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These Streetlights’ By Mercurius Would Guide You Back Home

Mercurius
These Streetlights' By Mercurius Would Guide You Back Home

Get ready to groove to the beats of love with Mercurius, the dynamic father and son duo from the UK. Their latest release, “Streetlights,” is making waves in the music scene, and we’re here to dive into its soulful vibes.

“Streetlights” isn’t just your average love song. It’s a journey illuminated by the glow of street lamps, guiding lovers home to each other’s arms. With its blend of progressive and classic rock, this track is like a warm embrace on a chilly night.

Clocking in at a whopping six minutes, “Streetlights” isn’t in a hurry to end the magic. It’s a duet between two souls yearning to reunite after a long day’s work. And guess what? They’ve got the talented Jasmine Crichton on board to add her own touch of magic to the mix.

We’re chatting with James and Paul Brown, the masterminds behind Mercurius, to uncover the inspiration behind “Streetlights” and what makes their music so darn special. From their past hits like “Make a Difference” to their latest gem, Mercurius is all about spreading warmth and meaning through their tunes.

Join us as we delve into the heart of “Streetlights” and discover why Mercurius is a name you’ll want to remember. It’s time to let the music light up your soul!

 

Listen to Streetlights below
https://open.spotify.com/track/14JG5g7gB2kXexJvWL9Cgx

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What is your stage name
Mercurius

Is there a story behind your stage name?
We wanted to distance ourselves from our original name James & Paul as we wanted to be seen to be more of a band than a duo. Mercurius is a Roman god and seemed like a cool name

Where do you find inspiration?
We take inspiration from artists who have achieved success without compromising like band such as Radiohead, Muse etc. We like to think we’re the same although you need to be careful as it’s so easy for other bands tunes and melodies to fester in your subconscious. Lyrically themes can range from current affairs, past wars, to love and family

What was the role of music in the early years of your life?
Music can be uplifting, depressing, motivational etc etc. It has always been important in our lives

Are you from a musical or artistic family?
There are some musicians in the family but no one of note. There was a grandad who used to play piano all night in pubs and would be paid in alcohol throughout the night. I always wondered what he would have sounded like by closing time!

Who inspired you to be a part of the music industry?
The attraction of doing something you love as a job (we still work so obviously haven’t achieved this yet)

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The attraction of doing something you love as a job

How did you learn to sing/write/to play?
James has had guitar lessons but Paul is self taught. James has always had a great singing voice

What was the first concert that you ever went to and who did you see perform?
James isn’t one for seeing other bands perform. Paul’s first gig was U2 and The Comsat Angels at the Mayfair in Newcastle

How could you describe your music?
Uplifting (usually), original, mass appeal. Paul’s songs are guitar driven while James’s are vocally driven

Describe your creative process.
Basically this is to mess around on the guitar until you play something and you think hold on I like this. The song just grows from there

What is your main inspiration?
The guitar, mostly originating on the acoustic

What musician do you admire most and why?
As above, we admire bands who haven’t had to compromise their music. Radiohead are the standout band in that respect

Did your style evolve since the beginning of your career?
James’s original taste in music was hard core dance so you could say he’s evolved quite a bit, although he’s always been a fan of artists with great harmonies like Simon and Garfunkel. We’ve become a lot more confident in our music since we’ve had an albeit small amount of success. We also now have a regular routine in the studio which helps

Who do you see as your main competitor?
We don’t really see other bands as competitors. We’re all in this together

What are your interests outside of music?
James runs a gym in Newcastle and so is very into his fitness. We’re both massive Newcastle United fans. Paul also keeps fit through boxing training, running etc

If it wasn’t a music career, what would you be doing?
What we’re doing now which is James in his gym and Paul in his accountancy practice

What is the biggest problem you have encountered in the journey of music?
Spotify royalties are pitiful and should be looked into but they appear to be too powerful to be questioned about this. Coming from the North East is also an obstacle for anyone wanting a music career although Sam Fender has hopefully helped with this. Neputism is also a massive problem in the music industry

If you could change one thing in the music industry, what would it be?
Grants to young kids starting out so they can afford decent guitars and amps etc

Why did you choose this as the title of this project?
Streetlights is James’s song which has a simple theme about coming home to your loved ones

What are your plans for the coming months?
We have 4 or 5 amazing tracks we want to get recorded before August then, if these have been received well, put a proper band together to do some gigs

Do you have any artistic collaboration plans
We get asked all the time but it’s really hard to fit extra projects in at the minute. James has a friend who is doing quite well in the dance scene so we’re always up for seeing what he can do with our songs

What message would you like to give to your fans?
Please support us by downloading our songs which in turn means we will be driven to go on the road where you will be able to see us perform live

Unveiling #LOFIDUKE: A Conversation with Chris ‘Big Duke’ Malloy

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Unveiling #LOFIDUKE: A Conversation with Chris Malloy"

Today we in talks with Grammy-nominated producer Chris ‘Big Duke’ Malloy and  his debut solo instrumental EP, #LOFIDUKE Vol 1, the EP heralds a new chapter in his outstanding artistic journey. #LOFIDUKE Vol 1 is headlined by ‘Original Eazy,’ which inspired The Game’s and Kanye West’s hit song ‘Eazy,’ the EP takes listeners on a musical cruise where they will be exposed to Big Duke’s immense talent.

With a decade of experience in the music industry and more than 300 million streams, Big Duke is all set to reshape the frontiers of quality production. He was born and raised in Cleveland and now based in LA. From collaborating with icons like Kanye West to The Game, 21 Savage and Diddy, his resume speaks for itself. His work on Symba’s “Results Take Time” and The Game’s “Drillmatic” proves that he is not only a talented producer, but also a visionary.

In this exclusive interview Big Duke sits with us and divulges the influences that shaped his music and the path led him to this point. Musician Big Duke begins his story in Cleveland, where he came from a humble background, and he shares with us his creative process, musical influences and goals.

Listen to #LoFiDuke Vol.1 below

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What is your stage name?
Big Duke

Is there a story behind your stage name?
The name Duke originates from my grandmother it’s actually a family name
‘ The Duke ‘

Where do you find inspiration?
Everywhere the world is a stage for inspiration. It can be something as little as a song playing on a commercial or a string section playing from a movie. Literally anything can inspire or spark an idea

What was the role of music in the early years of your life?
Music was the soundtrack to everything that was going on. Family events , car rides to school , parties etc music was everything especially growing up in the 90’s lol

Are you from a musical or artistic family?
I come from a blue collar working middle class family. Others in my family have artistic abilities but often never pursued.
The Midwest is ruff dreams are far and few but a good hourly job u can work til u retire that’s usually the goal smh. I took a different route. Far from the norm

Who inspired you to be a part of the music industry?
I wouldn’t say I was inspired to be in the industry being someone from ohio I never thought about it even being possible. Me and my friend just wanted the city to hear what we were doing. Somehow we managed to get the world to hear it.

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Duke_x_Game

How did you learn to sing/write/to play?
Early years I had choir in school. If it was any class that I payed attention in music definitely was the class. For some reason it just spoke to my soul.

What was the first concert that you ever went to and who did you see perform?
I’ve been to so many concerts in my lifetime it’s hard to remember the first lol but I can remember one of the first rap shows. It was “ Project Pat “ me and my friend and fellow artist ‘ Chip Tha Ripper ‘ waited stageside at a classic now closed cleveland venue “ The Metropolis “. He didn’t start performing til 1am we definitely weren’t old enuf to be in this place but we snuck in and boy was it worth every second. He performed all our favorite songs at the time that concert changed my life.

How could you describe your music?
Melodic , rhythmic , chest pounding drums…. I like music that instantly takes u somewhere other then where u are listening to it at. My music is a ride lol

Describe your creative process.
My creative process is different than most. It never really stops or starts its ongoing. I can wake up and it will be music on my mind that I have to get out. I can start chopping samples on my phone or saving them in notes while listening to music. I Literally can be creative anywhere

What is your main inspiration?
My inspiration is the feeling of touching the world musically. Music heals all I’m a healer
Music is my medicine and will heal the world.

What musician do you admire most and why?
Ye for blunt honesty
Jay z for his hustle and infrastructure
Pharrell for his attention to detail
Timbaland for his brain and ideas
Dr Dre for his genius

Did your style evolve since the beginning of your career?

Yeah I’m always evolving but keeping things I learned along the way

Who do you see as your main competitor?
The man in the mirror lmaooo
Although cliche I thing I’m my biggest comp. I wake up everything trying to beat the day before

What are your interests outside of music?
Cooking if I wasn’t a producer I would be a chef. I literally get the same feeling and it requires the same focus and attention to detail.

If it wasn’t a music career, what would you be doing?

A chef , or instructor of some sort I love teaching and helping lol

What is the biggest problem you have encountered in the journey of music?
Lack of care for others. Sometimes it’s a dog eat dog world when it comes to business.

Side Chain Breaks the Ice With Their Latest Single ‘Equipoise Delirium’

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Side Chain Breaks the Ice With Their Latest Single 'Equipoise Delirium'

Side Chain’s journey began in 2015 when Dustin Miller and Stephen Shatzer formed the band, later joined by John Kyzer, James Pennington, and Nathan Cameron, the rock band is making a powerful comeback with their latest track, “Equipoise Delirium,” after a five-years break. This sound is sure to tickle your nerves with its dark undertones and infectious radio-friendly vibe.

Their musical journey hasn’t been a smooth one, they’ve being through the highs and lows, marked by the tragic loss of their friend, John Kyzer, during the creation of “Subterfuge.” However, they persevered, with Mike Helmbeck stepping in to help complete the track and continue the band’s legacy.

Now, in 2024, Side Chain is back in full force, ready to rock the airwaves with their unique sound. In this exclusive interview, we sit down with Dustin, Stephen, and James, the creative minds behind Side Chain, to delve into their musical influences, creative process, and future plans.

From their humble beginnings to their musical evolution, Side Chain opens up about their inspirations, challenges, and aspirations. So, grab a seat and join us as we explore the world of Side Chain, where music is more than just a passion—it’s a way of life.

 

Watch Equipoise Delirium below

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What is your stage name?
Dustin: Don’t have one currently.
Stephen: I don’t have one.
James: Chip

Is there a story behind your stage name?
James: Years ago I met a man while I was at an airport in Ireland. We’ve remained friends to this day. His name is Chip, so I took it and it stuck.

Where do you find inspiration?
Dustin: Everyday life
Stephen: Hearing a song that moves me and inspires me to keep writing.
James: Daily Life

What was the role of music in the early years of your life?
Dustin: Parents were always listening to music ever since I was young.
Stephen: I started playing hip-hop ever since I could write. Started writing lyrics and making beats on a keyboard. I didn’t really get into rock and metal until I was in my mid to late teens.
James: Both of my parents and older sister were Into music when I was growing up. I got the full spectrum.

Are you from a musical or artistic family?
Dustin: Musical
Stephen: Not really. Grew up in a religious household so wasn’t allowed to listen to a lot of music (except for Christian music and 80’s rap). I kind of found my own calling.
James: Both.

Who inspired you to be a part of the music industry?
Dustin: My parents
Stephen: It wasn’t until I heard the first Pantera album when I figured out where I really wanted to go musically.
James: I would say probably my mother the most.

How did you learn to sing/write/to play?
Dustin: Self taught and still learning
Stephen: Self taught mostly however I did take piano and violin lessons when I was young which also taught me music theory. As far as playing drums, I had such a passion for it that I practiced for hours a day for about a year until I started getting decent at it.
James: Self taught

What was the first concert that you ever went to and who did you see perform?
Dustin: My parents took me to a Cheap Trick show when I was 6
Stephen: The earliest I can remember is seeing Rob Zombie and Korn.
James: Grand Funk Railroad

How could you describe your music?
Dustin: Mostly Dark with a hint of Party animal
Stephen: I would say dark with some melodic elements
James: Melodic with dark subject matter.

Describe your creative process.
Dustin: Jamming along to other songs gets the juices flowing.
Stephen: Hearing a guitar line and evolving the production from a simple scratch track to a full production.
James: I’ll hear something, and if it clicks , and the chemistry is the lyrics almost kind of write themselves.

What is your main inspiration?
Dustin: My son
Stephen: In life, my wife and kids. In music, creating music that people enjoy.
James: I want to reach people on a very personal level.

What musician do you admire most and why?
Dustin: Buckethead. Very versatile and you can feel all the emotions in how he plays.
Stephen: I don’t think I could pick just one. Sometimes it’s the entire band that contributes to the overall sound in my opinion, which is what I admire most. If I had to narrow it down I would say Dimebag Darrell, Vinnie Paul, Matthew McDonough, Matt Greiner, and Danny Worsnop.
James: Oh man, so many! James Hetfield, Maynard James Keenan, Pete Loefller, Chino Moreno, to name a few. Theire music has all touched me in so many ways.

Did your style evolve since the beginning of your career?
Dustin: Yes
Stephen: Absolutely
James: Yes

Who do you see as your main competitor?
Dustin: I’m not big into competition.
Stephen: I don’t believe in being competitive when it comes to music, especially local music. I believe everyone should be helping each other instead. Although friendly competition amongst friends is always fun.
James: I’m always competing with myself daily.

What are your interests outside of music?
Dustin: Traveling, fishing, watching sports, hanging out with my son and family
Stephen: Firepit nights with the wife, hiking, being out in nature.
James: Writing, hiking, nature

If it wasn’t a music career, what would you be doing?
Dustin: Playing pro baseball
Stephen: I enjoy working on movies/film production
James: Book author

What is the biggest problem you have encountered in the journey of music?
Dustin: Sometimes you go through periods of writers block.
Stephen: Balancing time to work on music
James: Finding time to get into the studio

If you could change one thing in the music industry, what would it be?
Dustin: Local radio stations should help local bands get their music out there and be more involved in the local music scene.
Stephen: An easier way to make your music heard.
James: Getting your music to more people.

Why did you choose this as the title of this project?
Dustin
: It’s cool sounding lol
Stephen: James came up with it. The song is about loss and grief and I thought the name was fitting.
James: The theme of loss and grief played a big part in it.

What are your plans for the coming months?
Dustin: Write more songs
Stephen: We have a couple new songs already in the works.
James: My goal is always to do my very best to make the next song better than the last one.

Do you have any artistic collaboration plans
Dustin: At this current point in time, not at the moment
Stephen: Not planned, but it’s possible.
James: I’m always open to the possibility.

What message would you like to give to your fans?
Dustin: Thanks for digging the music!! We love you all!!!
Stephen: Thank you for the support!
James: Never give up, no matter how hard it gets, and always stay true to your self.

 

The Josh Hicks Story: Music, Memories, and ‘Home Is Where The Heart Is’

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The Josh Hicks Story: Music, Memories, and 'Home Is Where The Heart Is'

Welcome to an awesome chat with Josh Hicks, the guy behind “Home is where the Heart is.” If you’ve been vibing with his previous hits like “Self Seeking” and “Everything About You,” you’re in for a treat with his latest track.

In this interview, we’re going to hang out with Josh and talk about what makes his music special. We would begin by getting to know where is from to his biggest form of inspiration, then jump to know the type of person he is outside music, thus, when he is not making music. Think of it like catching up with a friend over a cup of coffee, except this time, we’re getting the inside scoop on Josh’s musical journey.

From growing up in a cozy Welsh village to making waves in the music scene, Josh is all about keeping it real. We’ll hear about the stories behind his songs, the artists who light up his playlist, and what keeps him going when the going gets tough.

So join us as we dig deeper into the life of this multi-talented artist.

Listen to Home Is Where The Heart Is below

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What is your stage name?
Josh Hicks

Is there a story behind your stage name?
There’s actually 23 years’ worth of stories behind my stage name as this is the name, I was given at birth; albeit Joshua not Josh.

Where do you find inspiration?
I have grown to love song writing; it’s how I cure my boredom on a frequent basis. I try my best to write about my personal life. However, sometimes there’s nothing to write about, sometimes I will write about a character that I connected to in a movie or draw from family and friends experiences. To sum it up I actually enjoy putting myself in other people’s shoes and trying to write about it, I suppose subconsciously I find it helps me connect to someone’s situation a lot easier. On the whole, personal experience is my main focus.

What was the role of music in the early years of your life?
Where to start. Entertaining has also been something I was into from a young age I always felt like I was put on this earth to simply make people happy. I tried magic, gymnastic, dancing and finally settled on singing. My singing gradually came to the forefront of my life as I tried out all the other forms of entertaining first.

GCSE and A-Levels are where my love for music prospered. My music teachers encouraged me to my fullest. Allowing me to sing with the big band for practice but also for gigs and getting me down local pubs to sing live to build my confidence. University was a big jump for me having to sing in a room full of other talented musicians in their own right. Forcing myself out of my comfort zone is now something I quite enjoy doing.

Are you from a musical or artistic family?
Not really, my mum was into her arts and crafts when she was younger, and my dad has a good eye for manufacturing and business. My mom graduated with a degree in sports psychology which I guess has helped me write about other people’s experiences when I’ve felt like it.

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Not really, my mum was into her arts and crafts when she was younger, and my dad has a good eye for manufacturing and business.

Who inspired you to be a part of the music industry?
As cliche as it might sound my parents actually. They supported and nurtured my love for music and entertaining. I grew up listening to so much music that I believed I lived in a world where singing was just something everyone could do naturally.

I was surrounded by whoever was current at the time and also my parents’ favorites, such as; Micheal Jackson and Whitney Houston to name a small few.

How did you learn to sing/write/to play?
I’ve been singing in general, ever since I was a young kid. However, performing started just before I started uni. Going to open mic nights that my A-level music teacher set up, performing with a big band which started because I need to do something for my a-level course. I built my confidence up at my pace with the help and guidance of others (I think that’s really important!).

I started writing around 2020 as it was somewhat of a requirement for a module at uni. I’d been told multiple times by people to start writing, jot ideas in a diary. I got a lot of the shit ones out of the way and then started to feel more comfortable and confident in my writing ability!

What was the first concert that you ever went to and who did you see perform?
You know what I’ve actually been to quite a few with my friends. The one that comes to mind, straight off the bat is Jedward. I was young and it was for my twin best friend’s birthday if I remember correctly.

My parents did take me to shows and pantomimes when I was younger so it could have been one of those as well. I believe Micheal Jackson would have been my first, but he died shortly after my parents bought the tickets.

How could you describe your music?
My music is a mixture of Pop and soul at the moment. I’ve got a few songs under my belt that are more towards the R&B and Jazz which I’m super excited to release. I guess a good name for my genre which I never have identified myself as; is neo/soul.

Describe your creative process.
Normally and preferably, I liked to start on piano get the chords and build of that. Lyrics are usually the last thing I worry about. Sometimes I go to the studio where I bring a reference track and say let’s try do something like this, then we build of it like that. However, that probably is my least favorite way of writing as it doesn’t feel very organic, making it harder for me to connect to the song.

What is your main inspiration?
Truthfully, I always struggle to answer this question as there are SO many amazingly talented artists out there that inspire me everyday. However, if I was to pin point it I’d have to list; Amy Winehouse, Adele, Micheal Jackson and currently, Raye.

The Josh Hicks Story: Music, Memories, and 'Home Is Where The Heart Is'
Truthfully, I always struggle to answer this question as there are SO many amazingly talented artists out there that inspire me everyday

What musician do you admire most and why?
As I said earlier, Micheal Jackson and Whitney Houston will forever be the main reason I love music and find/found it so magical to begin with. Later finding artist like Chaka Khan, Lauryn Hill, Luther Vandross, Sade, Stevie wonder, Amy Winehouse and Queen they all broadened my horizons with music. I guess in some way I inspire to be like everyone there I mentioned.

Did your style evolve since the beginning of your career?
In some sense yes, my hair went from permed to the natural wave with blonde running through it. I’m not very adventurous when it comes to hair styles, I feel like us men lose it quicker, so we are more precious over our hair. Clothing wise I guess it’s been somewhat the same. I’ve only released music a year ago, so I guess not much has changed in that year?

Who do you see as your main competitor?
Call me naive or whatever, I try not to look at other artist as competitors as I truly love to support and help others.

What are your interests outside of music?
I don’t wanna say I’m just music oriented, however I sort of am. I do love my downtime when I can get it. In the warmer months being in the garden looking after the plants is fun for me, just not a fan of the wasps! You know I do enjoy a night out with my friends as well, especially festivals when it’s warmer!

That aside, I used to be a Ballroom and Latin dancer where I’d travel all around Wales and England competing and having lessons, was so much fun, especially the lessons!

If it wasn’t a music career, what would you be doing?
Funny I just had the conversation with my friend and bass player, Alex Hancox. I said I think I would have pursued psychology, maybe forensic or criminology. I have quite the weird fascination with all things about the brain. Whether it’s about the brain itself or understanding what makes us tick. I get this from my mum 100%! Neuroscience I guess would be an alternative?

What is the biggest problem you have encountered in the journey of music?
I think communication. It’s never easy to communicate through email/ texts. However, that seems to be the way most people operate in the music industry, or how I like to call it the business industry.

As it sometimes feels like the industry is 80% business and 20% music. Also, another bug bare is people not reading fully what you’ve sent them. I know a lot of people I email are seriously busy, but they sometimes miss the curial information I give them. For example, the release date haha. So, lesson learnt PR emails sent out 2 weeks before, radio and playlist 1 week before or after release.

If you could change one thing in the music industry, what would it be?
It would either be the pay system (streaming) for artists or how social media followers means more than good music. Infact, now I’ve said that it’s probably the later. There’re so many talented artists out there who won’t even get sniffed at by labels because their following is too low.

Meanwhile influencers who one day decide they want to release a song get snapped up because they have a big following. Unfortunately, the music industry seems to be fueled by money rather than music. They must be confused with the alliteration between money and music?

What are your plans for the coming months?
I have so many goals: some of them are realistic, others for now are unrealistic. I guess just to keep going, not to be in the same place this year as I was last year. Personal growth, I guess? I have my first gig in London, 25th March (venue is a secret until 36 hours before the event) with a company called Sofar Sounds. Folk at the Moon in Cardiff 23rd April. I do have a secret of my own coming up in early May, if you live in Cardiff keep your eyes peeled! ;))

Do you have any artistic collaboration plans
There’re a few people I’ve contacted and want to contact with collabs. However, I’m waiting for replies from some of them. This is how it tends to go with collabs from my experience. People say yes and then you never hear from them again. I used to think there was a special business that was the medium between artists to action and plan the collabs for us. However, that sadly isn’t the case to my knowledge.

What message would you like to give to your fans?
As an Independant artist my main thing is to say enjoy my music. Let me know if you connect with it. If you want to help me out, following me on literally everything from Spotify to YouTube to TikTok. Every follow helps my algorithm which intern helps boost my reach to a wider audience. This could lead to labels favoring me over another artist for example. If not just streaming my music or liking my posts helps significantly.

Helena May Lights Up the Scene with “Lifetime Supply”

Helena May Lights Up the Scene with “Lifetime Supply”
Helena May Lights Up the Scene with “Lifetime Supply”

In the effervescent single “Lifetime Supply” from Helena May, listeners are treated to a sonic journey that feels both refreshingly novel and comfortingly familiar. This trackᅳa captivating forerunner to her much-anticipated album “Puzzle Pieces”ᅳweaves an intricate tapestry of pop sensibilities with the profound grooves of funk and soul, creating an infectious soundscape that urges you onto your feet.

May’s vocal prowess is nothing short of remarkable, commanding attention with every note. Her voice serves as the perfect vessel for delivering poignant themes of self-love and individuality, set against the backdrop of an upbeat tune that belies the depth of its lyrical messages. It’s this unflinching authenticity interlaced with vibrant melodies that positions “Lifetime Supply” not just as a song but as an anthem for anyone navigating the path towards self-recognition in a world often too focused on external perceptions.

Helena May Lights Up the Scene with “Lifetime Supply”
Helena May Lights Up the Scene with “Lifetime Supply”

The influence of producer Fabian Wollner is palpable throughoutᅳhis deftness in blending genres brings forth a modern twist to classic sounds, characterized by funky bass lines from Michael Reitinger and electrifying guitar riffs courtesy of Emanuele Fusaro. Josef Hinterhölzl’s drums provide a heartbeat to this vivacious number while David Dolezel’s keys are like glimmers of sunlight through cloudsᅳbrightening and uplifting at precisely the right moments.

What further distinguishes “Lifetime Supply” is its music video; directed by Wollner himself, it offers humor as a lens through which we might examine our quest for validation. Featuring May’s live band alongside spirited actors going about exaggerated routines aimed at boosting their esteem mirrors how we all sometimes misstep in recognizing our inherent worth.

Helena May Lights Up the Scene with “Lifetime Supply”
Helena May Lights Up the Scene with “Lifetime Supply”

Comparing Helena May to giants who have tread similar paths reveals her unique offering: she channels echoes reminiscent perhaps of Chaka Khan’s rhythmical spirit or Gloria Gaynor’s anthemic empowerment yet places it firmly within today’s musical lexicon combining relatability with timeless appeal.

As part one signals towards what could be discovered in “Puzzle Pieces,” fans new and old can find solaceᅳand maybe even themselvesᅳin these beats infused with sincerity and joyous energy equipped by May & Co.’s collaboration.

Surely if “Lifetime Supply” tells us anything about what ‘s forthcoming then brace yourselves: we’re not merely waiting on an album but anticipating revelations wrapped in rhythms designed not only for listening joy but heartful introspection!

Follow Helena on Website, Facebook, Twitter and Instagram.

Discover the Dreamy Depths of ‘Siren’ by 59 Perlen and Ingeborg

Discover the Dreamy Depths of 'Siren' by 59 Perlen and Ingeborg
Discover the Dreamy Depths of 'Siren' by 59 Perlen and Ingeborg

In the sea of electronic music singles, “Siren” by 59 Perlen featuring Ingeborg emerges as a captivating beacon of sound and emotion. This collaboration between two distinct solo artists serves not just as a harmonic melding of genres but also delivers a poignant message on compassion, love, and solace in an ever-conflicted world.

“Siren” is no ordinary track; it’s an odyssey through dream pop landscapes sprinkled with dubtechno beats and ambient whispers that echo the essence of house music. The blending of electronic precision by 59 Perlen with classical influences adds depth to this immersive experience. Coupled with Ingeborg’s undeniable skill in weaving rich vocal melodies around emotive storytelling, “Siren” feels like a warm embrace in sonic form.

From the start, the song immerses you into its world – one where every beat and note carries weight yet floats light as air. The minimalist yet danceable groundwork laid down by Zurich-based German artist 59 Perlen creates a canvas for Dutch singer-songwriter Ingeborg’s dreamy voice to paint stories upon. Her contributions are nothing short of ethereal, adding layers upon layers of emotional nuance that resonate deeply within listeners’ hearts.

Discover the Dreamy Depths of 'Siren' by 59 Perlen and Ingeborg
Discover the Dreamy Depths of ‘Siren’ by 59 Perlen and Ingeborg

The magic lies in how effortlessly these artists have brought their unique backgrounds together — from 59 Perlen’s fascination with creating storytelling through minimalist tracks to Ingeborg’s talent for stirring emotions through her melodical prowess and experimentation with soundscapes. It proves that when artists step out from their comfort zones to collaborate genuinely, something beautiful can emerge.

Listening to “Siren,” it’s easy to draw parallels with pioneers who have blurred genre lines before them – think Cocteau Twins’ dreamy vibe meets Brian Eno’s ambient mastery, all while nodding respectfully at modern club culture elements that get your foot tapping without realizing it.

Discover the Dreamy Depths of 'Siren' by 59 Perlen and Ingeborg
Discover the Dreamy Depths of ‘Siren’ by 59 Perlen and Ingeborg

Beyond its musical excellence, “Siren” encapsulates themes crucially relevant today — urging us towards empathy amidst chaos simply through its serene delivery alone. It doesn’t scream its messages at you; instead, it invites you into its world gently but firmly—a testament to both musicians’ expertise not only as technical wizards but also emotional storytellers.

For fans across spectrums—from those who relish deep dives into layered compositions filled with intent and nuance, to casual listeners seeking solace or perhaps just an elegant tune—“Siren” offers something rare: A thoughtful reflection presented elegantly enough for anyone willing to listen closely will find immense value here—an exquisite example demonstrating why sometimes less indeed means so much more.

Follow 59 Perlen on Website, Bandcamp, YouTube, Instagram, Facebook and Twitter.

Embracing Musical Fusion: The Journey of Leekayja

LEEKAYJA out with Save me,LEEKAYJA releases Save me,LEEKAYJA with Save me,LEEKAYJA drops Save me,Save me by LEEKAYJA,Save me from LEEKAYJA,LEEKAYJA,Save me,LEEKAYJA Save me,Save me LEEKAYJA
Embracing Musical Fusion: The Journey of Leekayja

Even as a child, amidst the run-of-the-mill routines life, Leekayja was able to identify his passion, he made this discovery on a beach, where he LEEKAYJA out with Save me,LEEKAYJA releases Save me,LEEKAYJA with Save me,LEEKAYJA drops Save me,Save me by LEEKAYJA,Save me from LEEKAYJA,LEEKAYJA,Save me,LEEKAYJA Save me,Save me LEEKAYJAsaw a young boy playing the acoustic guitar, and since then he has been so attached that he started taking lessons on how to play the guitar.

Back in 2005 when he immersed in the Italian heavy metal and rock scene, Leekayja’s musical talent went to a whole new level due to his work ethic and passion for the craft. Bounding through the limits of the established genres, he engaged in music production and also explored areas of sound and composition which were never covered before.

In 2023 Leekayja finished his creative journey with the release of The Leekayja project, showcasing his limitless talent and innovative thinking in music. His introduction track titled “Save Me,” produced in December 2023, enthralled audiences with its striking combination of edgy electronic dance rhythms and thoughtful guitar melody, creating an atmosphere of his distinctive musical aura.

The art of music is an extraordinary journey, a world that Leekayja frequently takes us to, challenging the norm and encouraging us to discover the power of music in our daily life.

Listen to Save me below

Follow LEEKAYJA on

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What is your stage name

LEEKAYJA

Is there a story behind your stage name?

It is an anagram with the names Jay and Keela. They are the names of two virtual voices of the software EmVoiceOne that I used in may tracks

Where do you find inspiration?

In everyday life.  in my personal experiences, in my dissatisfactions


What was the role of music in the early years of your life?

I learnt to play the guitar and appreciate music late, at 14 years old. , so my adolescence was all based on the idea of ​​wanting to form a successful band


Are you from a musical or artistic family?

No

Who inspired you to be a part of the music industry?

I think one band above all, Duran Duran.  I grew up with their music then moved on to rock and metal (even extreme).  But Duran have always remained a reference


How did you learn to sing/write/to play?

When I was 14 there i saw a boy who played acoustic guitar on the beach.  I was fascinated and so I decided that I had to learn to play the guitar.  I’ve always been out of tune though….I cannot sing…in fact I use virtual singers;)

What was the first concert that you ever went to and who did you see perform?

LITFIBA ( new wave Italian band) when I was 17, then U2 and Duran

How could you describe your music?

I don’t know.. melancholy pop rock? (haha) I know that my goal is to try to combine the strength of metal rhythms with the immediacy of pop melodies.  Which is what Dark Tranquility (from whom Leekayja is very very very far away) did in part, even if they sing in “growl” so it’s not easy to perceive it.

Describe your creative process…

I start by jotting down a few words or some musical ideas, then if the moment is the right one the song arises by itself like a flow, word after word, idea after idea… it doesn’t always happen though

What are your interests outside of music?

Music doesn’t give me money to live on.  I am an engineer and in my free time, in addition to playing, I do sports (Kung fu and windsurfing).  I love technology especially when applied to music.

What is the biggest problem you have encountered in the journey of music?

The music market is the problem.  If you don’t sell, no one pushes you, if no one pushes you, no one listens to you.  You must necessarily be aligned with the fashion of the moment otherwise it is very difficult to get into the business…. I would add that the masses largely only listen to what is advertised or pushed through the media,

If you could change one thing in the music industry, what would it be?

The mainstream system

Why did you choose this as the title of this project?

“Save me” is a cry for help against loneliness and emotional sterility

What are your plans for the coming months?

To record other 5 or 6 new song that are almost ready.

Do you have any artistic collaboration plans?

No

What message would you like to give to your fan.

Listen to music with an open mind and be curious.

4Seasons Breaksdown His Recent Single ‘Handle You’ In Recent Interview

4Seasons Breaksdown His Recent Single 'Handle You' In Recent Interview
I've always loved music. I can recall my mom and dad playing music in the kitchen back when I was 3 or 4 years old, and I would just dance away.

Reputed for his thought-provoking lyrics, 4Seasons is a multi-talented musician who poses as a singer, songwriter, and today we had the chance to have an in-depth conversation with him.

His latest song, ‘Handle You’, delves into the complexities of breakups with a refreshing spin, dividing the narrative into two halves: the first one was about the earlier sadness and the other on the growth and the self-realization. While the music of 4Seasons is an embodiment of fortitude, it mirrors the same ideology that time conquers all.

Being exposed to the giant music personalities like Drake, Juice WRLD and Eminem at the beginning of his career has been a formative moment in his musical journey. From this stage he has been influenced by a variety of producers, such as Quadeca, SSJ Twinn, wifisfuneral and blvck sam. This conglomeration is reflected in his style and sound which is a heavy influence.

Through our journey into the core of his creative process and inspirations, we discover how he transformed and was challenged as well as envisioning his future. Witness the unveiling of the artistic and seasonal music sounds that constitute his musical scenery as we embark on this journey together.

Listen to Handle You below
https://open.spotify.com/track/35Bxft3zliRzI3cam5Z3zG

 

Follow 4Seasons on

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What is your stage name?
I go by 4Seasons

Is there a story behind your stage name?
There is one major inspirations for my stage name: the “4” is derived from my favourite artist “Quadeca” (Quad, 4).

Where do you find inspiration?
I write a lot about past situations I’ve been in, as well as how I could envision my future being moving forward in my life

What was the role of music in the early years of your life?
I’ve always loved music. I can recall my mom and dad playing music in the kitchen back when I was 3 or 4 years old, and I would just dance away. Music has such a unique way of connecting people, and that’s what’s always drawn me to it.

4Seasons out with Handle You,4Seasons releases Handle You,4Seasons with Handle You,4Seasons drops Handle You,Handle You by 4Seasons,Handle You from 4Seasons,4Seasons,Handle You,4Seasons Handle You,Handle You 4Seasons
4Seasons Breaksdown His Recent Single ‘Handle You’ In Recent Interview

Are you from a musical or artistic family?
I do not, I’m the first artist in my family. My sister is learning the guitar, but that’s about it from the family side of things.

Who inspired you to be a part of the music industry?
My biggest influences were artists Quadeca and Logic. I loved how simply brilliant they’re speed and style were. I always wanted to rap fast, but over the years I’ve grown to embrace a slower, more somber style of music.

How did you learn to sing/write/to play?
I never took any course or class for anything in my music career. I figured everything out on my own through sheer will and practice. For a completely independent artist I’m incredibly confident in the work I’ve been able to produce up to this point.

What was the first concert that you ever went to and who did you see perform?
In 2019 (Just before COVID) I had to opportunity to watch Logic perform in Vancouver, and the show was incredible. The entire crowd was feeding into the performance, it felt as if the entire building wa shaking. Definitely an experience I won’t be forgetting anytime soon.

How could you describe your music?
My music style is sort of all over the place, as I’ve made some somber tracks, some high-paced rap tracks, and many in between. I would say I don’t really have a set style, but rather I excel in many different styles (another reason why I chose the name “4Seasons” as my diversion into the difftt we ent genres would resemble the differences of the four seasons).

Describe your creative process.
My creative process is quite simple, I just sit down with my notes app open and a great beat playing, and I just start writing. More often than not these tracks aren’t exactly to my liking in quality, but when I do stumble into a great idea I just run away with it, losing track of time completely.

What is your main inspiration?
I would definitely say my strongest inspiration for writing music is to bond (Both myself with others, and others with others). There is no possible way to explain the effects that music has on our ability to relate to one another and unite even the largest crowds, and from a very young age I wanted to be a part of that.

What musician do you admire most and why?
Quadeca will always me the musician I admire most. He creates, records, mixes, and masters all of his tracks on his own, and he’s never been afraid to make music his own way. He’s never made his music a certain way solely to appease any canvass, and I respect him and his work so much for that.

Did your style evolve since the beginning of your career?
I used to rap extremely fast. I wanted to get as close to Eminem’s speed as I possibly could. However, I’ve slowly evolved to realize that a “fast rap speed” doesn’t automatically make a song any better than a slower paced song. Nowadays I very rarely dabble in that Eminem style rap.

Who do you see as your main competitor?
Myself. I always want to be a better artist than the one I was yesterday. Constant improvement is the goal.

What are your interests outside of music?
I played competitive basketball for 5 years, so I play recreationally all the time nowadays. I also love business, I recently started my own window washing company (I’m 18 years old) and so far I’ve seen overwhelming success.

If it wasn’t a music career, what would you be doing?
Definitely something in the realm of business. I’ve always been drawn to that sector of the world, and I’m confident I would excel in any business-related position.

What is the biggest problem you have encountered in the journey of music?
I dealt with a massive writing block about a year ago. For some reason my process just stopped working for about 6 months. It was grueling, but I knew I had to stay persistent and that I was bound to break through my slump at any point. I’m so glad I stuck through that time in my music career.

If you could change one thing in the music industry, what would it be?
While not exactly a “feasible” change, I wish that relatively unknown artists could be judged by the value of their sound rather than the value of their name. There’s a pretty decent chance that the most talented musician alive isn’t very well known because that individual doesn’t understand how to market themselves or their music, and that definitely frustrates me from time to time.

Why did you choose this as the title of this project?
In all honesty, I thought the word play in the song was really unique and I wanted to make it the focal point of the package. (Ain’t gon’ grab your Instagram, I don’t think I can Handle You, “Handle” meaning Instagram handle as well as being unable to deal with a relationship with this person).

What are your plans for the coming months?
I’m working on an album as we speak. It will feature roughly 13 or so tracks, and I can’t wait to show it to my community of listeners. This project has already taken a lot out of me, and it will certainly take even more, but I’m so excited to release this project.

Do you have any artistic collaboration plans
I do have a collaboration with iLOSTMARI, a song that will be featured on my upcoming album. iLOSTMARI is an incredibly talented vocalist and I’m thrilled to have an opportunity to work with him on my project.

What message would you like to give to your fans?
Don’t allow yourself to fall into the hole that your environment has forced you to fit in. Be bold. Try new things until you find something you truly love, and once you’ve found it work obsessively at it. If you give your dreams your all, you will never ever be disappointed by the result. That, I can guarantee you.

Navigating Love’s Cosmos: The Screaming Pope’s ‘Your Star’

Navigating Love's Cosmos: The Screaming Pope's 'Your Star'
Navigating Love's Cosmos: The Screaming Pope's 'Your Star'

In the constellation of electronic music, it’s rare to find an album that both dazzles with diversity and resonates with a coherent narrative. “Your Star” by The Screaming Pope is one such stellar anomaly. Within its 15-song odyssey, the listener is invited on a whimsical journey through the cosmos of love and existential longing, where each track orbits around these central themes like planets in a vast musical universe.

The Screaming Pope’s approach to electronic music in “Your Star” transcends traditional boundaries by incorporating elements from folk, hip-hop, synth-pop, and dance genres. This eclectic mixture isn’t just for show; it serves as a metaphorical palette from which to explore the myriad shades of affection and yearning. It’s akin to wandering through an art gallery where every painting depicts a different facet of human emotion yet contributes to an overarching story about love’s endurance across time and space.

Songs like “Whirlpool” submerge you into deep emotions with swirling synths and velvety vocals that suggest influences ranging from Depeche Mode’s appeal to Imogen Heap’s haunting harmonics. On the other hand, tracks such as the titular “Your Star,” stretch toward celestial aspirations with their airy beats reminiscent of M83 or Owl City but dipped in a more matured essence of cosmic wonderment rather than adolescent dreaminess.

This kaleidoscopic sound doesn’t overwhelm; instead, it engages listeners by revealing new layers upon each replay – unveiling not only The Screaming Pope’s broad musical capabilities but also intricate tales woven within lyrics that ponder over timeless queries about existence and connection.

Navigating Love's Cosmos: The Screaming Pope's 'Your Star'
Navigating Love’s Cosmos: The Screaming Pope’s ‘Your Star’

What sets “Your Star” apart isn’t merely its genre-bending audacity but how seamlessly it integrates these varying elements without losing sight of its conceptual backbone. Whether drifting through sonic landscapes laced with folk acoustics or pulsating dance rhythms – there lies an unwavering thread pulling us back into this universal exploration.

As much as this album could be likened to interstellar travel—charting unknown realms—it remains deeply human at core: accessible yet enigmatic; varied yet unified under a galaxy themed on affections far-reaching effects.

Listeners seeking merely background tunes might find themselves inadvertently caught in introspection or toe-tapping reminiscence—such is “Your Star”’s evocative power—a testament not only to emotive storytelling through songcraft but also The Screaming Pope’s deftness at sculpting soundscapes abundant in hues but singular in heart.

For those adventurous souls yearning for music that both elevates and explores—the journey across “Your Star” will undoubtedly prove enlightening; leaving echoes long after its cosmic tunes fade out—an experience recalling not just stars scattered across our night sky but what makes them eternally fascinating from our vantage here below.

Hyperfollow, Facebook, Bandcamp and YouTube.

Solitude’s New Sound: Darius Christian’s “Good Kind of Lonely”

Solitude's New Sound: Darius Christian's “Good Kind of Lonely”
Solitude's New Sound: Darius Christian's “Good Kind of Lonely”

Darius Christian’s “Good Kind Of Lonely” shatters the stereotypical portrayal of solitude in music, transforming it into a vibrant celebration woven with threads of gratitude and contemplation. This single is a masterpiece that skillfully combines Power Pop, Soul, Funk, and R&B into an auditory experience akin to discovering a new favorite shade within an already mesmerizing palette. From its inception, the track beckons listeners into its embrace – offering not just sounds but emotional depth and introspection through every note.

At the very core of “Good Kind Of Lonely”, lie Darius Christian’s richly textured vocals which navigate through layers of invigorating soundscapes crafted alongside notable collaborators Charles Goold and Spencer Zahn. There’s this magnificent alchemy between Christian’s expressive delivery and the meticulously arranged instrumentals that feels reminiscent of strolling through an enchanting forest — familiar yet brimming with surprises at every turn.

The theme revolving around embracing loneliness not merely as a state but almost like an old friend reflects in both the lyricism and melodies. It is this celebration that sets “Good Kind Of Lonely” apart. The message isn’t just sung; it’s felt — akin to rays breaking through after prolonged rain, urging listeners towards self-reflection and finding joy in their own company.

Solitude's New Sound: Darius Christian's “Good Kind of Lonely”
Solitude’s New Sound: Darius Christian’s “Good Kind of Lonely”

Genre-wise, it intricately stitches together elements reminiscent of legends from Stevie Wonder to Prince while uniquely anchoring itself in today’s sonic landscape. The production swirls around you — sometimes you’re caught up in its funk-infused basslines only to be seamlessly transitioned into tender poppy bridges followed by soulful choruses that catch your breath.

What makes “Good Kind Of Lonely” even more intriguing is its anticipation-building role ahead of Darius Christian’s highly awaited album expected this spring. Given how tours alongside global icons have polished his artistry; it shines through gloriously here—not just in vocal prowess or songwriting finesse but also imbuing fresh sounds with profound introspection.

Solitude's New Sound: Darius Christian's “Good Kind of Lonely”
Solitude’s New Sound: Darius Christian’s “Good Kind of Lonely”

Listening to this single draws vivid imagery: sitting back on late nights staring at twinkling stars skyward or quiet mornings wrapped under warm sunlight—instances when one finds solace within oneself amusedly realising being alone doesn’t equate to loneliness.

For veterans yearning nostalgic rhythms laced with modern twists or newcomers seeking refreshingly sincere music—that dives deep without losing sight(sounds)of playfulness—”Good Kind Of Lonely” beckons you home: A heartwarming blend where relaxing meets revelatory in Darius Chrisitan’s soul-stirring serenade encapsulating resilience within reveries inviting us all gracefully into his upcoming musical odyssey.

Follow Darius Christian on Facebook.

Rene Russell’s Ethereal Quest: Unlocking “The Key”

Rene Russell's Ethereal Quest: Unlocking “The Key”
Rene Russell's Ethereal Quest: Unlocking “The Key”

In an era where music often chases trends rather than heartfelt expression, Rene Russell and her latest single “The Key” emerge as a refreshing departure, weaving tales of time, love, and life’s serpentine journey into an auditory tapestry that defies easy categorization. Inspired by a dream about dolphins—a motif that beautifully encapsulates the song’s ethereal quest for meaning—”The Key” stands out not just for its narrative depth but also for its sonic landscape.

At the heart of this soul-searching expedition is Russell’s signature percussive finger-picking on a Taylor 12-string guitar. This technique, marrying the grit of Americana-Rock with undertones of Blues, Bluegrass, and even a tantalizing hint of Reggae rhythmics, creates an intricate musical backdrop that feels both expansive and intimately detailed. It’s akin to finding oneself wandering in vast open fields under twilight skies — there’s a sense of infinity yet at every corner turn; personal revelations spark aflame.

Rene Russell's Ethereal Quest: Unlocking “The Key”
Rene Russell’s Ethereal Quest: Unlocking “The Key”

Listeners familiar with Rene Russell from her days leading Rene Russell and the Bottom End will recognize her knack for fusing diverse American music traditions into something genuinely unique—a skill she hones further in “The Key.” Yet despite drawing on such rich veins of genre tradition, one cannot help but be struck by how wonderfully current—urgent even—the track feels. The thematic focus on navigating life with love as our compass speaks volumes in these tumultuous times.

“The Key,” heralding upcoming offerings from Russell—including collaborations within ‘The HiHearts’ trio featuring Bridget Gossett and Heidi Holton—promises not only more engaging narratives woven through strings but also suggests potential avenues for exploring more profound ecological themes (“Stand (for the Ocean)”). It hints at evolution while staying rooted firmly within realms easy enough to immerse oneself comfortably without feeling lost at sea.

Rene Russell's Ethereal Quest: Unlocking “The Key”
Rene Russell’s Ethereal Quest: Unlocking “The Key”

Whether you’re drawn to it by its subtle genre-blending audacity or the hauntingly beautiful premise inspired by marine dreams doesn’t matter. In “The Key,” listeners are invited to partake in an introspective sojourn across heartstrings strummed beneath starlit musings—a journey emblematic of Rene Russell’s masterful melding of message-driven acoustic finesse with storytelling prowess.

More than merely another entry into her already eclectic catalog or a precursor to anticipated releases later this year into next—with “The HiHearts”, notably—”The Key” shapes itself as both portal and path: unlocking doors unopened within souls longing for connection amidst life’s bewildering landscapes. Easy listening it may claim to be—but safe venture far beyond those confines it does indeed; evoking deeper reflections typically reserved for those brave enough to question where truly lies ‘the key’.

Follow Rene Russell on Website, Facebook, Twitter, YouTube, Instagram, TikTok and SongKick.

The Cinematic Soundscape of Parker Kay’s “The Grey”

The Cinematic Soundscape of Parker Kay's "The Grey"
The Cinematic Soundscape of Parker Kay's "The Grey"

Parker Kay’s single “The Grey” is a compelling narrative of emotional tumult wrapped in a production that hits as hard as its message. The track, emerging from the shadows of Parker’s experiences and inspirations — think Childish Gambino’s astute reflection muddled with Frank Ocean’s poignant vulnerability, seasoned with dashes reminiscent of Stevie Wonder and BROCKHAMPTON for good measure — is an evocative journey through the throes of a fraught situationship laden with toxicity, confusion, frustration, and betrayal.

Kay leverages his stint on notable platforms like *The Next Star* in Canada to demonstrate his growth not just as a performer but as an artist poised at the precipice of something groundbreaking. As “The Grey” artfully disperses heavy bass beneath smooth production nuances — reflecting the oscillation between clarity and obfuscation prevalent in modern-day connections gone sour — listeners are invited into an almost cinematic experience underscored by lyrical depth.

The Cinematic Soundscape of Parker Kay's "The Grey"
The Cinematic Soundscape of Parker Kay’s “The Grey”

Drawing from personal darkness along with inspiration from a friend’s deeply emotive journal entries further injects authenticity into every chord struck on this track. It is here where Parker adeptly mirrors dualities: those glossy veneers masking deeper struggles within relationships mirrored by plush melodies enveloping dissonant thematic undercurrents.

Yet despite these allusions sprinkled within Parker Kay’s approach to songwriting and production alike, what sets “The Grey” apart isn’t merely its layered complexity or even its clinical unpacking of emotional disturbances—instead—it rests affectionately atop Kay’s ability to encapsulate universal feelings so discernibly individualistic too.

The Cinematic Soundscape of Parker Kay's "The Grey"
The Cinematic Soundscape of Parker Kay’s “The Grey”

With an upcoming debut EP looming tantalizingly over the horizon waiting patiently partway through 2024 (an extension apparently set out by “The Grey”), it signals burgeoning anticipation stretching beyond mere auditory satisfaction towards genuine connectivity replete with visceral understanding—a kind seldom encountered yet invariably cherished once found amidst soundwaves plentiful.

What shines resolutely within this masterful ensemble thus becomes not stark revelations nor demonstrative artistic references—it triumphs conversely within profound subtlety preserved; Illuminating hopes persistently harboured regardless of bestowed tribulations unravelled tenderly via music—that ultimate tether binding disparate hearts converging solemnly upon shared catharsis.

Follow Parker Kay on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Ramo Z’s Musical Plea: ‘THE HOLY LAND’ Bridges Cultures with Purpose

Ramo Z's Musical Plea: 'THE HOLY LAND' Bridges Cultures with Purpose
Ramo Z's Musical Plea: 'THE HOLY LAND' Bridges Cultures with Purpose

From the very first beat, Ramo Z’s “THE HOLY LAND” emerges as a powerful cry that transcends borders, merging past and present in an unyielding flow of consciousness. In this ambitious single, Ramo skillfully navigates the complexities of identity and homeland with a deftness that both captivates and educates.

What makes “THE HOLY LAND” particularly gripping is its foundation – a blend of traditional Arabic music samples, notably from Fairuz’s iconic “Ya Zahrat al-Mada’in,” with sharp-cut modern rap production. This harmonic convergence is not merely musical; it’s an audacious homage to heritage facing the relentless pace of change. It engages listeners in a narrative rooted deeply in personal strife while echoing universal quandaries about belonging, struggle, and resilience.

Ramo Z's Musical Plea: 'THE HOLY LAND' Bridges Cultures with Purpose
Ramo Z’s Musical Plea: ‘THE HOLY LAND’ Bridges Cultures with Purpose

Ramo Z doesn’t just perform; he implores. His verses intertwine tales of Palestinian-American life with broader themes on global empathy for Palestine’s plight. There’s a raw honesty here that resonates profoundly when framed by such complex beats and cultural depth. The song becomes less an act of entertainment than one of solidarity—an impassioned plea wrapped in exceptional artistry.

The decision to juxtapose traditional sounds against hip hop architecture could have been jarring but instead enriches both textures—infusing lifecycle into ancient chords while grounding hip-hop’s often volatile energy with solemn gravity. As much as this song stands tall on its rich lyrical content—and indeed Ramo wields words like finely honed weapons—it is elevated further by its sonic landscape: reverent yet driving forward relentlessly towards hope or perhaps defiance.

Despite encountering discouragement through social media challenges—a marked decrease in followers due to censorship—the spirit encapsulated within “THE HOLY LAND” rises supreme above any digital battlegrounds. Here lies proof that true artistry cannot be silenced; it only grows louder amidst attempts at suppression.

Ramo Z's Musical Plea: 'THE HOLY LAND' Bridges Cultures with Purpose
Ramo Z’s Musical Plea: ‘THE HOLY LAND’ Bridges Cultures with Purpose

It would be trite to simply categorize “THE HOLY LAND” as another addition to the archives of political messages within music history or liken Ramo Z too closely to other artists who have walked similar paths (think Lowkey or Immortal Technique). Certainly, connections exist—for all stem from deep wellsprings of discontent—but what sets this offering apart is how poignantly it captures the essence of transnational identity struggles against backdrop beats fit for mainstream appeal without sacrificing message for melody.

In doing so, Ramo achieves something remarkable: creating space where roots reach back through time even as voices stretch forward demanding recognition — blending cultures not out passion project necessity but inevitable evolution driven purposeful intentionality.”

Through every verse delivered and sample curated within “THE HOLY LAND,” we are reminded powerfully—music does more than connect us across diverse landscapes; it has unequivocal strength advocating transformative justice reverberating far beyond momentary listening experiences.

Follow Ramo Z on Twitter, Instagram, YouTube and TikTok.

Ghanaian Artiste NY Out With New Single “The Coziest”

Ghanaian Artiste NY Out With New Single "The Coziest"
Ghanaian Artiste NY Out With New Single "The Coziest"

“THE COZIEST ” invites listeners into a world of vibrant energy and confident swagger. The title suggests a sense of comfort and self-assurance, reflected in the artist’s portrayal of enjoying life’s nightlife with ease.

From fast-paced adventures to laid-back moments, the song captures the essence of living in the moment and embracing a carefree attitude.

With its catchy hooks and pulsating beats, “The Coziest” promises to transport listeners to a world of excitement and relaxation. Listen to it here

 

 

 

Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”

Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”
Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”

Emerging from the rich tapestry of the UK music scene, Starlight Alice debuts their single “I Swear to God (You’re Never Getting Out)”—a masterful blend of introspection and exuberance. Combining the talents of Jacob Browne and Luke Potter, both seasoned in their own rights through solo projects and songwriting for others, this dynamic duo dives into an ocean of emotions with a track that resonates deeply.

At its core, “I Swear to God…” explores the timeless struggle with inner demons—a theme as ancient as folklore yet as fresh as tomorrow’s sunrise. This anthem wraps itself around your thoughts like a vine, blending genres effortlessly. Imagine if Simon & Garfunkel took a road trip with The Lumineers, discussing personal battles over coffee; this would be playing on repeat in that car.

The folk foundation allows for storytelling depth while Americana adds texture—rustic yet refined—and pop elements inject an infectious energy that makes you want to stomp along. It becomes evident how each band member’s past endeavors have shaped this record: there’s wisdom interlaced with ambition.

Vocally, Browne and Potter harmonize not just musically but spiritually too; it’s anthemic male vocals that suggest unity against shared foes. Their melodies float above lush arrangements like autumn leaves carried by a brisk wind—analogies made all the more poignant considering both are adept at channeling emotion into lyrics.

Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”
Starlight Alice Debuts: “I Swear to God (You’re Never Getting Out)”

Sonically, it starts upbeat heralding an adventure but evolves into something more profound; a reminder that our battles may rage within but conquering them requires singing out loud sometimes unapologetically so.

“I Swear to God (You’re Never Getting Out)” isn’t merely heard; it is felt—a goosebump-inducing combination of melody and message commandeered by artists firing on all cylinders making sure their listeners do indeed ‘feel’ every note.

Comparisons aside though Starlight Alice have carved distinct initials into the oak tree of modern music with this offering. Where they go from here remains unseen but one thing is certain: we’re eager travelers willing followers ready for wherever their journey takes us.

Follow Starlight Alice from Instagram and TikTok.

Nick Cody’s ‘Nobody’s Baby Now’: A Folk Rock Serenade

Nick Cody's 'Nobody's Baby Now': A Folk Rock Serenade
Nick Cody's 'Nobody's Baby Now': A Folk Rock Serenade

In the single “Nobody’s Baby Now” from their upcoming collection, “Covering these Tracks Volume II,” Nick Cody And The Heartache have distilled a potion of serenity and yearning that courses through the veins of folk rock with an Americana spirit. This tranquil track serves as both an introduction to the band’s unique charm and a precursor to their much-anticipated album set for release on April 26th, 2024.

The ensemble, featuring talents like Towse, Corwin Zekley, and Harry Orme, crafts a sound that is simultaneously comforting and complex. Their ability to weave calmness into brilliant melodies showcases not just technical proficiency but also deep emotional intelligence. With male vocals guiding us through each verse, there’s something hauntingly familiar yet refreshingly new about this number.

Musically speaking, “Nobody’s Baby Now” nestles comfortably in the realm of alt-folk rock and Americana, but its reach extends far beyond genre confines. It echoes whispers of Bob Dylan’s poise combined with Fleet Foxes’ melodic sophistication—yet it stands independently proud because of its unique narrative voice.

Nick Cody's 'Nobody's Baby Now': A Folk Rock Serenade
Nick Cody’s ‘Nobody’s Baby Now’: A Folk Rock Serenade

Themes explored within the song delve into feelings of loss, longing, and perhaps the complexities of relationships. Lyrics flow like poetic musings set against a backdrop so lush one can almost feel himself enveloped within its calm embrace—a testament to what modern folk-influenced music can achieve when executed flawlessly.

Featured in Rock & Reel magazine’s Un-Herd CD this January issue underscores how Nick Cody And The Heartache aren’t merely creating songs; they’re sculpting experiences meant for easy listening yet ripe with layers waiting to be peeled back by eager ears.

As we anticipate “Covering these Tracks Volume II,” it becomes clear: “Nobody’s Baby Now” isn’t just another track—it’s an earnest offering from a group unafraid to bare soul through strums and hums—a prelude whispering promises of more brilliance ahead. Whether you’re seeking solace or simply appreciate well-crafted stories set to tune this single beckons you into Nick Cody And The Heartache’s embracing sound garden where every listener feels right at home among tales spun under starlit skies.

Follow Nick Cody on Website, Facebook, Twitter and YouTube.

Confessions in Melody: Prince Of Sweden’s “The Elephant in the Room”

Confessions in Melody: Prince Of Sweden's “The Elephant in the Room”
Confessions in Melody: Prince Of Sweden's “The Elephant in the Room”

In the realm of deeply introspective and emotive music, Prince Of Sweden’s latest single, “The Elephant in the Room,” treads softly yet leaves indelible footprints on the heart. It’s a masterful blend of indie rock finesse and soft rock accessibility that invites listeners into a space of vulnerability seldom visited with such grace and care.

From its first gentle strum, the song wraps you in an intimate soundscape akin to being cloaked in twilight’s last glimmer. The guitar work is nothing short of captivating—a meticulous dance between lightness and depth, painting strokes broad enough for all to find solace within while maintaining an intricate detailing that keeps you coming back for nuances previously unnoticed.

Prince Of Sweden’s voice carries weight—the kind earned through lived experiences—turning each verse into confessions or perhaps conversations meant only for those moments when we’re truly alone with ourselves. His baritone, reminiscent at times of Eddie Vedder’s earnest crooning or David Bowie’s chameleonic storytelling, becomes a vessel for exploring themes not just sung about but felt: renewal amidst reflection; strength found within acknowledgment of one’s vulnerabilities.

“The Elephant in the Room” doesn’t shy away from making listeners feel exposed; instead, it delicately peels away layers revealing both the beauty and pain inherent in introspection. There’s something undeniably brave about how Prince Of Sweden navigates this emotional tightrope—not as a spectacle but rather as shared human condition deserving empathy rather than judgment.

Confessions in Melody: Prince Of Sweden's “The Elephant in the Room”
Confessions in Melody: Prince Of Sweden’s “The Elephant in the Room”

Musically speaking, comparisons might draw lines toward Jeff Buckley’s ability to make his guitar speak as profoundly as his lyrics or Damien Rice’s flair for turning simplicity into euphoria. Yet what sets Prince Of Sweden apart is how effortlessly he interweaves those influences into something uniquely pertinent—a modern anthem for self-reflection hidden beneath feather-light melodies carrying heavyweight emotions.

“The Elephant in the Room” serves not merely as music but more so an invitation: To confront our own elephants lying dormant inside rooms built from avoidance or fear. Through this track’s compelling narrative wrapped around equally immersive instrumentals, Prince Of Sweden holds up sonic prisms reflecting parts of us unseen except through melody-driven clarity—a feat positively few accomplish with such genuine artistry.

This song isn’t just heard; it resounds within empty chambers we’ve all forgotten—or chosen—to ignore bringing warmth where there was once voidness. In essence “The Elephant in The Room” vibrates not just across airwaves but through very fabrics comprising humanness demanding attention yet offering comfort simultaneously – A paradox only true artists can weave together seamlessly.

Follow Prince Of Sweden on Website, Facebook, YouTube and Instagram.

Mēl Makes Artiste Debut With Single “Siren’s Call”

Mēl Makes Artiste Debut With Single “Siren's Call”
Mēl Makes Artiste Debut With Single “Siren's Call”

Fast-rising producer, sound engineer, and instrumentalist Mēl just released her debut single, “Siren’s Call” on the 15th of February, 2024. It features the phenomenal Ria Boss and the sensational Darkua delivering an Afro-Soul vocal performance carrying fierce and piercing lyrics.

“Created by women and for women”, the alternative R&B song speaks on issues of abuse and oppression in a patriarchal world. At its surface, it’s about women getting their lick back from men who have done them wrong. In its entirety however, the song is a celebration of women supporting women—standing together, having each other’s backs, and taking charge of our destinies.

“Siren’s Call” is the first single off of Mēl’s upcoming tape set to be released in March in celebration of International Women’s Month. This is the first taste of amazing collaborations from women in music and arts in Ghana.  

Stream “Siren’s Call” out now on all digital streaming platforms here

Aoun Unveils Heartfelt Journey in “Smoker’s Cough (Afterword)”

Aoun Unveils Heartfelt Journey in "Smoker’s Cough (Afterword)"
Aoun Unveils Heartfelt Journey in "Smoker’s Cough (Afterword)"

In an era where the lines between music genres blur more with each passing day, Aoun’s latest single “Smoker’s Cough (Afterword)” emerges as a beacon of pure, unadulterated emotion. This track is not just a song; it’s a journey through the rugged terrain of past relationships and the solitude that often follows their demise. Through its folk roots, “Smoker’s Cough (Afterword)” captures something timeless—a feeling as old as heartbreak itself but dressed in contemporary clothing.

The song relies on acoustic elements to set its tone: each strum resonating like ripples across the quiet surface of a lake at dusk. The simplicity of this arrangement ensures that nothing detracts from Aoun’s raw vocal delivery—his voice carrying both strength and fragility, much like paper lanterns floating into the night sky. It’s in this delicate balance that we find ourselves completely engulfed by his reflections on loneliness and lost love.

“Smoker’s Cough (Afterword)”, performed live without backing band support, evokes images reminiscent of dimly lit coffee shops where poets bare their souls to small crowds hungry for authenticity. This choice to go solo enhances the vulnerability and honesty of his message—a gamble that pays off beautifully by creating an intimate connection with listeners as if conversing directly with them.

As we learn this single serves as the conclusive chapter to an upcoming album structured akin to a novel or storybook—tracing a narrative arc over a year spent with a lover—the choice of wrapping up such an emotional odyssey unplugged gains even deeper significance. One can only imagine how narratively rich and musically varied this album will be if “Smoker’s Cough” serves as its epilogue.

Aoun Unveils Heartfelt Journey in "Smoker’s Cough (Afterword)"
Aoun Unveils Heartfelt Journey in “Smoker’s Cough (Afterword)”

Comparisons might be drawn to artists such as Bon Iver for the emotional depth or Nick Drake for his acute sense for folk storytelling; yet Aoun carves out his distinct niche within these influences—a storyteller not merely content retelling experiences but instead inviting us on auditory expeditions through landscapes paved with memories both bitter and sweet.

For those attuned to music’s powers—one moment serving as comfort food for our soul-eating moments while doubling art therapy next—”Smoker’s Cough (Afterword)” offers solace in knowing you’re neither alone in your feelings nor unique in your suffering. Therein lies its beauty; it binds us together under shared skies whispering confessions carried away by winds towards hopeful tomorrows.

Anticipation now builds not just for what stories lie ahead but also how they’ll be told musically when Aoun unveils his full record—an ambitious undertaking promising narratives woven seamlessly amongst melodies guaranteed captivate hearts open enough listen genuinely truly hear.

Follow Aoun on Instagram and TikTok.

Breaking Barriers: Braska’s “I Can’t” Redefines Pop Resistance

Breaking Barriers: Braska's “I Can't” Redefines Pop Resistance
Breaking Barriers: Braska's “I Can't” Redefines Pop Resistance

In a world rife with easy beats and simpler narratives, “I Can’t” by the Italian virtuoso Braska emerges as a beacon of resilience and authenticity. This single, ripe with Braska’s wonderful female vocals that hum with the gravity of Florence Welch yet dance with the lightness of Robyn, is not just a song—it’s an anthem.

Produced by LoZar—the steady hand behind Braska’s expanding sonic universe—”I Can’t” drives forward with an undeniably pop sensibility but eschews the genre’s oft surface-level engagement for deeper waters. Herein lies its magic: merging mainstream appeal with heartfelt messages about strength amidst societal and personal injustice. The production marries sweeping synths to robust percussions, creating a soundscape vast enough for Braska’s voice to soar high on her declarations of continuous fight against adversity.

The theme rings clear—resistance in motion; it serves as both dedication and rallying cry for those who’ve ever felt their backs against the wall due to prejudice or pressure to conform. Drawing lines from her previous works featured on Rai Sport —”Tu Mi Hai Visto Così” and “Questo Mare”—it’s evident how much authenticity pulsates through everything Braska touches; these singles having laid down early markers of her commitment to unadulterated expressions. And yes, while they showed promise, “I Can’t” cements that potential into something palpable—a meteoric rise in both message delivery and musicality.

Breaking Barriers: Braska's “I Can't” Redefines Pop Resistance
Breaking Barriers: Braska’s “I Can’t” Redefines Pop Resistance

Sitting comfortably at 25 years old, this singer-songwriter from La Spezia isn’t just making music; she’s sculpting her narrative directly into Italy’s pop culture consciousness without sacrificing integrity for mass appeal—an act itself resembling resistance. It reflects an understanding that sometimes you can’t stop—not because you lack the desire but because your convictions leave no room for retreat or silence in face of wrongs.

Drawing connections would perhaps undersell what Braska is achieving here; however fans of strong evocative voices like Sia or empowerment anthems à la Lady Gaga might find themselves right at home within “I Can’t”. Yet comparisons aside, there exists immense value in allowing “I Can’t” its distinct space—a carved niche reminding us all why stopping isn’t always an option when facing injustices.

Indeed, if this release sends any message loud and clear across the echoes of modern Pop corridors: it is that silence remains complicit—and at least according to Braska–that simply can’t continue.

Follow Braska on YouTube, Instagram and TikTok.

Exploring Intimacy: The Velvet Tones of ‘Your Body’ by Ooma

Exploring Intimacy: The Velvet Tones of 'Your Body' by Ooma
Exploring Intimacy: The Velvet Tones of 'Your Body' by Ooma

In the ethereal ambiance of their latest release, “Your Body,” Ooma transports listeners to a place where genres intertwine like lovers, and melodies flow as freely as whispers between soulmates. This single acts not only as a showcase for Ooma’s uniquely blended sound but also as a love letter to the twin muses of creativity and passion.

“Your Body” is an exploration led by Tansy Greenlee’s velvet-toned vocalsᅳan intimate journey through dreamlike passages that beckon with the warmth of a lover’s embrace. The synergy between Nicolas Bauer (bass), Florian Berret (keyboards), Hélios Mikhaïl (drums), and Greenlee is palpable, crafting an experience that feels at once personal and universally relatable. Their music navigates through themes of love and intimacy with ease, evoking images of dimly lit rooms where time seems to stand still amidst soft laughter and shared secrets.

Exploring Intimacy: The Velvet Tones of 'Your Body' by Ooma
Exploring Intimacy: The Velvet Tones of ‘Your Body’ by Ooma

The track stands confidently on the crossroads of soul, jazz, and trip-hopᅳa testament to Ooma’s ability to meld these genres into something both familiar yet distinctly innovative. It echoes influences from Massive Attack’s seminal trip-hop atmospheres to Amy Winehouse’s raw emotional delivery in modern jazz while leaving its own indelible mark within this illustrious lineage.

What sets “Your Body” apart isn’t just its seamless genre-blending or even its lyrical depth; it’s the effortless improvisation that breathes life into every note. Each instrument converses fluently with one anotherᅳBauer’s bass providing sultry grooves against Berret’s keys cascading around Mikhail’s rhythmic heartbeatsᅳall serving as foundation for Greenlee’s soul-stirring performance.

Exploring Intimacy: The Velvet Tones of 'Your Body' by Ooma
Exploring Intimacy: The Velvet Tones of ‘Your Body’ by Ooma

Their reputation for emotive live shows precedes them, drawing well-earned praise across Parisian venues for energy-infused performances that captivate. Yet listening to “Your Body,” you might find yourself wrapped in such a cocoon of relaxation that it blurs lines between being audience member or partaker in this intimate musical dialog.

Ooma has carefully crafted an offering tailored not just towards fans but potential converts who believe there are no new territories left uncharted in music today. “Your Body” is proof-positive: here lies innovation nestled within comfort; familiarity dressed up anew; relaxation entwined firmly with exhilarationᅳit commands attention without raising its voice.

Engaging from beginning till endᅳ”Your Body” by Ooma redefines what we’ve grown accustomed from hybrid-genre musicianship proving once again why they’re one act whose progress deserves rapt attentiveness whether under faint stage lights or through headphones bathed in moonlight.

Follow Ooma on YouTube and Instagram.

Acoustic Alchemy: “Kings & Queens” by Chelsy Kaze

Acoustic Alchemy: "Kings & Queens" by Chelsy Kaze
Acoustic Alchemy: "Kings & Queens" by Chelsy Kaze

Diving headfirst into the acoustic embrace of “Kings & Queens” by Chelsy Kaze and her talented ensemble feels like discovering an untouched wellspring of emotive depth. This single, embellished with nuanced strings and harmonies that could only come from souls steeped in camaraderie, achieves what many seek but few find: a sonorous echo of ancient connections wrapped in the comforting cloak of folk-pop serenity.

This band’s origin story is as organic as their sound; born not out of industry machinations but from genuine friendship and shared musical journeys during quiet, introspective jams on lazy afternoons. “Kings & Queens,” a narrative rich with themes of eternal bonds and soulful reunions across lifetimes, is clearly the fruit of deeply intertwined artistic visions—Chelsy’s voice serving as both compass and beacon through this exploration.

Acoustic Alchemy: "Kings & Queens" by Chelsy Kaze
Acoustic Alchemy: “Kings & Queens” by Chelsy Kaze

With Chelsy’s vocals articulating longing’s delicate ballet alongside Wesley Graham’s electric guitar narratives, Kaylin Cushenan’s vocal resonances providing support without overshadowing, topped with the emotional punctuation marks drawn by Peggy Lee’s cello—their collective effort crafts a soundscape where every note seems to breathe life into age-old stories waiting patiently to be told.

The essence captured within “Kings & Queens” transcends mere musical composition; it delves instead into profound meditations on love’s timelessness—the kind that inspires folklore yet remains palpably real. Here begins our journey through this auditory tapestry woven by artists who convey more than just melodies—they extend an invitation into realms where music meets myth.

Follow Chelsy Kaze on Instagram.

Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”

Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”

Sis PS’s “I Am Done (Remix)” doesn’t so much arrive as it bursts through, a brilliant blaze of heart-driven pop and electrifying dance music that refuses to be ignored. From the depths of Germany’s vibrant music scene emerges a track that feels like both an arrival and a departure – a sonic pivot point for an artist who has traversed from rock band collaboration to striking out solo with undeniable confidence. This is where Sis PS stands now, solo for about 1.5 years but riding on waves shaped by diverse influences, from pop to EDM.

At first glance, one might think they know what to expect from this genre fusion – lively beats meant simply for dancing away concerns. And yet, “I Am Done (Remix)” dives deeper. It’s anthemic in every sense of the word but interwoven with messages of reinvention and resilience against life’s low tides.

With her roots previously planted in rock bands before blossoming into her current incarnation as a singer/songwriter & producer focusing on genres spanning across Pop to EDM, Sis PS illustrates her journey towards self-discovery and empowerment through compelling female vocals layered beautifully atop upbeat dance rhythms; transforming personal revelations into universal truths.

Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”

The song speaks volumes about breaking free from negative influences—themes that echo louder amidst its robust production quality that straddles commercial appeal without ever slipping into generic territory—a testament to Sis PS’s capabilities not just behind the mic but behind the decks too.

What sets this remix apart is how it manages to capture and convey emotions akin to looking forward after tumultuous times — all while making listeners want to move instinctively along with its beat. Its style nods subtly towards established Singer/Songwriter Pop artists while infusing elements reminiscent of mainstream Dance hits – think lush synthesized landscapes paired with poignant lyrics delivered powerfully enough to stir echos within their listener’s hearts.

Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”
Sis PS: Rock Roots to Pop EDM in “I Am Done (Remix)”

Her transition over roughly 1.5 years from group projects back towards independence underscores “I Am Done (Remix)” not only as growth musically but personally too; hence why there remains something raw beneath its polished exterior—ensuring connectivity beyond mere auditory appreciation.

Listening through “I Am Done (Remix),” one can’t help drawing parallels between the infectious energy driving Scandinavian pop artists or even hints at EDM powerhouses’ boldness —yet neatly wrapped in Sis PS’s soul-stirring narrative; Painting vivid stories against vast electronic canvases making each listen feel intimately epic.

In essence, hearing “I Am Done (Remix)” isn’t just experiencing another single—it’s witnessing musical alchemy where heartache redirects toward hopefulness under Sis PS’s deft craftsmanship—an exhilarating peek into what lies ahead for this talented German artist.

Follow Sis PS on YouTube, Instagram, Facebook, and TikTok.

Cristina Movileanu: Crafting Connection with “Heaven’s Blend”

Cristina Movileanu: Crafting Connection with “Heaven's Blend”
Cristina Movileanu: Crafting Connection with “Heaven's Blend”

In the sea of 21st-century music, where sonic waves often crash into one another in a cacophony of genres and styles struggling to stand out, Cristina Movileanu’s single “Heaven’s Blend” emerges as an isle of serenity. This musical piece stands testament not just to Movileanu’s artistic prowess but also showcases the beauty that blooms from collaboration—with fans and seasoned professionals alike.

The track eloquently explores themes of solitude, faith, and celestial connection through its soulful melody—a reminder that in moments of isolation there lies a bridge to the divine. Cristina’s voice serves as this very bridge; it’s both otherworldly yet profoundly human, capable of carrying the weighty emotions encapsulated within her poetic songwriting without faltering.

From a production standpoint, Musiversal’s expertise shines brightly. The decision to incorporate Mike Fonte on mandandolin & guitar ; João Paulo Drumond on percussion; Bruno Migliari on bass crafts an intricate yet unobtrusive backdrop for Cristina’s vocals to soar. Pedro Araújo arrangement ensures each note and beat holds meaning—there are no gratuitous elements here; everything serves the greater purpose of enriching “Heaven’s Blend”.

Cristina Movileanu: Crafting Connection with “Heaven's Blend”
Cristina Movileanu: Crafting Connection with “Heaven’s Blend”

The mixing and mastering by Bruce Allen alongside collaborative touches from Marjo Gómez forge an atmosphere so welcoming you’d think the music itself extends a hand invitingly towards you. And let us not forget about Cristina herself taking charge with the artwork design—a visual symbiosis with its auditory counterpart providing listeners not merely songs but experiences.

Drawing parallels isn’t straightforward when considering “Heaven’s Blend”; it exists within its sphere. Yes, aficionados might discern hints reminiscent of Tracy Chapman or perhaps Norah Jones in their more introspective works—yet comparing does little justice here. Cristina finds companionship amid echoes past and refrains familiar while walking resolutely down a path she paves herself.

This easy-listening record invites individuals across spectra—from those seeking solace after long days or anyone inclined toward ruminating under starry-night canvases about connections beyond our earthly realm.

With “Heaven’s Blend”, we’re reminded that true artistry dwells in creating spaces for listeners’ thoughts and feelings to unfurl naturally—like clouds parting after rain revealing hints at some infinite yonder—and therein lays its power: transporting us momentarily away from tumultuous seas below onto ethereal realms above matching neither geography nor time but simply existing somewhere between heartbeat skips during profound silence enveloping souls entwined through melodies binding terra firma et celestia together peacefully if only temporarily…

Follow Cristina Movileanu on Website, Facebook, YouTube, Instagram and TikTok.

Danielle Bloom’s “Start a Revolution”: An Anthem for Change

Danielle Bloom's “Start a Revolution”: An Anthem for Change
Danielle Bloom's “Start a Revolution”: An Anthem for Change

“Start a Revolution,” the latest thunderous offering from Danielle Bloom and her formidable band comprised of Shane Lamb wielding his guitar like a battle axe, Dan Douchette punishing the drums with righteous fury, and Tommy McDonald laying down bass lines that rattle the soul, is a roaring anthem for change that refuses to go unnoticed.

Recorded in Nashville’s “The Insanery” studio under the meticulous ear of producer Casey Wood and borne from the collective genius of Bloom, Aaron Julison, and Lamb themselves, this single erupts into existence with an electrifying blend of raw energy and polished rock prowess. It’s as if Joan Jett’s rebellious spirit was cross-pollinated with Heart’s melodic sensibilities then dipped in contemporary grit — versatile yet unmistakably rock.

What sets “Start a Revolution” apart is not just its compelling execution but its throbbing heart. Celebrating individuality while calling for empowerment paints every note Bloom belts out. Her strong female vocals do more than just soar; they dive deep into your chest, stirring a primal urge to stand up against conformity. This isn’t merely music; it’s an awakening—a clarion call wrapped in electric chords that light up shadows lingering over personal freedoms.

Danielle Bloom's “Start a Revolution”: An Anthem for Change
Danielle Bloom’s “Start a Revolution”: An Anthem for Change

Throughout this volcanic track lies skilled artistry; Shane Lamb delivers riff after searing riff that could easily be seen battling among legends in rock Valhalla. Douchette’s drum work builds tension before exploding like cannon fire while McDonald ensures each moment is grounded by pulsating rhythms you feel instead of hearing—a foundation upon which revolutions are built.

Yet amidst all its powerhouse display lies beautiful unity within diversity—each band member shines individually without overshadowing one another—much like how “Start A Revolution” calls listeners to shine their unique lights brighter together rather than apart.

Drawing parallels might be tempting—to say it reminds us faintly of when Fleetwood Mac met edge or Guns N’ Roses dared soften—but what Danielle Bloom offers here defies simple comparison. She weaves nostalgia with novelty so seamlessly you’re left reveling not solely on influences past but looking forward to where she’ll lead next on this revolutionary path she carves musically.

In essence, “Start A Revolution” doesn’t just pulse with anthemic potency or showcase technical finesse—it vibrates intensely on emotional wavelengths too often forgotten in mainstream waves—a reminder why music can sometimes be our biggest catalyst for change.

Follow Danielle Bloom on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Lucid Evolution’s ‘Water!’: A New Psychedelic Rock Anthem

Lucid Evolution's 'Water!': A New Psychedelic Rock Anthem
Lucid Evolution's 'Water!': A New Psychedelic Rock Anthem

“Water!” by Lucid Evolution crashes onto the music scene with an impact that ripples through your senses, marrying classic rock’s soulful legacy with the expansive realms of psychedelic soundscapes. At its core, this single is a deep dive into emotional and auditory exploration, showcasing how tranquility and power can coexist within the same sonic space.

The track unfurls with female vocals that are nothing short of captivating—a beacon guiding us through the swirling mists of sound. It’s as if these vocals have harnessed the raw energy of nature itself, channeling it into waves of melody that ebb and flow throughout the piece. This is where “Water!” distinguishes itself; in its ability to conjure vivid imagery and evoke emotions as varied and vast as the ocean.

Listeners familiar with Lucid Evolution’s body of work will recognize their signature cocktail—psychedelic nuances faithfully interwoven with a robust sonic architecture that has anchored their reputation in Richmond, VA’s dynamic music landscape. Yet, “Water!” feels like a step further into uncharted territories. Drawing from classic rock’s reservoir while infusing elements that transcend traditional genre definitions reveals not only artistic growth but also unrivaled audacity.

Where one might expect nostalgia from such an ensemble renowned for blending classical influences with contemporary flair, there exists instead innovation. The track manages to resonate on frequencies both retrograde and undiscovered—an enthralling experience akin to flipping through time-worn pages whilst penning new chapters simultaneously.

Lucid Evolution's 'Water!': A New Psychedelic Rock Anthem
Lucid Evolution’s ‘Water!’: A New Psychedelic Rock Anthem

Instrumentally speaking, “Water!” cascades over listeners like waves crashing against rocky shores—each chord strikingly deliberate yet effortlessly fluid. The juxtaposition between celestial serenity atop tumultuous undercurrents doesn’t just speak; it sings volumes about life’s inherent contradictions—the calm before storms or strength found amid vulnerability.

Perhaps what is most impressive about “Water!” is not solely its deft synthesis of genres but rather how it embodies emotionality so wholly you can’t help but be swept away into introspective tides reminiscent yet refreshingly novel.

Comparative nods could be tipped towards legends across eras—from Jefferson Airplane to modern psychedelics explorers like MGMT—but such comparisons merely scratch at “Water!’s” surface brilliance: Its true potency lies in immersing listeners in experiential deluges where past influences ripple beneath innovative currents.

Beyond offering up another hit song ripe for critical acclaim or passionate fanbase adulation, “Water!” symbolizes Lucid Evolution’s radiant journey—they chart courses beyond mere musicality into visceral realms echoing human experiences at sea amidst soundscape expanses.

With ”Water!,” we’re reminded why venturing beneath surfaces uncovers depths otherwise unseen: Herein lays an abstracted mirror reflecting our intrinsic oscillations between peace and upheaval—musically encapsulated by a band capable not only traversing these depths but thriving within them.

Follow Lucid Evolution on Website, Facebook, twitter, YouTube and Instagram.

 

From Dreams to Tunes: A Chat with IN Kelly And His Latest Single

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From Dreams to Tunes: A Chat with IN Kelly And His Latest Single

So today, we are getting close and personal with KELLY, a mastermind of the dreamy indie pop/rock vibes you can’t get enough of.

I mean, that’s the guy whose music career is coming true, one catchy song at after the other. But how did he think of that stage name actually? A name that Norwegian people find difficult to pronounce, he chose Kelly as it is easy to say. Put a little “IN” for international touch, and there was IN Kelly.

Where does the inspiration of IN Kelly come from? Amazingly, much of it derives from those brief seconds before he drifts off to sleep. Yes, you got it correctly. His musical ideas like playing peakaboo just before he goes to bed. A creative alarm clock is to talk about!

IN Kelly has always had a big interest in music. From listening to the tunes of his older brother to getting chilled while hearing Pink Floyd’s scary sounds, he’s been going through melodies since day one. Together with a family of musicians and artists, creativity might be in his blood.

However, music is not the only thing that IN Kelly focuses on—it’s the stories he portrays through his songs. With a lot of inspiration from The Smiths, The Cure, and The Strokes, he easily spins poetic short stories that will get hold of your heart.

Ahead of his solo debut album “Sleepwalker,” K. Kelly isn’t just about creating music but making connections as well. As he plucks his guitar strings or writes songs, he is inviting you onto a voyage where dreams become reality and music soars.

Follow IN Kelly on

Facebook

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Tiktok

Watch Sleepwalker here

 

What is your stage name?
IN Kelly.

Is there a story behind your stage name?
Dreaming of becoming a professional musician in my youth, I thought my Norwegian name was too hard to pronounce outside of Norway. I therefore took the name Kelly, as it has the same first letter as my real name. As a lot of artists have the same name, I’m adding IN to it, as it is my International Name.

Where do you find inspiration?
Mostly from dreaming and daydreaming. I often get musical ideas right before falling asleep, and I have to choose between prioritizing sleep or getting the idea in some form on a recorder.

What was the role of music in the early years of your life?
Listening to music was a big part of my childhood, and I would mostly listen to what my older brother was listening to at the time. I have fond memories of my father playing Tom Waits records in the car, and I found the opening track on Pink Floyd’s Dark Side of the Moon a bit scary.

Are you from a musical or artistic family?
Yes, most of my family on both my mother and father’s side play at least one instrument and are above average interested in music, and some are also into film and painting.

Who inspired you to be a part of the music industry?
In my early youth, bands like Oasis made me want to live a life as a musician. But later I understood that this wasn’t the life I wanted, and I don’t consider myself to be part of the music industry. I make music that I want people to hear, but I feel free in making what I want outside of the industry part.

How did you learn to sing/write/to play?
I got my first guitar for Christmas when I was thirteen years old. At the time I was a huge fan of bands like Oasis, and I discovered that I could find guitar chords for all of their songs on the internet. I taught myself to play that way, I never had a teacher. Then I started to only play and sing songs I wrote myself, sometimes discovering guitar chords I wasn’t sure were “real chords”.

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I got my first guitar for Christmas when I was thirteen years old. At the time I was a huge fan of bands like Oasis

What was the first concert that you ever went to and who did you see perform?
The first big concert I attended I think was Bon Jovi in Oslo in 1993 – when I was nine years old. I went with my mother and brother.

How could you describe your music?
I would describe it as dreamy melodic indie pop/rock with post-punk influences.

Describe your creative process.
When we make music as a band, we jam together and I add melodies and lyrics. As a solo artist, I create melodies on an acoustic guitar before writing the lyrics. Then I experiment with other instruments before I let my subconscious work for a while, letting additional ideas come spontaneously.

What is your main inspiration?
Inspiration naturally comes from other bands and musicians I listen to or listened to growing up, like The Smiths, The Cure, The Strokes, Nick Cave and Patrick Duff. Influences that may not be as obvious are Sonic Youth and Pixies, and I can also be inspired by newer music like Wolf Alice and Diiv.

What musician do you admire most and why?
Maybe Björk, for not being or sounding like anyone else.

Did your style evolve since the beginning of your career?
I definitely hope so, as I started writing songs when I was thirteen. I like to always try new things, experiment with styles and structure. There are a lot more synth sounds on my solo album compared to the songs in my band Bravo Papa.

Who do you see as your main competitor?
I don’t think I compete with anybody. I don’t know what I would compete over.

What are your interests outside of music?
Psychology, watching movies, reading.

If it wasn’t a music career, what would you be doing?
I would be a psychologist.

What is the biggest problem you have encountered in the journey of music?
Getting the music heard.

If you could change one thing in the music industry, what would it be?
I’m not sure if I understand how the music industry works today. As an example, I was suddenly notified that an old track of ours from 2014 had gained more than 60.000 streams on Tiktok. When I looked into it, someone had used our song over a picture of a father putting his “oppositional son in the trunk”, with the message “Bravo Papa” – the name of our band. If that’s in any way representative for how you can get your music heard today, I have to say I feel a bit nostalgic.

Why did you choose this as the title of this project?
The “Sleepwalker” is one of the characters in the song. My partner has compared my songs to dreamy short stories, and this song is no exception. It’s about a kind of relationship one can be nostalgic about, but that could only exist at a certain point in time.

What are your plans for the coming months?
‘Sleepwalker’ is the first single from my upcoming solo album, which I am looking forward to releasing very soon.

Do you have any artistic collaboration plans
Not any concrete plans, but I am looking forward to creating music with Bravo Papa again.

What message would you like to give to your fans?
Enjoy the process!

Getting Real: A Chat with The Listros about ‘Hands Against The Wall’

Getting Real: A Chat with The Listros about 'Hands Against The Wall'

The Listros are a rock band fronted by the brothers Sean and Evan, and their latest song, “Hands Against The Wall,” has been creating quite a stir. This song came out on February 9, 2024, and people just cannot stop talking about it.

“Hands Against The Wall” is not any regular song, it’s a deep look into the muddy waters of toxic relationships. I mean, those times when want and addiction get all muddled up, then you are like drowning in a circle. Yes, this is what this song is actually about.

From a musical perspective The Listros are doing something very exciting. They’re combining rock and EDM influences to create something that’s unique and new. Sean is responsible for the vocals, guitars, synths, and programming, with Evan holding down the drumming. They are a team that has produced a song that has got many people bobbing their head and also feeling something deep.

Then how was the puzzle put together? Actually, it is Sean who wrote the song at home while being influenced by artists such as Nine Inch Nails and Linkin Park. When he had the fundamentals covered, he hired AJ Healey and Ross Hayes Citrullo to polish it off. They implemented certain changes, re-recorded parts, and mixed it all together to have the final version.

Where does this name come from? As it turns out, the story is in fact related to Sean’s own personal experiences with a rocky relationship. The song depicts the highs and lows of love, desire, and the other not-so-pretty parts.

In this The Listros interview, we’re exploring their creative process, the things that inspire them and how it feels to be part of this music environment. From jamming in their bedrooms to conquering the stage, the brothers Sean and Evan are telling us what is required for one to make it in the music business.

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Listen to Hands Against The Wall below

 

What is your stage name?

The Listros

Is there a story behind your stage name?

It’s our last name.

Where do you find inspiration?

Mainly from listening to our favorite artists music. We initially take an idea we like from a song we’re inspired by, and then it always grows into something entirely of our own making. As for lyrics, a lot of inspiration comes from the experience of the self. The voice in our heads that fills us up with lies about who we are and what we can or cannot do. Temptations, addictions, self loathing, greed, are all examples of themes upon which we like to write about from our own personal experiences. Writing and singing about them is a form of therapy. We write for ourselves.

What was the role of music in the early years of your life?

From an early age, there was always a fascination with the arts. Sean’s first taste of music was from an early love of musicals, particularly Singing In The Rain and Moulin Rouge. Eventually, after hearing Led Zeppelin for the first time at age 9 and age 7, Sean and Evan became obsessed with rock music. Their older brother, Joe, started taking guitar lessons in which the family bought a Squier Stratocaster. One day, Sean picked it up and the rest is history. Evan’s drumming came about after discovering his drumming ability from the video game Rock Band in high school. 

Are you from a musical or artistic family?

Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents. Our older brother, in particular, is the biggest lover of music. He was always discovering and showing us music from a variety of genres. His taste was, and still is, excellent. That consistent exposure to great music really helped form our musical tastes.

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Our family has a huge love for music and art. We grew up being exposed to incredible music growing up from our parents.

Who inspired you to be a part of the music industry?

There’s a few. Initially it was just Jimmy Page, then Metallica, then Trent Reznor, and Hans Zimmer.

How did you learn to sing/write/to play?

Initially, at age 9, Sean took guitar lessons, but quickly grew to hate the weekly learning curriculum they made him endure. Learning boring songs like ‘When The Saints Go Marching In’ or ‘Hot Cross Buns’, combined with the difficulty he felt learning the instrument, made him lose interest in which he put the guitar away for 2 years. One day, when he was 11, his friend taught him how to read guitar tabs and where to find them online. This changed everything. The ability to choose the songs he wanted to learn, and the access to learn them sent Sean on a road to teaching himself.

As for writing, Sean learned from listening to a ton of music, and from writing a ton of bad songs. Eventually, with enough practice, combined with his musical tastes, songwriting began to improve.

Vocals came from singing constantly since age 15. Eventually Sean found a vocal coach which helped tremendously. Learning to sing properly without damaging the vocal chords, combined with efficient energy release, was a game changer. Sean recorded the vocal lessons, and practiced with the recording everyday for 2-3 years. These recordings we 45 minute vocal lessons which included vocal scales and techniques.

Evan learned to play drums after his experience with the video game Rock Band. For his first few years playing, he had a drum teacher who came over once a week. Between the lessons, and his consistent practice, Evan’s drum skills grew and grew. Studying the greats John Bonham, Buddy Rich, and Dave Grohl, just to name a few, Evan studied and practiced along with his favorite artists.

What was the first concert that you ever went to and who did you see perform?

First concert Sean went to was Backstreet Boys in 1998.

How Was The Song Recorded (what was the process like, who was it recorded with, how was the track create)?

Heavily influenced by Nine Inch Nails, Linkin Park, and The Vines, the song was initially written and produced by Sean at his home studio. Searching for inspiration, Sean listened to and studied his favourite artists to help inspire some ideas. Once the musical idea was formed, Sean recorded a demo using Ableton. The guitars were recorded with a Neural DSP Quad Cortex, the vocals recorded with an AT4040 mic, drums were samples, while the synths were programmed with Arturia Pigments and a ton of distortion. After finishing the track, very similar to the creative process of their first single, ‘Into The Otherside’, Sean presented it to AJ and Evan where they then got together and collaborated. The collaboration involved rearrangements, re-recordings, re-writes, and mixing that propelled the song into the next level of completion .

After preproduction finished, we re-recorded the drums, guitars, and vocals at RHC Music studio in Toronto with audio engineer Ross Hayes Citrullo (The Sheepdogs, Monster Truck, Marianas Trench).

Once we finished the final recordings, we took them back to AJ to include them into a final mix.

The final mix was then sent off to Robin Schmidt (The 1975, Sam Fender, Liam Gallagher) for mastering.

What Inspired You To Write / Create The Track?

Searching for inspiration after their debut song, Sean listened to and studied various rock artists to help inspire more ideas. Once the musical idea was formed, the song led him into writing it about the toxic on and off relationship he was experiencing at the time with his ex.

What Is The Message You Wish Listeners To Take Away From The Track?

Above all, we wanted to write a song we felt was relatable. A song about lust and a toxic relationship is something we feel people will be able to connect with. It’s fun, a little dangerous, and exciting. We want it to fill people with energy, while also making them feel a little sexy.

A Review of Gary Dranow and The Emotions’ Latest Single ‘Mother’s Angry’

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A Review of Gary Dranow and The Emotions' Latest Single 'Mother’s Angry'

If you’re looking for a tune that’ll grab you by the heartstrings, look no further than Gary Dranow and The Emotions’ newest release, “Mother’s Angry.” This song hit the airwaves on February 8th, 2024, and it’s already making waves on all the streaming platforms. And let me tell you, it’s not hard to see why.

The moment you press play you are greeted by an eerie guitar riffs, which is later layered by Gary Dranow’s vocals as it soar above a backdrop of gritty guitars, blending rock and blues into a sound that’s impossible to ignore. The production is top-notch, and listening to this you can tell alot of emotions went into the production.

But what really sets “Mother’s Angry” apart is the storytelling. The lyrics paint a picture of raw emotion and real-life struggles. It’s the kind of song that makes you feel something, you know? And with everything going on in the world today, that’s something we could all use a little more of.

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A Review of Gary Dranow and The Emotions’ Latest Single ‘Mother’s Angry’

The overall production is on point, the drums keep the beat driving forward, while the guitars add layers of intensity that would keep you nodding before you even realize. It’s the kind of song that sounds just as good through your headphones as it does blasting out of your car speakers.

Gary Dranow and The Emotions have knocked it out of the park with this one, So if you’re in need of a pick-me-up, do yourself a favor and give “Mother’s Angry” a listen and I guarantee it’ll be stuck in your head for days to come.

Listen to Mother’s Angry below

 

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Nature’s Muse: Exploring Clara Cloud’s Musical Journey

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Nature's Muse: Exploring Clara Cloud's Musical Journey

Hello guys join us at Musicarenagh as we leap into the world of Clara Cloud’s captivating world, a world where music weaves stories and nature’s enchantment blends with ethereal melodies. In her latest single, “Weathervane,” Clara takes us on a compelling journey through self-doubt, infusing indie-pop elements with the rich tapestry of Greek mythology. As we embark on this musical journey, Clara invites us to explore the depths of her creative process and the inspirations driving her unique sound.

Drawing from her Canadian roots, Clara incorporates elements of Celtic and folk into her indie-pop creations, crafting rhythms that are both mesmerizing and evocative.

For Clara, music is a form of magic, transporting listeners to ethereal realms. Her upcoming video album, “The Woods,” promises to be a captivating journey, where Clara’s distinctive sound and evocative lyrics come together to create an immersive experience.

Now join us as we delve into Clara Cloud’s musical world, exploring themes of nature, myth, and the human experience that resonate in her art. Clara shares the stories behind her music and the journey of this season. Let’s dive in!

Listen to Weathervane below

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What is your stage name?

Clara Cloud

Is there a story behind your stage name?
My last name is MacLeod (pronouned Mac-Cloud), which I love and think also gives a really ethereal, airy vibe, but a lot of people would mispronounce. So to keep the vibe without the risk of mispronouncing, last year I changed my music to be under “Clara Cloud”

Where do you find inspiration?
I find a lot of inspiration in nature and in storytelling. I always weave in some personal experience into lyrics, but my biggest inspiration has always been telling a story through music (both sonically and lyrically). I’m also a huge lover of Greek mythology, so that theme makes its way into a lot of my work too!

What was the role of music in the early years of your life?
I started music classes when I was 5, but even before that it was a huge part of my life. My favourite movies were The Wizard of Oz, Sound of Music, Anastasia, and anything Disney, and my mom would make a stack of books into a “stage” for me to perform on. My whole life, music has been a constant source of joy and an outlet for me.

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I started music classes when I was 5, but even before that it was a huge part of my life.

Are you from a musical or artistic family?
Yes and no! My parents both work in education and don’t have any musical background, but somehow all of my siblings and I ended up loving music. I have two brothers and two sisters, and all of us are connected to music in some way (my sister is a drummer and singer, my other sister plays piano and guitar, my brother plays guitar, and my other brother plays the trumpet). My family has always been supportive of my musical endeavors and all my siblings too.

Who inspired you to be a part of the music industry?
My background is originally in musical theatre, so Julie Andrews played a huge part in inspiring me to pursue music professionally. For my own identity beyond musical theatre, I was inspired by my partner Tristan, my best friend Jenna, and my family. I’ve always loved writing music and singing, but had never really shared it. During the pandemic, they encouraged me to put myself out there!

How did you learn to sing/write/to play?
Writing and storytelling is something I learned from my mom. She had me reading well above grade level (perks of having a teacher as your mom!) and fostered in me a love of stories. She also endlessly encouraged me to create my own. For music, I had some amazing teachers growing up that taught me piano, guitar, and voice. I also went to university for musical theatre and continue to learn as much as I can!

What was the first concert that you ever went to and who did you see perform?
I grew up in a really small town and didn’t get to see a ton of concerts growing up, but I remember I did go to see a local band, Lillix, when I was probably around 8 years old. That to me was so cool because they played pop-rock music, and most of what I’d seen live in the past had been classical or orchestra-based. It inspired me to want to do something like them one day!

How could you describe your music?
Indie-dreampop-folk with some alternative and Celtic elements!

Describe your creative process.
I like to try and get into a flow state where I just relax, don’t hold anything back, and let whatever words or music that want to come out of me, come out. If I’m already editing as I’m writing, or I’m thinking and analyzing the technical side as I’m creating, I know I’m not writing from an authentic place. As weird as it sounds, I find it best to sometimes zone out and allow the music to happen, then go back and adjust things later.

What is your main inspiration?
Nature, mythology, and the desire to tell stories!

What musician do you admire most and why?
So many! But two that always come to mind are Ingrid Michaelson and Sara Bareilles. I listened to them both A LOT in my formative years and was always swept away by their storytelling and how they conveyed emotions and stories not just with words, but with music too. The fact that they both went on to compose for musical theatre too is SO inspiring to me, as that’s a path I would love to go down as well.

Did your style evolve since the beginning of your career?
It definitely did. When I first started, I was more focused on writing within the limitations of what I thought people would want to listen to, so everything was a lot more generic lyrically and musically.

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I was more focused on writing within the limitations of what I thought people would want to listen to,

As I continued, I let myself explore a lot more. My roots as a person are in musical theatre and Celtic music (I grew up as a highland dancer), so I let those two elements shine through a lot more rather than suppressing them. I also let my lyrics become more specific based on the stories I wanted to tell.

Who do you see as your main competitor?
I don’t think in the music industry there really needs to be a competition element! If someone is doing a similar thing to you, it’s actually a really cool thing because that means there can be some fan overlap. In my experience, fans don’t listen to two artists, pick the one they like better, and stop listening to the other. I believe in anything that my biggest competitor is myself, and I’m always trying to grow and learn as an artist.

What are your interests outside of music?
I love acting and dance (particularly highland and tap!), writing stories beyond just songs, and creating new theatre works. I also love spending time outside, and spending time with my partner Tristan and puppy Pabu.

If it wasn’t a music career, what would you be doing?
Teaching 100%! My parents and grandparents are all teachers and really impacted me growing up. Even while pursuing music, I still work as a music teacher.

What is the biggest problem you have encountered in the journey of music?
Honestly, funding! Funding is really hard to come by especially if you’re a very small artist. This album project is one I had to fund myself because every grant I applied for turned it down. There were a lot of times it almost didn’t happen (and it still has two more things we need to finish!), but I’m endlessly grateful for all of the amazing people who came together to help me bring it to life.

If you could change one thing in the music industry, what would it be?
More accessible funding for emerging artists who have not had a breakthrough of any kind yet. Many of these grants cited lack of social media following and lack of streams to the reason they wouldn’t fund this project, and I feel like that’s a tough cycle that a lot of indie artists get stuck in, and the reason so many amazing artists and songs never get to see the light of day.

Why did you choose this as the title of this project?
Weathervane is all about essentially being caught in a storm of emotions. And if we think about an actual weathervane, when the wind is calm it points clearly in the direction it intends to, but when the storms pick up, its arrow swings around and loses all sense of direction.

It ties back to that idea that when times get tough, we can lose ourselves, our emotions can spiral, and we can be more easily influenced by what others are telling us.

What are your plans for the coming months?
My debut visual album “The Woods”, which this single is from, is coming out in just a couple of months!

Do you have any artistic collaboration plans
This album was done in collaboration with over 20 creatives from across BC. It was a project built from collaborative effort.

What message would you like to give to your fans?
I genuinely see every single stream, every single view, every single action of support, and I cannot even tell you how much I appreciate it. Music can be a really discouraging industry, but knowing that someone out there is listening at the end of the day means more to me than I could ever say. Thank you <3