As you let Emilio Gonzalez’s “I’m Myself” wash over you, it gently tugs at the very fabric of introspective indie-folk with a sound that feels as comforting as coming home. Berklee College of Music might be printed on his diploma, but these five tracks bear witness to a far greater education — one garnered from life’s unpredictable corridors.
From the first strummed chords, there’s an unmistakable sincerity woven into the tapestry of relaxed acoustics and heartfelt male vocals that echo through this EP. Each song is like a chapter in Emilio’s personal anthology; he invites us along a voyage mapped by striking vulnerability and fervent musings set against the backdrop of serene landscapes crafted by dexterous fingers and an old soul’s wisdom.
The cohesion melding these songs suggests that they are siblings rather than distant cousins. “I’m Myself” possesses warm whispers reminiscent of Iron & Wine whilst parading its own distinctive bravado akin to Sufjan Stevens’ tender narratives. The production embraces minimalist elegance allowing every note breathed into life by Emilio’s vocal cords or coaxed from his instruments ample room to resonate within our hearts.
Embrace “I’m Myself” for what it is: A vessel carrying Emilio Gonzalez’s essence down streams so often stagnant in today’s clamorous music scene. While some may seek solace in thunderous anthems, others find sanctuary within this delicate repository — not because it demands attention, but precisely because it doesn’t have to.
In over sixteen minutes travelled, we’re reminded how being true to oneself can yield a musical harvest rich with authenticity and resonance—a soothing reminder for weary souls adrift amongst cacophonic tides seeking refuge in serenity.
Supported by Musosoup #SustainableCurator