August 26, 2024

Gianfranco GFN out with Saigon ,Gianfranco GFN releases Saigon ,Gianfranco GFN with Saigon ,Gianfranco GFN drops Saigon ,Saigon by Gianfranco GFN,Saigon from Gianfranco GFN,Gianfranco GFN,Saigon ,Gianfranco GFN Saigon ,Saigon Gianfranco GFN — Behind the Music: GIANFRANCO GFN Discusses the Making of 'SAIGON'

In our latest feature, we look at the creative side, exploring the artistry of the man behind a new single called “SAIGON. ” GIANFRANCO GFN is known for his unique style and this single is no different. ‘SAIGON’ is a perfect blend of acid jazz, groove and soulful progressions paying homage to the past while embracing the present.

The track demonstrates the consistency of GIANFRANCO GFN, in providing good music and how he pays attention to detail in his performance. The creative process behind ‘SAIGON,’ from its pre-production to the final product, is discussed in detail in this exclusive interview.

GIANFRANCO GFN provides interesting information regarding his unique approach to creating art-music, the meaning behind the words, and hints at further projects that will be interesting for both old-forgotten and new fans to hear.

Unmask what inspired GIANFRANCO GFN to create ‘SAIGON’ and the feelings behind it; a sneak peek into the life of this artiste and the progression of his music continually.

Listen to Saigon below

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What was the inspiration behind your latest single, “SAIGON”? Is there a specific story or message you wanted to convey with this track?
No, there’s no specific story or message! It all started with the text, which was originally written by Alan Jackson, one of my lyricists. However, I had an idea of how the song was going to come about, but in the end, I surprised myself because it took on a certain musical breadth.

Can you walk us through the creative process of making “SAIGON”? How did the initial idea evolve into the final product?
I had Alan’s text, which was later modified in collaboration with singer Vladi and sound engineer David. It all started with a melody I had or and when I put the first words to the music, it just clicked! But the end results you’re listening to today wasn’t planned that way!

There was even a moment when this piece was almost instrumental! Anyway, once the guitar composition was done, the whole process took shape in the studio, and that’s when the song began to take on a musical dimension.

How would you describe the musical style of “SAIGON”? Did you experiment with any new sounds or techniques that you haven’t used before?
Describing the style of a piece of music today is a bit difficult, there are so many! But I think we can define the style of this Pop-Soul piece… but that’s subjective! The big challenge with SAIGON was the symphony orchestra part. It was a big job and a magnificent challenge to put it all together with all the other instruments.

The lyrics of “SAIGON” seem to carry a lot of weight. Could you share the significance of the lyrics and what they mean to you personally?
Lyrics are always very subjective, because we’re all very different when it comes to interpretation and logic… In all my songs and their lyrics, I don’t want to put across any political or religious message. In this text first of all, I wanted music where you can travel and at the same time tell a story, a story that can have many meanings depending on who you are… but one thing’s for sure: there’s always an element of realism linked or not to a slice of life’s story.

Unveiling Gianfranco GFN: A Dive into the Melodies of “Sing The Song”

What were some of the challenges you faced while working on “SAIGON”? How did you overcome them?
I love composing and creating, and above all I love the studio. For me, it’s a huge challenge every time, and there are always plenty of challenges to be met, but it’s also very rewarding. Saigon was an even greater challenge because, as I’ve already described, there was the whole symphony orchestra part to place, and I’m very proud of the result. The work done for the whole piece involved even more work, because mixing all the instruments and having them all in their proper places was a huge challenge. I loved it.

Does “SAIGON” hint at the direction of your future work? Are there any upcoming projects or releases that fans should be excited about?
The beauty of music is that you’re always learning and improving! Saigon is one of those tracks where the challenge was very great and compared to other tracks I’ve brought in new things, which as always with my musicians who are fantastic, and each of them brings an extra musical touch. Every piece of music is unique, every song is a challenge, you’re always evolving!

Does “SAIGON” hint at the direction of your future work? Are there any upcoming projects or releases that fans should be excited about?
I wouldn’t say a direction, because you’ll see that the next piece, which will arrive between now and the end of August, will be lighter because it will have a more bluesy connotation… on the other hand, yes, my work in the future will be more demanding, and an experience like Saigon opens up a lot of perspectives. In my projects, there will always be surprises, such as an instrument you wouldn’t expect, like a cello, an accordion, etc….

What does “SAIGON” mean to you on a personal level? How does it reflect your current state of mind or experiences?
Being very much in the musical world of ACID-JAZZ, or more commonly known today as “R&B-SOUL”, SAIGON brings another opening both in its composition and in its softer, more cinematic style… for me, there’s the side of a composition that’s more demanding in its arrangement than in its composition, and its instruments, which is something that brings me a lot in terms of musical artistry and execution.

What advice would you give to emerging artists who are trying to find their unique voice, especially when working on a project as personal as “SAIGON”?
The only important piece of advice I could pass on is never to stop, even if you have a piece of music or a composition that you’re not convinced of! do it, finish it, because over time that’s how your musical world will grow.

When you’re composing, of course you should listen to advice, but above all you should listen to and follow your own ideas and feelings, because that’s how you’ll create your own musical world and style. Never give up, you’ll have moments that aren’t easy, but once you’ve achieved them, you’ll be proud of your creation…. Viva la musica

The title “SAIGON” suggests a connection to a specific place. How do you think your music resonates with audiences around the world, and what do you hope they take away from this track?
In my musical world, I hope to bring an escape in the minds of listeners, everyone takes it in his own way, a memory, a dream, a situation lived …

Many write me telling me that my music brings them something different, especially with current styles, many people tell me that it reminds them of specific moments of their lives … when you say such compliments, I’m proud and I tell myself that my music, my art, will leave something in time!

“EP.Strobo”: A Genre-Defying Masterpiece From Elikiaonthebeat and Moïra

Music

Chris The Blogger

August 24, 2024

Just imagine; Elikiaonthebeat and Moïra, two Swiss chefs, stir Strobo in a mixing bowl together. What’s pulled out of the oven is an afro-light, retro-basting soufflé manned with a definite hip-hop seasoning, and it only has in their recipe a pinch of experimentation, a dash of passion, and an absolute heap of artistic vision. The result is their debut EP ‘EP.Strobo’: an intensely innovative, eclectic, and dynamic masterpiece that’s going to leave you reelingᅳunsettled with all you’d believed you had known about music.

It’s as though woven directly into the fabric of this EP were the themes of discovery and creation. The duo seems to proclaim, ‘We are no musicians; rather, we are sonic cartographers, charting out a course to new frontiers and calling you with us on this journey.’ And what a journey it is! With luscious, compelling instrumentals from Elikiaonthebeat and sky-high vocals from Moïra, one gets truly lost in this world where the bounds between genre and style blur in all the right ways.

But what ‘EP.Strobo’ humanly represents to me is something beyond only a list of tracks, more of a manifesto, a declaration that the duo longed to get their music out, to be connected. It says, in effect: “Hey, we don’t do music just for ourselves but also for you,” and that is what makes this offering of love and creativity something differentᅳa gift that will never let you be able to say one is not appreciated, heard, or seen as before.

“EP.Strobo”: A Genre-Defying Masterpiece From Elikiaonthebeat and Moïra

How does ‘EP.Strobo’ then sound like? For all the Fela Kuti, J Dilla, and Lauryn Hill thrown into a music melting potᅳadd some Swiss precision and charge it with emotionᅳit’s like climbing into a time machine back to the future: music is the international language that will transcend borders and limits.

In short, ‘EP.Strobo’ is an extraordinary experience that will be expected soon and will leave one breathless and craving for more. So take the time to check it out; your earsᅳone’s soulᅳwill thank one later.

Follow Them on Website, Instagram, TikTok and Facebook.

BNNYZ’s “Can We Do Better”: A Dancefloor Epiphany

Music

Chris The Blogger

August 24, 2024

BNNYZ's "Can We Do Better": A Dancefloor Epiphany

In a world filled with gurus promising shortcuts to self-improvement, the brand-new single from BNNYZ, “Can We Do Better,” does the equivalent of dropping a neon-lit mirror ball onto the dance floor of life.

This deep house banger is not just another EDM banger to shake one’s booty to. It’s a journey, sonically, that’ll have you questioning all of your life choices while simultaneously wanting to bust a move—a view expressed by none other than BNNYZ, the electronic beats wunderkind from Turkey.

Those driving rhythms and earworm melodies make it like a sugar rush to the ears, while the real trip lies in an underlying message that’s sure to give one proper brain freeze. He challenges us with BNNYZ to take this inner introspective vision inward, hit the replay button on our past, and ask ourselves, “Can we, like, actually do better?” It’s kind of like your therapist decided to become a DJ and started spinning some hard truths.

BNNYZ’s “Can We Do Better”: A Dancefloor Epiphany

It’s slicker than a greased-up disco dancer, with layers of synths and beats that build and release in waves of self-realization crashing against the shores of your consciousness. It’s that kind of tune which will have you fist-pumping one minute and existentially crisis-ing the next.

Since “PANZER” in 2016, much development has really been undergone by BNNYZ from just another beat-maker to something more—a thought-provoker. This sounds organically like the development of an artist who doesn’t think it’s enough to make people move but wants to make them think, too.

And echoing in your head, as the final notes dissipate, is this: Are we really trying our best, or are we just coasting? BNNYZ doesn’t serve up easy answers but sure gives one heck of a soundtrack for figuring it out.

Follow BNNYZ on Website, Facebook, Twitter, YouTube, Instagram and TikTok.

Eddie Cohn’s ‘Keep Them Away’: A Rallying Cry for Positivity

Music

Chris The Blogger

August 24, 2024

Eddie Cohn's 'Keep Them Away': A Rallying Cry for Positivity

It’s an age-old puzzle: how to shut out the noise and stay tuned in to the good vibes. It definitely has exercised philosophers and rockstars alike for centuries. Eddie Cohn is no exception to that, only relatively quieter, with the raucous rallying cry of “Keep Them Away” that casts off the negativity and just focuses on fun.

Musically, “Keep Them Away” is a high-energy romp in which Brett Farkas’s electric guitars trade licks with Eddie’s acoustic strumming. Sean Hurley on bass and Jake Reed on drums hammer this rhythm home, driving the track with an insistent push up against time. This is basic, raw, organic music at its best; a relief compared to tons of overproduced pap polluting every radio station out there.

Eddie Cohn’s ‘Keep Them Away’: A Rallying Cry for Positivity

“Keep Them Away” is a statement of intent. Eddie Cohn is on a mission to spread the gospel of positivity, urging listeners to be mindful of the influences they allow into their lives. Given all the otherworldly noise from social media and 24-hour news cycles, that goes real deep. By being very crystal clear on what we allow in, then we’re able to break the string of negativity in order to be with the now.

It is, in so many ways, themes—intentionality, joy—hark back to the Epicurean philosophy where following one’s pleasures was tantamount to a moral duty. In that very sense, it’s something timely yet timeless. The portrayal is brought to life by infectious enthusiasm brought about by Eddie Cohn and company. Next time you feel overwhelmed, do what Eddie does: Avoid negativity like it’s the plague. Your sanity will thank you, not to mention your ears.

In a word, “Keep Them Away” is a clarion call to have dominion over our lives and tune in on the good vibes. Simple yet deep, it is a charge laid down with assured panache by Eddie Cohn. What are you waiting for? Turn it up, tune in, and let the positivity wash over you.

Follow Eddie Cohn on Website, Facebook, Twitter, YouTube and Instagram.

Living for the Life You Love: A Conversation with Matt Harper”

Interviews

Mister Styx

August 23, 2024

Matt Harper out with Oh No,Matt Harper releases Oh No,Matt Harper with Oh No,Matt Harper drops Oh No,Oh No by Matt Harper ,Oh No from Matt Harper ,Matt Harper ,Oh No,Matt Harper Oh No,Oh No Matt Harper — Living for the Life You Love: A Conversation with Matt Harper"

Allow me to introduce you to Matt Harper an up and coming artist in electronic pop music. After his debut during the 2020 lockdown, Matt felt the fire in him being rekindled, he focused on his music and now Matt has gained popularity and received more than 200,000 streams and was played on radio stations around the world.

Matt’s music can be described as synth-pop, with references to the 80s and 90s, which are updated to reflect current tendencies. Lyrically, he mashes up hard-hitting lyrics with an introvert who is lost in a world of his own, making a perfect blend.

“Oh No,” the first single off of Matt’s soon to be released EP “Change the World,” addresses the difficulty of being one’s self in the midst of social networking. The EP features Matt’s style of embodying shimmering synthesizers and some elements of rock; all in all, it is a positive record that calls for self-actualization.

Today Matt continues to cultivate songwriting and producing skills and this extra work can be seen in this recently released project. Given that Matt Harper is geared up for a number of live events, including a show scheduled for the Tamworth Festival, he is definitely one to keep an eye on.

I encourage you to listen to Matt’s songs, as everything, from the lyrics to the melody, is created consciously and beautifully.

Listen to Oh No

Follow Matt Harper on

What is your stage name
Matt Harper

Is there a story behind your stage name?
Not really it’s my name. I did look into other versions of it like Harper and a few others but they were already taken. There were less Matt Harpers on Spotify than any other option I could think of.

Where do you find inspiration?
It just hits me, usually at the most difficult time to do anything about it. I have to keep singing to myself the hook line or music idea till I can get to the piano. I’ve lost a lot of good ideas.

What was the role of music in the early years of your life?
I played trumpet before my teens, pretty well but stopped during high school. I didn’t get back into
music till I was recovering from a serious motorbike accident age 17. My mother got me a keyboard to pass the time in hospital and I started to learn synthpop songs.

Are you from a musical or artistic family?
Not really no, self inspired I guess. I did listen to all my parents records as a kid. Neil Sedaka, Buddy Holly, Neil Diamond.

Who inspired you to be a part of the music industry?
I was in a couple of bands years ago that never really went anywhere though we gigged a lot. That gave me the bug for doing my own
thing where I could be in charge. I did some research and realised I could do it all myself pretty much.

How did you learn to sing/write/to play?
I’m mostly self-taught on Piano. I had a few lessons but I’m not really into the structure of it. I like to learn my own way which has probably held me back. I learned to sight read music from playing Trumpet but Piano is a beast in comparison. There’s two clefts for a start and one has the notes on the wrong lines!

I do try to learn from sheet music, especially classical stuff, but it takes a long time.
The singing is just something I always fancied doing though I had no idea if I was any good. The first time in a proper studio doing vocals was nerve wracking.

What was the first concert that you ever went to and who did you see perform?
It was Toyah Wilcox at the height of her fame at the Birmingham Odeon. I
loved it. Next one was Depeche Mode at the same venue. That was the catalyst really for my love of Synth music.

How could you describe your music?
I think I take a bit of everything I love about music and lyrics and meld it into something new. It’s kind of Synth Rock in my mind. I don’t have a style I try to follow, I just write songs and my natural production preferences determine how they end up.

Describe your creative process.
It’s an idea that I thrash around for a while in my head. I write most of it in my mind first and then go to the piano to see what chords I will need to record with and finish the structure. I also need to know what key I can sing it in.

Then i start with the rhythm section first to find a beat that fits and after that I add the bass line and some guide parts so I can build the structure. Then it’s layering all the other parts in. It’s pretty much complete before I go to the studio and add vocals. We also do a few tweaks to get a mix before it goes off to my producer.

What is your main inspiration?
Anything really. A memory, a melody, a rhythm, the news. Something I hear about. I don’t have a theme.

What musician do you admire most and why?
Lyrically. Thom York, Michael Stipe, Martin Gore. I wish I could be as poetic as they are though I do try to put ideas into my lyrics that require some thought or could be interpreted many ways.

Musically, Vince Clark, Japan, Radiohead, Depeche Mode, Human League, Bjork and a host of others. Mostly for challenging the norm at the time and not being afraid of being creative.

Did your style evolve since the beginning of your career?
It constantly evolves. I try to push myself with every track to do something more difficult. Maybe in the production or the lyrics or the vocals. For this EP I’ve gone more in line with my liking for Indie Rock though retaining the electronic heart of its creation.

Who do you see as your main competitor?
I don’t see myself as competition or vice Versa. I think there’s a place for everyone. I’ll let listeners decide if they want to listen or not. I don’t really know who my audience is yet. I’m on a journey of discovery. I would
love to do festivals and I imagine the crowd singing along. If anything I try to write singalong music.

What are your interests outside of music?
I enjoy playing piano so I would always do that regardless. I’ve also taken up golf, but I’m not very good. I like travelling to new places and seeing life outside of the tourist spots.

If it wasn’t a music career, what would you be doing?
Anything that involves technology suits me fine. I love tinkering with software applications.

What is the biggest problem you have encountered in the journey of music?
Getting listeners. With very little promotion up to now it’s been hard but things are slowly picking up.

If you could change one thing in the music industry, what would it be?
I don’t think I know enough about it yet. There’s so much to learn. I haven’t found anything yet I would want to change.

Why did you choose this as the title of this project?
The EP is called Change the World as is the opening track. I wrote it because I was so saddened by world events at the time. Each track has some link to my dissatisfaction or aspirations for a better way of life. I’m not trying to be preachy just asking the listeners to think about it I guess.

What are your plans for the coming months?
Getting gigs. It’s not easy when you’re a one man band with a backing track in a computer. I’m constantly searching for electro opportunities.

Do you have any artistic collaboration plans.
Maybe but that would be telling. I’m also talking to my label EDM about a remix contest which sounds fun.

What message would you like to give to your fans?
Stay strong and focused. Keep at it. Luck is the reward you get for effort.

Hotel Mira’s ‘I Am Not Much Help’: A Beautifully Chaotic Masterpiece

Music

Chris The Blogger

August 23, 2024

Hotel Mira's 'I Am Not Much Help': A Beautifully Chaotic Masterpiece

“Hotel Mira’s ‘I Am Not Much Help’ is like putting a puzzle together blindfolded to the serenade of a mariachi band: it may be a pretty mess, but somehow, it works. Words from frontman Charlie Kerr are almost a series of Polaroid snapshots—each one captures a moment of heartbreak, confusion, or longing. Just like those instant photos, the emotions are raw, unfiltered, and sometimes a little fuzzy around the edges.

The music itself shape-shifts from neon-lit garage rock to glam-bop balladry with all of the unpredictability of a pinball machine. Clark Grieve’s work on guitar is like displaying master class levels in texture and tone while Mike Noble’s basslines underpin with a sturdy foundation for Cole George’s dynamic drumming. This sound is at once catchy and challenging, much like trying to solve a Rubik’s Cube while humming some catchy tune.

Hotel Mira’s ‘I Am Not Much Help’: A Beautifully Chaotic Masterpiece

What really helps distinguish ‘I Am Not Much Help’ is in its thematic depth. Kerr’s songwriting is a good deal like a series of short stories, with each one examining the labyrinthine motions of human relationships with all the nuance of a Raymond Carver short story. The analogy might be a series of vignettes, with every different narrative working as a little snapshot of love, loss, and longing. Just as in those vignettes, though, the emotions are messy, confusing, and rather difficult.

An age that feels predominantly sound-tracked by algorithm playlists and soundbites in social media could do worse than some defiantly human works like ‘I Am Not Much Help’ by Hotel Mira—messy, imperfect, and totally captivating. It’s like trying to describe anything dreamlike, as Kerr himself might say. This is not something that can be nailed; the music lingers in your mind long after it has faded away.

Follow Hotel Miraon Website, Facebook, YouTube, Instagram and TikTok

When Words Bleed: The Introspective Genius of Icarus Phoenix

Music

Chris The Blogger

August 22, 2024

When Words Bleed: The Introspective Genius of Icarus Phoenix

The latest album from Icarus Phoenix “I Should Have Known the Things You Never Said” is a tattered journal page, creased and dog-eared from folding and refolding—the words bleed into the margins. It is messy and beautiful in this kind of lyrical introspection that will make one scream, cry, and maybe even laugh a little.

Songwriting with Drew Danburry masters the subtle weaving of strands on divorce, co-parenting, and identity crises into a tapestry deeply personal yet universally relatable. The music itself is a smoldering fire of guitar-driven rock and ambient noise swirling together in a maelstrom of emotions. It’s the sound that crawls under your skin and doesn’t let go, like that tattoo you didn’t know you needed. Drums from Eli Sims that pump like a heartbeat; most texture, most depth, comes courtesy of Leena Rhodes’s guitar work; the bass lines of Brendan Russell are what glue it all together.

When Words Bleed: The Introspective Genius of Icarus Phoenix

But probably what really lets this album rise head and shoulders above the competition is its willingness to gaze into the darkness with full-frontal vision. Danburry’s lyrics are something akin to a series of Polaroids, each capturing a moment in time, a feeling, a thought. They’re fragmented, impressionistic—and utterly compelling. He doesn’t fear to get messy, to explore complexities of human emotion, or to find beauty within brokenness. Producer Jed Jones really has to be applauded for getting the best out of the band, and guest appearances by Jake Bellows, Justin Pacheco, Andrew Young, Chaz Prymek, and Rocky Cordray add welcome depth and variety.

It’s as if the album were speaking to you, at one and the same time, in tones that are at once intimate and expansive. Like when you’re sitting on the porch with a close friend, watching the sun begin to set behind the farthest hills, and talking about things that matter. It’s like. well, really, it’s like nothing else.

When Words Bleed: The Introspective Genius of Icarus Phoenix

These themes of rebuilding and redemption come rather opportune. When we are constantly bombarded with positivities of ‘you can do it’ and self-empowerment, it’s refreshing to hear an album that tells it’s okay not to be okay in the dark. Those things that tell us healing is a process and not a destination—sometimes the best way to move on is to look back, right on time.

Basically, “I Should Have Known the Things You Never Said” does what one needs an album to do: makes one feel seen, heard, and maybe a little healed. It’s proof that music can soothe the soul, be a way of processing the intricacies of feelings, and how to become light again.

Follow Icarus Phoenix on Bandcamp, YouTube, Instagram, SongKick and TikTok.

Exploring the Emotional Depth of Alan Dreezer’s Latest Hit

Interviews

Mister Styx

August 21, 2024

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Eastbourne, East Sussex native and award-winning electro-pop singer-songwriter Alan Dreezer has once again enticed his fans with a new song, “(Love Didn’t Hurt Me) IT WAS YOU,” which was released on August 16, 2024 and precedes the third album titled *NOTHING CHANGES IF NOTHING CHANGES* to be released in the summer of the following year 2025.

From the emotionally charged lyricism to the cinematic sound design, Alan skillfully weaves pop with hints of R&B and Soul with influences from George Michael.

Dreezer began his music journey in 2017 with the *LONDON E12* album and has never ceased to come up with unique ideas from then on. His most recent released song, featuring interesting vocals and fantastic lyrics is a pure work of his talent, created together with Elliot Richardson who is also well-known as his mate and co-author.

This interview allows us to discuss with Alan more about his creative approach, his new material, and what he has in store for the audience in the new album. Let’s get deep into the mind of an artist who is still making waves on the electro-pop scene.

Listen to (Love Didn’t Hurt Me) IT WAS YOU

Follow Alan Dreezer on

What is your stage name?
Alan Dreezer

Where do you find inspiration?
Many things inspire me but usually it is a single word or phase seen in a book, magazine or online that sparks an idea. I then usually ask myself “What does that word or phrase mean to me?” and then start to jot down stuff in my notes app.

What was the role of music in the early years of your life?
I was always into music from a young age but never really thought about performing until my best friend suggested starting a band when we were 18. We were awful for the first few years but by the age of 25 we had a management deal and had toured with some top bands which was really exciting.

Are you from a musical or artistic family?
None of my family are musical at all but they are all very supportive of my journey. I honestly don’t think I would have ever become a songwriter if it wasn’t for my best friend Russell Aylett. He brought out something in me that I wasn’t looking for or knew was there and I am forever grateful for that.

Who inspired you to be a part of the music industry?
Listening to George Michael sing “A Different Corner” inspired me to try and write songs more seriously. The song was so well crafted and beautifully performed with such raw emotion that it made me want to try and dig deeper into myself and work harder at my craft.

How did you learn to sing/write/to play?
I am a lyricist, melodist and vocalist but I’m not a great musician as such so I rely on collaboration to enhance my ideas. I have collaborated with Elliot Richardson my producer for 13 years and he is a big part of all aspects of my music.

What was the first concert that you ever went to and who did you see perform?
It was The Police at Milton Keynes Bowl in 1980. It rained the whole day so it was like a mud bath but the concert was incredible.

How would you describe your music?
I would say it’s Pop with tinges of RnB & Soul too. However I do think it is very difficult to define exactly what genre you are as I have taken inspiration from so many different types of music over the years.

Describe your creative process.
I always start with a lyric because I have to have something to say first of all. Then I find a melody/top line that fits the mood just by humming it to myself. Over a few days sometimes weeks if the melody keeps coming back to me then I pursue it and record it with a drum loop or click track. I then take that to the studio along with some musical references that I feel suit the vibe and we build from that framework into a song.

How has your style evolved since the beginning of your career?
As a solo artist my first album was very much influenced by 80’s music and retro pop. My second album took more inspiration from people like Justin Timberlake and early 2000’s music. With this 3rd project I’m leaning more into things like disco and classic soul music much more so it’s constantly changing and evolving.

Who do you see as your main competitor?
I don’t see music as a competitive thing. I firmly believe everyone should “JUST DO YOU!” and if people gravitate to what you’re doing then great! I also believe everyone should support each other and try and help each other grow. I have mentored a number of younger artists starting out in the business and it’s something I’m really proud of and get a lot from.

What are your interests outside of music?
I’m a huge film buff and also enjoy watching most sports. I enjoy hiking too as a live near The South Downs and I play tennis from time to time.

If it wasn’t a music career, what would you be doing?
I was a retail store manager in my early years and would probably go back to that if I had to.

What is the biggest problem you have encountered in the journey of music?
If I’m being transparent I have encountered ageism as a solo artist. I started this part of my journey in my late 40’s after being in bands for years and there have been a few snubs when age has been mentioned. Naively I thought the quality of the music should outweigh things like that but some radio/promoters/managers seem more comfortable selling a twenty something artist in my experience?

If you could change one thing in the music industry, what would it be?
The percentage of streaming royalty payments paid to artists are scandalous. Music has been devalued massively in recent years in my opinion.

Why did you choose this as the title of this project?
The title of my 3rd album is going to be called “NOTHING CHANGES IF NOTHING CHANGES” and we have been using that quote as motivation in all aspects of our process to get out of our comfort zones and try things that we haven’t tried before and it’s been really liberating!

What are your plans for the coming months?
To promote this new single and then continue work on the 3rd album which should be ready in the summer of 2025.

Do you have any artistic collaboration plans?
I’m in talks with a couple of other artists at the moment but there is nothing concrete just yet.

What message would you like to give to your fans?
Thank you for your continued support and I promise this 3rd album is worth waiting for!

Catlea’s Crumbling Is A Journey Through Emotional Recovery

Interviews

Mister Styx

August 21, 2024

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”Crumbling” is a new song by Catlea, an artist from Cincinnati, who focuses on both, the pain and the process of recovering. Catlea sings vocal performance which is both delicate yet strong, her voice conveying emotion which is the heart of song. Dividing the timeline into two, “Crumbling” is quite punchy in the contrast during the chorus part thanks to the use of an appealing beat.

This swapping between a contemplative rap-like verse within a bass-heavy, melodic chorus guarantees that the listener does not lose sight of the song.

The bridge is used to create a build up to an emotional moment in the song and Catlea’s vocals reiterate that people endure so much stress. Composed by Claudia Mills and produced by Jason Boshoff, “Crumbling” is not only the song’s lyrics and the feeling that the track creates, but it has a message of hope and resilience.

Teaching the audience to embrace their flaws, it also makes people understand that no matter how shattered we are, we can begin again and find peace. The success of this single would be attributed to the works of Catlea in coming up with very sultry tracks that would engage the undivided attention of a listener.

Listen to Crumbling

Follow Catlea on

What is your stage name?

Catlea

Is there a story behind your stage name?

Well, my birth name is Dua Lipa but apparently that was already taken.

Where do you find inspiration?

I draw a lot of inspiration from real life. Everything is music. I never really know where it’ll come from or when, but once something happens that I feel the need to write about I’ll basically drop everything just to get my ideas down on paper.

What was the role of music in the early years of your life?

Music is and always has been everything to me. When I was very little I used to sing my sentences, just walking around the house as a toddler singing whatever I was doing as I went along. Music is also how I’ve always connected to people around me.

My dad made mixtapes of all the songs he and my mom loved so I could get caught up on all the cool stuff I missed while I was busy not being born yet.

Are you from a musical or artistic family?

-Absolutely! Basically everyone in my family is creative in some way, music or otherwise. Both of my parents are writers and musicians, my grandfather could play any string instrument you handed him, and my brother taught me how to play guitar.

Who inspired you to be a part of the music industry?

-I basically always knew I wanted to be a musician. I was surrounded by music constantly growing up. My dad would make me playlists full of all his favorite songs, my mother would write lullabies for me, and they took me to concerts all the time as a kid. So I guess you could say every musician I’ve ever known has inspired me in some way.

How did you learn to sing/write/to play?

At first, I was self-taught. I would figure out how to play songs on piano by ear, sing along to every song on the radio, stuff like that. But I started singing lessons when I was only 2, piano lessons when I was 4 or 5 and like I mentioned earlier, my brother taught me how to play guitar on a half-size Taylor when I was maybe 8 years old.

I also went to a performing arts high school where I studied singing and piano. The truth is though, if you don’t have the resources to get traditional lessons, you can always teach yourself. I learn a lot of things either through trial and error or looking things up on the internet.

What was the first concert that you ever went to and who did you see perform?

-The first ever concert I went to was when I was around 3 years old. My parents took me to see Tom Petty. I don’t remember much, except – in my very tiny mind – the stage was about 5 million feet tall, everyone on planet earth was there, and I kept trying to take out my earplugs, much to my parents’ dismay. Eventually I learned how important protecting your hearing is, but 3-year-old Catlea was not thrilled to have foam in their ears.

How could you describe your music?

-I’ve taken to calling it “indie whatever” since I don’t always stick to one style, but I mostly make music that falls under the indie pop and singer/songwriter genres. Honestly though I’ll write in any genre if it fits the vision in my head for what a song should sound like.

Describe your creative process.

-The process is usually pretty straightforward. I experience something, I get inspired to write about it, and I lock myself away until I have a song. It isn’t until I share the idea with other people that the vision actually comes to life though, and sometimes that can be a very long process.

What is your main inspiration?

-I’m inspired by the world around me. Most of my songs are about my own experiences and my feelings surrounding them, in one way or another.

What musician do you admire most and why?

-That is a fantastic question, and I could give a million different answers. I admire so many musicians for different reasons. But if I had to just pick one musician who helps me get through each day and motivates me to be the best version of myself, the only reasonable answer is my friend and guitarist, Max Shirley. He’s incredibly talented and one of the best people I’ve ever met.

Did your style evolve since the beginning of your career?

-Of course! What I make now is far different from what I was doing when I first started out. I’m sure the stuff I create 5 years from now will be miles away from what I’m doing currently too. I hope it is. Each day I try to be a little better than I was the day before. That applies to every aspect of my life, honestly.

Who do you see as your main competitor?

-I don’t think of music as a competition. There’s infinite songs that can be written, and billions of people who can love as many songs and artists as they want. I guess that means my only competition is myself. I set goals, work hard to achieve them, try to acknowledge my progress, and then I set new ones. Rinse and repeat.

What are your interests outside of music?

-I love all kinds of art, reading, video games, learning languages, and a little bit of witchcraft. Y’know, the usual!

If it wasn’t a music career, what would you be doing?

-Astrophysics. I know that sounds like another joke, but seriously. Astrophysics. I’m fascinated by the universe and its mysteries. If I wasn’t any good at that, then probably game design.

What is the biggest problem you have encountered in the journey of music?

-Honestly? Believing in myself. I’ve worked hard to have healthy self-esteem and I’ve proven to myself that I can do anything I set my mind to, but it hasn’t always been easy. By nature, external validation is a huge part of being a musician. Getting positive feedback is great! It means we’re doing our job right! But I’ve had to learn the balance between taking others’ feedback to heart while still believing in my own ideas.

If you could change one thing in the music industry, what would it be?

-Lots of people in this profession make a living by taking advantage of musicians. It’s enough of a challenge to succeed in music without having to constantly watch your back. That being said, if you double check any offers that seem too good to be true and make sure you surround yourself with trustworthy people, you should be okay.

Why did you choose this as the title of this project?

-I named the album Language Barrier because I felt that I couldn’t communicate with the people around me. I would try to express myself as best I could, but for some reason nobody seemed to understand. So I turned to music. I took all of my thoughts and feelings, wrote a story, and used my voice and instruments to communicate what I wasn’t getting across through words alone. I didn’t know if it would work, but I knew I had to try. And since I’ve started sharing this album, so many people have told me how much they can relate to what I write about. It’s kind of poetic; I felt unheard so I made a whole bunch of noise and ended up hearing a chorus of echoes in return.

What are your plans for the coming months?

-Performing, writing, and preparing for a trip to London and Barcelona early next year to record even more music.

Do you have any artistic collaboration plans

-I have a couple, but I can’t spoil them yet. You’ll just have to keep an eye on my work! I have done some great stuff in the past with STAR SEED on two songs, ‘Chemicals’ and ‘Angel’. And with Alex Dark in Bucharest on ‘Animis’ and ‘Love Isn’t Enough.’ They’re on Spotify and all streaming services.

What message would you like to give to your fans

-If there’s anything you want to be, whether that’s a musician, an astrophysicist, or maybe you just want to be heard: You can do anything you set your mind to if you just try to be a little better each day than you were the day before. It may take time, but the time will pass anyway. And even if you get lost somewhere along the road, you can always find your way again. I believe in you.

The Night That Never Comes: Patricio Anabalón on His Latest Album and Beyond

Interviews

Mister Styx

August 18, 2024

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Patricio Anabalón is somewhat unique in today’s music environment because his work easily spans both poetry and cultural styles. His latest album “La noche que nunca llega” (The Night that Never Comes) is an ideal example of effecting such a blend and is a product of collaborations with other artists from different parts of the world such as the Greek artist, Giorgis Christodoulou.

The work of Anabalón would surely show appreciation of poetry in conjunction with musical accompaniment that ranges from Latin American beats to Mediterranean tunes. He treats lyrics as the piece of art and craft and integrates the real life, dreams and literary references into the music effectively.

In this interview we learn more about Anabalón’s new works, discover the stories of his latest album and know his plans for new projects. Come and see us as we host a compelling story-teller in a musical artiste who still has lots to explore.

Listen to La Noche Que Nunca Llega

Follow Patricio Anabalon on

Spotify

Instagram

What is your stage name?

Patricio Anabalon, which is also my real name.

Is there a story behind your stage name?

No, I use my real name, which is quite common, at least in Latin America, as a representative stage name in the singer-songwriter genre.

Where do you find inspiration?

In everyday life and in the dream world. My songs usually mix both dimensions and the elements obtained from there, I combine them with poetic and musical structures that give shape to my songs. This last album, titled “La Noche Que Nunca Llega” has a lot of that creative process and that type of inspiration.

What was the role of music in the first years of your life?

Without a doubt, fundamental. I was born in the 70s and at that time the singersongwriter genre was not only boiling in an astonishing way in every corner of Latin America and Chile was no exception. Therefore, music has always been present in my life and particularly the singer-songwriter, with which I was very familiar since I was a child.

Are you from a musical or artistic family?

I have some roots close to the poetic vein. I myself started in the artistic world writing poetry and then, over time, I combined verses with music, until I reached this beautiful craft of being a craftsman of songs.

Who inspired you to be part of the music industry?

I have been producing songs for many years and although the genre in which I am inserted is not very massive, it does require dedicated work in the final stage of a musical production, particularly in relation to the dissemination and commercialization of the works created. I try, then, to be able to promote my work within the editorial lines of the industry that give it a worthy place and synchronized with the spirit that my work has.

How did you learn to sing/write/play?

Since I was a child I was very close to poetry. There I took my first steps as an artist. Later, when I was younger, I studied classical guitar and some vocal technique. Over time I have deepened my knowledge in both subjects, both poetic and musical. I try to exercise these areas of knowledge in my musical work and experiment with them continuously.

For example, “La Noche Que Nunca Llega” is a song that is built on the basis of several tenths (an ancestral Hispanic poetic structure) and is musically mixed with elements as diverse as Arabic, Greek, Spanish and African instruments. Experimenting is part of this continuous learning process.

What was the first concert you went to and who did you see play?

I have distant memories of having seen many troubadours in the 80s. It is likely that it was some meeting where Eduardo Peralta, troubadour and friend, whom I admire very much, participated.

Describe your creative process.

As I mentioned before, my creative process is nourished by everyday and dreamlike elements. Dream images have a great preponderance in my creations. For this reason, many poetic images abound in a line very close to the creative spirit developed by the surrealists last century. I am greatly influenced by these types of literary movements, which I read with fervor during my adolescence.

What is your main inspiration?

Today it could be the concept of “journey.” A motif that has always been present in the history of humanity. We can think of Ulysses and his return to Ithaca and how that concept is present, continuously, in our daily lives, forging many of the questions and concerns that are common to every human being during their existence. A large part of my songs are questions and seek, in some way, to pour those concerns into a “light and winged” dimension, such as a song.

Which musician do you admire most and why?

I admire many musicians. In the line of my musical work, I can mention Payo Grondona and Eduardo Peralta from Chile, Silvio Rodríguez, Augusto Blanca and Vicente Feliú, wonderful Cuban troubadours, and singers and poets like Leonard Cohen, Nick Drake, Idir or Jacques Brel, whom I read and listen to frequently.

Has your style evolved since the beginning of your career?

Certain musical and poetic elements have evolved. The passage of time has led me to face certain creative challenges with new poetic and musical elements and forms.

Who do you see as your main competitor?

I think that technology, in some way, is a direct threat, if it is not well used in this creative process of “craft” of the song that I spoke of earlier. Technology, while it represents an advance in many aspects of today’s society, is also an element that disintegrates and erodes many of the traditions and identity elements of cultures, and song, as a traditional element with so many centuries of life, is not exempt from this.

What are your interests outside of music?

Reading poetry, science fiction classics and illustrated books.

If it weren’t a musical career, what would you be doing?

I would love to fully dedicate myself to poetry, illustration and creating scripts to be illustrated.

What is the biggest problem you have encountered in the path of music?

Due to the nature of my artistic work, which is not very massive, the main difficulty is being able to access some media that can communicate the work developed in a broader and more effective way. The positive thing about these times is that there are many more instances and alternatives for dissemination and that “problem” that I may have had at the beginning of my career has faded away over time.

If you could change one thing in the music industry, what would it be?

Like most industries, the music industry is not exempt from vices and pettiness. I think the important thing is that the industry doesn’t change you, or attack the dignity and identity of your work.

Why did you choose this title for this project?

“La Noche Que Nunca Llega” is the first single from this new album that I’m presenting this 2024 and at the same time the title of the album. I think it summarizes and contains, in some way, many of the elements that are present in the rest of the album and, therefore, represents the work in its entirety.

What are your plans for the coming months?

I will be focused on the presentation of this new album, in which important musicians from Chile, Cuba, Greece and Spain participate; and on the culmination of a recording project with the prominent Chilean poet Pedro Lastra, on an album that contains several of his poems set to music and performed by me. I hope to present that work with Pedro next year 2025.

Do you have plans for artistic collaboration?

Yes, it is very likely that next year I will do a couple of new collaborations with some fellow singer-songwriters from Latin America and also more than one collaborative work with some Chilean poet.

What message would you like to give to your fans?

Thank you to those who support my musical work. To the new people who discover my music, I suggest that they immerse themselves in both the lyrics and the music, the songs are a conjunction of both elements and I hope they can feel them, smell them and fly with them

Nate Silas Drops “Neophyte Club”: A Journey Through Nostalgia

Interviews

Mister Styx

August 18, 2024

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Nate Silas is one of the prominent singers of the singer-songwriter genre noted for his clever wordplay and the multilayered plots. Songs such as “Masks and Mirrors” and “Wandering Lunacy” demonstrate his talent to include much joyfulness in addition to the darker facets of life.

His newest piece, “Neophyte Club,” is more whimsical—it focuses on all the childhood memories that we miss, although we are now old, there is no denying there are some times in our childhood that we would have loved to revisit. It nostalgically recalls the carefree days of our childhood and past summer experiences that we have and cherish.

Hence, Silas’s music arises from a blend of fantasy and historical references that define his brand of music that is appealing for those who appreciate deep lyrics and quality music production. His songs are very musically creative and engaging providing a way to escape into imaginary worlds while still confronting very human emotions and situations.

“Neophyte Club,” is a song that is very relatable and we all do miss the times we were young, our friends, the memories we had and the bond we created, this goes to tell how creative Nate Silas is, look how he effortlessly put us into another dimension, but there was more he had to say.

During this interview, Silas shares with the audience how he composes his music, where he draws his inspiration from, and the narrative behind his songs. Picking on “Neophyte Club” is like readying ourselves for a trip back to a time when companionship was of utmost importance, and every day was a startling adventure.

Listen to Neophyte Club below

Follow Nate Silas on

What is your stage name
Nate Silas

Is there a story behind your stage name?
Nate is what my family and friends have always called me, and Silas is my middle name. I chose to use it over my last name to keep a little separation from my “everyday” life.

Where do you find inspiration?
Lots of places! I am a big fantasy enthusiast (J.R.R. Tolkien’s works, Magic the Gathering, Warhammer) and I love the idea of creating other worlds out of pure imagination. Saying that, I am also fascinated by the real history of our world so I take a lot of inspiration from exploring the ruined castles and ancient stone circles of Britain and Ireland. I love the outdoors and I think I feel the most musical and creative when I’m in a garden on a sunny day with a guitar.

What was the role of music in the early years of your life?
I have always been able to carry a tune and I think I have a pretty good sense of relative pitch. Some of my earliest memories consist of singing along with cassettes of children’s singers like Charlotte Diamond and Tom Chapin and feeling the joy of hitting the right notes.

My favourite part of attending Sunday church services as a kid was joining my voice with the congregation and taking part in these beautiful songs of joy and praise. So, I always loved singing but it wasn’t until early adolescence that I started learning to play an instrument.

Are you from a musical or artistic family?
My parents both love music, even though neither of them are really performers. There was a radio in Mom’s car, a cassette player in Dad’s car and a CD player at home so there was always music around. My most musical relative was probably my cousin Dani who was a number of years older than me.

She loaned me her old flute, taught me a couple of chords when I started learning guitar and was very supportive of all my musical endeavours. Dani actually passed away very suddenly a few weeks ago and it breaks my heart to think that she and I will never get to do a sing-along again.

Who inspired you to be a part of the music industry?
Am I a part of the music industry? Woo hoo! Jokes aside, my great leap forward came last year when I started mentoring sessions with Polly via City Vocal Coach. She helped me decide what elements make my music special and gave me some guidance on releasing songs in our modern era.

How did you learn to sing/write/to play?
My first formal musical instruction was in the school band starting when I was about 12. With the flute I borrowed from my cousin, I learned how to read music, understand rhythmic subdivisions and play [more or less[ in time to a given tempo. Big shout out to Ms Snowsell and music in education! I got my first classical guitar around the same time. I never actually took proper guitar lessons but the minister at my church, a friend and my cousin Dani were all guitar players and they showed me enough chords and technique to get started.

What was the first concert that you ever went to and who did you see perform?
When I look back on it, a lot of things happened at once; the same summer I started playing the flute and got the guitar, there was a really fun folk music festival called Rootsfest in my hometown. My favourite band at the time was the Newfoundland folk group Great Big Sea and they headlined Rootsfest that year. The energy of the show was fantastic and I think that’s when I knew I wanted to be a musician.

How could you describe your music?
My music is for people who have time to listen to the lyrics. I love writing catchy hooks and memorable melodies to add value but the poetry and the stories I am telling are the heart of what I create.

I try to have humour and lightness in my songs but I’m not a comedy songwriter. As a solo artist, I try to compose songs that I can replicate live with just voice and acoustic guitar. My recordings might sound a little more produced with extra instrumentation but at my core I am a folky singer-songwriter. Is it too pretentious to say “a modern troubadour”?

Describe your creative process.
Most of my songs start with an idea and I work backwards from there. For example, I started writing a tribute to my late friend Shaunah and knew I was going to call it “Wandering Lunacy” after her old hotmail address. Words come quite naturally to me so I’ll almost alway start by writing out my lyrics in a notebook.

Once I feel I’ve written enough words to tell the story, I pick up an instrument and begin finding the best key, chord changes and melody for the musical feeling I want to create. This usually happens on my acoustic guitar but I also love experimenting on my electric piano or my little lap harp because they help me approach the music in a fresh way if I am feeling stuck.

Finally, I record the instrumental and vocal parts at home and send the digital stems off to a producer for mixing, mastering and potentially more instrumentation if I think the song needs it. Something I love about making music in the 21st-century is that I can contact a producer to make my releases a reality without needing to leave my home! Glenn Kerrigan has produced my first four singles and I think he’s done a great job on all of them.

What is your main inspiration?
I take inspiration from the fact that music is everywhere; even if a person never intentionally puts on music, they will still encounter it in restaurants, in train stations, in supermarkets or wherever. Some of the artists I love now I first heard in completely unexpected settings, and that inspires me to keep making my own music; who knows where and how it might be heard!

What musician do you admire most and why?
Tough to narrow it down but I have deeply admired Peter Gabriel over this most recent phase of my musical development. The night before I moved to the UK, I actually had an extremely vivid dream that I met him in a restaurant in London. A proper meeting still hasn’t happened yet but I was lucky enough to see him in concert last year. I have a huge respect for anyone who is still touring in their 70s and collaborating with much younger musicians from completely different backgrounds.

Did your style evolve since the beginning of your career?
Definitely. I spent my youth and early adulthood playing bass and singing in bands with my friends. From Langford Chrome, to Rock and Roll Circus to The Awedibles, I was always a guy in a band having fun with my buddies and showing off on stage. These bands did mostly covers but when I did write something it always had to make sense for performance with guitar, bass and drums.

It wasn’t until after these bands broke up that I really started taking acoustic guitar seriously and writing songs that I could perform completely on my own. I am so thankful to have had the experience playing with other musicians. Now that I’m a solo artist, I must be a more mindful player and not just rely on the other instruments to cover up my mistakes!

Who do you see as your main competitor?
That’s an interesting question. I don’t regard other creatives as competitors because I believe that a rising tide lifts all boats. A person can have me, Ariana Grande and The Doors on one playlist and I think that’s awesome. Because my music requires people to really enter in and listen to the whole song, I would say my biggest competitor is mindless doomscrolling; I know that I offer a great product to music lovers but I am constantly fighting through the noise of limitless distractions to reach a wider audience.

What are your interests outside of music?
Loads! I am a big reader and just about always have a book on the go. I’m reading “The Canterbury Tales” right now and I can’t believe it’s taken me over 600 years to get to it. It’s great! I also really enjoy fitness so I work out most mornings and run, cylce or swim when I can. For less instensive exercise, I love walking around scenic places, ideally if there is a castle nearby.

If it wasn’t a music career, what would you be doing?
Well, music isn’t quite my day job yet. I am a qualified teacher so I can often be found in a classroom. I studied foreign languages at university and enjoy teaching and tutoring in German and Spanish. I love the process of learning and teaching and helping pupils of any age make connections and expand their skills and knowledge.

What is the biggest problem you have encountered in the journey of music?
Procrastination. I wish I had started actively writing and producing original songs much earlier. Unfortunately, I doubted myself and kept making reasons why I wasn’t quite ready to think of myself as a serious singer-songwriter. I also took “no” for an answer very easily, assuming that if a song hadn’t gone viral on Youtube it was because it wasn’t good enough.

If you could change one thing in the music industry, what would it be?
It would be great if musicians were expected to do fewer things for free. It’s a tricky web to untangle because, like I mentioned earlier, music is a wonderful, ubiquitous part of nearly everyone’s life but that leads to a mentality that it is always there and isn’t something the listener should have to pay for. That’s fair enough but the songwriters, instrumentalists, producers and so on all need money to buy food and clothes and so on. I guess if it’s not economically viable to pay music makers for every single note they play, maybe supermarkets could let musicians pay for their weekly shopping by performing a song or two.

Why did you choose this as the title of this project?
I love looking up the meaning of words and “neophyte” jumped out at me one day when I was flipping through my dictionary. It means a beginner, a novice and that got me thinking about childhood, the friends you make on the first day of school and the adventures you have when you’re left to your own devices in the summer.

What are your plans for the coming months?
I have a gig at the Sindercombe Social in Shepherd’s Bush on Wednesday 28th August, for which I’m quite excited! After that, I plan to keep releasing a single every month or two, following the same process I outlined earlier. I’ve also already recorded four songs with a friend for an EP and I’m hoping we can produce that before the end of 2024. Stay tuned!

Do you have any artistic collaboration plans
I do a livestream on twitch.tv once or twice a week. My friends and fellow streams Charlotte Rotherham and Bethan Le Mas have propsed a collaborative stream in September. They’re both really talented musos and we did a very fun collaboration together back in January. I’m looking forward to the next one. Check my instagram for announcements!

What message would you like to give to your fans?
Thank you so much for listening to my songs from start to finish, engaging with my social media posts or even paying your hard-earned money to download a song on Bandcamp. I love making music for its own sake but seeing a group of people developing who genuinely appreciate what I do means a great deal to me. Thanks even more so for the recent support you have given me with some of the challenges my family is going through (if you know, you know.)

Anabel Rose Reveals Her Love Language in First Single of the Year

Music

Blogger In Cap

August 15, 2024

Anabel Rose Reveals Her Love Language in First Single of the Year

Following an incredible debut year with her two singles “Love or Die” and crowd-favorite, “DND”, which garnered over 300,000 streams across all units, Ghanaian-Filipino alternative pop sensation Anabel Rose returns with debut single of 2024.

This is her first solo release of the year after featuring on Iyke Parker x Leonardoddj’s “Pain and Pleasure” and Reez’s “SAY WHAT.” This track promises to captivate listeners with its emotional depth and unique sound.

Titled “Lungs,” the song sees Anabel Rose open up about her love languages and her desire for deeper intimacy. She candidly expresses her longing to “love and be loved” while acknowledging

the vulnerability and risk involved in opening up. The track, a fusion of alternative R&B and Soul with Bossa Nova influences, showcases Anabel’s raw vulnerability.

Caught in a contrasting situation, Anabel yearns to spend quality time with her lover but hesitates to engage in physical touch. She poignantly captures this in the lyrics:

Baby What’s the rush??? We had only just learned to touch each other… Why can’t it be enough?

“We could lay in bed instead ….. Whisper secrets never shared…. Finding ways to say I lo-lo-lo-lo-love you”

“Lungs” delves into the complexities of modern relationships, highlighting the hesitancy many feel about revealing their true wants. Unlike her peers, Anabel boldly voices her desires, accepting the risk of not always receiving a positive response, in hopes of fostering understanding with her lover.

Produced by fellow 99PHACES member Mēl, “Lungs” showcases Anabel Rose’s vocal prowess and lyricism, which have earned her a dedicated following.

Anabel Rose shared, “This song is a piece of my heart. It’s about the delicate dance of intimacy and understanding in love, and the risk that comes with it. I hope it resonates with everyone who listens.”

“Lungs” is now available for streaming on all major music platforms.

ABOUT ANABEL ROSE

Anabel Rose, a Filipino-Ghanaian alt-pop artist, on a path of sonic exploration with unapologetic freedom. At 25, she’s captivating a growing global audience. Singing since she was 8 years-old, Anabel Rose has always been a natural performer. Now, as a recording artist with two singles released, she’s steadily cementing her eclectic sound and creative direction. Rooted in pop, her music effortlessly incorporates elements of rock, R&B, alté, house, bossa nova, and jazz. She looks up to artists who are unapologetic in their sound, fusing a range of genres to birth new and exciting sounds. This includes Amaarae, Somadina, WILLOW and Teezo Touchdown.

Her last single, “Do Not Disturb,” played a huge role in growing her listener base, the Rosalindas. The track earned her international recognition, including a spot on H&M’s global playlist and a nod from Native Magazine as one of November 2023’s best new artists.

A member of the Ghanaian music collective 99PHACES, Anabel thrives on collaboration and community. Her career began as a Black Girls Glow fellow in 2018, where she shaped her artistic identity and continues to engage in meaningful work intersecting music and social development.

Through her music, Anabel Rose invites listeners to experience music and- by extension- life, without the fear of external validation.

For media inquiries, interview requests, or booking opportunities, please contact:

Anabel Rose

theanabelrose@gmail.com

+233506207464

Follow Anabel Rose on Social Media:

Instagram, Twitter, Tiktok, Apple Music and Spotify

Folk Nostalgia with a Modern Twist: Starbloom’s ‘1969’

Music

Mister Styx

August 13, 2024

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This is true, as Garrison Jackson’s latest single titled “1969” is a combination of elements reminding of the past and the elements of modern music. Serving as the musical genius in Starbloom, Jackson creates an indie folk song that is inspired by the Space Race but establishes itself in its own niche.

Hearing the acoustic guitar and pleasant vocals secures the listeners’ attention in the very first seconds. The home studio production of Jackson features a variety of intricate instrumental embellishments such as guitar, ukulele, piano, and trumpet.

But the inclusion of a midi violin is most fascinating here and speaks volumes about Jackson’s experimental approach towards music. In the same vain of intriguing storytelling as Paul Simon, “1969” combines several narratives and weaves them into one.

As with all my songs, it has both happy and sad chords, and the lyrics portray life events with wisdom and insight. The overall atmosphere of this track is classic and modern at the same time, and it reveals its appeal in terms of sophisticated details more and more with each listen.

The fans of Sufjan Stevens as well as similar artists will be refined to find how traditionally folk oriented music is infused with a modern touch by Jackson. “1969” is more than just a song – it is a performance piece, a work of art that leaves a lasting impression on the audience once the show is over. What Garrison Jackson has created is a piece that firmly establishes Starbloom in the indie folk genre.

Listen to 1969 below

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Tony Lio on ‘Nyx’: Blending Genres and Finding His Voice in Music

Interviews

Mister Styx

August 13, 2024

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Here we are to present you Tony Lio’s latest piece “Nyx” – a musical work that has been enhanced by brilliant rhythms and memorable melodies. Powerful slide guitar starts the track right off the bat and provides a magnet like attraction for the audience.

Lio, who ranges from rock to soul, exposes vocal personality and passion, making it the apex of his abilities. Harnessing the energy of a contrasting female voice in the chorus brings the power of dreams to a new level of emotion.

The making of “Nyx” is very ‘80s inspired for the warm, full drum sound, and concludes with a guitar solo to emulate Soundgarden’s intensity. These influences are the result of Lio’s own background of growing up in Central New Jersey and his ability to shift through styles effortlessly, blending them seamlessly to form a wholly original sound.

As we talk, Lio shares the motivation behind the making of ‘Nyx,’ including how the song was crafted with the help of the band members. He also gives his opinion on what he feels about this track in terms of leaving his signature in today’s music industry as an artist.

Listen to Nyx below

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What is your stage name

My official stage name and moniker is Tony Lio, the Alien Punk, Rocker Boxer and the Roaming Ronin.

Is there a story behind your stage name?

I came up with my name during my junior year of college and essentially wanted to create an identity that not only paid homeage to my Italian heritage but also give a sense of pure simple rock and roll danger.

Where do you find inspiration?

I typically find inspiration through many different avenues whether it be through life events, meeting unique people or whatever is happening in the world. If the inspiration can tell a story I can make a song out of it.

What was the role of music in the early years of your life?

My earliest memories have always involed music. I distinctly remember being on a family vacation and hearing the Zombies’ “Time of the Season” on the radio and falling in love with the melody. My parents were also huge influences as both of them had unique musical tastes that helped me open up to different styles and genres of music.

Are you from a musical or artistic family?

I defintely come from an artistic family that has been involved in creating media for television, art and of course music. Being a part of that automosphere was big part in pushing me to pursue a career in music.

Who inspired you to be a part of the music industry?

The Beatles were the catalyst for me taking the plunge in pursuing music. Hearing their music for the first time opened my mind to creating my own material.

How did you learn to sing/write/to play?

I’m mainly self-taught having picked up the guitar at 13. I did take guitar lessons on and off throughout the years which were very beneficial in developing my skills as a musician. Songwriting wise I essentially learned and developed on my own to the point where today I consider myself a decent songwriter.

Singing wise is a different story as I wasn’t meant to be a lead singer and my original plan was to have someone else sing lead vocals; unfortunately that didn’t pan out and I was forced to step up to sing myself.

Starting out I was definitely rough but as time went on I started to become more comfortable with my singing and throughout the past couple years I have seen my singing really develop and become a part of my overall sound.

What was the first concert that you ever went to and who did you see perform?

The first concert I went to was Paul McCartney live in Philadelphia in 2010. No denying it was an amazing show and essentially supercharged my love for music.

How could you describe your music?

I would describe my music as a hybrid of alternative and indie rock. Essentially you get both high intense rock you can bang your head too and mellow cool melodies you can vibe and relax too.

Describe your creative process

I don’t have a set creative process as my music comes about through multiple ways. Sometimes it could be a melody, a lyric phrase or a life event all I need is one little spark and I’m off to the races. I’ve always viewed songwriting as putting a puzzle together; trying to figure out the right pieces in order to complete the art.

What is your main inspiration?

As of right now my main inspiration is a particular individual who has sortof inspired me to get out of my comfort zone and challenge myself out of my usual writing habits.

What musician do you admire most and why?

I would have to say Chris Cornell is the musician I look up to the most. The man was a true musician in the sense that he could bounce between so many genres and yet you could imminently tell it’s him by his vocals. To me being able to not only dive into many different genres but all the while staying true to your musicial abilities is the mark of an artist.

Did your style evolve since the beginning of your career?

My style has definitely evolved throughout my career. When I first started playing I was straight up considered a punk rock guitarist as I mainly played simple chords; I’m not putting down the genre of punk rock as it remains one of my favorite music genres today.

By the time I started going to college to study music, I wound up taking jazz guitar lessons which opened the door to me developing my skills as both a guitarist and songwriter. I still enjoy playing simple high energy music but I now have skills in my pocket to incorporate different genres into my music.

Who do you see as your main competitor?

I don’t necessarily have a main competitor but what I do have are fellow musicians who push me to keep creating and writing and to me that’s way better than having a competitor as it shows that artists can stick together.

What are your interests outside of music?

Outside of music I enjoy writing short stories, work on photography and am in the process of working on freelance video editing.

If it wasn’t a music career, what would you be doing?

If I didn’t pursue music I do believe I still would’ve pursued a career in the arts; whether it would be in the movie industry or some other type of media field I guarentee I would still find myself in that field.

What is the biggest problem you have encountered in the journey of music?

The biggest problem I’ve faced in my career would have to be of course the payment system of streaming services. This year was the first in which I finally started to see some stable stream numbers but I know at the end of the day those numbers will lead to little profit. You have to keep onto the faith though and the hope that your material will break through to the masses that will lead the life where you can live through your art.

If you could change one thing in the music industry, what would it be?

No surprise the payment system. The old cliche of “the artist gets paid last” has remained to this day and unfortunately isn’t going away any time soon. That’s why in my mind in order to be a successful musician nowadays you have to retain at least 90% control of your work in order to come out on top.

Why did you choose this as the title of this project?

“Nyx” came about as I was conceptulizing the theme of the song which revolves around temptation. At the same time I was looking up material on Greek mythology and came across the name “Nyx” who was the Greek Goddess of the Night. It was simple, effective and had that danger feel to it which I thought was perfect.

What are your plans for the coming months?

My current plans involve pre-production on two more videos that’ll be a part of my forthcoming new EP dubbed “LIO III” which I hope will also be promoted with a release show at the end of the year.

Do you have any artistic collaboration plans:

I can’t reveal too much as alot of these collaborations are still in the planning stages but definitely look out in the coming months for a few surprises.

What message would you like to give to your fans

I’m glad that everyone has continued to love and enjoy the music. I’ve always felt that music saved my life and the fact that I can create art that connects with people means the world to me.

A Hidden Peace: Where Punk, Grunge, and Blues Rock Collide

Interviews

Mister Styx

August 13, 2024

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Mike Anderson of the “Mike A & The Prisoners of Routine” band was recently in a position to answer questions about his new album called A Hidden Peace. Soon it became quite obvious to see that this project was not just another commercial enterprise for the artist but indeed a passion project.

Having a career in music that has lasted for decades and having covered almost all sorts of genre, Anderson has gone into a new phase to release his very first punk album. Originally conceived as a one man EP project, it soon turned into an album which comprises of punk, pop punk, post punk, grunge rock, blues rock and hint of 80s glam metal.

This deviation in genres is an indication of the various events that have influenced Anderson, along with his different musical preferences. During the course of the project, it sort of evolved from the initial Anderson’s crusade into project involving like-minded people willing to create and experiment music.

During the interview with Anderson, I explored the narrative behind A Hidden Peace and unveiled how Anderson came up with the songs and his thoughts were on how the audience would interpret this music journey.

Listen to ‘A Hidden Peace’

Follow Mike A & The Prisoners of Routine on

What inspired you to write “A Hidden Peace”?
-I was in several bands, in several different genres, over a couple decades. I’m the type of artist who gets an idea and can’t get it out of my head until I make it happen. I had never attempted punk, before. A high school friend invited me to join his punk band.

I spent a year in that band, and left due to various different reasons, but I was still interested. I never tried to write any punk while in that band, so I tried a song. It came out so well (Walk Away) that I decided to just due a solo EP.

Can you tell us about the songwriting process for this track?
– I don’t really have any specific process for writing. If a really cool line comes to my mind, I just try to build lyrics and/or music around that. If I hear a really guitar guitar riff in my head, I try to hum it on my phone, then later on when I get the chance, try to record it. Then just try to build music around that. I honestly don’t even remember the precise process for anything I write.

I cowrite with a friend, Paul Fowler, a lot, and there have been times when I sent him a recording through Facebook messenger, and he and I sat there writing lyrics to that music, through Facebook messenger.

The title “A Hidden Peace” is intriguing. What does it mean to you?
– I guess the one thing that can be taken out of this EP, as a whole, would be: Whatever you do in life, do it with conviction. Because if you can’t even convince yourself, how can you expect to convince others? ..something a good friend told me once. (Ronnie Honeycut from Jackal)

Was there a particular moment or experience that sparked the idea for this song?
A high school friend invited me to join his punk band. I spent a year in that band, and left due to various different reasons, but I was still interested. I never tried to write any punk while in that band, so I tried a song. It came out so well (Walk Away) that I decided to just due a solo EP.

What do you hope listeners take away from “A Hidden Peace”?
Enjoyment…or…just any kind of positive vibes or feelings.
Music is a very expressive form of art. A song as listeners can feel something from it, the art did it’s job.

Did you experiment with any new instruments or production techniques on this track?
The drummer and bassist were actually playing together when recording the initial tracks for the EP. They were really feeding off of each other. It can really effect the feeling of the groove.

Is there a music video planned for this song? If so, can you give us any hints about the concept?
I definitely will want to have a video for each song, but there’s no particular ideas yet, for any video.

How do you think “A Hidden Peace” showcases your growth as artists?
This was my first attempt at punk. Previously, I’ve written and performed country, blues, metal, jazz, hip hop, nu metal, grunge, funk…but never punk. I curently have a Blues EP and a Post-Grunge EP on Spotify, and another Rock band I played bass in has a single on Spotify. I think it’d be cool to have an EP up for multiple different genres. I just love music.

I know the other guys have never tried punk before, either. Chris, Tony & I were all in a grunge band together. I was in a Metal band with Chris. Drummer Steve was in a Post-Grunge Alternative Rock band, and a Country band with me. We’re all just trying new things.

Are there any interesting stories from the recording sessions for this song?
Mike Smith and I were there 12 straight hours before we finally finished with the vocals. The instrumentation took forever, it seemed.

We were full up on coffee and candy and whatever else we could sugar up with. The vocals took maybe 30 minutes, total, for all songs. haha. But, he and I didn’t eat the entire day. We just stayed in the studio, and rolled through it all.

Die Singende Diskokugel: A Bold, Genre-Bending Debut from Herr Vorragend

Music

Mister Styx

August 11, 2024

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Berlin-based artist Herr Vorragend brings the heat with his entrance album, Die Singende Diskokugel. This compilation is not limited to one particular style and thematic context, which gives listeners an opportunity to listen to funk, indie, electronica, and acoustic pop.

It is eclectic music that has a broad appeal and is likely to be a hit among the target audience. This album was created by Boris Kunofski, who is the man behind Herr Vorragend, after he was able to regain his passion for music after working for 10 years in an office job.

This leads to a 13 track CD that is as vibrant visually as the artwork that accompanies it. While each song has its own style or individuality, the warm, organic production with heartfelt vocals and full instrumentals are constant throughout. Herr Vorragend is most prominent, using conversational phrasing to sing while having jangly guitars, spacious drums, and complex yet simple structures.

Not knowing how to describe his sound source, he came up with the term ‘Schlagerfusion’, in reference to the Europop music. Some of the noteworthy songs include ‘Kleiner Johnny,’ which is a funny song, and ‘Einsamer Baum,’ which has a more somber tone and clearly German feel.

“Tanz” is reggae influenced, while “Fitnessstudio” stands out with an 80s inspired electropop sound. Throughout, The Sauce, the imaginary backing band of Herr Vorragend, supports in the most suitable way.

As an introduction to the comic’s persona, Die Singende Diskokugel is an expressive work that creatively allows Kunofski to test out broad humor, musicality and various influences in one entertaining package. It is a good start for the artist who is free to experiment.

Listen to Die singende Diskokugel

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Sol Syncd: Breathing New Life into Classic Soul with ‘Moonlight’

Music

Mister Styx

August 10, 2024

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“Moonlight” by the newly formed Sol Syncd is creating a buzz as Djemini and Salvatore Manalo are planning to come up with their self-titled EP later in August. If ‘Moonlight’ is anything to go by then fans are in for a treat.

It was surprising to find that the single effectively fuses vintage soul with contemporary R&B instrumentation and arrangements, all of which express the passion of a new romance in a fun and lively manner.

Once again the vocal performance by Djemini is very soft, sultry and engaging to the ears. Manalo’s use of instrumentation is very elaborate and fits precisely with the theme of the music perfectly; demonstrating the talents of the two artists.

The fact that Sol Syncd is able to incorporate elements from classic soul and mix it with modern trends results in something that is completely fresh and new. It is a testament to how “Moonlight” isn’t just a strong debut but rather a foreshadowing of things to come.

This puts the next EP in a good position to deliver an emotionally charged release that many listeners should be able to connect with. With this single, Sol Syncd sets the stage right and introduces an exciting new name to the world of music lovers obsessed with this kind of sound.

Listen to Moonlight below

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Enjoy A Warm Embrace in Tara Van’s ‘Hello Human’

Music

Mister Styx

August 10, 2024

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‘Hello Human’, Tara Van’s new single is one of the most refreshing sounds in this year’s indie music. Van combines dream pop and folk elements in his songs and thus gives the listeners an inspiring but also rather thoughtful music.

Her voice can be compared to Joni Mitchell singing, while the song can be an example of Sufjan Stevens’s creativity with the orchestral motifs. Finally, at the heart of “Hello Human”, is the message of unity with the earth and everyone on it.

Hearing Van’s lyrics “Hello, Human” brings a sense of being hugged- a message telling the listeners to be calm and at ease no matter the state of the world. The production that was done by Malory Torr at Baby Point Studios in Toronto is simply superb and also matches the song’s content.

The song has a very happy underlying tone with strong bass drum sounds, clapping and bold synthesized sounds. She is a current singer and songwriter based in Toronto who has transformed into a better artist by portraying and expressing herself through her experiences and the events going on in the world around her.

This time, through “Hello Human,” Van has grown, and she provides a captivating song that livens up listeners and establishes her as an artist to look forward to in the indie genre.

Listen to Hello Human

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A Summer Soundtrack: Exploring Leon Bahar’s ‘Back to Beginnings, Vol. 1’

Music

Mister Styx

August 9, 2024

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The newest EP by Leon Bahar is called “Back to Beginnings, Vol. 1” – a set of five tracks that combine a pinch of jungle and a few drops of drum ‘n’ bass with a positive summer feeling. This mini-album is Leon’s testimony of love, joy and memories that originated from dogs she worked with in Spanish dog rescue centers during a three-month period there.

As a music composer and music producer, Leon provides his own touch for each of the tracks that forms an EP that is both inspiring and memorable. There are always tracks that make for interesting listens such as ‘Cave Rave,’ ‘La Ensalada del Diablo,’ and ‘Running with Dogs” every one of which tells more than one story and sums up Leon’s sojourn in Spain.

As for the title track “Cave Rave” it reflects the spirit of an intimate Leon and his friends’ party they once held in a cave. All in all, ‘La Ensalada del Diablo’ is a joyful surrealistic response to an elderly man the narrator met who called marijuana that same name.

There is also pain in the film, ‘Running with Dogs,’ which Leon made to honor the rescue animals he helped save, after losing his own dog with which he shared 17 years.

In terms of its catchiness, Melodiously, “Back to Beginnings, Vol. 1” soothes with crisp sampling and summer tones. Bahar has been able to combine great music and story-telling elements, which is why this EP should not miss in any playlist for the summer.

Track list

Reborn

The lion’s Den

Cave Rave

La Ensalada del Diablo

Running with Dogs

Listen to Back to Beginnings, Vol.1

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Feel the Beat: Cailo Drops Uplifting Single ‘Don’t Believe’

Music

Mister Styx

August 9, 2024

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Cailo, an artist from Vallejo, California, has recently released the song titled “Don’t Believe. ” This song features strong hooks along with lively beat, making for a perfect dance song. Showing the euphoric vital force of modern dance/pop music which may be compared to Calvin Harris and David Guetta, ‘Don’t Believe’ bears a powerful and evocative message as the title suggests.

Polyform is proud to present the new Dance Pop hit of Cailo – “Don’t Believe” that is going to hit the world and further underline Cailo’s popularity. Featuring vibrant beats and an inspirational message, “Don’t Believe” is another proof of the versatility of Cailo where he demonstrates the ability to produce both quality sound and meaningful lyrics.

With this single, it is evident that Cailo is a talent to keep an eye on as the genre of electronic dance music continues to go through its phases of development.

The song is about the time when people have the highest hopes for someone, but the reality lets them down, which in turn creates a rebellious impulse to assert oneself and be free. A perfect example of an empowered song, ‘Don’t Believe’ has been produced on energetic beats and the voices of powerful female singers.

Listen to Don’t Believe

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Celebrating Unsung Heroes: Texas Panda’s New Single ‘Coach Said’

Music

Mister Styx

August 8, 2024

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One song that stood out and which I am thrilled to recommend to you is ‘Coach Said’ by Texas Panda this song has huge appreciation, as a song that recognizes the unseen labor of Moms in sports. Paying homage to the unseen women who work tirelessly behind the scenes and supporting athletes “Coach Said” is a tribute to these women.

It is this kind of synergy that forms the basis of the single with St Louis based rock band Welcome Home which is reputed for their energetic and real stage presence.

Having been founded in 2014, ‘Welcome Home’ is an excellent addition to the project as the duo combines passion and musicality to work with the concept presented by Texas Panda.

Intended for women participating in sports or over twenty-seven up to fifty years, “Coach Said” is going to be relevant to anyone who comprehends the significance of mothers in sports.

Beyond being a music producer, Texas Panda would want to look at himself as a music investor, and with this powerful message, is one that does not accept the norm. **“Coach Said”** urges listeners to open their eyes and ears and take time to appreciate the influence mothers has in the sporting fraternity.

Listen to Coach Said

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Tiktok

Get Ready To Hit The Dancefloor With Wilza’s – WHat You See

Music

Mister Styx

August 8, 2024

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Wilza’s newest single “What You See” is not your typical remix – or simply put, it’s a spunky New Jack Swing song brought back to life and remixed in the Tech House style. Released under his newly-formed label, SwingBeat Records, it is the first release under Wilza’s Jack House moniker, billed as a project focused on recreating the vibe of late 80s / early 90s music.

Wilza, the DJ, has had more than twenty years behind the turntables and feels comfortable when mixing the genres. His versatility of House to being able to do R&B, Afrobeats among others has solidified his nature as a resident DJ in London especially with his 15 years stint at Market Place London.

Now, Wilza is applying that diverse background to his production work, and as “What You See” proves, he’s remarkably talented. Wilza ‘s cover maintains the catchy melody and braggadocio of the original song but overlays it with authentic house beats and synths typical for modern electronic music.

The end product is musical creation that is instantly catchy and with elements of both a times-less time and a time that is current. It can truly be said that the production is outstanding from beginning to end and is most definitely impressive.

Wilza has great groove in his bass lines, tight drums and nice horns sections and all these make one dance. The underlying synths and the colourful rhythmic and harmonic figures enrich the texture, whereas the vocals overlay it; the appeal to tradition is evident, but the modern appropriation is palpable as well.

The one thing that is quite remarkable in “What You See” is that it is so full of vitality. It has steady beats, raw sounding layered synths, and a funky bass line to ground the entire composition. It is a song that can make one dance or at least move along to the beat when it plays, regardless of the place one is.

Listen to What You See below

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Mission Control: The Pulltops’ Cosmic Call to Calm

Interviews

Mister Styx

August 7, 2024

The Pulltops just cannot disappoint with their ability to create good, memorable songs and this is evident in “Mission Control. ”It is their fifth record for this year, after the EP Sight Lines and three individual singles, and it captures exactly the sort of music they are known for: classic, alternative, indie, and pop rock.

It is crucial to highlight that “Mission Control” is quite memorable in vocal harmonies, which feature a vast variety of pitch – bass, middle, and treble. This is a chorale type of song with good backup and sing-along vocals that adds another dimension to the song.

The rhythm and lead guitars are well integrated and produce a full sound, with interesting riffs and chords supported by elaborate leads and harmonies. Supported by the steady rhythm section comprising of warm bass lines and strong drumming the track has a sound foundation and groove.

Synths and keys layer and enhance the song to turn “Mission Control” into a multi-dimensional rock treasure. In terms of topic, the song is a mix of hope, reflection, and desire for consistency, making for an engaging narrative. In “Mission Control,” The Pulltops demonstrate beyond a shadow of a doubt that their music is other-worldly.

Listen to Mission Control

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What is your stage name
The Pulltops

Is there a story behind your stage name?
We were about to play our first show, and we didn’t have a name. So we came up with one as fast as we could out of necessity. lol The Pulltops is a throw-back to the old soda cans from the 70’s that had the tab you would pull off, instead of the tabs they have now. We wanted something with a retro vibe to it.

Where do you find inspiration?
We’re huge music fans, so we find a lot of inspiration in listening to music. But also sounds in general are inspiring. A new guitar effect, or a synth patch, maybe a new drum sound. Those kinds of things always give you new ideas.

What was the role of music in the early years of your life?
Lots of listening to music at an early age. I had an older brother that had a great record collection I could listen too, and swipe a records from. But there was also music in school, the school band, etc. I also learned as many songs as I could on guitar from the radio.

Are you from a musical or artistic family?
Actually, not at all. My sister plays piano, and still does. But my parents never played anything, and neither did my brother. So I have no idea where my sister and I got it from!

Who inspired you to be a part of the music industry?
I was inspired a lot by my guitar heroes, David Gilmour, Eddie Van Halen, Brian May, etc. But also by the fact that music is such a big part of who I am, and I want to always be surrounded by it, that it just made sense to be part of the industry.

How did you learn to sing/write/to play?
Songwriting early on started with learning how to play other peoples songs. You get a good sense of song structure, lyric writing, and story telling, from analyzing songs. And then there is a lot of trial and error. Writing a lot of bad songs! As far as playing, I did have some formal training. Piano was first, and then some band instruments in school. Guitar was a mixture of taking lessons, but also learning a lot on my own, just trying to figure things out by ear.

What was the first concert that you ever went to and who did you see perform?
I saw Boston at Alpine Valley Music Theatre in Wisconsin years ago. I am a big classic rock fan, so there have been a lot of classic rock concerts over the years. But I do remember just being blown away by the shear volume of that first concert. Feeling the kick drum at that volume for the first time was impressive.

How could you describe your music?
There are a lot of influences. So even though we stick to the rock, or the alternative lane, there are a lot of other styles that work their way into what we do. So one song might lean a little more towards 80’s synth, but the next might have more of a country influence. It’s nothing really planned. It just comes from listening to so much eclectic music growing up.

Describe your creative process.
The music always comes first. Some kind of riff, or drum pattern, or synth or piano chord. Something that sets the mood or gives off some kind of emotion. Once you can lock into a feeling, you get inspired and build from there.

The Pulltops out with Mission Control,The Pulltops releases Mission Control,The Pulltops with Mission Control,The Pulltops drops Mission Control,Mission Control by The Pulltops ,Mission Control from The Pulltops ,The Pulltops ,Mission Control,The Pulltops Mission Control,Mission Control The Pulltops — Something that sets the mood or gives off some kind of emotion.

What is your main inspiration?
Guitar is my main instrument, so there is a lot of inspiration that comes from noodling around and coming up with riffs or ideas. I’m also a night person. I stay up late and write a lot after every else has gone to bed. Something about the night has always been inspiring, the lighting of it all, the mood at night.

What musician do you admire most and why?
I’m a huge Pink Floyd fan. There were a lot of strong personalities in that band, and the music is very non-commercial, which is odd since they are a massive commercial success. But hardly any of their songs follow a regular song structure. Most don’t even have a chorus! They didn’t follow any rules.

Did your style evolve since the beginning of your career?
It’s always evolving. It’s hard to settle firmly into one way of doing things when there are so many great styles of music out there.

Who do you see as your main competitor?
I’ve never viewed any artists as a competitor. Everyone has their own style, and it’s all so subjective. Most of it is inspiring more than anything. Hopefully AI doesn’t become one. I’d like to see it become just another tool and not a replacement. I’m sure that will be the case.

What are your interests outside of music?
I love dogs. We have 3 border collies right now. We’ve fostered dogs in the past, and we would like to do that again when we have more room in the house.

If it wasn’t a music career, what would you be doing?
I was into computers more when I was younger. I still am when it comes to music creation. But if it wasn’t music, I would probably find something else creative to do on a computer.

What is the biggest problem you have encountered in the journey of music?
Lack of time. That’s the biggest problem with anything. There is a finite amount of time. So you will never get everything done that you want to while you are here. That sounds so bleak, but it’s true! lol

If you could change one thing in the music industry, what would it be?
I’d love to spend more time creating music. It’s a business, so you need to do the business things, promotion, etc. Sure, you could just create music for yourself, but that wouldn’t be the music industry then, would it?

Why did you choose this as the title of this project?
“Mission Control” came up early on lyrically, and the song was inspired by that phrase, and the idea of calling out for help. It was a nice metaphor for the feeling we were going for.

What are your plans for the coming months?
We have a lot of songs in the works. We have list of what we want to finish first, and we’re going to keep working through the list until we run out of songs. And hopefully we don’t run out!

Do you have any artistic collaboration plans
We do have a lot of friends we want to work with. But that might night end up under The Pulltops umbrella.

What message would you like to give to your fans
Life is full of a lot of struggles. A lot of what we write about is dealing with struggles on a personal level. We try to be encouraging, for others, and for ourselves. Just know that we are all going through this together. Hopefully the songs can help guide you through it all.

In My Eyes: Wolfgang Hildebrandt’s Vision of Love and Positivity

Interviews

Mister Styx

August 7, 2024

Wolfgang Hildebrandt out with In My Eyes,Wolfgang Hildebrandt releases In My Eyes,Wolfgang Hildebrandt with In My Eyes,Wolfgang Hildebrandt drops In My Eyes,In My Eyes by Wolfgang Hildebrandt ,In My Eyes from Wolfgang Hildebrandt ,Wolfgang Hildebrandt ,In My Eyes,Wolfgang Hildebrandt In My Eyes,In My Eyes Wolfgang Hildebrandt — In My Eyes: Wolfgang Hildebrandt’s Vision of Love and Positivity

Wolfgang Hildebrandt, who is equally famous as a musical performer and record producer in Germany and across the globe, is also a celebrated actor and a philanthropist. He started his musical education at an early age when he learned to play the piano and the guitar when he was six years old, following his father’s instructions in Euskirchen, Germany.

Promoting world peace through music Wagner had another great opportunity in his early career as lead singer of a German Military Band. However, in 1997 he went for EMI Records where he started a brilliant Carrier where he has worked with different artists and performed for different personalities including Pope John Paul II and Nelson Mandela among others.

Wolfgang’s virtuous cause of employing music as a form of positive influence is seen in his piece “Let’s Build A House of Peace” that he created in the aftermath of 9/11. His new release “In My Eyes’ yet again proves that he has not lost the flame and has gone up another level. This fun song using elements of easy listening music, country, and pop was composed alongside Swedish songwriter India Perez.

May perhaps be due to its catchy lyrics, which promotes love, positivity, and hope, Wilkoszki has developed an engaging and creative music video with the help of AI to create cartoon-like wonder. Welcome to the show where we’ll immerse ourselves in Wolfgang’s success story, learn more about his music production and discover the stories behind the tracks.

Listen to In My Eyes

Follow Wolfgang Hildebrandt on

Where do you find inspiration?
I believe in God and I love to process everyday situations in my songs.

What was the role of music in the early years of your life?
At a very young age, I was inspired by Dr. Martin Luther King’s speech. Every person, regardless of their origin or race, should have the right to live their dream. That was a great motivation for me to give my music the appropriate lyrics. Faith in Jesus Christ has always accompanied me and has always been a part of my musical work.

Are you from a musical or artistic family?
My father was a businessman but singing and guitar was his hobby. He taught me everything and later I was in the church choir in the Protestant church and I learned a lot there. I felt at a young age that God had given me the talent to sing.

Who inspired you to be a part of the music industry?
I was inspired by the music of 8-time Grammy winner and owner of a star on the Hollywood Walk of Fame, gospel singer, composer and pastor Andrae Crouch. Later we met several times in Los Angeles and became close friends and worked together on music.

How did you learn to sing/write/to play?
My father taught me the basic chords on the guitar, but I eventually developed it myself. I always had a voice and received this talent from God and I am still very grateful for it today.

What was the first concert that you ever went to and who did you see perform?
The first concert I attended was by Sir Cliff Richard.

How could you describe your music?
Music that comes from the heart, is very melodic, is then processed to match the lyrics and thus I draw the listener into my spell

Describe your creative process.
I usually take my guitar or sit at the piano and work on a topic that concerns me. These are usually topics that have been on my mind for a long time. But it is important to me that I try to spread a positive message at the end of the song, usually in the chorus.

What is your main inspiration?
Despite all the problems you have, you still have to convey something positive. For me, the basis for this was Dr. Martin Luther King’s speech “I have a dream.”

What musician do you admire most and why?
As a Christian, I was very enthusiastic about Andrae Crouch. But I always loved country music as well as gospel music. First and foremost, of course, was Johnny Cash.

Did your style evolve since the beginning of your career?
Of course, my musical style and of course my singing have continued to develop. I went to Andrae Crouch’s church in Los Angeles a lot and the singing of the colored community there always inspired me. I once sang along to Andrae Crouch for fun. God made a mistake with me, I would have preferred to have dark skin.

Who do you see as your main competitor?
I have no main competitors or rivals. I am a very tolerant person and we can only learn from each other. I have absolutely no competitive spirit.

What are your interests outside of music?
What I really enjoy doing, and have done so many times, is giving speeches about peace. I was very proud that I was able to give several peace speeches at the Brandenburg Gate in Berlin and I am also the official ambassador for World Peace Day in Berlin.

If it wasn’t a music career, what would you be doing?
Either a lawyer or a priest

What is the biggest problem you have encountered in the journey of music?
I have never actually encountered any problems, but I have had interesting experiences. For example, I love Africa and have performed there several times. It was always a special experience. I have already performed for the Nelson Mandela Foundation in Johannesburg and for Archbishop Desmond Tutu in Cape Town, South Africa, I gave a private concert.

I also gave several concerts in Windhoek, Namibia. Connecting people and building a future together taught me a lot in Africa, and I also incorporated that into music. Later, I also sent my electric piano to a church in Namibia and gave it to them. I love African music.

If you could change one thing in the music industry, what would it be?
I wish Spotify didn’t have such power. Artists should earn much more from their songs and not just be fobbed off with percentages.

Why did you choose this as the title of this project?
I wanted to write a love song that everyone could identify with. The song IN MY EYES is also reflected in the video. “In My Eyes” is more than just a musical creative effort; it’s a vibrant celebration of love, joy, and escapism. Crafted by Wolfgang Hildebrandt, an artist who understands the power of music to uplift and transport, this infectious track is designed to ignite a sense of excitement and elation in its listeners.

With pulsating beats and catchy melodies, it invites you to let loose and lose yourself in its rhythm. Behind the scenes, the collaborative effort shines through, with the artist joining forces with songwriter India Perez (actress & model) to craft lyrics that resonate universally. Rooted in the desire to create a love song that transcends boundaries, “In My Eyes” effortlessly bridges cultural divides, reminding us that music is a universal language that knows no barriers.

The accompanying “In My Eyes” music video, a labor of love and AI creativity, amplifies the song’s message of positivity and hope. Through innovative comic-style visuals featuring characters and musicians with luminous, oversized eyes, it captures the essence of joy and inspiration. Actress Rosemary Rittner’s presence adds an extra layer of charm, bringing the song’s lyrics to life.

It’s fabulous eye candy for a song that speaks to the power of love, and gives voice to the voiceless in a world where music serves as the salve, a prescription to help those yearning for human connection.

What are your plans for the coming months?
I hope that my song IN MY EYES touches people, that they have fun and dance. I’m only concentrating on this song right now.

Do you have any artistic collaboration plans
Yes, there could be a very interesting duet in January 2025, but I can’t say anything about that yet.

What message would you like to give to your fans
I wish you all good health and a life worth living and if you enjoy my song IN MY EYES, then click on the YouTube video, Instagram or TikTok and share it. I would be very happy about it. Today is the day, not tomorrow not next week, today is the day to make a difference.

Two Minutes to Mosh: The Relentless Sound of Immolated”

Interviews

Mister Styx

August 7, 2024

Immolated out with Two Minutes To Mosh (Feat. Forlorn) ,Immolated releases Two Minutes To Mosh (Feat. Forlorn) ,Immolated with Two Minutes To Mosh (Feat. Forlorn) ,Immolated drops Two Minutes To Mosh (Feat. Forlorn) ,Two Minutes To Mosh (Feat. Forlorn) by Immolated ,Two Minutes To Mosh (Feat. Forlorn) from Immolated ,Immolated ,Two Minutes To Mosh (Feat. Forlorn) ,Immolated Two Minutes To Mosh (Feat. Forlorn) ,Two Minutes To Mosh (Feat. Forlorn) Immolated — Two Minutes to Mosh: The Relentless Sound of Immolated"

Immolated arrived on the metal scene shortly after the guitarist’s first picking up of a guitar, and quickly involving themselves in music production. His stage name pretty portrays his music style, which is a mix of late 80s thrash and 90s death metal.

Taking inspiration of day to day struggle and the transience of life, Immolated then reflects the brutal part of the daily life into his music. What was once a one-man standpoint has metamorphosed into something with friends collaborating under the Immolated moniker.

Together, they are trying to bring headbanging feeling to people along with the main message of life’s cruel reality. I sat down for an intense discussion with Immolated to talk about everything about the band – including how he got started, how he taught himself to play, and what he has planned for the band and its music.

Listen to Two Minutes To Mosh (Feat. Forlorn) below

Follow Immolated on

What is your stage name:

Immolated

Is there a story behind your stage name?

I kind of just thought what setting oneself on fire would feel like, you know, to immolate yourself.

Where do you find inspiration?

Day to day life. I find something crude and brutal about it. The thought that we’re dying a little more every day, selling our lifetime away in order to experience life. The challenges one faces daily when getting up to work, the diseases and illnesses that come from stress and such. The thought that every time you cross the street you could be ran over but you never really consider that. That sort of things, I find life overall crude, brutal and disturbing.

What was the role of music in the early years of your life?

Music was always an interest of mine, for example when seeing my brother play bass when I was little, or listening to Amerika by Rammstein and being amazed by the energy. It wasn’t until my teenage years that I found myself listening to music constantly, to deal with stress or depression.

Are you from a musical or artistic family?

Well… yeah. My father used to be a musician, from a band called ‘Los Grillos’ if I recall correctly. It was Chilean folklore music, which at the time was quite left-wing. Every time he talked about it he seemed happy yet sad. I understood that being a musician was something that really made him happy.

It was later in my life, nearly into adulthood, that I found out that when the coup happend in my country during the early 70’s, my father had just finished recording his first album. Due to the fact that a right-winged dictatorship had taken over he and his band burned all the records of their album, then split forever, never to see each other again.

My father passed away little more than two years ago, a few months after I picked up a guitar. To this day I wonder what he would’ve thought of what I’m doing now. I’m no believer, but somehow I hope he’s happy and proud.

Who inspired you to be a part of the music industry?

Nobody really, I just kinda bought a cheap guitar and a toy amp with my first salary and things took off from there.

How did you learn to sing/write/to play?

By myself, in my room alone. Sometimes I’d look at youtube videos, study a bit of music theory, but it’s mostly been me playing guitar to entertain and express myself nearly every day since I picked the hobby up.

What was the first concert that you ever went to and who did you see perform?

I went to see a friend’s uncle perform, who plays the bass like a madman. They’re called Arkonte, a local Chilean modern heavy metal band that mixed elements from classic rock, melodic metal, metalcore, amongst others. It was pretty fun, though I was quite tired for an entire week after all that. We’d been partying for two days by that point, so quite taxing to me at least but nevertheless very fun.

How could you describe your music?

This is a strange question to me. Heavy, I suppose? I’ve got a lot of inspiration from late 80’s and early 90’s thrash and 90’s death metal, so I guess you could describe it as a mix of them.

Describe your creative process.

I pick up the guitar and start playing, start arranging riffs and gluing ideas together until I’ve got something I consider solid.

What is your main inspiration?

Dying slowly and living my life away into existence, and what that means when applied to what I do in my daily, regular life.

What musician do you admire most and why?

Buckethead, because he’s an amazing guitar playing who’s found his way to breach his anxieties and other problems in order to breach into music.

Did your style evolve since the beginning of your career?

Well it’s just beginning, so no not at all I think.

Who do you see as your main competitor?

Nobody, I don’t see this as a competition at all.

What are your interests outside of music?

Videogames, sci-fi, mechanics, electricity, literature, among a few other things.

If it wasn’t a music career, what would you be doing?

Well I don’t really have a music ‘career’ per se. I have a normal, regular job in the IT industry and I just become Immolated in my free time.

What is the biggest problem you have encountered in the journey of music?

Being consistent, not giving up, and not succumbing to the feeling of not being good enough.

If you could change one thing in the music industry, what would it be?

I’d make it less about ego and vanity than it currently is.

Why did you choose this as the title of this project?

Sometimes I feel like waking up and getting out of bed is like being in a mosh kind of, and life goes pretty fast nowadays, like you’ve got two minutes to do everything, and it’s never enough.

What are your plans for the coming months?

Keep releasing music, get my own place so I can scream into a microphone and start adding vocals to my songs.

Do you have any artistic collaboration plans

Well yeah, I wanna make music with my friends. Forlorn is actually one of my very best and closest friends, and I’m pretty happy to be making music with him.

What message would you like to give to your fans

Life is like a mosh pit, you just get hit in different places and get sore in different ways. Keep at it, keep moshing.

Feel the Love with Xenia’s “Only With You”

Music

Mister Styx

August 7, 2024

Xenia out with Only With You ,Xenia releases Only With You ,Xenia with Only With You ,Xenia drops Only With You ,Only With You by Xenia ,Only With You from Xenia ,Xenia ,Only With You ,Xenia Only With You ,Only With You Xenia — Feel the Love with Xenia's "Only With You"

Xenia’s newest song “Only With You” is a lofi/chill pop single that is perfect for couples and anyone else who wants some quiet music. Soft rhythmical beats and harmonic flows set the mood of the track, which may perfectly complement, for example, a cup of coffee with someone you like or a Sunday spent together.

The unique timbre of the vocals combined with the subtle backing music establishes a warm and loving tone. “I wanted to capture those less cliché, special moments we spend with the people we care about,” she says. This idea raises its head throughout the track, in the minimalist arrangement, in the layers of sound that seem to suggest a kind of calm, meditative droning.

Each and every aspect that surrounds “Only With You” gives off a sleepy sort of vibe. The soothing tempo and amorous mood make it appropriate for quiet nights, intimate parties, or any other event when you just want to spend an entertaining time. The emotions that Xenia puts while narrating the episodes make it more intimate and personal to listen to.

What Xenia has created here is more than just a song – it is a warm hug, cherishing all that moments of life has to offer. In “Only With You” the audience gets to see her bring out the capability to make musically heartfelt tunes, which sets her apart in the current pop music landscape.

Listen to ‘Only With You’ below

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The Magic of Melody: Centric on ‘Do Time’ and Future Projects

Interviews

Mister Styx

August 6, 2024

Centric out with Do Time,Centric releases Do Time,Centric with Do Time,Centric drops Do Time,Do Time by Centric ,Do Time from Centric ,Centric ,Do Time,Centric Do Time,Do Time Centric — The Magic of Melody: Centric on 'Do Time' and Future Projects

Centric is a music composer and record producer and has joined forces for the first time with Grenadan singer-songwriter CJae on the new track “Do Time. ” This track fuses Afrobeat and R&B, giving the audiences a chance to see the compatibility between the two artists.

The electronic production is in amazing synergy along with the soulful R&B touch for the song where the additional high pitch catchy hook is perfectly sung by CJae.

“As for inspiration, yes music can come from anywhere but when I get inspiration to create, what I do is I map out basically the architecture of it in my head and then build it from there we had an interview with CJae and he is pretty much so talented when it comes to songwriting, he wrote the record he usually gets where I take the melody emotionally we just have good synergy.

Thus, “Do Time” gives listeners the first sneak peek of the upcoming joint album, *Redlight*, combining Afrobeat and R&B in unique ways. In this interesting interview, I focused in understanding his creativity, his journey in music and what his fans should expect from him in the near future.

Listen to Do Time

Follow Centric on

What is your stage name?

Centric

Is there a story behind your stage name?

People thought my music was “Eccentric” early in my career, so I just shortened it to “Centric.”

Where do you find inspiration?

I can find inspiration from almost everywhere and anyone. Depends on the moment.

What was your role of music in the early years of your life?

I’ve always produced records with a little engineering at times.

Are you from a musical or artistic family?

Ironically, I’m not.

Who inspired you to be a part of the music industry?

My love for music in general.

What was the first concert you went to, and who performed?

I was 10 years old, and I went to see Prince perform.

How could you describe your music?

Soulful

Describe your creative process.

It usually starts with a melody in my head; then I proceed to create it and add in the needed components, such as drums..ect ect

What is your main inspiration?

Other creative artists.

What musician do you admire most and why?

Quincy Jones because of his ability to bring other musicians together.

Did your style evolve since the beginning of your career?

Absolutely. I started producing Hip-Hop only but have recently expanded.

Who do you see as your main competitor?

Myself

What are your interests outside of music?

Sports & traveling.

If it wasn’t a music career, what would you be doing?

Probably a veterinarian

What is the biggest problem you have encountered in the journey of music?

Finding the best way to promote as an independent artist.

If you could change one thing in the music industry, what would it be?

Control of the corporations

Why did you choose this as the title of this record?

That’s a question for CJae…LOL

What are your plans for the coming months?

Just to keep working on music and prepare for our full album release.

Do you have any artistic collaboration plans?

Not currently, but in the future for sure.

What message would you like to give to your fans?

Keep listening and stay inspired!

Embracing the Magic of the Moment: An Interview with Wilcken

Interviews

Mister Styx

August 6, 2024

WILCKEN out with Stereo,WILCKEN releases Stereo,WILCKEN with Stereo,WILCKEN drops Stereo,Stereo by WILCKEN ,Stereo from WILCKEN ,WILCKEN ,Stereo,WILCKEN Stereo,Stereo WILCKEN — Embracing the Magic of the Moment: An Interview with Wilcken

Meet Wilcken, one of the best musicians out there, who is releasing his solo project EP called ‘Stereo’. At 24, after eight years in the industry, Wilcken has gone to his own small studio to produce music that many consider personal.

He is one of the universe’s biggest advocates for remaining organic. No autotune, no comping – just a live talent at its best, and it was fun seeing it in that raw form. All the songs in *Stereo* are from specific years and the state of mind – and they were all recorded here in this studio. As promised, we got to the heart of the matter by interviewing none other than Wilcken about *Stereo*.

The EP is divided into four songs, and it is as if the band took each song and sequenced it, recording it until it became perfect, yet they still gave the recording an organic, live feel. Wilcken has to be eager about this one and he is quite explicit about who needs to take the credit.

For this, he enlisted Philipp Buck to come and put some drums on ‘Round Midnight’ to beef up the sound of the track. From its name borrowed from ‘Seasons’ all the way to the sultry ‘Past Midnight’ and the soothing ‘Inhale’, *Stereo* is set to be quite the ride.

Next up: we will be following his creative process – his motivations, dreams, and inspirations. Therefore seated, let us introduce you to the man behind the music and the story of *Stereo*.

Listen to Stereo

Follow WILCKEN on

Spotify

Instagram

**What is your stage name?**
WILCKEN!

**Is there a story behind your stage name?**
I used a long fake name for my first solo shows (Jeminem Demingway). It got stuck when I played bass in a power pop band. A friend asked me why I used a fake name. I thought about it, and WILCKEN, my last name, became my stage name.

**Where do you find inspiration?**
Everywhere. I worked contractually for a long time, so I can take inspiration from almost any topic. You just have to look close enough. For my solo work, a lot of inspiration comes from improvisation.

**What was the role of music in the early years of your life?**
Music was, and always has been, around me. I was a very musical child and tried to learn a few instruments. When I was 13, I got more serious and wanted to become a guitar player. However, I had a motorcycle accident when I was 19 and broke my hand, so that was off the table.

**Are you from a musical or artistic family?**
My parents play instruments, but there wasn’t anyone I could learn from about making a career in music. I’m the first in my family to take that path.

**Who inspired you to be a part of the music industry?**
It’s difficult to say who. There are so many great artists. I would rather say what inspired me. The feeling of making music and playing live is something I have not encountered in other parts of my life. This feeling always drags me back to music.

**How did you learn to sing/write/play?**
I learned a few instruments, but mostly it was curiosity. Music and writing lyrics gave me a way to express certain feelings and draw people’s attention to topics that are important to me. Later on, I studied classical singing and composing because I wanted to dive deep into the technical and theoretical realms of music.

**What was the first concert you ever went to, and who did you see perform?**
I honestly don’t know. My parents took me to a few concerts as a child. But the first concert for which I bought a ticket was Eric Clapton in Dortmund when I was 13. That was a blast.

**How would you describe your music?**
My solo project, WILCKEN, is driven by an emotional approach. I want people to feel emotions through music. For me, it feels like writing a soundtrack for different emotional states of mind, and I bring everything I can offer to the table.

**Describe your creative process.**
I usually have a melody or words that evolve spontaneously in my head, or I improvise or practice guitar, and something catches my attention. Then I try to create an environment where this idea can unfold into a song.

**What is your main inspiration?**
Everything and everyone around me.

**What musician do you admire most and why?**
I have to pass on that question. Right now, I admire Julian Lage a lot. I love his style lately. He just plays the right amount of notes, and I never feel like he plays to impress.

**Has your style evolved since the beginning of your career?**
Yes, and I hope it always will.

**Who do you see as your main competitor?**
I don’t believe in competition; I believe in community. I feel that is the only thing that can save this planet if we stop competing and unite by agreeing on certain things.

**What are your interests outside of music?**
I have a lot: literature, fine arts, theater, sports, audio technology, cooking. I’m basically a nerd for everything that can be repaired or fixed.

**If it wasn’t a music career, what would you be doing?**
Having a bistro or working full time with guitars and audio gear.

**What is the biggest problem you have encountered on your music journey?**
The devaluation of recorded music. It’s something you can’t really make money from, but it costs a lot of money and time. Also, if you consider yourself a live musician, you can’t avoid it.

**If you could change one thing in the music industry, what would it be?**
Either prohibit all streaming platforms or pay everybody who has uploaded an album on one of the platforms a monthly grant of $1,500 for two years or until the next album.

**Why did you choose this as the title of this project?**
“Stereo” is the title of the second single. I like the concept of the idea that you have to listen to two channels to get the full picture.

**What are your plans for the coming months?**
At the end of August, I’m releasing a new single with my duo MONOHAZE. My other duo, OMG Schubert, also has something coming up. My new single will come out at the beginning of October, followed by my second EP. So, a lot of music.

**Do you have any artistic collaboration plans?**
Yes, with OMG Schubert and MONOHAZE, but I’m always open to new ones. So, fellow musicians, if you read this and dig my music, get in touch.

**What message would you like to give to your fans?**
Be kind and grateful.

Lifted By Chandra Is The Most Wholesome Thing you would watch Today

Mister Styx

August 6, 2024

Chandra out with Lifted,Chandra releases Lifted,Chandra with Lifted,Chandra drops Lifted,Lifted by Chandra,Lifted from Chandra,Chandra,Lifted,Chandra Lifted,Lifted Chandra — Lifted By Chandra Is The Most Wholesome Thing you would watch Today

I recently stumbled upon this cool band from Bristol – do you know Chandra? They released a song recently titled ‘Lifted’ which curiously has been in my head all this week. Well, I first got to speak to the band’s frontman, Chandra Nair, and he is one of the humblest people you would ever come across.

From the concept of how they thought of “Lifted” to questions about what goes on in their minds as performers we covered it all. These guys have been busy lately, a lot of good stuff. Besides the jam called “Lifted”, they had a couple of other tracks that can be considered bangers, such as “Pretty” and “Smile
(No Fox Gibbon)”, despite the funny name of the song it is dope.

What strikes me about Chandra is it blends various styles of decoration and furniture pieces. Somehow they took alt-rock, added a pinch of pop-rock, a dash of indie, and it is something magic all together. Well, it’s one of those songs that gives you a good moral feeling, you understand.

Anyway, Chandra, the band in question, had some rock-solid things to say about their music and their direction. If you enjoy discovering new British artists or if you have the idealistic vision of musicians with sunny disposition, then you should probably watch our interview. I tell you, these fellows are heading straight for the stars!

Watch Lifted

Follow Chandra

What is your stage name
Chandra

Is there a story behind your stage name?
It’s my name! I went through many different phases of names… tried names based on clever marketing etc etc but in the end my songwriting centred on writing about things that I’d experienced myself so it made sense to just use my own name.

Where do you find inspiration?
Everyday struggles and breakthroughs. I used to think that the things I’ve been through and overcome in life were unique to me and nobody else would understand or be interested. But it turns out that us humans generally all go through very similar things and being able to sing about the light at the end of the tunnel is a universally understood and welcomed topic.

So I very simply write about my journeys safe in the knowledge that many people have experienced, are experiencing or will experience the same things.

What was the role of music in the early years of your life?
I think being surrounded my great melodies was really important for me. Carpenters and The Beatles were always playing… my mum was always singing… I was in the choir from a very young age. I remember I was really young when I got my first Casio keyboard that had the keys light up in order so you could learn to play along to songs such as Greensleeves and Rainy Days And Mondays by The Carpenters.

Are you from a musical or artistic family?
Not at all. Neither of my parents are artists or play musical instruments. Sometimes it’s just there I guess!

What was the first concert that you ever went to and who did you see perform?
R.E.M. 1995 Monster Tour at Milton Keynes Bowl. First gig I ever saw. Changed my life. I was always into music but it had never crossed my mind that you could do it for a living. But that gig changed my life and the next day and woke up and knew that all I wanted to do was be in a band.

How did you learn to sing/write/to play?
I could always sing… from as early as I can remember. So I’ve never learned to sing properly (and that’s probably why I’m not a brilliant technical singer) and I think I get through on the passion that’s in my vocals. Guitar… self-taught, starting the day after the R.E.M. gig. Luckily I’ve always had this ability to hear a melody, notes or chords and be able to replicate them.

How could you describe your music?
Let’s be honest; we write pop music that just happens to be written on guitars and played by a rock band. I come from an indie-rock teenage background so I will always have a rock edge at the forefront but cut me open and I bleed pop.

Describe your creative process.
Genuinely, there isn’t one. In go to sleep, I dream of a melody. It wakes me up. I just out of bed and record it on my phone (otherwise it will be gone by the time I wake up). I wake up and listen to it and the whole song is just there. Done. The lyrics take longer. I take a long time to hone lyrics because while I know what I want to say, it’s really important to me that the lyrics are perfect.

What is your main inspiration?
I picture people having an awesome time at a gig. The music is rocking their world but they go home with a really important, positive message in their head that makes them want to go away and have a brilliant week. That image is constantly at the forefront of my mind and if a song doesn’t do that it’s in the bin.

Did your style evolve since the beginning of your career?
Yes, massively. When I was a teenager I was massively influenced by Britpop: Suede, Radiohead, Mansun, Muse, Elastica etc etc. And so in my first band we basically sounded like Muse. And that was all good and well but over the years I decided that what I really wanted to do was write music that inspires people to be better… to be the best version of themselves.

So I’m writing music now that I wouldn’t have the balls to put out before. Young me would’ve been embarrassed to put out uplifting music. Older me doesn’t give a f**k about perception.

What are your interests outside of music?
I’m a big Gamer. Always have been. Always will be. I’m a big Nintendo fan. Legend of Zelda, Metroid Prime. That’s me all over.

If it wasn’t a music career, what would you be doing?
Video editing and special effects. I do a lot of that and it comes in really useful as we make most of our own video content!

What is the biggest problem you have encountered in the journey of music?
The music industry machine.

If you could change one thing in the music industry, what would it be?
Well, it’s the same in any industry these days but the pressure of needing to hit quarterly budgets and get an immediately return on investments means that there’s practically zero opportunity for the industry to discover something great anymore. I wasn’t born in tyat era but I think of the industry in the 60s and 70s as this hallowed era where discovery was everything. in 2024 it is the opposite I think. Beyoncé write a country song so all the music industry is interested in is country music. It’s just lazy. Music lovers deserve better than to be treated like robots.

Why did you choose this as the title of this project?
It’s really simple; the whole song is designed to lift you up and make you feel your best. The music, the lyrics, the video… it’s all written to help you have the best day.

What are your plans for the coming months?
Well we have lots of gigs coming up but the most exciting thing is that we’ll be releasing our debut EP REALLY soon. All the singles we’ve released so far as well as one new song. I really hope that the EP is like a tonic… 25 minutes of music that lifts and inspires you, and make you want to dance the day away and send good vibes out into the world.

And then we have a Christmas single coming! I love Christmas… if you listen to our most recent single…. Smile (No Fox Gibbon), Pretty, I’ll Be There, Lifted… I reckon you can get an idea of what a Christmas single might sound like!

What message would you like to give to your fans?
Just remember that we all have good days and we all have bad days. But whatever you’re going through, remember that you’re not alone and other opeople will have gone through it to. The fact that they are still standing shows that there is light at the end of the tunnel, even if you can’y see it. I’m not very good at talking to people but I think I’m better at writing songs that talk directly to people. So please listen to our music and I guarantee it will lift you up.

Exploring Rhythm And Soul With Dorian On Reconnected

Interviews

Mister Styx

August 6, 2024

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Prepare yourself for an exclusive interview with Dorian, the revolutionary musician who makes his own rules in the industry. It is always refreshing to see musicians that produce just music but incorporate several emotions into their song. Dorian has proven beyond doubts he is an artist to look out for and his new track “Reconnected” is going to change your life.

I don’t think you could say that Dorian is simply an artist. His tracks are hard to describe and categorize, but once you hear them, you’ll never be able to forget them. A soulful singer whose words directly touch our heart, he composes song that linger in the minds of his listeners.

This is a great advantage for Dorian because it gives a new dimension to the word ‘reconnected. ’It is an upbeat pop song, more precisely a dance track which lyrics are about a person who is trying to get back to another person he knows.

I kid you not, you are going to hear this song on the radio and at every beach party this summer. For all the romantic souls out there who have felt the pangs of an absence, this song is the perfect one. Dorian’s been on a roll and has not looked back since he first came to prominence in 2019.

He’s released five killer tracks, and every single one of them by dropping boundaries of what music can be. Another track was ‘Reign Love’ that received more than 500 thousand plays; he has more than 2 million plays in total. The year before that, he even managed to take away “Artist of the Year” from ‘EnJOY The Mic’.

So Join us as we ask him everything from what goes on behind the scenes of his magic to how he gets his inspiration and what he is envisioning for the future. So make sure to put your headphones in, and let’s go behind the scenes to meet the man behind the music that everyone’s been buzzing about.

Listen to Reconnected below

Follow Dorian on

What is your stage name?
It’s simply my name, Dorian.

Is there a story behind your stage name?
It was given to me at birth by my Mother! Lol

Where do you find inspiration?
From my life, life happening around me, in my loved ones’ lives. I draw inspiration from it all.

What was the role of music in the early years of your life?
Music was always a safe space for me. Discovering so many artists and songs that I loved, I remember recording songs onto tape off of the radio, and making my own little mixes. I always enjoyed being creative in music. I sang in the children’s choir at my church as well. So music was always a deep part of my life.

Are you from a musical or artistic family?
There are quite a few artistic individuals in my family! Artists, writers, and a few of us who love singing. I grew up watching my Dad sing many lead songs in church and admired him in many ways.

Who inspired you to be a part of the music industry?
I’ve always dreamt of it as a child. I think fear held me back from realizing it was possible for me for so long.

How did you learn to sing/write/play?
I guess self-taught as far as singing; and also learning the basics of harmony, blending, things like that in my church’s children’s choir. Writing always came to me naturally, as does expressing myself, which is a blessing.

What was the first concert that you ever went to and who did you see perform?
My Aunt took me around my 15th birthday to see my favorite singer Monica. I was so excited because I spent years loving her and her music!

How would you describe your music?
It is personal, inspirational, heartfelt, authentic, soulful, and passionate! I think sonically it pulls inspiration from so many sounds and genres. But overall, it is rooted in Rhythm and Soul.

Describe your creative process.
I like to browse online and listen to beats to get inspired. I love checking out new talented producers who are dreamers like myself. So I first look for inspiration. But I have to be honest, I think my best songs are written when the inspiration comes to me. Sometimes it’s best to just let life happen!

What is your main inspiration?
Love. God’s Love.

What musician do you admire most and why?
Michael Jackson. He is simply the greatest. He personifies what it means to be an entertainer, a trailblazer, a humanitarian, and an inspirational icon. He touched millions of lives by being a vessel in music. I aspire to be that kind of artist.

Did your style evolve since the beginning of your career?
Most definitely. As I previously mentioned, I draw inspiration from my personal life. And my life has evolved and changed so much since I first started. I’ve grown and changed as a person and artist so much. I think my new album and single will be very reflective of that evolution.

Who do you see as your main competitor?
Myself. I can get in my own way. And I am praying to get better at dealing with my inner saboteurs!

What are your interests outside of music?
I love, love, love video games. One day I’d love to merge the two passions. I want to make music for video games one day.

If it wasn’t a music career, what would you be doing?
Acting, maybe another go at modeling, and some form of modern-day content creation. Lol

What is the biggest problem you have encountered in the journey of music?
I think the music industry from a systemic standpoint could most definitely use a complete overhaul. The creatives in the industry deserve so much more—equality in opportunities, fairness in pay and compensation, honesty in business dealings, boost in morale & morality, etc.

If you could change one thing in the music industry, what would it be?
Bring back the 90s vibes! Lol, that was a special time in music and life for me. I just wish we could go back to a time where musically, artistically, the bar was set so high. But, I do love that the TikTok generation is discovering the all-time classics and bringing them back into the algorithm, that’s so cool!

Why did you choose this as the title of this project?
“Reconnected” is the title of my single and album because it exemplifies all things me right now. Reconnecting with my purpose, fans, friends, family, myself, so many things! I ruptured my Achilles last year, so even my tendons have reconnected—lol. After taking some time off to heal and unplug, “Reconnected” is just so fitting.

What are your plans for the coming months?
Check out my music video for “Reconnected”, releasing 8/4. My album will be out later this year! I will be all throughout the DC, Maryland, and Virginia area promoting my music and performing. My podcast with Jeriel Harvey “Embracing Your Love Marks” is in its 2nd season, check that out! Check out my Linktree for all my socials, for more music, visuals, and creator content!

https://linktr.ee/itsdorianofficial

Do you have any artistic collaboration plans?
Check out the up-and-coming Wyte Off Da Come Up’s new summer sexy song “Early In The Morning” featuring me! It’s vibey.

What message would you like to give to your fans?
Thank you for the support! I love you and thank you. So much more in store!