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Proklaim is back with another fantastic hit, and this one is called “Crown.” Released earlier this year, “Crown” is an upbeat hip-hop/rap track that solidifies Proklaim’s place as a rising artist.
Known for his progressive beats and powerful lyricism, Proklaim’s rapping skills are on full display, delivering each verse with clarity and ease. His voice is engaging and his flow is impeccable, riding smoothly over a catchy beat that will have your head bopping along.
“Crown” stands out for its production quality, recorded at PEN PUSHAZ ENTERTAINMENT and expertly mixed and mastered by Wojtek Majewski at Audio Art Namibia. The song blends jazzy undertones with trap-inspired beats, creating a dynamic and immersive listening experience.
The track opens with a soulful vibe, immediately drawing listeners into a world of introspection and empowerment. Thematically, “Crown” delves into the quest for self-realization and transcending limitations, with Proklaim’s poignant lyrics urging listeners to seize their destinies and strive for greatness.
Known for his progressive beats and powerful lyricism, Proklaim’s rapping skills are on full display, delivering each verse with clarity and ease.
His verses weave personal reflection with broader societal commentary, making “Crown” a compelling example of contemporary hip-hop with a deep-seated message.
Proklaim’s ability to craft music that captivates and inspires is evident in “Crown.” It’s more than just a song; it’s a lyrical journey navigating themes of resilience, ambition, and personal triumph.
This track not only solidifies his reputation as a skilled wordsmith but also as an artist dedicated to pushing boundaries and inspiring listeners. “Crown” is a standout track that lingers long after the final beat fades, making it clear that Proklaim is a powerful voice in the genre.
In the kaleidoscope of GreenArts’ latest release, “Dance with Me,” each beat pulses like a neon heart under a disco ball. Here we are, swirled into a chromatic typhoon where colors taste like wild cherries and synth waves wash over your toes—sticky, sweet, irrepressible. Twirl through the candy floss clouds of his fresh pop piece: it’s as if someone threw glow sticks into a hurricane.
GreenArts isn’t just aiming for feet to move; he charges at the soul with an electric lasso trying to draw you into an embrace that smells heavily of youthful aspirations and midnight confessions. The vocals carve through the air—a mischievous whisper in one’s ear serenading shadowy romances held together by buoys holding back secrets underneath moonlit dances.
Now imagine this artist standing there amid pulsating lights calling you with dulcet tunes closer to him. It is not merely about carving rhythm but sculpting moods—the pure flush on cheeks when eyes lock across the crowded room and music fades out leaving only her giggle wrapped around his crescendoing heartbeats drowned in basslines.
GreenArts’ Chromatic Typhoon: “Dance with Me”
Is “Dance with Me” typical? Oh no! It tricks gravity so sneakers bounce off stained dance floors as though floorboards were sprinkling trampoline thrills at eager ankles ready for tales spun from nights endless swirls never letting dancers rest till dawn teases stars away.
As simple as asking another human being close enough to sway life’s tides towards innocent adventures or crescendo connections amidst infectious rhythms — protagonists sketched in song amidst cascades clamoring ‘yes’, let nostalgia redefine their steps into new memories forged beneath spotlight whispers urging “stay.”
Indie Inflections: “The Texas Governor vs Bob Dylan”
Saddle up on a sonic hallucination, as The Texas Governor—alias the enigmatic Goolkasian—forges into the whimsical territories of Bob Dylan with a sprinkle of indie rock and a doo-wop handshake in “The Texas Governor vs Bob Dylan”. Poised like an eager diver on the edge of time’s river, this brief symphony in three songs resounds through depths where folk ballads marry garage band rehearsals, all swathed in harmonies both evocative and cheeky.
With each track unfurling like windblown pages from a dust-covered diary found in a neon-lit diner, we hitchhike across narratives that flutter and dive. Seana Carmody’s whisper drapes over shadows; Nickie Fuller’s tones paint twilight gatherings; Stephanie Guzikowski ignites stars where only silence reigned. Together under Eric Ott’s orchestral wand, melodies cavort with memories—one might find themselves waltzing slowly with nostalgia beside an old jukebox echoing twilit yearnings for days gone by yet persistent still.
This isn’t merely an EP—it’s a serendipitous jive around campfires flickering to yesterday thoughts while catching tomorrow dreams mid-flight. Here within these audial confines lies not just music but kaleidoscopic lenses tinted lovingly by heartstrings pulled tautly over imaginings of how dandy lions would sound if they sang about their sun-drenched lairs.
Indie Inflections: “The Texas Governor vs Bob Dylan”
As you revel amidst these rollicking waves, let “The Texas Governor vs Bob Dylan” serve as your delightful disorientation—a merry-go-round juxtaposed against time yet splendidly anchored in meshes woven tenderly by The Texas Governor himself.
Gamble joyfully upon this auditory alchemy where every note pledges allegiance to whimsy married beautifully to wonder—and hold tight—it promises nothing less than enraptured echoes humming down endless corridors long after it ends.
In a muddle of strings and echoes, Harry Kappen’s “Cool Down” ambles into the auditorium of your mind with rock-worn shoes and a poet’s soul. Perched somewhere between the electric frenzy of Prince and the grounded melody-mongering of McCartney, this track is a sumptuous feast prepped for ears bound by digital chains.
As you dig into “Cool Down,” bits of Bowie-esque enigma unveil themselves like secret notes left in library books—enticing, unexpected. Each strum carries whispers from Dutch cobblestones mingled with splashes of Radiohead’s thoughtful paranoia. The song urges an unrushing calmness—a potent antidote to our ceaseless societal sprint. But it’s not lulling; it jolts you out through moments that quiver intensely under acoustic allure before striking hard with raw electric clarity.
Harry Kappen’s ‘Cool Down’: A Sonic Breather
Harry doesn’t merely sing; he converses intimately as though sharing confidences over last-call drinks, reminding listeners about life’s core: connections deeper than WiFi signals can forge relationships beyond profiles scrolled late at night.
Ultimately enveloped within layers upon slinky layers of guitars both clear-cut and dreamily distorted melds together one compelling sonic nudge: pause…breathe…consider what molds us beyond relentless urgency.
“Cool Down?” More like stir up—an elegantly disordered call towards reflective serenity within life’s symphony. One hopes Kappen will swing these convocations further in his impending full-length ballet “Time Will Tell.” Ah! For now, let the anticipation simmer gently on that back burner as we cool down with Harry by our side.
Through the whisper-thin veil of Shalisa Taylor’s rendition of “Luka,” shadows weave tales not just heard, but felt beneath the skin. Swaddled in an intimate acoustic embrace, this cover steps away from Suzanne Vega’s original sidewalk story and tiptoes into darker corridors where echoes linger longer than welcome. Each strum is a tremble, each note a shiver—Taylor’s voice dapples the silence like dim light filtering through cracked glass.
Produced with meticulous care under Fabian Santacruz at Green Music Studio in Barcelona, there is something undeniably haunting about how close you can feel to her recorded breaths—as if seated beside her on creaky wooden floorboards while memories spill forth unbidden. Imagine veins of music branching into Henrik Tran’s mixing board, gingering up backbones with crisp mastering that lets no nuance escape unappreciated.
Whispers of ‘Luka’ by Shalisa Taylor
As whispers swirl amidst stoic strings in Stockholm’s vocal booths—with every vibrato dripping melancholy—the song reshapes itself as a powerful transmitter of stark truths about emotional and physical abuse; not screamed but sung gently into awareness. It dances subtly around discomfort, a ghostly ballet choreographed by sensitivity and strength—one that builds homes inside heads long after ears have captured it.
What remains after the wisp of music fades? An overwhelming silence—a call to neither ignore nor forget the soft power wrapped within troubled notes. Through Taylor’s “Luka,” listeners find themselves wandering alongside echoes left behind; carrying conversations forward past mere melody towards deeper comprehension.
In the sepia-toned world of “Innocent Harmony,” Jay Sprouse spills his heart through strings and breath, playing out a dusty road from obscurity to audacity. The music—raw as skinned knees and honest as dawn—rings with the kind of folk rock that smells like fresh rain on dry soil; it’s simple yet so intricately complex in its emotional weave.
Wielding guitar and harmonica like ancient storytelling tools, Jay brings forth songs steeped in personal tribulations—a musical brew stirred slow over fading campfires of lost jobs and found passions. His notes are thick with perseverance, passion tastes tangy on the relatable rhythm, while joy—that fragile bird—is heard flitting between chords.
The single captures not just sound but spirit; “Innocent Harmony” is less about melody for ears but more an anthem for sewing patches on tattered dreams. With help from friends who lend voices echoing from forgotten tracks aired erstwhile on a local Farmville station—an ethereal choir lending depth to the solo journey—he erects a cathedral where echoes dwell long after their source has faded.
Jay Sprouse’s Road to ‘Innocent Harmony’
To delve into this song is to peep through keyholes at secrets or watch shadows play across cracked walls under the moonlight—it’s delightfully disorienting yet undeniably grounded.
This track will hum in your veins silently at first then crescendo loud enough to remember all roads lead somewhere especially when led by heartbeats set ablaze by folk-rooted fervor.
Dive—no, plummet with me into the velvety depths of Astian’s newest track, “Low Low.” Swirl in its mélange like a dervish spellbound by the nectar of 90s nostalgia fused with throaty urban beats. The song is an audacious pop confection that oscillates between rouged cheek R&B and aggressive guitar riffs that could rival a teacup storm.
Astain weaves lyrics stitched from reflective wisdom dressed as casual weekend flannels, his voice—a harbinger on high winds declaring self-valor swathed in vulnerability. Dare to meet his gaze across this melody-strewn battlefield where masculinity gets spun anew; not as iron-fists but fingers crossed—interlocked! There’s playfulness here ricocheting off every drum snap and seducing you through open-heart string strums.
Voices rise not merely to chant but soar aloft candlelit vigils for our greater selves melded through music; it splays shadows against dimly lit walls echoing “know your worth!” What was once draped in shadow leaps into luminescence ordained by catchy hooks and tail-spinning synths echoing beneath nostalgic earworm vaults.
Astian Goes ‘Low Low’: A Pop Plunge
Seize “Low Low” like a revelation dipped in moonlight’s silver film. It’s less about hearing more than feeling—the throb of claiming space in realms usually whispered about.
So listen closely, or better yet feel deeply—”Low Low” lingers long after silence resumes her watchful post. A bittersweet testament etched onto the timeline of your sensory periphery: fleeting yet immortalized within bends behind closed eyelids each night’s linger before sleep clenches tight.
A cacophony of raw feeling drips through “The Crime Of Silence” by AMARU—a kaleidoscopic voyage from the ash-coloured streets of South America to Europe’s confettied skyline. Each track, sixteen gates into his soulful odyssey—does more than just sing; it bleeds into your veins with pulsating rhythms and piercing lyrics.
In every chord plucked and beat struck, AMARU narrates a saga: lost in seas of envy but buoyed on waves of unbreakable joy. His voice doesn’t simply connect notes; it harnesses whole whirlwinds, shaking loose stones of injustice one prism at a time. What he fashions is not just melody—it’s hard-won resolve worn beautifully on sleeve-cut soundwaves.
Envision each tune as an earthen pot hand-sculpted by the artist himself, cradles brimming with thick stews made from trials—and then throw in pinches of love so abundant they border sacredness. The music sprawls across genres like vines over rugged walls—unfettering distinct yet regressively familiar vibes as if claiming all musical ground is home turf to be explored anew.
AMARU’s “The Crime Of Silence”: Songs of Unheard
With Marcel van Ling mastering alongside him, this manifesto resounds louder in the chambers it penetrates deeply—the haunting title perhaps serving as irony wrapped gently around throaty ballads which whisper robustly how silent battles gnaw crueler than clamorous wars ever could.
So swim upstream against these melodic currents swaddled with deceits past and dreams beckoning forward—but wear no lifejackets! Let’s drown gloriously within Amaru’s creation where choosing wisely isn’t only lifesaving but also revolutionary.
In the whispered shadow where dusk meets dawn, Anacy’s “Delight” dances—an ethereal creature beguiled by longing. Like bees intoxicated by forbidden nectar, Anacy brews a pop potion smooth as rain sliding down stained glass; it is tinged with techno heartbeats and indie whispers echoing in an older, perhaps wiser chapel.
This single—crafted deftly by Ross Rowley, Tanner Mason, and Melissa Van Der Spay—builds not just sounds but cathedrals of thought around human desire’s intricate corridors. Each beat is a hymn for the tempted soul; every melody binds sin to sanctity like velvet ribbons tying wildflowers into solemn bouquets. The song pirouettes through fragrance-laden rooms heavy with silhouette secrets: temptation flutters about curtained windows while redemption hums softly along the dusty corners of our conscience.
Desire and Redemption: Anacy’s ‘Delight’
Anacy sails across this tempestuous sea—the electric notes her compass through thick fog of relentless yearnings—a siren who smiles sweetly at Scylla yet harbors dreams tinted with repentance hues. Through her symphony flows a tale turning seduction into poetry and peril into parable.
“Delight”, amidst swirling synth stirs much within—it entices us to sip deeply from chalices brimful of both ecstasy and error only to remind us how exquisitely intertwined they are beneath evening’s sighing cloak. It sparks curiosity for what gardens may bloom under night’s urging on full-length journeys promised ahead.
So dare we descend? Dare we taste this lush offering that peers back at us searing need threaded delicately against refrains seeking solace? Now go forth—unwrap these sonic presents disguised in rhythms boldly serene yet fervently feral!
Dive headlong into the whispering breezes of Miss Elm’s latest single, “All I Wanna Do,” an orchestral banquet teeming with sweet, succulent yearnings cloaked in layers of dreamy electronic pop. Here, folk hugs electronica with the warmth of a lingering touch at dawn’s first blush. Her vocals—angelic as they are rebellious—stitch silver linings into cloudy hearts.
“All I Wanna Do” is less a song and more a lighthouse beam caught in a bottle—a storm inside an ocean tear after tasting warm skin and whispers between the sheets. Jethro Coups spins his alchemy around each note to canvas upon this soundscape of fractured sunlight trickling through closed eyelids; it’s love, but not just any kind—it’s that medley born in fleeting kisses stolen beneath time-pressed constellations.
Miss Elm’s Heartstrings: ‘All I Wanna Do’
As notes ripple outward like smooth stones skipping across memory’s pond, one decocts themes mingling intimacy with ephemera. It sings ballads not only for lovers intertwined by fingers but also echoes back to times when souls hover over bonds newly knit or old links rediscovered amid life’s ceaseless flurry.
In essence, “All I Wanna Do” captures fierce softness within its musings—the sort that undresses your breath yet clothes you in stardust. Let it echo into silent spaces where thoughts once roamed barefooted and wild.
Urban Soul Collider's 'Heart Collider' Pulses with Life
Dive right into the pulsating heart of “Heart Collider” by Urban Soul Collider where synths shimmer like celestial bodies and beats drop as if they’re gravity reclaiming its space debris. This is not just another single; it’s an electromagnetic pulse set to disrupt ordinary airwaves with Aria Sonnet’s searchᅳa synthetic soul woven from the wires of longing, conducted by Ian Pirrie in the acoustical lab known as Forever Groove Studios UK.
Here urban grooves meet interstellar solitude. Think neon lights flickering through mistᅳthe color of 80’s pop resurrected in crisp modern outlines, pulsating through a maze that entwines trance with threads of silken Brit pop nostalgia. It’s both a blast from our collective fluorescent past and a dispatch from future selves yet choreographed.
“Heart Collider” throbs like an electronic heartbeat craving warmth. The notes swirl amidst binariesᅳhere lies Urban Soul Collider tapping keys like whispering myths behind code-locked portals, reaching out in reverberations for some murmurs back. For listeners wandering around their internal galaxies, this song maps an orbit between isolation and communion.
Urban Soul Collider’s ‘Heart Collider’ Pulses with Life
Catch Aria Sonnet’s journey embedded within layers of melodyᅳthe plaintive cry wrapped up so artfully it mirrors falling stars through which one can trace constellations named ‘Desire’, and ‘Belonging.’ The track mirrors its own creator: intrinsic oddity echoing across dance floors or quiet rooms alike aiming to magnetize spirits toward syncopation with shared pulses.
In essence? “Heart Collision” fades slowly leaving echoes vibrating along your senses long after silence falls electronic embrace stretched across sonic expanses.
Retro Rays: “Eternal Sunshine” by Producing A Kind Generation
In the honey-dipped swirls of a dawn not yet spilled, “Eternal Sunshine” by Producing A Kind Generation coils like smoke from an incense stick burned at the altar of 90’s hip-hop. Here is a single that croons beneath your skin – it reminisces with acid-washed jeans yet strides in digital boots.
With every guitar strum entangled in seasoned verses, this track is both an echo and a shout. It’s as if the hands of yesterday cupped their tales into tomorrow’s wind. The transition isn’t gentle; it’s jagged like raw-cut diamonds against velvety drapes; the rap slices through melodious waves vigorously as orange leaves cut across autumn skies.
Retro Rays: “Eternal Sunshine” by Producing A Kind Generation
This melody doesn’t just sing; it raps in veteran tongues over strings that dance nervously around them like first-time lovers unsure whether to mesh palms or wave from safe distances. But oh! When they embraceᅳthe music explodes quietly inside one’s chest like soft thunder cloaked under heavy clouds.
And what you breathe out after tasting this singular confection is not airᅳit’s pulse silhouetted against old-school beats spinning relentlessly amid new age symphonies penned down by midnight oil burning ever bright.
So here hangs “Eternal Sunshine,” twinkling stubbornly as stars fixed on early ’90s horizons but lighting pathways for urban sneakers tapping on tomorrow morning’s ash felt. This song will haunt you with whispers of old and promises anew. Listen once, listen twiceᅳfeel its ancient sunlight kissing future shadows softly upon each replay.
Inside 'Recovered': Stephanie Rodd on Finding Strength and Hope
Stephanie Rodd’s latest EP, “Recovered,” offers a compelling exploration of resilience and personal growth through a fusion of neo-soul, R&B, and jazz. The French artist from Aix-en-Provence presents a cohesive collection that showcases her musical versatility and emotional depth.
The EP opens with an immersive instrumental piece, setting the stage for a journey of soulful introspection. The lead single, “Worth It,” highlights Rodd’s exceptional vocals and delivers a powerful message of self-empowerment. “Stronger Than Ever” continues this theme with sultry R&B vibes, while “Wake Up In This City” introduces a jazzy, experimental edge.
Rodd’s linguistic dexterity shines in “Insomnie,” seamlessly blending French and English lyrics. The closing track, “Magical Notes,” is a minimalist composition that underscores music’s transformative power.
Throughout “Recovered,” Rodd demonstrates her ability to craft a narrative that resonates on a universal level. Her skillful genre-blending and bilingual approach create a rich tapestry of sound and emotion. The EP’s thematic coherence, coupled with its diverse musical influences, positions it as a standout release in the contemporary soul and R&B landscape.
“Recovered” is not merely a collection of songs, but a testament to Stephanie Rodd’s artistic evolution and personal journey, inviting listeners to embark on their own path of introspection and renewal.
What is your stage name My stage name is Stephanie Rodd
Is there a story behind your stage name? Stephanie is my real first name but Rodd is actually a part of my real surname.
Where do you find inspiration? I shortened my real last name and kept only these letters. I chose this name because I didn’t want to use my real name and I found it to be easier to pronounce and remember, especially for English speakers. Since I want to develop a career in English-speaking countries, it is easier, and it suits my music style better.
What was the role of music in the early years of your life? I have been singing since I was very young and was surrounded by music from an early age, as my family listened to a lot of French and Italian music. I also used to watch many music shows with my mother.
Are you from a musical or artistic family? My family listens to a lot of music, but no one has pursued a career as an artist or musician. My sister sings, my grandfather used to play the harmonica, and I have an aunt who paints, but none of them made it their profession.
Who inspired you to be a part of the music industry?
One of my older sisters used to sing a lot when I was little, and I think she inspired me to do the same. But I quickly thought that becoming a singer wasn’t accessible to people like me, who had no family in the business, and couldn’t afford singing lessons. Acting courses were cheaper, and I was also drawn to acting, so I decided to pursue that career. But later, I realised it was a shame not to pursue music as well because I love singing and expressing myself through songs, so I decided to go for it.
How did you learn to sing/write/to play? I’ve been singing since I was very young; it always came naturally to me. As an adult, I realised I needed more technique, so I started taking singing lessons. Now, I keep doing exercises and working on improving my skills. Even though I could sing before the lessons, the formal training has really helped me refine and enhance my abilities.
Even though I could sing before the lessons, the formal training has really helped me refine and enhance my abilities.
Regarding my writing, I’m still learning, but I draw inspiration from songs by other artists to improve the structure of my lyrics. The producer of my EP also helped me with that. As for instruments, I’ve taken a few piano lessons, but I’m still a beginner. I’ve also taught myself a bit of ukulele and guitar, but I’m still far from being proficient.
What was the first concert that you ever went to and who did you see perform? I think the first concert I ever went to was by the contestants from the second season of a French music talent show called Star Academy in the early 2000s. I was about 8 years old. I used to watch the show a lot, so it was exciting to see them live in concert.
How could you describe your music? It’s a mix of Soul/R&B, Jazz, and Pop, with a blend of both English and French. I like to convey positive messages in my music, or express something sad or frustrating, but then end with something positive. So I would describe my music as melancholic, joyful, and smooth.
Describe your creative process. It varies depending on the song and the time period. In the past, I would write the lyrics and create a melody in my head, then a producer would build the instrumental around that. Now that I have some piano skills, I start by composing chords, then develop a melody, and finally write the lyrics.
Sometimes, if I’m inspired to express something strongly, I’ll write the lyrics first. It really depends. After that, I try to produce a basic track using software myself and then send it to a producer to refine everything.
What is your main inspiration? To write my songs, I draw inspiration from my surroundings, what’s happening in my life, and how I feel.
What musician do you admire most and why? The artist I admire the most is Amy Winehouse. She had an amazing voice and such a natural talent for music! It was clear that she was meant for it.
Did your style evolve since the beginning of your career? My career started recently, to be honest. I released my very first single earlier this year. When we started working on my EP with my producer, the tracks leaned towards folk or ballad styles. I wasn’t quite sure which style suited me best. In fact, my EP features several different styles. We found that my voice works well with jazz and soul. I plan to continue with these styles and incorporate a bit of pop into my future projects as well.
Who do you see as your main competitor? Myself haha. I don’t see myself as competing with anyone else; I think we’re all different and we all have our place. My only competitor is myself, I always strive to be better than I was yesterday.
What are your interests outside of music? I love theatre and cinema. As I mentioned, I’m interested in acting. I also enjoy travelling, foreign languages, and literature.
If it wasn’t a music career, what would you be doing? Acting, and I’m actually also a translator.
What is the biggest problem you have encountered in the journey of music? I’m an independent artist, so I have to manage many tasks simultaneously. It can be overwhelming at times, especially while juggling another job, and it’s easy to overlook self-care. While I enjoy working on my music and developing my career, there are moments when the workload becomes too much, and I feel guilty for not making sufficient progress in certain areas, as I have to be involved in various aspects at once.
If you could change one thing in the music industry, what would it be? It would be to ensure fairer compensation and better support for emerging artists, especially those who are independent or from marginalised backgrounds. Access to resources like affordable studio time, mentorship programs, and equitable streaming royalties could make a significant difference.
Why did you choose this as the title of this project?I chose this title because in this EP, I refer to a difficult period of my life and share how I overcame it, detailing what helped me through it. Now, I feel “recovered” from that time, I’ve grown stronger and learned to love myself more.
What are your plans for the coming months? My debut EP is coming out on June 28th, and I’m hosting a release party the day before. Over the next few months, I plan to perform my EP live, collaborate with other artists, and possibly release singles by the end of the year, although nothing is confirmed yet.
What message would you like to give to your fans? I want to thank those who have supported me and continue to do so. Please feel free to keep reaching out to me on social media; I would love to connect with you. Keep sharing my music and spreading the word.
I hope my story resonates with you and that my music has brought comfort and a sense of connection. It’s one of the reasons I write songs. I hope that you will continue to follow me on this journey, and I hope to reach other people with my music.
Exploring the Grooves of 'Touch of Mystery' with The Domi
‘The Domi’ is the new band and it is founded by Dominique Lemaire, who is the former singer of Énée. His recent release titled “Touch of Mystery” is quite a feel-good song – very summery and groovy! This track is dedicated to a wonderful woman and has the light guitar and drums which play the main beat for the song. There are light guitars and laid-back drums, and the music makes me feel like dancing.
Nowadays, Dominique is already going his own way as the vocalist for The Domi, but, of course, he’s not alone. He’s creating these short, sharp, indie-pop tracks and they kind of sound like Cake or The Strokes do you know? Basically, the kind of music with some nice hummable tunes over this light trebly guitar sort of feel.
I was able to have an interview with him and it’s always interesting to know how somebody composes his work. “Touch of Mystery” is actually about some amazing woman – wonder who that could be, right?I find it quite amazing how he has transformed it from Énée and this is now something different.
The interview goes further and asks about his entire journey and what he finds inspiring. If you like indie-pop bands with some rocks influences, do yourself a favor and check The Domi. That’s similar to what it represents but not the exact one.
Is there a story behind your stage name? My first name Dominique. When i was young everyone called me Domi
Where do you find inspiration? I always find my inspiration playing the guitar first and i let inspiration come till a song emerges
What was the role of music in the early years of your life? I learned music all by myself when i was 15. My father listened to a lot of music at home and it was very present in my everyday’s life
Are you from a musical or artistic family? No no one was an artist
Who inspired you to be a part of the music industry? People like Beck, the Pixies, Nirvana, the beatles
How did you learn to sing/write/to play? I learned by myself with a guitar given by godmother
What was the first concert that you ever went to and who did you see perform? The first big concert was in a festival in France. I saw Beck, Pj Harvey, David Bowie
How could you describe your music?
Upbeat indie pop. I really have a style and a way of making music of my own.
It’s very important for me to stick to my values and my style
” never give up never compromise your work”
Describe your creative process. First I find a tune with my guitar. Then i write everything down for the keywords and the arrangements. I then go to my home studio create beats and record my bass, my guitars, my voices. I mix and master my songs as well.
What is your main inspiration? My emotions and the things I live in my everyday’s life
What musician do you admire most and why? Paul Mac Cartney because he’s ” the reference ” for me as a composer and music writer.
Did your style evolve since the beginning of your career? Yes first i was really into indie rock and now indie pop, synth pop, disco sometimes
What are your interests outside of music? I really like tibetain bowls and meditation
If it wasn’t a music career, what would you be doing? I don’t love by my music unfortunately. So it’s a job to make a living
What is the biggest problem you have encountered in the journey of music? Broken promises by record label, managers
If you could change one thing in the music industry, what would it be? Honesty and I don’t like when people have huge ego in the music industry
What are your plans for the coming months? I’d like to go on stage again cause it’s been sometimes now
Do you have any artistic collaboration plans Yes I’d like to work with DJ’s and Electronic composers
What message would you like to give to your fans Never give up on your dreams
Behind My Eyelids: Micki XO Talks Mental Health and Musical Inspiration
Portland’s own Micki XO has captivated listeners with her introspective and hauntingly beautiful music. She’s this Portland singer who’s been blowing up lately. Her new song “Behind My Eyelids” is intense – all about mental health struggles and finding peace. It’s got this haunting vibe with synths and drums that really gets under your skin.
Micki’s been around since 2020, always talking about real stuff like mental health and relationships. You can tell she’s inspired by artists like Halsey and Tate McRae – her lyrics are super raw and honest.
I was reading this interview with her, and it’s wild how she turns her pain into music. It’s like, you feel less alone listening to her, you know? she brings a raw honesty to her lyrics that resonates deeply with her audience. She’s definitely making waves in the dreamy electronic pop world.
The interview digs into how she writes songs and what inspired “Behind My Eyelids.” It’s cool to see an artist tackle the tough parts of life but make it sound beautiful at the same time. Definitely worth checking out if you’re into that kind of music.
What is your stage name My stage name is Micki XO.
Is there a story behind your stage name? It was originally just going to be “Micki”, but it turns out that name was already taken. Micki is my childhood nickname that my dad gave me, and the XO drumkit is my favorite plugin that my producer uses (I’m a sucker. for some dirty bass and drums), so I combined them to come up with the name “Micki XO”.
Where do you find inspiration? I find inspiration in almost anything, but I’d say most of my music is inspired by mental health. I’m bipolar, and I was misdiagnosed for 11 years. While I was misdiagnosed, I never felt like anyone understood what I was going through, always brushed off my symptoms, and I felt incredibly alone in the world.
I always wished I had music or something I could connect with to help get me through it. I may have been diagnosed correctly sooner if I had. I want to be that person for someone, so I write based off of my own experiences, as well as the stories of others that I hear on the topic of mental health/being bipolar in most of my music.
What was the role of music in the early years of your life? In the early years of my life, I wasn’t a musician yet, but music always got me through tough times. It would give me an escape I desperately craved, and it helped me connect to peeple when I wasn’t sure how to connect with them. I have strong memories of my sisters and I taking road trips, growing up together, and burning CD’s to some of our favorite songs. Back in the day, it was our form of communication with each other, essentially.
Are you from a musical or artistic family? I don’t, actually! My family all works in healthcare and tech, for the most part. I’ve always been the black sheep in that sense, but I’ve never been able to see myself going down those paths myself. Art is and has always been my life.
Who inspired you to be a part of the music industry? It actually was a community of people who inspired me. I had just gotten out of an abusive relationship, and didn’t know what to do with myself, didn’t know who I was, and felt like I was completely broken. I was driving one night and saw a sign for karaoke at a local bar. I decided to go in and sing, because I have always loved singing in the car and shower, and just felt like I had nothing to lose by trying it.
Turns out, I had everything to gain! I sang, and felt more like myself that I maybe ever had. I kept going back there, and after a few months, I started making a group of friends. One of them introduced me to their friend who does production, and I decided to start writing music with him. 4 years later, and we are an unstoppable force!
It actually was a community of people who inspired me. I had just gotten out of an abusive relationship, and didn’t know what to do with myself
How did you learn to sing/write/to play? I am actually almost completely self-taught. I started taking voice lessons and piano lessons about a year ago with an incredibly talented friend of mine to get better, but before that, I didn’t really know what I was doing. Just kind of let my soul take me where I needed to go. I just use my instincts to help me feel out what I want the song to convey and go from there.
What was the first concert that you ever went to and who did you see perform? My first ever concert was a free concert at the local mall. Our local radio station put on a show with Avril Lavigne, and I went and saw her. I caught a radio station sticker that they rained down on the audience from the top level and kept that sticker for over 10 years because of the memory. How could you describe your music?
My music is pop that meets industrial srangeness. I don’t like to define myself in one genre usually, but that’s the best way I could describe all the different parts of it. I just write and make what I’m feeling. I don’t like to put myself in a certain box, becuase that’s who I am. A woman of many parts all thrown together into one interesteing human. My music is similar. I’ve done styles from acoustic pop all the way to songs that have EDM sounds. I think every song is like a person, it’s different and demands its own respect and identity.
What musician do you admire most and why? If I had to narrow it down to one, I honestly couldn’t. I’m inspired by so many different musicians, but I would say my top three are Halsey, Billie Eilish, and Phantogram. Halsey because I love her music and because she pours her soul into every track so honestly. She was the first person to make me feel like I wasn’t alone.
Billie Eilish because she takes musical risks, isn’t afraid to be herself, and like me, doesn’t fit in any one box. She’s a pioneer for so many musicians and the industry as a whole, all at such a young age! And Phantogram, because their music speaks to my soul. They are also a pioneer of music, combining rock sounds with pop with EDM sounds. It’s inspired and I’ve never heard anything like them.
Did your style evolve since the beginning of your career? Yes, a lot! I started out with a song I wrote in 10 minutes. I had never written music, and I had never learned any rules of songwriting. It made the song unique and original, and I still love it with all my heart, but now that I’ve learned the rules a bit more, I have kept that uniquness and originality, and crafted it in a more refined way.
I’ve gone from inspirations that everyone knows, to being inspired by artist my friends have never heard of. I’ve stopped caring what people think of my music and started writing for ME. That has been the best part of my evolution of music.
Who do you see as your main competitor? I don’t like seeing other musicians as compeitors, honestly. I like being inspired by them, learning from them, and if I get the chance to, working with them. We are all chasing our dreams at high costs, and I think it’s important to support one another.
What are your interests outside of music? My other interests actually became my day job! I’m a Graphic Designer and Photographer, and art direct all my cover art. As I said before, I’ve never known a life where art wasn’t my main focus, even if it’s in different forms.
If it wasn’t a music career, what would you be doing? I would say I’d be a Graphic Designer and Photographer, but honestly, I’ve never felt more of a rush, more of a satisfaction, and more of a purpose than I have with music. I can’t see myself doing anything else.
What is the biggest problem you have encountered in the journey of music? I think it’s a problem that most people I know have encountered and what holds them back: the costs. Music is exremely expensive and time consuming. If you have those resources, it makes a huge difference. I wouldn’t say I don’t have them, but I also wouldn’t say I have a plethora of them either. It’s a tough line to walk without them.
If you could change one thing in the music industry, what would it be? One word: greed. There is so much greed from people. The labels that want to give you a “loan”, the people profiting of of your artwork who did not help build it, and the greed that some people have to not support others in the industry. There are definitely good people in the business, but it can be tough having to watch your back all the time to not get taken advantage of.
Why did you choose this as the title of this project? I chose it because the pain I feel is largely in my head, thoughts, and introspectiveness. It’s not on the outside. It’s behind my eyelids, where people can’t see it, but it still exists and screams at me.
What are your plans for the coming months? I don’t want to give anything away, so I’ll just say some very big things are in store, and I can’t wait to share them with you all!
Do you have any artistic collaboration plans? I do! I’m currently working on a song with the very talented Zane Thomas, as well as an artist I just started chattiing with named Jayme Graves. They’re both amazing people and artist and I can’t wait to work with them! Stay on the lookout for our relaeases!
What message would you like to give to your fans? I would like to leave you all with two things. The first being how grateful I am of all your support. I would be nothing without the people who help bring my art to life, whether that’s my producers, my social media team, my label, or each and every person who likes, comments, or comes to shows.
You all are the reason I write music, and you are all people that I am eternally grateful are a part of my journey. The other thing is that don’t let anyone tell you that you are just one thing. I am more than my mental illness, just like you are more than just your struggles, your looks, or your status. People are all capable of being their best self and achieving your dreams. You just have to work hard, and most importantly, never give up!
Reviving Hope: Alan Chapell's 'When the Music Plays Again'
In modern times it is rare to find such a fine musician as Alan Chapell, from time to time he has proven to music lovers why he is a better artist and ahead of his game. Have you listened to Alan Chapell’s new single? It’s called “When the Music Plays Again” and it’s seriously good. This guy’s not just a musician, he’s got a background in privacy and human rights, which really comes through in his songwriting.
The song’s got this beautiful melody with guitars and violins that just make you feel things, you know? It’s uplifting but also hits you right in the feels. Perfect for when you need a pick-me-up.
Chapell’s got an interesting story too.
Chapell’s got an interesting story too. He started as a music whiz kid in Connecticut, then worked with some big names, even traveled to India with a band. Now he’s a lawyer in NYC dealing with tech privacy stuff. Talk about a mixed bag!
This single’s part of his new album dropping in mid-July. It’s all about hope and getting back to those awesome live music experiences we’ve all been missing. If you’re into music that’s got depth and makes you think, definitely give Chapell a listen. He’s bringing something fresh to the table.
Hey, do you know Sugar Scars?They are this cool group of musicians from the Juarez-El Paso border region. Their music, for that matter, is so entirely different from one another – it is as if they have combined all the cultural trends from both cultures and created something different!
These guys are all about providing those special moments on the dance floors you might be looking for, right?Just when people are all dancing about and grooving to the beat. Their songs touched me too, they sing about love and all those things that people get emotional about.
They recently released a new single titled “Miss U” in the last week of June. It is a track which will be included in the album ‘Rhythmic Body Reflexes. ’ That song is just impressive; it has raw beat, distorted synth strings, and eerie vocals. Another lovely aspect of Sugar Scars is how they mix various styles. The thing is that it is not only in one genre ,it is like they have their own thing going on.
For our next interview let us get a chance for you to be familiar with Sugar Scars as we engage them in a discussion on inspirations, creative work and the process that led to their unique music taste.
Is there a story behind your stage name? Mmm.. Well to us, there’s always been this beauty between pain followed by cathartic realization. Kind of like a relief or epiphany that brings some happiness to your heart. So sugar is something sweet that comes from a scar which is bodily evidence of pain hence the name, Sugar Scars
Where do you find inspiration? Wow, from the most random places .. all I know is that when we feel inspired,we quickly take advantage and hit the studio. It’s kind of like inspiration finds us rather than the other way around
What was the role of music in the early years of your life? It’s weird because no one in our families were musicians, So it didn’t really play a role in our preteen years, but everything changed in the teens ..I guess cause that age is when you think you know everything and you are conflicted about who you are as a person and that is where art comes in because it’s a reaction in expressing your reality.
Are you from a musical or artistic family? Not me.. I think Luis is.
Who inspired you to be a part of the music industry? I think shity lives and feeling hopeless inspired us… lol.. but as far as the word industry goes.. that’s a word we don’t like. When I think of industry, I think of child labor, slave labor, environmental destruction. We just see it as a necessary evil.
How did you learn to sing/write/to play? By having inspiration and desire. That gave me the motivation to teach and push myself to learn chords and to progress. After that you must be brave and show what you have.. without caring how other people see it.
What was the first concert that you ever went to and who did you see perform? My family and I went to this waterpark during Memorial Day. They had live bands there. I saw a local cover band, followed by Steppenwolf.
How could you describe your music? Damn, that’s hard to answer. It’s basically a mix of any sound we like in any genre by any artist. From there,we make the song our own. Because at the end,what is music?? It’s just 12 notes that you use differently to produce the sound that makes you happy
It’s basically a mix of any sound we like in any genre by any artist.
Describe your creative process. Well we show each other parts that we wrote wile being inspired. Then we add to to it till it’s done. We each add our own flavor then we both have to agree on what we wrote for it to be recorded.
What is your main inspiration? Anything that will make us get off our ass and find an instrument to create. It could be a sound or phrase. Sometimes I just play my guitar to distract me from my restless mind and something comes out that is inspiring. It just kinda happens. The point is, that there is not only one thing that can inspire. It’s actually all over the place.
What musician do you admire most and why? Wow.. mmm.. probably the founding fathers like Little Richard, Robert Johnson, Chuck Berry. They basically created something that changed everything. I credit them with discovering Rock n Roll . They had an idea that revolutionized the world.
Did your style evolve since the beginning of your career? Absolutely. if you ain’t growing, then you’re shrinking.
Who do you see as your main competitor? Wow, let me see it could be ourselves not reaching our own potential.. depression not allowing us to be inspired… other musicians trying to make a competition out of art. There is a lot of competing entities
What are your interests outside of music? Breathing and eating. Just kidding. Mmm Drawing, buying records,reading … Having OCD and organizing my clothes by color and alphabetizing my medication lol
If it wasn’t a music career, what would you be doing? Damn we’d be dead , Addicted to drugs and homeless.. I don’t know really.. that’s a big plot twist. I guess every human being could have a surprising explanation. It wouldn’t be reality unless it really happened so that’s a tough one. Who knows how we would react to certain realistic pressures.
What is the biggest problem you have encountered in the journey of music? Being very hard on yourself for not producing the right musical idea.. the apathy of some people, Close-mindedness.. being sabotaged by other artists .. having secret haters.. It’s a long list.
If you could change one thing in the music industry, what would it be? Do not allow businessman to run the industry, but instead unbiased artists. It just seems like everything that corporations and stock owners put their hands on becomes corrupted and motivated by only profit.
Why did you choose this as the title of this project? I guess the title , “ Rhythmic Body Reflexes”refers to just dancing ( moving) naturally as a-response to music. That’s like the most natural reaction of expression to something that moves you. It’s kinda magical.
What are your plans for the coming months? Playing more shows and continue writing for our next project
Do you have any artistic collaboration plans This whole project is based on artistic collaboration. It’s very difficult to find someone that understands music the way you do and that complements you artistically. So we’re keeping it just between us.
What message would you like to give to your fans The one that Poet wrestler John Cena gave..
“ Hustle Loyalty and Respect”
Ethereal Collaboration: Holy Høly and NUN's Mesmerizing 'From The Ashes'
Hello, have you heard this new song “From The Ashes”?It is a project by NUN’s Olaf Karbowiak and Ewa Baran, who performs as Holy Høly. Yeah it’s quite awesome, something like Portishead i suppose.
It is ethereal, it levitates above the music. She’s also on some Rhodes keys as well which makes things even more romantic. This was an extra layer that Olaf’s production brought that just seemed to finish everything off.
There is also a music video for this song with some cool shots of cyclists against stunning natural backgrounds, captured by drones. It complements the lyrics of the song well – gives me the impression that I am on a voyage or something.
It is a project by NUN’s Olaf Karbowiak and Ewa Baran, who performs as Holy Høly.
This is actually just a track preview for the NUN album called ‘Escape From The Forest. ’ I heard there may be an overhead single disc release on vinyl or something, which would be cool. Ewa actually has a brand new solo album in the works too, called #262626.
It’s going to be like downtempo electronica with jazzy elements. She is very diverse – she does acid jazz to trip-hop. This is a chilling, thought-provoking song and if you like this kind of music you should really listen to “From The Ashes”. I remember it as one of those songs that make a deep impression.
Electrifying Debut: Kosi Captivates with 'Tension'
Born and raised in the lively city of Lagos, Nigeria now located in Atlanta, the world is ready to welcome Kosi O with her debut single “Tension. ” She released this amazing tune on May 30th 2024
“Tension” is an infectious dance-pop tune that captures the excitement of new love. Kosi’s got this cool background – she’s from Lagos but now she’s doing her thing in Atlanta. Her sound is like this perfect blend of R&B and Afrobeat.
“Tension” is all about that brand-new relationship feeling, right?It has this humor that makes you want to dance, though the words of the song are rather profound. Well, she was singing in the church back in Lagos and she got a breakthrough when she was still in high school.
She is now based in Atlanta, but her Nigerian influence still comes out in her songs. She into Nao, Tems, and Jorja Smith, you can kinda hear it. As far as I know, Kosi is writing more songs and planning to perform some concerts. If you like R&B or Afrobeat, I would recommend you to listen to this song called “Tension”. I believe that we are yet to see much more from her in the near future.
Wexford’s 'Moving On': A Poignant Prelude to 'Silent Key'
The last single from the Sandusky-based band Wexford is released and it is called “Moving On. ” The band’s full album entitled “Silent Key” will be out by late summer. As one of the most prominent bands of the punk, post-hardcore, and alternative genres, the Wexford captures the message of this track in its deeply emotional style.
The meanings of the piece ‘Moving On’ encompass new change, strength and the processes that are involved in transition after overcoming challenges. The introspective topic and tempo of the track lets listeners consider their own processes of overcoming obstacles and obtaining growth from hardships. Being a ballad, “Moving On” brings out the best in lyrics and music so relevant to Wexford’s culture.
The band composed of Dave Mueller, the vocalist and guitarist, Andy Kohlmann the vocalist and guitarist, bass guitarist, Shawn Daley and Jeff Vandebussche on drums, gives a great performance. They have energetic rhythmic base, intricate guitar and powerful vocals with strong emotion behind them. The single is by Shawn Patrick Thomas Daley and it is recorded in The Mohawk Studio in Sandusky OH and mastered by Brian Lucey the engineer of Black Keys, Green Day.
Wexford has this vintage appeal, but its sound is new and unique
The official video for “Moving On” which was recorded and directed by Brad Walton of Cineres Creative Productions supplements the storyline depicted in the song with visual accompaniment. The artwork of the single is emblematic, designed by Sean Carrol of Sandusky Bay Poster Works in an effective manner to support the themes of the song.
Some of the rock and punk bands that have inspired Wexford include Hot Water Music, Fugazi, Hum, Rival Schools, Quicksand, and Dinosaur Jr. Consequently, Wexford has this vintage appeal, but its sound is new and unique. Considering that “Moving On” immediately precedes “Silent Key,” it can only foreshadow that the rest of the album will offer meaningful and inspiring compositions. Stream “Moving On” now on every digital platform possible.
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Yo, have you checked out Akram Shata’s new track “Amricany”? It’s his first release in like four years and it’s pretty fire.
Shata’s got this crazy interesting background – born in Alexandria, Egypt, but then ended up in Brooklyn. His music is like a mix of all those experiences, you know? This new song really shows that off.
“Amricany” isn’t just another hip-hop track. It’s like Shata’s whole life story packed into a song. He raps about trying to fit into two different worlds and all the stuff he’s been through. The beat is wild too – it’s got bits of jazz, reggae, even some classical vibes in there.
What I really dig about Shata is how he tells stories in his music. He’s not just spitting rhymes, he’s painting pictures with his words. And the way he mixes up different styles of music is pretty unique.
I heard he’s dropping more singles soon and working on his first EP. Definitely an artist to keep an eye on if you’re into hip-hop that’s a bit different and has something to say. Shata’s bringing a fresh perspective to the game, mixing up cultures in a way that really hits home.
Soulful Revival: d'Z and Sandra St. Victor on 'Freedom!'
Hey, do you get to know that d’Z is out with a new song. It is a song from the well-known artist George Michael, titled Freedom and I think it is quite great. He collaborated with Sandra St. Victor, a soulful singer who has been nominated for the Grammy Awards twice.
So, it is quite nice to see that d’Z has provided vocals for the tenth time this time, which is quite unique for a drummer. They have also collaborated in the past on the song titled ‘CONNECTED’ and one can tell that they are good friends and understand each other’s muses well.
This radio edit of “Freedom” seems so new but at the same time, it gives me some certain feeling that I remember listening to in the past and that I like. Right from the first note this song has some energy which seems to pull you in. The drumming is on point as from the previous album of d’Z and they have incorporated this smooth fender rhodes sound that gives the music to the perfect feel.
The drumming is on point as from the previous album of d’Z and they have incorporated this smooth fender rhodes sound that gives the music to the perfect feel.
Especially if she comes in singing those deep, powerful notes, it just brings the whole thing to another level. One thing that really stands out is that they have fully fleshed out the music with some funky horns, locked in rhythms, and even a Hammond organ. All of it culminates into this big finish where the trumpet and sax really lay it in extra.
What I like about it is that they are starting from scratch but at the same time they have found a way to pay tribute to the original. It has this perfect fusion of funk and soul which I knew both d’Z and Sandra lovers are going to enjoy.
Also, it is just a very nice way to pay homage to George Michael’s career and work. In case you like some soulful covers or just simple good music – this one is worth listening. It is the sort of recording that does not easily fade from memory.
Off the back of his song “Pull Up” with Demmi, Ghanaian artiste Mullah continues his fine run with his first solo release of the year titled “Body Bad”.
The song is Mullah’s way of appreciating his love interest as he serenades her with words describing how he feels about her and how amazing her physique is. The song is a reassuring message to her that he still cares about her despite their issues and challenges. Despite the song’s sensuality, it is at its core a love song of romance and affirmation.
The song is a mid-tempo Afrobeats jam produced by BeatzAidoo with additional production by Kros. The song is the first of a year of releases for the artiste. “Body Bad” is streaming on all DSPs here
Unveiling 'She's in Parties': Destar Conteh's Story of Escape
Alrighty, so, there’s this new artist, Destar Conteh, who’s just dropped a track called “She’s in Parties.” It’s pretty heavy stuff, talking about people using parties and drugs to escape their problems. The song’s got two different viewpoints – someone who cares and someone who’s just there for the fun.
Destar’s got an interesting backstory. He didn’t have much guidance growing up, so music became his thing. Started with heavy metal, then got into hip hop and R&B. You can hear a bit of The Weeknd’s influence in his style.
His music’s got this sinking feeling to it – kinda dark, you know? He’s juggling music with other stuff in his life, but he’s really into telling stories through his songs. Sounds like he’s got more singles coming and he’s working on an EP too. Definitely one to watch.
What is your stage name? I go by the name Destar Conteh.
Is there a story behind your stage name? I never really liked my full birth name so when I first started making music, me and my best friend came up with the name.
Where do you find inspiration? I find inspiration in the experiences from my past and people I know. I tend to blend the stories together to create the narrative I want to portray.
What was the role of music in the early years of your life? Growing up, I didn’t have much guidance. I had to learn and experience a lot on my own and it made me feel alone. After a while I started to listening to music, mainly heavy metal since that’s what I grew up round because my mom. Then I found hip hop and R&B and I started to kinda put myself into the lives of these artists I was listening to so that I didn’t have to deal with my own life. Music was one of the main things that gave me an escape.
Are you from a musical or artistic family? I’m not
Who inspired you to be a part of the music industry? My friend. He had been making beats for a few years, releasing music and one day we just started talking about making music together since we both wanted to but didn’t have the support on it.
How did you learn to sing/write/to play? I learned to sing in high school I was in choir for half a year and just ran with that. I didn’t learn how to produce my own songs till a few months after I graduated school and that took me about 7 or 8 months to teach myself.
What was the first concert that you ever went to and who did you see perform? First concert I ever went to was a Korn concert it was cool.
How could you describe your music? I’d want to describe my music as sinking. I want the beat in combination with my vocals to give this feeling of dread in a way that reflects the lyrics and tone I want to set
Describe your creative process. I don’t really think I have one. I can go weeks without having any ideas or creativity till it randomly hits me usually late at night.
What is your main inspiration? My main inspiration would be that darkness of some peoples life. The pain and struggles and the vices that help with those pain and struggles
What musician do you admire most and why? A artist I find myself admiring the most would be The Weeknd. unlike other artists where I would put myself into their life, I felt like I was more so sharing experiences with him in a way as if we were noth talking about our pain and what helps.
Did your style evolve since the beginning of your career? I would say my style did evolve and will continue to evolve for as long as I’m making music. I started out on typical hip hop beats not knowing exactly where I was going until I was able to find myself and my style.
Who do you see as your main competitor? I don’t really think about what can be competition at the moment.
What are your interests outside of music? I really like movies. I love watching old horror movies on youtube and like new horror movies on netflix or something.
If it wasn’t a music career, what would you be doing? I’d want a job in education but specifically somewhere in my community. Maybe even start a program for some of the’s kids who’s parents can’t always be around to teach them what they need.
What is the biggest problem you have encountered in the journey of music? My biggest problem I want to say is the balancing of life and music. At this time I still have to focus on jobs and life stuff but that moment when I finally get a leveled head and inspiration is what reminds me that I can’t give up.
If you could change one thing in the music industry, what would it be? Probably the appreciation. A lot of artists I think don’t get enough appreciation when it comes to their accomplishments.
Why did you choose this as the title of this project? I chose the title “She’s in Parties” because I was telling the story of a girl who can’t live without partying.
What are your plans for the coming months?
My plans coming up are to release about four more singles and then start working on my concept EP
Do you have any artistic collaboration plans Right now, my artistic vision for my music is pretty solo right now but plans can change.
What message would you like to give to your fans? I know everyone says this but I appreciate all my fans. Everyone who interacts with me on my social or in general, listens to my music, or even just acknowledges me, nothings too small.
Debut Single 'Carousel' Unveiled: An Interview with Paul Clare
Guys, have you checked out Paul Clare’s new song “Carousel”? It’s his first single and it’s pretty wild. This London guy has managed to mix old-school songwriting with a modern twist, and it really works.
The track is like a rollercoaster – it’s got these killer riffs and huge choruses that’ll stick in your head. Clare’s voice is unique too, kind of intense but in a good way. It fits perfectly with the song’s vibe.
True to its name, “Carousel” keeps spinning through different styles. Just when you think you’ve got it figured out, it changes again. That chorus though – it hits hard and feels so satisfying.
They’ve put out a music video too, which is just as crazy as the song. It’s all quick cuts and flashy visuals that match the energy of the track.
If this is what Paul Clare’s bringing to the table right out of the gate, I’m definitely curious to see what he does next. “Carousel” is a solid start for sure.
We had an interview with the artiste behind this masterpiece and he revealed a lot about himself and whats next for him, join us as we delve deeper into his life.
Where do you find inspiration? It sounds unoriginal, but it sort of finds me. Music and words have flooded into my mind from somewhere since I was 7 years old. I’ve never consciously sat down to write anything. Melodies spring out at completely random moments. I can be out shopping, and suddenly need to find a quiet aisle to sing something into my phone recorder.
What was the role of music in the early years of your life?
My family didn’t listen to music at all, and I had very limited, passive exposure to it. Soundtracks on films, or advert jingles. I didn’t know released music even existed until I started secondary school.
Are you from a musical or artistic family? Not at all, though other branches of the family were. My great aunt was a classical pianist and tutor, and older cousins were packed off for lessons with her – utterly hating it. I saw a piano for the first time when I was 9, and immediately started picking out tunes on the keys, before being told to get off in case I broke it!
How did you learn to sing/write/to play? I’m still learning, and hopefully always will. When I was 18 I bought my first keyboard – an old Korg monosynth. Guitar came later. Nowadays there’s a million youtube tutorials, but back then the only way to learn was from someone who already knew how to, which I didn’t have. So it was very intuitive, just picking out what sounded right.
What was the first concert that you ever went to and who did you see perform? I grew up in a small town where no band would ever play. When I was 17 I went to Blackpool (nearest large town) to see a band called The Icicle Works, who’d had a few hits in the 80s. The energy and connection to the music was transformational! A complete awakening.
I grew up in a small town where no band would ever play. When I was 17 I went to Blackpool (nearest large town) to see a band called The Icicle Works, who’d had a few hits in the 80s
How could you describe your music? Dense. It’s a wall of sound not by being loud, but from many intertwining musical phrases played on different instruments. I can’t stop adding more layers and harmonies. The production phase has a lot of thinning out to create dynamics. I’m trying to work on some quieter things too.
What musician do you admire most and why? It’s hard to single out one person, but I’ll say Kate Bush. While commercially successful, she always stuck to her creative vision, and incorporated more and more experimentalism into her work as she grew. The Ninth Wave, from the Hounds of Love, is one of the most wonderful and inspiring pieces of music ever.
Did your style evolve since the beginning of your career?
I think the music I’m making now is what I’ve always aspired to. Learning DAW software, with infinite channels, has just finally made it possible. If I was in a band, playing each part individually, it would need 20 members!
If it wasn’t a music career, what would you be doing? Unfortunately, a career in music has always been the dream of many and attained by very few. There’s thousands of songwriters and musicians out there who put their music second purely because it’s next to impossible to make a living out of. I work in IT as a ‘day job’.
What is the biggest problem you have encountered in the journey of music? Time!! I have children, and they rightly get my attention first. That and not being a trained or technically great musician. Not reading music, my composition notes would be indecipherable to anyone else.
If you could change one thing in the music industry, what would it be? I think it’s changing in very good ways now. The ability for artists to self-release directly to potential fans has exploded compared to a few years go. Streaming payments are pitiful (and always have been), but they’re great exposure for building a fan base which could support the artist with vinyl releases, etc.
Why did you choose this as the title of this project?
“Carousel” describes the process of going through different relationships in life – romantic or friendships. At the start especially they can be dizzying, like whirling around on a funfair ride, and it’s difficult to see clearly. The more we emotionally invest in a relationship, the bigger the disappointment they can be if we’re not aware of the projections we naturally overlay onto others.
What are your plans for the coming months? There isn’t a firm plan, but I have a second single recorded to release in the Autumn. Hopefully that will see whether there’s enough interest to record an album. I have 14 songs completed & ready to go – if anyone wants to hear them..?
What message would you like to give to your fans? This is probably the best time ever to be a fan of music. Love it, live it, let it consume you. Seek out and embrace new sounds and music will reward you. It is out there, so never settle for what’s unimaginative or been done a million times before
We are thrilled to introduce Lara Tahm, a German music producer and vocalist making waves with her debut single ‘Shine,’ released on June 21st. Recorded at the University of Helsinki Music Research Laboratory, ‘Shine’ is a beaming indie-pop track that emerged from the dark winter days in Helsinki, exuding the energy and light of an early summer morning. With shimmering chimes, heartfelt citar, and ethereal background voices, the song captures an optimistic path towards happiness and liberation.
Lara, who has a profound connection to both Estonia and Finland, derived her stage name ‘Tahm’ from the Estonian word for ‘soot,’ reflecting her inclination to experiment with music and her deep ties to these countries. Currently based in Munich, Lara is not only a talented musician but also a dedicated musicology student. The single ‘Shine’ has been expertly mixed and mastered by José Diogo Neves, with the artwork captured by Finnish photographer Emma Reijonen.
In this exclusive interview, Lara opens up about her inspirations, creative process, and journey in the music industry. From her early years learning the violin to her experiences in the Estonian music scene, Lara’s story is one of passion, resilience, and artistic growth. Join us as we delve into the mind of this emerging artist and discover the magic behind her music.
My stage name is Lara Tahm. Tahm is an Estonian word which means „soot“. The surname brings out a mysterious, smoky essence and reflects my urge to experiment with music. At the same time my deep connection with Estonia is vibrant in this word.
Where do you find inspiration and describe your creative process.
My songs are written quite in the moment. I sit in front of the computer and start writing what comes out of my head without any judgement. Often I start with a synth or loop sound that I particularly like and then go from there. Sometimes there are certain memories which I want to encapsulate into a song.
What was the role of music in the early years of your life?
As a child I learned to play the violin. It is an instrument which accompanied me for the next ten years. Learning this instrument was for me an introduction to classical music. I grew up with the Eurovision Song Contest and artists like Miley Cyrus, Aly & AJ and Lady Gaga.
Who inspired you to be a part of the music industry?
Conversing with a couple of people from the Estonian music scene like I Wear* Experiment (indierock band), Iiris Vesik (front singer of dream-pop band Night Tapes) and Britt Randma (music manager) influenced and encouraged me to go my path as an artist in the industry. I am forever grateful for these conversations because they opened the doors to a world that was before unimaginable to enter for me.
How did you learn to sing/write/to play?
I already had a musical background with playing the violin. My musicology studies encouraged an analytical view on music which has been incredibly helpful for learning music production. In Tallinn I received invaluable singing lessons which enabled me to find my own voice in pop music as an artist.
What was the first concert that you ever went to and who did you see perform?
In 2014 I saw Florence & The Machine at the Olympia Stadium in Munich. It was a gorgeous experience to witness Florence’s love and glory. To me it was special to see her collaborate with female trumpet players.
How would you describe your music?
My music is a blend of indie- and electro-pop. Every song tells a different story and is genre-wise different. But in the end the song has been written with the same ink and belongs to me. I like to use harmonies and loop vocal phases as a background melody. Recently, I also started using more the violin in my songs.
My music is a blend of indie- and electro-pop. Every song tells a different story and is genre-wise different.
What is your main inspiration?
When I work on songs the inspiration I draw from is really different and depends on what the song needs in the moment. Up until today this includes artists like Selah Sue, I Wear* Experiment, Bilderbuch, An-Marlen, Björk and CAIVA.
What musician do you admire most and why?
At most I admire Night Tapes and Kitty Florentine for their work ethic, the boundless courage to perform live on stage. Iiris and Kitty are both bold women who don’t fear to show themselves on stage. Their stage presence is unforgettable and gripping at the same time. Iiris has this beautiful, ethereal voice which is light like a feather. Kitty Florentine has a fairy-like voice that gets right to my heart and touches me every time I see her live.
Did your style evolve since the beginning of your career?
I am very much evolving as a songwriter and producer with every song. My arrangements are getting more complex and playful since I started 6 years ago. I’ve become more detailed and precise in my productions.
Who do you see as your main competitor?
I do not see artist or music itself as a competition. Music is a human expression which should be fully celebrated.
What are your interests outside of music?
Outside of music I like to learn languages. Besides Estonian and Finnish I am currently learning Swedish.
If it wasn’t a music career, what would you be doing?
My musicology studies enable me to work in the culture sector in general. Working in this field as an event manager, PR specialist or curator would be an alternative besides being a music producer.
What is the biggest problem you have encountered in the journey of music?
Recently I had a creators’ bloc where I felt completely stuck with making new music. In these moments I find it best to still create something everyday and be kinder to myself. It takes time to create beauty and sometimes it is better to create slowly and be very patient with yourself.
If you could change one thing in the music industry, what would it be?
Changing the revenue model of streaming platforms to a fair share: Indie artists should get more revenue than they get right now. A Gema study in 2022 came to the result that the share of the membership is 1,60 Euros for music creators. It’s necessary to see that for each membership music creators receive more money and that songwriters are being paid equally than music producers.
Why did you choose this as the title of this project?
‘Shine’ is the most optimistic song I wrote during the winter in Helsinki. I chose this title to encourage listeners to appreciate their imperfections and their beauty.
What are your plans for the coming months?
Currently I am working on a song with Estonian music producer Steven Saagpakk and Estonian rapper Taavi Sink for the upcoming Eesti Laul competition which is the Estonian preselection for the Eurovision Song Contest. Hopefully we’ll get selected as an act. Fingers crossed!
What message would you like to give to your fans?
I am thankful that you all take the time to listen to my songs. I am excited about the journey and can’t wait to share more music!
From Grunge to Glory: Attic Theory’s 'Dare to Dream'
Hey, check out this new song called Dare to Dream by Attic Theory. It is from their album titled What We Fear The Most and trust me; the song is lit!These UK rockers are great at grabbing the attention of the audience right from the onset.
So, the best thing for me about Attic Theory is that they combine different kinds of rock – grunge, hard rock, metal, alt-rock and more…Oh, how they switch from part to part – it keeps one engaged all through the performing time.
This song has this awesome feeling to it which is interesting given that the song was written by the band’s vocalist, Lewis Wright after some heart challenges including a throat surgery. I have a lot of respect for him for turning that into something so strong.
Of course the track packs a punch from the first second of the song– those guitar sounds in the beginning are amazing, and the chorus is just incredible. Man, it makes you want to throw caution to the wind, literally lose your mind.
So if you’re into the kind of thing that would be along the lines of post-grunge – kind of a hard rock – then you’ve got to look into this band. They are showing that they can still make good movies in that movie genre. Honestly, it is worth giving it a listen!
JC & the Tree Light Up 2024 with 'Water to the Flame
Hey, have any of you listened to “Water to the Flame” from JC & the Tree? It has become my recent favorite. This tune is hot – it seems to have that folk-rock feel to it with a hint of country-pop which I like. The vocals are cliché as hell, and that violin? Damn, it hits hard.
Even more interesting is the tale behind their guitars. Jesse, the lead singer, actually built them himself from a tree that fell in a cyclone on a piece of land that he once owned. Wanna know what passion means next to putting your heart into your music?
Jesse, the lead singer, actually built them himself from a tree that fell in a cyclone on a piece of land that he once owned.
They happened to be on this massive Australian tour known as the ‘Big Lap,’ driving through some very isolated areas at the time. If so, don’t miss “Blue,” a hazy piece of indie rock they released back in March.
Okay, but for real, listen to “Water to the Flame”. It’s one of those songs; where something about the song feels different. Oh, and, you know, follow these gentlemen on social media if you wish to track their journey and new material. I promise, it will be worth it.
Interview With Divine Nation On Latest Album 'Enchantment'
Guys let me tell you about this new band, Divine Nation, a duo from Glasgow, this is Paul Connor on the vocals and Jezz Watson on the music and a new element is what they are introducing to the scene and this can be witnessed in their new album “Enchantment”.
These dudes are old school, and their music is proof of that. They’re all about harmonizing music with poems and raw beats that appeal to your emotions in one way or the other. Imagine blending Miles Davis with the feeling that you get from listening to David Bowie music, but it sounds like none of these musicians at the same time.
The new album is called “Enchantment” and it is something else. They completed it in three days, can you imagine that? In essence, it is a journey to the soul through music. Beginning with “Light Never Dies” and going up to the titular track, “Clinical” takes the listener on an exciting rollercoaster of rock and jazz elements.
For Divine Nation it is not only about producing songs but about invoking a certain atmosphere. If you are into musical groups that can get you to think and feel, then you should listen to them. They are undoubtedly potential contenders for future success or growth.
Our name is Divine Nation but we also have songs under the band name Giantslayers.
Is there a story behind your stage name?
Our stage name Divine Nation comes from a song recorded by Giantslayers
That was the final song I did with my ex collaborator Colin Cooper.
Where do you find inspiration?
I find inspiration in life experiences, images, people around me what’s going on the world,
dreams and day dreams
What was the role of music in the early years of your life?
I was surrounded by music in my early life
My Dad was into jazz and big bands, My Mum the Beatles rock n roll and country.
Are you from a musical or artistic family?
My family had a great love of music
The home usually had music on.
They were not themselves creative but that wad a mindset.
Who inspired you to be a part of the music industry?
It was my first collaborator Colin Cooper who gave me the opportunity to write lyrics develop vocal melodies and sing.
So bigs up to Colin for that opportunity.
How did you learn to sing/write/to play?
I’ve always been a creative writer
I’ve had a couple of novels published.
I also wrote poetry and I performed it.
I wrote a piece with a sung part in it about a decade ago, it was well received and I loved performing it.
That planted a seed.
What was the first concert that you ever went to and who did you see perform?
Dr Feelgood were the first live band and John Hall the first artist.
Feelgood were frightening and frighteningly good
John talented but more benign!
How could you describe your music?
My music is eclectic and it strives to have punch and to be inspirational
Describe your creative process.
My creative process is like a flash of lightning comes out of the ether
Most song lyrics I complete within ten minutes
I then hand the lyrics with a vocal melody to my musician Co composer.
A couple of times they have sent me music and I have put lyrics and a vocal to that music. For example, the title track of Enchantment was done that way.
Jez Watson sent me the music and the title Enchantment came to me in a dream!
I woke up from that dream and wrote those lyrics.
Most song lyrics I complete within ten minutes
What is your main inspiration?
My inspiration is the nitty gritty of life seen through a spiritual lens.
Driven by a notion of elevation for both me and the collective too.
What musician do you admire most and why?
I think my singing had massively improved with practice.
Evolution wise I’m looking for diverse influences through collaboration
Did your style evolve since the beginning of your career?
I’ve always loved Bowie from being a boy to the present.
My favourite artist/musician.
I like the music to be fluid I’ve worked with three composers all of them had their own niquestyles and musical backgrounds.
That heavily influenced the style and tone of the music.
Who do you see as your main competitor?I don’t think in terms of competitors
I think a rising tide lifts all boats
I’m always open to collaboration.
What are your interests outside of music?
My interests are different cultural experiences through travel, the beauty of nature, great music, maining creativity encouraging others to do the same.
Being as autonomous as possible is a must.
If it wasn’t a music career, what would you be doing?
If I wasn’t doing music I would still be teaching chi kung.
What is the biggest problem you have encountered in the journey of music?
The biggest problem in and around music has been getting a band together that can work together to play live and, as an independent artist getting the music out to a larger audience.
The industry needs reformation!
If you could change one thing in the music industry, what would it be?
The one thing I would change would be the grip of the major record labels.
Why did you choose this as the title of this project?
Divine Nation was chosen for the name of the project as it is a manifesto for a more elevated future.
Humanity lifted out of the mud.
What are your plans for the coming months?
Next few months will see the release of a Giantslayers album under the Divine Nation banner
More creativity, more fun and perhaps a little travel too.
Do you have any artistic collaboration plans
I’ll be looking for new collaborators for new vventures probably to work on what will be a third album of songs
There’s quite a few in the pipeline!
What message would you like to give to your fans?
I say to everybody pursue your goals and dreams and do not let the opinions of others stop you from doing what you want tovdo in terms of your own creativity.
Don’t let it pass you by.
Big thanks to all who support us.
Nolo Grace Captivates with Ethereal Vocals in ‘Eyes Of The Dragon’
Ever heard of “Nolo Grace”? “Nolo Grace”? Does it sound familiar? What of Grace & Moji? Yes that is a name which is familiar to many of our listeners and on occasions this duo has brought to the people touching lyrics and touching songs.
Nolo Grace has created her unique course with her ambitious, innovative range and persona always appreciated for her performances. Following the buzz that was created by “Wake Up” which featured Sean Kingston, Nolo Grace is back with “Eyes Of The Dragon,” which reaffirms her presence in the industry.
Her latest song I love is called “Eyes Of The Dragon. ”It is all about change and development, right? The kind of stuff that really gets you thinking about your own life. Her voice is like. .. ethereal, I guess? And the production is super cinematic. It is the type of song that you just put on and go into auto pilot.
Nolo really has this thing about how we are all these little elephants, these multi-faceted individuals. She also discusses the need to connect with various aspects within us – the better angel, the dark side, the kid within. Deep stuff, right?
Nolo Grace Captivates with Ethereal Vocals in ‘Eyes Of The Dragon’
Grace explains
“Eyes of the Dragon is inspired by the theme of transformation and the multiplicity of self. I believe that we are interdimensional and infinite beings – we have multiple versions of self that we can tap into, including our higher self, shadow self, our inner child, etc. I wrote this song about the fact that we all have the ability to tap into our higher self and have a more expansive view of ourselves and the world.”
She’s an LA based Korean-American artist and her music can best be described as pop/ R&B/ hip hop/ avant garde. You can see she has been through some things in her life; her songs have this raw feeling to them.
Oh, and guess what? She’s releasing an entire album at the end of this year too called ‘’Eyes Of The Dragon. ’’ Just like this track, it’s going to blow one’s mind.
Nolo Grace is for sure a talent to look out for. It is not just pop music; it gives the intellect something to ponder upon. It will be interesting to see what she does next.
