Giant Killers Unveil “Songs For The Small Places”
Echoes of Time: Giant Killers Unveil “Songs For The Small Places”

A significant charm lies in how naturally ’90s influences meld into modern sensibilities without sounding out-of-date. Far from mere emulation, Giant Killers inject contemporary soul into vintage bodywork—a challenging task they execute flawlessly across all ten tracks.

Production-wise, “Songs For The Small Places” benefits immensely from its delayed genesis. It stands as evidence that good music remains timeless—untarnished by trends or temporal shifts. While polished enough for discerning ears accustomed to digital clarity, there’s also an organic rawness preserved within each chord progression and lyric line reminding us of analogue authenticity.

Echoes of Time: Giant Killers Unveil “Songs For The Small Places”
Echoes of Time: Giant Killers Unveil “Songs For The Small Places”

Beyond creating compelling music imbued with pathos and resonance worthy of critical acclaim itself is Giant Killer’s noble commitment towards social change—with £2 from every Bandcamp sale donated towards suicide prevention charity CAM (Campaign Against Living Miserably). It speaks volumes about who Wattley and Brown are as people beyond musicianship—a gracious touch confirming why sometimes art is destined only for poignant seasons despite when penned down.

“Songs For The Small Places” isn’t merely about bringing unexplored archives into public domain—it encapsulates journeys traveled personally by our artists and collectively via societal evolution since those recording sessions nearly three decades ago.

For anyone previously unperturbed by pop-rock dynamics or veteran enthusiasts looking for depth beyond chart-toppers’ sheen will find something intriguing here—a sonic amalgam equipped equally with tears for past reveries as smiles anticipating future reminiscences.

Follow Giant Killers on Facebook, Bandcamp, YouTube and Instagram.

Heartfelt Balladry: The Midnight Shepherds’ ‘Ann’ Speaks to the Soul

Heartfelt Balladry: The Midnight Shepherds' 'Ann' Speaks to the Soul
Heartfelt Balladry: The Midnight Shepherds' 'Ann' Speaks to the Soul

The Midnight Shepherds’ latest single, “Ann,” is a passionate journey that navigates the murky waters of heartache with a finesse only true sons of Southern rock and blues could muster. At its core, this piece is an emotional odyssey marked by the kind of longing that sits heavy on your chest, an ode to loves lost but never forgotten.

Crafted by the deft hands and heartfelt vocals of Brady Reeves, supported by the solid rhythm section of Dusty Sanderson on bass and Matt Johnson on percussion, with Turner Mason’s guitar sending shivers down one’s spine – ‘Ann’ emerges from the deep wells of Southern Rock and Blues to tell its tale. This isn’t your run-of-the-mill ballad; this is storytelling woven into melodies that grip you tighter with each listen.

The theme revolves around yearning for a love seemingly out of reach, yet so vivid in dreams that reality pales in comparison. It’s in Reeves’ raw vocal delivery we feel each shade of emotionᅳhope, despair, and bittersweet acceptance entangled like roots beneath ancient oaks. When he sings, “Ann, why cant I get you outa my head?” you’re transported alongside him on his questᅳa testament to their lyrical prowess.

Heartfelt Balladry: The Midnight Shepherds' 'Ann' Speaks to the Soul
Heartfelt Balladry: The Midnight Shepherds’ ‘Ann’ Speaks to the Soul

Musically speaking, “Ann” exudes a vibe so relaxing yet paradoxically charged with face-melting guitar solos courtesy of Mason showcasing virtuosity without overshadowing emotional depthᅳthe hallmark of legendary tracks. Throughout this sonic odyssey guided by The Midnight Shepherds flushes blues-rock nostalgia melded seamlessly with contemporary resonanceᅳan experience further enriched visually via their music video visualizer which paints poignant imagery marrying sight to sound in harmonious union.

Drawing parallels would bring giants such as Lynyrd Skynyrd or even hints of Gary Clark Jr.’s emotive grips into view but rest assured,’ Ann’ carves its niche proudly standing unique amongst peers invoking nostalgia whilst charting new territories

It encapsulates listening experiences whereby laying back under starlit skies or driving down long stretches seems tailor-made for ‘Ann’ᅳan ode conjured from heartstrings echoing sentiments familiar yet refreshing.

In essence,” Ann” by The Midnight Shepherds transcends mere musical compositionᅳit embodies palpable emotions encased within powerful riffs across entrancing rhythms rendering listeners spellbound wishing if only they could linger longer within its embrace.

Follow the The Midnight Shepherds on Facebook, and Instagram.

Album Review: “Discovering the Soul: A Journey with Cécile Naïla

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Album Review: "Discovering the Soul: A Journey with Cécile Naïla

On her first album, “ Source”, Cécile Naïla takes us on a journey of soul through the quiescent sounds and spirit. Being an eclectic musician and guide, Cécile seamlessly dons the hats of a singer, writer and composer creating one tapestry of melodies interlaced with meanings that touch every heart.

Nestled in the quiet mountains of Ardèche, Cécile’s music radiates peace and reflection with a core firmly grounded within life itself. With a lyric that specifically touches the longing for love, belonging and inner peace which is everyone’s desire; “Source” goes beyond just an album to become a place of refuge those looking for hope as well inspiration.

The song which holds the center of Cécile’s musical universe is as follows: ” I am Rosa Illumina, melody and rose medicine. Cécile’s ethereal voice and poignant harmonies take listeners to a place where the clocks stop ticking, preventing them from infiltrating their souls with obsessions about time; instead they find themselves engrossed by sound as long as it lasts.

However, “Source” is much more than a mere collection of songs; it serves as an ode to Cécile’s strong relationship with the surrounding world and her unshakable desire to deliver wisdom about that environment. From the contemplative melodies of “Amour” to otherworldly chants in ” La Voix de Gaïa,” every track is a beacon illuminating our journey towards inner truth and enlightenment.

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However, “Source” is much more than a mere collection of songs; it serves as an ode to Cécile’s strong relationship

The audience, while setting out on this magical trip with Cecile Naila find themselves reminded that the human heart and universal soul are one. The musician Cécile paves her way through the music as not only an artist but a guide along the untraveled road- she is both light and darkness in this world.

In conclusion, “Source” is a testament to the transformative power of music to awaken the soul and illuminate the path to self-discovery. With its enchanting melodies and profound lyrics, Cécile Naïla’s debut album invites listeners to embark on a journey of exploration and enlightenment—a journey where the soul finds solace and the heart finds home.

Listen to Source below

 

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Finding Truth in Music: A Look at Jeristotle’s ‘They Sold Me On The TV

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Finding Truth in Music: A Look at Jeristotle's 'They Sold Me On The TV

Jeristotle, a hip-hop artist from Virginia has released his first solo album “The Birth Of An Artist” and it is rocking the world. Thus, despite his late entrance into the music scene Jeristotle demonstrates that age is not a limiting factor in creating significant tunes.

This song is entirely about Jeristotle’s sojourn- his high points, low valleys and all the rest in between. The hit song “ They Sold Me On The TV” reflects on the dirty side of dream-chasing in a music business. Jeristotle has got soulful tunes and lyrics that can penetrate through the static, inspiring us to remain true even when things get rough.

“They Sold Me On The TV” is not just another song. It acts as a warning for artists to remain authentic at all costs. Jeristotle’s making waves with hits such as “Absolute Destruction” and “What Do I Want,” continues that vibe on his latest single.

Truths on the music industry and personal growth are laid down by Jeristotle in “They Sold me On The TV”. His words strike a hard punch, but they also elevate you and remind us to follow our calling with integrity regardless of what the rest of the world is selling.

The flow of Jeristotle in ‘They Sold Me On The TV’ is as smooth and creamy as butter, with the beat creating a perfect atmosphere for his message. It is the kind of track which will make you clench your head in agreement and play it again when its over.

There is more to Jeristotle’s “The Birth Of An Artist” than beats; he is giving a small part of himself away. It is a real music, touching and full of heart that no one who ever followed some dreams or danced to his own rhythm will not listen.

Listen to They Sold Me On The TV below

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Riding the ‘Storm’: A Conversation with Brian Hingerty

Riding the 'Storm': A Conversation with Brian Hingerty

Great, today we are meeting with Brian Hingerty, an amazing musician and his latest song, ‘Storm’, is doing really well. However, “Storm” appeared just from the press after his early work very precisely reflects where Brian is now at the moment of his trouble and emotional development.

A riff with a peerless feel that the uniquely tuned guitar belonging to the Brian and his mastery of slick slide guitar responsible for. It’s about that evening when summer is winding down, and you are little bit feeling the absence of that wildness and be ready for what’s more to come.

Therefore, hold tight as we meet with Brian and discuss where he got his music, what ignite his creativity and how he comes up with those lovely songs. Between childhood jam sessions, finding his groove as an artist, and even sharing with us stories that will make you nod your head and maybe tap your feet, Brian’ lookin’ to share.

With him also yesterday? Hang around and find out about his inspirations, his daily creative chucked and what he has cooking in future. Its gonna be a no stress conversation with positive energy loaded, and some frank discussions about modern art.

Listen to Storm below

 

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What is your stage name

Brian Hingerty

Is there a story behind your stage name?
It’s just my name

Where do you find inspiration?
I find inspiration from the people I meet and the interactions I have.

What was the role of music in the early years of your life?
I started playing music at the age of two years old. Ever since then music has felt like the anchor point for my life.

Are you from a musical or artistic family?
Funnily enough, I do not. But my parents are massive music aficionados.

Who inspired you to be a part of the music industry?
I don’t think I am inspired to be part of the music industry, I just want to make what I make and hopefully be heard doing it. I can’t imagine following another career path, so inevitably I have to partake in the music industry.

How did you learn to sing/write/to play?
I had many music mentors growing up mostly to teach me guitar and jazz theory. I learned to write over years of toiling in my bedroom trying to write something that felt authentic to who I am.

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I had many music mentors growing up mostly to teach me guitar and jazz theory

What was the first concert that you ever went to and who did you see perform?
I went to the Bridge School benefit and saw a whole host of amazing artist play including Neil Young and Tony Benett to name a few.

How could you describe your music?
I’m not good at this, but I think my music would sound to most people like folk music. I just think of it as an honest representation of where I am in my life at the moment a song is written.

Describe your creative process.
I spend weeks writing little pieces of songs, toiling over small chord changes and sentences until I eventually come around to finishing songs and recording them.

What is your main inspiration?
I have found that my inspiration comes mostly from living a well-rounded life. I am not someone who can just live in a windowless bedroom and make music all day. I have to be out and about, be social, and then allocate time to make music.

What musician do you admire most and why?
I can’t choose one. Anyone who seems to feel like they’ve found their own voice and are unapologetic. John Coltrane, Nina Simone, Bob Dylan, Joni Mitchell, John Lennon… and many many more.

Did your style evolve since the beginning of your career?
Although I have played music for almost all of my life, I think I am just starting to find a style that is uniquely my own. I do think it will evolve over time, though.

Who do you see as your main competitor?
I don’t see anyone as a competitor.

What are your interests outside of music?
I love to cook, travel, and consume other forms of art.

If it wasn’t a music career, what would you be doing?
I have no idea.

What is the biggest problem you have encountered in the journey of music?
Trying to be authentic and then learning that one cannot “try” to do so but has to grow into it.

If you could change one thing in the music industry, what would it be?
I wish it was easier to figure out how to release music, the self release thing is really strange and new. Everyone I know who is releasing music is quite confused by it.

Why did you choose this as the title of this project?
Storm just felt right.

What are your plans for the coming months?
I am going to write and start recording my first full length album

Do you have any artistic collaboration plans
I am always collaborating with friends. I actually thrive on it.

What message would you like to give to your fans?
Thank you for your support! It means the world to me.

Zlatan Begins The Year With A Banger: ‘Bust Down’ Featuring Asake

Zlatan Begins The Year With A Banger: ‘Bust Down’ Featuring Asake
Zlatan Begins The Year With A Banger: ‘Bust Down’ Featuring Asake

The luminary himself, Zlatan Ibile, has unleashed his inaugural sonic masterpiece of the year, ‘Bust Down’, which is poised to be a chart-dominating sensation. Zlatan, in a stroke of genius, features electrifying talents of Nigeria’s sensation, Asake. Stream here

‘Bust Down’ has been created for one purpose: to elevate your mood. It is the kind of song that will make you shake your body gracefully and rhythmically. Also, the thoughtfulness in the song is striking because it motivates everyone that their heart desires will come into fruition.

Therefore, prepare to be ensnared in the magic that is quintessentially Zlatan and Asake. ‘Bust Down’ is not just a song; it’s an addiction waiting to happen. Get ready to press that repeat button until your eardrums plead for mercy because this musical alchemy is designed to be on a perpetual loop of infectious beats.

Barima Yaw Serenades Audiences With Soulful Reggae Love Single; Ohemaa

Barima Yaw Serenades Audiences With Soulful Reggae Love Single; Ohemaa
Barima Yaw Serenades Audiences With Soulful Reggae Love Single; Ohemaa

Barima Yaw, the emerging musical sensation hailing from Kumasi, Ghana, has recently launched his latest Reggae love song, “Ohemaa,” signaling a captivating addition to his growing discography. 

Born Maxwell Boakye Acheampong, Barima Yaw’s musical journey began in the vibrant city of Kumasi, where he discovered his innate passion for music. Stream/Download Ohemaa on your preferred platform here.  

Reflecting on his musical odyssey, Barima Yaw shared, “I’m a music lover, born with it, and so I thought music was a hobby, but now a born talent in me, nurturing it through the journey of my life. Walking through a musical life has been the best thing I have ever decided on. Through music, I can communicate through my introverted nature.” 

Having honed his musical skills at the Kumasi Anglican Secondary School, known for producing several renowned musicians in Ghana, Barima Yaw continued his education at the Christian Service University College. His encounter with Okyeame Quophi during his early days at KASS proved to be a pivotal moment, as it provided him with the opportunity to record a song that became the soundtrack for a local movie.

Listen to Ohemaa below: 

Barima Yaw’s musical influences span various genres, including reggae, highlife, and afro-pop. As a versatile artist, he has contributed as a backing vocalist and collaborated with both local and international musicians on various projects.

The artist, also recognized for his Love Clan logo, emphasized that his songs carry messages of love, entertainment, and inspiration. His recently recorded EP, featuring four unreleased tracks, further showcases the depth of his musical prowess.

The spotlight is currently on Barima Yaw’s newest release, “Ohemaa.” Translated from Twi as “queen,” the Reggae love song promises to captivate audiences with its melodic charm and heartfelt lyrics. 

As Barima Yaw continues to carve his niche in the Ghanaian music scene, “Ohemaa” stands as a testament to his commitment to delivering soulful and resonant music.

Fans and music enthusiasts can anticipate an immersive experience as Barima Yaw’s “Ohemaa” becomes available on all major streaming platforms here.

Get interactive with him across his socials:

Facebook: Barima Yaw 

Instagram: @IamBarimaYaw

Twisted Rose Unleashes “Wanted”: A Rock Anthem for Liberation

Twisted Rose Unleashes "Wanted": A Rock Anthem for Liberation
Twisted Rose Unleashes "Wanted": A Rock Anthem for Liberation

In the realm of rock, where the echoes of rebellion and empowerment frequently mingle with electrifying instrumentals, Twisted Rose’s latest single “Wanted” emerges as a blazing anthem for liberation and self-determination. Released in July 2023, this track is not just a testament to the band’s cohesiveness but also an epic showcase of their growth from previous successes.

At the heart of “Wanted” are Caro’s compelling vocals—a force to be reckoned with as they navigate through themes of breaking free from oppression and claiming autonomy over one’s life. Her voice, both powerful and poignant, serves as the perfect vessel for delivering such impactful messages. Complementing her are Chris Bones’ dynamic guitar riffs that oscillate between ferocious energy and nuanced melodies, encapsulating what it feels like to burst out from under the shadows into unapologetic sunshine.

Breaking Chains: Twisted Rose's Evolution in “Wanted”
Twisted Rose Unleashes “Wanted”: A Rock Anthem for Liberation

The bass lines laid down by Tino provide a pulsating heartbeat that drives the song forward relentlessly—much like one emboldened by newfound freedom—while Luggy on drums crafts thunderous rhythms that embody both chaos and celebration inherent in moments of profound change.

Genre-wise, Twisted Rose sticks to its rock roots but infuses “Wanted” with enough pop sensibility through catchy hooks and memorable choruses to ensnare even those outside their usual fan base. It creates an interesting juxtaposition: anthemic tunes carrying heavy stories—a reminder perhaps that triumphs often come after trials.

Listening to “Wanted”, comparisons might be drawn with iconic bands known for storytelling through soaring guitars and formidable female voices; think Evanescence meets Joan Jett if they wandered into a modern-day rebel gathering—their timeless angst repurposed for contemporary crusades.

Beyond its fiery exterior lies a layered composition; each listening unveils intricate details whether in instrumental breaks or vocal modulations symbolizing various stages of breaking free—from realization & resistance right up to redemption & release.

Breaking Chains: Twisted Rose's Evolution in “Wanted”
Twisted Rose Unleashes “Wanted”: A Rock Anthem for Liberation

“Wanted,” therefore isn’t just another high-energy track added into Twisted Rose’s discography—it represents an evolutionary leap towards more sophisticated narratives underscored by refined musicianship. Here we find artists at full throttle unafraid too merge visceral emotionality with kinetic soundscapes—an authentic sonic rendition capturing what it means truly wanted; first by oneself then inevitably by others captured within gravitative pull created effortlessly yet deliberately atop this unparalleled sonic pedestal shared bravely amongst equals within Twisted Rose.

Follow Twisted Rose on Website, Facebook, YouTube, Instagram, Songkick and TikTok.

Colorful Harmony: Unlocking the Layers of Florence & The Bare Souls’ “Purple”

Colorful Harmony: Unlocking the Layers of Florence & The Bare Souls' “Purple”
Colorful Harmony: Unlocking the Layers of Florence & The Bare Souls' “Purple”

In the ever-pulsing heart of music, where souls intertwine with melodies, emerges “Purple” by Florence & The Bare Souls—one single that refuses to be boxed into a singular descriptive. As the second of five ambitious releases painting their sonic landscape over coming months, “Purple” is as much a declaration as it is an exploration—a wild dance around the flames of freedom-of-spirit, desire, and sex.

Fronted by the captivating Florence Pardoe, whose vocal prowess channels the raw emotion and power reminiscent of soul legends past and rock titans present, this seven-piece Bristol-based outfit weaves together strands from different eras and genres so seamlessly that one might wonder if they’ve discovered time travel. Their style—drawing breaths from modern rock’s edginess, soul’s depth of feeling, and vintage blues-rock’s gritty authenticity—creates an anthemic experience that defies easy categorization.

“Purple,” in its essence and execution, celebrates that untamed spirit within us all. Its messages are profound yet accessible; intimate whispers against a backdrop loud with conviction. There’s something deeply freeing in how it tackles themes like desire—an acknowledgement that these feelings are as natural as the beat driving forward each chorus.

Colorful Harmony: Unlocking the Layers of Florence & The Bare Souls' “Purple”
Colorful Harmony: Unlocking the Layers of Florence & The Bare Souls’ “Purple”

With each note and lyrical turn exploring vast emotional territories without sacrificing catchiness or energy—the sophistication lies not only in what is said but also in how it’s experienced sonically. Comparison-wise? Imagine if Florence Welch decided to host a wayward soirée for Janis Joplin and Led Zeppelin with Amy Winehouse nodding approvingly from across the room—you’re getting close.

Yet amid echoes of monumental music figures lies an undeniable uniqueness to “Purple”: It resonates distinctively due to its fearless approach towards genre fusion while still making every listener feel right at home within its soundwaves. The instrumentals provide more than just support; they evoke visions—maybe colors—not unlike their name suggests: swirls of purples bleeding into indigos capturing both melancholy depths and heights unbound by earthly limitations.

Colorful Harmony: Unlocking the Layers of Florence & The Bare Souls' “Purple”
Colorful Harmony: Unlocking the Layers of Florence & The Bare Souls’ “Purple”

The genius behind “Purple” isn’t just its ability to unite disparate musical threads—it welcomes you into an expansive state where emotions roam free under vibrant electro-lit skies built on foundations strong enough for powerhouse vocals to leap from heartfelt verses onto anthemic choruses without missing a beat—and encourages listeners to make this space theirs too.

Florence & The Bare Souls have indeed created more than just another hit with “Purple”; they’ve crafted an anthem celebrating our most fervent desires wrapped up nicely in catchy hooks sure to resonate across diverse audiences. These reflections manifest not merely through auditory experiences but ripple outward inspiring self-expression among those lucky enough to drink in their mesmerizing concoction—even urging us perhaps towards finding our own hues within life’s spectrum.

Follow Florence & The Bare Souls on Website, Facebook, YouTube, Instagram and TikTok.

Avalon Stone’s Resilient Roar: Unveiling “Harder”

Avalon Stone's Resilient Roar: Unveiling “Harder”
Avalon Stone's Resilient Roar: Unveiling “Harder”

In the realm of music where voices clamor for attention, Avalon Stone and her band carve a niche that’s hard to ignore with their latest single, “Harder.” Following the international acclaim of her debut “Forget You,” Stone embarks on another emotionally charged journey, marking this as her second offering poised perfectly before the anticipated album “Chained.” Together with Wes Bartram (drums), Donovan McKinley (bass), Caleb Bourgeois (guitar), and in collaboration with Joe Jacobs under the seasoned production of Juno-winning Kevin Dietz, Stone delivers an anthem resonating deeply within our collective psyche.

“Harder” throttles open on raw alt-rock terrain, swerving through landscapes painted in shades of grunge and blues. It’s a fascinating synthesis; imagine Janis Joplin steering Soundgarden through fog-laden memories — such is the power avalanched by Stone’s vocals. The theme hinges precariously on grappling intrusive thoughts and battling mental confinements—these are veiled cries amidst innocence lost to despair. Yet amid its thematic adversity lies strength; it doesn’t just speak about depression but roars against it.

Avalon Stone's Resilient Roar: Unveiling “Harder”
Avalon Stone’s Resilient Roar: Unveiling “Harder”

The musical arrangement showcases a matured dexterity since “Forget You.” Wes’s drums pulsate like a frantic heartbeat navigating chaos, while Donovan’s bass weaves gravity into each note—a grounding force in tumultuous soundscapes. Caleb Bourgeois’ guitar work deserves special accolades; his soul-stirring solo is not merely played but felt—it bleeds empathy into wavelengths.

Avalon Stone's Resilient Roar: Unveiling “Harder”
Avalon Stone’s Resilient Roar: Unveiling “Harder”

There’s an undeniable grit in “Harder”—a defiance exhaled through Avalon’s delivery that intertwines vulnerability with resilience. This complex emotional tapestry mirrors battles many face yet seldom articulate—the beauty here lies not just in articulating but embracing these scars audibly. In crafting this piece alongside Jacobs and placing trust in Dietz’s production acumen, Avalon has etched more than lyrics into records: she etches hope onto despair’s silhouette.

As listeners traverse from verse to chorus—and mid-way find themselves ensnared by that electrifying solo—”Harder” evolves beyond mere audial experience to become solace encapsulated within melody and rhythm.

Avalon Stone proves again why she’s a talent beaconing notice—not just emerging but erupting across sonic realms laden heavily with emotionality nuanced intricately by genre fluidity. With one foot steeped deeply in nostalgia and another striding towards innovative frontiers (“Chained” beckons promisingly at horizon), she bridges epochs where echoes resonate universally.

If “Forget You” introduced us introspectively to Avalon Stone; “Harder,” replete with challenges intrinsic yet universal—one could argue—is her momentous arrival declaration amongst distinguished echelons where heartbeats sync heavier beneath guitars wailing truths untamed yet profoundly embracing solace amidst struggle eternalized sonically.

Prepare your playlists—“Harder” isn’t merely heard but experienced cathartically amplifying anticipation tenfold for what gems lay enshrined within forthcoming chapters of “Chained.”

Follow Avalon Stone on Website, Facebook, YouTube, Instagram and TikTok.

Read the review of “Forget You” from Avalon Stone.

Eunice Asumadu Takes Gospel To New Heights With A New Single “Epo Kokoo”

Eunice Asumadu Takes Gospel To New Heights With A New Single "Epo Kokoo"
Eunice Asumadu Takes Gospel To New Heights With A New Single "Epo Kokoo"

Celebrated USA-based Gospel artist, Eunice Asumadu, coming from Ghanaian roots, continues to make an impact on the gospel music scene with her soon to be released single to kick start the new year.

Her passion and drive for preaching the good gospel has now culminated in the release of her latest single, “Epo Kokoo,” accompanied by an enthralling eye catching music video.

“Epo Kokoo” which means The Red Sea showcases her unparalleled vocal prowess and a masterful blend of diverse musical elements, creating an uplifting and soul-stirring Eunice Asumadu’s journey as a musical phenomenon, capturing hearts not only in the USA and Ghana but also resonating with audiences worldwide.

The song is a testament to her dedication to the craft and her unwavering commitment to spreading the message of hope and spirituality through her music.

As she continues to make waves in the gospel music landscape, “Epo Kokoo” stands as a testament to her artistic evolution and a testament to her enduring influence believing in God to make a way where there isn’t one as he did for Moses at the Red Sea (Epo Kokoo).

Song will be available on all streaming Platforms soon, Keep your eyes on her official Social Media Pages ( Eunice Asumadu Ministry)

Haeven’s New Era Begins

Haeven’s New Era Begins
Haeven’s New Era Begins

Step into the immersive world of Haeven’s musical rebirth with ERA—a mesmerizing blend of soulful harmonies and bold, introspective lyricism that promises to captivate both loyal fans and those discovering her for the first time. This dynamic composition unfolds a tapestry of resilience, vulnerability, and growth, all intricately woven into an infectious rhythm that compels listeners to both move and reflect.

ERA transcends the confines of a mere song; it’s an exploration of the coexistence of contrasting souls within a singular entity. Haeven, through her compelling verses, guides us through a profound journey of self-discovery, where strength intertwines with fragility. For those acquainted with Haeven’s prowess in rap and singing, this alternative RNB revelation peels back yet another layer, revealing the artist’s multifaceted identity.

At its core, ERA is a poignant saga of self-acceptance, where each note contributes to the emergence of a potent, harmonious force. It’s more than just a musical experience; it’s an invitation to bear witness to a transformative chapter in Haeven’s artistic narrative.

Anticipate the unexpected as Haeven introduces a soundscape that defies genre conventions, promising an exhilarating blend of mystery and groundbreaking music. Stay tuned until the final crescendo, as ERA beckons you to partake in a unique, genre-blurring adventure that promises to leave an indelible mark on your musical journey.

Nigerian Sensation Cznbaby Is Lovestruck In “1 Night”

Nigerian Sensation Cznbaby Is Lovestruck In "1 Night"
Nigerian Sensation Cznbaby Is Lovestruck In "1 Night"

Cross River State’s total package artist, Cznbaby (pronounced Season Baby), has dropped his first single of 2024, “1 Night.” The song also marks the Nigerian artist’s sophomore single, following his 2022 debut with “Nkechi.” Released on January 31, the classic afro-infused tune sees the Gold River signee in lover-boy mode as he swoons over his love interest for a chance at love. 

Written by Cznbaby, the single features production from the Abuja-born artist Furz Khadi, who has worked with artists such as Blaqbonez. When asked for the inspiration behind the track, Cznbaby revealed the creation of “1 Night” was more of an idea than an inspiration. “We knew what we wanted the track to sound like,” he noted. 

“1 Night” took shape during a creative marathon, with producer Furz Khadi and Cznbaby taking turns to rest. He disclosed that he slept off while the producer was working on the beat and woke up hours later to find Khadi asleep. “What I heard was crazy enough for me to write on, so I looped it, wrote, and laid all the vocals down,” he stated. Furz Khadi was impressed with what he heard upon waking up, and the rest is history. 

Stream “1 Night” on your favorite streaming platform.

About Cznbaby

Cznbaby (pronounced Season Baby), born Essien Christopher Ita, is a Nigerian genre-defying artist. The 23-year-old from Cross River State began his music journey in 2021 after inspiration from fellow Nigerian musicians such as Ogranya, Jess ETA, and Layzee Ella. The Gold River signee officially debuted in 2022 with the self-written “Nkechi,” commanding attention from industry professionals and music lovers in Calabar. That same year, he earned a major stage performance at the 2022 Fun Festival in Calabar. With Mannywellz, Jessie Reyez, Michael Jackson, and Chris Brown serving as his musical idols, Cznbaby is poised to showcase his unique blend of genres and artistic vision to a global audience. 

Follow Cznbaby on Instagram, Twitter and TikTok

Unveiling Longing in Love Ghost’s Latest: “Angelic”

Unveiling Longing in Love Ghost's Latest: "Angelic"
Unveiling Longing in Love Ghost's Latest: "Angelic"

In a sonic landscape often dominated by pulsating beats and electronic euphoria, Love Ghost’s latest single “Angelic” emerges as a mesmerizing whisper in the cacophony. Dressed in the unadorned elegance of stripped-down alternative rock, this ballad cradles the fragile heart of unrequited love with a gentle yet poignant embrace.

Navigating through “Angelic,” one is immediately struck by its male vocals—hauntingly beautiful and ethereally grounded—a paradox that only adds to the track’s allure. The voice hovers over an acoustic backdrop that sets up camp somewhere between relaxation and introspection, inviting listeners on a journey through shadowed corridors of longing and reflection.

Unveiling Longing in Love Ghost's Latest: "Angelic"
Unveiling Longing in Love Ghost’s Latest: “Angelic”

The theme isn’t just about love but rather an intricate dance around its peripheries—the kind that traces fingers along edges without ever fully plunging into depths. It’s a storyline woven so delicately within melodies that you might miss it if you’re not listening closely enough, making “Angelic” both an ode to lost loves and a testament to emotional resilience.

For fans of alternative soundscapes who crave authenticity amidst commercialized chaos, there’s something undeniably grounding in “Angelic.” Perhaps it owes part of its charm to echoes from legends past; think Jeff Buckley meets Elliott Smith—but with Love Ghost carving out their own chapter in alt-rock history books.

Unveiling Longing in Love Ghost's Latest: "Angelic"
Unveiling Longing in Love Ghost’s Latest: “Angelic”

Moreover, what elevates this release is not just its current standing as a reflective pause but also the anticipation building towards Love Ghost’s adventures—particularly collaborations like “Dopeman” with Ghana Afrobeat artist Camidoh, promising an intriguing fusion across genres and cultures. Furthermore, news of an entire album under the guidance of Marilyn Manson’s guitarist Tim Skold (commissioned by Metropolis Records), hints at evolving layers awaiting discovery within Love Ghost’s craft.

To sum up: “Angelic” lands less as a single note than as part of a crescendo building within contemporary music narratology—an invitation extended gracefully toward future symphonies mingling pain with transcendence. Its essence whispers more than it screams making each listen akin to tracing constellations: familiar patterns revealing themselves uniquely every time against night skies heavy with stories yet untold.

Follow Love Ghost on Website, Facebook, Twitter, YouTube and Instagram.

From Fury to Serenity: Exploring The Sound of Mountains’ “Heal My Rage”

From Fury to Serenity: Exploring The Sound of Mountains' “Heal My Rage”
From Fury to Serenity: Exploring The Sound of Mountains' “Heal My Rage”

In the atmospheric realm of post-rock, few tracks manage to distill raw emotion into sound quite as poignantly as “Heal My Rage” by The Sound of Mountains. This instrumental single emerges from the hands and heart of Christopher Morin, a maestro in crafting auditory experiences that traverse beyond mere listening to evoke deep, visceral reactions. Accompanied on this journey by Luke Schoepf’s resonant bass guitar, Morin takes us through an odyssey that feels akin to catharsis incarnate.

Draped in the fabric of genres mastered by titans like Mogwai and Explosions in the Sky, “Heal My Rage” stands out not just for its technical prowess but for its emotional architecture. From the first note struck in anger till the last echo fades into serenity, it is clear we are witnessing controlled pyrotechnics of passion turned musical narrative.

From Fury to Serenity: Exploring The Sound of Mountains' “Heal My Rage”
From Fury to Serenity: Exploring The Sound of Mountains’ “Heal My Rage”

The track belongs to an ambitious upcoming nine-song album with each piece dedicated to exploring specific emotions. “Heal My Rage”, however, does more than just explore; it invites listeners into a sanctuary where fury meets melody—a place where healing begins not with suppression but expression. As such, Morin situates his compositions within a broader conversation about mental health and emotional well-being.

Recording drums at Blackngold Studio while weaving together other musical elements at his home studio in Sherman Oaks offers a glimpse into Morin’s commitment to authenticity. There’s something profoundly personal about music birthed within one’s living space—it carries echoes of every fleeting thought and mood swing known only to those walls.

As far as production goes, there is an undeniable cleanliness juxtaposed with raw energy capturing each strike and strum amidst layers intricately mingled together—all without uttering a single word. The genius lies not just in what you hear but also in what you feel; waves crashing over rocks of resentment until they erode away leaving soft sands ready for new beginnings.

From Fury to Serenity: Exploring The Sound of Mountains' “Heal My Rage”
From Fury to Serenity: Exploring The Sound of Mountains’ “Heal My Rage”

“Heal My Rage” becomes both an anthem for those wrestling with their demons and a beacon signaling safe harbor ahead. It declares that even our darkest tempests can be navigated towards tranquility through art’s transformative power—proving once again why post-rock remains unmatched when painting landscapes drenched in unspoken emotions.

To experience this track is akin to walking through fire yet emerging unscathed; slightly changed perhaps—more resilient certainly—but most importantly healed or at least on course toward healing thanks entirely due Christopher Morin’s evocative alchemy between strings and silence.

Follow The Sound of Mountains on Facebook, YouTube and Instagram.

Darius Christian’s ‘Volcano’: A Musical Eruption Redefining Boundaries

Darius Christian's 'Volcano': A Musical Eruption Redefining Boundaries
Darius Christian's 'Volcano': A Musical Eruption Redefining Boundaries

In a music world where genres often blend like colors on a vast canvas, Darius Christian‘s latest single “Volcano,” featuring the enigmatic touch of Magnus Murphy, is an audacious splash that refuses to go unnoticed. Through the medium of power pop fused with soul, funk, and R&B influences, this Los Angeles-based maestro—known equally for his vocal prowess as he is for his skills as a multi-instrumentalist—invites listeners into an explosive exploration of emotions and relationships.

The track immediately sets itself apart with its super catchy opening that seduces your ears into submission before plunging you deep into the heart of its volcanic theme. It’s not just a song; it’s an eruption of raw feelings and complex interpersonal dynamics rendered in vibrant musical strokes. Christian’s voice serves as both flame and silk—burning with intensity while soothing the soul, capturing the highs and lows synonymous with human connections.

Darius Christian's 'Volcano': A Musical Eruption Redefining Boundaries
Darius Christian’s ‘Volcano’: A Musical Eruption Redefining Boundaries

Collaborating artist Magnus Murphy adds another layer to this rich tapestry. His contribution melds seamlessly with Christian’s vision, ensuring “Volcano” stands out not only as a track but also as a bold statement ahead of their full album release scheduled for May. This upcoming collection promises further collaborations with notable talents such as Eric Nally and Ray Mason—a prospect that already wets appetites among fans and critics alike.

Comparatively speaking, one might draw parallels between “Volcano”’s genre-melding compositions to iconic acts like Prince or modern polymaths such as Childish Gambino. Yet, Darius Christian ensures his uniqueness permeates every note; whether through instrumental versatility or thematic depth—an artistic endeavor reminiscent but entirely original.

Beyond sound alone—the accompanying video ramps up anticipation for what lies ahead in Christian’s repertoire: A vision aiming no less than at redefining contemporary music landscapes while embracing multidisciplinary artistry including modeling and film work which inform his profound aesthetic sense.

For those who’ve long awaited refreshment amidst predictable waves flooding today’s music scene—“Volcano” by Darius Christian (and friends) arrives not merely as an offering but rather promises to be seismic shift worth beholding now…and beyond any forthcoming eruptions slated this May.

Follow Darius Christian on Facebook.

 

Get to Know JusKolMeAl: The Hip Hop Artist Redefining Modern Beats

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Get to Know JusKolMeAl: The Hip Hop Artist Redefining Modern Beats

JusKolMeAl has been in this game for some years now, and I tell you he is doing well. His new music release Other People’s Money is attracting attention, and rightfully so. You feel an old school vibe merged with modern trendiness.

What sets him apart? Or maybe it’s just his flair for combining true, familiar words with striking beats that have you bobbing your head.

Overall, tracks like “Progress” and “Cheat Code” are insanely catchy but also have some depth. They submerge themselves in the joys and struggles of real life, offering you a bit to contemplate while you nod your head.

However, JusKolMeAl is not only about music. He is a versatile individual, trying his hand at video editing as well as cooking. He’s all about connecting with his fans and spreading positive energy everywhere he goes.

So, what’s next for JusKolMeAl? He has scheduled a few shows and is going to release some music videos.But one thing’s for sure: He is here for good and ready to conquer the Hip Hop community.

To his fans, JusKolMeAl has one message: thanks for rocking with him. He is thankful for the love and support, his journey has just begun. Therefore, fasten your seatbelt and be prepared for a bumpy ride provided by JusKolMeAl. It’s gonna be epic!

 

Listen to Other People’s Money Ep below

Follow JusKolMeAl on

Spotify

Soundcloud

Instagram

Facebook

Twitter

Youtube

Tiktok

 

What is your stage name
JusKolMeAl – pronounced Jus Call Me AL

Is there a story behind your stage name?
My name is Alfred. In my early hip hop years, I changed my name several times. I did a show one day and when the MC asked me my name, I told him, “Just call me Al”. He got up and said, “coming to the stage, Jus call me Al! I tore up the stage and the crowd started chanting, Just call me Al. It stuck with me.

Where do you find inspiration?
I don’t find inspiration, inspiration finds me. I have been many places amd seen many things. When I get the feeling to create, I just do it.

What was the role of music in the early years of your life?
I have been around music my whole life. My cousins, my parents, all had a musical background. My mother used to sing in a group, my family all Dj’ed or played instruments. In my hometown, me and my peers grew up competitively in music. Its always been around me.

Are you from a musical or artistic family?
Yes. Mother was a songstress, cousins and aunts were all musically inclined.

Who inspired you to be a part of the music industry?
My cousin, Kenny first inspired me as a kid watching him and friends on the turntables. My friend Tim “Real” Davis of RMG studios really taught me the studio side of things.

How did you learn to sing/write/to play?
My writing/verbal skills came from reading a lot of Dr. Seuss books growing up. He was my first lyrical teacher.

What was the first concert that you ever went to and who did you see perform?
I went to a Melba Moore/Freddy Jackson concert at a park near my home.

How could you describe your music?
A modern era take on that old school boom bap feeling of the 90’s

Describe your creative process.
I have 2 or 3 stages that I go through. As a producer, I have my times when I am strictly making beats and concentrating on sound. Then I have my lyrical stage when I am walking around or driving around just rapping in my head to whatever i’m hearing. Then I have my studio time when I put it together. Some of my songs may go through 2 or 3 different beats or restructure before I say, OK, thats the one.

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As a producer, I have my times when I am strictly making beats and concentrating on sound.

What is your main inspiration?
Myself. I realize that if I don’t inspire me, how can I expect to inspire others.

What musician do you admire most and why?
Bette Midler. The way she controls a crowd by simply being herself. She always intrigued me.

Did your style evolve since the beginning of your career?
Certainly. My experiences and my life in general has evolved, therefore my content and flow had to follow suit.

Who do you see as your main competitor?
My internal being and mind. I am constantly in competition with myself. My goal is to make sure that everytime I release music, someone tells me, “This is your best work”.

What are your interests outside of music?
I love video editing, cooking, video games and acting.

If it wasn’t a music career, what would you be doing?
I don’t know, I do a lot and I always focus on achieving great things. I’m following my dreams on every level.

What is the biggest problem you have encountered in the journey of music?
Learning how to navigate the social media aspect of things. I’m a in-person, outside kind of guy. Having to rely on people I’ve never met or trust people i’ve never seen still spooks me out.

If you could change one thing in the music industry, what would it be?
Better pay for streams.

Why did you choose this as the title of this project?
This my first project that involves me using other producers. I usually produce a few tracks or tap into my circle of other producers. This project is all beats that i’ve aquired from other producers.

What are your plans for the coming months?
I have some shows coming up. I also plan of making a few videos.

Do you have any artistic collaboration plans?
I’m always open to work with others. I usually let fate decide that one.

What message would you like to give to your fans?
I love y’all and theres nothing y’all do about it! I appreciate you for apreciating me.

Rusty Reid’s Anthem: “American Villain (Remix)”

Rusty Reid's Anthem: “American Villain (Remix)”
Rusty Reid's Anthem: “American Villain (Remix)”

In the realm of music where rebel yells often turn into echoes of the past, Rusty Reid’s “American Villain (Remix)” emerges as a clarion call that refuses to fade into the background. This protest anthem wrapped in rock attire delves deep into the heart of American and global socio-political arenas, stirring listeners with a poignant blend of urgency and nostalgia.

Rusty Reid leads with conviction, his vocals—a mixture of grit and soul—carrying the weight of history’s lessons yet untethered by its constraints. The synergy among band members Daniel Ribeiro (guitars, keyboards), Jack Williams (bass), Brandon Davis (drums) revives a sense of classic rock dynamism while forging ahead with an electricity uniquely their own. Their collective expertise not only breathes life into this remix but imbues it with a refined tonal quality thanks to mastering wizard Mark Ashfield.

Musically, “American Villain (Remix)” pays homage to protest songs’ rich lineage from folk heroes like Bob Dylan to rock legends like Bruce Springsteen while carving out its niche within today’s complex tapestry. It engages directly with contemporary issues—the shadows looming over liberal democracy and global challenges such as climate change—all through the lens focusing on notorious figures in American history.

Rusty Reid's Anthem: “American Villain (Remix)”
Rusty Reid’s Anthem: “American Villain (Remix)”

What sets this single apart is its capacity for universal resonance; Rusty Reid warns not just Americans but global citizens about dangers lurking behind charisma without conscience. This song isn’t merely listened to; it’s experienced—an auditory journey across time that connects past activism with modern movements against tyranny and apathy towards our planet’s plight.

The accompanying YouTube video serves as both reminder and reflection using visuals matched with 2020’s original mix soundtracks echoing sentiments all too relevant today. Its timing may have initially been overshadowed by COVID-19’s ubiquitous shadow, but perhaps now more than ever is when its message needs amplification.

“American Villain (Remix)” goes beyond mere social commentary or nostalgic protest tunes aspirations—it stands as a battle hymn for our times; replete with rousing guitars, anthemic arrangements, and vivid lyrical storytelling poised between despair and hope. In dissecting distinctively American themes through personal tales interwoven within larger narratives on freedom or lack thereof—Reid reminds us: vigilance remains essential because villains are timeless; what varies is our response.

Thusly enveloped in layers musicality driven forth by an unyielding spirit—this track confirms c et al., not only understand roots from which they’ve grown—I daresay they’re redefining ground resistance rocks upon wishing every beat saying: awaken lest history repeats beneath dormant feet.

Follow Rusty Reid on Website, Facebook, Twitter, Bandcamp and Instagram.

Meet Fatihah: Bringing Real Rap Back with Years of Experience

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Meet Fatihah: Bringing Real Rap Back with Years of Experience

Have you ever heard of Fatihah? You probably haven’t, and with so much happiness, I introduce you to Fatihah! Well, brace yourselves for this rap legend who has been in the field for more than 30 years. Growing up on the streets of St. Louis, MO Fatihah’s story is one of resilience, dedication and straight-up skills.

Picture this: even during the ‘90s, Fatihah was learning how to tell stories through beats and rhymes in his hometown’s alleys and block parties. Jump to today and he has decided as an independent after being with groups and labels for years. It is high time for him to bring all that knowledge and independence.

Fatihah’s music is cool because his songs are not just about beats and rhymes. It’s about real life. His songs encompass all struggles and victories. And guess what? He is about to release his first single once more.

In his upcoming project dubbed “Elevate Your Mind,” Fatihah aims at doing more than music. He wants you to have some ideas, ponder and perhaps alter something about oneself or the world.

So, what’s next for Fatihah? As for him, it’s all about getting in touch with his tribe—his fans who feel his vibe. And hey, who knows? Perhaps there can be some collabs in the future. However, at this moment he’s concentrating on the fact that he remains himself and gives a little hope and inspiration through his music.

Prepare to be motivated because Fatihah is here to remind us all that the best days are yet to come. Let’s go with the beat and just see where this ride takes us. Let’s wait for “Elevate Your Mind” coming on the 9th of January

Follow Fatihah on

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Youtube

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What is your stage name

Fatihah

Is there a story behind your stage name?
My stage name is actually my middle name. Everybody that knows me personally call me Fah which is Short for Fatihah

Where do you find inspiration?
I find inspiration from any real life situation. All my songs are conceptual. I have no regular songs just rambling. There is always a topic or concept to disgust.

What was the role of music in the early years of your life?
Early in life Music was everything. I actually passed up on a baseball scholarship because the group I was in was about to take off, so we thought….So I put all my marbles in this music basket.

Are you from a musical or artistic family?
My dad was a DJ and radio personality in the 1980’s. And My mom, still to this day, have a radio playing in every room of her house 24/7. So being surrounded by music all those years just transeferred to me. My son recorded his first song at the age of 2, and now my 7 year old daughter is singing and dancing on Tiktok. So music is running all through my bloodline.

Who inspired you to be a part of the music industry?
2 friends of mine came on the block one day. One beatboxed and the other one rapped, while the entire neighborhood circled around them. They had the entire crowd captivated as we all stood there silently, watched and listened until the end. Then simutaneously we all erupted into applause and shouts at their performance. I was HOOKED at that very moment. I wanted to be able to capitvate an audience just like that.

How did you learn to sing/write/to play?
That same friend taught me how to write, how to structure a song, and how to format a stage show. So I’ve been building on that foundation ever since.

What was the first concert that you ever went to and who did you see perform?
The first concert I ever went to was the Budweiser Superfest in St. Louis, MO in1984. I watched Run DMC perform. And what a performance. They didn’t just walk back and forth rapping. They put on a play. And that’s exactly what my stage show look like.

How could you describe your music?
I struggle with this question a lot, because I dont want to give a cliche answer. But I must say reality music. I have a wide range of concepts to my songs. If you were to take a road trip while listening to my album, you will find yourself on an emotional rollercoaster because I touch on so many different topics.

Describe your creative process.
My creative process is simply paying attention to what’s going on around me and writing about it. For, I know if I’ve been through it, there must be millions of others that have also. So I create a hook out of that topic. My hooks, usually come first, then I try to find a track to fit that hook, if I’m not fortune enough to have the beat tailor made for it. Once I find a track that compliments the hook, I write my verses directly to elements inside the instumental. Therefore no two songs will sound alike.

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My creative process is simply paying attention to what’s going on around me and writing about it.

What is your main inspiration?
My main inspiration is getting my messages out to the world. I believe I have some songs that will literally change some people’s lives. And I am eager to find out.

What musician do you admire most and why?
Prince was the artist that I admired the most because he was the ultimate song creator. He wrote all his songs, he sang all the lyrics, including the background vocals, and he played all the instruments himself. That’s amazing to me.

Did your style evolve since the beginning of your career?
Heck yeah. In the beginning of my career, the majority of my songs were about how tough I was, and how many people I can kill… in every verse. The names of a Couple of my groups were Gangsters of Homicide and Murder 1’s. Smdh lmao. Just thinking about it is making me cringe right now.

Who do you see as your main competitor?
I don’t see anyone as competition. I’m in my own lane. And there are enough people on earth for everybody to have their own fans. I’m just trying to find my tribe.

What are your interests outside of music?
Outside of music, I like outdoor events. Camping is one of the things I enjoy most. I’m like a die hard camper. I have the 4 bedroom tent, the king size air mattress, the air sectional couch, the camping toilet, shower, sink….I’m all in when it comes to camping.

If it wasn’t a music career, what would you be doing?
Until I’m able to making a living off of my music, I will continue to operator my trucking business. I’m at a point in my life where I can’t have a boss or supervisor. So I have to work for myself.

What is the biggest problem you have encountered in the journey of music?
The biggest problem I have encountered in my journey is being under someone else’s label and having potential major deals rolling in for the artists. But the label owners turning down the deals because they dont benefit the label as much as it would the artist. Hence, why I’ve decided to just do it myself. I’d rather turn down deals on my behalf rather than letting someone else do it for me again.

If you could change one thing in the music industry, what would it be?
Actually I love where the industry is right now. I wouldn’t change anything. Right now it is set up for anyone with enough drive and tenacity to draw enough attention to themselves to make a decent living off their music. You don’t necessarily need a major deal to live off your music anymore.

Why did you choose this as the title of this project?
I chose Elevate Your Mind as the title because of all the different topics I touch on in this album. Each song will make you think, reflect, or want to change something about yourself or in this world, without feeling like your’re being scolded. So, as long as you have an open mind, at LEAST one of my songs will make you want to do better.

What are your plans for the coming months?
For the coming months my plans are to find my tribe. I need to gather enough true fans so I can come perform a live show for them. So, I will keep researching and applying whatever I learn so I can find my tribe. With over 6 billions souls on earth, I’m sure I can find a few hundred that can vibe with me.

Do you have any artistic collaboration plans
At this moment, I don’t. Because I gotta get my weight up. I don’t want to put myself in a position where it feel like I need someone to create my buzz. I want to see what I can do on my own first. Then I’m open to work with anybody.

What message would you like to give to your fans?
My message to my fans is The best days of your life are ahead of you. So don’t Ever give up on your Dreams.

Celestial Rapture: Domine Clemons’ ‘Ave Maria’ Journey

Celestial Rapture: Domine Clemons' 'Ave Maria' Journey
Celestial Rapture: Domine Clemons' 'Ave Maria' Journey

In the ever-evolving landscape of music, where genres blend and boundaries blur, it’s a rare moment when an artist not only revisits the roots of sacred music but also breathes new life into its timeless ethos. Enter Domine Clemons, whose rendition of William Gomez’s “Ave Maria” is nothing short of a celestial journey bound to uplift the spirit to an ethereal realm.

Dubbed as the “Enya of Sacred Music,” Clemons has carved a niche that straddles both divine inspiration and earthly passion. Having transitioned from the corporate alleys into the sanctuaries of song, she brings with her a unique perspective that shines through in this cover single released in September 2023—translating not just notes but conveying messages steeped in themes of renewal and sacred journeying.

The music carries with it centuries-old legacies strewn across cultures worldwide. Yet, under Clemons’ careful stewardship, there’s no sense of time-worn tradition weighing down; rather, there’s rebirth and rejuvenation coursing throughout her rendition. It speaks volumes about her ability to tread softly yet significantly on revered grounds without losing sight of her modern sensibilities.

Celestial Rapture: Domine Clemons' 'Ave Maria' Journey
Celestial Rapture: Domine Clemons’ ‘Ave Maria’ Journey

Clemon’s vocal brilliance is impossible to overlook or understate. Her voice weaves through Gregorian chants’ solemnity and classical opera’s dramatic flourishes effortlessly—a testament both to her vocal agility and deep comprehension of this multifaceted piece. Listening to Domine perform “Ave Maria” by Gomez is akin to witnessing stars illuminating night skies; magical yet comforting in their familiar twinkle amidst immense darkness—a symbolism perhaps reflective both internally for Domine stepping boldly into uncharted musical terrains after a life-altering career shift—and externally for listeners finding solace amid contemporary chaos.

What makes this rendition epic isn’t merely its flawless execution or angelic vocals but how it manages—all at once—to be deeply personal while universally resonant; inviting us on an uplifting voyage beyond mere mortal concerns towards something genuinely transcendent. With strings that tug at heartstrings complemented by keys unlocking gates towards higher reflections—it’s hard not so much listen as be transported upon every note carried forth by Clemons’ magical voice.

Celestial Rapture: Domine Clemons' 'Ave Maria' Journey
Celestial Rapture: Domine Clemons’ ‘Ave Maria’ Journey

By infusing ‘sacred’ within each vibrato and crescendo encountered during this auditory pilgrimage, one can detect echoes from yesteryears’ hymnal corners cross-whispering with today’s search for meaning beyond material fetters—the sort Enya might have elicited had she too found sanctuary within such spiritual sonorities.

Domine Clemons offers more than just soundscapes; she delivers experiences wrapped delicately around ‘Ave Maria’, transforming what could have easily been another cover into a humbling touchstone for anyone willing enough to embark alongside on such pure-hearted escalations toward sublime realizations—in Naples Florida or anywhere hearts may seek refuge.

Follow Domine Clemons on Website, YouTube, Instagram and TikTok.

UBU: A Diverse Sonic Tapestry of Memories

UBU: A Diverse Sonic Tapestry of Memories
UBU: A Diverse Sonic Tapestry of Memories

In the world of music, tributes often tread a fine line between heartfelt homage and saccharine sentimentality. The album “UBU” by UBU not only walks this tightrope with grace but also leaps into an exploration of diverse styles and profound messages that transcend mere words. Released on April 28, 2023, “UBU” is both a memorial and celebration of Marco Trinchillo’s life—a co-founder whose sudden departure at 41 added layers of poignancy to the concluding stages of the album’s production.

Over two years in Forli, Italy’s ‘L’Amor Mio Non Muore’ studio, this collective endeavor emerged under the stewardship of UBU alongside Franco Naddei. What sets “UBU” apart is its embrace of multiplicity—each song reflects a confluence of emotions swathed in distinct musical genres ranging from pop to easy listening and euphoric highs that defy categorization.

With eleven tracks acting as canvases for expression, “UBU” introduces us to an ensemble cast including Hannah Saunders, FRNQ, Nicola Biondi, Pieralberto Valli, Hellis, Cleats, Luca Parma, Emma Perrot, Enzo Moretto, Francesca Amati, and Mattia Mercuriali (co-founder, Amycanbe), each bringing their unique touch influenced by Trinchillo’s expansive creativity. His legacy—a testament to self-taught brilliance spanning drumming to photography (captured in esteemed outlets like The Guardian)—echoes throughout the album.

UBU: A Diverse Sonic Tapestry of Memories
UBU: A Diverse Sonic Tapestry of Memories

The tribute extends beyond rehashed nostalgia; it invites listeners into an immersive experience where melodies carry stories versatile enough to appeal across the spectrum—from seasoned aficionados seeking depth and innovative soundscapes to casual listeners cherishing moments captured through tunes. Trinchillo’s spirit looms large—guiding these artists as they weave together influences capturing his essence without chaining themselves solely unto grief.

UBU: A Diverse Sonic Tapestry of Memories
UBU: A Diverse Sonic Tapestry of Memories

Tracks oscillate between introspection and unbridled joy—the kind we imagine Marco would have insisted upon. Listeners are guided through an evocative journey marked by super edgy artistic choices that challenge yet comfort simultaneously: A sonic rollercoaster reflecting life itself with all its inherent contradictions.

Ultimately, “UBU” is not just another entry into music archives—it holds up a mirror showing us resilience borne out of love lost too soon yet celebrated eternally through artistry emerging triumphant against despair’s shadow.“UBU” accomplishes what few tributes can: It ensures Marco Trinchillo vibrates forever heartbeats aligned amidst rhythms birthed from collective memories cherished always—an undying testimony celebrating influence transcending mortal confines onto divine mélange melody whispers witnessed worldwide.*(An ethereal rhapsody inscribed indelibly upon souls stirred evermore).*

Follow UBU on Facebook, Bandcamp, YouTube and Instagram.

Playful Satire in Synth: Dylan Galvin’s “How to Write a Pop Song”

Playful Satire in Synth: Dylan Galvin's “How to Write a Pop Song”
Playful Satire in Synth: Dylan Galvin's “How to Write a Pop Song”

Diving into Dylan Galvin’s latest single, “How to Write a Pop Song,” is like stepping through a neon-lit portal directly into the heart of the 1980s synth-pop era, with just enough modern sass and satire to keep us grounded in the present. Galvin, alongside producers Austin Morehead and Harper James have polished this gem in Los Angeles and Nashville before giving it that final sparkle in New York City—an impressive tri-city collaboration that breathes authenticity into its retro vibe.

The song is cheeky; there’s no denying it. With lines such as “If you think too hard, you will get it wrong; you’ve got to stay nice and stupid if you wana write a pop song,” Galvin doesn’t just toe the line between mockery and admiration—he dances on it. The lyrics are cleverly penned, capturing an essence of playful critique about the mainstream music industry’s thirst for hits over substance. It takes guts to bite the hand that feeds many musicians’ careers while simultaneously extending an olive branch through catchy melodies.

Musically speaking, “How to Write a Pop Song” is as much of a homage as it is lampoonery. Its genre roots — planted firmly within 80s synth-pop soil — are nurtured by influences from iconic films of both the 80s and 90s letting nostalgia bloom like wildflowers throughout every note and beat. Yet beneath this flowery exterior lies an undeniable edge—a kind of discontent with formulaic creations merely aimed at chart domination rather than authentic expression.

Playful Satire in Synth: Dylan Galvin's “How to Write a Pop Song”
Playful Satire in Synth: Dylan Galvin’s “How to Write a Pop Song”

Galvin’s male vocals gently weave narratives between harmonies akin to riding waves—smooth but powerful enough to carry one momentarily away from reality into introspection about our attitudes towards popular culture’s musical offerings.

The awaited music video set for release on February 2nd promises another layer of immersive experience. Given what can be gleaned from the audio-sonic facets alone, expectations pivot around innovative visual storytelling that captures both satire and genuine affection for pop sensibilities.

Playful Satire in Synth: Dylan Galvin's “How to Write a Pop Song”
Playful Satire in Synth: Dylan Galvin’s “How to Write a Pop Song”

In drawing connections across different eras—akin perhaps only distantly related cousins—one might find echoes ranging from Pet Shop Boys’ witty lyrical delivery down alleys walked by Talking Heads with their off-beat approach up through whispers reminding young fans today why bands like MGMT found love in straddling commercial appeal versus indie embrace openly yet cautiously.

Through “How To Write A Pop Song,” Dylan Galvin offers not just entertainment but commentary wrapped up neatly in synthesizer-drenched ribbons accented by basslines meant for head nodding or full-bodied dancing depending on where your comfort zone or irony happens to lie when listening.

Follow Dylan Galvin on Website, Facebook, YouTube and Instagram.

“everyone is from somewhere and also nowhere” By And Y Et

"everyone is from somewhere and also nowhere" By And Y Et
"everyone is from somewhere and also nowhere" By And Y Et

In the labyrinth of modern music, where genres often blur at the edges and mutate into forms as elusive as morning fog, “everyone is from somewhere and also nowhere” by And Y Et carves out a unique auditory experience that tantalizes and challenges in equal measure. At the helm of this intrepid voyage are Nic Jenkins and Kelsey Mines, whose synergy oscillates between haunting beauty and deliberate cacophony, scripting an album replete with multifarious narratives.

The album unfurls like an intricate tapestry threaded with themes both urgent and introspective: mutual-aid sings a harmony to meditation while climate change’s discordant undertone questions over commitment. It’s a reflection not merely on our external crises but also on our innermost caverns of solitude juxtaposed against the warmth of friendship—a poignant reminder perhaps best encapsulated in these pandemic times.

Musically, “everyone is from somewhere and also nowhere” refuses to be pigeonholed. The experimental pop foundation provides fertile ground for lo-fi textures to intertwine seamlessly with electro-acoustic embellishments. Herein lies its charm; it’s collage-form composition bearing witness to genre-defying audacity which mirrors the chaotic yet harmonious existence we navigate daily.

"everyone is from somewhere and also nowhere" By And Y Et
“everyone is from somewhere and also nowhere” By And Y Et

Jenkins’ male vocals interweave gracefully with Mines’ female timbres across ten tracks that feel less like songs and more like movements within a grander symphony—one penned remotely in isolation yet profoundly intimate. Their voices act not just as narrators but as instruments themselves, blending improvisation with structured part-writing that cultivates an atmospheric spaciousness brimming with possibility.

Listeners will find echoes of Brian Eno’s ambient innovations beside Björk’s avant-pop spirit in this project. Yet it resists straightforward comparisons; akin to staring at clouds or interpreting dreams—each moment holds myriad shapes dependent solely upon one’s perspective at any given time.

"everyone is from somewhere and also nowhere" By And Y Et
“everyone is from somewhere and also nowhere” By And Y Et

Drawing deeper into their sonic landscape exposes listeners to unconventional song forms animated by a harmonic language intent on exploration rather than resolution—akin to navigating bewilderingly beautiful terrain without a map or compass but led instead by sheer curiosity.

Despite—or perhaps because of—the isolation-fuelled birthing process bolstered by remote collaboration during unprecedented global conditions, there emerges from “everyone is from somewhere and also nowhere” an essential truth about creation itself: art thrives amidst constraints. With every note played or sung, Jenkins and Mines articulate not just soundscapes but sanctuaries built from adversity wherein reflection meets connection.

And Y Et crafts something both comforting in its familiarity yet joltingly fresh—a timely testament framed against somber realities yet imbued throughout with hopeful strands awaiting discovery amid its layers.

Follow And Y Et on Website, YouTube and Instagram.