With THIS IS POST-EDM, TATE SEDAR delivers a debut EP that doesn’t just showcase his skills—it defines a new phase for dance music itself. Across five tracks, the LA-based producer channels his international background, emotional honesty, and fearless genre blending into a project that feels at once fresh, familiar, and deeply personal.
Opening with “San Francisco,” SEDAR sets the tone for what’s to come. It’s not just a tribute to his hometown—it’s a time capsule of the influences that raised him. The funk grooves, Motown flavors, hip-hop textures, and a dash of rock energy form a vibrant, toe-tapping introduction. More than just an energetic opener, “San Francisco” lays the groundwork for the emotional and sonic journey ahead.
The second track, “Emotions” (ft. P$YCHEDELIC), marks a major turning point in SEDAR’s creative evolution. It’s here that the idea of “post-EDM” comes alive. The track swerves away from standard electronic formulas, fusing tech house with lo-fi hip-hop, bass house, and trap. The gritty verses from P$YCHEDELIC bring rawness and edge, pushing the track far beyond traditional EDM boundaries. It’s not just a club banger—it’s a statement. The fact that the song is pushing 180K streams is proof that people are listening, and more importantly, they’re feeling it.
Then comes “Our Goodbye” (with Liv Kennedy), a breakup anthem that defies the typical sad-and-slow formula. Written during the pandemic and years in the making, it’s an emotional high point that’s also radio-friendly. Bright, guitar-driven production replaces the usual EDM synth stabs, creating something that feels both modern and timeless. It’s dance pop with depth, and the chemistry between SEDAR and Kennedy makes this one of the most memorable tracks on the EP.
“Coming Home (I.M.U)” slows things down without losing momentum. This track digs deep into SEDAR’s roots in progressive house, using reflective lyrics and warm production to tell a story of identity, purpose, and growth. What started as a sketch became one of the most personal songs on the record. There’s a sense of quiet power here—something that stands out in an EP built on big emotions and bold production.
The closer, “Dream” (ft. Otto Palmborg), is where everything clicks. Cinematic, emotional, and beautifully produced, it feels like the grand finale of both a concert and a personal journey. Palmborg’s vocals are soaring and intimate at once, matching SEDAR’s shimmering synths and crisp beats. The song went through several vocalists before landing on the perfect fit, and it shows. This is the kind of track you don’t just hear—you feel it.
Throughout the EP, TATE SEDAR proves that electronic music doesn’t need to stay in its lane. THIS IS POST-EDM isn’t just a catchy title—it’s a mission. By blending big-room EDM energy with live instruments, layered storytelling, and influences from pop, hip-hop, rock, and house, SEDAR breaks the genre wide open.
But perhaps what’s most refreshing is the human element woven through the entire project. There’s vulnerability here, honesty, and a clear sense of artistic identity. Dance music doesn’t always stop to reflect—but SEDAR does, and it works.
In the end, THIS IS POST-EDM isn’t just a debut EP. It’s the start of a conversation—about where dance music has been, where it’s going, and how artists like TATE SEDAR are going to get us there. If this is what the future sounds like, we’re ready.
Listen to THIS IS POST-EDM below
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