Sister of War is one of the strongest and most emotionally intense songs of The Elephant Man but not only so- it is a song that sets the bleak truth of the modern world, and perverts it into dark and throbbing rock energy! The song was created out of a monotonous, hypnotic bass rhythm, and it makes you want to pay attention to it right at the very beginning since it is tense and circular and invies you to sink into the hole with each beat. The intensity is stacked upon as the song progresses with heavy guitars and harsh vocal lines marching the song into a chorus that seems to be a gasping breath of air in a raging storm!
The band is not afraid to combine the darkwave, post-industrial rock, blues-infused rhythms, and electronic textures, resulting in the sound that reveals their extremely broad scope of influences: the classic 70s rock up to the contemporary alternative textures of the cutting edge.
Its lyrics are outspoken about injustice, doubt and the emotional rifts that are being created in our current time and presents a strong voice of anger, perseverance and a very weak but undying sense of hope. It is an uncivilized response to the surrounding world, and a naked mirror flung up to look back in!
Sister of War is another masterful showcasing of the progress of the band since the time of their last composition, Sinners. The music is more unchecked, dark and brutal than ever and yet is incredibly emotional. The song is really alive when performed live and every audience can relate it right away with its blistering energy and its pressing message!
Daring, psycho-aroun, and highly human, Sister of War is nothing short of an entirely defining moment of The Elephant Man, such is the band at its bravest and most effective!
Listen to Sister of War below
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“What inspired the writing of “Sister of War,” and what story or emotions are you expressing in this track?
The music bleeds into the world around us: harsh times and heavy injustices echo through the atmosphere and through the lyrics of this song. Sister of War absorbs the tension and uncertainty of the present moment, turning them into sound and emotion. Its verses reflect the conflicts and fractures that shape our daily lives, even from afar, giving voice to the anger, resilience, and fragile hope that emerge in difficult times. In this way, the song becomes both an expression and a reflection of the world we inhabit. The video further amplifies this message, completing with images what we sought to convey through the music.
How does “Sister of War” fit within the overall theme or narrative of your latest album?
We believe that Art — real Art, with a capital “A” — is always a product of its age. And ours is an age scarred by injustice, where the ideals of peace and fairness are routinely trampled in the name of profit and power. We’re living through years of raw, unfiltered chaos, the kind our generation hoped it would never have to face — especially in a part of the world that liked to think it had “evolved” beyond the mistakes of the past. That sense of chaos is present.
The song features a blend of darkwave and post-industrial rock elements—how did you craft its distinctive sound?
It all traces back to the many genres we love and that influence us, sometimes even unconsciously. We’re shaped by a wide range of musical styles, Alternative rock, 70’s rock, stoner, 80’ new wave and electronic, prog, punk, and we love music from the ’70s all the way to today. So, for example, a synth part might feel driving and very contemporary, while the chorus shifts into a shuffle rhythm that recalls blues influences.
Then we might come up with a very repetitive, impactful vocal hook without thinking of any specific sound, and only later, through arranging and production, give it a completely different sonic foundation. The process is absolutely free and creative.
What message or feeling do you hope listeners take away from “Sister of war”?
Music is experienced by each listener in their own way, of course. We hope the energy of the track reaches the audience. We also believe that a song like this can offer the listener an experience of awareness—a momentary reflection on the dangers of the historical moment we are living through.
Can you walk us through the creative process behind this song, from songwriting to production?
The track was born from a repetitive, hypnotic bass groove that grabbed us from the very first moment. Its cadence drags you in, obsessive and circular, until it finally opens up in the chorus — a brief escape route from the track’s relentless, hammering riff. The guitars hit hard yet stay deliberately sculpted, almost in the vein of The Elephant Man style. Initially, the synth line belonged to the bass, but we realized that running it through a synth unlocked the exact tone we were chasing.
The final section whit these strong vocal parts sharpens and amplifies the message, driving the tension to its peak.
“SISTER OF WAR” seems to grapple with themes of truth, inner conflict, and transformation. How do these ideas resonate with you personally?
M: We’re all part of the same game.
Some people are crushed by it, others try to expose it, to exorcise it.
It’s hard to stay outside of it.
It’s like a blob that gets on all of us, staining everyone.
Every track on REDEMPTION is somehow connected.
The common thread is the distortion of reality and the desperate need to redeem ourselves and break free from it.
Are we ready?
How does this track reflect your evolution as a band since your earlier releases?
The sound of the band has evolved in a completely natural way. We’ve become far more aware of our own territory. In some moments the style cuts deeper and pushes further: the dark side surfaces more fiercely than on Sinners, and a raw, untamed energy breaks through in several tracks, like Sister of war. The same is true for the more intimate and vaporous songs, like Dance of the Hollow, where we pushed the idea of silence-as-sound to a new level — stripping the music down until it became a true dance in the void.
How do you balance musical intensity with emotional depth in your songwriting?
We write far beyond any mainstream expectation — sometimes the chorus arrives two minutes in, which is sheer madness in a world where the “rules” demand a hook within ten seconds. For us, the band is a space of absolute inspiration, a place where we can unleash ourselves without compromise.
The creative process can vary a lot: sometimes it’s a guitar riff that sparks the initial idea, other times it starts from a more fully formed concept or a bass line. Then, during the production phase, we always look for musical parts that enrich the piece and serve the song, never elements that exist just for their own sake.
What has been the fan and critical response to “Sister of War” so far?
Sister of War has been very well received; the rhythm of the track gets people moving and the energy is palpable. During live performances the audience is highly engaged, and it will definitely remain an integral part of our shows. Each time we play it, we feel a strong connection with the crowd, and the song seems to take on new life on stage.
Are there any upcoming live performances, videos, or projects connected to this song?
Sister of War is of course part of our live set, and it is generally very well received by the audience. Recently, it was also the subject of a lecture at an important Italian university, which explored the connection between art and the contemporary international situation.
How do you envision the next chapter of your music following the release of “Sister of War”?
At the moment, our focus is on securing opportunities to bring our live show across the world. We’re continuously exploring new booking agencies and looking for chances to play clubs and festivals wherever our music is welcomed and called for. Once this chapter of live shows unfolds, we’ll dive headfirst into the creative process and begin shaping the writing of our third album.
