Music can convey emotions that words cannot, and in this captivating work, Serij d’Artosis does just that with Rêve 3: Narges. The work is a very personal one, and was inspired by a woman named Narges, who will not be named, but whose strength and resilience, energy and character deeply impressed the composer; in fact, the work was premiered on the EP Vestiges de Rêves.
It started with a light piano concept and slowly grew into more of a filmic and emotional piece. In the process of creating not only a song but a musical portrait, Serij d’Artosis sought to evoke the fortitude and fragility of the inspiration that shaped them, through immersive textures, layers of orchestration and expressive piano playing. The end product is a dreamlike and emotional trip that takes the listener into a realm of admiration, love and imagination.
In this interview, Serij d’Artosis shares with us his creative process for Rêve 3: Narges, his adaptations of real feelings into music, the influence of cinema and literature on his works and how this piece of music helped him to push the limits of his own work and express his feeling just as he wanted to.
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“Rêve 3: Narges” has a very cinematic and mysterious title. What inspired this piece, and what story or emotion were you hoping to express through it?
“Rêve 3: Narges” was born from genuine emotions — in this case, the inspiration was someone I deeply love, a girl named Narges. From the very beginning, I admired her exceptional strength, adaptability, energy, and her remarkable ability to overcome adversity.
I wanted this piece to become a portrait of her — a blend of strength and delicacy. The cinematic atmosphere and sound were the final brushstroke, giving shape to the emotions and admiration that inspired the composition.
The atmosphere of the release feels deeply immersive and dreamlike. How important was mood and texture in shaping the overall sound?
Mood and texture were extremely important in shaping the overall sound of the release. Since the music was inspired by very personal emotions and by someone I sincerely fell in love with, who left a deep impression on me, I wanted to create an atmosphere that felt intimate, immersive, and emotionally honest.
I was searching for a balance between strength and delicacy — the same contrast that inspired “Rêve 3: Narges.” Layered textures, space, and cinematic elements helped me express emotions that are often impossible to put into words.
At the same time, the most important part for me was always the work at the piano. That is where the most essential emotions and core motifs were born — everything else was simply an attempt to give them the right space and depth. For me, the mood in this music is not just a background element; it is part of the narrative itself.
Can you take us through the creative process behind “Rêve 3: Narges”? How did the composition evolve from the initial idea to the finished work?
As always, the piano was my starting point — for me, it is the foundation of everything. Only after achieving a recording with the right quality and emotional depth am I able to move further into the process, adding the digital orchestra and individual instruments.
However, the initial concept was very different from the final result. At first, I intended to compose something closer to a delicate piano solo ballad. Later, I realized that such a minimal and fragile piece would never truly reflect the character of the real Narges.
It was only through fully understanding who she is — her personality, strength, and energy — that I was able to create something so vivid and alive.
The word “Rêve” suggests themes of dreams and imagination. Did this track come from a personal vision, memory, or abstract concept?
As I mentioned before, this is a very personal composition inspired by a real and tangible person. At the same time, I cannot deny that both she and our connection carry something dreamlike within them. Otherwise, this composition would not have found its place on the EP “Vestiges de Rêves.”
Your music often feels emotionally detailed and carefully layered. How do you approach balancing technical composition with emotional storytelling?
Emotions will always be the most important element for me — not necessarily what I feel myself, but what I want the listener to feel and visualize in their imagination. The technical side is also very important to me. I have the impression that, both as a pianist and a composer, I want to keep moving forward, constantly improving my skills and expanding the knowledge I need for my creative process.
Was there a specific moment during recording or production where the direction of the track unexpectedly changed?
Yes. It was the final minute of the piece. That section was actually the most challenging for me and took the most time to complete. For the first week, I had no idea what the ending should sound like. I wrote around ten different versions, but none of them felt right.
It wasn’t until I recalled a live performance of Ludovico Einaudi’s “Pathos” that I attended in Frankfurt last year, where he played a new arrangement, that I started to wonder whether a similar approach could work here. And it turned out that it did.
That’s how the final minute was born — a passage that gradually evolves from a delicate touch on the piano keys into the final culmination of the piece.
“Rêve 3: Narges” creates a strong visual feeling even without images. Do cinema, visual art, or literature play a role in your creative inspiration?
Yes, both cinema and literature are important sources of inspiration for me.
Cinema influences how I think about atmosphere and emotional storytelling, especially the way films can build tension and narrative without words. Literature, on the other hand, shapes my imagination and inner imagery, often inspiring moods and emotions that later find their way into my music.
How does this release reflect your artistic evolution compared to your previous work as Serij d’Artosis?
I must admit that the composition itself technically pushed me back to the peak of my piano playing abilities. I also don’t remember the last time I enjoyed playing the piano this much. In the end, I was able to tell a story exactly the way I intended from beginning to end — while creating someone’s “portrait” through emotions.
Every project leaves something behind with the artist after it is completed. What did creating “Rêve 3: Narges” teach you creatively or personally?
When something turns out well, you naturally appreciate what you’ve created. I feel a strong sense of pride that this composition is exactly as I envisioned it. I wouldn’t change anything about it — neither the intro played on digital cymbals, nor the finale, nor the ending.
Both technically and personally, the piece taught me humility and showed me that creating music based on the image of a specific person and emotions is never simple or easy.
When listeners fully experience “Rêve 3: Narges,” what kind of feeling or lasting impression do you hope stays with them the most?
I would like them to get to know the person I fell in love with — not just as an abstract inspiration behind the music, but as a real human being full of depth, dedication, and an incredible inner strength. I hope they are able to sense her sacrifice, her energy, and all the qualities that make her such an extraordinary person in my eyes.
Through this piece, I wanted to convey not only my feelings, but also a sense of admiration and respect for who she is as a person. And I hope I managed to do that.
