If cherubs in the cosmos had a soundtrack for arrow-flinging, “Real Love” by Starmode & Tarmo might just be it. Strangely enough, imagine Cupid drenched in neon lights, vibing to electronic beats atop Helsinki’s snow-laden roofsᅳthis image encapsulates what brushes through your eardrums with this track.
Dancing on a tightrope between euphoria and plaintive longing, the single crafts sunlight out of notes and chords that could potentially resuscitate frozen hearts. The piano acts not just as an instrument but as an alchemist; turning air into goldᅳa rare feat reminiscent of Midas’s own playlist.
Starmode
The core message sings ballads about love’s rejuvenating power; more refreshing than a gulp of Klondike-esque cold air during summer midsöl (a coined term blending ‘sol’, sun WIth mid). This anthem does not tiptoe around its intentionsᅳit stomps through your feelings with the heftiness of Goliath sporting light-up sneakers pounding along to Beats by Dr Dre helium riffs.
Tarmo
Now let’s sidestep: Did aliens intercept transmissions from our “summery” songs and beam back “Real Love” as their first message? It seems probable when you get washed under its pulsating waves. Another curious muse is whether Archimedes would’ve abandoned his Eureka moment if this tune thumped through his bathhouse?
Wrapping up in ambiguation hues rather than clear-cutsᅳdoes “Real Love” truly elevate or simply tantalize us like unrequited love at peaktime disco infernos? Only repeated listens will tell if it remains timeless or tapers into nostalgia’s echoing whispers.
As Yosef Gutman Levitt plucks the strings on “Why Ten?”, it’s as if each note bobs like a lantern on some nocturnal sea, guiding lost ships toward mystic shores of Jewish numerology. In this new album, Levitt does not just play music, calling out storms and serenades from beyond, meshing sandy desert melodies with rainforest rhythms.
“Why Ten?” is not an album; it’s a merry-go-round ride whirling around the cosmic significance buried in the number ten. It whispered otherworldly jazzes, carried by tender guitar strums from Gilad Hekselman and Ofri Nehemya’s drumbeats that pulsate like heartbeats echoing through ancient cedars. They invite us to groves where traditions twist and twine, revealing sacred knots that bind spiritual realms to our mundane world.
Stefano Amerio incubates this spectral symphony within crystalline walls of sound production, breathing as if alive: a living creature birthed from harmony and heritage. Here lies the alchemistic pot in which notes are cooked together—haunting woodwinds by Gilad Ronen whispering secrets heard only once in a lifetime during chilled twilight breezes.
Yosef Gutman “Why Ten?”: A Mystical Jazz Journey
This record takes one atop the hills of Jerusalem at dusk, where every chord grows leaves to meet the skies, colored by past epochs’ aspirations and sighs. It indeed feels global, yet exuberantly localized—a weird paradox, somewhat like standing on two boats firmly, with their horizons stretched in front of them.
Thus tuned deep inward, yet expansive outwards, Levitt crafts not mere songs, but spells capable of sweeping one off one’s feet—as enchanted sailors, enraptured under starlit voyages tracing routes of thought long before we listened or even breathed.
Owan & Larbi Release Debut Project “Here’s to New Beginnings”
An eclectic duo from Ghana, West Africa, with a passion for heartfelt lyrics from love to life that grabs the ears of both home and streets listeners, Owan & Larbi are slowly constructing a unique sound that fuses classic Ghanaian Hiplife and new age smooth Afrobeats. Their debut EP, “Here Is To New Beginnings” a 6 song chronicling their experiences so far.
Filled with life and love songs, the budding duo speak on appreciating beautiful love and ebbs and flows of life. In the face of the obstacles and hardships, they have faced in finding loving and figuring out life, they hold fast to their grounds and have come to find peace and love in the end.
The songs are a great fit for romantic and chill moments where you can ponder on life and in times where you are looking for motivation to pursue your dreams. A very well put together project that highlights their stories over fitting instrumentals.
Stream “Here’s to New Beginnings” on all platforms here
Lifting the Veil: An Interview with Post Death Soundtrack
Get ready to go inside the dark and heavy world of Post Death Soundtrack. This band originated in Vancouver with the members as Stephen Moore and Jon Ireson; they are masters of doom, grunge, hardcore, and thrash metal.
Their latest album, “Veil Lifter,” looks quite different from their previous ones to say the least. Infused with feelings of Alice in Chains and Russian Circles, Post Death Soundtrack’s fourth full-length album offers an intense, live-sounding experience which should indeed be loved by fans of heavy music.
With strong, passionate vocals supported by distorted instruments, Moore guides the listeners through a perspective of self-actualization, struggle, and internal darkness. Notable tracks such as ‘Molotov Smile’ and ‘Hyena Dream’ are good examples of the way in which the band meshes heavy chug with trance-inducing rhythms.
The outcome is an atmosphere that will both remind listeners of some of the best parts of classic video games and feel futuristic and contemporary. Apart from music, “Veil Lifter” addresses issues of mental disorder and internal crisis, making it more than just songs but telling a story. From the conception of “Veil Lifter” to discovering what fuels Post Death Soundtrack, and their path from pain to triumph, let’s learn more about the band and the music.
Is there a story behind your stage name? It has several meanings, like most of the lyrics, one being that your Post Death Soundtrack is the energetic mark you leave after you die. The other could be that this is music for the dead, for those who die to the world.
Where do you find inspiration?
Life experience, trauma, struggle, loss, perseverance and spirit. Musically, I also feel it’s important to both lean into your loves but also experience a wide range of new and different music because it can all influence you and find it’s way into your work.
What was the role of music in the early years of your life? Early in life I was pretty typical in that I enjoyed music, which pretty much everyone does. However, when I was 12 or 13 and was introduced to Nirvana, I felt for the first time that I was understood. It lit a fire in me. I knew this was where I wanted to be and what I wanted to be involved with.
Are you from a musical or artistic family? No. I’m an odd duck.
Who inspired you to be a part of the music industry? Nirvana. And as the years went by and I just became more and more enamored with everything music, I realized it was my sport. It’s the only thing I know about and do well. So I’ve pretty much based my whole life around it by running independentmusicpromotions.com for my day job.
How did you learn to sing/write/to play? Originally, there was a guitar course at my school introduced and they actually let me play Smashing Pumpkins ‘Rocket’ for a test/assignment. I had a guitar teacher for a few years, but then I just veered off and started writing my own music. I was mainly interested in getting good to a certain point where I could write the riffs and ideas I wanted to.
I never cared about being a Steve Vai type of soloist, even though I respect and enjoy technical music too. For vocals, I would practice along with Nirvana, Alice in Chains, Stone Temple Pilots, etc over and over. It took me years to develop my voice. I probably didn’t even enjoy it until I was 28 or so, and it’s finally come into it’s own now.
What was the first concert that you ever went to and who did you see perform? The first shows I went to were local punk/grunge shows in Oakville, Ontario. One of the first bigger bands/concerts I saw was The Tea Party, who are kind of the Led Zeppelin/The Doors of Canada. Shout out to them. I grew up on ‘Edges of Twilight’.
Also, and I don’t care if this is embarassing – one of the first concerts was Kriss Kross at Canada’s Wonderland, and I wore my Dad’s pants on backwards. Say what you want – ‘Warm it up, Kriss’ – that song still holds up! Haha
Also, and I don’t care if this is embarassing – one of the first concerts was Kriss Kross at Canada’s Wonderland, and I wore my Dad’s pants on backwards.
How could you describe your music? It’s mainly metal when it comes down to it. Stylistically, my style blends doom, sludge and thrash metal with grunge, noise rock, psych rock, stoner rock and hardcore punk. I know that sounds like a lot, but I find they all go together seamlessly.
I grew up in the Calgary punk scene but listened to more grunge and alternative bands at the time. Later on I got into heavier and heavier metal, as well as the current doom and sludge scenes, which had a huge effect on me. Now, I mix it all in the gumbo and it comes out as a singular sound.
Describe your creative process. I typically either have songs and melodies come in my head while I’m out for a walk, or sometimes even in dreams. But most often I sit at the guitar and make things up on the spot, aiming for riffs I find interesting. Once I stumble on something, I’ll either record it right away on my phone, or I’ll sing a melody and placeholder lyrics, recording that.
It has to be fresh or I risk forgetting it. I’ll revisit the files later and expand on the ideas with a fresh mind. This is how the songs come about. Often the first ideas work, including the lyrics made up on the spot. I’m not sure why it works that way. Other times I will have lyrics and full poems already written in my lyric book, so I will browse through that and set them to music.
What is your main inspiration? My main inspiration is to put out something raw,, honest and uncensored, as that’s the only way I can be proud of it. I’m very stubborn that way. If we’re in a band and you tell me you just want to have fun and be silly, I run for the hills. I’m inspired to release serious art. And I’m constantly inspired by a really wide variety of music. I own 2,000 records.
What musician do you admire most and why? Kurt Cobain and The Beatles. Kurt Cobain because he made his lyrics brilliantly cryptic, and as a result managed to inject more power and emotion into the music because of it. A lot of people don’t understand them, but it’s like painting a picture with lyricism as opposed to just coming out and saying ‘I’m upset’, which to me is boring.
And The Beatles because they did what they wanted, experimented to high Heaven, and completely changed the world with how far they were willing to take things. They’re unendingly brilliant.
Did your style evolve since the beginning of your career? Yes, very much so. It was likely more spastic punk metal towards the beginning, but most of all, I’ve grown better in knowing what I’m good at and what I’m not. So I lean into my truth and what I do best, while still experimenting.
Who do you see as your main competitor? I try to support other artists and don’t really see any competitors. I just compete with myself, aiming to do my utmost and release something stronger than my previous release. I think I’ve done that with ‘Veil Lifter’, and as I start to write towards the next album, I am aiming to create something even better, heavier, more immersive and compelling.
What are your interests outside of music? I love meditation, philosophy, spirituality, comedy, film and food/nutrition.
If it wasn’t a music career, what would you be doing? I’d probably be working a job I don’t like, or possibly even be homeless.
What is the biggest problem you have encountered in the journey of music? Working with people who don’t understand or value the marketing side of things, and who only want to make the music and then chill. It’s been a challenge to find symbiosis between people and have a project move forward in a live or business sense.
If you could change one thing in the music industry, what would it be? I would do away with the feedback industry, because nobody needs feedback once the music is mixed and mastered. Their statement is complete. I would have that industry focus more on actual shares and coverage. Nobody cares what you thought about the change at 1:22 in the song.
Why did you choose this as the title of this project? It means ‘to lift the veil of ignorance and see reality as it is’, so to see reality as oneness as opposed to the illusion of duality.
What are your plans for the coming months? I plan to continue to promote ‘Veil Lifter’, while also writing ideas and song structures to lead towards the follow up album.
Do you have any artistic collaboration plans? I already collaborate with Casey Lewis on my work. He plays drums and really brings the songs to life, as he’s one of the top drummers in Canada. He also mixes and masters through his top tier studio, Echo Base Studios. Other than this, I have quite a few musician friends in Calgary who I plan to collaborate with on various projects. I also plan on some solo work.
What message would you like to give to your fans? THANK YOU to anyone who bumps this shit. It means the world to me, honestly.
Behind the Rhythms: For You Brother on Their Latest Hit 'America'
The three members of ‘For You Brother’, an alt-rock group originating from Aiken, South Carolina, is generating quite a buzz around their debut release “America. ” John Davis, Jean Carlos, and Phil Noah are childhood friends with a various set of inspirations that produce a new, exciting sound.
Their most recent single is a perfect representation of their talent and the fact that they have been friends for decades, with the tune that immediately gets stuck in your head. Non si può non rimanere colpiti da “America”, sofferente per il 6/8 time, vocali convincenti e corda pulita.
The vibe of the song is very consistent since all the parts fit together well in creating an enjoyable listening experience. In fact, any of the; Its chorus is quite touching and catchy, and it seems appropriate to call this song the anthem for national holidays.
We had an opportunity to sit down with John Davis, alias Jon Dash, to talk about the creative process of For You Brother. Davis shared not only information about the early influences and musical training of For You Brother, as well as their present and future creative endeavours, but also the backstory behind “America”. Keep on growing with For You Brother and follow them as they create the exciting and soulful art of rock music.
Yes, I usually dash out after a show. I’m kinda of a reclusive person
Where do you find inspiration? I find inspiration from living life’s journey & from older bands. Van Halen, Yes, Mother Finest, Boston, Queen, Prince.
What was the role of music in the early years of your life? the earlier years I spent most of my time trying to be different.
Are you from a musical or artistic family? musical family, yes cousins, uncle, ect
Who inspired you to be a part of the music industry? I was always drawn to music from a child.
How did you learn to sing/write/to play? I was self taught. Writing music I just record whatever I’m feeling that day.
What was the first concert that you ever went to and who did you see perform? my 1st concert was The invasion tour 1979 Van Halen
How could you describe your music? my music to me is danceable ,funk , rock, classic rock
Describe your creative process. my creative process starts out with whst ever riff that I start jamming on. Then it takes life.
What is your main inspiration? my main inspiration is pleasing God
What musician do you admire most and why? I admire Edward Van Halen the most. He was true to his heart musically. He inspired many guitarist. He had a big heart.
I admire Edward Van Halen the most.
Did your style evolve since the beginning of your career? Yes, my style is definitely evolving
Who do you see as your main competitor? no competition
What are your interests outside of music? my interest outside of music are spending time with my family and friends.
If it wasn’t a music career, what would you be doing? Business owner
What is the biggest problem you have encountered in the journey of music? biggest problem would be getting airplay on Radio stations
If you could change one thing in the music industry, what would it be? if I could change the music industry hmm maybe clean up the good ole bit system
Why did you choose this as the title of this project? America, is the title for the single as it represents the song perfectly.
What are your plans for the coming months?
my plans for the coming months are writing more tune with Jean Carlos to support out upcoming shows
Do you have any artistic collaboration plans Yes, Jean & I are currently playing with the Jimi Bennett Band writing & gigging
What message would you like to give to your fans?
my message to our fans would be Thank so much for your support & listening to our new single America.
From Covers to Club Hits: The Rise of SKYLAN in the EDM Scene
SKYLAN is still relatively new in the world of EDM but her shows and her music set her apart from the rest. She was born in Raleigh, North Carolina and is rather well-known for her efforts in revolutionizing the traditional electronic dance music. Her new song ‘High’ is a perfect summer hit tune which incorporates electronic dance elements combined with the Pop music genre and the emotions that can be associated with them metaphorically.
SKYLAN began her wonderful journey at the young age of 17 when she started covering songs on one of the most popular platforms, YouTube. It might have started with those basic equipments in school, but she has grown big and well known as a DJ and producer.
Her tunes, as she often said was influenced and composed during the festival times and when she gets to perform before live audiences have the ability to take people to the sunny side of the globe and light up the dance floors everywhere it is.
When we had a chance to talk to SKYLAN, she shared with us a few insights regarding her process of creating music, the artists that have influenced her the most, and her own experiences that are reflected in her music.
She disclosed her journey of discovering music in her early stages, her current realities, and the struggles she has faced in her journey. Thank you for watching the video and I hope you continue to follow this artist as this is just the beginning of what she will accomplish.
I chose this name when I was 17 and singing cover songs on YouTube, and I’ve grown rather attached to it. I wanted something cool and different, but most importantly, I wanted a name with no ties to my real identity. Music has always been very personal to me, and I didn’t want my family and friends to have opinions about it. As I got older, this alias proved useful when I had a job where being active on social media could have been problematic. Now, it helps me differentiate between people who know me in real life and those who know me from DJing and my music based on what they call me.
Where do you find inspiration?
The way I make music now is very different from when I first started. These days, with performing and DJing, my focus is on how a song will perform in front of an audience. I’m constantly thinking about how it will fit into my set. I do a lot of different types of sets, from EDM, mostly Bass House and Dubstep, to sometimes Melodic House. I draw a lot of inspiration from the energy and reactions of the crowds.
What was the role of music in the early years of your life?
Music has always been a big part of my life. I did the typical things musical kids do—chorus, vocal lessons, and playing the flute in elementary and middle school. In middle and high school, I really got into playing the guitar. My taste in music has always been all over the place, but I’ve always appreciated the artistry in every genre.
Are you from a musical or artistic family?
Yes, my mom is super creative. I’m pretty sure I remember her saying she played clarinet in High School. I don’t have much of a connection to my dad’s side of the family, but from what I remember, they were pretty theatrical.
Who inspired you to be a part of the music industry?
I’ve always had people telling me I should do something with music, but it wasn’t until I started succeeding with DJing that people stopped asking me what I was going to do for a career.
How did you learn to sing/write/to play?
I started learning how to produce music through YouTube tutorials back in 2016. I honestly got tired of paying producers and thought, “Screw it, I’ll just learn how to do it myself.” I picked up some skills from taking vocal lessons and chorus as a kid, but most of that faded over time, so I turned to YouTube tutorials again. I have a basic grasp of music theory, however to this day, I still can’t read sheet music. When I was a kid, I went out of my way to avoid learning it. My flute instructor once told my mom, “She can’t read the music, but if I play the composition first, she can play it back.”
I started learning how to produce music through YouTube tutorials back in 2016. I honestly got tired of paying producers and thought, “Screw it, I’ll just learn h
What was the first concert that you ever went to and who did you see perform?
I was 6 years old when I went to my first concert, which was Britney Spears on her …Oops I Did It Again tour. I vividly remember her dancing on stage in that iconic red bodysuit.
How could you describe your music?
My discography is pretty eclectic. I began with Tropical House, then transitioned to Big Room House. When I felt strongly about a political issue, I expressed it through a Dubstep track, and my TikTok followers really resonated with my song “Riddim Gods.” Over the past year, my music has consistently featured heavy bass elements, but recently, I’ve been exploring a blend of pop vocals with a heavier drop.
Describe your creative process.
I don’t follow a set formula to making a song. Most of the time it begins with a melody that pops into my head, or sometimes it starts with a lyric, a drum beat, a guitar riff, or a piano chord progression. Lyrics often come last for me, and I still consider them my weakest skill in songwriting.
What is your main inspiration?
My main inspiration has evolved over time. Initially, it was other artists and their songs. Now, my sets and the audience’s reactions are my biggest sources of inspiration.
What musician do you admire most and why?
Right now, women are absolutely killing it in music. I find a lot of inspiration from the big names in pop music, like watching Chappell Roans rise to fame has been pretty cool. But my heart will always be in EDM, where artists like Nostalgix, ALLEYCVT, and Alison Wonderland stand out to me.
Better yet, Charlotte De Witte was the first woman to close out Tomorrowland in 2022. The EDM world, like many other genres, has historically been dominated by male artists. Women in EDM have often been underrepresented and underestimated, so it’s really inspiring to see them gaining more recognition and representation in the community.
Did your style evolve since the beginning of your career?
Like personal style? Yeah, I wear a lot more comfortable clothing during my sets now. I just got sick of the misogynistic comments.
Who do you see as your main competitor?
I’m more focused on staying in my own lane. Although, I do tend to get caught up in my own ambition, so in a way, I’m my own competition. I’m constantly pushing myself to explore “what’s next.”
What are your interests outside of music?
Do I have other interests? Well, kidding (kind of). I’m extremely extroverted, so I enjoy traveling, meeting new people, and catching up with friends outside of my events or work. I still bartend once or twice a week, so I still have an interest in craft cocktails.
If it wasn’t a music career, what would you be doing?
Well, I’m not in music full time just yet. DJing covers a good portion of my bills, but I still bartend once or twice a week. Funny enough, I was actually crowned Raleigh’s Best Bartender 2023 by Raleigh Magazine.
What is the biggest problem you have encountered in the journey of music?
There’s been a lot of weird stuff since I started DJing. Initially, getting my foot in the door was tough; there’s a lot of gatekeeping when you’re first starting out. The whole “we’ll pay you in exposure” taboo is pretty annoying, and it’s definitely not discussed enough, especially in the EDM scene. Also, Misogyny continues to be a recurring issue.
If you could change one thing in the music industry, what would it be?
I can handle the majority of the challenges I mentioned earlier, but if there’s one thing I could change, it would probably be transparency. It’s crucial, especially for independent artists like myself, to have clearer and more honest communication across the industry.
Why did you choose this as the title of this project?
“High” is the most frequently used word in the song. Well, technically, “I’m” is the most used word, but I didn’t think that would make a very good song title.
What are your plans for the coming months?
I have a lot of themed events here in Raleigh, NC that I’ll be DJing, but I’m also aiming to expand to other cities and states. I’ve got a few original tracks and some flips/remixes on deck that I’m really excited to release and play at some upcoming shows. Also, there’s some exciting stuff in the works that I can’t announce just yet, but yeah, I’m looking forward to it!
Do you have any artistic collaboration plans
Skrillex. He doesn’t know it yet, but if someone could just introduce us then I’m sure he’d be on board.
What message would you like to give to your fans?
That’s a bold question. I’m not sure if I have fans yet. But if there’s even just one person out there supporting me, just know ilu, your support does not go unnoticed, and please stop gatekeeping me to your friends.
The Impressive Talent of Carson Ferris Shines Through in 'Ghosts'
I remember clearly the first review I did for “Speed Limit” by Carson Ferris, at just 14 I was really impressed with what I heard, and now he is making waves in the pop music scene with his latest single “Ghosts,” released on July 5, 2024. Produced by Matthew Parker, this electro-pop track showcases Carson’s impressive vocal range against a backdrop of pulsing electronic beats.
“Ghosts” stands out for its immersive soundscape and Carson’s emotive performance. The song delves into complex themes like toxic relationships and the importance of letting go, displaying a maturity beyond the young artist’s years. Its slower tempo allows listeners to fully absorb its powerful message.
Initially conceived as an upbeat dance track, “Ghosts” evolved into a unique blend of heartfelt vocals and laid-back electronic vibes. Carson’s lyrics are particularly poignant, reflecting on the necessity of moving on from unhealthy situations. The bridge drives this point home, emphasizing that letting go is often the path to peace.
Initially conceived as an upbeat dance track, “Ghosts” evolved into a unique blend of heartfelt vocals and laid-back electronic vibes.
Carson’s ability to convey such universal themes is remarkable for his age. Parker’s production enhances the song’s emotional impact, making it a standout in Carson’s growing repertoire. The personal touch of Carson recording vocals in his home studio adds authenticity to the track.
Having started his musical journey at six with the electric guitar, Carson cites influences like Journey, OneRepublic, Ed Sheeran, and the Jonas Brothers. These inspirations shine through in his music, which blends pop and rock elements into a relatable sound.
“Ghosts” demonstrates Carson Ferris’ growth as an artist and his capacity for creating music with depth. It’s a compelling listen for fans of thoughtful electro-pop, and signals a promising future for this young talent in the music industry.
Connecting Through Music: An Interview with Lexi Berg
We are pleased to introduce Lexi Berg, a talented Swedish-American musician who seamlessly combines classic Swedish pop with Americana and folk influences. Raised in Stockholm, Lexi’s early exposure to coastal sounds shaped her artistic development. Her debut single “What If” garnered critical praise, marking a strong start to her career.
Lexi continues to impress listeners with her distinctive, powerful voice, often compared to that of Stevie Nicks. Her recent single “Lonely Satellite,” produced by James Eliot, showcases a blend of acoustic and electronic elements. Recorded in the Welsh countryside, the track offers a calming respite from urban life.
In addition to her musical pursuits, Lexi has built a sense of community through monthly jam sessions in London. Her performances at notable venues and festivals demonstrate her ability to form genuine connections with her audience. Lexi’s authentic approach to songwriting and performance positions her as an emerging artist with a unique voice in the industry.
We look forward to discussing Lexi’s inspirations, creative process, and future projects. Join us as we delve into the artistry of Lexi Berg.
Yes, it’s a shortened version of my full name, Alexandra Berglof.
Where do you find inspiration?
Inspiration comes from everywhere—by living authentically and embracing every experience that life throws at you, good and bad.
What was the role of music in the early years of your life?
I was born in Stockholm, Sweden and I lived on a houseboat right next to the amusement park. The lights and sounds from the shipyard would inspire me to play piano and write songs timed to the waves of the sea. The sounds calmed me down. Music was, and is my therapy.
Are you from a musical or artistic family?
Yes, my mother was an accomplished classical pianist as a teenager. My sister and I wrote songs together when we were very little. My great-grandmother composed beautiful songs, though they were never played outside the family.
Who inspired you to be a part of the music industry?
No one in particular inspired me. In fact, many advised against it, but I knew I couldn’t live with myself if I didn’t give it a try.
How did you learn to sing, write, and play?
I had incredible teachers—my Romanian piano teacher, Virginia Pipidi, and my first singing teacher, Sophie Yukuwa. My mother, however, was the one who really taught me everything musical. She showed me how to feel every note.
I had incredible teachers—my Romanian piano teacher, Virginia Pipidi, and my first singing teacher, Sophie Yukuwa.
What was the first concert you ever attended and who did you see perform?
Avril Lavigne! It was an unforgettable experience. We were seated at the top of the arena, barely able to see her, but I was ecstatic the entire time.
How would you describe your music?
It blends classic Swedish pop melodies with touches of Americana and hints of folk.
Describe your creative process.
I wrote “Lonely Satellite” with three of my favorite musicians. Jim Eliot, who has collaborated with artists like Ellie Goulding and Black Honey, introduced me to Mary and Willow Robinson from Outpost Drive. Feeling disillusioned by the pressures of London, we escaped to the Welsh countryside and wrote the song under an apple tree, surrounded by farm animals whilst being attacked by spiders and red ants.
What is your main inspiration for this song?
“Lonely Satellite” explores the contrast between the pervasive loneliness many of us feel in our hyperconnected world. Despite being more connected than ever, communities are disappearing, replaced by technology and individualism. In cities, the polluted skies hide the stars so that all we see are planes and satellites, symbolizing this disconnect. Looking up gives us perspective. Life doesn’t have to be about competition and success—it can be about collaboration, love, and support.
What musician do you admire most and why?
Stevie Nicks from Fleetwood Mac. Her magical performances leave you feeling hypnotized and spellbound.
Has your style evolved since the beginning of your career?
Absolutely! My voice is stronger, and I’ve delved deep into my soul to express my rawest self.
Who do you see as your main competitor? I see everyone as a potential collaborator, not a competitor.
What are your interests outside of music?
I love magic, tarot, and dancing. I enjoy a good rave, cooking, and hosting friends and family.
If it wasn’t a music career, what would you be doing? I’d probably be buried deep in an archive, possibly having a nervous breakdown.
What is the biggest problem you have encountered in your musical journey?
Realizing that some people in the industry are in it for the wrong reasons was a tough lesson. It might be cliche, but I thought I might be the exception. Nope.
If you could change one thing in the music industry, what would it be?
The list is long, but I’d start with changing songwriting cuts. Songwriters deserve fair compensation. What would we do without music?
Why did you choose this as the title of this project?
We are all lonely satellites, roaming around in search of real connection.
What are your plans for the coming months?
I’m focusing on releasing music, touring, and performing. I have a residency at Notting Hill Arts Club in London, with the next one on August 29th. I will hopefully be going on tour in the US late fall.
Do you have any artistic collaboration plans?
Yes! If you’re an artist or producer, hit me up!
What message would you like to give to your fans?
You are not alone. I feel the same way you do. Let’s build a new world where light conquers darkness.
Heaven Sent: About-Faces Talk Vulnerability and New Music
Did you know that ‘About – faces’ released a new track called ‘Heaven Sent’?This one is more emotional than its hit predecessor “Learn to Surf” released last year. Interestingly, it would appear that it was one of the first that they ever put on record and now it is one of the best hits during their concerts.
The track has this hopeful, grateful type of message, but with the indie rock twist that only this band can offer. It is quite easy to detect similarity to U2 and Bruce Springsteen where you can notice lots of guitar and a farecally big chorus. Sennen has this unique rawness to her voice and Danielle complements by singing back up with dreamy harmonies.
Sennen told about the purpose of the song. He said that it is not about overcoming the struggles of life but mourning and moving on , forgiveness and valuing the friends who stood by him when his father died.
He said that he does not have any religion but he does good in everything and the support that he receive form his friends was really like a godsend to him. It appears about-faces are becoming more popular by the day thanks to their poignant lyrics and narrative approach.
Take for instance this track “Heaven Sent”, this is the best example of how they combine alt-rock and indie with strong emotions and nice choruses. Still if you plan to know what exactly they are up to, then I think it’s worth a try listening to it.
Is there a story behind your stage name?
We struggled for a while to find a suitable name that fits the sound. Danielle mentioned about-face and I thought it was quite cool. The idea of turning 180 degrees to face the opposite way felt empowering to me. But because we’re a band, it had to become plural, I think about-faces adds another dimension to the original idea, now can be seen to be about everyone.
Where do you find inspiration?
I think inspiration comes in a variety of forms, could be a moment; a scene in a film; an overheard phrase or just a feeling we experience. I think you have to be consciously aware of these moments, and I think this is what sets us apart from other bands.
What was the role of music in the early years of your life? For us all it was always escapism, we’ve all played since teenagers, music now becomes a part of our life and identity. But first and foremost, we are music fans. I think this obsession with bands and artists sparked the desire to try and replicate what they have done.
Are you from a musical or artistic family? We have all inherited music from family members, some play and others just surrounded us with sounds since we were young. Whether that be listening to Chili peppers with our brothers; going to church, or family members in bands. Music has always been there, I feel like we just had to find it if that makes sense.
Who inspired you to be a part of the music industry? I think it was the idea of being a musician. I used to be fascinated by these high school bands, in my head they were the coolest. I always aspired to be like them, and then when I was I was inspired to be like the kids on the Leeds scene. I’ve always seen it like a ladder, the higher up you get the cooler you get in my head i suppose. I was always inspired by the lifestyle and the feeling of being ‘in a band’, then when I got better at musicianship, the songs and direction took full control.
How did you learn to sing/write/to play? In our bedrooms really, we’re still learning which is the most wholesome part of being in a band or musician, it’s a goal that keeps moving. I think the minute I learnt four chords on the guitar I started writing, just a burning desire to stay what I think of the world in song, it’s easier for me to express like this. As a band, though, we’re not very good at covers and never gave them much thought. We just want to write and write and write. Covers seem like a waste of time.
In our bedrooms really, we’re still learning which is the most wholesome part of being in a band or musician, it’s a goal that keeps moving
What was the first concert that you ever went to and who did you see perform? First memory I have is being on my dads shoulders at a festival watching Goldfrapp, she blew me a kiss. I remember seeing The Prodigy and Scissor Sisters at the same festival also.
How could you describe your music? Positively up-lifting, we spoke about how the tunes are happy/sad, maybe they are, but I’d like to think you’d stick us on a happy day in the sun, but if not, I appreciate you playing us in the winter months also.
Describe your creative process. It changes all the time. We recently got our own studio so that has changed the way we write. We’ve written a lot in that room, before we would bring ideas, whereas now we find the ideas there. We also got a whiteboard which has taken the creative process to the next level, who’d have ever thought.
What is your main inspiration? Life.
What musician do you admire most and why? I think we admire the artists with longevity, at the end of the day we want this to be our jobs forever, we know how hard it is to keep going in the industry for all those years so admire the ones setting the way.
Did your style evolve since the beginning of your career? 100%. Our style has evolved since last week, I think every session we aim for it to be better than the last so it’s only right our sound keeps evolving.
Who do you see as your main competitor? I would have to say ourselves. You’re only as good as your last gig.What are your interests outside of music?
If it wasn’t a music career, what would you be doing? I think it would still be music, just maybe not in a band. I think we’d all be doing something creative, and seeing the world. But for now, we know where our heads are at.
What is the biggest problem you have encountered in the journey of music? When we were younger it was hard because nobody would take us seriously, but now we’re just enjoying the ride. I would like to see the north of England get more light shone on it, there’s great music and art here, sometimes I feel like it is overlooked by the bright lights of London.
If you could change one thing in the music industry, what would it be? There’s probably more than one thing I’d like to change. I’ve always thought that the opening slot at the show should always go to a local band, I know this happens but I think if I came into fruition more, even at shows at the arenas it would shine more light on these bands. It wouldn’t be hard to make it possible either.
Why did you choose this as the title of this project? heaven sent is a phrase that came to me. I think it could be me trying to answer something I don’t understand, a feeling, emotion that I believes too powerful that could only comprehend to be godlike
What are your plans for the coming months? We’re releasing our next single Heaven Sent on the 12th July, with shows in Liverpool, Sheffield and York surrounding the release. We are also playing Truck Festival at the end of the month. We’re back in recording as well, so keeping quite busy, just how we like it.
Do you have any artistic collaboration plans Would love to, but not at the minute.
What message would you like to give to your fans? Keep going, see the light in every darkness. Love the people around you and enjoy life.
Behind the Mask: The Rise of ALTRBOY and 'LAMBO EYES'
Say hello to ALTRBOY; the latest addition to the list of artists who are making music feel fresh and exciting with her newly released song “LAMBO EYES. ”ALTRBOY is not your ordinary trap artist, she’s playing with the genre and subverting expectations with a touch of dark pop that loads this song with brightness. Like her high-pitched voice with that bass, you know the deep kind that rumbles your chest?
When you put it all together you definitely get goosebumps. However, don’t think that she just appeared randomly and out of the blue. ALTRBOY has been out of the limelight for some time now creating tracks for other artists like John legends and Sabrina Claudio.
Well, now she’s decided to step out into the light herself, and let me tell you something, you’re going to want to watch. Her inspirations are apparent in her work: From Lil Yachty to James Blake, she has drawn from all of them. “LAMBO EYES” is as you might have guessed was created after one wild night with the inspiration coming from Lamborghini headlight.
But only ALTRBOY could take that and make it a banger. The music style she brings can be classified as unique since there is nothing like it in the market now. The groovy rhythms, sequences of synths, and lush melodies accompanied by auto-tuned singing sound are so compelling that one would want to play songs on loop.
And that’s not all – there is even more music coming out soon. ALTRBOY may be here for a good time, but she’s here to take the music industry by storm. So sit tight, ladies and gentlemen We are going deep into her territory to discover what drives this emerging talent.
I use a plugin called Little Alterboy on a lot of my vocals and at the time I was changing creative direction as I used to go by a different name. I really liked the name AlterBoy but I wanted to make it a bit different so I removed the “E” and made it ALTRBOY.
Where do you find inspiration?
I listen to a lot of different genres of music and tend to pull from what I enjoy the most. I have been through a lot in my life and usually right from my own story but I also enjoy telling stories from other peoples point of view, I find that to be quite relatable.
What was the role of music in the early years of your life?
I grew up doing school musicals at a young age. High school was a difficult time for me, I ended up moving away at 16 and music wasn’t in my life as often. It wasn’t until I was in my early 20’s that I started to take music more seriously. I started making beats on GarageBand and eventually graduated into Logic Pro. During that time I realized I love writing more than anything so I started to focus more on songwriting and eventually I moved to Los Angeles to pursue my dreams.
Are you from a musical or artistic family?
No. My father is a roofing contractor and my mother is a bookkeeper. Although my household was not very musical my parents always played music. They loved to play Elton John, Cat Stevens, Paul Simon, Gospel music, Michael Jackson and many more.
Who inspired you to be a part of the music industry?
When I was young I loved writing poetry. My friend and I started a little songwriting group (just the 2 of us) where we would write songs together and sing them without music, as neither one of us could play an instrument. As I got older I knew I wanted to be in the creative arts and music was something that I wanted to be really good at so I dedicated all my time to songwriting.
How did you learn to sing/write/to play?
I had a great mentor that taught me how to use Logic which is where it all started. He taught me work ethic and persistence which lead me to work on my craft every day until I became who I am today.
What was the first concert that you ever went to and who did you see perform?
The Foo Fighters
How could you describe your music?
Depending on which song you are listening to I would say my sound is a mix of grungy pop and emotional songs that anyone who’s been heartbroken can relate to on some level.
Describe your creative process.
I usually start with a simple loop. I then record a few melody ideas and pick the ones I like the most and from there I begin to write.
Depending on which song you are listening to I would say my sound is a mix of grungy pop and emotional songs that anyone who’s been heartbroken can relate to on some level
What is your main inspiration?
Myself. I want to be my best self, I want to continue to grow and out-do my yesterday self. I want my younger self to be proud of the person I’ve become.
What musician do you admire most and why?
Pharrell Williams and Kanye West. Pharrell because he is such a talented shining light that stays true to himself no matter what and Kanye because he is incredibly talented and has had such a large impact on the music and fashion industry and he is unapologetically himself.
Did your style evolve since the beginning of your career?
Yes
Who do you see as your main competitor?
Myself
What are your interests outside of music?
I love spending time in nature; hiking, beach, jogging in the forest, etc. I like thrifting. I enjoy painting on clothes and shoes and occasionally make jewelry. I just like to stay creative.
If it wasn’t a music career, what would you be doing?
Idk. Probably living in the middle of nowhere without a cell phone enjoying life lol.
What is the biggest problem you have encountered in the journey of music?
Genuine relationships. The industry moves different and you have to learn how to filter out the good ones from the bad ones. It can be pretty brutal at times. It can definitely make you feel pretty isolated and lonely if you let it.
If you could change one thing in the music industry, what would it be?
Songwriters get paid equally.
Why did you choose this as the title of this project?
The title of this song came after an intoxicated conversation about how Lamborghini headlights look similar to a faded persons eyelids.
What are your plans for the coming months?
Continue to make music. I have a lot of projects I am working on right now, including my own stuff. So I will be pretty busy.
Do you have any artistic collaboration plans?
Yes, I am working with a number of producers and artists right now. Helping build projects from the ground up, creating music for tv/film and much more.
What message would you like to give to your fans?
Stay true to yourself, always. If you work hard, stay focused and keep your energy clear there’s nothing you can’t do.
Sporty-O’s 'Tequila Rage Face' Serve Up Sonic Bliss
In the euphoric battleground of “Tequila Rage Face,” Sporty-O, alongside Spanish alchemists Bowser & Rhades, ferments a sonic margarita that hits with the kick of linguistical lime and rhythmical tequila. As each beat drops like cubes into a glass already slick with condensation, your limbs find an involuntary groove; it’s breakbeat EDM laced heavily with Español fiesta.
Picture this: Sporty-O’s voice carves out revelries in mid-air, his lyrics clean yet dizzying—a camaraderie anthem wrapped tighter than salt on the rim of said metaphoric glass. The track spins around you, pulling gravity from under feet aching to dance atop sandy shores or sticky dance floors alike. Each chorus is a chug; frenetic yet melodic pulses compete in harmonious flare-ups as though every backdrop thumps against soft-lit neon infinities.
Sporty-O’s ‘Tequila Rage Face’ Serve Up Sonic Bliss
Bowser & Rhades sculpt their electronic bravado through channels that radiate heat—the kind summoned at beach bonfires where sparks dare kiss ocean tides. With drums pounding clear across crowded spaces, shoulders shimmy closer in shared inside jokes slathered jovially amongst friends swaying to rhythms baptized by celebratory spirit shots. It’s not just music but relief encased within melody—a secret door flung open vigorous by weekend vibes amidst quotidian dread.
Teetering briskly between exhilaration and what one might call a musical face meant for sipping robust tequilas,’ “Tequila Rage Foce” smiles big beneath its layer of frothy auditory foam—sip after sip leaves you enwrapped more profoundly within companionship tapestries woven deftly through noise-crafted loom tunes.
This release isn’t merely heard but lived riotously within each note—play responsibly!
Jack Bailey's 'Open Heart Surgery': Stitching Souls with Sound
Jack Bailey’s “Open Heart Surgery” EP feels like peering into a kaleidoscope with both eyes wide open. Amidst the cluttered skyline of indie-pop, Jack crafts his melody-tales from a room scented with resilience and perseverance. His partially sighted gaze transforms not into limitation but a vibrant canvas on which he mixes his audial colors—deepest mauves of melancholy interplay harmoniously with hopeful cerulean streaks.
Each track is an auditory finger painting; smears of mental health motifs tangled delicately with strings of personal relationships, all underpinned by the thrusting urgency of introspection. “Open Heart Surgery,” turns out it’s less about breaking ribs medically and more about stitching souls musically—with each strum oozing viscerality that doesn’t just tug at heartstrings but seems to pluck them clean off!
Jack Bailey’s ‘Open Heart Surgery’: Stitching Souls with Sound
Inheriting musical sensibilities perhaps as one would spectacles from an elder, Bailey echoes familial legacies threading through his soundscapes. Yet this journey is distinctly sprinkled with shadows and light unique to his roadmap—the crunch of gravel underfoot in unseen paths, illuminates unchartered territories where synth meets sentiment, creating fireworks that burst across the bedroom ceiling.
Briefly put: if existentialism had a soundtrack designed for echo chambers called hearts – it would be diagnosed as Jack Bailey’s “Open Heart Surgery”. A check-up you didn’t realize your soul needed.
Imagine stumbling across a hidden orchard where every fruit whispers a different tale; that’s the undercurrent of Sarah Lucie’s album, “Light in the Dark.” Within its branches, each note peels back layers, akin to onion skins revealing tender hearts unexplored.
Sarah’s voice is like listening to silk if silk were woven through airwaves—fluid and enfolding but powerful enough to tug at the steel wires of your soul-cage. There runs an undercurrent of authenticity cradled by minimalistic piano melodies which serves as both throne and kingdom for her vocals—it’s pop music stripped bare, quivering with raw emotions.
Sarah Lucie Shines with ‘Light in the Dark’
In essence, what knits “Light in the Dark” into a cocoon around its listeners are not just harmonies; it is stories wound tight within beats about embracing shadows as brothers-in-arms. Could Emily Dickinson have slipped into this era; she might’ve penned lyrics alongside Sarah—the existential undertow mirrors such old-soul ponderousness.
Drawing on themes heavily draped around self-discovery and acceptance (two bedfellows oft separated by vast chasms), there exists here a gallant effort to bridge this gap with tones blending chiaroscuro elements musically visualizing joy intermingling freely amongst sorrows. This album opens up corridors inside oneself possibly left unlit till now—a gentle coaxing towards recognizing wholeness amid fragmented reflections.
Sarah Lucie Shines with ‘Light in the Dark’
One may even argue traces of philosophical introspection reminiscent of Marcus Aurelius’ meditations embroider this musical tapestry making terms like ‘pop’ seem oddly restrictive or misplaced therein.
To gently unwarp from these vibrational ruminations comes short: we orbit an artist grafting melodies meant for more than idle ear consumption—they demand cogitative engagement which perhaps sows seeds long dormant within us all toward actualized potentiality. In summing up—Sarah Lucie bids you gaze into obsidian mirrors masquerading as songs only to see clearer reflections staring resolutely back.
Ray of Hope: Debo Ray Spins 'Feelin' Lucky' into Gold
As if a phoenix first flapped its fiery wings, Debo Ray’s latest track “Feelin’ Lucky” bursts from the ashes of past afflictions with a disco-infused defiance that sets every nerve alight. Here we find our Grammy-nominated siren weaving tales of liberation in threads spun from pure sonic gold – charged with an electrical storm of empowerment and unrelenting joy. The funk fizzles like champagne, pop elements sparkle amidst the pouring R&B melody, leaving one not just listening but virtually strutting alongside Ray through each decadent verse.
Produced by the Midas-touched hands of Prince Charles Chef Alexander, this single serves up soul food for thought; it’s jive talking to oath breakers and heart shakers about finding fortunes you didn’t know were lost. Within her vocal velvet lies a manifesto of freedom—a wild declaration dressed in retrospect that dances cheek-to-cheek with future aspirations.
Ray of Hope: Debo Ray Spins ‘Feelin’ Lucky’ into Gold
The lyrics cast spells against former shadows; it’s less about tossing coins into fountains than sprinting barefoot away from whirlpools that once sucked dreams dry. Imagine empowering hymns praised at full-volume out car windows on freeing freeway exits—or as bedroom anthems disrupting neighbors dead-set on sleep.
In short: “Feelin’ Lucky” becomes your backtrack to newfound independence or simply beats for shaking ground under constricting circumstances—either way, Debo Ray revives spirits long before echoes fade over shared airwaves. This slice deserves spotlights every time sunrise tempers life’s relentless roulette wheels.
Zukrassverliebt's 'Rosarot': Painting Love in Sound Waves
Imagine if Matisse had a paintbrush that serenaded notes instead of colors; that’s “Rosarot” for you—a canvas dripping with the hues of nascent amour, crafted by the unexpected duo zukrassverliebt, where generational lines blur in melodious synchrony.
“Rosaror” is not just a song but an audible blush. Picture it: each note like a butterflies’ wing flit across your stomach when eyes lock on newfound love. The harmonies concocted between this father and offspring delve into the manifold layers of nostalgia twisted with today’s lyricism—the kind that ricochets off into yonder worlds while keeping one foot planted in reality.
Driving its thematic chariot vigorously through the heartscape of anyone who has felt love’s dizzying high, “Rosarot” encapsulates more than mere feelings—it is reverbed existential musings dipped in pop elegance! It distills out likenesses to watching old romance films—every frame strung together with modern syntax yet reflecting traditional heartstrings. Herein lies their splendiferous trick: spinning timeless affection yet so distinctly personal and contemporary.
Zukrassverliebt’s ‘Rosarot’: Painting Love in Sound Waves
Let us trek briefly to ancients’ vases—recall their intricate depictions? This tune feels as evocative and sentimentally rich as those earthen stories. You live through every youthful yearn and tender folly anew within these three minutes and fifteen seconds replete with phonetical pool dives (special nod to German articulation!).
Waltz away from this experience pondering: Isn’t it remarkable how vibrations traversing air can mimic heartbeats—or perhaps even synchronize them? Behind ‘Rosarot,’ there’s more than melody; there’s mastery in reviving vibrance where monochrome threatened permanence.
Said Sara's "Then There You Are": A Musical Mirage
Did you ever suspect that a cacophony could be as comforting as a lullaby? Said Sara, better known in other universes as David Benson from Acephalix, crafts an audial quilt titled “Then There You Are,” which inexplicably feels like receiving a hug from the gusts of Autumn wind whispering through dry leaves.
Imagine an orchestra where ghosts wield the instruments—a bodhran pulsates with the rhythms of the unearthly heartbeats; each strum on the acoustic guitar seems to draw shadows closer around campfires. The music swirls like fog over a moor, roots and folk entwining seamlessly with haunting electronica waves. It is almost sorcerous how Benson conjures imagery potent enough to paint mirages—or memories—in midair.
“Monitoring, Listening in, Witnessing it”, croons Benson, evoking ancient beliefs: souls of lost loved ones wandering invisibly but sensed through slight rustle or unexpected chill—the universe’s subtle way of sending SMS through natural phenomena. This song stands not only as homage but also subtly nudges our consciences regarding environmental echoes—how nature holds impressions of all who walked before us within every breathed atomospheric molecule.
Said Sara’s “Then There You Are”: A Musical Mirage
The genius doesn’t stop at mere lyrics or melody; it breathes life into past connections—like toes unwittingly tapping to beats reminiscent of tribal dances centuries old or eyes shutting momentarily transporting one back to candle-lit vigils by forgotten gravesides marked now by crumbling stones rather than names.
As breezes continue their immortal voyages carrying whispers between worlds unseen yet undeniably felt—”Then There You Are” invites listeners into this spectral ballet and insists your spirit sway along. Albeit short-lived in length, its echoes may linger in minds long after final notes fade away like morning mist under rising sun rays promising another day—and perhaps another sign.
When the gods of music bestowed upon humanity a spice rack, Amanda Holley chose saffron for her latest concoction “SEASONING.” Much like this rarest and most delightful of spices, this track unfurls sensuously against the palate, disentangling with sweet-sultry rhythms that suggest both ancient soul traditions and mischievous modern perturbations.
Imagine an audio cauldron where Nina Simone’s deep reverberating lament marries Britney’s pop-infused chirps under a full moon; that’s how “SEASONING” straddles worlds. Holley isn’t just singing—she constructs layers upon flavors of audible frames: at its core beats an earthy clump of zeitgeist deemed R&B/Pop, but listen closely to hear whisked-in glimpses of divine feminine ethos stirred ferociously into each lyric strand.
Holley conjures verses as if they are inscriptions on age-old scrolls intended to bind hearts across epochs. Her message—a balmy embrace encircling fiery passions and gourmet aspirations—sears itself onto the listener’s mental sheaf. You come away feeling more than heartened or entertained; you feel catered too in mind & rhythmique capacities alike. Here lies her wizardry: blending incantatory themes about cross-cultural affection within stanzas structured like resonant poetic threads known only to those attuned well beyond casual listening.
Amanda Holley Spices Up with “SEASONING”
Was Da Vinci merely splotching colors when he filled forms on canvas? Similarly, ponder whether Amanda is “only” compiling chords when she mixes such brewed symphonies into our sensory peripheries. It becometh evident—the tribute offered unto auditory mediums by such artistry belongeth alongside any celebrated piece beneath Florence skies.
This single produced by GRAMMY-winning Andre “GC” Fennell and penned along with Emmillienne Bellaire decidedly disrupts mundane sonic landscapes much as Dali might throw clocks over branches — requires unusual sight yet curiously thought-provoking! As we await Holley’s forthcoming EP odyssey poised perhaps towards Grammy nods again…let it linger in your ears: does ‘SEASONING’ simply enhance taste or entirely redefine experience?
Young Rob and CocoDrops: Enchanted Sound in 'SHOW ME'
As if the sky split and dropped a basket of wild strawberries, fiery yet hidden by leaves, Young Rob’s single “SHOW ME” brings flavors tart and sweet to our dull playlists. Harnessing CocoDrops’ hauntingly fresh debut vocals as if they were sprites lacing through an enchanted forest, this track is less a song and more a siren call.
Do you hear it? The thrum of demanded duality—a belle in daylight and vixen come moonlight? It’s this yin-yang complexity spun with threads finer than spider silk around beats dense as velvet cake. Produced by REGAH, the song leaps from Young Rob’s signature Afrobeats into unkempt Hip-Hop hedgerows flowering unpredictably; surprising even seasoned ears.
Imagine hip-hop resonating in ancient gilded halls bewitched to echo only truths: here lies Rob not just playing Casanova but sculptor molding his muse out of pure sound—notes carve her cheekbones sharp like ideals yet soft as cravings. And isn’t it delicious? Biting into these lyrics cocooned in splits between good girls wrapped neatly under baddie veils?
Young Rob and CocoDrops: Enchanted Sound in ‘SHOW ME’
In fragments each measuring eternity itself—if pressed for what pulls one back—it’s that conundrum sung solidly into existence by Ghanaian pulses beating far beneath London pavements. In “SHOW ME,” there’s both shadow play and dazzling sunlight; coquettish whispers against declarative roars demanding definition or dare say deconstruction.
Short though my words might be—”SHOW ME” echoes infinitely larger within the caverns left echoing inside us after its last note drops off carefree cliffs edge plunges listeners willingly leap.
Richard Green's 'Your Angel': Is What You Call A Modern Classical Masterpiece
So, I just discovered this London composer, Richard Green. He’s doing some really cool stuff, mixing modern and classical music in a way I’ve never heard before. His latest track, “Your Angel,” is mind-blowing. He teamed up with this incredible pianist, Irene Veneziano, and a string quartet called Archimia. It’s all about love and change, and man, does it take you on an emotional ride.
The moment I pressed play, I felt like I was transported somewhere else. It starts so softly, almost like a whisper. Veneziano’s piano playing is just… wow. She makes it sound effortless, but you can tell there’s so much going on beneath the surface. It felt like the music was speaking directly to me, you know?
Then the strings come in, and it’s like the whole piece opens up. The way the piano and strings play off each other is amazing – intimate but also kind of epic. It builds so naturally, layer by layer, until you’re completely wrapped up in it.
Veneziano
The way “Your Angel” progresses is perfect. It starts off really introspective, then slowly builds to these powerful emotional moments. Green really knows how to take you on a journey. It’s like gentle waves, pulling you along.
What really struck me was how deep the themes are. It’s got this whole vibe about being a guardian angel for the people you love, even after you’re gone. It’s beautiful but also kind of sad. Really makes you think, you know?
The production is top-notch too. Everything sounds crystal clear, and you can pick up on all these little details in the performances. It’s obvious they put a ton of care into getting it just right.
Archimia
I’ve got to say, “Your Angel” is a masterpiece. It’s technically impressive, but it also just… moves you. It feels both timeless and totally modern at the same time. If you get a chance, definitely give it a listen. Trust me, it’ll stick with you.
Oh, and get this – Green pairs each piece with an image. How cool is that? It just goes to show how music can be about more than just sound. Whether you’re into neoclassical stuff or just looking for something different, “Your Angel” is worth checking out. It’s the real deal.
Why The Biebers' 'Sorry' Remains a Timeless Electro-Pop Anthem
I recently stumbled upon The Biebers, a Hungarian electro-pop band that’s been around since 2012. Can’t believe I’m just now discovering them! Their track “Sorry” caught my ear, so I decided to dive deeper into their music.
“Sorry” is such a catchy tune. The chorus, “She’s a dancing girl, she’s a maniac,” is super infectious. And that warbled synth in the “so sorry” part? Love it. Péter Puskás’s vocals are energetic and mesh perfectly with the glittery synths and thumping bass.
The song’s got this cool contrast between acoustic apologies and electro-pop hooks that really shows off their range. While “Sorry” might be one of their biggest hits, it’s clear these guys know how to write a solid song. They blend funk, indie-pop, and soul into this synth-heavy mix that feels both retro and modern.
Originally released in 2013 and later included on their 2015 album, “Sorry” has this great 80s synth-pop vibe – kind of reminds me of Depeche Mode, but with a 90s twist. Sure, the fast tempo and bold beats might be a bit much for some, but this is definitely a song meant to be experienced, not just listened to.
Originally released in 2013 and later included on their 2015 album, “Sorry” has this great 80s synth-pop vibe
It’s no wonder “Sorry” was a hit in Hungary. It’s perfect for dancing or belting out in the car. Those shimmering synths and electronic beats just make you want to move. It’s such a fun, upbeat track – guaranteed to put a smile on your face.
Péter Puskás’s vocals really make the song shine. His voice is rich and warm, matching the bright melody perfectly. It’s clear why these guys caught Robbie Williams’ attention at Sziget Festival. While they’ve released more music since, “Sorry” remains a standout hit.
The blend of electronic pop with dance rhythms and catchy vocals is just spot-on. And that acoustic guitar adds a nice touch, softening the sharp beats. Lyrically, it’s all about this mysterious dancing girl who’s driving the singer crazy. It’s no wonder “Sorry” still resonates with fans, both old and new.
The Savage Hearts Ignite with "Gang War/Speed Kills" EP
The Savage Hearts did not waste any time with their debut two-track release of “Gang War/Speed Kills. ” This release driving and captures the reckless youthful anger and musical rebellion of their time that explores social struggle for personal identity.
The first track ‘Gang War’ sets the tone for the entire EP by plunging the audience into the theme of struggle and transformation. The poignant lyrics paint a vivid picture of friendship turned sour: As Ringo says, “The best of friends not my enemies” and recalling that this place was a dance floor now it is the battleground of gangs The driving beat and relentless guitar riffs support these themes expertly.
‘Speed Kills’ then slows down to explore individuality and societal tendencies. Lyrically, the song is rebellious with its guitar opening and fast beat to challenge the masses and force noncompliance. The line “Nobody told you that speed kills” is used in this context to emphasize the risks associated with living recklessly.
The line “Nobody told you that speed kills” is used in this context to emphasize the risks associated with living recklessly.
The Savage Hearts are from Cavan, Ireland which adds a bit of mystery to them and their tunes. Fronted by ex-Strypes drummer Evan Walsh, the band is influenced by the mysterious Eddie Cruizer to make a distinct blend of blues, pub rock, psychedelia, and garage rock.
The concept behind “Gang War/Speed Kills” is a provoking one, which focuses the listeners on thinking critically about the norms of society and conflicts. This album is full of aggression and individual confessions and therefore can be recommended to everyone interested in introspective rock. As they remain active in the Irish music scene, what has been seen and heard is that The Savage Hearts are indeed a formidable band.
Ute Lemper: The Intersection of Life, Art, and Music
It is rare to find artists particularly in the music industry who constantly dare to bend the rules and reinvent themselves like Ute Lemper. This talented woman has risen to the top using her creative mind and has not been shy of taking risks on stage and on screen.
Following the successful record titled “Time Traveler,” Lemper presents a luxury show with some of the most adventurous performances here. The track “Permanently Confused” is easily the best and most powerful message, which tells the story about her life.
The actualisation of the music in the video gives a personal reflection of the experiences of Lemper. Shot on the streets of New York and in serene countryside it captures her confidence and acceptance of the future. This progressive combination of beat poetry with the contemporary jazz appeals to be a fascinating stream of consciousness in Lemper’s narrative.
This and only this interview we take a closer look at the source of inspiration, the creative procedure, and the further development of this music. Come with us as we delve into the brain of this true musical mastermind.
Where do you find inspiration? I find inspiration in thoughts about life, relations, hurt, and dreams, but also in reading poetry and philosophy.
What was the role of music in the early years of your life? Music was always my best ruined, my escape and the deepest connection to the soul.
Are you from a musical or artistic family? My father and my mother were playing many instruments and enjoying music. None of them were able to make this a profession, to the great regret of my mother.
Who inspired you to be a part of the music industry? I have been making music, singing and dancing, and creating music since my childhood. The career came as a surprise. The industry itself is nothing pure. It is only commercial. I am not. Everything is a labor of love for me and most of my projects are not conceived for the market.
How did you learn to sing/write/to play? I played piano and listened to a lot of great music, already in the 70s. It formed my taste and identity. All the projects I did over many years are often classic repertoire. But everything inspired somehow.
I played piano and listened to a lot of great music, already in the 70s. It formed my taste and identity.
What was the first concert that you ever went to and who did you see perform? The first memorable concert was Pink Floyd. I was 13 and my big brother took me along.
How could you describe your music? Chill, poetic, jazzy, and soulful. Makes you feel good.
Describe your creative process. I start with a lyric, poetic and strong with a pulse and a mood. Then I create a succession of chords on the piano and try to lay the poetry inside. It is a puzzle and needs to be shaped many many days until it feels right.
What is your main inspiration? Al Jarreau, Joni, Adele, Eilish, Hyatus Cayote, John. Legend, Sarah Vaughn, and many others.
What musician do you admire most and why? The above. They all were soulful and true musicians writing songs. Trying to be authentic and unique. They created their own language and the m music takes you on a journey through life.
Did your style evolve since the beginning of your career? Very much. It keeps evolving every day, with every new song.
What are your interests outside of music? I take care of my children and love taking walks, cooking and reading, watching great movies, and always creating new projects and developing new ideas.
If it wasn’t a music career, what would you be doing? Probably being a teacher.
What is the biggest problem you have encountered in the journey of music? The commercial machine, the decay in pop music.
If you could change one thing in the music industry, what would it be? Allow albums as a conceptual entity back in the market. 10 songs with an idea and a beautiful journey. Then there is the monopoly between radio play, big labels, and the deals they have and make to feature their products.
Why did you choose this as the title of this project? “Permanently confused” Is a true state of mind, and most people agree with it.
What are your plans for the coming months? Writing more songs and touring the world.
What message would you like to give to your fans? Enjoy my music and performances and also my super cool videos that illustrate the songs.
From Ukulele to Electronic Pop: Inside Alena Shannon's Creative World
Alena Shannon can best be described as a committed and focused musician in this diverse music industry today. Her progression into music started at a young age and at four years, she was in a position to start learning music.
At age of eight, she was able to play the famed ukulele and by the age of thirteen, she was able to compose her own songs. As a result of this mix of styles, her work derives influence from anything from the ‘80s, ‘90s, early 2000s era, and modern music. Her most recent work on soundcloud is what can be described as a pop/electronic number entitled Deep.
This single is Alena’s message to dreamers and everyone out there who sometimes gets lost and feels that nothing’s within reach. The song was one that was conceived in a few hours, yet the lyrics suggest that much planning went into creating it.
During my interview with Alena, she shares details regarding the process of making “Deep”, the challenges that she faced, and the concept she wants her viewers to embrace. She also speaks about personal development as an artist and personal artistic plans. Come on a journey with us as we follow a lady musician who aims to create only good music in the world.
What inspired you to write “Deep”? – “So I often have a huge tendency to spark creativity at any moment. I’m also currently working on an album. So one night I was working on some music, and then I was working on a song, and then all of the sudden I’m working on beat and I’m like, you know what I really like this! I then finished creating deep by 2:00 am.”
Can you walk us through your creative process while making this song? – “Alright I’m about to break down all of the instrumental parts of the song. So the first couple of seconds into the song you hear a violin. It starts off at the perfect tempo, it’s very ear catching. I actually used to play the violin when I was 8, so that’s why I felt that having the violin was necessary.
I actually never continued it. However, it is such a beautiful instrument! So then the second part of the song that you hear is a beat, and it’s more of a hiphop/trap styled beat. Which I had made in the beginning of this process because it’s a lot of fun to see which beats sound really good together.
So then the second part of the song that you hear is a beat, and it’s more of a hiphop/trap styled beat.
Lastly, you hear all of the different melodies combined, which that was inspired by just pop music in general. The sounds that you hear in this song, are very dream like. Which is what I was going for, I wanted this song to kind of sound dreamy. Growing up and still today I’ve always loved and enjoyed listening to pop music.
I’ve also personally always enjoyed dance/electronic songs. Such as Calvin Harris’s “Summer” For example. I will say though Deep was actually inspired by Sam Smith’s song “Latch”, it’s definitely one of my favorite songs by Sam.”
How does “Deep” differ from your previous work? – “Deep differs from my previous work, because I feel that I finally have a more solid foundation, for what it is that I’m looking for, when it comes to making my music.”
What is the main message or theme behind “Deep”? – “The main theme for deep. So in the song you hear the lyrics “ I’ve been running, running, running” So that means, I’ve been really working hard for this, and now I finally did this! I earned that, and now it’s finally paid off, so I feel good!
Honestly, the main message for Deep is that , no matter where you are in life right now, try to stay in a positive mindset, because if something doesn’t work out, that just means that something better is going to come along. You can accomplish anything you put your mind to, if you work at it, you will eventually succeed and get to where you want to be.”
Are there any personal experiences that influenced the lyrics of this song? – “There aren’t really any personal experiences that influenced the lyrics to this song. Although I do actually enjoy running, it’s such a great feeling. When you’re going for a run outside.”
How do you hope listeners will connect with the song’s message? – ” I hope that the people who listen to my music, know that life is truly beautiful. You don’t have to stay in the same place forever.”
What was the most challenging part of the production process for this song? – “The most challenging aspect, when it came to creating this song was trying to figure where, and how I wanted to include the violin instrument. Looking back it probably would’ve sounded completely different, because at some point I did consider doing a full orchestra of strings. Ultimately I’m glad my song turned out the way that it did.”
Can you share any interesting anecdotes from the studio while recording “Deep”? – “The day that I was working on this song, I worked on it for hours, all day, and finished the song at 2am. I was really in the zone.”
Were there any specific artists or genres that influenced the sound of this song? – “This song was very much inspired by pop, electronic, and dance music. Artists whom inspired me for this song were artists such as Sam Smith, Calvin Harris, Major Lazer, Martin Garrix , Ellie Goulding, Selena Gomez, DJ Snake, Katy Perry and Rihanna.”
How do you see your sound evolving with this release? – “At this time I’m working on an album, at this time I’m excited for my new sound, I’ll admit though I’m still trying to solidify what that sound is going to be. As much as I love electronic music, I feel my sound will actually instead be more directed towards pop or R&B. However there’s always a possibility that, that could change. That’s all I’m going to say for now though, about my album.”
What are your goals for the future, both in terms of your music and your career as an artist? – “My goals for the future, are to hopefully inspire people. My main goal is to spread positivity and light. Everyone should be able to shine bright. I would love to maybe one day go on tour though, that would be wonderful. I really love creating music, and I’ve always loved performing since a very early age. Music has always been with me, I’m sure it’s going to continue to be with me. It’s always been about the music. Nonetheless, once my album is completed I can’t wait for people to hear it! <3”
Hello and welcome to the new artist bio segment. So, today you have a chance to get acquainted with Abby London – an up and coming singer/songwriter from Seattle who released her new track ‘Back in the Game. ‘
Hailing from America, Abby’s music is part Alt-Pop, with lyrics that are as real as the tunes inspiring audiences to look at ambition, wealth, and happiness. The new song explores the desire to make and spend money easily alongside the value of joy and achievement.
Taking inspirations from artists such as Tom MacDonald, Dua Lipa, and Lorde, Abby has carved a niche of her own as a singer. Most of the time, her songwriting starts with the piano where she starts working on the themes and the rhythms with the chords.
During our interview, I’ll be asking Abby questions about her musical journey and experiences as well as her future plans. Abby London is a talented artist with music that captivates the listeners, are you ready to learn more about her and her songs?
Is there a story behind your stage name? It’s a secret
Where do you find inspiration? Mostly from dreams
What was the role of music in the early years of your life? It helped me process my emotions
Are you from a musical or artistic family? My mom’s side did choir, solo singing, and piano lessons. My dad is a drummer.
Who inspired you to be a part of the music industry? It was always something I wanted to do and my parents nurtured that.
How did you learn to sing/write/to play? I took piano lessons at 7 from my church pianist. I took musical theater classes from Cheryl Ann Rossi who was really influential. So was my elementary school music teacher Julie Powell. Although I’ve sang for a long time I didn’t really start singing correctly until starting vocal lessons about 5 years ago with Sue Carr. She has helped me learn how to really sing. She has an app called The Art of Screaming I highly recommend. I’ve taken songwriting workshops with NSAI and Songwriters in Seattle.
I took piano lessons at 7 from my church pianist. I took musical theater classes from Cheryl Ann Rossi who was really influential.
What was the first concert that you ever went to and who did you see perform? My grandparents took me to see Juice Newton at the county fairgrounds. She sings Angel of the Morning, Sunshine, and other big country hits. I still listen to her to this day and sing along. Her songs are so epic and give me a feeling of nostalgia for cowboys, country life, and being a strong woman.
How could you describe your music? American Alt-Pop music.
Describe your creative process. I start with a melody or a chord progression on the piano. Then I use my voice memos app to record my ideas and write the lyrics on a notebook. I record the basic piano part at home then bring it to the studio and add more parts.
What is your main inspiration? I’m mostly motivated by dreams, emotions, culture, and politics.
What musician do you admire most and why? Lately, Tom MacDonald since he doesn’t hold back what he’s thinking. He’s not afraid of making people mad, and he’s successful and independent. Also, Dua Lipa for her positivity, Nina Nesbitt for her vocal range, and Lorde for her production.
Did your style evolve since the beginning of your career? Definitely, I was just playing piano or guitar and singing. Now I co-produce and get to add in other instruments, “play bass”, and get a less folk and more pop sound.
Who do you see as your main competitor? Ooh that is an interesting one. I suppose it’s everyone doing alt pop on my level trying to level. up. Though I could also say myself.
What are your interests outside of music? I love to travel, mostly in the US to lesser talked about places. My next trip is to Oklahoma. I like to go to estate sales and decorate and organize my house. And of course my cats!
If it wasn’t a music career, what would you be doing? I love cop shows so maybe a detective. I also like planning stuff so could see myself being an event planner.
What is the biggest problem you have encountered in the journey of music? Figuring out how to be authentic with an audience so they feel connected to me and motivated to listen to my songs regularly.
If you could change one thing in the music industry, what would it be? I would make it so people who were doing it as a hobby or not that good didn’t take up the space that those of us who are trying to make a living, work hard, and have more talent are in.
Why did you choose this as the title of this project? It’s just the name of the song! I didn’t ever consider a different name. I thought getting back in the game could apply to many nefarious “career choices”
What are your plans for the coming months? Put out a song every month including my first Christmas song, “Stay Holy”. I’m putting together a collection for a physical CD too.
Do you have any artistic collaboration plans Yes! I’ve been working on a song with a guy named Sam who performs under the name Glassio.
What message would you like to give to your fans? Thank you so much for keeping me motivated with kind words and listening to my songs. I save the nice comments I get and I put them on my wall for when I’m feeling discouraged.
Leonardoddj X Iyke Parker Release Debut Project “Heartstrings & Loops”
Off the back of their two pre-released songs “Piece of Art” with Korshi T and Nel as well as “Pain and Pleasure” with 99PHACES, Ghanaian Producer/DJ duo Leonardoddj and Iyke Parker have released their long-awaited debut project “Heartstrings & Loops.”
With guest features from fellow DJs TMSKDJ, Kofi Kay and Didi Dj of Ghana and Itsurgirlno of France as well as verses from Nigerian vocalist Karah and Ghanaian compatriots Cozypols, Juma Mufasa, Ess Thee Legend, Kiki Celine and Kimilist the project is an addition of moments where DJs, Producers and Artistes come together to create music.
“Heartstring and Loops” is not just a collection of songs, but a musical diary that speaks to the hearts of a generation. Whether you’re in love, heartbroken, or just navigating the chaos of life, there’s a track here that will hit home and keep you moving on the dance floor. – Leonardoddj and Iyke Parker.
With production credits from Iyke Parker, Leonardoddj and Kofi Kay, the project is a fusion of House, Amapiano and Dance which will get many groovy during the summer and beyond. The project mixed and mastered by Webiejustdidit and Insvne Auggie is currently streaming on DSPs here
Neon lights flicker in the dystopian alleyways of Angerland’s latest single, “Neon Dead”—a discordant symphony that rattles your ribcage with the existential dread Stalin might wink at. Here, this London quartet—pilgrims in the wasteland of Thrash marinated soundscapes à la Killing Joke and Ruts DC—shuffle through our desensitized society’s graveyard.
The sonic storm begins subtly; a bass line slinks around your thoughts like a stranger on a dim street corner before erupting into an electric scream as guitars collide against drums like old gods clashing over barren Earth. Each chord strummed by these musical anarchists is a cry, muffled by the crowd’s colossal indifference to tragedy multiplied—a million whispers swallowed by history.
Angerland Illuminates Shadows with ‘Neon Dead’
“Neon Dead,” teems with gritty lyrics sewn into pounding beats; it’s an auditory canvas splattered black and purple with bursts of glaring neon green. Angerland conjures images darker than night yet vivid as dawn breaking over Chernobyl. It doesn’t ask for attention—it claws it from you, demanding reflection on what makes us nod sleepily to endless calamities streamed directly into our veins via nightly news feeds.
This cacophony cradled by Mike Coles’ kaleidoscopic nightmare in its music video thickens the plot still dripping wet from stark horror inkwells used generously throughout their burgeoning discography leading toward their debut album.
In summary: Neon candles snuffed out one after another until none are left burning—not asking if we noticed but screaming because we didn’t listen closely enough.
Riding the Wild West: An Exclusive Interview with Kill The Kid
Kill The Kid is a band from London, , known for performing hard and alt rock with a strong side of the south. The best way to describe them is intense, passionate, and full of energy – these are evident in their latest EP release, titled “The Secret. ” “The Secret” contains three tracks that capture the band’s influences and appreciate the art of creating order in chaos.
Kill The Kid, as a band, has volume and quality since it is built on two musicians who are talented. Similarly, Gadd also known as Jed Kid cites his influences from a rather eclectic list that includes western folk musicians and Rock stars the likes of Bon Jovi. His sidekick is Andy, the guitarist who may draw his inspiration from Jimmy Page and other legendary musicians and a blend of blues icons.
Al together, they create something very simple, yet new, fresh and touching people who like rock, be it mainstream or not.
Here are some of the questions that will be answered in the band-exclusive interview: What is the process of writing music like for them, and what music do they listen to themselves?Let’s get to know the band Kill The Kid and find out more about their story and why they should be noted as an up and coming force within the current rock circuit.
We’re actually glad you brought this up. We get a lot of eyebrow raises when we tell people the band name. So let’s be clear, we do not support the killing of kids! 😂 Kill The Kid’s music and aesthetic is colored with wild west imagery lended from the world of Southern Rock and Outlaw Country and one of our favorite western folk heroes is Billy The Kid. Gadd (aka Jed Kid): What can I say, I grew up watching Young Guns and listening to Bon Jovi’s – Blaze of Glory 🙂 So it came together in the stage names I came up with – Jed Kid and Kill The Kid.
Where do you find inspiration?
Gadd (aka Jed Kid):
The music and the bands that I listen to at the time and a lifetime of making bad decisions haha Seriously though, I draw from my own experiences.
Andy:
I was brought up with rock and blues from the early days, my biggest inspirations are guitarists like: Jimmy Page, Richie Blackmore, Zakk Wylde, Joe Bonamassa, the list goes on.. So that automatically reflects in the band, then add the country influence and you have Kill The Kid.
What was the role of music in the early years of your life?
Gadd (aka Jed Kid):
Music was always in the background. My dad liked putting on classical music – The sounds of Mozart and Beethoven were regularly heard from his study and in the car. My older brother regularly blasted Grunge and Metal tunes from his bedroom speakers. However, I was too busy running around to notice any of that. I only picked up a guitar and sang for the 1st time when I was 15. My family often reminds me though, that when I was a kid I would beatbox and sing to myself when I was in the toilet 😎
Are you from a musical or artistic family?
Andy:
Yes, my dad is a bass player. In his younger days he played in a Judas Priest inspired heavy metal band in his hometown in Italy. It was him that got me into rock music in the first place.
Gadd (aka Jed Kid):
Emmm yeah, I guess I am. My grandma was a concert pianist and my brother is a published graphic novelist and lecturer. He did the cover for this EP by the way.
Who inspired you to be a part of the music industry?
Gadd (aka Jed Kid):
I never wanted to be part of an industry. If anything it only makes things worse haha But my parents taught me that I should strive to make a living out of doing what I love. And I love writing and playing songs. Everything else is secondary.
How did you learn to sing/write/to play?
Andy:
I started playing at the age of 12 , I initially took some lessons from a private teacher, and played in different cover bands back in Italy. Then in 2009 I moved to London, after winning a scholarship to study guitar in music college, and that’s where my adventure in UK started
Gadd (aka Jed Kid):
I taught myself how to play guitar and sing for a good few years before I took any lessons. It was only in my early 20’s, when things got more serious and my interests more challenging, that I started with classical singing lessons. I was then accepted into a music college as a songwriting and production major. At the same time I studied modern singing techniques to keep up with my ambitions.
What was the first concert that you ever went to and who did you see perform?
Gadd (aka Jed Kid):
Michael Jackson, the Dangerous Tour. I was 7 and it was F*** epic!
Andy: Iron Maiden in 2007. I was in the 2nd row, really close to the stage. I remember that at about the 3rd song in a crazy mosh pit started and I was thrown on the back within seconds. Still a great show!
How could you describe your music?
We couldn’t haha 🙂 Our music is a combination of all the different things that we like – a strong groove, power vocals, intelligent songwriting and creative guitar licks. We call it “Southern Hard Rock” but we borrow and meld different elements from less expected genres like country, synthwave, punk, drum & bass, blues, jazz and whatever comes to mind really.
We call it “Southern Hard Rock” but we borrow and meld different elements from less expected genres like country, synthwave, punk, drum & bass, blues, jazz and whatever comes to mind really.
Describe your creative process.
Every song is different really but they all have two equally important components – Music and Lyrics. Musically speaking, sometimes Gadd would bring a fully formed song to the table (- like The Secret and Justice) and we’d jam as a band. New ideas will come up as we do and play with the arrangement. It’ll take shape surprisingly quickly though. Other times it’s more of a collaboration (- like Don’t Follow or Lord All Mighty) where Andy comes up with a tasty riff that becomes the focal point of a new song. As for the lyrics, they come from Gadd’s dusty old notebooks and broken mind.
Gadd (aka Jed Kid):
I like to write a good story and sometimes share my personal experiences. I take it quite seriously though. Maybe too seriously even. There are so many songs that are shelved just because the lyrics are not ready yet. You can see a glimpse of our process in our KTK studio sessions videos on youtube.
What is your main inspiration?
Gadd (aka Jed Kid):
Life. Life is very dramatic and stirs up a lot of emotions. I tend to tap more into anger and pain when I write. I find music a better outlet for my frustration than punching a wall. Which I also do, but in moderation of course haha 😂
Andy:
I usually mess around with riffs and ideas until I find something that I like. This can lead to something or sometimes it doesn’t. With guitar solos I always listen to where the melody takes me.
What musician do you admire most and why?
Nah that’s an impossible question !
Gadd (aka Jed Kid): I admire those who manage to keep doing music and evolve artistically without compromising their sense of identity. David Bowie and Prince are definitely on that list for me.
Did your style evolve since the beginning of your career?
Yes, for sure. If you don’t grow you die.
Who do you see as your main competitor?
Are we in a competition?
What are your interests outside of music?
Gadd (aka Jed Kid):
Yoga, bitch
Andy:
I love traveling and seeing new places. I also recently got into running and ran my first half marathon back in April, it was a great feeling
If it wasn’t a music career, what would you be doing?
Gadd (aka Jed Kid):
Probably fail as an actor 🙂
Andy:
I honestly don’t know, I don’t think I’m really good at anything else. Music has always been part of my life. My main job during the week is guitar teaching, and still it’s music related.
What is the biggest problem you have encountered in the journey of music?
Figuring out and keeping up with the ever changing music industry. Still haven’t managed that.
If you could change one thing in the music industry, what would it be?
Jacked up ticket prices and shady promoters that monopolize venues and exploit artists and fans. Thankfully there are new initiatives popping up exactly because of this problem and they are doing good work.
Why did you choose this as the title of this project?
We named the EP after the title track – The Secret. As in – a “bad” thing you love doing that you won’t tell anyone about.
Gadd (aka Jed Kid):
It’s one of my favorite songs ! I personally am really proud of it. Later in the EP though we explore the consequences that follow.
What are your plans for the coming months?
We keep working on new songs and new videos for now. Every Friday we publish a new video from our studio sessions on YouTube. But we also have plans to return to the live music scene soon.
Do you have any artistic collaboration plans
Not at the moment. Do you have any suggestions for us? 🙂
Leo Golo: Crafting Personal Stories into Universal Hits
Today we’re sitting down with Leo Golo, a rising star in the pop music scene who’s breathing fresh life into the genre. Born in Barcelona in 2000, Leo has been crafting a unique sound that blends Swedish pop influences with his Mediterranean roots.
Leo’s journey in music began early – he’s been playing piano since age 3 and now writes, produces, and performs his own songs. His latest single, “See Your Face,” showcases his ability to create emotionally charged ballads that feel both intimate and stadium-ready.
Drawing inspiration from personal experiences and artists like Justin Bieber, LANY, and Tove Lo, Leo’s music strikes a balance between the familiar and the unexpected. His upcoming debut album promises a mix of upbeat tracks, power ballads, and summer anthems, all infused with his signature style.
In our chat, we’ll explore Leo’s creative process, his inspirations, and the stories behind his songs. We’ll also discuss his experiences in the music industry and his aspirations for the future. Join us as we get to know the artist behind the captivating melodies and heartfelt lyrics.
Is there a story behind your stage name? Yes, actually my real name is Martí Gómez López. Golo is my nickname that I’ve had forever. It comes from the first two letters of my surnames. And Leo was one of the other options that my parents had when they were deciding on my name.
Where do you find inspiration? For me inspiration comes from music that I listen to and experiences that I’ve lived. Every time that something happens in my life I try to find a way to create a song about it. That’s my coping mechanism and what really makes me happy.
What was the role of music in the early years of your life? I’ve always loved music since I was a little kid. When my parents took me to a concert I was always in shock, observing every little detail and listening to every instrument that was on stage. I also started playing piano when I was 3 years old and never stopped playing it.
Are you from a musical or artistic family? No one in my family is a professional musician but my father, who passed away last year, played the guitar everyday as a hobby. That was a big part of my life since I was a little kid and inspired me so much to make music myself.
Who inspired you to be a part of the music industry? I guess just myself. The music industry is kind of a mess and for me it hasn’t even been a choice. It was more of a feeling that I had to do this, no plan B. Like if I had no other option because that’s what the world needs me to do.
The music industry is kind of a mess and for me it hasn’t even been a choice.
How did you learn to sing/write/to play? I studied piano since I was 3 years old and two years ago I finished music college. I started singing on my own when I was a kid and then I did a lot of lessons with different teachers and singers. The songwriting part I learned it myself writing songs since I was a teenager and I also participated in some songwriting camps.
What was the first concert that you ever went to and who did you see perform? The first big concert I attended was Rihanna in 2013 with my dad. It was incredible!
How could you describe your music? I always say it’s Swedish pop made in Barcelona because I really learn a lot from the Swedish songwriters and their songwriting process inspires me to create better songs. Apart from that I would say is a mix of Pop, Hopebeat and Adult Contemporary.
Describe your creative process. It usually goes like this:
1- I meet a boy and I like him
2- They don’t like me back or they are mean with me or ghost me or whatever bad thing you can imagine
3- I come up with a concept for the song based on that experience
4- I go on the piano or Logic and try to write a song that feels honest and catchy
5- I record myself and produce it or if I’m working with a producer I show them the demo and then we produce it together.
6- I show it to my mom and my best friends and hope for the best
What is your main inspiration? In the songwriting aspect the whole Cheiron Studios team and also people like Ilya Salmanzadeh, Oscar Holter, Shellback… On the artist level my main inspirations have been Tove Lo, Valley, The Band CAMINO, Justin Bieber, Lady Gaga and Marcus & Martinus.
What musician do you admire most and why? Max Martin. He is the best songwriter/producer in history. Why? Melodic Math. It all comes down to the melody of a song and he knows that.
Did your style evolve since the beginning of your career? A lot. And it’s still evolving. I released an EP 3 years ago which is pretty different from what I’m doing now. With every album or EP I evolve and I learn a lot of things. It’s really crazy everything you learn when creating and recording an album.
Who do you see as your main competitor? Nobody for now. I’m too focused on finding my path and creating the music that really matters to me and my listeners.
What are your interests outside of music? I don’t know what you’re talking about. Outside of music? Never heard of that.
If it wasn’t a music career, what would you be doing? Something related to the stage like an actor. I really think I belong in the stage.
What is the biggest problem you have encountered in the journey of music? How difficult it is for people to care about your music and their decreasing attention span. And also the amount of money you have to spend and invest as an artist.
If you could change one thing in the music industry, what would it be? There’s a lot to change. The first thing being how the industry treats songwriters. It’s not okay not getting paid. It’s not okay not receiving master royalties. It’s not okay for artists that didn’t write the song to ask for publishing.
And also record labels have too much power but they wouldn’t exist without artists so I think it’s time to demand big changes in the way the industry is structured. Now they only sign artists that have already a big following so they don’t have to spend money and time developing them. As I’ve said, a lot to change.
What are your plans for the coming months? I just released my second single “See Your Face” but after that I will be releasing more singles and of course an album is coming later this year. I’m super excited for you to hear the new songs.
Do you have any artistic collaboration plans? One of the next singles is a collab that I can’t wait to share with you. So get ready because the song is a vibe.
What message would you like to give to your fans? Thanks for listening to my music and taking your time to support me in any way. It really means a lot to me and I hope I’ll “See Your Face” very soon.
Nolo Grace's Celestial Flight: 'Eyes of the Dragon'
As if stirred from the ancient depths of a mythic sea, Nolo Grace’s “Eyes of the Dragon” breathes fire into the cool caverns of indie electro-pop. Each note and beat cast shadows that flicker with the dual hues of introspection and transformation, like candlelight dancing against the walls of a forgotten temple. Here is music writhing in its own digital scales, enigmatic yet intensely familiar.
The essence borrows from her Korean-American roots intertwined with haunting memories from a turbulent childhood; woven seamlessly into melodies as they flutter around your ears like delicate silk caught in a breeze. It’s as though Grace pulls at sinews connecting past pains to present liberties ᅳ her voice an alchemy changing base leaden experiences into golden threads spinning through time.
Under Martin Wave’s audial wizardry, electronic beats pulse as heartbeats syncing with our deepest fears and desires. The composition conjures images where light sporadically pierces through crevices within oneself revealing layers after layers – each layer telling tales about who we were in one verse, who we might become another chorus down.
Nolo Grace’s Celestial Flight: ‘Eyes of the Dragon’
“Eyes Of The Dragon” thus dances elegantly on this tightrope stretched over vast emotional landscapes charting out zones never plotted before on musical maps. It tantalizes us to question what lurks beneath our stoic exteriors: are there flames craving oxygen or oceans begging for shores?
In shortᅳNolo Grace infiltrates us, woos us skywards then lets go abruptly only for gravity to snatch back reality… but not without giving wings first so next time maybe we’ll learn how to fly by ourselves amid storms harvesting transformations!
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Proklaim is back with another fantastic hit, and this one is called “Crown.” Released earlier this year, “Crown” is an upbeat hip-hop/rap track that solidifies Proklaim’s place as a rising artist.
Known for his progressive beats and powerful lyricism, Proklaim’s rapping skills are on full display, delivering each verse with clarity and ease. His voice is engaging and his flow is impeccable, riding smoothly over a catchy beat that will have your head bopping along.
“Crown” stands out for its production quality, recorded at PEN PUSHAZ ENTERTAINMENT and expertly mixed and mastered by Wojtek Majewski at Audio Art Namibia. The song blends jazzy undertones with trap-inspired beats, creating a dynamic and immersive listening experience.
The track opens with a soulful vibe, immediately drawing listeners into a world of introspection and empowerment. Thematically, “Crown” delves into the quest for self-realization and transcending limitations, with Proklaim’s poignant lyrics urging listeners to seize their destinies and strive for greatness.
Known for his progressive beats and powerful lyricism, Proklaim’s rapping skills are on full display, delivering each verse with clarity and ease.
His verses weave personal reflection with broader societal commentary, making “Crown” a compelling example of contemporary hip-hop with a deep-seated message.
Proklaim’s ability to craft music that captivates and inspires is evident in “Crown.” It’s more than just a song; it’s a lyrical journey navigating themes of resilience, ambition, and personal triumph.
This track not only solidifies his reputation as a skilled wordsmith but also as an artist dedicated to pushing boundaries and inspiring listeners. “Crown” is a standout track that lingers long after the final beat fades, making it clear that Proklaim is a powerful voice in the genre.
