Raw, Messy, Real: SHAB Bares All in “One Suitcase”

What inspired you to create CONSTELLATIONS? Is there a particular story or experience behind this track?
At the heart of this project was a visceral need to create instinctively, free from the constraints of any particular aesthetic. At some point, I realized how deeply I was drawing from within myself—composing this album felt like an inner journey, guided by emotions and intuition. I believe this album will resonate with those going through a period of introspection or self-reflection.

The title CONSTELLATIONS evokes imagery of stars and cosmic connections. What does this theme represent in your music?
For me, electronic music has always been closely linked to the concept of space—both the vastness of outer space and the mental space we create within ourselves. I pay close attention not just to the sounds themselves, but also to the space they inhabit and the way they shape the overall atmosphere.

How would you describe the sound and style of CONSTELLATIONS to someone who hasn’t heard your music before?
House music at the movies!

Did the creative process for CONSTELLATIONS differ from your previous work? If so, how?
Aside from the more instinctive and authentic approach I mentioned earlier, my creative process remains largely the same. I see music much like a sculptor working with stone or a director guiding actors—it’s about shaping raw material into something meaningful.

Are there any specific musical influences that shaped the sound of this single?
I’d say it’s a blend of Ben Böhmer and Nora En Pure meeting Hans Zimmer. These artists, despite working in different genres, share a common hypnotic, spatial quality in their music.

I’d say it’s a blend of Ben Böhmer and Nora En Pure meeting Hans Zimmer.

What emotions or ideas did you want to convey through CONSTELLATIONS?
A wide range, really. CONSTELLATIONS can be seen as a journey into the unknown, into infinity. Along the way, listeners will experience moments of hesitation, excitement, questioning, and joy.

Can you share any interesting stories or challenges from the recording sessions for this track?
I gave myself just one constraint during the creation of this album: I chose one hardware instrument, one software, and stuck to this limited setup. In an era where everything is instantly accessible, I could have easily downloaded a plugin for a specific sound I had in mind and then forgotten about it. By imposing this rule, I forced myself to truly master my instrument and push it to its limits—something I might not have done otherwise.

What do you hope listeners take away from this single?
I hope each listener will make the album their own, using it to build their own universe and imagery. I named this album CONSTELLATIONS with ancient civilizations in mind—those who saw mythical and fantastical figures in the stars. I wanted to create a space of freedom, where everyone is invited to dream.

What’s next for Florent Lelong following this release? Are you working on more singles or perhaps a larger project?
I’m currently working on releasing the album on vinyl, and I already have a clear vision for my next sonic adventures! I encourage your readers to stay tuned!

Raw, Messy, Real: SHAB Bares All in “One Suitcase”

Music

March 8, 2025

Raw, Messy, Real: SHAB Bares All in "One Suitcase"

Buckle up, because SHAB’s “One Suitcase” just dropped, and it’s… a lot. Twenty-one tracks of pure, unadulterated pop – it’s like being force-fed a rainbow-flavored cake while riding a rollercoaster through a hall of mirrors.

The core message? Desire. Raw, messy, sometimes confusing, sometimes gloriously straightforward desire. SHAB, a global pop sensation and advocate, apparently decided to unpack every single facet of romantic connection, from that first electric jolt (did anyone else feel a sudden urge to rearrange their sock drawer while listening? Just me?) to the confident demand for, well, more.

There’s this persistent thrum of empowerment, almost like SHAB’s whispering (I know, no “whisper”!), that women aren’t done taking their sensuality back, like some hidden art gallery, where some can find abstract figures made of light. Speaking of which, wasn’t there a Roman emperor who collected spoons? What a random time, much different to ours.

But then the album shifts, swerving into these moments of deep longing, an almost obsessive yearning for a soulmate. This musical is a personal narrative from oppression to freedom, a theme felt. The musical transitions within “One Suitcase,” are stark, abrupt, and full of change in many different shapes and sizes.

Raw, Messy, Real: SHAB Bares All in “One Suitcase”

It’s electric pop, sure, but it’s got this… texture. Like velvet sandpaper, maybe? Smooth in one moment, unexpectedly abrasive the next. This, along with the number of tracks. helps highlight the length of time and journey reflected, as SHAB celebrates a new independent life for her, in America.

And throughout, you feel SHAB’s own journey, that transition from oppression to this defiant freedom. It’s exhilarating and, honestly, a little overwhelming. But it’s also incredibly potent.

“One Suitcase” isn’t asking for your polite applause. It’s demanding you feel something. It is challenging. Will you still be thinking about it next week? Maybe, or Maybe the human mind is fascinating…

Follow SHAB on Website, Facebook, Twitter, YouTube and Twitter.

Trauma & Groove: Inside Al Kenizo’s “Don’t Lock Me Out”

Music

March 8, 2025

Trauma & Groove: Inside Al Kenizo's "Don't Lock Me Out"

Right, let’s dive into this sonic soup, shall we? Al Kenizo’s “Dont lock me out,” a single teasing an upcoming album, has arrived. And… it’s doing things. Things to my ears, things to my soul, possibly things to the structural integrity of my coffee table, which I may or may not have started tapping my foot on.

The genre is tagged as “Soulful Electronic,” and, yep, that hits the nail somewhere near the head. It’s groovy, for sure, making you want to move in ways you probably shouldn’t in public. It feels akin to stumbling upon a lost recording from a 1970s sci-fi film – retro yet futuristic, familiar yet strange. Did anyone else just think about cheese for a second? No? Just me? Okay, moving on.

Al Kenizo, a solo electronic artist, funnels trauma and personal experience into their music. Rollo Armstrong comparisons feel deserved, not beacuse their styles sound the same. Its the shared emotional landscape between artists.

“Dont lock me out” is a plea, a bargain, a contradiction wrapped in a pulsating beat. The speaker is clinging to someone, a muse perhaps, a source of life… even while dreaming of independence. “Give me another chance,” the subtext screams, “but also, I might just fly away.”

Trauma & Groove: Inside Al Kenizo’s “Don’t Lock Me Out”

It’s the human condition distilled, isn’t it? This push and pull, this desire for connection and freedom. Speaking of connection, are rotary phones making a comeback? I saw one in a shop window the other day. Completely irrelevant, I know.

The track ripples with an optimistic undercurrent that bubbles to the surface. You could play at 3 a.m at the after-party to keep energy levels. You will find equal success with it sound-tracking your sunday morning chill.

The entire piece is messy, heartfelt, and delightfully confusing – kind of like life itself. What will Al Kenizo cook up for us Next?

Follow Al Kenizo on YouTube Facebook and Instagram.

“Living Like This (Deep House Remix)”: YayRaven’s Sonic Diary

Music

March 7, 2025

"Living Like This (Deep House Remix)": YayRaven's Sonic Diary

Right, so, YayRaven. British, Bermudian roots… that’s a collision of grey skies and turquoise water right there, isn’t it? And that sort of sums up this track, “Living Like This (Deep House Remix).” It pulses, a steady, insistent throb you’d expect from Deep House, but it carries… cargo. Precious, fragile cargo.

This isn’t just beat and bass; this is a sonic diary entry, stained with the kind of ache you feel down to your bones. It’s about the gaping hole left by a love gone supernova. No warning, just… gone. The lyrics spin this raw, unfiltered yarn of loss. She’s caught in the rip current of grief, longing for a final word, a goodbye that never came.

Have you ever tried to catch smoke? That’s what chasing that closure must feel like. It is frustrating. Infuriating, Even.

The central theme hits you square in the chest: profound, all-consuming grief. It’s not the softly-softly, romanticized sadness; it’s the messy, ugly, bewildered kind. One moment, there’s this… person, and the next, a void so absolute it bends space and time. The song tackles the un-acceptance. The raw edge of “how can this be?” And, tucked beneath that, a fear. A pre-emptive flinch away from ever being that vulnerable again.

“Living Like This (Deep House Remix)”: YayRaven’s Sonic Diary

The deep house framework almost feels… ironic. It is almost like forcing a party dress onto someone in deep mourning. The music carries an energy that seems at the beginning to disagree with the lyric’s sadness. But is really fighting for that person. Pushing forward. I’d imagine it makes them, perhaps against the grain, move, if not in body at least in mind.

And somewhere, amongst all this intelligent creation, YayRaven is exploring the universality of this ache. The sonic exploration. The… Oh! Did you ever hear about that time a flock of starlings re-enacted, entirely by accident, a Van Gogh painting, only to dissipate seconds later into…nothing? I think there is sadness there, too.

YayRaven has painted the abyss, but somehow, there’s a pinprick of light stubbornly refusing to be extinguished. What remains to be seen, is from where will that pinprick of light expand?

Follow YayRaven on Bandcamp, Instagram and TikTok.

Wetiko: A TripField Anthem That Challenges the Human Condition

Music

March 6, 2025

Flatfoot Sam releases Wetiko ,Flatfoot Sam with Wetiko ,Flatfoot Sam drops Wetiko ,Wetiko by Flatfoot Sam ,Wetiko from Flatfoot Sam ,Flatfoot Sam musical artist,Flatfoot Sam songs,Flatfoot Sam singer,Flatfoot Sam new single,Flatfoot Sam profile,Flatfoot Sam discography,Flatfoot Sam musical band,Flatfoot Sam videos,Flatfoot Sam music,Wetiko album by Flatfoot Sam ,Flatfoot Sam shares latest single Wetiko ,Flatfoot Sam unveils new music titled Wetiko ,Flatfoot Sam ,Wetiko ,Flatfoot Sam Wetiko ,Wetiko Flatfoot Sam

Flatfoot Sam’s newest single Wetiko represents both a musical creation and an important message to the world. This track gets its name from Native American terminology which describes destructive human mental states that lead to excessive greed and violence alongside suffering. The song functions as a cautionary message and a call for attention. Wetiko exists as a distinctive musical creation that unites elements from Trip Hop with Leftfield while blending them into the new genre of TripField. This brooding musical journey lasts through multiple notes until the end of the piece.

Wetiko starts with unsetting melodies and pulsate beats to enchant its listeners from the very first note. Multiple layers enhance this deep musical composition through bass frequencies and detailed synthesizers which create an extensive underground audio environment. The song serves both entertainment and psychological impact by making listeners ponder the historical and current madness in human history.

Flatfoot Sam Stuns With Zeitgeist EP

The exceptional quality of Wetiko emerges from its ability to combine defiance and meditation methods. The songwriter creates a rhythmic anti-establishment protest through musical sound that battles against the elements causing human suffering. The song delivers a clear warning that identifying this madness represents the path toward moving beyond it.

Through Wetiko Flatfoot Sam proves his dedication to exploring new musical territory leading up to his second album release in 2026. Beyond electronic music stands a complete artistic experience meant to test and enlighten the audience. Flatfoot Sam has demonstrated his ongoing musical momentum as he plans to release another single by the end of this year.

Listen to Wetiko below

Follow Flatfoot Sam on

Danza: A Timeless Fusion of Tradition and Innovation

Music

March 6, 2025

Danza: A Timeless Fusion of Tradition and Innovation

Patricio Anabalón’s latest single, Danza, is a musical journey that transcends generations, seamlessly blending the rich heritage of Latin American music with fresh, contemporary sensibilities. The song is a collaboration with legendary Cuban troubadour Silvio Rodríguez, a revered figure in Latin folk and protest music. Their partnership marks a historic moment, bringing together two powerful voices of the singer-songwriter tradition.

The song’s production is marked by the exquisite arrangement of Chilean composer and guitarist Javier Farías, whose intricate guitar work creates an atmosphere of sophistication and depth. Farías, whose career has spanned collaborations with renowned artists such as Andy Summers (The Police) and Daniel Binelli (Astor Piazzolla’s sextet), adds a global touch to Danza, enriching the song with sound layers that evoke both intimacy and expansiveness. His influence is palpable throughout, forming the backbone of the track and making it a standout piece in the realm of modern “canción de autor” (author’s song).

Their partnership marks a historic moment, bringing toge…

Danza also features the Cuarteto Austral and Chilean percussionist Felipe Candia, who bring a distinctive rhythmic and harmonic structure to the composition. Their contributions deepen the song’s poetic resonance, creating a harmonious fusion of folk traditions and contemporary artistry that enriches every beat.

This collaboration holds even more emotional weight as Anabalón reflects on the relationship he’s built with Rodríguez over the past two decades. The duo has shared the stage several times, and now, with Danza, their bond culminates in a poignant musical statement. Anabalón describes Rodríguez as a key reference for not only him but for generations of singer-songwriters across the globe, and this song feels like both a tribute and a milestone in Anabalón’s illustrious career.

Visually, the single is equally powerful, with art by Cuban illustrator Eliani Luzardo capturing the essence of the song’s themes. Tomás Pérez handled the recording and mixing, while Gonzalo “Chalo” González ensured the final production was mastered with clarity and precision. The single’s art and production reflect the meticulous care taken in every aspect of Danza, making it a full-bodied artistic expression.

As the ninth track from Anabalón’s upcoming album La Noche Que Nunca Llega, Danza further cements the Chilean singer-songwriter’s status as one of the leading figures in Latin American music today. It captures the emotional depth and poetic lyricism that have defined his career while embracing new territories with this historic collaboration. The song not only resonates with the past but also reaches forward, inviting listeners to experience the enduring legacy of the troubadour tradition in a contemporary light.

Danza is available on all digital platforms, and it’s a must-listen for anyone who appreciates the depth and beauty of Latin American folk music.

Listen to Danza ( Patricio Anabalon & Silvio Rodríguez) below

Follow Patricio Anabalon on

spotify

Star Seeds Report Breaks Boundaries with ‘Nouadhibou’

Interviews

March 6, 2025

Star Seeds Report Breaks Boundaries with 'Nouadhibou'

Stepping beyond comfort boundaries proved difficult for most artists yet Star Seeds Report used this opportunity to develop their artistic expression. As a melodic techno and progressive house artist the musician transformed his sound with Nouadhibou while producing a track which brings feelings of nostalgia and adventure alongside warmth.

After experiencing six months of travel from Amsterdam to Cameroon he gave the song its name after the Mauritanian city Nouadhibou that became a permanent part of his memory. The artist rediscovered nostalgia through browsing his travel photos that inspired him to develop his music with a combination of resonant melodies and rhythmic vitality and vocal selections which represented the essence of this destination. The song integrates his electronic components but delves into a natural and bright musical direction.

The interview explores Nouadhibou’s creation journey alongside the struggles of maintaining emotional depth while remaining danceable along with how the song showcases his new artistic freedom. The report with Star Seeds Report provides details about his musical artist name together with upcoming releases and his approach to making authentic music from his heart.

Listen to Nouadhibou

Follow Star Seeds Report on

What inspired you to create “Nouadhibou”? Does the title reference the city in Mauritania?
-The name Nouadhibou does indeed refer to the city in Mauretania, I visit the city on a 6 month road trip through Africa ( from Amsterdam to Cameroon over land) years ago.

How would you describe the sound and style of “Nouadhibou” compared to your previous work?
-With this track I stepped out of my ‘comfort-zone’, I wanted to make a more sunny and cheerful track, but you can still hear my favourite sounds I think. Normally I make more Techno/Trance like tracks.

Was there a specific moment or experience that sparked the creation of this single?
-I was looking through some photos I took on my road trip and remembering the beautiful time I had in Nouadhibou, that made me want to write a this track.

I was looking through some photos I took on my road trip and remembering the beautiful time I had in Nouadhibou

What themes or messages did you want to explore through “Nouadhibou”?
-I wanted to make a happy, sunny track, and take people to the feeling I had when I was in Nouadhibou, the nice people, the weird but beautiful landscape, the warm weather…

Can you walk us through your creative process for this track? Did it evolve significantly from your initial concept?
-I was looking for vocals that could give me the same feeling as I had when I was over there and stumbled on the vocals now used in the track. And after that it all went pretty fast. I had some difficulties mastering the track because I didn’t want it to sound ‘heavy’ but also didn’t want to lose it’s danceability, because for me that’s what music is all about, you have to be able to dance on it 😉

What musical influences shaped the sound of “Nouadhibou”?
-What I said, it was the vocals that gave me the inspiration, later in the process I noticed that it had a touch of the old but epic track from Neneh Cherry and Youssou N’Dour – 1994

Did you collaborate with any other artists or producers on this single? If so, how did those partnerships influence the final product?
-No, for this track I worked alone.

How does “Nouadhibou” fit into your artistic journey as Star Seeds Report?
-I don’t really know…. Maybe it doesn’t but I had fun making it and it definitely has my signature all over it 😉 And actually I noticed lately that I like to get out of my comfort-zone and not get stuck in one genre

Were there any particular challenges you faced while creating or recording this single?
-As I described before, I didn’t want to make it to heavy in the sound design, so I had to change some times after a time, first I had a pretty solid but to prominent bassline, so later I decided to go for a more ‘real’ bass guitar sound. And that seems to worked out pretty well.

What do you hope listeners take away from “Nouadhibou”?
-I hope they can hear the sun shine and that it gives them a chill but energetic vibe that make them want to dance.

Do you have any interesting stories from the recording sessions for this track?
-Not really…

What’s the significance of your artist name “Star Seeds Report” and how does it connect to your music?
-A pretty philosophical question, but I’ll try to answer it: as I make music from the heart and just want to share my emotions with the listeners through my music I kind of like to think that what I make is not something ’I came up with’ or something that would be good for millions of stream…

I’m pretty pretensionless but on the other hand I’m proud of what I make. I’m verry happy and thankful that I have the opportunity to use music to express myself. But I’m also a Star Seed, just like everybody else is in my opinion… and my music is the ’report’ to the listeners of that gratitude for being able to make music and express myself.., I hope that makes some sense 😉

Are there any visual components planned to accompany the single, such as a music video?
I tend to make my own visuals (videos) for my tracks, and I did so until now for all of them (YouTube) but for Nouadhibou I asked a friend who’s really good at it to make a video for this track, so yeas, there will be a video but I can’t tell you when it will be ready for now, but soon, I promise…

What’s next for Star Seeds Report after the release of “Nouadhibou”?
-When making a track I always focus on that track alone, of course there always ideas running through my mind but nothing that keeps me from the track I’m working on. But no that Nouadhibou is out in the open and left home I was thinking of making a pretty upbeat and driving progressive house track, with of course my love for the ’90 vibes written all over it, so stay tuned and I hope we meet again… until then I really hope you enjoy Nouadhibou, and don’t forget to dance! With love, Star Seeds Report

Bohardt’s ‘ILOVEU’ – A Synth-Pop Love Confession That Shines Bright

Music

March 6, 2025

Bohardt’s ‘ILOVEU’ – A Synth-Pop Love Confession That Shines Bright

Bohardt’s latest track, ‘ILOVEU’, is the kind of song that makes you feel everything at once. A shimmering synth-pop anthem filled with raw emotion, infectious melodies, and a beat that pulls you in from the very first note, this song is a declaration of love wrapped in neon-lit production.

From the moment the bright synths kick in, ‘ILOVEU’ feels like a confession—one of those life-altering moments when saying “I love you” is both exhilarating and terrifying. Bohardt perfectly captures this delicate balance of urgency and vulnerability, allowing the listener to experience the pulse-racing thrill of love’s most pivotal moment.

What makes this track so captivating is its cinematic quality—it’s easy to imagine it playing in a romantic movie montage, a late-night drive with the windows down, or even a moment of quiet bravery before telling someone how you truly feel. The production is masterful, with synth layers that swell and fade at just the right moments, mirroring the emotional highs and lows of love itself.

There’s a warmth and authenticity to his voice that makes every lyric hit with impact,

Bohardt’s vocal delivery is another standout element. There’s a warmth and authenticity to his voice that makes every lyric hit with impact, especially in the song’s more stripped-down moments. When the instrumentation fades and the words “I love you” stand alone, it feels intimate, real—like a heart speaking directly to another.

Fans of Robyn, CHVRCHES, and Carly Rae Jepsen will immediately feel at home in Bohardt’s sound, yet he manages to carve out his own space in the synth-pop world. His previous work has explored themes of expectation, consequence, and self-discovery, but ‘ILOVEU’ marks an evolution—an artist embracing the immediacy of emotion and allowing it to explode into sound.

Even the track’s run time of 3.14 minutes adds a clever touch—tying into the mathematical constant π, a symbol of something infinite and never-ending. It’s a subtle yet meaningful nod to the boundlessness of love, reinforcing the idea that saying “I love you” is just the beginning of a lifelong journey.

Ultimately, ‘ILOVEU’ is more than just a love song—it’s an experience, a moment, a feeling in motion. Whether you’re screaming it from the rooftops or whispering it into someone’s ear, this track is the perfect soundtrack for love in all its thrilling, heart-pounding glory.

Bohardt has once again proven his ability to craft songs that resonate deeply while keeping you dancing. ‘ILOVEU’ isn’t just a song—it’s a memory waiting to happen.

Listen to ILOVEU

Follow Bohardt on

Punk, Politics, and Perseverance: An Interview with The Hearse

Interviews

March 3, 2025

Punk, Politics, and Perseverance: An Interview with The Hearse

Manchester-based band The Hearse is back with a striking new single, “One from One Hundred,” was released on February 28, 2025. Rooted in post-punk, new wave, and punk influences, the track explores themes of manipulation—both in the media and personal relationships—while embracing individuality and defiance. Drawing inspiration from Joy Division, The Clash, Blondie, and more, The Hearse continues to carve out a distinct identity with their raw, DIY approach to music.

Lead vocalist Jess Armer wrote the song in 2023, channeling personal struggles and global tensions into its powerful lyrics. Despite lineup changes and a lengthy recording process at Salford University, the band remained committed to crafting a sound that balances nostalgia with modern energy.

With a blend of biting social commentary, unapologetic honesty, and a love for 70s and 80s punk aesthetics, “One from One Hundred” isn’t just a song—it’s a statement. In this interview, The Hearse discusses their creative process, influences, and the challenges of bringing this track to life.

Watch One from One Hundred

Follow The hearse on

What inspired you to create “One from One Hundred”? Is there a specific story or meaning behind the title?
– The title? I just thought it sounded cool, really. I wish I could provide a more thought provoking answer but that’s just about it. It’s sort of like saying “One in a million” except in more of an individualistic way.

How would you describe the sound and style of “One from One Hundred” to someone who hasn’t heard your music before?
Looks like punk, smells like punk, might be punk. No, it’s very 70’s / 80’s inspired like most of our music.

Did you approach the creative process for this single differently than your previous work as The Hearse?
For once our current lineup actually played on the track. It was good too as everyone was giving great input. Obviously compared to the previous tracks, it’s different musicians, but you can tell our tone has shifted on this song and who’s put input where.

The name “The Hearse” evokes certain imagery. How does your artist name connect to your musical identity and the themes in “One from One Hundred”?
We’re all deadbeats… I think it all sounds rather cool.

Were there any particular musical influences that shaped the sound of this track?
As I mentioned previously 70’s and 80’s (and 90’s) music is our main point of reference. Bands in particular like The Damned and The Clash were the main influence this time around. There was a bit of Arctic Monkeys thrown into the mix too, which I didn’t really get at first but I hear now.

Can you share any interesting stories or challenges from the recording sessions for “One from One Hundred”?
We initially began recording in pretty early 2024, if I’m not mistaken. We went through lineup changes and al kinds of stuff in the meantime so we just never got round to finishing it and worked on other songs, so the process did take almost a year. A lot of the recording was done a couple weeks before the song was mixed / mastered / released.

It’s good to set a deadline because otherwise you get nothing done. Then again even with a deadline I sometimes just don’t do stuff. I usually forget.

Is there a particular lyric or musical moment in the single that holds special significance for you?
The main riff probably. I wrote that so long ago and it never fit with anything. Then I started to write a song about some poseurs I didn’t like and I found it worked well with that. The lyrics weren’t too dissimilar from how they are now in the chorus. Then, stuff started happening to me and I wasn’t happy and it felt like the topic had to change to match the song. But the riff is the main focal point of the song which it’s all built around.

I’m a terrible lead guitarist so I had to write something easy enough for myself to play as well…

How does “One from One Hundred” fit into your broader artistic vision?
I suppose it shows more of our punk influences and variety of sounds we can produce. Our last single was a total shift from this one and even our first one, so I think it’s just us showing we’re not afraid to try anything. We’re a very eclectic band with all kinds of influences, but sometimes being too inconsistent in genres can confuse your audience, so in trying to appeal to everyone it’s kind of doing the opposite.

Did you collaborate with any producers or other artists on this track? If so, how did that partnership influence the final product?
My friend Matt who lives in Australia mastered (or should I say Mattstered) the track. Everything else was done by myself and Henry. My friend Kylie in America worked closely with me in designing the cover.

What emotions or ideas were you hoping to convey through “One from One Hundred”?
This is a difficult question. People can interpret it how they want, but I’d like to at least get the message across that it’s okay to be angry, it’s okay to want change and to change, and it’s okay to not fit in. You know, anger is an energy, and all that. I just don’t want to be perceived the wrong way like I’m promoting manipulation or something like most political leaders these days.

People can interpret it how they want, but I’d like to at least get the message across that it’s okay to be angry,

Has your approach to songwriting evolved since you began your journey as The Hearse?
I mean I’ve been writing songs for as long as I can remember, but since forming The Hearse a lot has happened, there’s been lots of changes. Sometimes I don’t find it challenging writing songs, it’s too easy.

But other times it’s the hardest thing going. I get burnt out really easily and I struggle great deals with anxiety and OCD so my mind is constantly occupied. I don’t know which I do first or lyrics or melody, just whatever pops in my head first. I also get ill all the time so most of my time is spent composing.

What do you hope listeners take away from this single?
Please don’t take away our single, we spent ages on that.

Are you planning any visual components to accompany “One from One Hundred,” such as a music video?
Yes, and I’m apparently in charge of it so wish me luck.

How has the audience response been to the single so far?
It’s been really great, thank you to everyone who’s listened.

What’s next for The Hearse following this release? Are you working on more singles or perhaps a larger project?
Your guess is as good as mine. Stay tuned and find out!

Sweet Stories 2 Reimagined: An Evolution in Sound and Soul

Interviews

March 3, 2025

Sweet Stories 2 (Soulful Solo Version)

For Jay J. Ra Music is a journey, and for this artist, that journey has taken an exciting new turn with Sweet Stories 2. Originally released in 2022 under the name D.bé Jayri, Sweet Stories was a reggae-infused ode to love and compassion, filmed in Accra, Ghana.

Sweet Stories 2 (Soulful Solo Version) is the official solo version of Sweet Stories 2 featuring African Child. Now, with a fresh Afrobeat arrangement and a collaboration with Ghanaian artist African Child, Sweet Stories 2 breathes new life into the original message while expanding its reach.

This project is more than just a genre shift—it represents artistic evolution, cross-cultural collaboration, and a deeper exploration of musical storytelling. From facing unexpected delays in production to embracing new vocal styles, the path to Sweet Stories 2 was one of persistence and growth.

In this interview, we dive into the creative process, the challenges faced, and the emotional depth behind this release. Join us as we explore how this artist blends R&B, pop, gospel, and Afrobeat to craft a sound that is both personal and universal.

Listen to Sweet Stories 2

Follow Jay J. Ra on

“Sweet Stories 2” suggests a continuation of narrative themes. How does this release build upon or differ from the first installment?:
I wrote the original Sweet Stories to a reggae performance style, conveying a message of love and compassion, in slow tempo. Sweet Stories was released in 2022, under my old artist name, D.bé Jayri, and I shot the music video for it in Accra, Ghana that very same year. The music video is available on YouTube.

A radio host and friend of mine that I had met in Ghana, suggested to me last year, that I should put together a record that will gain the attention of the African music market, more specifically, a Ghanaian audience and get them acquainted with my artistry. Thus, my friend, the radio host, got the original Sweet Stories song re-done into an upbeat Afro-beat style arrangement and also suggested that I collaborate with a Ghanaian artist.

So, the differences between the original and Sweet stories 2 are the genres, the tempo and the opportunity to collaborate with a fellow artist from Ghana, African Child, (on the collaborative version). However, the lyrics (in most cases) and theme remained the same.

How has your approach to storytelling through music evolved between the first and second chapters?:
As I said before, the theme and most of the lyrics remained the same. However, I saw my art of story-telling evolved in Sweet Stories 2 with the influence of direct Afro-beat arrangements and collaborating with a fellow artist. I was able to vocally express myself and my style of singing with joy to music directly coming from the motherland, the African continent.

When I first heard the instrumental and re-arrangement of Sweet Stories, I immediately knew the lyrics and emotions would be expressed through the styles of R&B and Afro-beat, something I am fairly new to as an artist.

Were there any specific life experiences or emotional moments that influenced the stories in this release?:
I have been into several relationships in the past to know the importance of companionship, even though some where very brief, however, this song was written based on my general experience of love affection and on the idea of what a lasting companionship could be.

The title implies a certain tenderness or nostalgia. What kind of emotional landscape were you aiming to create?:
The emotional landscape that I try to express is to encourage us to just take the time to love and appreciate and enjoy your significant other, and it may not even be your significant other only, but your loved ones and others as well, because life is short and uncertain and the most we can do, most of the time, is to show love to everyone.

because life is short and uncertain and the most we can do, most of the time, is to show love to everyone.

Could you share a particularly meaningful moment or story from the creation of this project?:
After I recorded Sweet Stories 2, here in Canada, I sent it over to my radio host friend in Ghana. He then gave over the track to a studio engineer in Kumasi, Ghana, to mix and master it, and it is that very same studio where African Child, the featured artist on the collaborative version, recorded his part. My friend and I planned to release the song in November 2024, so we could promote and push the song during the upcoming holiday season, then.

However, for some reason, the studio engineer sat on the record for months without doing any work on it. I got worried and a bit frustrated and asked that the project to be taken from that studio engineer and be given to another. The track was mixed by another studio engineer in Ghana called Quab Sea and I was able to release the record publicly on February 1st, 2025. Sweet Stories 2 (Soulful Solo Version) was mixed and mastered by K.R. Moore, my studio engineer here in Canada. Even in face of uncertainly, I still believed in this project, and it turned out to be amazing.

How do you balance maintaining your signature sound while pushing your artistic boundaries in this new release?:
My style of singing is mostly Pop/R&B/Gospel, (for an industry that is fanatic to categories sounds, but I don’t). I saw myself blending all those genres to communicate well with the essence of the afrobeat instrumental on the record. I found myself singing R&B but consciously and carefully tried to tailor it to a wider African audience. So we could call the track an Afro-beat R&B/Soul and Pop record? I suppose so.

What musical elements or production choices help convey the “sweetness” in these stories?:
Well, it depends on what your perception of “sweetness” is. However, I believe what made this track “sweet” was that I decided to soulfully re-do the vocals and added a little more vocal riffs and runs, well, to make the track more smoothe and Jazzy, a contrast to Sweet Stories 2 (featuring African Child) which sounds more Pop, commercial and edgy.

Did you collaborate with any new artists or producers for “Sweet Stories 2”? How did these collaborations shape the final sound?:
Well yes. With help from my radio host friend, I was able to collaborate with Dan Bassey of Ghana, who is the music producer of both Sweet Stories 2 (Soulful Solo Version) and Sweet Stoires 2, and as mentioned before, also collaborated with African Child, a fellow Ghanaian artist, who is the featured artist on Sweet Stories 2.

The communal efforts of all us as artists, producer and studio engineer, had made the sounds of both tracks phenomenal. Even though each record have a slightly different sound and feel to them, both however, have the same larger than life African musical elements that gives them an epic sound.

Looking back at both “Sweet Stories” projects, what have you learned about yourself as an artist?:
This project made me see how far I have come and grown as an artist. For years I have written my own songs, but this project has proven to me that I can be a more versatile and open minded writer for music, and also for other artforms such as film, television books and poetry.

Can listeners expect certain themes or motifs to carry through both releases? How do they connect?:
Love, affection and adoration, those are the themes and motives behind the song, and all are inter-correlated.

What’s next for you after “Sweet Stories 2”? Will there be a third chapter in this musical narrative?:
I will leave an open mind to this idea: there maybe another chapter to Sweet Stories, or I may just cap it at number 2…who knows..let us see which direction the universe takes us.

Alli Brown “Undeniable”: Resilience, Raw and Real

Music

March 2, 2025

Alli Brown's "Undeniable": Resilience, Raw and Real

Alli Brown’s “Undeniable”… Hmm, where to even begin with this kaleidoscope of sound from Salt Lake City? It’s like someone took the earnestness of a diary entry, crumpled it up, threw it at a dartboard of genres – pop, folk, country, rock – and then decided to set the whole thing to music. Did the dartboard land on “genius” or “glorious mess”? I’m still figuring that out, and that, my friends, is a good thing.

Alli Brown, who started this sonic journey in 2022, serves up eleven tracks. This feels, appropriately for our ever-decreasing span of time, important. Eleven confessions, maybe? The album hums with real-life experiences; Brown dives headfirst into the messy tangle of being human. These tunes will be buzzing around my cranium all day. Resilience, independence, the chase after your own shimmering, elusive something… it’s all there. Reminds me of trying to assemble IKEA furniture without the instructions: frustrating, yet weirdly compelling.

One minute, you’re tapping your foot to a deceptively upbeat melody, the next, you’re staring out the window, contemplating the existential dread of choosing the wrong type of pasta for dinner. Did I buy penne when I meant to buy fusilli? See, that is the rabbit hole this collection sends one on.

This album champions taking the road less traveled, even if it means leaving skid marks on the hearts of others.

It’s raw. Did she record this in her living room? A sound-proof studio? A converted spaceship? This feels independent. The specifics are blurring. All I know is it is deeply personal.

Alli Brown is declaring sonic, bold, independent self, and frankly, you want that? This album does that. Do the styles sometimes confuse each other? Is life also not messy and undefinable. Is her album Undeniable? Absolutely.

Is this the soundtrack for late-night drives, heartaches, or for triumph? Only time. Your time will tell.

Follow Alli Brown on Website, Facebook, YouTube, Instagram, SongKick and TikTok.

Beyond Vivaldi: Robert McGinty’s “Reflections” Shines

Music

March 2, 2025

Beyond Vivaldi: Robert McGinty's "Reflections" Shines

Right, so, Manchester’s own Robert McGinty is back. “Reflections,” they call it. Twelve classical instrumentals. Twelve! Like the apostles, but…less preachy, more piano-y. It’s supposed to be uplifting and joyful, this album, a sequel of sorts, tracking his growth since the debut. Did you know the collective noun for owls is a parliament? Completely unrelated, I know, but owls are wise, and there’s a certain wisdom embedded in McGinty’s compositions, somewhere between the Vivaldi-esque flourishes and that unexpected hint of Spanish guitar.

It’s predominantly classical, this thing. But it’s got this… sheen of modernity. A bit of Joplin’s ragtime pep gets in there, playfully chasing the more structured, Haydn-inspired sections. McGinty, the multi-instrumentalist maestro, throws piano, guitar, flute, and strings at us. It is all a lot. My cat, incidentally, prefers the flute sections. Claims they mimic bird song. I wouldn’t know; I’m more of a Liberace fan myself.

The album wants to explore the blend between joy, and the mellow drama that is sadness. It’s there. It’s that feeling that grabs your emotional heartstrings.

He delivers. He is reported to blend many classical styles with his unique style, and on this, he delivers a truly original, and creative album.

Beyond Vivaldi: Robert McGinty’s “Reflections” Shines

This whole album… it’s like a well-brewed cup of tea on a rainy afternoon – comforting, familiar, yet somehow… surprising. You expect Earl Grey, and then bam! A subtle hint of ginger. Where did that come from? Commissioned works are apparently sprinkled throughout, adding another layer to this sonic tapestry.

This blend of old masters. This, is what makes it an engaging experience. Classical. Yet, now.

It asks to question our own experiences, asking to look in, with an added blend of beauty.

Is “Reflections” a profound statement on the human condition? Perhaps. Or maybe it’s just a really nice collection of tunes to put on while you ponder the mysteries of the universe, like why pigeons bob their heads. Either way, it’s worth a listen.

Follow Robert McGinty on Instagram

Guess Pre “Clarity”: A Sonic Blender of Angst

Music

March 2, 2025

Guess Pre's "Clarity": A Sonic Blender of Angst

Guess Pre’s “Clarity.” The name itself feels like a punchline missing its joke, or maybe the setup to a philosophical riddle I’m not equipped to solve. Gregory Stanton, the Wisconsin-based artist behind the moniker, has served up a nine-track album that’s… well, it’s trying to be a lot of things, and surprisingly, mostly succeeding.

This isn’t background music for folding laundry. It’s more like the soundtrack to a fever dream where you’re simultaneously filing your taxes and learning to salsa dance. Grimrose’s mixing gives this multi-genre selection a polished professional feel.

The album, mastered by Lia Kahn, dives headfirst into Stanton’s sobriety journey, grappling with the mundane chaos of daily existence. There are shades of early 2000’s electronica, but, and for some reason, also hints of an old dial up modem sound mixed in. That sounds insane, I Know, but just follow me here. It works. It creates some sense of urgency, or maybe the “dial-up” evokes that connection, I’m just not quite sure.
Responsibility, self-doubt, the relentless hum of anxiety—it’s all in here.
“Clarity” is presented with an unexpected instrumentation and sonic texture. Stanton worked alongside various local producers to provide the wide ranging beats to back his unique vocal performances.

Guess Pre’s “Clarity”: A Sonic Blender of Angst

It’s like Stanton took EDM, punk, and lyrical rap, tossed them into a blender with a handful of existential angst, and hit “frappe.” The result is sometimes jarring, sometimes breathtaking, and always… interesting. One minute you’re nodding along to a beat that wouldn’t be out of place in a cyberpunk club, the next you’re pondering the nature of reality. Why is cheese so expensive? It’s questions like these, alongside Stanton’s own personal questioning that “Clarity” invokes.

“Clarity” shows marked maturity, and offers listeners a positive and cohesive perspective, that has a solid base for futher expansion on later releases.

Is this the sound of enlightenment? Probably not. But it’s a compelling, confusing, and ultimately captivating snapshot of one person’s attempt to make sense of it all. And, honestly, isn’t that what the best art should be?

Follow Guess Pre on Website, Facebook, Bandcamp, YouTube, Instagram and TikTok.

Megan Wheeler “Now That I’m Gone”: A Sparkling Anthem of Self-Respect.

Music

March 2, 2025

Megan Wheeler's "Now That I'm Gone": A Sparkling Anthem of Self-Respect.

Megan Wheeler’s new single, “Now That I’m Gone,” arrived. Not via carrier pigeon, thankfully, though wouldn’t that be a marketing strategy? No, it arrived in the usual, utterly un-magical digital way, yet somehow, managed to feel like a little explosion of confetti made of pure, defiant self-respect.

This isn’t your typical “woe-is-me” breakup ballad. Wheeler, often drawing favorable comparisons to the songwriting queens, that Holy Trinity of, Swift, Roan, and Lavigne. Which one time prompted my great-aunt Mildred to ask if a “chappell roan” was a type of fancy Victorian sofa. Bless her. Anywho, Where was I?

Ah yes.

“Now That I’m Gone” channels that spirit beautifully. The pop-rock infusion pulses with the energy of someone slamming the door and immediately booking a solo trip to… well, anywhere. Somewhere involving zero shared appetizers and absolutely no compromises on the playlist. It is all wrapped up in a beautiful uplifting pop packaging.

Megan Wheeler’s “Now That I’m Gone”: A Sparkling Anthem of Self-Respect.

The central theme – the deliciously satisfying realization that you were the prize all along – is powerfully rendered. And isn’t that the bizarre thing about human relationships? How often we only appreciate the shimmering mosaic of a person once the picture is incomplete. Like finally noticing the intricate brushstrokes in a Van Gogh only after someone’s swiped it from the museum. (Not advocating art theft, obviously).

Wheeler’s vocals soar, carrying the weight of earned wisdom and a bright streak of “good riddance.” The message isn’t just about moving on; it’s about ascending. This anthem for those moving on from under appreciation. For strength after being devalued. For women reclaiming their power.

It made me want to organize my sock drawer, not out of sadness, but out of pure, unadulterated efficiency. And maybe learn how to play the theremin. Because why not?

Is Megan Wheeler a phenomenal young talent? yes, methinks so.

“Now That I’m Gone” is a reminder that sometimes, the best way to be seen is to vanish – at least, from the view of those who couldn’t see you in the first place. A sparkling vanishing act, indeed.

Follow Megan Wheeler on Website, YouTube, Instagram and TikTok.

The Sway’s “When Worlds Collide”: Unearthed Gems with a Heart of Gold

Music

March 2, 2025

The Sway's "When Worlds Collide": Unearthed Gems with a Heart of Gold

The Sway. London. Late 80s. These words, on their own, conjure… well, honestly, a flock of pigeons taking flight in Trafalgar Square. Unexpected, right? That’s kind of the vibe of “When Worlds Collide,” a re-release that feels both unearthed and strangely present. This isn’t some shiny, manufactured product; it’s a chipped teacup filled with surprisingly strong brew.

The band—David Casson, Paul Hogan, Sean Kelly, James Kook, and, for this album only, Matt Smith on keyboards—has crafted something that feels intensely lived. The album delves into a difficult period marked by addiction, revealing struggles and their brotherly resilience. Alt-rock pop with indie rock flavouring for classification, right. Fine.

But the music! It dodges easy categorization. It’s the sound of resilience, sure, but also the sound of questioning. Of staring into the abyss and then, deciding to build a rather fetching little garden on the edge. Is this the soundtrack for conquering personal demons, Or baking a really good sourdough loaf during existential crises? Possibly Both.

The Sway’s “When Worlds Collide”: Unearthed Gems with a Heart of Gold

The thematic core, apparently, revolves around shared experiences, struggles, and, rather endearingly, “brotherly love.” It’s a journey, they say. A messy, hopeful process of becoming. There’s joy, pain, fear of mortality, a search for meaning, which is a search we are all going through. Are we worthy? Do hummingbirds remember their dreams? These are the REAL questions!

And yet, amidst this exploration of personal depths, there’s a persistent upward glance. Hope. The unwavering choice to carry one anothers baggage. Which is brave.

“When Worlds Collide” isn’t about perfect landings; it’s about the flight, the turbulence, and the strange, unexpected beauty found in the spaces between chaos and order. Did the band intend to tap into the universal fear of clowns while simultaneously inspiring a deep craving for marmalade? I doubt it, but maybe they achieved it by chance. It will stick, I think.

Follow The Sway on Facebook, YouTube, Instagram and TikTok.

Ludwig Jonsson’s “Anybody Out There”: A Hard Rock Scream in the Void

Music

March 2, 2025

Ludwig Jonsson's "Anybody Out There": A Hard Rock Scream in the Void

Ludwig Jonsson, hailing from Jönköping, Sweden – a place I once imagined was solely populated by competitive furniture assemblers – has unleashed “Anybody Out There,” a single that slams into you like a rogue shopping cart on a downhill slope. It’s hard rock, sure, but it’s got this texture, like sandpaper dipped in honey.

Jonsson, the one-man army of sound, crafts everything in his home studio. Is the central heating on blast to enhance the distortion? Or is it the cold, creeping realization that life is just, well, weird? The song delves into this. This feeling of disillusionment and the empty “endless spinning wheel of what you call fame,” feels real, a honest, rough statement.

The theme: a desperate plea for some signal from the void.
He sings of broken promises weighing heavier than a Viking longship, and the terrifying monotony of existence.

One minute you’re analyzing chord progressions, and the next you’re pondering if squirrels have existential crises. (They probably do. All that nut-burying…)

Ludwig Jonsson’s “Anybody Out There”: A Hard Rock Scream in the Void

It’s the question within the question that grabs you: “Is it anybody out there, anybody listening?” The raw search for belief in oneself reverberates. It hits that primal nerve, that need to be seen, to be acknowledged. It’s like when you spend three hours perfecting a sourdough starter, only to have your cat knock it off the counter. The frustration, the yearning, the…doughy despair.

“If nothing seems to make any sense.” He gets it.

So the message isn’t clear, it’s messy. Is this track messy? No. The clarity in his singing of his doubt, his angst is crystal.

“Anybody Out There” isn’t a comforting lullaby. It’s a scream in the dark, powered by guitars, drums and existential dread – and strangely, it’s comforting in its brutal honesty. Maybe the void screams back. Or maybe it just offers you a really good recipe for lingonberry jam.

Follow Ludwig Jonsson on Facebook and Instagram.

Toxicity and Catharsis Collide in Wheels Stop

Videos

March 2, 2025

Toxicity and Catharsis Collide in Wheels Stop

Through Eddie Cohn’s song Wheels Stop the listener experiences the full force of being trapped in an abusive relationship. The indie-rock track exposes listeners directly to its chaotic conditions while matching the underlying emotional struggle through its musical elements.

The opening acoustic guitar harmonies in Wheels Stop create a folk-driven rhythm which seduces listeners until the song abruptly transforms into an aggressive musical frenzy. The song repeatedly shifts tempo without warning which creates a chaotic sequence of emotional movements for the listener. Throughout the song’s instrumental collision the central question “Can we be happier?” asks for understanding yet the confusion consumes it.

Throughout the song’s instrumental collision the central question “Can we be happier?”

The song carries an honest and cleansing character that sets it apart. All musical elements create an endless spiral motion which represents both quick-moving thoughts and unfinished emotional states. The performance conveys a sense of panic because it pleads for an immediate stop to the distressing mental state. Cohn’s voice showing signs of hoarseness communicates his frustration throughout the slow descent of sonic elements which produces deeply authentic musical moments.

Wheels Stop maintains its unfinished quality yet it remains complete as a piece of music. Wheels Stop reaches its emotional peak by presenting a safe environment for people to project their feelings against the walls of sound. This anthem speaks to people who experience being stuck inside their obsessive thoughts because it delivers uncut emotional messages of anger along with deep searching.

Wheels Stop stands out because Cohn successfully fuses indie-rock with powerful emotional narrations. Wheels Stop functions as more than mere music because it represents an aural confrontation.

Watch Wheels Stop below

Follow Eddie Cohn on

BRUCK’LYN “Moonshot”: Progressive House for Inner Space Voyages

Music

March 2, 2025

BRUCK'LYN's "Moonshot": Progressive House for Inner Space Voyages

BRUCK’LYN, the former corporate titan turned progressive house maestro, has dropped “Moonshot,” an instrumental track that’s less about lunar landings and more about an inner space voyage. Why do pigeons always seem to know where they’re going? Anyway, BRUCK’LYN seems to be directing us towards our own navigational prowess, through sound.

“Moonshot” builds slowly. Not like waiting for a particularly stubborn microwave meal to heat up, but more like the gradual blooming of a desert flower after a rare rainfall. It’s progressive house, sure, but the kind that reminds you that progress isn’t always a straight line. Sometimes it’s a spiral staircase, and sometimes, you are at the beach, eating fries.

The track avoids vocal pyrotechnics, deciding instead to pull you into a whirlpool of escalating synth melodies. It makes you feel like going outside. The danceability is definitely there, the kind that might make you do that awkward-yet-enthusiastic arm-flail thing at a festival. But there is a pensiveness lurking underneath, and I find this surprising.

BRUCK’LYN’s “Moonshot”: Progressive House for Inner Space Voyages

It’s also oddly reflective. Not in a gazing-at-your-reflection-in-a-pond kind of way, because this makes one want to move. It reminds you to be a traveler inside while the body does its flailing thing. The melodies climb, the beats drop – basic components, elevated. Like bricks constructing a Gaudi cathedral rather than a garden shed. The feeling of a sort of pensive celebration carries it’s essence, throughout.

What is BRUCK’LYN aiming for here? A simple answer can only be that It feels profoundly optimistic, a quiet shout of resilience into the great echoing void of… Tuesdays.

Perhaps “Moonshot” isn’t about escaping reality, after all, it can be like turning towards. What does the future sound like?

Follow BRUCK’LYN on Website, Facebook, YouTube, Instagram and TikTok.

Epic Sigh’s “Deteriorate”: Neon-Drenched Existential Dread

Music

March 2, 2025

Epic Sigh's "Deteriorate": Neon-Drenched Existential Dread

Epic Sigh’s “Deteriorate,” a single served straight from the neon-drenched gut of Las Vegas, has somehow materialized. Nina Carmine’s vocals—soulful? Yes, hauntingly so, echoing off the canyons of some internal, broken jukebox. Alongside her, Aleena Carmine with songwriting and Nick Carmine helming production construct, it at its heart; its sonic skeleton. Alan Nicholas’s Guitar, sampled throughout the track, has left an indelible impression on me, leaving me dazed as to their ability to make a six string scream.

This isn’t just background music for your existential dread; this is the soundtrack. The track paints a vivid portrait of a desert city tearing itself apart – you can almost taste the grit and the desperation. One question keeps running in my head, if sand could sing, what key would it choose? Probably a minor one, based on “Deteriorate.”

The tribute to David Gilmour/Pink Floyd is palpable, but it’s not mere imitation. There’s a pulse here, a uniquely Epic Sigh kind of blues-rock-alternative blend. The influence seeps in, of course. I mean that guitar? It weeps a digital tear that seems suspiciously analog. The whole thing thrums with the ghost of 2000s alt-rock.

The theme of violence, cyclical and inescapable, presented by the band? Well, it doesn’t pull any punches. There are lines being drawn between childhood trauma, present-day aggression, and a future that looks remarkably… well, doomed. It’s like a sonic Hieronymus Bosch painting. Yet there’s some twisted, compelling need for absolution stitched through this burning tapestry of neon and regret, of love lost and betrayed.

Epic Sigh’s “Deteriorate”: Neon-Drenched Existential Dread

Suddenly, I’m reminded of that time I saw a flock of pigeons fight over a single french fry. Survival of the fittest, right?

The single stands well on its own, of course. But from what they told me about being part of some grand concept album narrative? It does indeed, leaving the track is a gear turning in something larger. Something even… darker?

Does “Deteriorate” offer answers? No. But it screams the questions with a raw, electric urgency that is a perfect portrayal.

Follow Epic Sigh on YouTube, Instagram and TikTok.

Dairius Alexander Keeps It Real with Sober

Music

March 2, 2025

Dairius Alexander Keeps It Real with Sober

Dairius Alexander creates a powerful musical journey through Sober which emerges from his hometown of Charlotte, North Carolina. The 14-track album presents itself as more than musical compositions since it delivers a personal story about battling hardships while demonstrating perseverance through self-reflection.

Sober represents four years of work between Dairius Alexander and producers Akeem J Wells and Spxlly who combined classic hip-hop elements with modern storytelling techniques. Through the album Alexander guides listeners along his sobriety adventure which reveals both his exposed moments and his moments of victory.

Sober functions as an unadulterated depiction of human existence. Music is his tool to remain authentic because Dairius Alexander refuses to follow trends or commercial formulas while creating music that reaches listeners on an emotional level. The album smoothly transitions from upbeat boom-bap anthems to emotional grainy textures creating an old-school feeling that remains both new and classic at the same time

Music is his tool to remain authentic because Dairius Alexander refuses to follow trend

Different songs on the record express various feelings from emotionally heavy reflections to hopeful determination. Alexander presents a confident hip-hop offering through this album which reveals both his poetic abilities and the story of his personal development alongside his fight through obstacles.

In his own words Dairius labels Sober as his “trajectory point” because it represents his current life status. Through his album Dairius shares his battles and accomplishments during his time of sobriety because he makes himself open to listeners according to his explanation. The album Sober achieves more than its status as music because it delivers raw honesty combined with self-examination which draws listeners deep into his reality.

Sober establishes Dairius Alexander as an artist who goes deeper than shallow storylines in his music. This body of work brings genuine and exposed messages which strike deep within the audience. The album sticks in your mind through its exceptional production quality and meaningful lyrics so much so that its effects remain strong even after the last song concludes.

Listen to Sober below

Follow Dairius Alexander on

The Soundtrack of a Life: Exploring ‘Ces Années-Là’

Music

March 1, 2025

The Soundtrack of a Life: Exploring 'Ces Années-Là'

Jaime’s Tone, the Paris-based songwriter and arranger known professionally as Jacques M., has taken a bold and deeply personal turn with his latest album, Ces années-là. After four English-language releases, he returns to his native French, crafting an intimate and evocative sonic memoir that feels like a journey through time and memory. Renowned for blending genres such as pop, rock, hard rock, and progressive rock, Jaime’s Tone elevates his artistry by weaving his own life story into this concept-driven project.

Each track on Ces années-là represents a distinct chapter of life, from the struggles of youth to the uncertainties of what lies ahead. The album opens with “Les années difficiles,” a haunting yet powerful piece that sets the tone. Somber chords give way to a dramatic crescendo, reflecting both hardship and resilience. Jaime’s raw, emotive vocals guide listeners through an introspective exploration of adversity, drawing them into the narrative from the very first note.

“Les jeunes années” shifts the mood, bursting with the carefree energy of youth. Here, electrifying rock riffs meet subtle electronic elements, creating a dynamic and immersive experience. Jaime’s precise guitar work and rhythmic intricacies evoke nostalgia while keeping the sound fresh and modern, reminding us of simpler times.

Jaime’s precise guitar work and rhythmic intricacies evoke nostalgia while keeping the sound fresh and modern, reminding us of simpler times.

One of the standout tracks, “Les années folles,” celebrates the reckless abandon of young adulthood. With its infectious rhythm and whimsical instrumentation, the song blends chaos and exhilaration seamlessly. Jaime’s vocal acrobatics and genre-fluid approach make this a highlight, encapsulating the album’s diverse influences in one unforgettable moment.

A serene interlude comes with “Les années heureuses,” where happiness and contentment are explored through delicate piano melodies and lush string arrangements. This track offers a moment of calm reflection, capturing the fleeting yet profound nature of joy—a much-needed respite amidst the album’s emotional highs and lows.

The lead single, “Les années oubliées,” introduces a reggae-infused groove that adds a refreshing contrast to the predominantly rock-centric sound. Its evolving structure keeps listeners engaged, while its melancholic undertone reflects themes of lost time and forgotten memories. Jaime’s willingness to experiment with unexpected genres highlights his fearless musical exploration.

The album closes with “Les années futures,” a track that embraces both hope and uncertainty. Expansive instrumentation and soaring melodies create a sense of open-ended possibilities, leaving listeners with a feeling of anticipation for what’s to come. Jaime’s voice, filled with conviction, reinforces the album’s overarching themes of growth and self-discovery.

Ces années-là marks a significant evolution in Jaime’s Tone’s career. By returning to his roots—both linguistically and thematically—he has created an album that is as musically adventurous as it is emotionally resonant. His seamless blend of rock, pop, and subtle electronic influences results in a collection that feels both innovative and heartfelt. For anyone seeking an album that intertwines personal storytelling with rich sonic textures, Ces années-là is not just a listen—it’s an experience.

Listen to Ces années-là below

Follow Jaime’s Tone on

Shatter the Mirror: Aging Disgracefully Unveils “Foggy Highway”

Music

March 1, 2025

Shatter the Mirror: Aging Disgracefully Unveils "Foggy Highway"

Aging Disgracefully, that bluesy duo daring to stare down Father Time with a guitar and a microphone, has dropped “Foggy Highway,” a single from their upcoming album, “Shatter the Mirror”. And, speaking of shattering, have you ever tried to assemble IKEA furniture without the instructions? It’s a bit like that – confusing, occasionally infuriating, but with moments of unexpected brilliance.

Karen’s vocals wrap around you like the fog in the song’s title, both comforting and disorienting. Mike’s guitar work weaves in and out, sometimes a gentle guide, sometimes a rebellious detour. This isn’t background music; it’s foreground life.

Shatter the Mirror: Aging Disgracefully Unveils “Foggy Highway”

The song grapples with this mad dash we call existence, portrayed as a road trip down, well, a foggy highway. Makes perfect sense; there’s talk about all the choices you make along this adventure. The destination is fixed (spoiler alert: we all end up in the same place), but how we get there? That’s the juicy bit. It’s a conversation, really, an audible wrestle, to decide between traffic regulations or that hidden path. Do we stick with those mundane signs or try taking a jump over the ravine?

The song explores this need, this absolute craving, to just… break free. There are whispers in the fog about society telling us to slow down. What’s with those prescribed rules? They question the entire concept of life stages and those absurd expectations.

Aging Disgracefully calls it. Life isn’t just about the passing moment; it’s the blurry, unpredictable journey that counts. What happens when we stop fearing the fog?

Follow Aging Disgracefully on Website, Facebook and Instagram.

Cat Mayel’s “FREE”: Sonic Sorcery & Self-Liberation

Music

March 1, 2025

Cat Mayel's "FREE": Sonic Sorcery & Self-Liberation

Cat Mayel’s “FREE” arrived, not on a silver platter, but more like a rogue pigeon delivering a very important message – a crumpled napkin with profound scribbles. This Nigerian producer, composer, arranger, and all-around sonic sorceress has served up a single dose of alternative neo-soul that feels… well, free. As free as a shopping cart with a wonky wheel, anyway. It goes where it wants.

The theme, as they say, is self-liberation. But have you ever tried to liberate a particularly stubborn jar of pickles? It’s like that, only the pickles are your inner demons and the jar is, well, everything else. Mayel seems to understand this struggle. The music doesn’t pummel you with positivity; it oozes understanding. It is in some moments very gentle. A calming reassurance that you are on the right path, that things take time.

The message is about breaking free, seeking truth, finding your own brand of sparkly inner peace – all that good stuff. It reminded me, oddly enough, of the time I tried to assemble flat-pack furniture without instructions. Pure chaos, followed by an unexpected sense of accomplishment (and a slightly lopsided bookcase). Grace and love, two birds with significantly different plumage, yet both birds indeed.

Cat Mayel’s “FREE”: Sonic Sorcery & Self-Liberation

“FREE” is a journey of self discovery. It tells you, go on, unfold yourself. What if a fern could sing, though? Would it sound like this?

Mayel crafts an environment, somewhere you can shed not only expectations from the outside, but that internal, judging voice. A sanctuary of self-embrace and the freedom to explore every path your self-discovery takes. You know, at your own pace, with an open heart and curious eyes. A journey without maps… or a need for any.

“FREE” sounds how you hope existing can, and sometimes does feel.

Perhaps the real freedom isn’t in the destination, but in the bewildering, beautiful mess of getting there.

Follow Cat Mayel on Website, YouTube and Instagram.

Jay J. Ra and African Child Bring Afrobeat Warmth to “Sweet Stories 2”

Interviews

March 1, 2025

Jay J. Ra and African Child Bring Afrobeat Warmth to "Sweet Stories 2"

Canadian artist Jay J. Ra delivers the reggae song “Sweet Stories” another time through “Sweet Stories 2” alongside Ghanaian artist African Child who gives it an Afrobeat twist. The reimagined track combines the lively African music elements with deep emotional content to produce an entirely fresh piece that respects the original essence.

Producer Dan Bassey led the project where Quab Sea handled the mixing and mastering work to deliver this rich sound experience. The production achieves its perfect balance through Ra’s soft vocal delivery which narrates messages about love and loyalty and African Child’s performance that adds Ghanaian dancehall intensity to the entire song. The song strikes that ideal equilibrium which lets audiences delve in deeply through the headphones but still dance wildly to its irresistible beats.

The production achieves its perfect balance through Ra’s soft vocal delivery which narrates messages about love and loyalty and African Child’s performance that adds Ghanaian dancehall intensity to the entire song.

Each component of the warm production achieves prominence in the song by offering space for the Afrobeat rhythms to thrive and enabling the beautiful vocal exchanges between performers. This song presents a complete fusion lesson which shows how musical traditions evolve into original yet recognizable new forms.

With “Sweet Stories 2” Ra continues his artistic development by maintaining his R&B and pop direction but extends his musical boundaries. The final product combines multicultural musical collaboration with a message about music’s ability to convey stories of global human connection.

Listen to Sweet Stories 2

Follow Jay J. Ra on

Mark Vennis: Is “Solid Ground” Hope or the Apocalypse?

Music

February 27, 2025

Mark Vennis: Is "Solid Ground" Hope or the Apocalypse?

Right, so “Solid Ground” by Mark Vennis & Different Place (that’s Mark Vennis, Dave Sweetenham, Sean Quinn, and Brian Gee, for the record keepers) landed… somewhere. Not on my desk, not in my ears. Let’s say it phased into existence on my consciousness, like a rogue transmission from a slightly distressed future.

This isn’t your average post-punk dirge, although it definitely has that delightful sense of impending doom that the genre does so well. There’s a thrumming urgency, blended with…is that a blues harmonica? A theremin being strangled by a dial-up modem? My brain feels pleasantly scrambled.

The theme is, frankly, terrifying. Environmental collapse. But Vennis & Different Place aren’t just shouting about melting ice caps. The lyrics spin a yarn of systems failing and about a singular reality that leaves us with the primal, undeniable truth that you may just require assistance from someone standing right next to you! A bit like realizing that maybe relying on that sentient smart fridge wasn’t the best idea during a blackout. You need your neighbor, the one with the actual, old-school can opener.

Mark Vennis: Is “Solid Ground” Hope or the Apocalypse?

The sound weaves between the angular guitars you’d expect, and unexpected soul. Also included is an electronic throbbing sound that brings some welcomed freshness.
The remix? Ah, yes. By Escape which provides an electro twist.

What else…Oh! An acoustic version?! Why not…It’s stripping away the layers that I enjoyed so much, the result is different and kind of unique.

This whole thing gives off vibes of those old public information films – the ones that were supposed to prepare you for nuclear war but just ended up making you want to build a fort out of sofa cushions. There’s an undeniable element of, well, coping woven into the noise.

It is not quite certain if “Solid Ground” offers hope, or just a really stylish soundtrack for the apocalypse. Maybe, it suggests, they’re the same thing?

Follow Mark Vennis & Different Place on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Sound the Alarm! Ganzi Gun Unleashes “Aggressive Response”

Music

February 27, 2025

Sound the Alarm! Ganzi Gun Unleashes "Aggressive Response"

Ganzi Gun, that Athens-based quintet of hard rock, have unleashed “Aggressive Response,” a single that… well, it hits you like a sudden downpour of feta cheese. Unexpected, slightly messy, but ultimately, kind of satisfying. The theme is resistance. Or, maybe its about vampires. Wild vampires. They mention that directly, it isn’t one of my odd jumps in conciousness.

The song’s core roils with defiance, a middle finger raised squarely at the nebulous “they” who seek to control and oppress. Nikos Melas, on vocals, snarls and soars, painting a picture of suffering, chains, and ultimately, a crazy (their word, not mine) uprising. The “we” in this sonic rebellion are “summer descendants,” a phrase which inexplicably makes me think of sun-baked Roman ruins and the echo of gladiatorial combat. Are Ganzi Gun musical gladiators? Maybe. It’s all beautifully nonsensical.

Sound the Alarm! Ganzi Gun Unleashes “Aggressive Response”

The instrumental aspect, with Dionyssis Bourazanis on rhythm guitar and backing vocals, Thanassis Dadakarides slicing through with lead guitar, Manolis Mathioudakis providing the low-end rumble on bass, and George Dzerefos hammering out the rhythmic backbone on drums is, tight. Really tight. They play very well together. Also Pygmalion Dadakarides. Featured artist, and from the same clan as Thannasis! They make an outstanding sonic mixture of classic hard rock, with a nod to their American influences. There are some similarities to some bands from Seattle, from way back, and I refuse to make direct comparisons.

But back to these themes: Control. Disrespect. Suffering. It makes you wonder, are we not, on a Tuesday, all searching, seeking, striving for liberation, a “breaking of chains”?. Ganzi Gun channels that primal urge, that fundamental need to shatter the mundane and scream into the void.

This song makes you think that a pineapple is probably a fine hat if the occasion arises.

Ultimately, “Aggressive Response” makes you ponder; is resistance, whether real or vampire, in fact, futile? Or does it add another layer of flavor, perhaps an “acquired taste”?

Follow Ganzi Gun on Website, Facebook, Twitter, Bandcamp and Instagram.

Love Lavida – A High-Energy Celebration of Music and Mindset

Music

February 26, 2025

Love Lavida – A High-Energy Celebration of Music and Mindset

Proklaim’s latest release, “LOVE LAVIDA,” is a powerful demonstration of hip-hop’s ability to transcend boundaries and create something truly unique. This track delivers a sonic experience that captivates both the mind and body, blending reggaeton, Caribbean, and West African influences with sharp, meaningful lyricism to produce an irresistible anthem.

Throughout the song, Proklaim showcases his technical skill with precision and finesse, navigating the rhythm with ease while infusing every verse with intention. Each word carries weight, delivering a message that resonates deeply. Beyond its infectious beat, “LOVE LAVIDA” serves as a testament to self-determination, encapsulated in empowering lines like “number one is when it’s said and done, it’s on you.” It’s a reminder of personal agency and the power within us all.

The production process behind the track is equally noteworthy. Recorded at Pen Pushaz Studios and polished by Wojtek Majewski, “LOVE LAVIDA” highlights Proklaim’s innovative spirit. Starting with an online reggaeton beat, he reimagined it into something uniquely his own, weaving together melodic hooks, layered vocals, and rapid-fire verses to create a rich, textured soundscape that invites repeated listens.

In “LOVE LAVIDA,” Proklaim proves that hip-hop can evolve without losing its roots, offering a dynamic piece that connects on both emotional and intellectual levels. This track isn’t just music—it’s a celebration of culture, creativity, and individuality.

Listen to LOVE LAVIDA

Follow Proklaim on

Stepping Into the Neon Glow: An Interview with Jackie Moontan

Interviews

February 26, 2025

Stepping Into the Neon Glow: An Interview with Jackie Moontan

Jackie Moontan brings more to his art than traditional artist qualities because he displays showmanship and storytelling talents together with his unique originality which loves theatrical presentation. Jackie presents himself through vibrant satin clothing while his stage presence attracts viewers alongside his preference for kitschy aesthetics.

The audience sees Jackie performing with extreme movement before witnessing him either express uncontrolled shouts or roll out of the performance area. His onstage performances deliver unpredictable sequences yet he remains a perceptive artist who performs crooner songs combined with pop and funk and soul elements that express both ridiculous and universal themes.

Jackie presents “The Dark Side of the Tanning Bed” as his new album which merges humorous elements with reflective content. The new concept album based on Jackie Moontan’s fictional story traces his fictional character’s ascent through life while he battles human wants and desires alongside vanity’s pitfalls. The album presents a complex sonic experience through its barroom atmosphere and soulful saxophone melodies which deliver both comedic moments and deep social insights.

This interview explores how Jackie creates his music while examining his distinct style influences together with the unpredictable making of his most recent album. Jackie Moontan brings you on an exciting adventure through his vibrant and turbulent and deeply emotional world.

Listen to The Dark Side Of The Tanning Bed

Follow Jackie Moontan on

Spotify

Youtube

The title “The Dark Side Of The Tanning Bed” suggests both humor and potential social commentary. What inspired this particular concept for your new single?
I think it’s important to approach things with humor. At least for me, that’s how I keep my head afloat in this torrent of misery.

Your artist name “Jackie Moontan” paired with this track title creates an interesting thematic connection. Was this intentional, and how does it reflect your overall artistic identity?
Everything I do is intentional. The character I play is called Jackie Moontan and he’s a moon man. This album highlights the downfall of Jackie, caught in the web of human desires and obsessions.

Can you walk us through the creative process behind “The Dark Side Of The Tanning Bed”? Were there any unexpected turns during its development?
Every process of creation has unexpected turns. It’s the beauty of it and it’s also what keeps you on your toes. This album has been written over the course of a couple of years. There’s been a pandemic, a recession and some personal drama. It has been delayed quite a few times. But it’s here now and that’s all that matters.

The Album title suggests a play on Pink Floyd’s iconic album. Does the album draw any musical or thematic inspiration from classic rock?
I’m madly in love with classic rock, and vinyls. I wanted a grand title and imagined it across a vinyl sleeve in big, broad letters. I also love concept albums, which you’ll find quite a lot during that era of music. So yeah, I chose to make a concept album with a continuous story and a grand sounding title with an old school artwork and photo as an hommage to the records I love.

What message or feeling were you hoping to convey through this single?
Love doesn’t rule the world, unfortunately, but it’s that glue that keeps it all together.

Stepping Into the Neon Glow: An Interview with Jackie Moontan

How would you describe the sonic landscape of “The Dark Side Of The Tanning Bed” to someone who hasn’t heard it yet?
It’s a bar, a bit romantic and a bit sleazy. The neon is flickering and in need of repair but the stage floorboards are immaculately polished and there are old red velvet theatre curtains surrounding it.

There’s a lonesome singer with a glass of scotch in one hand, singing his song of longing center stage. Every once in a while a saxophone cuts the smoke heavy air with it’s wonderful warmth and weight. An old couple kisses again and after the singer has cleared the stage, everyone leaves early, somehow happier than they were before.

Did any personal experiences influence the creation of this track?
Even though the character of Jackie is fictional, the sadness and the madness is all mine.

The title suggests a certain irony or cultural critique about beauty standards. Is this something you intended to explore in the song?
I write the lyrics, you do the interpretation. There’s definitely more than one thing to read between the lines.

How does this single represent your evolution as an artist compared to your previous work?
On my previous EPs I played most of the instruments myself, on a midi keyboard. It gave it a bit more of a bedroom pop feel. For my first album I wanted to highlight the wonderful musicians that accompany me on stage, so I went for that band sound.

Were there any specific musical influences or references you incorporated into this album?
There’s quite a few influences. From the aforementioned classic rock over to soul and funk music. I love James Brown, David Bowie and Parliament Funkedelic. This music moves me. However I’m very careful to not let the influences shine through in an obvious way and make my music predictable.

What was the most challenging aspect of creating or recording “The Dark Side Of The Tanning Bed”?
Getting up in the morning. You won’t believe how hard that is when you’re living through a full on depression and you have to function somehow.

Is this single part of a larger project or concept you’re developing?
Yes, world domination.

What has been the most surprising listener reaction to the song so far?
I saw panties fly off a woman once. It was quite a sight to behold.

What’s next for Jackie Moontan after this release?
I’ll probably become a broker. There’s money to be made there, I heard.

From Struggle to Strength: The Story Behind ‘Move On’

Interviews

February 26, 2025

From Struggle to Strength: The Story Behind 'Move On'

Every artist has that one song that truly captures a moment of change, a turning point in their journey. For Bleec, that song is “Move On.” Originally written a decade ago, the song has evolved into an uplifting anthem about resilience, renewal, and embracing the future. With dreamy, energetic production and deeply personal lyrics, “Move On” is a reminder that the past does not define us—better days are always ahead.

In this exclusive interview, we dive into the creative process behind “Move On,” exploring how the song transformed from a simple piano melody into a fully produced track. Bleec shares insights into their musical evolution, inspirations, and the challenges of recording as an independent artist. We also get a glimpse into their future projects, including a debut studio album that promises to push their sound even further.

From self-production to personal storytelling, this conversation reveals the heart and soul behind “Move On.” Join us as we explore the journey of an artist who is always on the rise—both in music and in life.

Listen to Move On

Follow Bleec on

What personal experiences or stories inspired you to write “Move On”?
I actually wrote this song 10 years ago. I really liked the chords and didn’t think much of it at the time. The lyrics were written in a gradual process, however the title has always been the same. This song is an uplifting and hopeful anthem about leaving the past behind and looking ahead.

It starts with feelings of struggle and sadness, but as it goes on, the message becomes clear—it’s time to let go and move forward. The chorus is a strong reminder that the past doesn’t define you, and better days are ahead. With a dreamy, energetic sound, it’s the perfect song for anyone ready for a fresh start.

Can you walk us through your creative process while developing this single? How did the song evolve from its initial concept to the final version?
Like many of my songs, I start with just sitting by my piano and my fingers start to play. Whatever emotions I am feeling at that moment are transcribed into the sound you hear. From there I add and produce all the surrounding elements. Record more instruments and vocals. In the end I mix and master it to the best of my ability.

Whatever emotions I am feeling at that moment are transcribed into the sound you hear. From there I add and produce all the surroundin

Musical Style and Evolution: How does “Move On” reflect your musical evolution? Are there new elements or styles you’ve incorporated that differ from your previous work?
When playing the song for friends, they hear similarities to bands like Owl City, Passion Pit and Parade of Lights. Looking back, I certainly see those connections. The song has a very atmospheric poppy vibe to it, which is exactly what I wanted to achieve. I’ve experimented with a lot of different styles in the past.

From EDM, Techno, to Punk-Rock and Folk. I find however this style fits my persona well at the moment and I will be producing even more blends of different genres in the future.

Did you collaborate with other artists, producers, or songwriters on “Move On”? If so, how did these collaborations influence the final outcome?
Nope, just me myself and I.

What were the biggest challenges you encountered during the production of “Move On,” and how did you overcome them?
The vocals have always been a difficult part for me. Since I record at home, my resources are limited. However I plan to record the next songs in a professional studio, so you can look forward to cleaner vocals 🙂

What message or emotions do you hope listeners take away from “Move On”?
As I said before, it’s a reminder that the past doesn’t define you, and better days are ahead. Whatever struggles you are going through, there will always be tomorrow and a new horizon with endless possibilities to reach out and grab.

Are there any music videos or visual projects accompanying the release? How do they complement the song’s theme?
I’ve opted for a variation of short clips to promote this song. Many are shot outside in front of a typical Swiss landscape and forest. Nature symbolises growth and life, which is also what I’m trying to preach in this song.

How has the initial response been from your audience and critics? Has any feedback surprised you?
In the past I’ve played this song live on numerous occasions and I always got great responses from it. Online I’ve gotten many positive reviews and also a radio play on a nation wide station, for which I was super excited for.

Does “Move On” hint at the direction of your upcoming projects or an album? What can fans expect next from you?
I actually am currently working on my very first studio album. This song will be remastered and also featured on the album so stay tuned! I’m also working on some side projects and visualisations for other singles. One might be dropping sooner than you think!

The Art of Subtle Evolution: A Conversation About Sound, Change, and Emotion

Interviews

February 26, 2025

The Art of Subtle Evolution: A Conversation About Sound, Change, and Emotion

Music lives in paradox – both eternal and ephemeral, fixed yet fluid with each new listen. This duality sits at the heart of ‘Nothing Changes, Nothing Stays The Same’, a track that moves seamlessly between introspective depths and pure dancefloor energy.

The song emerged in a single day, born from an organic creative flow that prioritized intuition over complexity. While its DNA carries clear traces of German techno, the track draws from a broader palette of influences, walking the line between structured precision and spontaneous evolution.

In our conversation, we explore how subtle sonic shifts mirror the way thoughts and emotions transform over time. We delve into the technical architecture behind the track’s hypnotic minimalism, while also examining deeper questions: What happens in those solitary moments of dance, when we’re simultaneously lost and found in the music? How do small musical changes reflect life’s quiet revelations?

‘Nothing Changes, Nothing Stays The Same’ is a testament to music’s dual nature – a piece that resonates in both motion and stillness, leaving its mark long after the last note fades.

Listen to Nothing Changes, Nothing Stays The Same

<a href="https://idanben-tal.bandcamp.com/track/nothing-changes-nothing-stays-the-same">Nothing Changes, Nothing Stays The Same by Idan Ben-Tal</a>

Follow Idan Ben-Tal

Soundcloud