Music

This is the part of Music Arena Ghana where we discuss, write about, and evaluate new music from emerging musicians as well as those who are already well-known.

Stephanie Happening’s “Ignition” Is A Declaration Of Survival

MrrrDaisy - November 12, 2025

Running on Empty: Ava Valianti’s Tender Meditation on Fading Love

Mister Styx - November 5, 2025

Ava Valianti is just sixteen years old but she is demonstrating herself as one of the most emotionally conscious young artists in pop music...

Chellcy Reitsma’s ‘Carpe Diem’: An Album That Fights Back

Chris The Blogger - November 5, 2025

There is a specific weight to Chellcy Reitsma’s "Carpe Diem," one that feels less like a motivational poster and more like a heavy coin...

Seema Farswani Draws Her Own Map With “Sketches On The Walls”

MrrrDaisy - November 5, 2025

Dubai, Chicago, Boston, Singapore, each city a chapter in a life defined by movement. Seema Farswani is one brilliant and a genius singer, songwriter...

Finding a Shared Shelter in Cat Cork’s “Simple Song”

Chris The Blogger - November 4, 2025

Listening to Cat Cork’s "Simple Song" is a funny thing; the title is a clever piece of misdirection, a plain brown wrapper on a...

Rich Delinquent Redefines Power and Vulnerability on “Never Said I’m God”

Mister Styx - November 4, 2025

The new single by Rich Delinquent Never Said I’m God is a powerful mixture of sincerity, vigilance, and gloomy cinematic approach. It was also...

Dimastah Unleashes A Cross-Cultural Anthem With “Love Gifted”

MrrrDaisy - November 4, 2025

Some songs arrive like a polite knock on the door, while others burst in with the force of a carnival procession. Dimastah’s “Love Gifted”...

Taya Elle Delivers A Raw Confession In Two Languages In “Don’t Love You”

MrrrDaisy - November 4, 2025

Taya Elle arrives with her debut single, "Don't Love You," and it feels less like an introduction and more like a confession shared. The St....

Navigating the Hypnotic Maze of “Half Evil” by Tomato Soup

Chris The Blogger - November 3, 2025

There is a peculiar kind of engine at the heart of "Half Evil" by Tomato Soup, and it runs not on gasoline but on...

The Neon-Soaked Sorrow of Violet Whimsey’s “PERSEPHONE”

Chris The Blogger - November 3, 2025

Listening to Violet Whimsey’s new EP, “PERSEPHONE,” is a bit like finding an antique music box that only plays minor chords. You wind it...

Finding the Light on the Hill in Michellar’s “Truth Over Lies”.

Chris The Blogger - November 2, 2025

Listening to the opening of Michellar’s "Truth Over Lies" is like being dropped mid-sentence into a conversation you desperately need to hear. This track,...

Inside the Mystical Space of TaniA Kyllikki’s “I PROMISE”

Chris The Blogger - November 2, 2025

Listening to TaniA Kyllikki’s new single, “I PROMISE (I'll Wait For You)”, is like stumbling upon a vow carved into the stone of a...

The Festive Defiance of John Smyths’ “Now I’m Wiser”.

Chris The Blogger - November 2, 2025

The moment the jaunty guitar kicks in on John Smyths’ new single, "Now I'm Wiser", you feel a familiar, comfortable warmth. It’s the sound...